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Raymond Blanc arrived in Britain in 1972 as a 22-year-old | 0:00:02 | 0:00:05 | |
unemployed French waiter, | 0:00:05 | 0:00:08 | |
with only a shaky grasp of English. | 0:00:08 | 0:00:10 | |
Ten years later, he was a chef with two Michelin stars, | 0:00:10 | 0:00:13 | |
which he still holds today. | 0:00:13 | 0:00:15 | |
Good texture. Lovely, lovely. | 0:00:15 | 0:00:18 | |
While he has been successful in his adopted home, | 0:00:18 | 0:00:21 | |
he has never forgotten his first love... | 0:00:21 | 0:00:24 | |
Food, food, glorious food! My God! | 0:00:24 | 0:00:26 | |
..the food and wine of France. | 0:00:26 | 0:00:28 | |
Beautiful! | 0:00:28 | 0:00:30 | |
Now Raymond is back to his favourite French regions | 0:00:30 | 0:00:33 | |
so that he can reconnect with the wonderful food and people | 0:00:33 | 0:00:36 | |
that have inspired him. | 0:00:36 | 0:00:38 | |
Ah, voila! | 0:00:38 | 0:00:40 | |
Woah-ho-ho! Ooh, la, la! | 0:00:40 | 0:00:42 | |
The flavour is intense. | 0:00:42 | 0:00:44 | |
Just... | 0:00:44 | 0:00:46 | |
melting. | 0:00:46 | 0:00:47 | |
In each region, he will take over a restaurant for one night only... | 0:00:47 | 0:00:51 | |
-Oh, la, la! -..and cook a feast inspired by his journey. | 0:00:51 | 0:00:54 | |
My beautiful Franche-Comte. | 0:00:54 | 0:00:56 | |
He will be serving a menu that features his version | 0:00:56 | 0:00:59 | |
of famous local dishes. | 0:00:59 | 0:01:01 | |
Helping the master in his homeland will be two lucky young chefs | 0:01:01 | 0:01:06 | |
from his restaurant in Oxfordshire - | 0:01:06 | 0:01:08 | |
-Kush and Katie-Beth. -Oh, la, la! Oh, la, la! | 0:01:08 | 0:01:11 | |
Despite 30 years at the top in the UK, | 0:01:12 | 0:01:16 | |
this will be the first time Raymond has had a chance to be Chef | 0:01:16 | 0:01:19 | |
in France. | 0:01:19 | 0:01:20 | |
I've never cooked in France and I'm slightly, slightly anxious. | 0:01:20 | 0:01:25 | |
Ooh, la, la! Stop it! | 0:01:25 | 0:01:26 | |
Stop, stop, stop! Don't go up! | 0:01:26 | 0:01:29 | |
It's a daunting, nerve-wracking and exciting task, | 0:01:29 | 0:01:33 | |
but one perfectly suited to Raymond Blanc - | 0:01:33 | 0:01:36 | |
the very hungry Frenchman. | 0:01:36 | 0:01:37 | |
Provence. It's the good life. | 0:01:43 | 0:01:46 | |
Enough sunshine to bless outside living and temperate enough | 0:01:46 | 0:01:50 | |
for a simple larder to flourish from the rugged landscape. | 0:01:50 | 0:01:53 | |
When all the flavours of the area come together, | 0:01:53 | 0:01:56 | |
the bright tomatoes, | 0:01:56 | 0:01:58 | |
fruity olive oils, the fresh garlic and aromatic herbs, | 0:01:58 | 0:02:01 | |
then you have a region so clear in its culinary identity, | 0:02:01 | 0:02:05 | |
it sums up a lifestyle - Provencal. | 0:02:05 | 0:02:08 | |
The region covers a vast area stretching all the way | 0:02:08 | 0:02:13 | |
from the High Alps on the Italian border, | 0:02:13 | 0:02:15 | |
to the glittering Mediterranean Sea in the south. | 0:02:15 | 0:02:19 | |
Provence is drenched with sun, drenched with light pouring in. | 0:02:19 | 0:02:22 | |
It's hot. | 0:02:22 | 0:02:24 | |
You see sometimes the sun, the light, dazzling, | 0:02:24 | 0:02:27 | |
dancing on the flora. | 0:02:27 | 0:02:30 | |
It's a region that the French love. It's a region that the British love. | 0:02:30 | 0:02:34 | |
It's certainly a region that I love. | 0:02:34 | 0:02:37 | |
Amongst the experiences that have inspired Raymond Blanc's passion for food and cooking, | 0:02:37 | 0:02:41 | |
few can rival his first visit to Provence as a 14-year-old boy | 0:02:41 | 0:02:46 | |
from the cooler, landlocked region of Franche-Comte, | 0:02:46 | 0:02:49 | |
some 400 miles to the north. | 0:02:49 | 0:02:51 | |
It was an extraordinary moment when I discovered Provence. | 0:02:51 | 0:02:55 | |
The sky was so different! It was blue, it was immense. | 0:02:55 | 0:02:58 | |
Just amazed by the difference. | 0:02:58 | 0:03:01 | |
The lavender, the rosemary, the "anis", the fennel everywhere. | 0:03:01 | 0:03:05 | |
Even the fish looked different. | 0:03:05 | 0:03:07 | |
They were spiky and red, totally different from what I'd known before. | 0:03:07 | 0:03:11 | |
The taste, mostly the tastes were different. | 0:03:11 | 0:03:14 | |
Suddenly, the garlic, the "basilic", the tomatoes, the olive oil! | 0:03:14 | 0:03:17 | |
I used butter. Here I discovered olive oil. I didn't know olive oil. | 0:03:17 | 0:03:22 | |
The textures were so incredibly different, | 0:03:22 | 0:03:25 | |
that I could've been onto another planet. | 0:03:25 | 0:03:27 | |
Raymond has remained fascinated with the region, and for him, | 0:03:33 | 0:03:36 | |
there is no better way to remind himself of his early | 0:03:36 | 0:03:39 | |
love affair with the food, | 0:03:39 | 0:03:41 | |
than to drop in at a quayside restaurant | 0:03:41 | 0:03:43 | |
and savour the flavours of Provence with an appetiser. | 0:03:43 | 0:03:46 | |
You've got wonderful flavours from the earth, from the soil of Provence, | 0:03:46 | 0:03:50 | |
like these delicious red peppers, which are just simply roasted. | 0:03:50 | 0:03:53 | |
A little spread of olive oil, that's it! That's plenty. | 0:03:53 | 0:03:57 | |
Now you've got a lovely tapenade, OK? | 0:03:57 | 0:04:00 | |
And tapenade is so easy because it's just simply black olives | 0:04:00 | 0:04:03 | |
which are pureed. Delicious. | 0:04:03 | 0:04:06 | |
That is a beautiful dish. It's called caviar of aubergine. | 0:04:06 | 0:04:10 | |
Of course, it's got nothing to do with caviar. | 0:04:10 | 0:04:13 | |
A bit mean on the olive oil as well, but not mean on the garlic. | 0:04:13 | 0:04:17 | |
That one is absolutely reeking of garlic! | 0:04:17 | 0:04:20 | |
You have all of France in here! My God, you've got all the garlic of France in here! | 0:04:20 | 0:04:25 | |
Those things are there to tease you. | 0:04:25 | 0:04:28 | |
Tease the appetite, that's all. | 0:04:28 | 0:04:30 | |
To make you salivate, | 0:04:30 | 0:04:33 | |
make sure those gastric juices stir faster and faster and faster. | 0:04:33 | 0:04:40 | |
It's a process, eating. You've got to prepare yourself. | 0:04:40 | 0:04:43 | |
You've got to find the right place, | 0:04:43 | 0:04:45 | |
the right wine and you feel good, and then you start enjoying yourself. | 0:04:45 | 0:04:48 | |
For Raymond, wherever he's chef, it's the enjoyment of his guests | 0:04:51 | 0:04:56 | |
that remains, for him, the joy of cooking. | 0:04:56 | 0:04:59 | |
And for the next few days in Provence, his journey will deliver just that, | 0:04:59 | 0:05:03 | |
as he becomes inspired by the region | 0:05:03 | 0:05:06 | |
that entertained his young taste buds, | 0:05:06 | 0:05:08 | |
and pulls together a Provencal feast, | 0:05:08 | 0:05:11 | |
as he draws on old memories, eats with great friends... | 0:05:11 | 0:05:14 | |
Woah-ho-ho! Ooh, la, la! | 0:05:14 | 0:05:17 | |
..discovers new wines... | 0:05:17 | 0:05:18 | |
This one, it is incredible! | 0:05:18 | 0:05:21 | |
People are going to be so happy. | 0:05:21 | 0:05:24 | |
..and tastes a cornucopia of Provencal life... | 0:05:24 | 0:05:28 | |
Tres, tres, tres special! How lucky you are! | 0:05:28 | 0:05:30 | |
You have all this fantastic fish! | 0:05:30 | 0:05:32 | |
..all grown under a warming Mediterranean sky. | 0:05:34 | 0:05:37 | |
Oh, la, la! Oh, la, la! | 0:05:40 | 0:05:41 | |
With his Provencal ingredients gathered, Raymond will host, | 0:05:41 | 0:05:45 | |
for one night only, in a local restaurant, | 0:05:45 | 0:05:47 | |
his interpretation of a regional menu, | 0:05:47 | 0:05:50 | |
-with just two young chefs from England to help - Kush... -Ready, Chef! | 0:05:50 | 0:05:54 | |
..and Katie-Beth. | 0:05:54 | 0:05:56 | |
More flavour! More flavour! | 0:05:56 | 0:05:58 | |
They are beautiful but, come on, don't be so mean, for God's sake! | 0:05:58 | 0:06:02 | |
Yes, Chef! | 0:06:02 | 0:06:03 | |
I feel a little bit of nerves. | 0:06:03 | 0:06:05 | |
Part of me loves it and part of me is anxious. Always a bit of anxiety! | 0:06:05 | 0:06:08 | |
The magical way you can sit next to the Mediterranean | 0:06:15 | 0:06:19 | |
and eat the fruits of the sea, sum up life in Provence for Raymond. | 0:06:19 | 0:06:23 | |
To capture the essence of the best in Provence, | 0:06:23 | 0:06:26 | |
Raymond has decided to start in Marseilles, | 0:06:26 | 0:06:29 | |
and drop in on good friend Gerald Passedat | 0:06:29 | 0:06:32 | |
to see how a local chef | 0:06:32 | 0:06:33 | |
with three Michelin stars gets the best flavours of the Med on a plate. | 0:06:33 | 0:06:39 | |
Gerald's innovative food is immersed in the sea, | 0:06:39 | 0:06:42 | |
from the terrace where you eat to the restaurant's own quay, | 0:06:42 | 0:06:46 | |
where the fresh catch is landed. | 0:06:46 | 0:06:49 | |
So I think it's fantastic. That man is lucky, | 0:06:49 | 0:06:52 | |
because he's got his restaurant up there | 0:06:52 | 0:06:54 | |
and he's got the fishermen down there, | 0:06:54 | 0:06:56 | |
and they bring the fish to him every day. | 0:06:56 | 0:06:59 | |
So the fish is very fresh here. | 0:06:59 | 0:07:01 | |
-Tres bien. -Mackereau. Little dorade, like that. | 0:07:01 | 0:07:07 | |
John Dory? Oh, il est joli. | 0:07:07 | 0:07:10 | |
St Peter put his fingerprint on this fish so it's a blessed fish. | 0:07:10 | 0:07:14 | |
Mon pauvre, ca fait mal, hein? | 0:07:26 | 0:07:28 | |
He hooked himself! The fisherman hooked himself, poor man. | 0:07:28 | 0:07:32 | |
I don't want to laugh about his ill fortune experience. | 0:07:32 | 0:07:35 | |
Tres bien. I think he's got a lovely girelle there. | 0:07:38 | 0:07:41 | |
-Girelle royale. -Elle est jolie, elle est jolie. That's a beautiful fish for bouillabaisse. | 0:07:41 | 0:07:46 | |
These little fish won't be finding their way onto Gerald's menu - | 0:07:46 | 0:07:49 | |
this fisherman is catching his lunch. | 0:07:49 | 0:07:52 | |
This man is actually fishing his fish soup, that's what he does. | 0:07:52 | 0:07:55 | |
At lunch he will go home, it will take him five minutes. | 0:07:55 | 0:07:58 | |
He will use the fish whole, leave all the insides, | 0:07:58 | 0:08:00 | |
chop it up with a bit of onions, a bit of tomato, | 0:08:00 | 0:08:03 | |
a bit of garlic, fennel, a dash of white wine, water. | 0:08:03 | 0:08:06 | |
Cover it, bring to the boil, puree, strain, serve. | 0:08:06 | 0:08:10 | |
A lot of oil, garlic, lots of garlic, beautiful aioli. Et des croutons, hein? | 0:08:10 | 0:08:14 | |
Whether the fisherman takes Raymond's recipe tip or not, | 0:08:17 | 0:08:21 | |
it's the excitement of the fresh fish delivery | 0:08:21 | 0:08:23 | |
that draws them into Gerald's busy kitchen. | 0:08:23 | 0:08:26 | |
Messieurs, bonsoir! Bonjour, comment ca va? | 0:08:26 | 0:08:29 | |
As fish is the basis for much of Gerald's cooking, | 0:08:29 | 0:08:33 | |
it's no surprise he has perfected a local dish, bouillabaisse, | 0:08:33 | 0:08:36 | |
A fish stew with a deep, rich liquor base. | 0:08:36 | 0:08:40 | |
-So, you don't empty them? You just put it all in, everything? -Oui. | 0:08:42 | 0:08:46 | |
So that's a base for your bouillabaisse. | 0:08:46 | 0:08:48 | |
Every day for the bouillabaisse, you can't keep it in the fridge. | 0:08:48 | 0:08:52 | |
The bouillabaisse has been famous in the region for years | 0:08:52 | 0:08:55 | |
and is often interpreted by both chefs and home cooks. | 0:08:55 | 0:08:58 | |
Gerald is keen to show Raymond his Michelin-starred version. | 0:08:58 | 0:09:02 | |
For the fish stock, a local catch, | 0:09:05 | 0:09:07 | |
to which Gerald adds a dash of cognac and pernod. | 0:09:07 | 0:09:10 | |
A little bit cognac. | 0:09:10 | 0:09:12 | |
-Then the essential aromats of Provence. -What do you have? | 0:09:14 | 0:09:18 | |
Fennel. | 0:09:18 | 0:09:19 | |
-Orange. -Orange. | 0:09:19 | 0:09:21 | |
-A little bouquet garni. -Tomatoes, onion. | 0:09:21 | 0:09:24 | |
Look at these colours. Already, so beautiful. | 0:09:28 | 0:09:32 | |
Just chop the garlic, of course. A lot of garlic. We love our garlic! | 0:09:32 | 0:09:36 | |
-When it's cooked, it's better. -Fantastic. C'est merveilleux. | 0:09:36 | 0:09:40 | |
To this, a few spices - star anise, fennel and chilli, | 0:09:40 | 0:09:45 | |
and for liquid, water. | 0:09:45 | 0:09:47 | |
Not just any water. | 0:09:47 | 0:09:48 | |
I always add two spoons of sea water. | 0:09:50 | 0:09:53 | |
The Mediterranean is such a good water, clean water | 0:09:53 | 0:09:56 | |
that I can put it in my soup? | 0:09:56 | 0:09:57 | |
-And it boils anyway. -OK. -The Mediterranean is good. | 0:09:57 | 0:10:00 | |
He's seasoning effectively his soup with sea water. Brilliant, very clever. | 0:10:00 | 0:10:05 | |
It's lovely. All these flavours have melted together. | 0:10:06 | 0:10:10 | |
An incredible action between the sea, the air, the spices, the herbs. | 0:10:10 | 0:10:14 | |
It's incredible. | 0:10:14 | 0:10:16 | |
It's cuisine completely influenced by North Africa, | 0:10:16 | 0:10:19 | |
all the spice trade coming to Marseilles. | 0:10:19 | 0:10:22 | |
All the traders and with it, new recipes, new ideas, | 0:10:22 | 0:10:25 | |
but they are lucky. | 0:10:25 | 0:10:27 | |
They are really lucky to have all these fantastic fish. | 0:10:27 | 0:10:30 | |
This base is merely a canvas on which Gerald's bouillabaisse is painted. | 0:10:32 | 0:10:37 | |
He's truly raised this dish to an art form. | 0:10:37 | 0:10:39 | |
Oh, la, la. Oh, la, la! | 0:10:39 | 0:10:42 | |
Stunning. That... I understand now. | 0:10:51 | 0:10:54 | |
I think that's the best bouillabaisse I've tasted, actually. | 0:10:54 | 0:10:58 | |
-It's traditional to serve a spicy sauce on the side. -A little bit. | 0:10:58 | 0:11:02 | |
Whoa! Oh, la, la. Oh, that is very spicy. | 0:11:05 | 0:11:09 | |
That is North Africa, completely. | 0:11:09 | 0:11:12 | |
I'm on the other side of the Mediterranean. | 0:11:12 | 0:11:14 | |
Time for Raymond to solicit a little local advice | 0:11:14 | 0:11:19 | |
about putting a Provencal menu together. | 0:11:19 | 0:11:21 | |
I think very simple recipes with olive oil first. | 0:11:21 | 0:11:26 | |
"Basilic"? | 0:11:26 | 0:11:27 | |
-Basilicum, yes. -Garlic? -Yes, garlic. | 0:11:27 | 0:11:31 | |
-What else? -Tomatoes. -Tomatoes. | 0:11:31 | 0:11:34 | |
-And what else? -And fish. -And fish. -And no cream. And no butter. | 0:11:34 | 0:11:39 | |
And a lot of wine. | 0:11:39 | 0:11:40 | |
-A lot of wine and a lot of sun. -A lot of sun, of course. | 0:11:40 | 0:11:43 | |
-The sun, the light. -Light. -Brings the light. We'll pay for the light. | 0:11:43 | 0:11:47 | |
-That sounds lovely. Merci. Merci bien. -Thank you, thank you. | 0:11:47 | 0:11:52 | |
It's over 20 years since the classic book A Year in Provence | 0:11:55 | 0:11:59 | |
summed up the idea of living | 0:11:59 | 0:12:01 | |
a romantic, simple Provencal life for a generation of Brits. | 0:12:01 | 0:12:05 | |
Soaking up the atmosphere of this region is easy, | 0:12:05 | 0:12:09 | |
but after his visit to Gerald's three-star kitchen, | 0:12:09 | 0:12:12 | |
Raymond can see that the food game can have high stakes in Provence, | 0:12:12 | 0:12:16 | |
something he will need to aspire to for his feast for locals. | 0:12:16 | 0:12:21 | |
His long relationship with Provence has always been mental fuel | 0:12:23 | 0:12:26 | |
for Raymond, so it's no surprise when the sight of a wild herb | 0:12:26 | 0:12:31 | |
stops him in his tracks and reminds him of a past cheffing experience. | 0:12:31 | 0:12:36 | |
It's incredible because when I see this fennel, | 0:12:36 | 0:12:41 | |
that's also the first taste of Provence for me. | 0:12:41 | 0:12:44 | |
I stopped. I came with my family in a very old van, OK. | 0:12:44 | 0:12:48 | |
I stopped and I picked up all this fennel | 0:12:48 | 0:12:51 | |
and I bagged it all up in big handfuls in the boot of the car. | 0:12:51 | 0:12:56 | |
The whole family hated me, especially my wife, of course. | 0:12:56 | 0:13:00 | |
She couldn't bear the smell of fennel, but to me, that is Provence. | 0:13:00 | 0:13:04 | |
I picked up rosemary and I picked up lavender. Wild lavender. | 0:13:04 | 0:13:07 | |
I picked up all sorts of wild thymes. It's incredible. | 0:13:07 | 0:13:10 | |
If you knew the smell of this fennel, it is incredible. | 0:13:10 | 0:13:14 | |
On that very simple recipe, quick one, you just cut it off, | 0:13:14 | 0:13:18 | |
roasted fish on top, a bit of olive oil, in the oven, | 0:13:18 | 0:13:21 | |
and you've got the most incredible recipe. | 0:13:21 | 0:13:23 | |
Remember, always take expert guidance | 0:13:23 | 0:13:26 | |
if you're going to forage in the wild. | 0:13:26 | 0:13:29 | |
With the air perfumed by fennel and the memories of Gerald's advice on local fish, | 0:13:29 | 0:13:34 | |
Raymond is headed to the town of Sanary-sur-Mer and the restaurant | 0:13:34 | 0:13:37 | |
he's chosen to locate his feast, La P'tite Cour - the little courtyard. | 0:13:37 | 0:13:41 | |
-I think you'll like it. -OK. -Shall we go, guys? Allez. | 0:13:41 | 0:13:44 | |
With people coming to eat in a few days' time, | 0:13:44 | 0:13:47 | |
he needs to start finalising his menu and organising the kitchen. | 0:13:47 | 0:13:52 | |
-Rosemary and lavender? -No, Chef. | 0:13:52 | 0:13:55 | |
I love the idea of people having a feast here. | 0:13:55 | 0:13:57 | |
That's what food is all about, | 0:13:57 | 0:13:59 | |
to create a feast for people you don't even know, but who cares! | 0:13:59 | 0:14:03 | |
It's the joy that produces chefs, creating a moment which people | 0:14:03 | 0:14:09 | |
hopefully will never forget, and that's lovely. | 0:14:09 | 0:14:12 | |
I feel happy. I feel very happy. Yeah. | 0:14:12 | 0:14:15 | |
Being situated on the sea, the town has a gem for Raymond - | 0:14:19 | 0:14:22 | |
a fish market. | 0:14:22 | 0:14:24 | |
With all the local inspiration, he settles on a main course - | 0:14:24 | 0:14:28 | |
fish on a bed of roasted fennel with an intense red wine jus. | 0:14:28 | 0:14:32 | |
Innovate flavours that sing of Provence. | 0:14:34 | 0:14:37 | |
Bonjour, bonjour! | 0:14:37 | 0:14:39 | |
To balance the dish, he needs a fish with a robust flavour. | 0:14:41 | 0:14:45 | |
-C'est le pageau? -Non, dente. -Oh, vous l'avez trouve? Parfait. | 0:14:45 | 0:14:49 | |
That's the local fish that you can only find in the waters here, | 0:14:50 | 0:14:56 | |
it's called dente. Why? | 0:14:56 | 0:14:58 | |
Look at his teeth! Serious, eh? Wonderful meaty flesh. | 0:14:58 | 0:15:03 | |
That is a perfect fish for roasting. | 0:15:03 | 0:15:05 | |
What I want to create is a fish with red wine. Red wine jus, | 0:15:05 | 0:15:09 | |
because that's very daring. | 0:15:09 | 0:15:12 | |
Usually, people associate fish with white wine. | 0:15:12 | 0:15:14 | |
Red wine with meat and with cheese. | 0:15:14 | 0:15:16 | |
I will buy it now and try it later. | 0:15:16 | 0:15:18 | |
-C'est combien, le dente? Le poids, le dente? -28. | 0:15:18 | 0:15:23 | |
Back in the kitchen, he sets to work on his new dish. | 0:15:29 | 0:15:32 | |
Tough! Tough guy! | 0:15:33 | 0:15:34 | |
A bit of a small guy, but a good, solid strengths. | 0:15:34 | 0:15:39 | |
It's the first time Raymond has cooked this fish so he's interested to find out about its character. | 0:15:42 | 0:15:48 | |
It looks like bream in terms of colour, but I think it'll be firmer. | 0:15:48 | 0:15:51 | |
It's a local fish which moves around Sanary | 0:15:51 | 0:15:54 | |
so it's very local to this particular area. | 0:15:54 | 0:15:58 | |
First, Raymond sautees the fish bones from the dente in olive oil. | 0:15:59 | 0:16:03 | |
-A bit of liquorice. -Then, he adds a little liquorice root. | 0:16:03 | 0:16:07 | |
Its flavour echoes the fennel Raymond will be serving with the fish. | 0:16:07 | 0:16:10 | |
All the aniseed flavours are in the sauce, a great deal of Provence. | 0:16:10 | 0:16:16 | |
Next, some chopped red onion, garlic and butter mushrooms. | 0:16:16 | 0:16:19 | |
Voila! These mushrooms are going to round up the flavour. | 0:16:19 | 0:16:23 | |
All these ingredients provide the base for an unusual red wine sauce. | 0:16:23 | 0:16:27 | |
I'm going to serve with the fish some red wine, OK? | 0:16:27 | 0:16:30 | |
They are not used to it here. | 0:16:30 | 0:16:32 | |
Normally, you do fish with white wine and meat with red wine, | 0:16:32 | 0:16:37 | |
maybe they are going to throw me out back into the sea! We'll see how it goes. | 0:16:37 | 0:16:41 | |
Next, it's the key ingredient - a full bodied red wine. | 0:16:41 | 0:16:46 | |
That is the richness I want. | 0:16:46 | 0:16:49 | |
-See, you can taste it. -It's quite strong. | 0:16:49 | 0:16:52 | |
Hein? Serieux, hein? Oh, la la! | 0:16:52 | 0:16:55 | |
But that's what we want. It's perfect for cooking. | 0:16:55 | 0:16:58 | |
There you can see the Provence wine which has a lot of alcohol. | 0:17:01 | 0:17:05 | |
It'll burn like that for ten minutes! HE LAUGHS | 0:17:05 | 0:17:09 | |
-The reduced red wine is added to the fish bones. -Kush, the strainer. | 0:17:10 | 0:17:15 | |
Oui, Chef. | 0:17:15 | 0:17:16 | |
That's a big strainer, OK. | 0:17:18 | 0:17:19 | |
-Big is beautiful. -Chef! -You press! -Chef! | 0:17:19 | 0:17:24 | |
Voila! And there, you've got a lovely jus. | 0:17:26 | 0:17:30 | |
The jus is set aside, ready to be reduced to an essence. | 0:17:30 | 0:17:34 | |
As well as the red wine essence, Raymond is going to serve the fish | 0:17:34 | 0:17:37 | |
with the fennel cooked in two ways. The first, he called Fennel Flames. | 0:17:37 | 0:17:42 | |
Chefs are quite creative people. | 0:17:44 | 0:17:46 | |
It's just as a shape of flames, as simple as that. | 0:17:46 | 0:17:49 | |
It's got texture and loads of flavour. | 0:17:50 | 0:17:53 | |
The fennel flames are going to be braised with fresh garlic and spices... | 0:17:53 | 0:17:58 | |
Don't get emotional about your garlic! | 0:17:58 | 0:18:01 | |
..and a generous helping of Provencal herbs. | 0:18:01 | 0:18:04 | |
-Star anise. -And water? | 0:18:04 | 0:18:07 | |
Once braised, the fennel flames are caramelised. | 0:18:08 | 0:18:12 | |
The fennel trimmings have been pureed. | 0:18:12 | 0:18:16 | |
Raymond has decided to simply pan fry the seasoned dente, | 0:18:17 | 0:18:21 | |
skin side down in a hot pan. | 0:18:21 | 0:18:23 | |
The fish slice. Voila! | 0:18:24 | 0:18:26 | |
Nice combination. | 0:18:26 | 0:18:29 | |
OK, in the oven. | 0:18:29 | 0:18:31 | |
Two minutes and it will be ready to serve. | 0:18:31 | 0:18:34 | |
A bit of lemon juice. | 0:18:34 | 0:18:36 | |
With all the elements ready, time to think about the presentation. | 0:18:36 | 0:18:41 | |
-Voila, yeah! -The fennel puree goes first. | 0:18:41 | 0:18:45 | |
Voila! Beautiful! | 0:18:45 | 0:18:47 | |
Then the fennel flame. | 0:18:47 | 0:18:50 | |
-Really lovely. Beautiful. -And then the dente. | 0:18:50 | 0:18:54 | |
A warm garnish of chick peas, broad beans and tomatoes | 0:18:54 | 0:18:58 | |
provide flavour, texture and Provencal colour. | 0:18:58 | 0:19:01 | |
-And the jus red wine. -Oui, Chef! -Tres bien! | 0:19:01 | 0:19:04 | |
Now, for the red wine sauce which has been thickened | 0:19:04 | 0:19:07 | |
and reduced to a glossy essence. | 0:19:07 | 0:19:10 | |
It's a dish he hopes his local guests will love. | 0:19:10 | 0:19:13 | |
I'm happy! I know I'm happy. I feel like Papa Blanc now. | 0:19:13 | 0:19:17 | |
I'm feeding my children. Voila! | 0:19:17 | 0:19:21 | |
It's lovely. It's lovely. It's fresh. | 0:19:24 | 0:19:27 | |
More caraway in the point.. | 0:19:27 | 0:19:30 | |
chick peas, but it's lovely. | 0:19:30 | 0:19:34 | |
Breaking the rules even further, | 0:19:39 | 0:19:41 | |
Raymond is also serving a red wine to drink with his fish dish. | 0:19:41 | 0:19:45 | |
He's hoping a local vineyard will have a red wine to harmonise with the fish. | 0:19:49 | 0:19:54 | |
So, he heads for the hills seeking a renowned winemaker. | 0:19:54 | 0:19:57 | |
The red wine Chateau du Pibarnon is exceptional | 0:19:57 | 0:20:01 | |
and Raymond has come to see the owner, Eric de Saint-Victor. | 0:20:01 | 0:20:06 | |
So, are these grapes ready to harvest? | 0:20:06 | 0:20:10 | |
First of all, what we do is like everybody else, | 0:20:10 | 0:20:14 | |
taste the grapes and we are looking at the seeds | 0:20:14 | 0:20:17 | |
to see if the seeds are brown and not too green. | 0:20:17 | 0:20:21 | |
-They are brown. -And see if the skin breaks with the teeth. | 0:20:22 | 0:20:28 | |
No earthiness in the skin | 0:20:28 | 0:20:30 | |
so this means that the wines | 0:20:30 | 0:20:34 | |
will be smooth, well balanced, nice tannins and so on. | 0:20:34 | 0:20:38 | |
The seeds are just like coffee seeds, you know, it breaks... | 0:20:38 | 0:20:43 | |
If I was a "vigneron" - I'm not a vigneron, I'm only a chef - | 0:20:43 | 0:20:48 | |
I would harvest now. I would harvest now - wrong or right? | 0:20:48 | 0:20:52 | |
You are absolutely right because the wild boar, you know, | 0:20:52 | 0:20:56 | |
is starting to eat them. | 0:20:56 | 0:20:58 | |
-It's our biggest challenge and they never make a mistake. -No. | 0:20:58 | 0:21:03 | |
What they take is ripe, you can make sure. It's sure! | 0:21:03 | 0:21:05 | |
You look like that... You don't look like a boar! | 0:21:05 | 0:21:09 | |
The ground the vineyard stands on, the terroir, is full of limestone | 0:21:10 | 0:21:14 | |
and Eric thinks that's highly significant. | 0:21:14 | 0:21:18 | |
It gives a sort of almost a bit of... | 0:21:19 | 0:21:23 | |
In the red wine, some elegance, | 0:21:23 | 0:21:25 | |
something quite, erm... I don't know it in English. | 0:21:25 | 0:21:29 | |
En francais, de la seve, you know? | 0:21:29 | 0:21:32 | |
-Juice. -Juicy! -Sap! | 0:21:32 | 0:21:34 | |
-Exactly, sap! Yes. Voila! -Sap. | 0:21:34 | 0:21:37 | |
Sap is very important for me in the wine | 0:21:37 | 0:21:39 | |
because during the tasting, if you have some sap, | 0:21:39 | 0:21:42 | |
then you can think about matching the red wine and fish. | 0:21:42 | 0:21:47 | |
And that's the key to it for Raymond as he wants to serve a red wine, | 0:21:49 | 0:21:53 | |
not just as a jus, but to drink with his fish dish. | 0:21:53 | 0:21:57 | |
White wine, fish. | 0:21:57 | 0:21:59 | |
Red wine, cheese. | 0:21:59 | 0:22:01 | |
It's prejudice. It's all wrong because red wine doesn't go at all. | 0:22:01 | 0:22:06 | |
I believe very much that the wine produced in a place | 0:22:06 | 0:22:09 | |
goes very well with the food around it. | 0:22:09 | 0:22:12 | |
It's a matter of the flesh of the wine, | 0:22:12 | 0:22:15 | |
-the sap that we are talking about... -A lovely word. | 0:22:15 | 0:22:18 | |
..is very important to match with the fish. | 0:22:18 | 0:22:22 | |
-You need a strong texture to go with the red wine. -Yes, definitely. | 0:22:22 | 0:22:27 | |
What I'd like to do, what I propose to do, Eric, | 0:22:27 | 0:22:30 | |
I would like to go in your cellar... | 0:22:30 | 0:22:32 | |
-OK. -..so we can assess if it goes or not. Shall we? -Sure. | 0:22:32 | 0:22:36 | |
Back at the chateau, Marie, the winemaker here, | 0:22:36 | 0:22:40 | |
has looked out a 1990 bottle for Raymond to sample. | 0:22:40 | 0:22:44 | |
Eric used to call it the Latin lover, this wine. | 0:22:47 | 0:22:49 | |
When it was young, now it's an intelligent Latin lover! | 0:22:49 | 0:22:54 | |
Be careful it doesn't get too old! | 0:22:54 | 0:22:57 | |
I am really curious, really seriously curious | 0:22:59 | 0:23:02 | |
to see how this 1990 has aged. | 0:23:02 | 0:23:05 | |
Will it have melted well enough | 0:23:05 | 0:23:08 | |
to just accompany a great dish? | 0:23:08 | 0:23:11 | |
The colour! Look at that colour! | 0:23:11 | 0:23:14 | |
Just listen to the wine. | 0:23:14 | 0:23:16 | |
He's whispering right now, but... | 0:23:17 | 0:23:19 | |
Red like the blood of Christ. | 0:23:21 | 0:23:24 | |
It's a true communion, no? | 0:23:24 | 0:23:26 | |
This wine, 1990, it is incredibly good. | 0:23:41 | 0:23:45 | |
People are going to be so happy. | 0:23:45 | 0:23:48 | |
It is special. | 0:23:48 | 0:23:49 | |
With the special wine in the trunk and the main dish up to Raymond's culinary demands, | 0:23:51 | 0:23:56 | |
the fruits of Provence are happily steering his menu. | 0:23:56 | 0:24:00 | |
Raymond's faith in local delights, leads him to seek out a vegetable unique to the area - | 0:24:00 | 0:24:06 | |
the Viola de Provence, a variety of artichoke. | 0:24:06 | 0:24:10 | |
Raymond is going to use this local treasure to make barigoule, | 0:24:10 | 0:24:15 | |
a traditional artichoke dish. | 0:24:15 | 0:24:17 | |
This local artichoke is much finer and sweeter | 0:24:19 | 0:24:21 | |
than the Brittany variety common to UK supermarkets. | 0:24:21 | 0:24:24 | |
-How many are we going to need, Chef? -We need about 40. | 0:24:24 | 0:24:28 | |
-For the recipe, we want two hearts per portion. -Oui. | 0:24:28 | 0:24:31 | |
-So I have 20 guests, two hearts, 40, yeah? -Yes, Chef. | 0:24:31 | 0:24:35 | |
This family have been growing artichokes for 50 years. | 0:24:35 | 0:24:37 | |
See, what's really wonderful, but you don't realise maybe, Katie, | 0:24:37 | 0:24:42 | |
is how important what we're doing here. | 0:24:42 | 0:24:45 | |
See this gentleman here? He is one of the last farmers of artichokes | 0:24:45 | 0:24:49 | |
in this particular region. | 0:24:49 | 0:24:52 | |
I think we should be very proud to use his artichokes. | 0:24:52 | 0:24:56 | |
They connect with a lovely wood of this man | 0:24:56 | 0:25:00 | |
and the keeping of this whole region. | 0:25:00 | 0:25:02 | |
Of course, the food will taste so wonderful - it's totally organic and pure. | 0:25:02 | 0:25:07 | |
-And so fresh. -Absolutely. | 0:25:07 | 0:25:09 | |
This distinctive vegetable is a member of the thistle family, | 0:25:09 | 0:25:13 | |
hence its familiar shape. | 0:25:13 | 0:25:16 | |
-Let's go and cook. Tres bien, on y va. -Merci. | 0:25:17 | 0:25:20 | |
Back at the restaurant, Raymond sets to work | 0:25:32 | 0:25:35 | |
making his own version of barigoule, | 0:25:35 | 0:25:38 | |
gently cooked artichokes, onions and garlic and smoked bacon, | 0:25:38 | 0:25:42 | |
it's a delicious side dish sure to make his Provencal guests | 0:25:42 | 0:25:46 | |
-particularly happy. -Barigoule, initially, is a very old Provencal dish, | 0:25:46 | 0:25:51 | |
which used to be with mushrooms. | 0:25:51 | 0:25:54 | |
So you can see how dishes can move on from one century to another, | 0:25:54 | 0:25:58 | |
or one generation to another. | 0:25:58 | 0:26:00 | |
Here, the barigoule is made of beautiful violet. | 0:26:00 | 0:26:04 | |
First, the fiddly job of preparing the artichokes... | 0:26:06 | 0:26:10 | |
Keep going, a bit more. Voila. | 0:26:10 | 0:26:11 | |
..peeling out the hearts. | 0:26:11 | 0:26:14 | |
Like that. Slowly. | 0:26:14 | 0:26:16 | |
-Perfect! But not too much. -Oui. -OK? -Oui. | 0:26:16 | 0:26:20 | |
so then with a serrated knife, you cut it just here. | 0:26:20 | 0:26:23 | |
Once the fibrous choke is removed, they're soaked in water | 0:26:27 | 0:26:30 | |
with a squeeze of lemon to stop them from turning brown. | 0:26:30 | 0:26:34 | |
Tres bien. | 0:26:34 | 0:26:35 | |
Voila. | 0:26:35 | 0:26:37 | |
Next, Raymond roughly chops the other vegetables. | 0:26:37 | 0:26:40 | |
The garlic... | 0:26:40 | 0:26:42 | |
OK? The purple garlic. | 0:26:43 | 0:26:45 | |
This belongs to Provence. | 0:26:45 | 0:26:47 | |
It's three times as strong because it's young. It's full of moisture. | 0:26:47 | 0:26:51 | |
Raymond adds a little locally smoked bacon. | 0:26:51 | 0:26:54 | |
I bought here the local Ventreche. | 0:26:55 | 0:26:58 | |
The Ventreche is the belly of the pork. | 0:26:58 | 0:27:02 | |
We just need a tiny little bit, maybe no more than that. | 0:27:02 | 0:27:05 | |
Just to give it that smoky flavour, but no more. | 0:27:05 | 0:27:08 | |
Once the ingredients are prepared, | 0:27:11 | 0:27:13 | |
they are gently sauteed in a generous quantity of olive oil. | 0:27:13 | 0:27:17 | |
Then use your best olive oil. | 0:27:17 | 0:27:19 | |
Your onions, everything in it. | 0:27:19 | 0:27:22 | |
Slowly. I don't want to hear that frying noise. | 0:27:22 | 0:27:25 | |
So now, our herbs, our belly of pork, our garlic. We've got our thyme. | 0:27:25 | 0:27:31 | |
Two, three bay leaves. Perfect. | 0:27:31 | 0:27:34 | |
Tres bien. | 0:27:34 | 0:27:35 | |
A quick stir, you go ahead. That's it. Voila. | 0:27:35 | 0:27:38 | |
And gentle. You want to be very gentle. Voila. | 0:27:38 | 0:27:42 | |
The artichokes need the least cooking, so go in last. | 0:27:42 | 0:27:45 | |
Voila. Stir. | 0:27:45 | 0:27:47 | |
While the vegetables are sauteeing, | 0:27:48 | 0:27:50 | |
Raymond heats some inexpensive white wine. | 0:27:50 | 0:27:53 | |
Always heat your pan first. | 0:27:53 | 0:27:55 | |
So when you put in the wine, it boils away immediately | 0:27:55 | 0:27:58 | |
and takes most of the alcohol away, so you have the mineral flavour. | 0:27:58 | 0:28:02 | |
Yes, Chef. | 0:28:02 | 0:28:04 | |
The warm wine goes in along with some water. | 0:28:05 | 0:28:09 | |
-Straight in? -Yes, straight in. | 0:28:09 | 0:28:11 | |
And Raymond's special touch - some preserved lemon. | 0:28:11 | 0:28:14 | |
Remember, we are close to Marseilles here. | 0:28:14 | 0:28:18 | |
All these great flavours were brought | 0:28:18 | 0:28:21 | |
from the North Africans, the Moors, the Sarrasins, | 0:28:21 | 0:28:24 | |
who invaded this part of the world | 0:28:24 | 0:28:26 | |
and brought their spices | 0:28:26 | 0:28:28 | |
-and their cuisine, you see? -Oui. -That's all. | 0:28:28 | 0:28:31 | |
Gentle... Barely a little bubble, OK? | 0:28:32 | 0:28:36 | |
Just a gentle, simmering pot. | 0:28:36 | 0:28:40 | |
Once cooked, Raymond strains off the liquor and emulsifies it | 0:28:40 | 0:28:44 | |
to create a creamy consistency. | 0:28:44 | 0:28:46 | |
OK, tres bien. | 0:28:49 | 0:28:51 | |
To finish the barigoule, | 0:28:51 | 0:28:53 | |
the vegetables are topped with the emulsified liquor and sprinkled with parsley. | 0:28:53 | 0:28:58 | |
Mmm, so good. | 0:29:05 | 0:29:07 | |
Nothing distinguishes the sun-blessed bounty of Provence more than the olive trees. | 0:29:10 | 0:29:15 | |
One of the strongest memories | 0:29:16 | 0:29:18 | |
Raymond has of his first visit to the region is the use of olive oil. | 0:29:18 | 0:29:23 | |
These days, it would inconceivable for him not to have a bottle or two in the kitchen. | 0:29:23 | 0:29:28 | |
In my area, we don't use olive. I didn't see any olive trees, | 0:29:28 | 0:29:32 | |
but also we don't use olive oil, | 0:29:32 | 0:29:34 | |
because we use a lot of butter. | 0:29:34 | 0:29:36 | |
Because the Montbeliarde is a beautiful cow, | 0:29:36 | 0:29:40 | |
broad and generous with her milk. | 0:29:40 | 0:29:42 | |
If I will use butter here, they would hang me on the top of that Cedar. | 0:29:42 | 0:29:46 | |
Maybe higher! | 0:29:46 | 0:29:48 | |
Because it's inconceivable here to use anything else but olives. | 0:29:48 | 0:29:54 | |
Olive oil is basically the main oil that you use in Provence. | 0:29:54 | 0:29:59 | |
The Ancient Greeks planted the first trees deep in the region | 0:29:59 | 0:30:03 | |
and they remain at the heart of Provencal cooking. | 0:30:03 | 0:30:06 | |
So a chance to harvest the fruit that will be a flavour layered through his local feast | 0:30:06 | 0:30:12 | |
is an opportunity Raymond cannot refuse. | 0:30:12 | 0:30:16 | |
Ah, Monsieur Olive, bonjour! | 0:30:16 | 0:30:18 | |
-Comment allez-vous! -Tres bien, merci. | 0:30:19 | 0:30:22 | |
-C'est un grand moment, hein? -Eh, oui. | 0:30:22 | 0:30:24 | |
It's a big moment, is it? It's what you're waiting for all year round. | 0:30:24 | 0:30:29 | |
Quelles olives? Which olives are they? | 0:30:29 | 0:30:32 | |
It's the first harvest and Alain is very happy. | 0:30:43 | 0:30:46 | |
He's got a very good harvest here. This olive is very special. | 0:30:46 | 0:30:50 | |
The first harvest of the year. | 0:30:50 | 0:30:52 | |
It's called a Salonnenque type of olive. | 0:30:52 | 0:30:56 | |
And what they do here, they don't use it for tapenades, | 0:30:56 | 0:30:59 | |
they don't use it for oil, | 0:30:59 | 0:31:01 | |
they just use it break it down, OK, smash it a little bit | 0:31:01 | 0:31:04 | |
and put it in plenty of water to remove the bitterness. | 0:31:04 | 0:31:08 | |
And then, they go on the mountain here and it's full of wild fennel | 0:31:08 | 0:31:12 | |
and they just pick up the flowers and marinade it with it and serve it. | 0:31:12 | 0:31:17 | |
I would be a good picker, I think. | 0:31:21 | 0:31:24 | |
I've picked everything in my life, | 0:31:24 | 0:31:26 | |
even mangoes, oranges, plums, | 0:31:26 | 0:31:29 | |
prunes, mirabelles, strawberries, raspberries...! | 0:31:29 | 0:31:32 | |
It's the first time actually I'm picking olives. | 0:31:32 | 0:31:35 | |
Oh, la, la! Oh, la, la! | 0:31:39 | 0:31:42 | |
Oh! Oh! | 0:31:42 | 0:31:43 | |
It's... | 0:31:44 | 0:31:46 | |
The bitterness... The acid... | 0:31:46 | 0:31:49 | |
It's strange. | 0:31:49 | 0:31:51 | |
It's just...so... | 0:31:51 | 0:31:55 | |
Bitter! Bitter! | 0:31:55 | 0:31:56 | |
It's just... | 0:31:58 | 0:32:01 | |
I know very few things that taste so bad and can be turned | 0:32:01 | 0:32:05 | |
into something absolutely delicious that we all desire. | 0:32:05 | 0:32:09 | |
Turning the bitterest taste into the greatest treat | 0:32:12 | 0:32:16 | |
is the real art of an olive grower. | 0:32:16 | 0:32:19 | |
The difference between picking it fresh from the tree | 0:32:37 | 0:32:41 | |
and creating a simple process is night and day. | 0:32:41 | 0:32:44 | |
It is so delicious and delicate. | 0:32:44 | 0:32:47 | |
They are not salty, it is really such a delicious olive. | 0:32:47 | 0:32:50 | |
Thank you very much to treat me. | 0:32:50 | 0:32:52 | |
Well worth working for a whole year. | 0:32:52 | 0:32:55 | |
Raymond first came to the region when he was 14 | 0:33:12 | 0:33:15 | |
to visit a childhood friend, Rene. | 0:33:15 | 0:33:18 | |
Rene's family had decided to move some 400 miles south | 0:33:18 | 0:33:22 | |
to the Provence coast. | 0:33:22 | 0:33:24 | |
Rene was my very, very best friend, | 0:33:24 | 0:33:26 | |
my pal, my friend, my confidant. | 0:33:26 | 0:33:29 | |
We grew up together from a very early age, up to the age of 14. | 0:33:29 | 0:33:34 | |
He left. He left my village and for me, that was really a big heartache. | 0:33:34 | 0:33:39 | |
It was a big break for me in my childhood. | 0:33:39 | 0:33:43 | |
We were that close. | 0:33:44 | 0:33:46 | |
We were such great pals. | 0:33:46 | 0:33:49 | |
So when Raymond's local priest, l'abbaye Simon, who was also Rene's uncle, | 0:33:49 | 0:33:53 | |
arranged a trip to the seaside, Raymond jumped at the chance | 0:33:53 | 0:33:56 | |
to visit his close friend. | 0:33:56 | 0:33:58 | |
I remember it very vividly because first, | 0:33:58 | 0:34:01 | |
you never went out of your village, or hardly ever. | 0:34:01 | 0:34:04 | |
The furthest I had been up to the age of 12 was Switzerland, | 0:34:04 | 0:34:08 | |
which is just 100km away. | 0:34:08 | 0:34:10 | |
You didn't travel. | 0:34:10 | 0:34:13 | |
Going a la mer, as the French say, going in the sea, at the sea, | 0:34:13 | 0:34:17 | |
aller a la mer, it's a big thing for a little village boy. | 0:34:17 | 0:34:21 | |
So of course, I was completely excited on two counts, | 0:34:21 | 0:34:25 | |
meeting this Provence that I had heard so much, seeing the sea | 0:34:25 | 0:34:29 | |
and of course, meeting my friend, Rene, | 0:34:29 | 0:34:31 | |
because we'd spend a whole month together in that colonie de vacances. | 0:34:31 | 0:34:36 | |
Sadly, Rene died ten years ago, | 0:34:38 | 0:34:42 | |
but Raymond keeps in touch with his family | 0:34:42 | 0:34:44 | |
and he's happy to have been invited to lunch. | 0:34:44 | 0:34:47 | |
CHEERING | 0:34:47 | 0:34:49 | |
Martine, Rene's widow, is delighted see him. | 0:34:49 | 0:34:52 | |
Rene's sister, Bernardette, is also joining the lunch party. | 0:34:55 | 0:35:00 | |
And the great thing about good friends is they love you. | 0:35:01 | 0:35:05 | |
Of course you can! OK. | 0:35:07 | 0:35:10 | |
The ladies have decided that to escape the kitchen bustle, | 0:35:10 | 0:35:13 | |
Chef should join them for a picnic. | 0:35:13 | 0:35:16 | |
It's a bread which is very much a speciality, OK? | 0:35:16 | 0:35:20 | |
And it's made with white flour and a bit of olive oil inside. | 0:35:20 | 0:35:24 | |
It's a very old bread, which is local, made back to the 13th century. | 0:35:24 | 0:35:29 | |
And that's very smart because what they would do, | 0:35:29 | 0:35:32 | |
they would have some rouille or aioli, little bits of saucisson or lettuce | 0:35:32 | 0:35:38 | |
or garlic and tomatoes and then the whole idea is it's moist. | 0:35:38 | 0:35:44 | |
When you put all that moisture inside, | 0:35:44 | 0:35:47 | |
you do it at least two hours before, | 0:35:47 | 0:35:50 | |
so the crumbs, they soak up all that lovely moisture. | 0:35:50 | 0:35:54 | |
So you have one wonderful bite of Provencal flavours and textures | 0:35:54 | 0:35:59 | |
and of course 13th-century history in one bite. | 0:35:59 | 0:36:02 | |
Then, in the spirit of the local ingredients, olive oil over butter. | 0:36:05 | 0:36:09 | |
That's a beautiful tapenade, the ripe olives. They were picked very late. | 0:36:12 | 0:36:17 | |
It's pureed with a bit of olive oil, maybe a few capers, | 0:36:17 | 0:36:20 | |
some put garlic, anchovies, whatever. It's very simple to make. | 0:36:20 | 0:36:23 | |
Chez les gens qui me donnaient mon huile depuis 27 ans! | 0:36:23 | 0:36:28 | |
-Hop! -Hop la! | 0:36:28 | 0:36:30 | |
Voila, le classique! Raymond... Regarde, mais regarde ca. | 0:36:30 | 0:36:33 | |
-Voila! -Bien vu. | 0:36:36 | 0:36:38 | |
Voila. Tres bien. | 0:36:43 | 0:36:45 | |
And then the sandwich is not... It's a sandwich. | 0:36:47 | 0:36:51 | |
Le sandwich was... | 0:36:51 | 0:36:53 | |
-Le sandwich a ete, en fait, cree en Provence. -Oui. | 0:36:53 | 0:36:57 | |
The sandwich has been created in Provence, you see, | 0:36:57 | 0:37:00 | |
13 centuries ago. | 0:37:00 | 0:37:01 | |
As the sea dominates life here, they head for Raymond's treasured spot | 0:37:01 | 0:37:06 | |
on the coast, the dramatic cliffs of Les Calanques. | 0:37:06 | 0:37:10 | |
Rene's brother, Jean, is on the beach to greet them. | 0:37:10 | 0:37:13 | |
Vous avez faim? | 0:37:15 | 0:37:17 | |
This place means a lot to each of us here. | 0:37:17 | 0:37:22 | |
That's where I learned to dive. | 0:37:22 | 0:37:24 | |
And I didn't know how to swim, but I knew how to dive. | 0:37:24 | 0:37:28 | |
All I had to do was launch myself into the sea and look for that rock. | 0:37:28 | 0:37:33 | |
And hopefully the wave wouldn't take you back. | 0:37:33 | 0:37:36 | |
Very tricky place, very tricky place. | 0:37:36 | 0:37:39 | |
Once, I dived from 12 metres. | 0:37:39 | 0:37:41 | |
It was my first dive at 12 metres and the sea was quite rough. | 0:37:41 | 0:37:45 | |
Today, it's quite calm. | 0:37:45 | 0:37:47 | |
And I landed very badly... | 0:37:47 | 0:37:50 | |
..flat on my tummy, and you are winded out. | 0:37:52 | 0:37:55 | |
You cannot move. You are paralysed. | 0:37:55 | 0:37:57 | |
And Rene had to dive into the sea to get me back. | 0:37:57 | 0:38:00 | |
Thank God he's such a better swimmer than I am myself | 0:38:00 | 0:38:04 | |
because I would be at the bottom of this wonderful sea. | 0:38:04 | 0:38:07 | |
After a day at the beach, | 0:38:29 | 0:38:31 | |
Raymond is thinking about including some sunshine in his dessert. | 0:38:31 | 0:38:35 | |
The strawberries of Provence are heady with perfume. | 0:38:35 | 0:38:39 | |
Known as gariguette, the best grow wild in the mountains, | 0:38:39 | 0:38:42 | |
but Raymond has picked these up at the market. | 0:38:42 | 0:38:46 | |
C'est tres bien, c'est pour les cameramen. | 0:38:46 | 0:38:48 | |
He'll be serving them three ways - pureed, as a sorbet and macerated, | 0:38:48 | 0:38:52 | |
all topped off with a raspberry tuile and some mint and basil jelly. | 0:38:52 | 0:38:58 | |
A refreshing end for his Provencal feast. | 0:38:58 | 0:39:01 | |
You need the best fruit and it is so, so important. | 0:39:02 | 0:39:06 | |
When you have the best fruit, it's easy. | 0:39:06 | 0:39:09 | |
And they're so fresh. They're the very best variety. | 0:39:09 | 0:39:13 | |
First, Raymond macerates them in some sugar and lemon juice. | 0:39:13 | 0:39:17 | |
The sugar penetrates slowly into the fruit. | 0:39:17 | 0:39:21 | |
You can bring at least 30% more flavour, or more. | 0:39:21 | 0:39:24 | |
Now, one quantity is pureed, sieved and churned into a sorbet. | 0:39:27 | 0:39:31 | |
While it freezes, Raymond makes a raspberry tuile. | 0:39:33 | 0:39:37 | |
Voila. | 0:39:37 | 0:39:38 | |
My raspberry coulis. | 0:39:38 | 0:39:41 | |
Raspberry puree is creamed together with icing sugar, butter | 0:39:41 | 0:39:44 | |
and a little flour before being spread into a thin layer | 0:39:44 | 0:39:47 | |
on some greaseproof paper. | 0:39:47 | 0:39:49 | |
Voila. | 0:39:49 | 0:39:50 | |
That's good. That's good. That's the right thickness. | 0:39:52 | 0:39:55 | |
The tuile mixture is cooked until bubbly. | 0:39:58 | 0:40:01 | |
You can pull them down like that. | 0:40:01 | 0:40:04 | |
Directly on here. | 0:40:04 | 0:40:05 | |
Before it cools and hardens, circles are cut. | 0:40:05 | 0:40:08 | |
Well, bravo, Kate! C'est la perfection. | 0:40:08 | 0:40:12 | |
-It's perfection. -Oui. -Look. | 0:40:12 | 0:40:14 | |
And shaped on a rolling pin. | 0:40:14 | 0:40:17 | |
Let's fetch everything - the coulis, sorbet. | 0:40:17 | 0:40:20 | |
Coulis, parfait. | 0:40:20 | 0:40:23 | |
To serve, a base of strawberry coulis. | 0:40:24 | 0:40:27 | |
When I was young, I could do a perfect circle. | 0:40:27 | 0:40:31 | |
THEY LAUGH | 0:40:31 | 0:40:33 | |
Next, some simple macerated strawberries. | 0:40:33 | 0:40:36 | |
OK, so use the gelee, just a tiny little bit, like that. | 0:40:36 | 0:40:41 | |
And for a cooling contrast, | 0:40:41 | 0:40:42 | |
Raymond has made a little basil and mint jelly. | 0:40:42 | 0:40:46 | |
It's peppery, it's lemony, it's herby. | 0:40:46 | 0:40:50 | |
It's beautiful, it's a fresh, different texture. | 0:40:50 | 0:40:53 | |
Next, the sorbet. | 0:40:53 | 0:40:56 | |
And the final touches. | 0:41:01 | 0:41:03 | |
The most dainty one. Maybe a bit of mint? | 0:41:03 | 0:41:06 | |
Voila! Take the heart of it. | 0:41:06 | 0:41:08 | |
So that's the dessert recipe, | 0:41:08 | 0:41:10 | |
tried and tested, and glowing of Provence. | 0:41:10 | 0:41:13 | |
I think there is nothing I want to change with this dish. | 0:41:16 | 0:41:19 | |
-I think it works, it's fresh and they will like it. -Oui. | 0:41:19 | 0:41:22 | |
The peace and ambience of the hills, just inland, | 0:41:24 | 0:41:28 | |
provide a stark contrast to the bustle of the coastal towns. | 0:41:28 | 0:41:32 | |
-Look, sage. "Sauge". -Sage. | 0:41:32 | 0:41:35 | |
Wild sage. | 0:41:35 | 0:41:37 | |
The heat and warmth of the region | 0:41:37 | 0:41:38 | |
doesn't just make for an abundance of fruit and vegetables, | 0:41:38 | 0:41:42 | |
but surprisingly adds to a special cheese. | 0:41:42 | 0:41:46 | |
The robust herbs that grow wild | 0:41:46 | 0:41:48 | |
on the dry hills of the Provence interior, | 0:41:48 | 0:41:51 | |
provide a flavoursome diet for these Rove goats. | 0:41:51 | 0:41:53 | |
Thus, giving their milk a taste | 0:41:54 | 0:41:57 | |
that makes the much prized Brousse du Rove cheese, a local delicacy. | 0:41:57 | 0:42:01 | |
Those goats are feeding on these wonderful herbs | 0:42:02 | 0:42:07 | |
so I bet, when we taste this wonderful Brousse cheese, | 0:42:07 | 0:42:12 | |
you are going to find some incredible perfumes here. | 0:42:12 | 0:42:16 | |
-You know, you are what you eat. Remember that. -Oui! | 0:42:16 | 0:42:20 | |
As a chef, very important to remember that. | 0:42:20 | 0:42:22 | |
WHISTLING | 0:42:22 | 0:42:24 | |
It's amazing, eh? | 0:42:25 | 0:42:28 | |
The Gourian family have been artisans of this special cheese for hundreds of years. | 0:42:28 | 0:42:33 | |
-Est-ce que ca gele de temps en temps ici? -Oui. | 0:42:33 | 0:42:35 | |
The technique for making the cheese has been passed down | 0:42:39 | 0:42:42 | |
through 14 generations | 0:42:42 | 0:42:45 | |
to Andre's wife, Marie-Ange. | 0:42:45 | 0:42:47 | |
Marie-Ange is very, very strong. | 0:42:47 | 0:42:50 | |
The milk is simmered and one ingredient added. | 0:42:50 | 0:42:54 | |
Voila, Marie-Ange. | 0:42:54 | 0:42:55 | |
That's very interesting - Marie-Ange is using vinegar. | 0:42:59 | 0:43:02 | |
Correct? | 0:43:02 | 0:43:03 | |
Which will separate water from the solid. | 0:43:03 | 0:43:06 | |
She doesn't take all the whey. | 0:43:06 | 0:43:09 | |
Some of it to keep the moisture. | 0:43:09 | 0:43:10 | |
What I love about these things, how simple it is. | 0:43:10 | 0:43:13 | |
Finally a chance to taste the end product. | 0:43:15 | 0:43:18 | |
There's a little bit of sweetness. Milky sweet. | 0:43:27 | 0:43:30 | |
Although it's been soured, there's that lovely sweetness, | 0:43:30 | 0:43:34 | |
which gives sweet, sour lengths of flavour. | 0:43:34 | 0:43:37 | |
Raymond knows the cheese from Andre's goats | 0:43:38 | 0:43:41 | |
will make a defining centrepiece to his cheese course, | 0:43:41 | 0:43:44 | |
bringing a strong local note. | 0:43:44 | 0:43:46 | |
But he still has to create a starter | 0:43:46 | 0:43:49 | |
and two of the strong themes of his journey are forming an idea. | 0:43:49 | 0:43:52 | |
The great bouillabaisse he tasted with his friend Gerald | 0:43:52 | 0:43:57 | |
and the region's distinct use of grilled vegetables | 0:43:57 | 0:44:00 | |
will come together in a dish | 0:44:00 | 0:44:02 | |
that uses a technique he's been perfecting for decades. | 0:44:02 | 0:44:06 | |
Layers of Mediterranean fish | 0:44:06 | 0:44:07 | |
are encased in a gently set stock, | 0:44:07 | 0:44:11 | |
all wrapped in a thin layer of aubergine. | 0:44:11 | 0:44:13 | |
A jewelled mosaic of scent and flavour. | 0:44:13 | 0:44:16 | |
This is Raymond's bouillabaisse terrine. | 0:44:16 | 0:44:19 | |
Ah, they are here. They are all hidden away. For you. | 0:44:23 | 0:44:26 | |
A magnificent selection of fish has been delivered to the restaurant. | 0:44:26 | 0:44:30 | |
Raymond is spoilt for choice. | 0:44:30 | 0:44:32 | |
A lovely John Dory. | 0:44:32 | 0:44:33 | |
-What do you have here? -A type of bream, Chef. -Yeah. | 0:44:33 | 0:44:36 | |
-Pink. -Yeah. It's called royal sea bream. -Royal sea bream. | 0:44:36 | 0:44:40 | |
First, Raymond fillets the fish. | 0:44:40 | 0:44:42 | |
Voila. We're going to keep the skin on. It's delicious. | 0:44:42 | 0:44:46 | |
You've got a little gelatinous flavour as well. | 0:44:46 | 0:44:49 | |
Raymond is using classic bouillabaisse fish, | 0:44:49 | 0:44:53 | |
including John Dory and bream, but there's one that is vital. | 0:44:53 | 0:44:57 | |
-This one is a "rascasse". -A scorpion fish. | 0:44:57 | 0:44:59 | |
It's essential for the bouillabaisse. | 0:44:59 | 0:45:02 | |
It's a hooligan of the sea. It's tough, it's hard flesh, | 0:45:02 | 0:45:06 | |
but beautiful and meaty like a steak. The steak of the sea. | 0:45:06 | 0:45:09 | |
Next, the fish is marinated. | 0:45:10 | 0:45:12 | |
The marination will be based on saffron, which is very popular. Maybe two little pinches. | 0:45:12 | 0:45:18 | |
Raymond is using powdered saffron rather then the traditional threads | 0:45:18 | 0:45:22 | |
so that the flavour and colour permeate the fish more evenly. | 0:45:22 | 0:45:25 | |
Tres bien. I'm going to dilute it with some water. | 0:45:25 | 0:45:28 | |
Voila. | 0:45:28 | 0:45:29 | |
And olive oil. Mon dieu, it's a gift from God. | 0:45:29 | 0:45:33 | |
Into the base, Raymond adds garlic | 0:45:33 | 0:45:36 | |
and Provencal herbs - fennel, thyme and rosemary. | 0:45:36 | 0:45:39 | |
Tres bien. A bit of cayenne pepper. | 0:45:39 | 0:45:42 | |
-Just here, Chef. -Yeah. And salt. | 0:45:42 | 0:45:44 | |
-Seven big ones. -Seven big ones. | 0:45:44 | 0:45:46 | |
Tres bien. Voila. | 0:45:46 | 0:45:48 | |
Fish. | 0:45:49 | 0:45:51 | |
You see, Kush, all the flavours of the South of France. Smell that. | 0:45:51 | 0:45:56 | |
-See? -Yes. You can really smell the olive oil as well. | 0:45:59 | 0:46:02 | |
If you use good olive oil, that's it. | 0:46:02 | 0:46:04 | |
Good olive oil, good dish. Bad olive oil, bad dish. | 0:46:04 | 0:46:07 | |
Bad fish, bad dish, no? | 0:46:07 | 0:46:09 | |
The flavours are allowed to develop for about an hour. | 0:46:09 | 0:46:12 | |
OK. | 0:46:12 | 0:46:14 | |
Nothing goes to waste in this recipe. | 0:46:14 | 0:46:16 | |
The bones are essential to the stock that gives the dish its bouillabaisse heritage. | 0:46:16 | 0:46:21 | |
Look at that. All these wonderful flavours. | 0:46:21 | 0:46:24 | |
The stock is used to poach the marinated fish very gently. | 0:46:24 | 0:46:28 | |
-What oven temperature? -Chef, it's just over 100 degrees. | 0:46:32 | 0:46:37 | |
The low heat helps preserve the fish's taste and texture. | 0:46:37 | 0:46:40 | |
Next, Raymond cooks thin layers of aubergine skin in olive oil. | 0:46:42 | 0:46:45 | |
-Flat. A bit of colour underneath? -Just a bit, Chef. -Yeah? | 0:46:45 | 0:46:50 | |
Put the skin side outside. This is going to be very dramatic. | 0:46:50 | 0:46:54 | |
When softened, they are used to line the terrine. | 0:46:54 | 0:46:57 | |
Perfect. Ready to receive the fish. | 0:46:57 | 0:47:01 | |
Once cooked, the fish is removed from the liquor. | 0:47:01 | 0:47:05 | |
The fish. Bouillabaisse fish. | 0:47:05 | 0:47:07 | |
To create the mosaic effect and add colour and flavour, | 0:47:07 | 0:47:11 | |
Raymond adds pieces of grilled pepper, courgette and fennel. | 0:47:11 | 0:47:15 | |
Gently. Very gently. Tips of my fingers. | 0:47:15 | 0:47:18 | |
Raymond mixes very gently | 0:47:18 | 0:47:20 | |
so as not to break up the fish before adding to the terrine. | 0:47:20 | 0:47:23 | |
As the fish cools, | 0:47:24 | 0:47:26 | |
Raymond adds gelatine to the stock and allows it to thicken slightly. | 0:47:26 | 0:47:30 | |
You can see now, it's quite oily. The gelee is ready to set. | 0:47:30 | 0:47:34 | |
This process is known as oiling. | 0:47:34 | 0:47:37 | |
Too little and the terrine won't set, | 0:47:37 | 0:47:39 | |
too much and the texture will be all wrong. | 0:47:39 | 0:47:42 | |
The jellified stock is poured over the fish | 0:47:43 | 0:47:47 | |
and it is allowed to set for at least 12 hours. | 0:47:47 | 0:47:50 | |
I know it's quite a lot of work, but I wanted to please them | 0:47:50 | 0:47:53 | |
and I wanted to do something a bit different for them. | 0:47:53 | 0:47:56 | |
The dish is one of my oldest dishes back in England. | 0:47:56 | 0:47:59 | |
It's what inspired me, actually. Provence inspired me. | 0:47:59 | 0:48:02 | |
It's going to be absolutely delicious. I hope, anyway. | 0:48:02 | 0:48:06 | |
OK. Tres bien. | 0:48:06 | 0:48:08 | |
He's gambling that serving the locals their beloved bouillabaisse as a terrine won't backfire. | 0:48:08 | 0:48:14 | |
For someone to whom food is almost a religious experience, | 0:48:16 | 0:48:21 | |
coming back to Provence is like a pilgrimage for Raymond. | 0:48:21 | 0:48:25 | |
He's been drawn away from the kitchen to a festival that blesses food. | 0:48:25 | 0:48:29 | |
Inland, at Aix-en-Provence, | 0:48:32 | 0:48:34 | |
he's joining the annual Blessing of the Calissons. | 0:48:34 | 0:48:37 | |
Such a wonderful little celebration. | 0:48:37 | 0:48:40 | |
Just not of food, but of community, of people and of their city. | 0:48:40 | 0:48:45 | |
Aix is the heart of the almond industry | 0:48:45 | 0:48:48 | |
and Calissons are small almond biscuits created some 400 years ago. | 0:48:48 | 0:48:53 | |
Thousands of people dressing up for these Calissons. | 0:48:53 | 0:48:57 | |
ORGAN PLAYS | 0:48:57 | 0:49:00 | |
That priest was absolutely brilliant. | 0:49:16 | 0:49:19 | |
Completely focused on the meaning of it. | 0:49:19 | 0:49:22 | |
And he was saying man ate for sustenance. | 0:49:22 | 0:49:25 | |
He killed and he ate his food and that was it. | 0:49:25 | 0:49:28 | |
Then came civilisation and food was at the heart of it. | 0:49:28 | 0:49:31 | |
Fire came in and we cooked the food | 0:49:31 | 0:49:33 | |
and we created some delicious specialities, like Calissons. | 0:49:33 | 0:49:37 | |
And it gathered families around the table | 0:49:37 | 0:49:40 | |
so food was part of the community, food was part of life, | 0:49:40 | 0:49:43 | |
food was part of the joy and celebration. | 0:49:43 | 0:49:47 | |
And that was wonderful, really to see all these Provencals, | 0:49:47 | 0:49:50 | |
their beautiful dress, in that moment. | 0:49:50 | 0:49:54 | |
Raymond was an alter boy at his local church | 0:49:54 | 0:49:56 | |
and grew up with a deep understanding of the connection between religion and food. | 0:49:56 | 0:50:01 | |
It is a very French thing to bring food into religion, or religion into food. | 0:50:04 | 0:50:09 | |
Oh, that is so lovely. | 0:50:09 | 0:50:11 | |
I think I've been given Calissons by the most beautiful girl | 0:50:11 | 0:50:15 | |
in the whole of Aux-en-Provence, two actually. Thank you very much. | 0:50:15 | 0:50:19 | |
Of course, this is made with the almonds of this region. | 0:50:19 | 0:50:24 | |
Almonds are the biggest industry of the whole of Aix-en-Provence. | 0:50:24 | 0:50:28 | |
And do you know what? Not a single feeling of guilt. Do you know why? | 0:50:28 | 0:50:33 | |
The priest has blessed my Calisson. That means I've got hands of God into this Calisson | 0:50:33 | 0:50:37 | |
so that I can eat it without guilt. | 0:50:37 | 0:50:40 | |
That is delicious! Really delicious. | 0:50:44 | 0:50:48 | |
The sunny life and the great ingredients Raymond | 0:50:48 | 0:50:52 | |
found in Provence, when he first set foot here as a 14-year-old boy, | 0:50:52 | 0:50:56 | |
changed his palate for life. | 0:50:56 | 0:50:58 | |
Now, he's come to the region armed with culinary skills in abundance, | 0:50:59 | 0:51:04 | |
although he knows pure and simple would have made an uncompromising feast, | 0:51:04 | 0:51:10 | |
that wouldn't be Raymond, who likes to raise the bar wherever he cooks! | 0:51:10 | 0:51:16 | |
It's feast day. | 0:51:17 | 0:51:19 | |
It's always complicated, different cuisine, different equipment, | 0:51:19 | 0:51:22 | |
different ovens, different produce. | 0:51:22 | 0:51:25 | |
A lot of things can happen wrong, I can assure you. | 0:51:25 | 0:51:27 | |
The kitchen of La P'tite Cour is gearing up for a busy service | 0:51:28 | 0:51:31 | |
and no French meal is complete without bread. | 0:51:31 | 0:51:35 | |
Raymond has decided to make his own. but is short of a key ingredient. | 0:51:35 | 0:51:39 | |
Kush, can you get me some yeast from the local bakery, please? | 0:51:39 | 0:51:44 | |
Rising to the challenge, Kush races out to get some yeast, | 0:51:44 | 0:51:48 | |
but he's forgotten his French isn't fluent! | 0:51:48 | 0:51:51 | |
Je voudrais acheter un peu de "levin" pour le pain. | 0:51:51 | 0:51:54 | |
-Pour la farine? -Non, farine, non. | 0:51:54 | 0:51:57 | |
Farine, sel, l'eau... | 0:51:57 | 0:51:59 | |
"Yeast" en anglais? | 0:51:59 | 0:52:02 | |
Oui. | 0:52:03 | 0:52:04 | |
15 grammes. | 0:52:09 | 0:52:10 | |
-C'est bon? -Oui. C'est combien? | 0:52:12 | 0:52:14 | |
-C'est bon? -Oui. -Pour moi? -Oui. -Merci beaucoup. | 0:52:14 | 0:52:18 | |
-De rien! -De rien. -Au revoir, et bonne journee! | 0:52:18 | 0:52:20 | |
-Thank you very much, Kush. Is it alive? -It's alive. | 0:52:23 | 0:52:27 | |
It's not strong, but we'll try. | 0:52:27 | 0:52:30 | |
Bread prepared, it's time to get it in the oven. | 0:52:30 | 0:52:34 | |
At 300 degrees centigrade and with the door open, | 0:52:34 | 0:52:37 | |
Raymond is having a few problems. | 0:52:37 | 0:52:40 | |
Look! The paper is burning. It's incredible, I've never seen that! | 0:52:40 | 0:52:45 | |
Oh, it's ridiculous! | 0:52:45 | 0:52:46 | |
And every oven is under siege to fill his bread basket. | 0:52:46 | 0:52:50 | |
A bit of water, Kush! Throw it in. | 0:52:50 | 0:52:54 | |
That great steam giving volume, crustiness! I hope, I don't know! | 0:52:54 | 0:53:00 | |
It's all in my head! | 0:53:00 | 0:53:01 | |
The terrine has set beautifully and is sliced, ready to be served. | 0:53:01 | 0:53:05 | |
Lovely, eh? | 0:53:05 | 0:53:07 | |
The courtyard is cleared and being turned into an elegant setting | 0:53:12 | 0:53:15 | |
for Raymond's discerning guests. | 0:53:15 | 0:53:18 | |
-In the kitchen, things aren't going quite so smoothly. -Aha. | 0:53:18 | 0:53:23 | |
Oh la la. Oh la la. Oh la la... | 0:53:23 | 0:53:27 | |
I've never seen it happen like that, never in my life. | 0:53:27 | 0:53:30 | |
It's so hot, I've never seen that. | 0:53:30 | 0:53:33 | |
It's been nearly 30 years | 0:53:34 | 0:53:37 | |
since Raymond worked in a kitchen this small. | 0:53:37 | 0:53:40 | |
In my restaurant, we've got 42 chefs. | 0:53:40 | 0:53:44 | |
Here, I've got two! | 0:53:44 | 0:53:45 | |
And it's nearly 50 years | 0:53:45 | 0:53:47 | |
since Raymond first fell in love with the food of Provence. | 0:53:47 | 0:53:51 | |
That reconnects me with my first experience | 0:53:51 | 0:53:54 | |
and the world was to be discovered. | 0:53:54 | 0:53:56 | |
As the guests arrive, nothing remains for Raymond | 0:54:05 | 0:54:08 | |
but to hope that passion in his chosen menu will bring joy to their tables. | 0:54:08 | 0:54:12 | |
First course - the bouillabaisse terrine presented with | 0:54:14 | 0:54:17 | |
a drizzle of saffron oil. | 0:54:17 | 0:54:19 | |
Normally, the bouillabaisse, it's a soup | 0:54:19 | 0:54:22 | |
and so that's the reason why it is... C'est surprenant. | 0:54:22 | 0:54:27 | |
-The fish is perfect. Perfect, perfect. -It's really surprising. | 0:54:27 | 0:54:33 | |
And colourful and really fresh. | 0:54:33 | 0:54:38 | |
-Kush, ready? -Yes, Chef. -Excellent. | 0:54:38 | 0:54:40 | |
One course down and well-received. | 0:54:40 | 0:54:43 | |
Keeping things on track, | 0:54:43 | 0:54:44 | |
the fish course is lightly fried in olive oil... | 0:54:44 | 0:54:49 | |
and will be presented with two local dishes - | 0:54:49 | 0:54:52 | |
barigoule - artichoke stew - | 0:54:52 | 0:54:54 | |
and ratatouille - another local staple. | 0:54:54 | 0:54:58 | |
Then, the final touches. | 0:54:58 | 0:54:59 | |
The braised fennel with the controversial choice | 0:54:59 | 0:55:02 | |
of the red wine jus for the fish. | 0:55:02 | 0:55:04 | |
More flavour. The fennel. | 0:55:04 | 0:55:07 | |
-They are beautiful, come on - don't be so mean. -Yes, Chef. | 0:55:07 | 0:55:11 | |
There is nothing worse than meanness for a chef, OK? | 0:55:11 | 0:55:15 | |
Apart from being a murderer, maybe. | 0:55:15 | 0:55:17 | |
-Chef. -Service, s'il vous plait. | 0:55:17 | 0:55:20 | |
Just delicious. I think red wine goes very well with the fish. | 0:55:26 | 0:55:30 | |
It's very disorientating, obviously. I love it. | 0:55:31 | 0:55:35 | |
Actually, it's very good to drink red wine also with this fish - | 0:55:35 | 0:55:38 | |
it's very nice, it goes very well together, | 0:55:38 | 0:55:42 | |
so I think it's a great idea. | 0:55:42 | 0:55:47 | |
See, that's a Frenchman, | 0:55:47 | 0:55:49 | |
who has mopped the sauce completely with the bread! | 0:55:49 | 0:55:53 | |
Wonderful. It still doesn't diminish, that pleasure, | 0:55:53 | 0:55:55 | |
after so many years. It doesn't. | 0:55:55 | 0:55:58 | |
Then, that Provencal speciality made from aromatic milk - | 0:55:58 | 0:56:02 | |
Brousse de Rove goats' cheese, drizzled with honey. | 0:56:02 | 0:56:06 | |
And with a nod to the years Raymond has spent cooking in England, | 0:56:06 | 0:56:10 | |
home-made apricot chutney. | 0:56:10 | 0:56:12 | |
I love this idea of teasing some of my Provencal friends. | 0:56:12 | 0:56:17 | |
A bit of good English chutney, no? Voila. | 0:56:17 | 0:56:20 | |
As the meal progresses, so the guests' pleasure increases. | 0:56:23 | 0:56:27 | |
The finale - the fragrant red fruit dessert featuring the sorbet | 0:56:31 | 0:56:36 | |
and delicate, crunchy raspberry tuile. | 0:56:36 | 0:56:39 | |
Sorbet first. Put the tuile last, OK? | 0:56:39 | 0:56:41 | |
-There's more macerated fruit there. -Merci, ma belle. | 0:56:41 | 0:56:44 | |
Raymond has forgotten to add the legendary Provencal | 0:56:45 | 0:56:49 | |
wild strawberries, but it's not too late. | 0:56:49 | 0:56:52 | |
It's a little restaurant, it's like being home for me. | 0:56:55 | 0:56:58 | |
For me, it's very good | 0:56:58 | 0:57:01 | |
and of course this is perfect! | 0:57:01 | 0:57:03 | |
Amazing experience, you know. | 0:57:05 | 0:57:07 | |
I really like... What do you say in English? | 0:57:07 | 0:57:10 | |
This is typically English, I think - | 0:57:10 | 0:57:14 | |
-la gelee? -Jelly? -Jelly. | 0:57:14 | 0:57:17 | |
For me, a surprising experience, | 0:57:17 | 0:57:19 | |
because I'm afraid about this kind of product, but it was nice. | 0:57:19 | 0:57:23 | |
Clean plates and happy faces mean that it's been challenging, | 0:57:24 | 0:57:29 | |
but ultimately rewarding. | 0:57:29 | 0:57:31 | |
It's been quite a day. | 0:57:31 | 0:57:33 | |
But it's been very rewarding as well. | 0:57:33 | 0:57:37 | |
We all have learned a great deal. | 0:57:37 | 0:57:40 | |
All that remains to be done is to wipe down the kitchen. | 0:57:41 | 0:57:45 | |
And soak up a well-earned round of Provencal applause. | 0:57:45 | 0:57:50 | |
Well done, OK? Et serveurs. Ces jeunes! | 0:57:50 | 0:57:55 | |
APPLAUSE | 0:57:55 | 0:57:57 | |
Subtitles by Red Bee Media Ltd | 0:58:23 | 0:58:25 |