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Raymond Blanc is opening the doors of his kitchen for a journey of discovery. | 0:00:02 | 0:00:05 | |
Cooking is about curiosity and, if I can inspire you to be curious, I'll be a very happy man. | 0:00:05 | 0:00:11 | |
Divulging the secrets of his simplest... | 0:00:11 | 0:00:14 | |
Perfectly cooked. | 0:00:14 | 0:00:16 | |
..and most dazzling dishes. | 0:00:16 | 0:00:18 | |
Glorious food. | 0:00:18 | 0:00:19 | |
Be inspired by his passion... | 0:00:19 | 0:00:21 | |
Food is so much more than cooking and eating. It's about living life. | 0:00:21 | 0:00:25 | |
Share the secrets of his success. | 0:00:25 | 0:00:28 | |
The wonderful thing having cooking secrets is the ability to share them with you. | 0:00:28 | 0:00:32 | |
Tonight on Kitchen Secrets, Raymond shares his love of seafood | 0:00:37 | 0:00:43 | |
with recipes that celebrate the best of British shellfish, | 0:00:43 | 0:00:47 | |
from a foolproof salad of tasty tender squid... | 0:00:47 | 0:00:51 | |
Very summery, very lively. | 0:00:51 | 0:00:53 | |
It sings. Look at those colours. | 0:00:53 | 0:00:55 | |
..to the sweetest of Cornish scallops, spiced to perfection... | 0:00:55 | 0:00:59 | |
When you are able to cook with produce like that, just have to be very emotional. | 0:00:59 | 0:01:04 | |
And, to finish, a luxurious Scottish lobster, served with a delicate cardamom red pepper jus - | 0:01:04 | 0:01:11 | |
a work of art on a plate. | 0:01:11 | 0:01:13 | |
Look at that. Ooh la la! That lobster jus is wonderful. | 0:01:13 | 0:01:19 | |
In his Oxfordshire kitchen, Raymond's daily delivery of shellfish has arrived. | 0:01:26 | 0:01:31 | |
Beautiful scallops, also mussels. | 0:01:31 | 0:01:34 | |
I love shellfish simply because I come from a region where we eat a lot of meat. | 0:01:36 | 0:01:41 | |
There's no sea around, so the first time I came in Great Britain, | 0:01:41 | 0:01:44 | |
I looked for this fish because I couldn't find it. | 0:01:44 | 0:01:47 | |
My first fish was in a Wimpy, which I thought was a bistro, and the fish was square. | 0:01:47 | 0:01:53 | |
I've never seen a square fish in my life. | 0:01:53 | 0:01:56 | |
For Raymond's first recipe, a French bistro classic, made with shellfish from Devon, | 0:02:05 | 0:02:10 | |
moules marinieres. | 0:02:10 | 0:02:11 | |
Full of garlic and shallots and parsley and a bit of white wine. | 0:02:11 | 0:02:16 | |
Simple - it takes you three minutes of your life, only three minutes of your life. | 0:02:16 | 0:02:20 | |
Here I've got my beautiful mussels here, OK? | 0:02:20 | 0:02:23 | |
And the first thing I'm going to do is to clean them up, so we've got to de-beard them. | 0:02:23 | 0:02:27 | |
Don't scrape your mussel because, if you scrape your mussel, | 0:02:30 | 0:02:34 | |
your water's going to be black. OK? So don't do that. | 0:02:34 | 0:02:37 | |
If you have a cracked mussel, just simple take it away. Don't take any risks. | 0:02:37 | 0:02:41 | |
There we are. | 0:02:41 | 0:02:44 | |
Next, Raymond sweats a crushed clove of garlic and a finely chopped onion in 30 grams of butter. | 0:02:44 | 0:02:50 | |
Don't pre-heat your pot. | 0:02:50 | 0:02:52 | |
Better to sweat your onion from cold temperature. You don't want to brown your onions. | 0:02:52 | 0:02:56 | |
Then he adds herbs... | 0:02:56 | 0:02:59 | |
Thyme and bay leaf. | 0:02:59 | 0:03:01 | |
..and some white wine. | 0:03:01 | 0:03:03 | |
A little bit of white wine. | 0:03:03 | 0:03:06 | |
100 grams for four. And the wine creates that wonderful structure, OK? | 0:03:06 | 0:03:11 | |
Bringing the acidity another layer. A quick boil - two seconds - just to remove most of the alcohol. | 0:03:11 | 0:03:16 | |
If you don't want wine, you can replace it with a bit of lemon juice. | 0:03:16 | 0:03:20 | |
Lemon juice will be just fine. | 0:03:20 | 0:03:22 | |
Can you put that on the recipe, OK, Adam? If you don't like wine, | 0:03:22 | 0:03:25 | |
use lemon juice, eh? But you're a sad person. | 0:03:25 | 0:03:28 | |
Oh, sorry, don't... | 0:03:28 | 0:03:30 | |
Oh. | 0:03:33 | 0:03:35 | |
Fantastic, so simple. | 0:03:35 | 0:03:37 | |
So now, we always steam them. | 0:03:37 | 0:03:40 | |
That will take only three minutes' cooking. | 0:03:42 | 0:03:44 | |
They're all opening up. You can see all that jus, look at that jus at the bottom. | 0:03:50 | 0:03:55 | |
Look at that. | 0:03:55 | 0:03:57 | |
As the mussels cook, they release their juices, infusing the sauce with the flavour of the sea. | 0:03:57 | 0:04:02 | |
Last into the pot, a generous handful of chopped parsley and a dash of cream. | 0:04:02 | 0:04:08 | |
Remember, it's sea water in the mussels, so to round that, we need a little bit of cream. | 0:04:08 | 0:04:13 | |
One teaspoon per person. | 0:04:13 | 0:04:16 | |
Adam, dinner is ready! Tres bien. | 0:04:18 | 0:04:21 | |
I think they're lovely quality, Adam. Really lovely quality. | 0:04:23 | 0:04:28 | |
Lots of juice as well. | 0:04:28 | 0:04:31 | |
The mussels are served straight from the pot with fresh bread, | 0:04:31 | 0:04:35 | |
and garnished with more parsley. | 0:04:35 | 0:04:37 | |
-Adam, you have the big one. -Thanks. -I will have the small one. | 0:04:37 | 0:04:40 | |
The jus is my favourite. | 0:04:44 | 0:04:45 | |
It's home on a Friday. | 0:04:48 | 0:04:51 | |
It's just the perfect lunch. | 0:04:51 | 0:04:53 | |
All that is missing is a nice glass of Muscadet, do you agree? | 0:04:53 | 0:04:56 | |
-Or a beer. -Or a beer. I knew he would say that. | 0:04:56 | 0:04:59 | |
You see, that is a beer culture on that side. We've got to change that. | 0:04:59 | 0:05:02 | |
Next, chargrilled squid with Provencal vegetables. | 0:05:20 | 0:05:23 | |
Spicy marinated squid, | 0:05:23 | 0:05:26 | |
served with crunchy fennel and courgettes and a peppery rocket and parmesan salad. | 0:05:26 | 0:05:31 | |
A lot of people associate, of course, squids with being rubbery | 0:05:33 | 0:05:36 | |
and the secret of cooking squid is speed - high heat and fast. | 0:05:36 | 0:05:42 | |
Raymond begins by removing the squid's inedible intestines. | 0:05:42 | 0:05:46 | |
You place your hand behind the head here, | 0:05:46 | 0:05:49 | |
and then you pull very gently. | 0:05:49 | 0:05:53 | |
That away. Don't need that. | 0:05:53 | 0:05:56 | |
He then separates the tentacles. | 0:05:56 | 0:05:59 | |
So, put a bit of salt here in your hands. You can easily move the skin away. | 0:06:03 | 0:06:07 | |
Then cut that in half. | 0:06:07 | 0:06:11 | |
Now he can remove the squid's inner shell. | 0:06:11 | 0:06:14 | |
Beautiful. Isn't it fantastic? It's called the quill. Beautiful. | 0:06:14 | 0:06:18 | |
Next, Raymond uses a sharp knife to make a criss-cross pattern on the inside of the squid. | 0:06:20 | 0:06:26 | |
The scoring is very important because the deeper the better, | 0:06:26 | 0:06:30 | |
because the heat can permeate more into it and faster, | 0:06:30 | 0:06:34 | |
and that is very, very important. For that kind of cooking, it's got to be fast. | 0:06:34 | 0:06:38 | |
OK? So then we cut it like that. | 0:06:38 | 0:06:40 | |
Voila. | 0:06:42 | 0:06:44 | |
There is all the body of the squid. | 0:06:45 | 0:06:48 | |
Adam. | 0:06:48 | 0:06:50 | |
-That's it. You're my chilli taster. -Yeah. No, I'm not tasting that one. | 0:06:50 | 0:06:55 | |
Trust me. Adam, be a sport. Go on, go on. | 0:06:55 | 0:06:58 | |
Are you going to do the same? | 0:06:58 | 0:07:00 | |
Yeah. Of course, see. | 0:07:00 | 0:07:02 | |
You're not chewing it. | 0:07:06 | 0:07:09 | |
Caught me! | 0:07:10 | 0:07:12 | |
That is seriously... | 0:07:15 | 0:07:17 | |
-It's fire in your mouth. -I'm not playing any more. -Look at your colour, Adam. | 0:07:17 | 0:07:22 | |
He's gone very seriously red. | 0:07:22 | 0:07:25 | |
To give the squid a kick of heat, Raymond prepares a spicy marinade | 0:07:26 | 0:07:30 | |
using coriander and grated palm sugar. | 0:07:30 | 0:07:34 | |
The sugar, of course, is the catalyst of flavour. | 0:07:34 | 0:07:37 | |
A little bit of lemon juice and a little bit of chilli. | 0:07:37 | 0:07:40 | |
A pinch of salt - not too much, we don't want to extract all the juices. | 0:07:40 | 0:07:45 | |
Just a bit of olive oil so it doesn't stick as well against the grill. | 0:07:45 | 0:07:49 | |
I'm going to marinate it for maybe half an hour. | 0:07:49 | 0:07:53 | |
For the salad, Raymond is using thinly sliced courgettes and fennel. | 0:07:56 | 0:08:01 | |
He grills them quickly to retain their texture and flavour. | 0:08:01 | 0:08:04 | |
Very important to barely cook them, even if it's only once side, because I cut them quite thinly. | 0:08:04 | 0:08:09 | |
So that only requires about one minute grilling, no more. | 0:08:09 | 0:08:12 | |
Next, the squid goes onto the grill, scored side down. | 0:08:12 | 0:08:17 | |
So we've got a beautiful marinade which has permeated the squids here very nicely. | 0:08:17 | 0:08:23 | |
The mistake, of course, is to overcook it because then it becomes very chewy and very dry. | 0:08:23 | 0:08:28 | |
But it's very fascinating because the marking does three things. | 0:08:28 | 0:08:32 | |
You can see now, one of them is to curl up the squid. | 0:08:32 | 0:08:36 | |
Number two, the scoring helped the heat to permeate. | 0:08:36 | 0:08:40 | |
And the flavour to permeate. So every little step is important that you understand it well | 0:08:40 | 0:08:46 | |
and then you have a dish like this one. | 0:08:46 | 0:08:50 | |
A generous squeeze of lemon enlivens the squid's flavour. | 0:08:55 | 0:08:59 | |
To serve, Raymond arranges the grilled vegetables and some oven-dried tomatoes. | 0:08:59 | 0:09:04 | |
Always try a five. | 0:09:04 | 0:09:06 | |
Four is not a good number. | 0:09:06 | 0:09:08 | |
Makes it more appetising. | 0:09:08 | 0:09:10 | |
He tops off the dish with a fresh, peppery rocket salad... | 0:09:14 | 0:09:18 | |
Voila. Big flakes of parmesan. | 0:09:18 | 0:09:21 | |
..and a few shavings of parmesan. | 0:09:21 | 0:09:24 | |
It sings. Look at those colours. They're so attractive, but I can | 0:09:24 | 0:09:28 | |
assure you that the textures and the taste will also be there. You must try it. | 0:09:28 | 0:09:33 | |
Whether it's a lettuce or a lobster, | 0:09:39 | 0:09:41 | |
for Raymond, seeing where his ingredients come from is integral to his life as a chef, | 0:09:41 | 0:09:46 | |
even if it means a 5am start. | 0:09:46 | 0:09:47 | |
I've never been lobster fishing, so obviously I'm going to learn a great deal | 0:09:47 | 0:09:51 | |
on the behaviour of these...prehistoric monsters. | 0:09:51 | 0:09:56 | |
Raymond's come to Pittenweem in the East Neuk of Fife, | 0:09:56 | 0:10:00 | |
where boats fish exclusively for shellfish. | 0:10:00 | 0:10:04 | |
Almost 800 tons of shellfish are landed each year at this port. | 0:10:07 | 0:10:12 | |
Lobster from this part of Scotland is prized all over the world. | 0:10:12 | 0:10:16 | |
Look at that! | 0:10:16 | 0:10:19 | |
That's a ten-year-old lobster. | 0:10:19 | 0:10:22 | |
Serious, "Look in my eyes, look in my eyes." Yeah. | 0:10:22 | 0:10:25 | |
Beautiful. | 0:10:25 | 0:10:27 | |
To see first hand how lobsters start their journey to his kitchen, | 0:10:27 | 0:10:32 | |
Raymond is joining the crew of Westhaven III. | 0:10:32 | 0:10:34 | |
What kind of weather today? | 0:10:34 | 0:10:36 | |
You told me ferocious, is it? | 0:10:36 | 0:10:38 | |
It is ferocious, yeah. | 0:10:38 | 0:10:40 | |
-Are you trying to scare me? -No, no. Not at all. | 0:10:40 | 0:10:43 | |
And, by the way, | 0:10:43 | 0:10:45 | |
here it says Westhaven number two. | 0:10:45 | 0:10:48 | |
What happened to number one? | 0:10:48 | 0:10:50 | |
I sold it. | 0:10:50 | 0:10:52 | |
You sold it? | 0:10:52 | 0:10:55 | |
Good, yeah, reassuring. | 0:10:55 | 0:10:56 | |
I was about to make my will. | 0:10:56 | 0:10:58 | |
The weather in the Forth Estuary isn't looking kind. | 0:11:11 | 0:11:14 | |
He says that's going to get worse. | 0:11:14 | 0:11:17 | |
Oh! | 0:11:19 | 0:11:22 | |
Oh. | 0:11:22 | 0:11:23 | |
It's nice average sea. It's a very nice sea at the moment | 0:11:23 | 0:11:26 | |
but I'm just wondering what it's like when it's ferocious. | 0:11:26 | 0:11:29 | |
I wouldn't want to be a fisherman. My God! | 0:11:29 | 0:11:33 | |
I feel a bit queasy. | 0:11:33 | 0:11:36 | |
The Westhaven collects up to 100 pots a day. | 0:11:38 | 0:11:42 | |
They are laid in fleets, with each fleet comprising 30 pots. | 0:11:42 | 0:11:46 | |
You cannot get more wild than that, eh? | 0:11:46 | 0:11:48 | |
The pots are lifted, emptied, baited with mackerel and returned. | 0:11:50 | 0:11:54 | |
What is very fascinating is when you look at that kind of fishing, it has not changed for millions of years. | 0:11:57 | 0:12:03 | |
But it's very hard work and look how fast they work, those guys. | 0:12:06 | 0:12:09 | |
Look at that the skill and the speed. | 0:12:09 | 0:12:12 | |
Lobsters that are caught are measured. | 0:12:23 | 0:12:26 | |
Any juveniles are thrown back. | 0:12:26 | 0:12:29 | |
If you look, he's measuring from eye to the first... | 0:12:31 | 0:12:35 | |
-87mm. -87mm, then back into the sea. | 0:12:37 | 0:12:40 | |
And it is wonderful to see that. | 0:12:40 | 0:12:41 | |
That one is good size. That's perfect. | 0:12:43 | 0:12:46 | |
Scottish lobster is very well-known. | 0:12:46 | 0:12:48 | |
It's probably one of the very best. | 0:12:48 | 0:12:50 | |
There is the Brittany lobster, of course. | 0:12:50 | 0:12:53 | |
And the Cornish lobsters, but the Scottish lobster is absolutely succulent. | 0:12:53 | 0:12:59 | |
Very sweet, wonderful flavour and texture. | 0:12:59 | 0:13:03 | |
You think immediately of a beautiful seafood tray. | 0:13:03 | 0:13:07 | |
The lobster's been poached, cut in half, with a nice mayonnaise. | 0:13:07 | 0:13:11 | |
The world would be just perfect with a glass of Sauvignon Blanc Muscadet. Just right. | 0:13:11 | 0:13:16 | |
Now the boxes have been put back again with the bait back inside | 0:13:16 | 0:13:21 | |
and those boxes shoot down the line into the sea for the next lot. It's quite an amazing process. | 0:13:21 | 0:13:28 | |
With the pots gathered in, fishing is over for the day. | 0:13:38 | 0:13:43 | |
Make sure that doesn't cause any damage. | 0:13:43 | 0:13:46 | |
Voila. That's it, thank you. | 0:13:48 | 0:13:50 | |
Cush, come here. Tell me how they've been fished. | 0:14:01 | 0:14:05 | |
-Hand-dived. -Hand-dived. Are you sure? -Yeah. | 0:14:05 | 0:14:08 | |
That scallop will spawn up to 1,000 egg and they can be so easily spoiled, simply by dredging. | 0:14:08 | 0:14:15 | |
Whereas here, hand dive - that is the result. | 0:14:15 | 0:14:20 | |
Raymond's next recipe uses meltingly succulent sweet scallops. | 0:14:26 | 0:14:29 | |
Plump hand dived scallops are served with delicately spiced cauliflower three ways - | 0:14:29 | 0:14:36 | |
velvety puree, caramelised slices and Indian sliced bhajis. | 0:14:36 | 0:14:40 | |
So this dish is very much inspired by the spices of India. | 0:14:43 | 0:14:47 | |
A bit of complexity, but what is good, you can prepare a lot in advance. | 0:14:47 | 0:14:50 | |
So all that you have to do at the end is pan-fry the scallops, and finish the bungee - bhaji! | 0:14:50 | 0:14:57 | |
Not the bungee, the bhaji! OK, big difference. | 0:14:57 | 0:15:00 | |
So I'm going to prepare my scallops. | 0:15:01 | 0:15:04 | |
Raymond's scallops have taken at least five years to reach this size. | 0:15:04 | 0:15:09 | |
So, of course, | 0:15:09 | 0:15:11 | |
press very much against the shell here, so that's why you take a flexible palette knife. | 0:15:11 | 0:15:19 | |
If it was hard, I would remove half of the scallop. You pass | 0:15:19 | 0:15:24 | |
the blade of your knife right at the back of it here and you lift. Voila. | 0:15:24 | 0:15:30 | |
Look how beautiful they are. | 0:15:32 | 0:15:35 | |
Extraordinary. Now, when you are able to cook with produce like that, | 0:15:35 | 0:15:39 | |
you just have to be very emotional. It's beautiful. | 0:15:39 | 0:15:43 | |
Cush, this into the fridge. | 0:15:43 | 0:15:47 | |
We are going to do a curry oil, OK? Going to be used to dress | 0:15:50 | 0:15:54 | |
the dish and marinate as well some elements of the dish. | 0:15:54 | 0:15:57 | |
Raymond adds a tablespoon of madras curry powder to a warm dry frying pan for five minutes. | 0:15:57 | 0:16:04 | |
And, very gently, you warm it up. | 0:16:04 | 0:16:06 | |
The mistake, of course, is to toast it too hard. | 0:16:06 | 0:16:09 | |
You just want to extract the essential oils out of it, | 0:16:09 | 0:16:13 | |
all the flavour. | 0:16:13 | 0:16:14 | |
And already in here some wonderful stuff is happening. | 0:16:14 | 0:16:17 | |
It's really lovely. | 0:16:17 | 0:16:19 | |
To give the oil a tangy punch, | 0:16:19 | 0:16:21 | |
Raymond adds a teaspoon of the warm curry powder to the grated lime zest and two shredded lime leaves. | 0:16:21 | 0:16:27 | |
Two lime leaves is plenty. | 0:16:27 | 0:16:29 | |
The lime leaves are affected by termites here | 0:16:29 | 0:16:32 | |
and they're not allowed to be flown fresh into this country, | 0:16:32 | 0:16:35 | |
so they are frozen. | 0:16:35 | 0:16:37 | |
But it's good because of the lovely flavours, so no problem. | 0:16:37 | 0:16:41 | |
Then he finely slices lemongrass and a little grated ginger. | 0:16:41 | 0:16:45 | |
Plenty. And all these wonderful ingredients. | 0:16:45 | 0:16:49 | |
We need about 100 grams of your best olive oil here. | 0:16:50 | 0:16:53 | |
The oil is left to infuse in a warm place for one hour. | 0:16:53 | 0:16:56 | |
So then we're going to prepare the batter to deep-fry florets of cauliflower. | 0:17:00 | 0:17:04 | |
Not all of it, just tiny little amounts. | 0:17:04 | 0:17:07 | |
To make the batter, | 0:17:07 | 0:17:09 | |
he uses 30 grams of gram flour. | 0:17:09 | 0:17:11 | |
So chickpea flour - really lovely flavour. | 0:17:11 | 0:17:14 | |
It doesn't behave the same as a wheat flour, | 0:17:14 | 0:17:17 | |
but for all the pan-frying, deep-frying, perfect. | 0:17:17 | 0:17:20 | |
A tiny little bit of turmeric. | 0:17:20 | 0:17:22 | |
Lots of colouring and a flavour as well. | 0:17:22 | 0:17:25 | |
Raymond adds finely chopped coriander and chilli to give bite, colour and flavour. | 0:17:25 | 0:17:30 | |
And, for a light and crispy finish, 40 millilitres of cold water is gently stirred in. | 0:17:34 | 0:17:39 | |
Maybe a pinch of salt. | 0:17:39 | 0:17:40 | |
A little seasoning and the batter is set aside, while Raymond begins his cauliflower puree. | 0:17:40 | 0:17:46 | |
They give me a mahusive cauliflower. | 0:17:48 | 0:17:50 | |
The cauliflower sweats in butter and is then cooked for ten minutes in whole milk. | 0:17:50 | 0:17:56 | |
A tiny bit of cayenne pepper. | 0:17:56 | 0:17:59 | |
To give a silky luxurious finish, Raymond uses a blender. | 0:18:00 | 0:18:05 | |
That will go in a bain-marie. | 0:18:10 | 0:18:11 | |
I'm doing some little florets | 0:18:12 | 0:18:15 | |
for deep frying. | 0:18:15 | 0:18:17 | |
Next, the florets go into the spicy bhaji batter. | 0:18:17 | 0:18:20 | |
That will take about two minutes. | 0:18:26 | 0:18:29 | |
The bhajis are ready when they turn a rich golden brown. | 0:18:29 | 0:18:32 | |
The moisture inside your cauliflower shouldn't try to escape, | 0:18:32 | 0:18:36 | |
so if your batter is not cooked enough, | 0:18:36 | 0:18:38 | |
it will lose the lovely texture, the crunchy texture. | 0:18:38 | 0:18:41 | |
So, of course, the proof is in the pudding, as ever. | 0:18:44 | 0:18:47 | |
A fantastic starter or an appetiser. | 0:18:48 | 0:18:51 | |
With the curry oil and cauliflower prepared, Raymond can now cook the scallops. | 0:18:52 | 0:18:57 | |
There I can use my best olive oil. | 0:18:57 | 0:19:00 | |
And I don't move them. Don't move them. Let the heat come through. | 0:19:02 | 0:19:06 | |
I want the taste and the taste I get by slow caramelisation of the scallops. Beautiful gentle browning. | 0:19:06 | 0:19:14 | |
It's not dry. It's going to be beautiful. | 0:19:14 | 0:19:16 | |
It's going to be absolutely lovely. | 0:19:16 | 0:19:18 | |
A bit more, maybe a tiny bit. | 0:19:18 | 0:19:20 | |
Let's have a look. Voila. | 0:19:20 | 0:19:22 | |
Oh, that is lovely. | 0:19:22 | 0:19:24 | |
Look at that. | 0:19:27 | 0:19:29 | |
To serve, Raymond spreads the cauliflower puree onto the plate. | 0:19:29 | 0:19:33 | |
This is the nicest, fattest... Oh, who shall I put there? | 0:19:33 | 0:19:36 | |
I love them both. | 0:19:36 | 0:19:38 | |
Look at that. Oh! | 0:19:38 | 0:19:40 | |
Take the little bhajis here, | 0:19:47 | 0:19:49 | |
beautiful, look at that, lovely. | 0:19:49 | 0:19:52 | |
Crisp, sweet slices of cauliflower have been fried and are brushed with a spicy curry oil. | 0:19:52 | 0:19:57 | |
Which is going to give that an amazing texture. | 0:19:57 | 0:20:00 | |
For a cool lemon flavour, Raymond adds a herb called ice lettuce. | 0:20:00 | 0:20:05 | |
And it's lemony. Really, that's why it fits so well. | 0:20:05 | 0:20:09 | |
Any little leaf - a little bit of rocket would be very nice too. A bit of mustard cress. | 0:20:09 | 0:20:13 | |
Just to finish it off, a tiny bit of chive. | 0:20:13 | 0:20:16 | |
Some drops of the curry oil and a little drizzle of the rich pan juices. | 0:20:19 | 0:20:23 | |
-Very good, you? -Yeah, good. | 0:20:30 | 0:20:32 | |
-So, Gary Jones, we worked together for 12 years. -14. | 0:20:32 | 0:20:36 | |
14? Oh, my. 14. | 0:20:36 | 0:20:39 | |
Really good. I love the textures because you've the crunch. Light curry coming through as well. | 0:20:43 | 0:20:48 | |
-Lovely dish. -All these lovely spices. | 0:20:48 | 0:20:51 | |
The world of gastronomy is being influenced by so many other cultures. | 0:20:51 | 0:20:55 | |
It has enriched me as a Frenchman. That means I'm a better Frenchman. | 0:20:55 | 0:20:59 | |
Ask Gary, he will tell you. | 0:20:59 | 0:21:01 | |
He's a better Frenchman. | 0:21:01 | 0:21:02 | |
Absolutely humongous. Look at that. | 0:21:12 | 0:21:15 | |
He's a monster. They are prehistoric monsters, aren't they? | 0:21:15 | 0:21:20 | |
So which one is a female? Come on. Stop it. | 0:21:20 | 0:21:22 | |
You recognise a female because she's bad-tempered first. | 0:21:22 | 0:21:26 | |
Hey, stop it! | 0:21:26 | 0:21:28 | |
It's a she because the tail is very wide. | 0:21:28 | 0:21:31 | |
If you look in comparison, that's a male. | 0:21:31 | 0:21:34 | |
Look, the male is tight. | 0:21:34 | 0:21:36 | |
The tail is very tight. | 0:21:36 | 0:21:38 | |
For Raymond's finale, a lavish dish of lobster a la plancha - | 0:21:47 | 0:21:51 | |
tender grilled lobster drizzled with an intense cardamom-scented red pepper jus, | 0:21:51 | 0:21:57 | |
served with new potatoes, herbs and caviar. | 0:21:57 | 0:22:00 | |
Da-da. Voila. | 0:22:03 | 0:22:05 | |
There's a nice female here. | 0:22:05 | 0:22:08 | |
Yeah, I think we go with that, yeah. | 0:22:08 | 0:22:10 | |
That's lovely. We want very lively lobsters. | 0:22:10 | 0:22:12 | |
OK? And then you are in for a treat. | 0:22:12 | 0:22:16 | |
Raymond is using a machine which passes a current through the lobster, killing it instantly. | 0:22:16 | 0:22:22 | |
That's it. | 0:22:22 | 0:22:24 | |
There's always this morality about killing an animal, so you want to make sure | 0:22:24 | 0:22:29 | |
that the animal dies fastest. | 0:22:29 | 0:22:31 | |
We have that responsibility to make sure the animal dies quickly and fast, OK? Without pain. | 0:22:31 | 0:22:37 | |
Freezing the lobster for two hours | 0:22:37 | 0:22:39 | |
before cutting through the midline of its underside will kill it quickly, too. | 0:22:39 | 0:22:44 | |
Tres bien. So now the lobster is dead, | 0:22:44 | 0:22:47 | |
so we can do what we need to do. | 0:22:47 | 0:22:50 | |
First, Raymond removes the claws. | 0:22:50 | 0:22:52 | |
It's a big one. We have the tail and we have the body. | 0:22:52 | 0:22:55 | |
We're going to keep the body to do the sauce | 0:22:55 | 0:22:58 | |
and, I can assure you, delicious and very dramatic as well. | 0:22:58 | 0:23:02 | |
Next, he removes the intestines, leaving in the lungs, the dead men's fingers. | 0:23:02 | 0:23:07 | |
There's so many preconceived ideas. "Dead man's fingers, oh, my God, poison!" | 0:23:07 | 0:23:12 | |
No. It's the lungs of the lobster. | 0:23:12 | 0:23:14 | |
All that you have through here is sea water passing through. | 0:23:14 | 0:23:17 | |
Let's taste one. Come on, Adam. Have one. Come on. Come on, Adam! | 0:23:17 | 0:23:21 | |
Come here. Come on, please! Come on, Adam. Just taste it. | 0:23:21 | 0:23:25 | |
Come on. It's a little finger. | 0:23:25 | 0:23:27 | |
Look at that. Voila. Sea water. | 0:23:27 | 0:23:30 | |
-Trust me. You must trust me. -It's salty. -You should know that. | 0:23:30 | 0:23:34 | |
-That's six years you work with me. He doesn't trust me yet. -If I'm ill tomorrow... | 0:23:34 | 0:23:39 | |
Do you think I'm going to poison him? | 0:23:39 | 0:23:41 | |
Next, he cuts the body into small pieces. They will form the base for the sauce. | 0:23:41 | 0:23:45 | |
You are going to do an incredible sauce just with those shells, | 0:23:45 | 0:23:49 | |
roasting it until wonderful lobster flavour comes through. | 0:23:49 | 0:23:52 | |
The shell pieces are set aside to be roasted later. | 0:23:52 | 0:23:55 | |
So now we are going to blanch the tail, | 0:23:55 | 0:24:00 | |
plunging it in boiling water for 15 seconds. | 0:24:00 | 0:24:03 | |
Cook the outside and then you can easily remove the tail. | 0:24:03 | 0:24:08 | |
These are intestines of the lobster. | 0:24:08 | 0:24:11 | |
These that you can move away. | 0:24:11 | 0:24:13 | |
That's the curry oil that I made for the scallops. | 0:24:13 | 0:24:16 | |
It's not that I'm short of ideas, it simply just happened that way. | 0:24:16 | 0:24:20 | |
Having cooked the claws in boiling water for five minutes, | 0:24:20 | 0:24:23 | |
Raymond cracks the shells to release their meat. | 0:24:23 | 0:24:27 | |
Voila. That one has just burst out here. | 0:24:27 | 0:24:30 | |
I want to keep that in the fridge until I need it. | 0:24:32 | 0:24:35 | |
So let's put that away. Adam, please. | 0:24:35 | 0:24:38 | |
Merci. | 0:24:38 | 0:24:40 | |
Next, Raymond begins the base for his sauce, roasting the lobster shells to intensify their flavour. | 0:24:42 | 0:24:48 | |
I want to caramelise them, I want to brown them, I want to really taste | 0:24:48 | 0:24:53 | |
that amazing flavour of that lobster. | 0:24:53 | 0:24:56 | |
And I can only achieve that if I brown it, I caramelise it beautifully. | 0:24:56 | 0:25:01 | |
You can hear it. That pan tells you exactly what's happening | 0:25:01 | 0:25:05 | |
in here and, of course, confirmed by this instrument here. | 0:25:05 | 0:25:09 | |
SIZZLING | 0:25:09 | 0:25:12 | |
The body of the sauce is made from red peppers, roughly chopped and blitzed until smooth. | 0:25:15 | 0:25:19 | |
Once liquidised, the peppers are sieved into a pan and Raymond adds his spice - aromatic ginger. | 0:25:24 | 0:25:30 | |
Crush those cardamom seeds so they can release their flavour. | 0:25:32 | 0:25:35 | |
And cardamom. | 0:25:35 | 0:25:37 | |
He adds reduced white wine to the lobster shells | 0:25:39 | 0:25:41 | |
to bring a little acidity. | 0:25:41 | 0:25:44 | |
OK. That's it. To deglaze all the lovely pan juices. | 0:25:44 | 0:25:47 | |
Voila. I put all that in here to simmer very slowly. | 0:25:49 | 0:25:54 | |
A gentle simmer will release maximum flavour. | 0:25:54 | 0:25:58 | |
I don't want to boil, | 0:25:58 | 0:26:00 | |
I want an infusion. | 0:26:00 | 0:26:02 | |
I want something where all these flavours merge | 0:26:02 | 0:26:05 | |
and marry each other. It's a marriage. It's a marriage. | 0:26:05 | 0:26:08 | |
It's a wonderful simple alchemy here, which is exciting. | 0:26:08 | 0:26:12 | |
Cooks feel truly excited. | 0:26:12 | 0:26:15 | |
The sauce is strained through a fine sieve and reduced by half, making it even more intense. | 0:26:15 | 0:26:21 | |
Look at that! Ooh la la. | 0:26:27 | 0:26:30 | |
Let me tell you about this flavour. | 0:26:30 | 0:26:32 | |
It doesn't need no salt. | 0:26:34 | 0:26:36 | |
Really no salt because the spice is here, | 0:26:36 | 0:26:39 | |
the fruit of the red peppers is here, | 0:26:39 | 0:26:43 | |
the ginger is there, the cardamom just marries everything | 0:26:43 | 0:26:46 | |
and that lobster jus is wonderful. | 0:26:46 | 0:26:49 | |
It's like a painter. | 0:26:49 | 0:26:51 | |
You feel like you want to take a canvas and throw it on it... | 0:26:51 | 0:26:55 | |
Actually, no, not really. I prefer my cooking. | 0:26:55 | 0:26:57 | |
Now Raymond can cook the lobster. | 0:26:59 | 0:27:02 | |
First, he puts the claws in a pre-heated oven at 180 degrees. | 0:27:02 | 0:27:05 | |
Next, he grills the tail. | 0:27:05 | 0:27:07 | |
Oh, that's it, that's OK. | 0:27:07 | 0:27:09 | |
A frying pan could be used. | 0:27:09 | 0:27:11 | |
And the lobster is ready to be served. | 0:27:11 | 0:27:14 | |
Caviar-and-yoghurt-topped new potatoes are surrounded | 0:27:14 | 0:27:18 | |
by a drizzle of curry oil | 0:27:18 | 0:27:20 | |
and splashes of the aromatic red-pepper jus. | 0:27:20 | 0:27:23 | |
And what you do is take it from the tail, beautiful. | 0:27:28 | 0:27:32 | |
Some crispy potato skins for texture and, to finish, herbs. | 0:27:36 | 0:27:40 | |
Then these wonderful baby chives. | 0:27:40 | 0:27:44 | |
This dish is not only colourful, it is fresh, it's clean, | 0:27:44 | 0:27:49 | |
it's got amazing super-force layers of flavours, | 0:27:49 | 0:27:52 | |
anything that the lobster already should be. | 0:27:52 | 0:27:55 | |
The promise is kept. It's honest. | 0:27:55 | 0:27:58 | |
Raymond has invited sous chef Larry to taste. | 0:28:03 | 0:28:06 | |
-OK, Larry. What do you think of it? -It's beautiful, Chef. | 0:28:06 | 0:28:10 | |
Lobster's perfectly cooked. | 0:28:11 | 0:28:13 | |
The spices are coming through. It's really delicate. | 0:28:15 | 0:28:18 | |
Nice texture as well, nice texture. | 0:28:18 | 0:28:20 | |
Probably that little dish is really a lovely expression. | 0:28:23 | 0:28:26 | |
It's beautiful, fantastic, vibrant colours, great flavours inside, fresh and clean. | 0:28:26 | 0:28:32 | |
That's a great dish to woo your loved one. There's no doubt. | 0:28:32 | 0:28:35 | |
She will break, she will crack, she will say, "Yes, yes, yes." | 0:28:35 | 0:28:39 | |
For recipe details, please go to... | 0:28:41 | 0:28:47 | |
Subtitles by Red Bee Media | 0:28:59 | 0:29:02 | |
Email: [email protected] | 0:29:02 | 0:29:05 |