Browse content similar to 03/02/2018. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good morning! | 0:00:04 | 0:00:06 | |
Get ready to start your weekend
with 90 minutes of fabulous food! | 0:00:06 | 0:00:08 | |
I'm Matt Tebbutt and this
is Saturday Kitchen Live! | 0:00:08 | 0:00:16 | |
Welcome to the show! | 0:00:31 | 0:00:34 | |
I've got a stellar line-up | 0:00:34 | 0:00:36 | |
in the studio with me today,
the Sensational spice man, | 0:00:36 | 0:00:39 | |
Cyrus Todiwala and the master
of Italian cuisine, Theo Randall. | 0:00:39 | 0:00:41 | |
And on drinks duty, it's Sam Caporn! | 0:00:41 | 0:00:43 | |
Good morning everyone! | 0:00:43 | 0:00:47 | |
Cyrus welcome back - your recipe
today is celebrating British | 0:00:47 | 0:00:49 | |
shellfish, is that right? | 0:00:49 | 0:00:55 | |
Yes, hen crab with langoustine
tails. The hen crab, we are making | 0:00:55 | 0:01:04 | |
fritters on a Sawyer, ginger and
chilli sauce with egg fried rice and | 0:01:04 | 0:01:07 | |
deep-fried langoustine tails. It is
not something I would associate with | 0:01:07 | 0:01:13 | |
you. British people understand we
have a vibrant Chinese cuisine in | 0:01:13 | 0:01:23 | |
India. Chinese introduced it to
India 200 years ago but the Indians | 0:01:23 | 0:01:30 | |
had their influence. The Chinese
food in India is from the session | 0:01:30 | 0:01:38 | |
one provinces. If we keep on
talking, we won't have anything to | 0:01:38 | 0:01:41 | |
talk about. | 0:01:41 | 0:01:43 | |
Theo, lovely to see you again. | 0:01:43 | 0:01:45 | |
You've got a pasta
masterclass for us today. | 0:01:45 | 0:01:49 | |
Yes, we have the semolina egg flour
and P Dalat with beef ragu. And we | 0:01:49 | 0:02:03 | |
will have red wine, Rosemary. You
have been enjoying rats, Sam? Creme | 0:02:03 | 0:02:08 | |
De La Creme three times already this
week. We have some good value wine. | 0:02:08 | 0:02:17 | |
We look forward to drinking those
later and we have fantastic films | 0:02:18 | 0:02:23 | |
from some of the BBC's biggest
stars. | 0:02:23 | 0:02:31 | |
Our special guest is perhaps
best known for her role | 0:02:31 | 0:02:33 | |
as Miranda Hart's petite side-kick,
Stevie, in the smash-hit | 0:02:33 | 0:02:35 | |
sitcom Miranda. | 0:02:35 | 0:02:36 | |
She's starred in many TV
series, appeared alongside | 0:02:36 | 0:02:38 | |
Helena Bonham Carter and was even
a Bond Girl no less! | 0:02:38 | 0:02:41 | |
I'm delighted to welcome
the wonderful Sarah Hadland. | 0:02:41 | 0:02:43 | |
APPLAUSE
You were a Bond girl? | 0:02:43 | 0:02:48 | |
Yes. I get quite a lot of mileage
out of this. My title was Ocean sky | 0:02:48 | 0:02:54 | |
receptionist. Did you have a name?
No, Ocean sky receptionist was my | 0:02:54 | 0:03:04 | |
title. I played this frosty woman
working behind Ocean sky reception | 0:03:04 | 0:03:10 | |
and James Bond's card doesn't work.
So we share a moment. It will be | 0:03:10 | 0:03:20 | |
brought back, there will be a spin
off where she is featured. You are | 0:03:20 | 0:03:26 | |
taking a departure from the sitcom
we know you from onto the stage? | 0:03:26 | 0:03:31 | |
Yes, doing a lot of plays this year.
I have done one that was sat in the | 0:03:31 | 0:03:39 | |
70s. I am currently doing a play
called The War Has Not Started. It | 0:03:39 | 0:03:49 | |
is about fake news... | 0:03:49 | 0:03:54 | |
MOBILE PHONE RINGS | 0:03:58 | 0:04:03 | |
Have we all got our mobile phones
off? Sorry. It is my boyfriend he | 0:04:03 | 0:04:11 | |
can wait. This is very different to
anything I have done so the parables | 0:04:11 | 0:04:16 | |
about modern times which were
written in a while ago Butch are so | 0:04:16 | 0:04:19 | |
pertinent now with what is happening
with Brexit, Trump and America. They | 0:04:19 | 0:04:23 | |
do have a real relevance at the
minute, it is very dark comedy. We | 0:04:23 | 0:04:28 | |
will talk about that a lot later on
but let's talk about your food. You | 0:04:28 | 0:04:32 | |
have a sweet tooth? Such a sweet
tooth. It is dreadful. I am not a | 0:04:32 | 0:04:39 | |
crazy fan of coffee to drink, I love
coffee flavour deserves. Tiramisu, | 0:04:39 | 0:04:46 | |
coffee, chocolate, sickly, sweet
heavy and rich. Really embracing | 0:04:46 | 0:04:50 | |
that. I looked at the deserts on the
menu before anything else. What | 0:04:50 | 0:04:57 | |
about Food Hell? I have been too
honest. I have picked things I hate, | 0:04:57 | 0:05:05 | |
gnocchi, sorry to upset all chefs
everywhere, but what is that about? | 0:05:05 | 0:05:12 | |
Gnocchi, really? I am getting
horrendous looks from over there. I | 0:05:12 | 0:05:19 | |
cannot bear it, the texture and
everything. Bone marrow, I am | 0:05:19 | 0:05:23 | |
desperate to light because I know it
is a new superfood everybody should | 0:05:23 | 0:05:26 | |
be eating. You might get the chance,
depends what they go for. The third | 0:05:26 | 0:05:32 | |
thing, sweet bread. If reviewers
give you heaven, I will make it | 0:05:32 | 0:05:40 | |
coffee, chocolate and sherry cake. I
will make a delicious busy but it | 0:05:40 | 0:05:46 | |
which I will fill with coffee and
buttercream, and a smorgasbord of | 0:05:46 | 0:05:52 | |
chocolate treats you love so much.
Who told you about the cheap | 0:05:52 | 0:05:59 | |
chocolate? It is in my brief. But if
Sarah gets help, I will make bone | 0:05:59 | 0:06:06 | |
marrow and feel with sweet bread.
Gnocchi with Parmesan and then | 0:06:06 | 0:06:11 | |
pan-fried sweetbreads with a side of
baked bone marrow. That is | 0:06:11 | 0:06:15 | |
delicious. | 0:06:15 | 0:06:20 | |
So everyone, just go
to the Saturday Kitchen website | 0:06:20 | 0:06:25 | |
before 11:00 this morning
and get voting! | 0:06:25 | 0:06:27 | |
We also want your questions. | 0:06:27 | 0:06:28 | |
You can ask our experts
anything, just dial... | 0:06:28 | 0:06:34 | |
As always you can also
comment on what's cooking | 0:06:34 | 0:06:36 | |
via social media. | 0:06:36 | 0:06:40 | |
Right, time to do some cooking! | 0:06:40 | 0:06:42 | |
Cyrus, what are we making? | 0:06:42 | 0:06:47 | |
We have quite a lot to do. A lot of
work cut out today. Three elements | 0:06:47 | 0:06:54 | |
to it. We have crab, which will be
made into fritters, coriander and | 0:06:54 | 0:06:59 | |
spring onion. Let's talk about this
little beast before we move it out. | 0:06:59 | 0:07:09 | |
That is a male crab. We are trying
to use the hen crab. They love it on | 0:07:09 | 0:07:16 | |
the continent? All over the world,
but we seem to not like the red bit. | 0:07:16 | 0:07:21 | |
The hen crab has around bit at the
back where the eggs collect. That is | 0:07:21 | 0:07:28 | |
the difference. We tried to get hen
crab to show the difference and | 0:07:28 | 0:07:32 | |
couldn't get hold of one. Which is
telling. Couldn't get hold of one in | 0:07:32 | 0:07:39 | |
Billingsgate market because the
problem is, because nobody buys | 0:07:39 | 0:07:42 | |
them, they will not store them. | 0:07:42 | 0:07:45 | |
problem is, because nobody buys
them, they will not store them. | 0:07:45 | 0:07:45 | |
Often it doesn't even come into the
market because it gets exported | 0:07:45 | 0:07:49 | |
straightaway. The reason they don't
buy them, is it because people like | 0:07:49 | 0:07:53 | |
the white meat? People are used to
the white meat. They liked the large | 0:07:53 | 0:08:01 | |
claws? The hen crab isn't too bad,
they have the same size claws as | 0:08:01 | 0:08:06 | |
well. | 0:08:06 | 0:08:14 | |
well. I am making this little crab
fritter. We have the white meat and | 0:08:14 | 0:08:18 | |
the Brown meat. Ginger. Coriander,
spring onion and chilli. And an egg. | 0:08:18 | 0:08:28 | |
Cornstarch. Soy sauce. | 0:08:28 | 0:08:34 | |
Cornstarch. Soy sauce. In with the
crab. What are you doing now? I am | 0:08:35 | 0:08:39 | |
setting up my vegetables for the
fried rice. Cutting up some | 0:08:39 | 0:08:42 | |
mushrooms. Spring onion in there
already. Just getting that sorted so | 0:08:42 | 0:08:49 | |
we can work quickly at the end.
Let's talk about the wastage in | 0:08:49 | 0:08:53 | |
shellfish. We are using these
beautiful long scenes, but they are | 0:08:53 | 0:09:00 | |
very expensive, lots get wasted?
They are expensive because of the | 0:09:00 | 0:09:05 | |
wastage. It is the same | 0:09:05 | 0:09:12 | |
wastage. It is the same as British
produce, we don't want to eat the | 0:09:12 | 0:09:15 | |
offal. We are spoilt. There is so
much more seafood, but we won't eat | 0:09:15 | 0:09:22 | |
them, we have stopped eating cockles
and whelks. We have got a picture | 0:09:22 | 0:09:28 | |
you have taken. It is a crate of
longer staying, and that is destined | 0:09:28 | 0:09:32 | |
for the bin. There is nothing wrong
with them. Most of them were still | 0:09:32 | 0:09:39 | |
alive when I saw them. That was on
the jetty in Scotland. | 0:09:39 | 0:09:47 | |
the jetty in Scotland. That is
daily? Back is a daily amounts. | 0:09:47 | 0:09:53 | |
daily? Back is a daily amounts. Most
of the seafood goes abroad. We | 0:09:55 | 0:09:57 | |
produced the best cuttlefish and
octopus and resend it abroad. As | 0:09:57 | 0:10:01 | |
British people, we will go to Europe
and by our own octopus and | 0:10:01 | 0:10:10 | |
cuttlefish back but we won't buy it
here. It is madness. We should be | 0:10:10 | 0:10:14 | |
eating more and therefore the price
will come down will stop it is not | 0:10:14 | 0:10:20 | |
bad view, cuttlefish. They believe
it has extra cholesterol and things, | 0:10:20 | 0:10:28 | |
but after research it is acting
quite good for us. Chopping up more | 0:10:28 | 0:10:33 | |
ginger for the sauce. This is a
ginger and chilli sauce. Very easy. | 0:10:33 | 0:10:39 | |
Don't smile. You have got your work
cut out on that site. How did you | 0:10:39 | 0:10:45 | |
get involved with shellfish? I am
involved in everything in Britain. I | 0:10:45 | 0:10:57 | |
keep myself busy because I believe
we should be exposing these things | 0:10:57 | 0:11:00 | |
to the people, it is very important.
It is the shellfish Association I am | 0:11:00 | 0:11:08 | |
working with at the moment. I am
trying to promote it to students. We | 0:11:08 | 0:11:13 | |
will be using it very soon on our
menu for our competition. | 0:11:13 | 0:11:21 | |
menu for our competition. Shellfish?
Using seven things for starters. | 0:11:22 | 0:11:30 | |
Seven different types of shellfish.
It is about getting young chefs to | 0:11:30 | 0:11:35 | |
appreciate it? Yes, get them to
understand there is lots more out | 0:11:35 | 0:11:40 | |
there they should be using. The
fritters are falling apart, Cyrus. | 0:11:40 | 0:11:46 | |
That is your fault, my dear. That is
as chef is not doing his job | 0:11:46 | 0:11:53 | |
properly. Good enough why? You
didn't put the egg in. Had to be | 0:11:53 | 0:12:02 | |
something. | 0:12:02 | 0:12:07 | |
something. There is nothing like
live cooking, is there. You carry | 0:12:09 | 0:12:13 | |
on. Oh no, the shame. Don't you
worry about it, madam. How long | 0:12:13 | 0:12:23 | |
should they be fried for? About a
minute. I think you might have | 0:12:23 | 0:12:32 | |
bettered my phone going off. You
might have outdone me. OK. | 0:12:32 | 0:12:41 | |
might have outdone me. OK. Now you
have forgotten your lines. We know | 0:12:41 | 0:12:45 | |
what is going on. Cyrus, what are
you doing? Hopefully I will get two | 0:12:45 | 0:12:55 | |
things done. I will start the fried
rice and I will put in the pan, some | 0:12:55 | 0:13:01 | |
ginger, green chilli and spring
onions. Before that I | 0:13:01 | 0:13:08 | |
onions. Before that I put in star
anise, so it gives all its flavour | 0:13:10 | 0:13:12 | |
into the oil. Star anise is very
popular in Chinese cooking, as you | 0:13:12 | 0:13:19 | |
would know. He is sweating. He is
not going to get over that. All | 0:13:19 | 0:13:30 | |
comes good. It always comes good
again. You love it when a plan comes | 0:13:30 | 0:13:38 | |
together. If you want to ask any
questions this morning, give us a | 0:13:38 | 0:13:42 | |
call. | 0:13:42 | 0:13:47 | |
call. Calls are charged at your
standard network rate. So, why are | 0:13:47 | 0:13:50 | |
you doing that? I want the eggs to
be fluffy. You wouldn't put it in a | 0:13:50 | 0:13:58 | |
thin stream? No, it is looking
lovely. Vegetables go in. I have | 0:13:58 | 0:14:03 | |
some peas that will go in there. And
my peppers. Lots of stuff going on | 0:14:03 | 0:14:09 | |
in there. That literally goes in at
the last minute, staring at around | 0:14:09 | 0:14:15 | |
and that is it? Yes. This is getting
organised. I am going to put some | 0:14:15 | 0:14:22 | |
chicken stock in here. Vegetarian
chicken stock, right. I think a lot | 0:14:22 | 0:14:29 | |
of Chinese restaurants in India with
so many vegetarians, quietly put in | 0:14:29 | 0:14:35 | |
chicken stock so it is a vegetarian
dish at the end of the day. These | 0:14:35 | 0:14:40 | |
flavours are very interesting. You
said earlier, the Chinese flavours | 0:14:40 | 0:14:44 | |
are very big in India? Very big.
When I was growing up, you dressed | 0:14:44 | 0:14:50 | |
up to go to a Chinese restaurant.
Mum and dad wouldn't take you unless | 0:14:50 | 0:14:54 | |
you are very well dressed. That was
the pinnacle of eating out? Yes, you | 0:14:54 | 0:15:00 | |
are eating out and going to a
Chinese restaurant, good style. You | 0:15:00 | 0:15:04 | |
look very smart and everything else.
Then you are wearing bell-bottoms. | 0:15:04 | 0:15:13 | |
Depends when it was. Back in the
70s? Yes, my parents were very | 0:15:13 | 0:15:18 | |
old-fashioned. It wasn't allowed
because it looked silly, you know? | 0:15:18 | 0:15:24 | |
You had to wear loose trousers with
turned up bottoms. | 0:15:24 | 0:15:31 | |
turned up bottoms. Cooked rice. Use
old rice, but tell everybody that | 0:15:31 | 0:15:35 | |
rise is dangerously in the house, as
you know. White rice must be kept | 0:15:35 | 0:15:39 | |
carefully. | 0:15:39 | 0:15:44 | |
We cannot master race at home. It is
always quite soggy. Have you got any | 0:15:45 | 0:15:50 | |
tips. -- master rice. It is very
important to understand what you're | 0:15:50 | 0:15:59 | |
buying. It can be bad, like pasta,
if you're boiling rice, that means I | 0:15:59 | 0:16:06 | |
am out of time. The bowl means I am
out of. Thanks to you. If you use | 0:16:06 | 0:16:18 | |
more water and burn it off, you will
not have a problem. It takes about | 0:16:18 | 0:16:23 | |
six minutes to boil good Basmati
rice, no more than that. How denies | 0:16:23 | 0:16:32 | |
these fritters look. We started with
six and now we only have three. At | 0:16:32 | 0:16:38 | |
least they look good now. You should
have seen the mass. I feel sorry for | 0:16:38 | 0:16:44 | |
the crew that is going to have to
clean up. They get enough to eat, do | 0:16:44 | 0:16:47 | |
not worry about that. | 0:16:47 | 0:16:53 | |
not worry about that. That is
thickened with a little cornflour. | 0:16:56 | 0:16:57 | |
Always. But the Indian and Chinese
food does not have much sauce. | 0:16:57 | 0:17:04 | |
Perhaps less sauce. A bit of
flavour. So delicious. Is this your | 0:17:04 | 0:17:09 | |
kind of cooking? It looks gorgeous.
I love coriander. Imagine, that all | 0:17:09 | 0:17:14 | |
rubbish bin would have been thrown
out. Exactly from that kind of | 0:17:14 | 0:17:21 | |
stock, langoustines. We have egg
fried vegetables, egg fried rice, | 0:17:21 | 0:17:32 | |
crab freighters with ginger and
garlic, and langoustine tales with a | 0:17:32 | 0:17:39 | |
sauce. Fabulous. That is why we have
rehearsals. We knew what this would | 0:17:39 | 0:17:46 | |
be like. That looks amazing. Tuck
in. | 0:17:46 | 0:17:52 | |
in. Ours did not look like that at
home. Your -- that shows you the | 0:17:53 | 0:17:58 | |
benefit of a good egg. Nothing beats
egg. I am a big fan of egg. That is | 0:17:58 | 0:18:04 | |
beautiful. That is delicious. The
soy sauce is brilliant. | 0:18:04 | 0:18:13 | |
That is absolutely delicious. You
like it? My God, yes. Strong | 0:18:13 | 0:18:18 | |
flavours. We drinking? It is a Tesco
Riesling. £5. It is a nice value | 0:18:18 | 0:18:27 | |
wine. Because the dishes so spicy,
coriander, ginger and chilli, you | 0:18:27 | 0:18:33 | |
need an aromatic wine and one with
residual sugar. You need sweetness, | 0:18:33 | 0:18:38 | |
acid, but the key flavours, like the
crab, it is quite delicate so you do | 0:18:38 | 0:18:43 | |
not want anything to the lawn. It is
lovely. You need something with like | 0:18:43 | 0:18:51 | |
flavours. Riesling has the aromatic
floral nods. Is that the science | 0:18:51 | 0:18:59 | |
bit? It makes me sound smart. It is
a really nice wane. -- wine. It is | 0:18:59 | 0:19:07 | |
one of my favourites. Really nice. A
good start. As you take a mouthful. | 0:19:07 | 0:19:15 | |
I will come back to. What are you
cooking later? Am going to do fresh | 0:19:15 | 0:19:23 | |
pasta. We will do my recipe for
ragu, chuck steak, tomatoes, red | 0:19:23 | 0:19:28 | |
wine, rosemary and it will be full
of flavour. | 0:19:28 | 0:19:32 | |
If you want to ask us a question
this morning, just call 033 0123 | 0:19:32 | 0:19:36 | |
1410. | 0:19:36 | 0:19:37 | |
That's 033 0123 1410. | 0:19:37 | 0:19:38 | |
Lines close at 11:00am today. | 0:19:38 | 0:19:39 | |
You haven't got long
so get dialling. | 0:19:39 | 0:19:43 | |
At the moment the Broad is very
close. It is pretty much 50-50. No? | 0:19:43 | 0:19:49 | |
Yes. All that love through Miranda
and then they do this to you. | 0:19:49 | 0:19:55 | |
Or you can tweet us
a question using the | 0:19:55 | 0:19:57 | |
hashtag "Saturday Kitchen". | 0:19:57 | 0:19:58 | |
And don't forget to
vote for Sarah's food | 0:19:58 | 0:20:00 | |
heaven or hell on our website. | 0:20:00 | 0:20:02 | |
Now let's catch up
with Rick Stein on | 0:20:02 | 0:20:04 | |
his Long Weekend In Vienna where
he's on a mission to make a goulash | 0:20:04 | 0:20:07 | |
to rival all others. | 0:20:07 | 0:20:15 | |
This is Trzesniewski's. | 0:20:26 | 0:20:27 | |
In their advertising blurb,
they say that Kafka lived next door | 0:20:27 | 0:20:30 | |
and would pop in for a beer
and a sandwich. | 0:20:30 | 0:20:32 | |
Actually, in 1913, Trotsky, Tito,
Freud, Hitler and Stalin | 0:20:32 | 0:20:34 | |
all lived in Vienna. | 0:20:34 | 0:20:35 | |
Maybe they'd come in
here for a really big | 0:20:35 | 0:20:37 | |
argument and a sandwich. | 0:20:37 | 0:20:39 | |
Could I have matjes? | 0:20:39 | 0:20:40 | |
Danke schoen. | 0:20:40 | 0:20:43 | |
It was a Polish cook that started it
in 1902, and it's so clever, | 0:20:43 | 0:20:46 | |
because each and every one of these
little sandwiches - and there | 0:20:46 | 0:20:50 | |
are about 22 different sorts -
are all the same price. | 0:20:50 | 0:20:52 | |
That makes things so easy. | 0:20:52 | 0:20:54 | |
Speck. | 0:20:54 | 0:20:55 | |
Bacon and egg. | 0:20:55 | 0:20:56 | |
Speck. | 0:20:56 | 0:20:57 | |
Danke schoen. | 0:20:57 | 0:21:00 | |
Sardines and anchovies,
cheese and ham, herring and onion. | 0:21:00 | 0:21:05 | |
You name it, it's here. | 0:21:05 | 0:21:06 | |
And crab? | 0:21:06 | 0:21:07 | |
Ja. | 0:21:07 | 0:21:10 | |
But the most popular
by far is egg and bacon. | 0:21:10 | 0:21:14 | |
Who would have thought that? | 0:21:14 | 0:21:15 | |
I must say, as a caterer, | 0:21:15 | 0:21:19 | |
this is a great idea,
and to think it's over 100 years | 0:21:19 | 0:21:23 | |
old, because there's no preparation,
you don't stand and wait | 0:21:23 | 0:21:25 | |
while people do things. | 0:21:25 | 0:21:26 | |
It's all there ready to go. | 0:21:26 | 0:21:29 | |
There's a limited number
of flavours, all of | 0:21:29 | 0:21:31 | |
which are really nice. | 0:21:31 | 0:21:33 | |
So it's quick, it's very,
very fast turnover. | 0:21:33 | 0:21:36 | |
There's no problems,
really modern thinking, | 0:21:36 | 0:21:40 | |
but what you get with it too
I think's really attractive. | 0:21:40 | 0:21:42 | |
Just a little tiny beer. | 0:21:42 | 0:21:44 | |
They call it a pfiff. | 0:21:44 | 0:21:45 | |
That doesn't mean that
it's a fifth of a litre. | 0:21:45 | 0:21:49 | |
Pfiff in German means a whistle,
possibly because it's | 0:21:49 | 0:21:51 | |
gone in a whistle! | 0:21:51 | 0:21:59 | |
This is one of the oldest
restaurants in Vienna, Meixner's. | 0:22:05 | 0:22:06 | |
They are famous for their
traditional Viennese dishes, | 0:22:06 | 0:22:08 | |
and one in particular,
and that's goulash. | 0:22:08 | 0:22:11 | |
Thank you. | 0:22:11 | 0:22:13 | |
That looks really nice. | 0:22:13 | 0:22:17 | |
I'm not even going to taste
the meat because I just | 0:22:17 | 0:22:20 | |
want to taste the sauce, goulash. | 0:22:20 | 0:22:26 | |
As somebody who lived
through the '60s, '70s and '80s I've | 0:22:26 | 0:22:28 | |
had that many goulashes,
but none of them I thought | 0:22:28 | 0:22:31 | |
were the real deal. | 0:22:31 | 0:22:32 | |
Most of them had loads of green
peppers, red peppers, | 0:22:32 | 0:22:37 | |
lots of tomato, and what I thought
was really this would be mostly | 0:22:37 | 0:22:40 | |
about the paprika and indeed it is. | 0:22:40 | 0:22:43 | |
I sort of feel that with a dish
like this you can never | 0:22:43 | 0:22:46 | |
have too much paprika,
sweet paprika, and it's just got | 0:22:46 | 0:22:52 | |
this lovely thickness
about it and a sweetness, | 0:22:52 | 0:22:54 | |
and I just think this
is as good as it gets. | 0:22:54 | 0:22:56 | |
I don't know, but I suspect
that you wouldn't get | 0:22:56 | 0:22:59 | |
a better goulash anywhere. | 0:22:59 | 0:23:05 | |
Sadly, they wouldn't give me
the recipe, but that's a bit | 0:23:05 | 0:23:07 | |
of a challenge to a chef. | 0:23:07 | 0:23:09 | |
I just decided to make one
that was possibly even better! | 0:23:09 | 0:23:16 | |
First of all, lots of
onions, about eight. | 0:23:16 | 0:23:19 | |
Onions are, like in so
many things, the key. | 0:23:19 | 0:23:22 | |
They are fried in lard. | 0:23:22 | 0:23:24 | |
I love lard, and it's coming back
into fashion with loads of chefs. | 0:23:24 | 0:23:30 | |
Now when the onions have
softened a bit, grate in two | 0:23:30 | 0:23:34 | |
plump cloves of garlic,
and now the beef. | 0:23:34 | 0:23:36 | |
Shin of beef cut
into generous chunks. | 0:23:36 | 0:23:44 | |
I like it when a dish has history. | 0:23:51 | 0:23:53 | |
Goulash certainly has history. | 0:23:53 | 0:23:54 | |
It came from Hungary, from Hungarian
cowboys called "gulyas." | 0:23:54 | 0:23:56 | |
It spread through the
Austro-Hungarian Empire | 0:23:56 | 0:23:58 | |
because the troops were fed goulash. | 0:23:58 | 0:23:59 | |
It's the obvious thing to feed
troops, very nourishing | 0:23:59 | 0:24:01 | |
and very simple to make. | 0:24:01 | 0:24:04 | |
Caraway seeds, some
paprika and lots of beef. | 0:24:04 | 0:24:11 | |
I think caraway is bar none
the flavour of Germany and Austria. | 0:24:11 | 0:24:14 | |
I used to hate it. | 0:24:14 | 0:24:15 | |
I think it's because
my mother hated it. | 0:24:15 | 0:24:17 | |
"I can't bear caraway!" | 0:24:17 | 0:24:19 | |
Now I can't get enough of it. | 0:24:19 | 0:24:22 | |
It's in everything, it's the flavour
of sauerkraut, the flavour, | 0:24:22 | 0:24:24 | |
with paprika, of goulash. | 0:24:24 | 0:24:29 | |
It's in the potatoes,
it's in the bread, it's everywhere. | 0:24:29 | 0:24:32 | |
Paprika's the key to this dish,
and I'm going to use two types. | 0:24:39 | 0:24:42 | |
First, lots of sweet paprika,
but then some hot paprika too | 0:24:42 | 0:24:44 | |
which gives it a subtle kick
and is my take on the dish. | 0:24:44 | 0:24:47 | |
Now some brown sugar. | 0:24:47 | 0:24:49 | |
It just needs a little bit
of sweetness, not a lot, | 0:24:49 | 0:24:53 | |
and brown just to keep the colour
nice and deep and dark. | 0:24:53 | 0:25:01 | |
Tomato puree, only a tiny bit. | 0:25:02 | 0:25:04 | |
Some of the recipes say
never put any tomato in, | 0:25:04 | 0:25:06 | |
but I just like a tiny bit. | 0:25:06 | 0:25:09 | |
Some apple cider vinegar,
just a little bit of | 0:25:09 | 0:25:10 | |
tartness in the background. | 0:25:10 | 0:25:13 | |
There we go, and now some salt. | 0:25:13 | 0:25:17 | |
About a teaspoon and a half. | 0:25:17 | 0:25:19 | |
Now, some water. | 0:25:19 | 0:25:20 | |
That's all I need to do. | 0:25:20 | 0:25:28 | |
Except put a lid on it
and cook it at a low simmer | 0:25:30 | 0:25:33 | |
for about an hour and a half. | 0:25:33 | 0:25:37 | |
Then I'll check it but it takes
about one and three-quarter hours. | 0:25:37 | 0:25:39 | |
To go with the goulash is a little
pasta dish called spaetzle. | 0:25:39 | 0:25:42 | |
It's very popular in Vienna. | 0:25:42 | 0:25:44 | |
You make a thick batter using flour,
eggs and milk and then gradually | 0:25:44 | 0:25:48 | |
push it through a colander over
a pan of boiling water. | 0:25:48 | 0:25:53 | |
The dough cooks almost straightaway. | 0:25:53 | 0:25:54 | |
Well, it's done in two minutes. | 0:25:54 | 0:26:00 | |
Spaetzle means "little sparrows". | 0:26:00 | 0:26:01 | |
They look like little
sparrows in the water! | 0:26:01 | 0:26:04 | |
And now you fry the little
sparrows in butter. | 0:26:04 | 0:26:09 | |
There's a lovely main dish
using spaetzle topped with fried | 0:26:09 | 0:26:13 | |
onions and grated Gruyere and baked
in the oven for 20 minutes, | 0:26:13 | 0:26:17 | |
but now, here, a few rasps
of nutmeg and serve. | 0:26:17 | 0:26:19 | |
I'm so hungry! | 0:26:19 | 0:26:25 | |
What's it like, Rick? | 0:26:25 | 0:26:29 | |
Oh... | 0:26:29 | 0:26:32 | |
Thanks, Rick. | 0:26:36 | 0:26:39 | |
I never knew that spaetzle
meant "little sparrows". | 0:26:39 | 0:26:41 | |
Now, the secret to Rick's
goulash was to use two | 0:26:41 | 0:26:44 | |
types of paprika, sweet and hot. | 0:26:44 | 0:26:48 | |
I'm going to do chicken paprikash a
Hungarian dish. I'm going to use two | 0:26:48 | 0:26:56 | |
types of paprika as well. I have a
little bit of Spacey paprika. | 0:26:56 | 0:27:02 | |
Onions, green peppers, garlic. There
is not a lot to this. I will finish | 0:27:02 | 0:27:06 | |
it with sour cream to smooth it and
mail it out. I will make some | 0:27:06 | 0:27:11 | |
dumplings. First, the chicken. Let's
get some colour. I'm going to sweat | 0:27:11 | 0:27:17 | |
the onions and peppers. And the
garlic, and then we will come back | 0:27:17 | 0:27:22 | |
to that in three minutes. Sarah, we
all know you from Miranda, a massive | 0:27:22 | 0:27:28 | |
hit. You can probably never step
away from that. Yes. I am even on a | 0:27:28 | 0:27:33 | |
still now. I am not going to push
you off. You have gone into | 0:27:33 | 0:27:38 | |
something very different, a small
man production. Yes, three people, | 0:27:38 | 0:27:47 | |
at Southwark Playhouse. It is like
12 parables about modern times. It | 0:27:47 | 0:27:52 | |
is quite unusual, because the three
of us, that is Mark, Hannah and | 0:27:52 | 0:27:57 | |
myself and we play all the
characters. It is gender fluid. We | 0:27:57 | 0:28:03 | |
play men and women. We do not change
costume. We are in a kind of | 0:28:03 | 0:28:07 | |
military costume. A bit of
camouflage. We play men and women, | 0:28:07 | 0:28:13 | |
different ages, they said is very
sparse, the idea being that you have | 0:28:13 | 0:28:17 | |
really only got the dialogue to
focus on, rather than going, she is | 0:28:17 | 0:28:22 | |
playing a man, a woman, he is doing
this or that. A couple of the guys | 0:28:22 | 0:28:26 | |
here went in the week and said it
was fantastic. It is very focusing | 0:28:26 | 0:28:30 | |
for you as an actor, but also for
the audience to bring their | 0:28:30 | 0:28:34 | |
imagination to live? Yes, it is
quite hard to do, quite scary. Quite | 0:28:34 | 0:28:40 | |
often as an actor, particularly with
TV, you're trying to create a clear | 0:28:40 | 0:28:44 | |
picture | 0:28:44 | 0:28:53 | |
picture quickly of who you are and
what you are, costume and said are | 0:28:53 | 0:28:55 | |
trying to give as much information
as possible to an audience, but with | 0:28:55 | 0:28:57 | |
this, you're stripping everything
back. All you have got is what | 0:28:57 | 0:28:59 | |
you're saying at the way you're
saying it. It is quite exposing. Is | 0:28:59 | 0:29:02 | |
it quite exhausting? I would not
describe it as exhausting. I would | 0:29:02 | 0:29:07 | |
say it is quite intense. It is only
75 minutes but it goes like that. | 0:29:07 | 0:29:12 | |
You have got to be completely
focused of all time. Some of the | 0:29:12 | 0:29:17 | |
scenes are quite fast. Then we go
straight into something else. It is | 0:29:17 | 0:29:23 | |
exciting, I am loving it. It is
called The War Has Not Yet Started. | 0:29:23 | 0:29:27 | |
It is written by a Russian? Yes. It
is actually not allowed to be | 0:29:27 | 0:29:34 | |
performed in Russia. Is that right?
It is a real privilege were getting | 0:29:34 | 0:29:38 | |
to perform here. He is quite a young
writer? | 0:29:38 | 0:29:47 | |
It is an amazing piece. He wrote
about what was happening in Ukraine | 0:29:53 | 0:29:58 | |
and Russia but is so relevant to us
now with Brexit and from. Is it easy | 0:29:58 | 0:30:02 | |
to jump from those big, TV comedy
roles on to something like this? It | 0:30:02 | 0:30:11 | |
is very different. As an actor, I
always want to be doing different | 0:30:11 | 0:30:15 | |
things and I feel very lucky that is
what I am able to do. I think | 0:30:15 | 0:30:20 | |
theatre is a great way for an actor
of getting to do different parts you | 0:30:20 | 0:30:25 | |
might not get on television. I have
been doing a lot of theatre. I was | 0:30:25 | 0:30:31 | |
doing Chichester before this and
then after this I have a week off | 0:30:31 | 0:30:37 | |
and then a different role. It is The
Way Of The World which is a | 0:30:37 | 0:30:44 | |
restoration comedy. Let's interrupt
the one I can. Back here I have | 0:30:44 | 0:30:52 | |
chicken I am browning. I have the
peppers and the onions and I am now | 0:30:52 | 0:30:58 | |
adding the two types of Patrick.
This will scorch very quickly if you | 0:30:58 | 0:31:04 | |
don't keep moving it. -- paprika.
Little bit of flour just to thicken | 0:31:04 | 0:31:09 | |
it. And then that needs to be cooked
out for a minute or so. Then in with | 0:31:09 | 0:31:16 | |
some tomato, bring it to simmer. In
with the stock, in with the chicken | 0:31:16 | 0:31:22 | |
and it sits quite happily for around
40 minutes. Over here, this is the | 0:31:22 | 0:31:28 | |
dumplings. Self raising flour, bit
of suet. It is a little bit, in my | 0:31:28 | 0:31:37 | |
mind, it is a bit like gnocchi. We
were having this discussion in the | 0:31:37 | 0:31:43 | |
rehearsal. No pressure but I want it
light and fluffy. Nothing heavy. In | 0:31:43 | 0:31:52 | |
seven minutes? What do you want,
blood? Is there a negative old, can | 0:31:52 | 0:31:59 | |
we trust you. No eggs. Very simply,
we have some parsley, some dill, | 0:31:59 | 0:32:07 | |
bring it together with a bit of
water. I will poach those in here | 0:32:07 | 0:32:12 | |
and put it through the oven. So you
get a nice fluffy, light dumpling | 0:32:12 | 0:32:17 | |
and a crisp top. It is poached in a
bit of chicken stock. That sounds | 0:32:17 | 0:32:24 | |
really nice. Let's go on to the
inevitable, Miranda. How long did it | 0:32:24 | 0:32:29 | |
run for? We did 20 episodes, so
three series of six and then two | 0:32:29 | 0:32:36 | |
specials. It was cut off in its
prime? You know, it was a decision | 0:32:36 | 0:32:45 | |
made to kind of go while it is still
popular and still loved, as it was. | 0:32:45 | 0:32:49 | |
It is the right thing to do with
something if it is doing well and | 0:32:49 | 0:32:54 | |
people love it and you have reached
the end of the story, it is a good | 0:32:54 | 0:32:57 | |
time to finish. It felt like the
right time and the right thing to | 0:32:57 | 0:33:01 | |
do. Even though it is quite sad, you
were friends? Yes, I was with | 0:33:01 | 0:33:10 | |
Patricia and Sally, we went to
Patricia's lunch. So you did just | 0:33:10 | 0:33:14 | |
hang out. Yes, when you have been
working together for that long, you | 0:33:14 | 0:33:19 | |
do build up nice friendships. On
every job, hopefully you make new | 0:33:19 | 0:33:24 | |
friends and that becomes part of the
work. It is like others on here. At | 0:33:24 | 0:33:31 | |
12 o'clock, we will be down the pub.
Probably a lot like that. Dumplings, | 0:33:31 | 0:33:39 | |
roll them into little ping-pong
balls. Drop them into the stock. | 0:33:39 | 0:33:44 | |
Bring it up to simmer, put them
through the oven for about 25 | 0:33:44 | 0:33:51 | |
minutes. And then they come out
looking like that... A lot of people | 0:33:51 | 0:33:57 | |
on Twitter asking where your dress
is from. Are you ready for this, my | 0:33:57 | 0:34:05 | |
mum is on the studio floor. My mum
made this stress 50 years ago. I | 0:34:05 | 0:34:14 | |
said that really aggressively. 50,
work out how old she is now, guys. | 0:34:14 | 0:34:21 | |
She made this dress when she was in
her 20s. It is beautiful, it is | 0:34:21 | 0:34:28 | |
silk. Can I get up and give you that
well? Yes, go for it. Very | 0:34:28 | 0:34:36 | |
glamorous. Your mum is over there
looking very glamorous. She is very | 0:34:36 | 0:34:43 | |
glamorous, her daughters, we're not
as glamorous as she is. She made | 0:34:43 | 0:34:46 | |
this and it had been in the loft and
she suddenly produced it. Then you | 0:34:46 | 0:34:53 | |
nicked it? Yes. It fitted me, like
it was perfect. I have done very | 0:34:53 | 0:35:00 | |
well out of that. Let's serve this
up. We have some of this chicken. I | 0:35:00 | 0:35:09 | |
have put in a little bit of the sour
cream, just to make it more mellow. | 0:35:09 | 0:35:15 | |
It has a bit of a kick because of
the paprika. But then the roundness | 0:35:15 | 0:35:21 | |
of the sour cream just helps. Did
you put two paprika in? Yes, mainly | 0:35:21 | 0:35:32 | |
sweet but also some smoky, hot
paprika, just to give it a kick. Are | 0:35:32 | 0:35:40 | |
you nervous about these dumplings
being light and fluffy? Terrified. | 0:35:40 | 0:35:45 | |
Good. Not to put me on edge
anything, try that. It looks | 0:35:45 | 0:35:51 | |
gorgeous. I made it in the week and
it is delicious. Fluffy. Well done. | 0:35:51 | 0:36:01 | |
Going the right way so far. That is
lovely. Really nice. It is a lot of | 0:36:01 | 0:36:09 | |
paprika, but it is often one of
those things that sits in the | 0:36:09 | 0:36:12 | |
cupboard. It looks nice as well on a
bit of natural yoghurt. Nice on | 0:36:12 | 0:36:20 | |
avocados and eggs. Really nice.
Excellent. | 0:36:20 | 0:36:30 | |
So what will I be making for Sarah
at the end of the show? | 0:36:32 | 0:36:35 | |
Will it be her food heaven,
a real sweet treat for a sweet-tooth | 0:36:35 | 0:36:38 | |
in the shape of a coffee,
chocolate and sherry cake? | 0:36:38 | 0:36:41 | |
She says "too rich and too sweet"
aren't in her vocabulary, | 0:36:41 | 0:36:43 | |
so with that in mind I'll make
a sherry sponge, then layer it up | 0:36:43 | 0:36:47 | |
with a rich coffee buttercream,
as I know she loves coffee-flavoured | 0:36:47 | 0:36:49 | |
puddings, and I'll serve it
with a rich, chocolatey ganache | 0:36:49 | 0:36:52 | |
and an array of some of those
guilty-pleasure | 0:36:52 | 0:36:57 | |
chocolates she enjoys!
But if Sarah gets HELL | 0:36:57 | 0:36:59 | |
it's double trouble. | 0:36:59 | 0:37:03 | |
I don't | 0:37:03 | 0:37:05 | |
I don't like organic. Like my mum,
the 99%... No, you said you don't | 0:37:05 | 0:37:17 | |
want the health bit. | 0:37:17 | 0:37:27 | |
What she gets is down to you and at
the moment it is neck and neck. Get | 0:37:31 | 0:37:35 | |
onto the website you have around 25
minutes left to vote the Sarah's | 0:37:35 | 0:37:40 | |
Food Heaven Food Hell. | 0:37:40 | 0:37:44 | |
You have the power! | 0:37:44 | 0:37:45 | |
So go to the Saturday Kitchen
website and have your say now! | 0:37:45 | 0:37:48 | |
We'll find out the result
at the end of the show! | 0:37:48 | 0:37:51 | |
Now, it's over to Raymond Blanc
who's sharing his "kitchen secret" | 0:37:51 | 0:37:53 | |
to Provencal fish soup. | 0:37:53 | 0:37:54 | |
He is serving it two ways -
one for the rich man | 0:37:54 | 0:37:57 | |
and one for the poor man! | 0:37:57 | 0:37:59 | |
Take it away Monsieur Blanc and of
course the ever-patient, Adam! | 0:37:59 | 0:38:07 | |
Raymond's next dish is red mullet,
fish mullet again at. | 0:38:29 | 0:38:45 | |
All these fish are caught
in Great Britain, actually | 0:38:53 | 0:38:55 | |
in Cornwall, and in a fish soup,
my God, they truly are delicious. | 0:38:55 | 0:38:58 | |
I want to fillet my fish first. | 0:38:58 | 0:39:00 | |
When you think of fish soup
automatically, of course, | 0:39:00 | 0:39:02 | |
you think of France. | 0:39:02 | 0:39:03 | |
La belle France The South of France. | 0:39:03 | 0:39:05 | |
The blue skies. | 0:39:05 | 0:39:06 | |
And I understand it because,
of course, the fish soup is one | 0:39:06 | 0:39:09 | |
of the greatest traditional dish
of the South of France. | 0:39:09 | 0:39:11 | |
OK. | 0:39:11 | 0:39:12 | |
So let's try to put the wonderful
flavours of Provence | 0:39:12 | 0:39:14 | |
in the heart of Great Britain. | 0:39:14 | 0:39:16 | |
The bones of the fish will be used
to make a frugal soup. | 0:39:16 | 0:39:19 | |
The fillets will be added
for a more luxurious version. | 0:39:19 | 0:39:21 | |
That's it, that's my fish soup! | 0:39:21 | 0:39:23 | |
OK, they don't look
much, but you wait. | 0:39:23 | 0:39:25 | |
Adam. | 0:39:25 | 0:39:26 | |
Adam, can you chop me
that up, please? | 0:39:26 | 0:39:28 | |
OK. | 0:39:28 | 0:39:29 | |
So chop it up. | 0:39:29 | 0:39:30 | |
Everyone should have an Adam at home
Whilst Adam is chopping the bones | 0:39:30 | 0:39:33 | |
we are going to prepare the base
of the flavour. | 0:39:33 | 0:39:35 | |
Giving the soup its
Provencal backbone are | 0:39:35 | 0:39:37 | |
Mediterranean vegetables. | 0:39:37 | 0:39:38 | |
Tomatoes, onions, fennel
and a bit of tomato puree. | 0:39:38 | 0:39:40 | |
Garlic. | 0:39:40 | 0:39:41 | |
Oh, by the way, good news. | 0:39:41 | 0:39:43 | |
It's fantastic. | 0:39:43 | 0:39:45 | |
The British are eating now officiall
more garlic than the French. | 0:39:45 | 0:39:47 | |
It's fantastic, isn't it? | 0:39:47 | 0:39:51 | |
Who would have thought
about it a few years ago? | 0:39:51 | 0:39:58 | |
All that lovely stuff here. | 0:39:58 | 0:40:02 | |
Home, sweet home. | 0:40:02 | 0:40:03 | |
I don't know which one. | 0:40:03 | 0:40:04 | |
Cornwall or South of France? | 0:40:04 | 0:40:08 | |
So I'm going to put a bit of thyme. | 0:40:08 | 0:40:15 | |
Oh, lovely. | 0:40:15 | 0:40:16 | |
Lovely. | 0:40:16 | 0:40:17 | |
A bit of bay leaf. | 0:40:17 | 0:40:18 | |
Wonderful. | 0:40:18 | 0:40:19 | |
I'm listening to my
beautiful song here. | 0:40:19 | 0:40:22 | |
There's a lovely little song,
just a gentle sizzling. | 0:40:22 | 0:40:26 | |
Gentle. | 0:40:26 | 0:40:27 | |
Not aggressive. | 0:40:27 | 0:40:28 | |
I know it's right. | 0:40:28 | 0:40:31 | |
But I'm going to move my pan away
because now it's going too fast. | 0:40:31 | 0:40:34 | |
So voila, quieten down. | 0:40:34 | 0:40:35 | |
Lovely. | 0:40:35 | 0:40:36 | |
Sweat the vegetables
gently on a low heat | 0:40:36 | 0:40:40 | |
and then add garlic,
tomatoes and a little | 0:40:40 | 0:40:41 | |
powdered saffron. | 0:40:41 | 0:40:44 | |
Powder, about half a gram. | 0:40:44 | 0:40:45 | |
OK, remember, it's expensive. | 0:40:45 | 0:40:47 | |
Voila. | 0:40:47 | 0:40:48 | |
Tomato puree. | 0:40:48 | 0:40:49 | |
Absolutely delicious. | 0:40:49 | 0:40:53 | |
So now I add my chopped fish bones. | 0:40:53 | 0:40:56 | |
All this wonderful protein here. | 0:40:56 | 0:40:58 | |
It doesn't smell great
at all, but you wait. | 0:40:58 | 0:41:00 | |
OK. | 0:41:00 | 0:41:02 | |
And all what I need
to add, my white wine. | 0:41:02 | 0:41:05 | |
I'm going to boil my wine
to remove as much possible | 0:41:05 | 0:41:07 | |
alcohol and acidity OK,
which I don't want. | 0:41:07 | 0:41:12 | |
Cooking wine should be inexpensive. | 0:41:12 | 0:41:15 | |
To me I find it immoral to buy
a great big expensive wine and put | 0:41:15 | 0:41:21 | |
it into your kitchen. | 0:41:21 | 0:41:22 | |
That's silly. | 0:41:22 | 0:41:23 | |
Waste of money. | 0:41:23 | 0:41:24 | |
OK. | 0:41:24 | 0:41:28 | |
So the white, you want it
quite light and fruity. | 0:41:28 | 0:41:30 | |
It's just right. | 0:41:30 | 0:41:31 | |
See, look at that. | 0:41:31 | 0:41:32 | |
Ooh, look at that Tres bien. | 0:41:32 | 0:41:34 | |
That little bit of wine, believe me,
will add that much more | 0:41:34 | 0:41:37 | |
to your soup So now water. | 0:41:37 | 0:41:40 | |
Bring the soup to the boil and then
simmer for 20 minutes skimming any | 0:41:40 | 0:41:43 | |
impurities from the top. | 0:41:43 | 0:41:47 | |
So it's simple really at home. | 0:41:47 | 0:41:49 | |
Just go and get your fish bones
because there are so many fish bones | 0:41:49 | 0:41:53 | |
that people throw away
and you could do | 0:41:53 | 0:41:55 | |
the most marvellous... | 0:41:55 | 0:41:56 | |
Whatever fish bones you have. | 0:41:56 | 0:41:58 | |
When the fish soup has cooked,
blend one half in a liquidiser. | 0:41:58 | 0:42:01 | |
That's it. | 0:42:01 | 0:42:04 | |
And pass it through a fine sieve. | 0:42:04 | 0:42:06 | |
All this precious liquid, you know,
that you have worked for for so long | 0:42:06 | 0:42:10 | |
Look at that colour. | 0:42:10 | 0:42:11 | |
All amber. | 0:42:11 | 0:42:12 | |
Saffron. | 0:42:12 | 0:42:20 | |
So now I've done my fish soup. | 0:42:22 | 0:42:23 | |
It's ready to serve. | 0:42:23 | 0:42:25 | |
And it will be absolutely stunning. | 0:42:25 | 0:42:26 | |
The soup can be eaten as it is,
or the fish fillets can be added. | 0:42:26 | 0:42:30 | |
Now I'm going to poach the fillet
of fish which I have marinated. | 0:42:30 | 0:42:33 | |
Adam? | 0:42:33 | 0:42:34 | |
Oui, chef. | 0:42:34 | 0:42:35 | |
Can you get me the fish,
please, the marinated fish? | 0:42:35 | 0:42:37 | |
Yes, chef. | 0:42:37 | 0:42:39 | |
Thank you very much. | 0:42:39 | 0:42:39 | |
The fish fillets have been
marinated for two hours | 0:42:39 | 0:42:41 | |
in a mix of saffron,
garlic, thyme, olive | 0:42:41 | 0:42:43 | |
oil and black pepper. | 0:42:43 | 0:42:44 | |
Strain the other half
of the fish stock and use it | 0:42:44 | 0:42:47 | |
to poach your marinated fillets. | 0:42:47 | 0:42:51 | |
Now it's ready to be poached
and that will only take four | 0:42:51 | 0:42:53 | |
to five minutes maximum. | 0:42:53 | 0:42:55 | |
So that is really, highly,
Provencal All these wonderful | 0:42:55 | 0:42:57 | |
flavours of the South of France. | 0:42:57 | 0:42:58 | |
Big flavours. | 0:42:58 | 0:43:03 | |
Fantastic flavours. | 0:43:03 | 0:43:06 | |
The blessed moment. | 0:43:06 | 0:43:08 | |
Both soups are topped off
with a rouille, a traditional | 0:43:08 | 0:43:11 | |
saffron and garlic mayonnaise. | 0:43:11 | 0:43:17 | |
And then that lovely garlicky flavou
will give that touch. | 0:43:17 | 0:43:20 | |
To finish, garnish with croutons,
gruyere cheese and parsley. | 0:43:20 | 0:43:23 | |
What I have here, you might
describe it as maybe | 0:43:23 | 0:43:27 | |
the poor man's fish soup. | 0:43:27 | 0:43:31 | |
Because, after all,
it's made from the bone. | 0:43:31 | 0:43:33 | |
I can assure you I don't mind to be
poor man and eat that soup every day | 0:43:33 | 0:43:37 | |
Absolutely delicious. | 0:43:37 | 0:43:40 | |
And for the very rich,
the very wealthy, the very affluent | 0:43:40 | 0:43:42 | |
you've got all the Cornish
fish in here. | 0:43:42 | 0:43:47 | |
Adam, can we taste the soup, please? | 0:43:47 | 0:43:54 | |
The fish is lovely. | 0:43:54 | 0:43:56 | |
It looks messy like that but,
I can assure you, wow! | 0:43:56 | 0:43:59 | |
And all that you need
is a few fish bones, | 0:43:59 | 0:44:01 | |
a bit of saffron, a bit of garlic,
olive oil, that's it. | 0:44:01 | 0:44:09 | |
Raymond's kitchen garden,
bursting with herbs, | 0:44:12 | 0:44:14 | |
I wouldn't say no to Raymond's
poor man's fish soup! | 0:44:21 | 0:44:24 | |
Delicious. | 0:44:24 | 0:44:25 | |
I should stress that grey mullet
is no longer sustainable, | 0:44:25 | 0:44:27 | |
but you could easily replace it
with another white fish, | 0:44:27 | 0:44:29 | |
like tilapia, hake or haddock. | 0:44:29 | 0:44:31 | |
He was in an episode of Miranda?
Yes, he played Patricia's love | 0:44:31 | 0:44:37 | |
interest and it was the same episode
we had Gary Barlow in it. | 0:44:37 | 0:44:42 | |
Right, still to come... | 0:44:42 | 0:44:44 | |
Nigel Slater shows us some more
of his simple suppers, | 0:44:44 | 0:44:46 | |
sausages with creamy mustard sauce
and pasta, plus a perfect | 0:44:46 | 0:44:48 | |
recipe for some carrot
and coriander fritters. | 0:44:48 | 0:44:50 | |
It's almost omelette challenge
time and we are in the | 0:44:50 | 0:44:52 | |
presence of greatness - Theo
here still holds the | 0:44:52 | 0:44:55 | |
Guinness World Record
for the fastest omelette. | 0:44:55 | 0:44:59 | |
There he is at the centre
of the frying pan of glory. | 0:44:59 | 0:45:01 | |
So Cyrus and Theo,
as seasoned pros you shouldn't | 0:45:01 | 0:45:04 | |
HEN-counter any problems
with the EGGs-tremely | 0:45:04 | 0:45:05 | |
simple task of making
a plain three egg omelette. | 0:45:05 | 0:45:07 | |
Just don't get too COCKy or we'll
have to call the whole | 0:45:07 | 0:45:10 | |
thing OEUF! | 0:45:10 | 0:45:15 | |
Will Sarah get her food heaven -
a coffee, chocolate and sherry cake? | 0:45:15 | 0:45:18 | |
Or her food hell, gnocchi
with sweetbreads and bone marrow? | 0:45:18 | 0:45:21 | |
There's still a chance for you to
vote on the website and we'll find | 0:45:21 | 0:45:24 | |
out the results later on! | 0:45:24 | 0:45:32 | |
Right, on with the cooking. | 0:45:32 | 0:45:33 | |
Theo, what are we making? | 0:45:33 | 0:45:37 | |
We are making fresh pasta. We
average Cornish eggs. We have 350 | 0:45:37 | 0:45:45 | |
grams of flour. We have 25 grams of
fine semolina flour. What is that | 0:45:45 | 0:45:52 | |
doing? It is basically giving colour
and texture and then you're going to | 0:45:52 | 0:45:56 | |
do three whole eggs and four Yorks.
This is the recipe you have always | 0:45:56 | 0:46:01 | |
used? The recipe I use that the
Intercontinental. I'm going to make | 0:46:01 | 0:46:06 | |
a ragu. I have got some chuck steak.
We're going to seize on that Ann | 0:46:06 | 0:46:12 | |
Bryan it. You get lots of recipes
for ragu where the use meant. I | 0:46:12 | 0:46:17 | |
think the nicest ways using a big
chunk of meat because you get lots | 0:46:17 | 0:46:21 | |
of flavour. If you get colour
Runnymede, you get matters of | 0:46:21 | 0:46:24 | |
flavour. Then you cook it slowly in
the oven. You're quite a | 0:46:24 | 0:46:31 | |
traditionalist. This is something
that they would do in Italy? Very | 0:46:31 | 0:46:36 | |
much so. There are lots of recipes.
Now sold? No salt or oil. They make | 0:46:36 | 0:46:43 | |
it go black. You do not need it.
This is very much a classic ragu | 0:46:43 | 0:46:52 | |
recipe. Sometimes a ragu have pork
and beef and veal. This is just be. | 0:46:52 | 0:47:02 | |
You have been at the
Intercontinental for 12 years. Yes. | 0:47:02 | 0:47:06 | |
You have had a couple of makeovers
in that time? We have two lovely new | 0:47:06 | 0:47:12 | |
private dining rooms. One seat is
20. They go to one big room but the | 0:47:12 | 0:47:18 | |
restaurant was refurbished a year
ago. It is looking fantastic. You | 0:47:18 | 0:47:22 | |
are opening other restaurants. With
regularity? Not quite as big as | 0:47:22 | 0:47:29 | |
Jason. I am opening one in Hong
Kong. And the restaurant which is | 0:47:29 | 0:47:36 | |
also opening this year. You're
flying around? The restaurant I work | 0:47:36 | 0:47:43 | |
and all the time is on Park Lane.
All the restaurants are run by my | 0:47:43 | 0:47:49 | |
proteges. Shared to have been
working for me. When you have had | 0:47:49 | 0:47:55 | |
restaurants for 12 years, you keep
in touch with a lot of people. I | 0:47:55 | 0:47:59 | |
give them the opportunity to work
with me. It encourages them to stay. | 0:47:59 | 0:48:03 | |
They get their share of the
business. I do the publicity and the | 0:48:03 | 0:48:07 | |
recipes. The restaurant I am always
in is the one in Park Lane. Let's | 0:48:07 | 0:48:12 | |
talk is briefly. Your project
together. Amazing egg yolks. That | 0:48:12 | 0:48:20 | |
makes all the difference. Put that
in the fridge. You have to prove the | 0:48:20 | 0:48:29 | |
pasta by putting it through the
machine a few times. You folded over | 0:48:29 | 0:48:35 | |
and work the glittering. The ragu
becomes tough. -- the pasta becomes | 0:48:35 | 0:48:39 | |
tough. If you put it through the
machine and folded over a couple of | 0:48:39 | 0:48:47 | |
times, you get a lovely smooth
texture. Do it once then fold it | 0:48:47 | 0:48:52 | |
over again, and then you're going to
start rolling. How many times would | 0:48:52 | 0:48:56 | |
you recommend going through the
process? At least six times, so you | 0:48:56 | 0:49:00 | |
get the pasta smooth and get a
lovely texture. I have got some | 0:49:00 | 0:49:06 | |
rolled out here. It has gone
brittle. The important thing about | 0:49:06 | 0:49:11 | |
fresh pasta kits to dry it out. That
is you get the texture. That is why | 0:49:11 | 0:49:20 | |
the Italians are so mad about the al
dente. When we talk about that, it | 0:49:20 | 0:49:25 | |
really is al dente. There is a
definite buy to this pasta. It is | 0:49:25 | 0:49:34 | |
not like to have attempt? No,
because the pasta has dried out. We | 0:49:34 | 0:49:40 | |
make all our pasta in the restaurant
they did before, so you get that | 0:49:40 | 0:49:43 | |
natural chewiness. OK, so the ragu
is putting. This ragu recipe is | 0:49:43 | 0:49:51 | |
perfect to cook in one big batch.
When you have it all cook, you can | 0:49:51 | 0:49:56 | |
put it into little bags and pop it
in the freezer and take it out when | 0:49:56 | 0:49:59 | |
you need it. This -- this is going
to be in the oven for at least three | 0:49:59 | 0:50:04 | |
hours. It takes time. Once you get
the roles of pasta to the | 0:50:04 | 0:50:10 | |
appropriate thickness, would you
slice it? I would get a ravioli | 0:50:10 | 0:50:15 | |
cutter or a knife and cut it to the
width that you want. That is | 0:50:15 | 0:50:20 | |
pappardelle. Tagliatelle would
probably be one third of that. How | 0:50:20 | 0:50:24 | |
long would it keep like this? I
would say, left out for about three | 0:50:24 | 0:50:29 | |
days. Would you leave this in the
fridge? We make our pasta every day | 0:50:29 | 0:50:33 | |
for the next day. We let it dry out
and leave it in the fridge and | 0:50:33 | 0:50:39 | |
trays. It is always fantastic the
next day. This is going in the oven. | 0:50:39 | 0:50:45 | |
2-3 hours. This is my ragu, very
simple. Fry the meat of, and then | 0:50:45 | 0:50:52 | |
get that the matters in. Tell us the
difference between a traditional | 0:50:52 | 0:50:59 | |
Bolognese and a ragu? Lots of
recipes use meant and I find that | 0:50:59 | 0:51:03 | |
when you cook it it just boils. This
is more like a stew. You get this | 0:51:03 | 0:51:08 | |
amazingly rich flavour. I just push
down on the meat so it breaks down. | 0:51:08 | 0:51:15 | |
That is celery, onions, no carrots.
I have put the chuck steak in there. | 0:51:15 | 0:51:21 | |
Why no carrots? I am not a fan of
chunks of character. What about this | 0:51:21 | 0:51:25 | |
weakness? You get that from the
onion and the wine. -- what about | 0:51:25 | 0:51:33 | |
the sweetness. It is a rustic sauce.
The pasta goes into the water. Just | 0:51:33 | 0:51:42 | |
cook that for a minute or two. We
will put some of the ragu soars into | 0:51:42 | 0:51:48 | |
the pan. I will add butter. You tend
to get ragu from the regions of | 0:51:48 | 0:51:53 | |
Emilia Romagna where they have these
amazing rich amounts of butter and | 0:51:53 | 0:51:59 | |
cream, because that is where
Parmesan comes from. There are lots | 0:51:59 | 0:52:04 | |
of cows. Parmesan is made from
semi-skimmed milk so there is lots | 0:52:04 | 0:52:07 | |
of access butter and cream. That is
how the cuisine has been influenced | 0:52:07 | 0:52:12 | |
by a? It is the only region of Italy
where they use lots of butter and | 0:52:12 | 0:52:16 | |
cream. The other parts use olive
oil. With this beef ragu, it tastes | 0:52:16 | 0:52:24 | |
amazing. There is no flat leaf
parsley going in this. It is usually | 0:52:24 | 0:52:30 | |
ubiquitous? I think this has so much
flavour, you have got rosemary and | 0:52:30 | 0:52:35 | |
near, sometimes fresh herbs can
overpower the beautiful slow | 0:52:35 | 0:52:38 | |
cooking. It is a strong flavour. I
will add the butter. Close your | 0:52:38 | 0:52:43 | |
eyes. That gives it the silky
richness? Yes, and it makes its | 0:52:43 | 0:52:51 | |
week, really sweet. We will add some
of the pasta. The pasta should be al | 0:52:51 | 0:52:56 | |
dente. It is. Always take the pasta
out of the water and added to the | 0:52:56 | 0:53:02 | |
sauce. Never use a colander. Use a
slotted spoon if you have short | 0:53:02 | 0:53:07 | |
pasta, if you have long passed, use
tongs. | 0:53:07 | 0:53:17 | |
tongs. -- long pasta. You work the
pasta in with the sauce. This is | 0:53:17 | 0:53:22 | |
where the sauce becomes emulsified.
The starch begins to thicken the | 0:53:22 | 0:53:24 | |
sauce. It is straightforward
cooking, but technically it is quite | 0:53:24 | 0:53:30 | |
precise. Italian food look simple.
It is a -- it is like making | 0:53:30 | 0:53:36 | |
risotto, it takes lots of skill,
getting the timing right. Knowing | 0:53:36 | 0:53:42 | |
when to stop. The problem with lots
of cooking is people put too much | 0:53:42 | 0:53:45 | |
in. You do not get that natural
flavour. We have emulsified sauce | 0:53:45 | 0:53:51 | |
with the water. That is pretty much
it. In terms of cheese, would you | 0:53:51 | 0:53:55 | |
always use Parmesan? Grana Padano is
much lighter. It is made with | 0:53:55 | 0:54:02 | |
skimmed mark. Parmesan is made with
semi-skimmed. It is richer. It is | 0:54:02 | 0:54:09 | |
the same kind of cheese, but a
little different. You could use | 0:54:09 | 0:54:15 | |
pecorino something. Parmesan is from
the regions so it works really well. | 0:54:15 | 0:54:20 | |
I will pass that together. It starts
to emulsified. We will put this in | 0:54:20 | 0:54:25 | |
there. It all becomes really nice
and rich. Creamy. The sauce over the | 0:54:25 | 0:54:32 | |
top. If you have all that pasta left
over, what would you do with that? I | 0:54:32 | 0:54:38 | |
would put it in the freezer. In
little bags. Whenever you want to | 0:54:38 | 0:54:43 | |
make the ragu, you take it out, and
let it defrost and then put it in a | 0:54:43 | 0:54:48 | |
pan and have lovely fresh pasta you
have made and you have got ragu | 0:54:48 | 0:54:52 | |
whenever you need it. Sorry. I was
going to use that. Remind us what | 0:54:52 | 0:55:00 | |
that is called. This is my
pappardelle ragu, fresh pasta with a | 0:55:00 | 0:55:06 | |
sauce made with beef, tomato,
Chianti and rosemary. Delicious. OK, | 0:55:06 | 0:55:13 | |
let's go. Why did you say you do not
use a colander? When you could | 0:55:13 | 0:55:21 | |
pasta, you cook the pasta, or cook
it, put it into the colander, you | 0:55:21 | 0:55:25 | |
lose the water and you always put
too much pasta. My tip is only took | 0:55:25 | 0:55:31 | |
100 grams per person, and ticket
three minutes less than the packet | 0:55:31 | 0:55:35 | |
says if using dried pasta, and then
finish it off in the pan with the | 0:55:35 | 0:55:40 | |
sauce. The pasta and the sauce work
together and become emulsified. You | 0:55:40 | 0:55:45 | |
get a lovely flavour. We always | 0:55:45 | 0:55:51 | |
overcook it in this country. There
are lots of Italian restaurants in | 0:55:57 | 0:55:59 | |
this country but there are a few
very good ones. All Italians no good | 0:55:59 | 0:56:02 | |
pasta because they do not know how
not to good pasta. It is part of | 0:56:02 | 0:56:05 | |
their life. When you see an Italian
could pasta, you know how it is | 0:56:05 | 0:56:08 | |
done. It is important to go to Italy
and discover that. What are we | 0:56:08 | 0:56:12 | |
drinking? We are drinking Chianti
Poggio Galiga. It is £7.99 from | 0:56:12 | 0:56:17 | |
Majestic. When we cook this at home
we put this Chianti in the dish. It | 0:56:17 | 0:56:24 | |
is quite economic goal. You can use
half in the dish and have a couple | 0:56:24 | 0:56:28 | |
of glasses left over. It is great
acid. It cuts through the richness | 0:56:28 | 0:56:33 | |
of the Mead. I will never use minced
beef again a revelation. It has the | 0:56:33 | 0:56:40 | |
cherry fruits and herbs. This is a
food wine. It is not overpowering. | 0:56:40 | 0:56:47 | |
It is 12% alcohol. 12.5%. It is
quite low. Villagers. It was such a | 0:56:47 | 0:56:54 | |
good match. On its own, it is quite
harsh, but with the butter and rich | 0:56:54 | 0:56:59 | |
sauce. Yes, this wine, we put it in
the cooking and we had the wine and | 0:56:59 | 0:57:07 | |
fit together and it was seamless. It
is really lovely. How is it going? | 0:57:07 | 0:57:12 | |
It is lovely. The pasta in
particular. In nice bike. Really | 0:57:12 | 0:57:16 | |
nice. I am never using a colander
again. | 0:57:16 | 0:57:23 | |
Now let's catch up with Si
and Dave, the Hairy Bikers. | 0:57:23 | 0:57:26 | |
On their quest to find the finest
jerk chicken in the UK, | 0:57:26 | 0:57:29 | |
they find themselves
in | 0:57:29 | 0:57:30 | |
Bromsgrove, which apparently offers
us a little slice of the | 0:57:30 | 0:57:32 | |
Caribbean. | 0:57:32 | 0:57:40 | |
In the last 60 years,
Britain has gone from rationing | 0:57:42 | 0:57:45 | |
and an unadventurous national
cuisine to having one of the most | 0:57:45 | 0:57:47 | |
exciting cuisines in the world. | 0:57:47 | 0:57:48 | |
After World War II, we needed
to rebuild the country and, thanks | 0:57:48 | 0:57:52 | |
to the British Nationality Act,
all Commonwealth citizens got free | 0:57:52 | 0:57:55 | |
entry to the UK to help. | 0:57:55 | 0:57:59 | |
And in the 25 years after the war,
nearly half a million people arrived | 0:57:59 | 0:58:07 | |
here from the West Indies,
bringing with them cultural | 0:58:07 | 0:58:09 | |
influences that have changed our... | 0:58:09 | 0:58:10 | |
music... | 0:58:10 | 0:58:11 | |
fashion... | 0:58:11 | 0:58:13 | |
and best of all, food. | 0:58:13 | 0:58:17 | |
Since the 1960s, Caribbean carnivals
have been the showcase for one | 0:58:17 | 0:58:20 | |
of the best things to come out
of Jamaica - jerk chicken. | 0:58:20 | 0:58:25 | |
We've travelled the world, Kingy,
and we're not afraid of going a few | 0:58:25 | 0:58:28 | |
extra miles to find the finest jerk
chicken in the UK. | 0:58:28 | 0:58:31 | |
What, you mean it's not found
in our great capital?! | 0:58:31 | 0:58:33 | |
No, Si. | 0:58:33 | 0:58:34 | |
We're off to Birmingham. | 0:58:34 | 0:58:37 | |
Outside of London, more West Indians
settled here than anywhere else. | 0:58:37 | 0:58:41 | |
It's the perfect place
to find a jerk master. | 0:58:41 | 0:58:43 | |
Lorenzo Richards is an award-winning
chef from Bromsgrove. | 0:58:43 | 0:58:50 | |
Well, this doesn't look
like a Caribbean paradise, Kingy. | 0:59:03 | 0:59:05 | |
I reckon we've got it wrong. | 0:59:05 | 0:59:06 | |
Well, I was following YOU! | 0:59:06 | 0:59:07 | |
I was following you,
but you always get lost. | 0:59:07 | 0:59:10 | |
I mean, you get lost trying
to find your way to the bathroom. | 0:59:10 | 0:59:13 | |
I don't! | 0:59:13 | 0:59:14 | |
Du... | 0:59:14 | 0:59:15 | |
Dude. | 0:59:15 | 0:59:16 | |
Dude, look, it might just be me,
but this definitely does not look | 0:59:16 | 0:59:19 | |
like a jerk master's palace. | 0:59:19 | 0:59:20 | |
Just a minute. | 0:59:20 | 0:59:21 | |
Can you hear something? | 0:59:21 | 0:59:22 | |
Can you hear it? | 0:59:22 | 0:59:23 | |
No. | 0:59:23 | 0:59:24 | |
Lads, can you just keep
it down for a minute! | 0:59:24 | 0:59:27 | |
Whoa! | 0:59:27 | 0:59:29 | |
DISTANT STEEL BAND PLAYS. | 0:59:29 | 0:59:30 | |
Listen. | 0:59:30 | 0:59:31 | |
That sounds more like it! | 0:59:31 | 0:59:37 | |
BELLS JINGLE, STEEL BAND CONTINUES. | 0:59:37 | 0:59:38 | |
Will you shut up with the bells? | 0:59:38 | 0:59:40 | |
That is the sound of jerk chicken. | 0:59:40 | 0:59:41 | |
Right, we're off. | 0:59:41 | 0:59:42 | |
Crack on, boys. | 0:59:42 | 0:59:43 | |
Crack on. | 0:59:43 | 0:59:45 | |
Yes! | 0:59:45 | 0:59:46 | |
Get in! | 0:59:46 | 0:59:47 | |
This is the Caribbean. | 0:59:47 | 0:59:48 | |
ALL CHEER. | 0:59:48 | 0:59:49 | |
Hello! | 0:59:49 | 0:59:50 | |
Hello, ladies. | 0:59:50 | 0:59:53 | |
Oh, Master. | 0:59:53 | 0:59:55 | |
We're not worthy, dude. | 0:59:55 | 0:59:56 | |
How are you? | 0:59:56 | 0:59:57 | |
How you doing man? | 0:59:57 | 0:59:59 | |
Good to see you, good to see you. | 0:59:59 | 1:00:04 | |
My infamous jerk... | 1:00:04 | 1:00:05 | |
chicken on the go here. | 1:00:05 | 1:00:06 | |
Beautiful. | 1:00:06 | 1:00:07 | |
Oh, man. | 1:00:07 | 1:00:08 | |
Do you do this? | 1:00:08 | 1:00:09 | |
Do you get everybody
from the community together | 1:00:09 | 1:00:11 | |
and have a crack on and...? | 1:00:11 | 1:00:13 | |
We've been doing... | 1:00:13 | 1:00:14 | |
We do a Caribbean night here once
a month, and we've been doing it | 1:00:14 | 1:00:17 | |
for the last seven years. | 1:00:17 | 1:00:18 | |
It's great, because, for me,
it's bringing Caribbean | 1:00:18 | 1:00:20 | |
food to the countryside. | 1:00:20 | 1:00:21 | |
You've got real ale, jerk chicken,
Morris men and the steel band. | 1:00:21 | 1:00:24 | |
And do you know what? | 1:00:24 | 1:00:25 | |
It works. | 1:00:25 | 1:00:26 | |
You can get jerk seasoning
in the shops, but this, | 1:00:26 | 1:00:29 | |
ladies and gentlemen,
is the real deal. | 1:00:29 | 1:00:30 | |
How long will that cook for? | 1:00:30 | 1:00:32 | |
This'll take about 30-40 minutes. | 1:00:32 | 1:00:36 | |
Tell me, Lorenzo, what is
the difference, say, | 1:00:36 | 1:00:37 | |
between jerk chicken and the average
Joe doing, you know, | 1:00:37 | 1:00:40 | |
barbecued chicken? | 1:00:40 | 1:00:41 | |
OK, well, jerking, yeah,
it's a mixture of the cooking | 1:00:41 | 1:00:43 | |
process and the blend
of spices used, yeah? | 1:00:43 | 1:00:49 | |
And the treated wood that we add
to the coals will infuse | 1:00:49 | 1:00:51 | |
and add extra flavour. | 1:00:51 | 1:00:58 | |
What do you treat the wood with? | 1:00:58 | 1:01:00 | |
I like to use beer and stout. | 1:01:00 | 1:01:02 | |
Man, this is going to be amazing. | 1:01:02 | 1:01:03 | |
It's just a flavour
sensation, isn't it? | 1:01:03 | 1:01:05 | |
It's a taste explosion,
is what it'll be when you actually | 1:01:05 | 1:01:08 | |
get to taste it, yeah. | 1:01:08 | 1:01:09 | |
Finally - the moment of truth. | 1:01:09 | 1:01:10 | |
Oh, look at this, man. | 1:01:10 | 1:01:11 | |
Lorenzo's about to reveal his secret
'to making an authentic | 1:01:11 | 1:01:14 | |
jerk marinade. | 1:01:14 | 1:01:18 | |
This is like discovering
the theory of evolution. | 1:01:18 | 1:01:20 | |
It is. | 1:01:20 | 1:01:22 | |
Onions, ginger, garlic. | 1:01:22 | 1:01:24 | |
Yeah. | 1:01:24 | 1:01:25 | |
Scot's bonnet, cinnamon,
all-purpose seasoning, | 1:01:25 | 1:01:26 | |
some oil to pull it together,
some fresh thyme, curry powder. | 1:01:26 | 1:01:29 | |
And this is pimento. | 1:01:29 | 1:01:30 | |
Have a smell of that. | 1:01:30 | 1:01:31 | |
Oh, man. | 1:01:31 | 1:01:35 | |
Yeah? | 1:01:35 | 1:01:43 | |
If you can mill some
of this pimento here. | 1:01:47 | 1:01:49 | |
No worries, man. | 1:01:49 | 1:01:50 | |
How much spice do
you like in your life? | 1:01:50 | 1:01:52 | |
Oh, man, as much as I can get. | 1:01:52 | 1:01:54 | |
We're practically Jamaicans. | 1:01:54 | 1:01:55 | |
When I've tasted your jerk,
you know, I'll know. | 1:01:55 | 1:01:57 | |
I'll know if it's real or not. | 1:01:57 | 1:01:59 | |
OK. | 1:01:59 | 1:02:00 | |
So this is the decider,
this is the scotch bonnet, | 1:02:00 | 1:02:02 | |
this is where you decide how much
heat, you know, is going | 1:02:02 | 1:02:05 | |
to be in the jerk. | 1:02:05 | 1:02:06 | |
This is the nuclear reactor. | 1:02:06 | 1:02:07 | |
Let's go three. | 1:02:07 | 1:02:08 | |
HE MAKES EXPLOSION SOUND. | 1:02:08 | 1:02:10 | |
Lorenzo's recipe also
includes an ingredient | 1:02:10 | 1:02:13 | |
from the Far East... | 1:02:13 | 1:02:15 | |
Oh, and then there's soy | 1:02:15 | 1:02:17 | |
in there as well. | 1:02:17 | 1:02:18 | |
..which, he says,
improves the depth of | 1:02:18 | 1:02:23 | |
flavour. | 1:02:23 | 1:02:24 | |
To be honest... | 1:02:24 | 1:02:26 | |
God, you could bring people back
from the dead with that. | 1:02:26 | 1:02:28 | |
OK, so this is just a whole chicken
that's been cut in half. | 1:02:28 | 1:02:32 | |
Just score the chicken,
just to let the flavour get | 1:02:32 | 1:02:34 | |
into it a little bit
more, you know? | 1:02:34 | 1:02:36 | |
And what we're going to do is be
very, very generous. | 1:02:36 | 1:02:39 | |
Yeah. | 1:02:39 | 1:02:40 | |
Do we need to leave it to marinate? | 1:02:40 | 1:02:42 | |
I always marinate it for 24 hours. | 1:02:42 | 1:02:49 | |
So, how much longer have
we got to wait, Lorenzo? | 1:02:53 | 1:02:56 | |
I suggest probably about
ten minutes for some | 1:02:56 | 1:02:58 | |
of the smaller pieces,
and, you know, we'll be good to go. | 1:02:58 | 1:03:01 | |
'Now, what can we do
for ten minutes? | 1:03:01 | 1:03:02 | |
Limbo! | 1:03:02 | 1:03:03 | |
CHEERING. | 1:03:03 | 1:03:05 | |
Go, go, go. | 1:03:05 | 1:03:06 | |
Lower, lower, lower. | 1:03:06 | 1:03:07 | |
Go, go, go, go, go, go, go, go, go,
go, go, go, go, go, go... | 1:03:07 | 1:03:10 | |
Ah! | 1:03:10 | 1:03:12 | |
You've got the groove, man. | 1:03:12 | 1:03:14 | |
This is immense. | 1:03:14 | 1:03:15 | |
Who needs to go to London
for a Caribbean carnival atmosphere? | 1:03:15 | 1:03:21 | |
And the authentic jerk chicken. | 1:03:21 | 1:03:28 | |
You can forget going
on your fancy cruises. | 1:03:28 | 1:03:30 | |
Bromsgrove! | 1:03:30 | 1:03:31 | |
I've seen the light. | 1:03:31 | 1:03:35 | |
Yeah, it's exactly that, man... | 1:03:35 | 1:03:38 | |
Oh, here we go. | 1:03:38 | 1:03:40 | |
Gentleman. | 1:03:40 | 1:03:41 | |
Oh! | 1:03:41 | 1:03:42 | |
Lorenzo! | 1:03:42 | 1:03:43 | |
This is a little surprise for you. | 1:03:43 | 1:03:45 | |
You've got some jerk
chicken Scotch eggs here. | 1:03:45 | 1:03:47 | |
Oh, you are kidding me. | 1:03:47 | 1:03:55 | |
Oh, man, that is awesome. | 1:03:56 | 1:03:58 | |
The flavour of the chicken... | 1:03:58 | 1:03:59 | |
The egg is just so... | 1:03:59 | 1:04:00 | |
Chicken and egg in a one-er. | 1:04:00 | 1:04:01 | |
Oh, yes! | 1:04:01 | 1:04:02 | |
Hey! | 1:04:02 | 1:04:03 | |
OK. | 1:04:03 | 1:04:04 | |
Gentlemen, I give you jerk
chicken in its purest form. | 1:04:04 | 1:04:07 | |
Oh, man, look at that. | 1:04:07 | 1:04:08 | |
I've died and gone to heaven. | 1:04:08 | 1:04:10 | |
Wow! | 1:04:10 | 1:04:18 | |
"Wow" indeed and those jerk chicken
Scotch eggs looked delicious too. | 1:04:19 | 1:04:21 | |
That is it! | 1:04:21 | 1:04:22 | |
The heaven and hell
vote is now closed. | 1:04:22 | 1:04:24 | |
Sarah's fate is sealed! | 1:04:24 | 1:04:25 | |
And we will reveal the results
at the end of the show. | 1:04:25 | 1:04:28 | |
Now let's take some
calls from our viewers. | 1:04:28 | 1:04:30 | |
Let's take some calls from our
viewers. Sarah from Stratford. | 1:04:30 | 1:04:39 | |
viewers. Sarah from Stratford. My
family do Querrey with peas and | 1:04:39 | 1:04:41 | |
mixed veg, I would like a different
recipe. Use my recipe for the crab. | 1:04:41 | 1:04:47 | |
Perfect. | 1:04:47 | 1:04:52 | |
Perfect. Make the ginger, chilli and
soy sauce. So simple. Simmer it in | 1:04:53 | 1:05:01 | |
the sauce for a minute after frying
it so you don't need to put egg into | 1:05:01 | 1:05:05 | |
it. Have it with fried rice and it
will be amazing. Very excited about | 1:05:05 | 1:05:10 | |
that. | 1:05:10 | 1:05:15 | |
that. Now we have got some tweets?
Julia says I have some goat meat in | 1:05:17 | 1:05:28 | |
my freezer, other than Querrey, what
Cani use it for? It is just like | 1:05:28 | 1:05:34 | |
lamb, and goat is sweeter. It could
make a lovely ragu. But some herbs, | 1:05:34 | 1:05:45 | |
braise it with onions, garlic and
ginger. Kockott very softly, with a | 1:05:45 | 1:05:52 | |
bit of tomato. But don't add the
tomato to the goat until it is half | 1:05:52 | 1:05:57 | |
cocked because the muscles in the
goats are stronger. It gets tougher | 1:05:57 | 1:06:03 | |
to cook. It'll be marvellous.
Excellent. Let's go back to the | 1:06:03 | 1:06:12 | |
phones. Paula from County Down.
Morning, my daughter is severely | 1:06:12 | 1:06:18 | |
allergic to eggs and as a result can
only eat dried pasta, is there a | 1:06:18 | 1:06:26 | |
recipe for making fresh pasta that
doesn't include egg? | 1:06:26 | 1:06:36 | |
doesn't include egg? The semolina
flour, you can use that in large | 1:06:36 | 1:06:40 | |
quantities and use hot water. Pour
the hot water onto the semolina | 1:06:40 | 1:06:45 | |
flour and with your hands make
apace. Roll it out like you do | 1:06:45 | 1:06:49 | |
Gresini and then chop it. You can
use your thumbs. You can use a | 1:06:49 | 1:06:55 | |
knife. It makes really delicious
fresh pasta. Very nice. Happy with | 1:06:55 | 1:07:03 | |
that? Is it as tasty? It will be,
the texture is nice. Can make a | 1:07:03 | 1:07:13 | |
sauce, like broccoli and you could
blanch the broccoli and add some | 1:07:13 | 1:07:17 | |
olive oil or make a ragu light we
have done here and it will be | 1:07:17 | 1:07:21 | |
delicious. Not quite as rich. Not as
rich but it will have a lovely | 1:07:21 | 1:07:29 | |
flavour. It holds the sauce really
well. When you make pasta it is | 1:07:29 | 1:07:34 | |
important it holds the sauce. Any
pasta left in the bowl activating it | 1:07:34 | 1:07:40 | |
means you have got the wrong sauce. | 1:07:40 | 1:07:43 | |
This week's "foodie film"
is very close to home. | 1:07:43 | 1:07:45 | |
So close in fact that it was
recorded pretty much | 1:07:45 | 1:07:48 | |
below this studio floor. | 1:07:48 | 1:07:49 | |
We sent Lisa Faulkner
underground to find out more | 1:07:49 | 1:07:51 | |
about the London air raid shelter
turned subterranean farm. | 1:07:51 | 1:07:53 | |
Take a look. | 1:07:53 | 1:08:01 | |
We all know that plants need
sunlight and soil in order to grow. | 1:08:03 | 1:08:07 | |
Yet, 33 metres beneath this very
studio there is a thriving farm. How | 1:08:07 | 1:08:14 | |
is it possible? I am going deep
underground to find out. | 1:08:14 | 1:08:21 | |
Walking down here, I heard the
tubes, which sounded like they were | 1:08:29 | 1:08:33 | |
next door, was this an old
underground tunnel? No, this was a | 1:08:33 | 1:08:39 | |
two deep level shelters from the
Second World War. The Northern Line | 1:08:39 | 1:08:42 | |
is above us. You have filled it with
these beautiful pink lights. How on | 1:08:42 | 1:08:48 | |
earth does it work? I know nothing,
so please explain in layman 's | 1:08:48 | 1:08:52 | |
terms. Simple system, hydroponic
system, reuse water to take the | 1:08:52 | 1:08:59 | |
nutrients they require and it floods
the benches behind us and the water | 1:08:59 | 1:09:03 | |
makes its way to the tanks
downstairs and we reuse the water. | 1:09:03 | 1:09:07 | |
We have an old carpet that this
shred together and put back together | 1:09:07 | 1:09:12 | |
as an agricultural matter and that
is what the plan 's roots go into. | 1:09:12 | 1:09:18 | |
The LED lights provide the sunlight.
What do you grow here? 15 different | 1:09:18 | 1:09:24 | |
products ranging from radishes,
rocket. We have some coriander, we | 1:09:24 | 1:09:29 | |
have some fennel. All smells as you
walk in, it hits you. It is a fresh | 1:09:29 | 1:09:38 | |
smelling farm, as you would expect.
Yes, I like this farm. This is pink | 1:09:38 | 1:09:43 | |
stem radish. Proper peppery flavour
which you don't get with radish any | 1:09:43 | 1:09:51 | |
more. It is the old-fashioned radish
from years ago. Really punchy | 1:09:51 | 1:09:55 | |
flavours. Down here, these are these
micro hubs, but could you grow | 1:09:55 | 1:10:01 | |
anything? We could, it depends on
what style of growing reuse. There | 1:10:01 | 1:10:06 | |
is different hydroponics that lend
themselves to growing ahead of | 1:10:06 | 1:10:14 | |
lettuce. You could even grow apples
down here but it would be the most | 1:10:14 | 1:10:18 | |
expensive apple you have ever eaten.
You could apply this technology to | 1:10:18 | 1:10:23 | |
growing any product. How long does
it take to grow? Because we control | 1:10:23 | 1:10:32 | |
the environment, we can grow pea
shoots all the year round. But in a | 1:10:32 | 1:10:40 | |
greenhouse, it depends on the
weather outside and could take you | 1:10:40 | 1:10:42 | |
up to three weeks go it is a very
efficient way to grow. Please can I | 1:10:42 | 1:10:48 | |
tried the mustard? Yes, read
mustard, it tastes like English | 1:10:48 | 1:10:54 | |
mustard with the heat and flavour.
It is so hot. It is just like a jar | 1:10:54 | 1:11:00 | |
of mustard, I would like that in my
sausage sandwich. Is this the future | 1:11:00 | 1:11:04 | |
of farming? Absolutely, to supply
the extra 2 billion people who are | 1:11:04 | 1:11:12 | |
going to be on the planet, this is
the most efficient and sustainable. | 1:11:12 | 1:11:17 | |
In the future as we scale up we will
be growing more products other than | 1:11:17 | 1:11:22 | |
just micro herbs and salads. It is
the future of farming. That really | 1:11:22 | 1:11:28 | |
was a glimpse into the future. You
knew the perfect garden could be one | 1:11:28 | 1:11:31 | |
where the sun never shines. | 1:11:31 | 1:11:38 | |
Thanks for that, Lisa. On that
challenge time. Are you ready. You | 1:11:38 | 1:11:46 | |
are the Guinness world record
holder. Cyrus, you are not on the | 1:11:46 | 1:11:53 | |
board at all. | 1:11:53 | 1:11:59 | |
The aim is to make fast, edible
omelettes to feed the hungry crew. | 1:12:01 | 1:12:10 | |
If not they will go into the compost
bin. Will it be cruel or compost? | 1:12:10 | 1:12:17 | |
Are you ready? Three, two, go. I am
never ready. | 1:12:17 | 1:12:28 | |
Sorry, was I in your way. Is this
the same technique you use for your | 1:12:39 | 1:12:43 | |
record holding one? | 1:12:43 | 1:12:46 | |
Let's try. Is it really cooked? Yes,
mine is cooked. It is shining, but | 1:12:56 | 1:13:07 | |
it is cooked. Shining? It is cooked,
look. But it will still end up in | 1:13:07 | 1:13:15 | |
the bin. I am going to put them both
on the board. Cyrus, let's go to you | 1:13:15 | 1:13:23 | |
first. Very quick. 29.88 so well
done. You are in here. Very good. | 1:13:23 | 1:13:41 | |
Theo, do you think you are quicker?
I think so, yes. 28 seconds. We are | 1:13:42 | 1:13:53 | |
going to have to make a bigger pan.
All we can just knock a few out. | 1:13:53 | 1:13:57 | |
Well done. | 1:13:57 | 1:13:59 | |
So will Sarah get her food heaven,
coffee, chocolate and sherry cake? | 1:13:59 | 1:14:02 | |
Or her food hell,
gnocchi and sweetbreads? | 1:14:02 | 1:14:04 | |
We'll find out after Nigel Slater
has shown us two of his simple | 1:14:04 | 1:14:07 | |
suppers including this
big-flavoured, family favourite. | 1:14:07 | 1:14:15 | |
Sausages in some form or another are
regular Monday supper for me. | 1:14:18 | 1:14:23 | |
Whether it is sausage and mash or a
sausage some edge, it has got to | 1:14:23 | 1:14:26 | |
have mustered on it. I am going to
exploit this partnership and make | 1:14:26 | 1:14:32 | |
creamy mustard sauce and pasta.
Whilst the water for the pasta | 1:14:32 | 1:14:36 | |
boils, chop some onions. Scatter the
onions into a hot pan. | 1:14:36 | 1:14:46 | |
I'm going to let these onions cook
until they are very, very sweet. | 1:14:49 | 1:14:53 | |
I want them soft, not crisp. | 1:14:53 | 1:14:54 | |
So put the lid on to let them
steam as well as fry. | 1:14:54 | 1:14:57 | |
This dish is really quick to make. | 1:14:57 | 1:14:59 | |
So pop the pasta on whilst you work. | 1:14:59 | 1:15:01 | |
I'm using sausages
from my local butcher. | 1:15:01 | 1:15:03 | |
But I don't want to use them
as sausages, so I'm skinning them, | 1:15:03 | 1:15:06 | |
and chucking in chunks of the meat. | 1:15:06 | 1:15:12 | |
When I buy a sausage, I want it
to be exactly what I think it is. | 1:15:12 | 1:15:16 | |
I don't want it to have
all sorts of things | 1:15:16 | 1:15:18 | |
in that's extended the meat. | 1:15:18 | 1:15:21 | |
I think it's much better to pay good
money for a sausage, | 1:15:21 | 1:15:24 | |
and then cut it up to make
it go further. | 1:15:24 | 1:15:27 | |
Give everything a stir,
and add some fresh parsley. | 1:15:27 | 1:15:31 | |
And then the mustard. | 1:15:31 | 1:15:32 | |
And not just one mustard. | 1:15:32 | 1:15:34 | |
I'm actually going to add two,
and there's a reason for that. | 1:15:34 | 1:15:36 | |
I love the heat of a smooth mustard. | 1:15:36 | 1:15:41 | |
It doesn't matter
where it comes from. | 1:15:41 | 1:15:43 | |
And this is the one that I think
gives the depth of flavour. | 1:15:43 | 1:15:48 | |
It's almost like the bass notes. | 1:15:48 | 1:15:49 | |
And you can put in
as much as you like. | 1:15:49 | 1:15:52 | |
But then I want another mustard. | 1:15:53 | 1:15:56 | |
And the one I'm putting
in is a grain mustard. | 1:15:56 | 1:15:59 | |
And I like it because of the nubbly
little mustard seeds in there. | 1:15:59 | 1:16:02 | |
They add another texture. | 1:16:02 | 1:16:06 | |
I've got quite a bit
of mustard in there. | 1:16:06 | 1:16:08 | |
It's really quite hot. | 1:16:08 | 1:16:10 | |
And I'd like something mild to calm
it down a little bit. | 1:16:10 | 1:16:14 | |
So I'm going to add
an entire pot of cream. | 1:16:14 | 1:16:17 | |
To be honest, the quantity
is entirely up to you. | 1:16:17 | 1:16:25 | |
It doesn't matter how
carefully you stir pasta, | 1:16:25 | 1:16:29 | |
there's always a bit that sticks
to the bottom of the pan. | 1:16:29 | 1:16:34 | |
It's like one of
the laws of cooking. | 1:16:34 | 1:16:37 | |
There's nothing | 1:16:41 | 1:16:42 | |
elegant about this dish,
and there's not meant to be. | 1:16:42 | 1:16:44 | |
It's big-flavoured, family cooking. | 1:16:44 | 1:16:45 | |
And to finish, some
roughly chopped parsley. | 1:16:45 | 1:16:50 | |
A wonderful marriage of flavours. | 1:16:50 | 1:16:51 | |
And I've never known anybody
who hasn't thought it was delicious. | 1:16:51 | 1:16:59 | |
For tonight's supper, I'm cooking
carrot and coriander fritters. | 1:17:02 | 1:17:04 | |
I don't really like
gadgets very much. | 1:17:04 | 1:17:06 | |
I'm not a gadgety cook. | 1:17:06 | 1:17:10 | |
But I'm not going to grate
12 carrots by hand! | 1:17:10 | 1:17:16 | |
This isn't one of those
recipes about slow cooking, | 1:17:16 | 1:17:18 | |
where you want an onion
to slowly sweeten. | 1:17:18 | 1:17:21 | |
And so I'm going to use
a little young onion, | 1:17:21 | 1:17:23 | |
with all its greenness
and freshness of flavour. | 1:17:23 | 1:17:28 | |
Carrot and coriander for me
is a perfect partnership. | 1:17:28 | 1:17:31 | |
Add as much of the fragrant
herb as you like. | 1:17:31 | 1:17:39 | |
Now bind everything together
by using a beaten egg, | 1:17:40 | 1:17:42 | |
and about a tablespoon of flour. | 1:17:42 | 1:17:45 | |
To help everything to bond,
I'm also adding some Parmesan. | 1:17:45 | 1:17:50 | |
What will happen is that
the Parmesan will melt | 1:17:50 | 1:17:52 | |
in the heat of the pan. | 1:17:52 | 1:17:53 | |
And it will help glue
all the ingredients together. | 1:17:53 | 1:17:59 | |
For a touch of luxury,
I'm adding a little cream, | 1:17:59 | 1:18:02 | |
then seasoning to taste. | 1:18:02 | 1:18:08 | |
When you're making any sort
of little cake or patty | 1:18:08 | 1:18:12 | |
you're going to fry, | 1:18:12 | 1:18:15 | |
it's worth just squeezing it
together in the hand, just to see | 1:18:15 | 1:18:17 | |
if it's going to stick together. | 1:18:17 | 1:18:19 | |
And that will only just. | 1:18:19 | 1:18:20 | |
I think that will crumble a bit. | 1:18:20 | 1:18:25 | |
So I'm going to add another egg. | 1:18:25 | 1:18:28 | |
I only put just enough egg or flour
or whatever to hold it together. | 1:18:28 | 1:18:31 | |
I never want to put too much in. | 1:18:31 | 1:18:34 | |
I want these fritters
to cook quickly. | 1:18:40 | 1:18:43 | |
So keep them nice and thin, and fry
till golden brown on both sides. | 1:18:43 | 1:18:47 | |
I have one golden rule
for frying things in a pan - | 1:18:47 | 1:18:50 | |
and that's not to play
with it too much. | 1:18:50 | 1:18:52 | |
Let it form a crust. | 1:18:52 | 1:18:54 | |
And then once the crust has formed,
then you can turn it over. | 1:18:54 | 1:19:01 | |
It's very light, very fresh. | 1:19:04 | 1:19:06 | |
It's a lovely little dish. | 1:19:06 | 1:19:10 | |
And the two flavours,
the carrot and the coriander, | 1:19:10 | 1:19:13 | |
marry beautifully. | 1:19:13 | 1:19:16 | |
Thanks, Nigel. | 1:19:21 | 1:19:23 | |
That's Monday and Tuesday
night's dinners sorted for | 1:19:23 | 1:19:25 | |
this week! | 1:19:25 | 1:19:26 | |
Right, time to find out
whether Sarah is getting her food | 1:19:26 | 1:19:28 | |
heaven or food hell. | 1:19:28 | 1:19:32 | |
She is already poking into the
chocolate. This is your idea of | 1:19:32 | 1:19:37 | |
heaven. Low quality chocolate. Let's
not collared low quality. It is | 1:19:37 | 1:19:42 | |
lovely. Milk chocolate. It is not
single estate, is it? I do not know | 1:19:42 | 1:19:47 | |
what that means. That is your
langoustine. This is your | 1:19:47 | 1:19:52 | |
langoustines. | 1:19:52 | 1:19:57 | |
langoustines. -- that is your food
heaven. This is your food hell. What | 1:19:57 | 1:20:01 | |
do you think it is? Please let it be
close. There was a last-minute | 1:20:01 | 1:20:06 | |
surge. 56% went to food heaven. It
was 55%, not 56. Thank you to the 5% | 1:20:06 | 1:20:18 | |
had made the difference. Am I going
to help cook? You can. You make a | 1:20:18 | 1:20:26 | |
had made the difference. Am I going
to help cook? You can. You make a | 1:20:26 | 1:20:26 | |
killer sponge? I can do a Victoria
sponge. Let's get stuck in. Sugar | 1:20:26 | 1:20:31 | |
and butter in here. Yes, sure. I
will get my fingers dirty. Do not | 1:20:31 | 1:20:36 | |
get it on your nice dress. No. We
are going to makes that a little bit | 1:20:36 | 1:20:42 | |
and hope it does not go everywhere.
A little bit of vanilla extract. Is | 1:20:42 | 1:20:48 | |
this bicarbonate or baking soda?
Bicarbonate. You can use that in a | 1:20:48 | 1:20:54 | |
minute. Let's give that a blast.
Cyrus is chopping up some chocolate. | 1:20:54 | 1:21:00 | |
He's going to make a ganache.
Chocolate cream. Theo is throwing a | 1:21:00 | 1:21:06 | |
singer sugar all over his lovely
jumper. He is making the coffee | 1:21:06 | 1:21:10 | |
buttercream. We are using butter,
icing sugar and can copy. That is | 1:21:10 | 1:21:15 | |
the thing in the little bottle. Yes.
It is actually made from chicory. I | 1:21:15 | 1:21:22 | |
am a big fan of camp coffee. Most
coffee is blended with chicory. | 1:21:22 | 1:21:30 | |
Really? Why do they do that? Brooke
Bond is an English company. They | 1:21:30 | 1:21:37 | |
make this coffee but with chicory.
Another fact. You have recently | 1:21:37 | 1:21:46 | |
realised you're allergic to fish?
Yes, whitefish, I had anaphylactic | 1:21:46 | 1:21:51 | |
shock at home and an ambulance had
to come out. It saved my life. I was | 1:21:51 | 1:21:57 | |
on the phone to my per month. She
thought she was listening to me die | 1:21:57 | 1:22:01 | |
on the phone. It is the quietest she
has ever heard me. Did you go out? I | 1:22:01 | 1:22:07 | |
passed out. They said I would, the
ambulance crew on the phone were | 1:22:07 | 1:22:13 | |
amazing. They said, you're going to
black out, is open the front door | 1:22:13 | 1:22:18 | |
and get on the floor. The next thing
I knew, they were there. It was like | 1:22:18 | 1:22:24 | |
Pulp Fiction, but less glamorous.
Set in a living room. A good | 1:22:24 | 1:22:29 | |
soundtrack. You come around and
you're financially feel quite | 1:22:29 | 1:22:34 | |
embarrassed. Really? Yes. I was at
great pains to say that I had eating | 1:22:34 | 1:22:40 | |
the fish from a reputable
supermarket which I probably cannot | 1:22:40 | 1:22:43 | |
mention. Let's not. In conjunction
with food poisoning. Yes. That will | 1:22:43 | 1:22:50 | |
keep me busy all week. | 1:22:50 | 1:22:56 | |
keep me busy all week. I will not
mention that. Since then, I carry an | 1:22:56 | 1:23:01 | |
AP pen with me everywhere. -- an epi
pen. I am glad the meat was OK for | 1:23:01 | 1:23:12 | |
you. I was tested for everything. It
was just the flesh of whitefish. | 1:23:12 | 1:23:19 | |
Were you quite sorry about that?
Yes, because I love fish and chips. | 1:23:19 | 1:23:23 | |
I always thought that would be my
last supper and it actually would be | 1:23:23 | 1:23:27 | |
my last supper. That is a good line.
Let's go back to your work. Kids | 1:23:27 | 1:23:33 | |
will know you from horrible
histories. My kids know you. The | 1:23:33 | 1:23:38 | |
first series of that was years ago.
They played constantly. It is quite | 1:23:38 | 1:23:44 | |
weird. I was at Wimbledon last year,
and I spotted Stella McCartney. I am | 1:23:44 | 1:23:50 | |
a massive fan and I love her
clothes. I have just bought one of | 1:23:50 | 1:23:54 | |
her dresses. She is very elegant
looking and quite serious looking. I | 1:23:54 | 1:23:58 | |
saw her and said my friend, that is
Della McCartney and she has just got | 1:23:58 | 1:24:03 | |
one my dresses. She pointed and
went, we love you. I thought, who | 1:24:03 | 1:24:08 | |
does she love? Looking game. She
said, and our house, we love | 1:24:08 | 1:24:13 | |
horrible histories. I was made up,
this women is quite series, a famous | 1:24:13 | 1:24:18 | |
person, and she watches horrible
histories. I feel I can presenting | 1:24:18 | 1:24:23 | |
it on my own. He is over at the
oven. In there, it is a basic sponge | 1:24:23 | 1:24:30 | |
with quite a lot of cherry. Do you
know that? It is a very sweet and | 1:24:30 | 1:24:36 | |
sticky sherry. | 1:24:36 | 1:24:43 | |
sticky sherry. What is this for?
That is to melt the chocolate. | 1:24:43 | 1:24:46 | |
Then it comes out looking like this.
Is it going to be a moist cake? It | 1:24:46 | 1:24:50 | |
is. Let's make it a little bit
flatter. I will take the top away | 1:24:50 | 1:24:57 | |
without running through my hand.
Like so. So it sits nicely. Let's | 1:24:57 | 1:25:05 | |
try and get this through the middle.
That is impressive. That is a good | 1:25:05 | 1:25:09 | |
sponge because it is holding
together. Well done. | 1:25:09 | 1:25:16 | |
together. Well done. This is the
sherry. You could not drive after | 1:25:17 | 1:25:19 | |
eating this. You could not. It does
look like a children's cake, but it | 1:25:19 | 1:25:24 | |
is not. Have this, you will sleep
days. Shall we do this, in with the | 1:25:24 | 1:25:29 | |
buttercream? The buttercream. I have
got to be able to have a bit of that | 1:25:29 | 1:25:35 | |
now. I could not eat all of that.
Nothing to put in there. This is | 1:25:35 | 1:25:43 | |
what this is about. Some more? Thank
you. That is so good. Move that they | 1:25:43 | 1:25:54 | |
are. Right, so all of this, all
that. It is all that going in it? | 1:25:54 | 1:26:02 | |
No, we are just going to decorate
that. Ray, the ganache. I will put | 1:26:02 | 1:26:07 | |
it on top. Do you want Jama Nicart?
No. She likes it sweet. Go on, then. | 1:26:07 | 1:26:18 | |
Look at that. Is it quite heavenly?
Yes. My goodness, this is amazing. | 1:26:18 | 1:26:27 | |
There is something lovely and
juvenile abated. You must go to some | 1:26:27 | 1:26:34 | |
very nice restaurants and eat lovely
dessert. Yes, and I get angry if | 1:26:34 | 1:26:38 | |
there is no chocolate on the
deserves. And you get quite angry | 1:26:38 | 1:26:43 | |
about lemon tart? Why would anyone
order a dry bit of pastry and some | 1:26:43 | 1:26:46 | |
lemon curd. We are all in agreement.
It is horrible, when you could have | 1:26:46 | 1:26:51 | |
this. Right, you will have to help
me. Can I do it? Be generous. Be | 1:26:51 | 1:26:59 | |
heavy-handed. | 1:26:59 | 1:27:04 | |
heavy-handed. You have got Fred. You
have but little frogs made of | 1:27:04 | 1:27:07 | |
chocolate. Do you want one? Thank
you. I was looking for a little bit | 1:27:07 | 1:27:14 | |
more finesse. She likes it like
that. Hang on. Remind us about your | 1:27:14 | 1:27:23 | |
play. It is now. The War Has Not Yet
Started, it is on at the Southwark | 1:27:23 | 1:27:28 | |
Playhouse until Saturday. Until next
Saturday, then you have a week off | 1:27:28 | 1:27:32 | |
and straight into something else.
Yes. Right, OK, let's move this | 1:27:32 | 1:27:39 | |
aside. What are we drinking with
this? With a show stopper of the | 1:27:39 | 1:27:47 | |
dessert, I felt I had to go for a
cocktail. We are having a Espresso | 1:27:47 | 1:27:53 | |
Martini. We put a little bit more
copy lacuna in the normal to make it | 1:27:53 | 1:27:57 | |
really sweet. It is basically
coffee, vodka and coffee liqueur. I | 1:27:57 | 1:28:02 | |
love these. Are you partial to a
Espresso Martini? Lovely. I do not | 1:28:02 | 1:28:08 | |
think am going share, sadly. It does
not lead like anything is coming up. | 1:28:08 | 1:28:14 | |
This is up there with one of the
best mornings of my life. Tuck in. | 1:28:14 | 1:28:21 | |
It looks like a main course. Cheers.
Look at all the buttercream. I have | 1:28:21 | 1:28:28 | |
never seen cake eating quite like
that. Good? That is lovely. Thank | 1:28:28 | 1:28:33 | |
you. | 1:28:33 | 1:28:43 | |
That is all from us today. We are on
BBC Two Madrid next week because the | 1:28:56 | 1:29:00 | |
Winter Olympics run. | 1:29:00 | 1:29:02 |