Browse content similar to 10/02/2018. Check below for episodes and series from the same categories and more!
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Good morning. I hope you are hungry
because we have 90 minutes of | 0:00:08 | 0:00:12 | |
top-class food to inspire you. I'm
Matt Tebbutt and this is Saturday | 0:00:12 | 0:00:16 | |
Kitchen live. | 0:00:16 | 0:00:18 | |
Welcome to the show. We've got two
brilliant Italian chefs joining us | 0:00:38 | 0:00:43 | |
today, Eleonora Galasso and Gennaro
Contaldo, and on the drinks it is | 0:00:43 | 0:00:47 | |
Lee Smith. Do you like our new
opening? I love it! It is welcoming | 0:00:47 | 0:00:52 | |
and informal. | 0:00:52 | 0:00:57 | |
and informal. This is going to set
the theme of the show. Eleonora, you | 0:00:58 | 0:01:03 | |
are cooking first. Yes, I am cooking
a beautiful rice dish with soul food | 0:01:03 | 0:01:09 | |
and beautiful prosecco gravy. It is
a recipe from a 17th century, when | 0:01:09 | 0:01:17 | |
rice arrived in Naples and so it was
thought of in different ways. We | 0:01:17 | 0:01:21 | |
have prosecco gravy as a little
twist, a lodge to Britain and nod to | 0:01:21 | 0:01:26 | |
Wales... Not to Wales? Mode to
Italy. It is an hot much to you so | 0:01:26 | 0:01:33 | |
whoa but it is made with prosecco so
it is a nod to the region of Venice. | 0:01:33 | 0:01:41 | |
Gennaro, we are doing a celebration
of Antonio. Yes, two simple pasta | 0:01:41 | 0:01:48 | |
dishes, one with mushrooms and
pancetta, and another one which | 0:01:48 | 0:01:52 | |
Antonio used to like, "Cook me
something quick!" I will do it with | 0:01:52 | 0:01:59 | |
garlic, chilli, olives. Your best
friend and a great friend of ours. | 0:01:59 | 0:02:06 | |
Olly, you are on the wine, straight
off the boat from China. Yes, I was | 0:02:06 | 0:02:12 | |
in northern China and it was minus
30. This is like a midnight feast | 0:02:12 | 0:02:16 | |
for me to drop it is marvellous! We
have lashes of fantastic wine and | 0:02:16 | 0:02:22 | |
depending on which we heaven and
hell swings we may have a British | 0:02:22 | 0:02:26 | |
beard it up as always we have some
films from Rick Steyn, the Hairy | 0:02:26 | 0:02:30 | |
Bikers, Wray blog and Nigel Slater.
Our special guest today has been | 0:02:30 | 0:02:36 | |
keeping audiences are retained for
20 years with shows from Drop The | 0:02:36 | 0:02:40 | |
Dead Donkey to DCI Banks. Today he
is mainly doing eating so I am | 0:02:40 | 0:02:45 | |
delighted to welcome Stephen
Tompkinson. Nice to see you. This is | 0:02:45 | 0:02:53 | |
your third time on the show. It is,
perhaps trick. Thank you for taking | 0:02:53 | 0:02:58 | |
time out of rehearsals for Art. Yes,
it was the final day of rehearsals | 0:02:58 | 0:03:07 | |
yesterday and we start in Cambridge
next week for 17 weeks, touring the | 0:03:07 | 0:03:11 | |
nation. You are happy with it? Yes,
fingers crossed. You know the score, | 0:03:11 | 0:03:18 | |
heaven and hell. What is your food
heaven? Venison. It is something I | 0:03:18 | 0:03:26 | |
have always liked. That is a nice
alternative to stake. And you love | 0:03:26 | 0:03:33 | |
wild mushrooms? I do indeed. He is
my friend! What about hell? It is | 0:03:33 | 0:03:41 | |
something I have never tried but I
don't like the look of... You | 0:03:41 | 0:03:47 | |
haven't tried it? No, I was going to
throw in at the deep end for tripe. | 0:03:47 | 0:03:53 | |
It is very brave of you. Tripe is my
hell. | 0:03:53 | 0:04:01 | |
hell. It is the smell, you know when
you get it into your nose? Just that | 0:04:01 | 0:04:07 | |
little bit of mint on top! | 0:04:07 | 0:04:14 | |
little bit of mint on top! Put a peg
on your nose and eat it? As I've | 0:04:14 | 0:04:18 | |
never tried it, I thought I would
try a new experience and vomiting | 0:04:18 | 0:04:22 | |
live on television would be one! If
the viewers give you have and I will | 0:04:22 | 0:04:28 | |
give you the perfect accommodation
of venison and wild mushrooms so I | 0:04:28 | 0:04:31 | |
will roast rack of venison and top
with cep crust and I will throw in | 0:04:31 | 0:04:37 | |
some venison tartare and some
sauteed wild mushrooms. If Stephen | 0:04:37 | 0:04:42 | |
gets Hell, I will make tripe, tripe
and more tripe. An Asian beef tripe | 0:04:42 | 0:04:48 | |
and coriander salad and a tripe stew
with some... I don't like coriander | 0:04:48 | 0:04:54 | |
either! Obviously you have to wait
to the end of the show to find out | 0:04:54 | 0:04:59 | |
which won the viewers vote for. Go
to the Saturday Kitchen website | 0:04:59 | 0:05:03 | |
before 11am to vote and we also want
your questions. Just dial 0330 123 | 0:05:03 | 0:05:09 | |
14 10. | 0:05:09 | 0:05:14 | |
14 10. Get dialling now and, as
always, you can join the show on | 0:05:14 | 0:05:18 | |
social media. You can chip in what
you like. We are going to cook. | 0:05:18 | 0:05:28 | |
It is the way you walk! Let's start
off. We are making a beautiful rice | 0:05:32 | 0:05:41 | |
baked so we make making risotto.
They're going to be a lovely source. | 0:05:41 | 0:05:48 | |
We are making a stock. I am going to
start off with this one. I have | 0:05:48 | 0:05:55 | |
because it will add to some extra --
cloves. It is an unusual addition. | 0:05:55 | 0:06:04 | |
You make vegetable stock and to
start with, Gennaro will agree with | 0:06:04 | 0:06:08 | |
me, when you go to a market in
Italy, whichever market you go to, | 0:06:08 | 0:06:13 | |
you always get for free the elements
that will help you make both stock | 0:06:13 | 0:06:17 | |
and soft free to for your week. You
will leave it in your fridge and add | 0:06:17 | 0:06:24 | |
to all of your recipes. Celery,
carrots and onions you are always | 0:06:24 | 0:06:30 | |
getting free. And you can have
potatoes and tomatoes in the stock. | 0:06:30 | 0:06:37 | |
There is no limit to the vegetables
you can put in. I see that you have | 0:06:37 | 0:06:42 | |
put onion into the pan but there is
whoa whether one should use union or | 0:06:42 | 0:06:53 | |
garlic. People always discuss about
it. I am for the money and so we | 0:06:53 | 0:06:58 | |
will chuck the garlic this is going
to have the air we are going to fry | 0:06:58 | 0:07:13 | |
the objective is to make it lovely
and crunchy for a before we at the | 0:07:13 | 0:07:20 | |
labels of stock and we are going to
cook it in a lovely way. We are | 0:07:20 | 0:07:25 | |
going to massage it around for about
two minutes, and then we are going | 0:07:25 | 0:07:31 | |
to add labels of stock and after
about 15 minutes, when this is going | 0:07:31 | 0:07:36 | |
to be lovely cooked, we are going to
add up some butter and some lovely | 0:07:36 | 0:07:44 | |
Parmesan. I am making the source.
This is a basic rule and we are | 0:07:44 | 0:07:49 | |
going to use a bit of green. What
other spices? We are using nutmeg, | 0:07:49 | 0:07:56 | |
rice paper. If you're feeling more
adventurous you can use black pepper | 0:07:56 | 0:08:01 | |
or chilli. No recipe is ever
prescriptive in Italy so you do it | 0:08:01 | 0:08:04 | |
with what you have. You improvise in
the kitchen, as you do in life. Life | 0:08:04 | 0:08:13 | |
is a celebration, that's for sure.
CHEERING | 0:08:13 | 0:08:21 | |
In with the green. This B covers of
your cookbook. -- this recipe comes | 0:08:21 | 0:08:30 | |
from your cookbook. This is
something you can adapt with | 0:08:30 | 0:08:32 | |
whatever leftovers you have. If you
made the risotto last night, for | 0:08:32 | 0:08:37 | |
example, very easily you can
transform it and put it in a mould | 0:08:37 | 0:08:42 | |
so you are going to grease the mould
with some lovely olive oil. I like | 0:08:42 | 0:08:48 | |
the extra virgin olive oil, possibly
cold-pressed. Is this a leftover | 0:08:48 | 0:08:56 | |
dish, a celebration dish? It is a
leftover dish that becomes | 0:08:56 | 0:08:59 | |
tomorrow's dish so it is a never
ending dish with which you can | 0:08:59 | 0:09:04 | |
always celebrate it is there any day
in which you don't celebrate? I | 0:09:04 | 0:09:09 | |
don't really see it! We are going to
grease this so it will be important | 0:09:09 | 0:09:12 | |
for the olive oil to be the best
quality you can get because of the | 0:09:12 | 0:09:17 | |
smell and also because, when it is
cold-pressed it is actually | 0:09:17 | 0:09:23 | |
extracted, the juices extracted,
with unheated machines, hence you | 0:09:23 | 0:09:27 | |
have a lovely olive juice as opposed
to that sort of chemical | 0:09:27 | 0:09:32 | |
transformation you get with very
heated machines. It is a bit more | 0:09:32 | 0:09:36 | |
expensive but you get to go less to
the GP, so you have more time for | 0:09:36 | 0:09:42 | |
the lovely stuff in life, right? You
have been away filming with Gennaro | 0:09:42 | 0:09:48 | |
and Jamie recently? Oh, my God, that
was so much fun! We have been to | 0:09:48 | 0:09:54 | |
Rome to speak with the world
heritage that we have and they are | 0:09:54 | 0:09:58 | |
the unknowns, the grandmothers, and
that was some weeks before the pizza | 0:09:58 | 0:10:04 | |
became world heritage, you know?
# When the moon hits your eyes like | 0:10:04 | 0:10:11 | |
a big pizza pie
# That's a Mori! | 0:10:11 | 0:10:15 | |
Well, exactly. | 0:10:15 | 0:10:21 | |
Well, exactly. That is all yours! We
have made it already! What do you | 0:10:21 | 0:10:30 | |
need me to do? Basically, now I will
lead... This rise has been mixed up | 0:10:30 | 0:10:37 | |
with lovely Parmesan and butter and
with about two thirds of that gravy | 0:10:37 | 0:10:43 | |
source. What we will need to do very
simply is take this rice, that lets | 0:10:43 | 0:10:48 | |
say is left over from last night,
and put it in this mould, just chuck | 0:10:48 | 0:10:55 | |
it in, and then we are going to oven
bake it for 30 minutes and then | 0:10:55 | 0:10:59 | |
forget about it all. So you put the
sole in raw and then bake it in the | 0:10:59 | 0:11:07 | |
other? Exactly, and we are going to
make it with some citrusy fruits. | 0:11:07 | 0:11:14 | |
And you want a little julienne of
orange and lemon? That's what I | 0:11:14 | 0:11:19 | |
would like, and also some lovely
parsley, flat leaf parsley, slightly | 0:11:19 | 0:11:26 | |
chopped, always roughly chopped. We
are never very precise! As you can | 0:11:26 | 0:11:31 | |
see, I do not wear a white hat, I am
not a chef, I am all about home | 0:11:31 | 0:11:35 | |
food. This dish that dates back from
the 17th century in Naples actually | 0:11:35 | 0:11:41 | |
arrived in Naples in the same period
in which rice arrived to. Rice was | 0:11:41 | 0:11:45 | |
somehow refused because maples was
all about macaroni and when rice | 0:11:45 | 0:11:54 | |
arrived, they said, "What shall we
do with it?" Basically, people would | 0:11:54 | 0:11:58 | |
use it just when they had stomach
aches as a cure. It was a good way | 0:11:58 | 0:12:04 | |
to have the kids eat something
nourishing, healthy, and that would | 0:12:04 | 0:12:08 | |
prevent them from getting sick. Now
it is something delicious. This | 0:12:08 | 0:12:13 | |
beautiful dish, you can make it with
any leftovers you have sitting down | 0:12:13 | 0:12:18 | |
board in the fridge. You can have it
with lovely stripes of courgette, | 0:12:18 | 0:12:22 | |
for example, you can have it with
pancetta, or lovely meatballs, | 0:12:22 | 0:12:29 | |
either big very small once. Do you
make it with meatballs and tomatoes, | 0:12:29 | 0:12:34 | |
Gennaro? Had via a second. If you
would like to ask a question, give | 0:12:34 | 0:12:40 | |
us a ring now on 0330 123 14 10.
That's 0330 123 14 10. Calls are | 0:12:40 | 0:12:47 | |
charged at your standard network
rate. And continue! Yes! I want to | 0:12:47 | 0:12:55 | |
know how you make it. With
meatballs, yes. With garlic, a | 0:12:55 | 0:13:01 | |
little bit of parsley, a bit of
Parmesan, fried, sauteed, fresh | 0:13:01 | 0:13:06 | |
tomato. Drop the meatballs inside,
cook the spaghetti or the | 0:13:06 | 0:13:13 | |
tagliatelle... I'm fainting! Please
don't faint! Shall we do this? | 0:13:13 | 0:13:22 | |
Together, right? Ready? OK. The show
must go on, mustn't it! | 0:13:22 | 0:13:36 | |
must go on, mustn't it! That is a
success. There is your source, there | 0:13:36 | 0:13:39 | |
is your garnish. It is going to be
nice and easy. We are going to put | 0:13:39 | 0:13:45 | |
our lovely prosecco gravy on top and
around, and then we are going to | 0:13:45 | 0:13:52 | |
garnish with beautiful orange and
lemon, all around, just the way you | 0:13:52 | 0:14:01 | |
see fit, and then a little bit of
parsley - why not? Let's not be shy! | 0:14:01 | 0:14:08 | |
This is a dish you seen before? Yes,
not this particular one, but kind | 0:14:08 | 0:14:14 | |
of. Shall I be mother? Put it there.
Remind us what that is called. That | 0:14:14 | 0:14:23 | |
is rice timbale with the sole and a
lot of love! | 0:14:23 | 0:14:33 | |
OK, let's go over here. Right, grab
a knife and some plates. | 0:14:33 | 0:14:42 | |
a knife and some plates. It looks so
good. We must tasted. How do you do | 0:14:43 | 0:14:50 | |
this? Slice it like so? Yes, this is
one of those cases where you can | 0:14:50 | 0:14:55 | |
have your cake and eat it too. Did
you follow that recipe, Stephen? | 0:14:55 | 0:15:03 | |
Yes, spectacular. Because, if you
didn't, they are on the website. If | 0:15:03 | 0:15:10 | |
ever there are some leftovers and
you make it for your family, the | 0:15:10 | 0:15:13 | |
following day you can do the
so-called the meal where you put the | 0:15:13 | 0:15:21 | |
rice in a pan and put it down with
the lid pretty much as you would | 0:15:21 | 0:15:24 | |
with an omelette, and then you would
eat it as if it was a cake, a rice | 0:15:24 | 0:15:30 | |
cake. In that case, you can fry it
with olive oil whereas here we have | 0:15:30 | 0:15:34 | |
used mostly but because rice, the
marriage of rice is usually with | 0:15:34 | 0:15:38 | |
butter. Have a seat. Can I try some?
It is beautiful. So, with this we | 0:15:38 | 0:15:50 | |
are going to go with prosecute. An
absolute bargain, 799. It's very | 0:15:50 | 0:15:58 | |
good. Extra dry. A little more
fruity than the | 0:15:58 | 0:16:06 | |
fruity than the brut, and it is
slightly drier. I love this with | 0:16:11 | 0:16:13 | |
this kind of dish. It's great for a
party. Valentine's Day coming up, | 0:16:13 | 0:16:19 | |
it's a great option. And organic
prosecute from northern Italy, | 0:16:19 | 0:16:23 | |
lovely part of the world. Oh my God,
what a marriage of food. Look at | 0:16:23 | 0:16:30 | |
that. It's so good. It's real
Italian comfort food. You find it in | 0:16:30 | 0:16:39 | |
homes but never in restaurants. You
have to divide this between a horde | 0:16:39 | 0:16:43 | |
of ravenous hungry people. And it's
going to go a long way, isn't it? So | 0:16:43 | 0:16:50 | |
tomorrow you could do something
else. Absolutely, I will fry it in a | 0:16:50 | 0:16:54 | |
pan. If you misbehave, I will just
throw it at you. | 0:16:54 | 0:16:59 | |
LAUGHTER
Cheers. In Dublin last week, I heard | 0:16:59 | 0:17:05 | |
one fellow say, I'm going to Rome
for Easter, and he said, no, I am | 0:17:05 | 0:17:12 | |
going to roam around Baggot Street!
LAUGHTER | 0:17:12 | 0:17:18 | |
I love it. Also the wine. It's so
perfect, so good, because each bite | 0:17:18 | 0:17:31 | |
you have, it is clean and fresh. The
extra dry bid works well if | 0:17:31 | 0:17:36 | |
specially with a citrus in the dish.
It lightens it. This is kind of your | 0:17:36 | 0:17:41 | |
British... It makes it feel quite
light and summary. Now, Gennaro, | 0:17:41 | 0:17:49 | |
what's the next course? It is going
to be tagliatelle with pancetta | 0:17:49 | 0:17:53 | |
mushrooms and thyme, linguine with
capers. You will love it. We look | 0:17:53 | 0:17:59 | |
forward to that and if you want to
ask questions this morning, call | 0:17:59 | 0:18:02 | |
0330 123 1410 and lines close at
11am so get dialling the orange you | 0:18:02 | 0:18:10 | |
can tweet as. Don't forget to vote
for food had a or Food Hell on the | 0:18:10 | 0:18:16 | |
website. Now let's catch up with
Rick stein on another long weekend | 0:18:16 | 0:18:22 | |
in Lisbon, which is fast becoming
the biggest foodie hotspot. Take a | 0:18:22 | 0:18:25 | |
look at this. | 0:18:25 | 0:18:31 | |
Well, it's some time
since I've been to Lisbon, | 0:18:45 | 0:18:47 | |
but what I remember most
of all was the seafood. | 0:18:47 | 0:18:50 | |
But not just the wonderfully fresh
seafood, but the little | 0:18:50 | 0:18:52 | |
restaurants that sold it,
with, all the time, | 0:18:52 | 0:18:54 | |
a view over the water -
not the open sea but the River | 0:18:54 | 0:18:57 | |
Tagus. | 0:18:57 | 0:18:58 | |
And the other thing was the tiles -
everywhere the buildings seemed | 0:18:58 | 0:19:01 | |
to be clad in these beautifully
faded blue and green tiles. | 0:19:01 | 0:19:04 | |
I remember those particularly. | 0:19:04 | 0:19:05 | |
Just lovely. | 0:19:05 | 0:19:06 | |
And the other thing were the narrow
streets, often going up | 0:19:06 | 0:19:08 | |
and down some really,
really steep hills. | 0:19:08 | 0:19:13 | |
ALL: Really? | 0:19:13 | 0:19:14 | |
Yes, really. | 0:19:14 | 0:19:15 | |
Not so good if you're carrying heavy
filming equipment, but fine for me. | 0:19:15 | 0:19:19 | |
I don't have to. | 0:19:19 | 0:19:25 | |
Now, this is a nice, practical,
ordinary sort of hotel. | 0:19:25 | 0:19:29 | |
It's not going to break the bank
and it has all the accoutrements | 0:19:29 | 0:19:32 | |
for my long weekend,
namely a bar. | 0:19:32 | 0:19:38 | |
How often does this happen to me? | 0:19:39 | 0:19:42 | |
Please work. | 0:19:42 | 0:19:43 | |
Don't make me have
to go back downstairs. | 0:19:43 | 0:19:45 | |
Oh, brilliant. | 0:19:45 | 0:19:48 | |
This is nice and modern. | 0:19:48 | 0:19:53 | |
A Japanese bathroom
with its little panes. | 0:19:53 | 0:19:54 | |
The bed looks nice. | 0:19:54 | 0:19:55 | |
Nice double bed. | 0:19:55 | 0:19:56 | |
Sofa. | 0:19:56 | 0:19:57 | |
That'll be good. | 0:19:57 | 0:19:58 | |
And the view. | 0:19:58 | 0:20:00 | |
A road and another hotel. | 0:20:00 | 0:20:02 | |
Well, you can't have everything. | 0:20:02 | 0:20:05 | |
No, you can't. | 0:20:05 | 0:20:06 | |
I'd much rather overlook this square
with a view of the River Tagus | 0:20:06 | 0:20:11 | |
or a view of the castle or this
square, but if, like me, | 0:20:11 | 0:20:16 | |
you happen to plan your weekend
around mid-June, you may find that | 0:20:16 | 0:20:20 | |
all the hotels are
booked in the centre | 0:20:20 | 0:20:23 | |
because of this man -
St Anthony. | 0:20:23 | 0:20:25 | |
Today is his day. | 0:20:25 | 0:20:28 | |
St Anthony's patronage is bountiful. | 0:20:28 | 0:20:31 | |
He is the patron saint
of fishermen, the poor, | 0:20:31 | 0:20:35 | |
amputees, travellers,
horses, pregnant women and swine | 0:20:35 | 0:20:39 | |
herds, to name but a few. | 0:20:39 | 0:20:42 | |
BAND PLAYS | 0:20:42 | 0:20:45 | |
Summer here
means warmer waters | 0:20:45 | 0:20:47 | |
and the coming of the sardines. | 0:20:47 | 0:20:49 | |
They're at their very best, full of
oil and extremely sweet and tasty. | 0:20:49 | 0:20:55 | |
Now when I have the luxury
of eating a grilled sardine, | 0:20:55 | 0:20:58 | |
no matter where I am in the world,
I think of Portugal. | 0:20:58 | 0:21:02 | |
They should be on the national flag. | 0:21:02 | 0:21:05 | |
SHE SPEAKS PORTUGUESE | 0:21:05 | 0:21:08 | |
I'm really
looking forward to this. | 0:21:08 | 0:21:10 | |
I just asked them how to eat this
on bread because, obviously, | 0:21:10 | 0:21:13 | |
there's loads of bones in a sardine. | 0:21:13 | 0:21:16 | |
I couldn't totally understand
what she was saying but I got | 0:21:16 | 0:21:18 | |
the general gist of it. | 0:21:18 | 0:21:20 | |
I think, basically,
you just take the skin off | 0:21:20 | 0:21:22 | |
and then you pull it apart. | 0:21:22 | 0:21:23 | |
It's very hot, but very fresh... | 0:21:23 | 0:21:27 | |
and very tasty. | 0:21:27 | 0:21:30 | |
And I noticed that she said,
now you pull out the backbone... | 0:21:30 | 0:21:35 | |
but you have to eat these bits here. | 0:21:35 | 0:21:39 | |
There is just something incredibly
wonderful about getting messy | 0:21:39 | 0:21:43 | |
eating food like this,
which is so good. | 0:21:43 | 0:21:45 | |
It is sort of part of the whole... | 0:21:45 | 0:21:47 | |
enjoyment of it. | 0:21:47 | 0:21:51 | |
You'd love this. | 0:21:51 | 0:21:52 | |
I promise that. | 0:21:52 | 0:21:55 | |
UPBEAT MUSIC PLAYS | 0:21:55 | 0:22:02 | |
'My very first breakfast
here in Lisbon has to be this - | 0:22:23 | 0:22:26 | |
'the famous pasteis de Belem,
'the most brilliant custard tart | 0:22:26 | 0:22:29 | |
you've ever tasted.' I'd go further
and say that these sweet, | 0:22:29 | 0:22:31 | |
mellow, warm, very gooey
and exceedingly tasty little tarts | 0:22:31 | 0:22:34 | |
were a real eye-opener for me. | 0:22:34 | 0:22:38 | |
And this cafe-cum-bakery
with its rabbit warren | 0:22:38 | 0:22:39 | |
of tile-encrusted rooms
is a sheer delight. | 0:22:39 | 0:22:44 | |
Naturally, the recipe
is a closely guarded secret, | 0:22:44 | 0:22:48 | |
and so from eight in the morning
until 11 at night, | 0:22:48 | 0:22:51 | |
the queues are always there. | 0:22:51 | 0:22:57 | |
Well, I'm extremely partial
to a custard tart, but they don't | 0:22:57 | 0:23:00 | |
get any better than these. | 0:23:00 | 0:23:02 | |
What makes them so special
is the extraordinary softness | 0:23:02 | 0:23:06 | |
of the custard and the crispness
and the lightness of the pastry. | 0:23:06 | 0:23:13 | |
Seriously, when you bite
into them, it's bliss. | 0:23:13 | 0:23:17 | |
But the other thing
is when you just put | 0:23:17 | 0:23:20 | |
a little bit of cinnamon -
not too much - and a little bit | 0:23:20 | 0:23:22 | |
of icing sugar on the top,
it just completes it. | 0:23:22 | 0:23:27 | |
Interestingly, these tarts
are a part of history, | 0:23:27 | 0:23:30 | |
because next door to here
is a monastery, and in | 0:23:30 | 0:23:33 | |
the 15th and 16th century,
monasteries were like hotels. | 0:23:33 | 0:23:38 | |
They were the only places that
you could actually get | 0:23:38 | 0:23:40 | |
a bed for the night,
and these custard tarts came out | 0:23:40 | 0:23:43 | |
of that and became so popular that
in about the 18th century, | 0:23:43 | 0:23:47 | |
this shop opened, and the rest,
of course, is history. | 0:23:47 | 0:23:51 | |
But what is so good, I think,
is food and history. | 0:23:51 | 0:23:54 | |
It's not just about the recipes
but it's also about the ingredients | 0:23:54 | 0:23:59 | |
because, as you know,
the Portuguese went everywhere | 0:23:59 | 0:24:02 | |
in the world and they brought sugar
cane back from the Americas, | 0:24:02 | 0:24:06 | |
and they brought cinnamon back
from the East Indies. | 0:24:06 | 0:24:09 | |
So there is a real food chain there,
and I think that's what makes | 0:24:09 | 0:24:13 | |
them so special as well. | 0:24:13 | 0:24:19 | |
Thanks for that, Rick. That custard
tart had a closely guarded secret | 0:24:25 | 0:24:29 | |
recipe. This one hasn't so this is a
very British custard tart I'm | 0:24:29 | 0:24:34 | |
making, very simple recipe. Sugar,
double cream, a lot of eggs, vanilla | 0:24:34 | 0:24:38 | |
and nutmeg and that's it. | 0:24:38 | 0:24:41 | |
Very easy to make. I'm going to put
that with poached rhubarb and poach | 0:24:42 | 0:24:47 | |
it in stem ginger and blood oranges
which are knocking around at the | 0:24:47 | 0:24:50 | |
moment so what we need to do is
bring the cream up to simmer. With | 0:24:50 | 0:24:57 | |
some vanilla. I have two vanilla
pods going in there. One litre of | 0:24:57 | 0:25:01 | |
cream. Mix eggs and sugar and bake
it. It gets baked for about one hour | 0:25:01 | 0:25:07 | |
at 110, a low temperature because
you don't want it to bubble and | 0:25:07 | 0:25:10 | |
blister. And then B will pair it
with a rhubarb. Right, let's talk | 0:25:10 | 0:25:15 | |
about Art. It has been kicking
around since the early 90s? Yes, it | 0:25:15 | 0:25:24 | |
was huge in London's West End. I
made my West End debut with it 18 | 0:25:24 | 0:25:30 | |
years ago, so I am revisiting it.
It's fascinating you are back in it | 0:25:30 | 0:25:34 | |
taking it on. The same part. Ivan.
Are you bring a different dimension | 0:25:34 | 0:25:42 | |
to it? It centres around a
friendship of three guys, and so | 0:25:42 | 0:25:53 | |
revisiting it, it's a 25 year
friendship we are talking about. And | 0:25:53 | 0:25:59 | |
Serge buys a painting which looks on
first glance looks like a white | 0:25:59 | 0:26:05 | |
canvas. Had you seen it? Yes, in
Paris. That is when it was first on | 0:26:05 | 0:26:16 | |
and Sean Connery was the producer,
his wife saw it, and then they got | 0:26:16 | 0:26:20 | |
in touch with David Pugh, who is
producing it to this day, so that | 0:26:20 | 0:26:24 | |
painting becomes a catalyst for this
25 year friendship, possibly | 0:26:24 | 0:26:29 | |
dissolving because one of the guys
thinks that his friend has gone | 0:26:29 | 0:26:32 | |
completely mad spending a small
fortune on a painting. He just does | 0:26:32 | 0:26:37 | |
not get it. My character, they are
like fire and ice, those two | 0:26:37 | 0:26:40 | |
characters. I'm like the bassist in
spinal tap, like lukewarm water. | 0:26:40 | 0:26:48 | |
It's a particular relationship,
isn't it? You have a relationship | 0:26:48 | 0:26:53 | |
outside of them. It's quite fragile.
Yes, his professional life has | 0:26:53 | 0:26:59 | |
always been a failure. He's about to
get married for the first time in | 0:26:59 | 0:27:03 | |
two weeks when you join the play,
and he's very henpecked by his | 0:27:03 | 0:27:08 | |
mother and it looks like he's about
to be henpecked by his new wife. | 0:27:08 | 0:27:12 | |
These other two guys are his
bedrock. When they seem to be | 0:27:12 | 0:27:18 | |
falling apart at the seams, then it
makes it all the more poignant. 18 | 0:27:18 | 0:27:24 | |
years later, where would you start a
new 25 year friendship from? Is | 0:27:24 | 0:27:30 | |
there anything new? Has it changed
since the early 90s? I don't know it | 0:27:30 | 0:27:34 | |
has because modern art still
polarises people. You either love it | 0:27:34 | 0:27:42 | |
or hated, and if you don't like it
you can't understand why people do, | 0:27:42 | 0:27:46 | |
and vice versa. This is kind of the
extreme of what a lot of young | 0:27:46 | 0:27:51 | |
British artists would do? Yes. There
was a lot of artwork coming out that | 0:27:51 | 0:27:56 | |
people would just amused by. Yes,
exactly. It is a bit like the | 0:27:56 | 0:28:04 | |
emperors new clothes sometime. It
has an amazing effect on the | 0:28:04 | 0:28:07 | |
audience. Some people really like
the painting, some people don't get | 0:28:07 | 0:28:10 | |
it at all. There's a lot of people
who are in the middle but what | 0:28:10 | 0:28:14 | |
happens is the audience really,
really fall for these characters and | 0:28:14 | 0:28:18 | |
want this friendship to stay
together. Right, so they are three | 0:28:18 | 0:28:23 | |
distinct characters? With Denis
Lawson and Nigel Haver 's. Great | 0:28:23 | 0:28:28 | |
cast. Do you know them? Yes, I have
known them similar to the play for | 0:28:28 | 0:28:35 | |
over 20 odd years. It's lovely. Life
imitating art. You see how neatly it | 0:28:35 | 0:28:42 | |
fits together? Back to the recipe,
my cream is simmering with the | 0:28:42 | 0:28:49 | |
vanilla. Going to turn that off. In
here put the sugar and the egg | 0:28:49 | 0:28:53 | |
yolks, and keep it moving because we
don't want scrambled eggs. Mix it | 0:28:53 | 0:28:57 | |
together and overhear I have got the
rhubarb, a little bit of sugar, some | 0:28:57 | 0:29:03 | |
blood orange zest, juice, and the
stem ginger. Is this the season for | 0:29:03 | 0:29:08 | |
blood orange? Yes, they are not
around for long, delicious, sweet, | 0:29:08 | 0:29:13 | |
but they are quite tricky to get
hold of. It's not a regular thing a | 0:29:13 | 0:29:21 | |
lot of greengrocers will have.
Right. In Sicily. Yeah, well, that's | 0:29:21 | 0:29:30 | |
handy! Thank you. | 0:29:30 | 0:29:35 | |
You love stage? Yes, especially with
the comedy because you get the | 0:29:36 | 0:29:45 | |
immediate reaction from the
audience. Do you like that | 0:29:45 | 0:29:47 | |
immediacy? We know you from so much
big TV. It is a while since I have | 0:29:47 | 0:29:55 | |
toured and it is a gorgeous way to
visit places. It was interesting | 0:29:55 | 0:30:00 | |
what you were saying about
everything being shot out of order | 0:30:00 | 0:30:02 | |
when you are doing film and TV. With
a play you have a bit more control | 0:30:02 | 0:30:09 | |
over the beginning, middle and end
and the audience are very much a | 0:30:09 | 0:30:13 | |
part of it and keep it fresh. You
are on our screens at the moment, in | 0:30:13 | 0:30:20 | |
Trolleys. It is very funny. It is
lovely and it is our supermarket And | 0:30:20 | 0:30:32 | |
it is there all the time? Yes, it
has been there for the last seven | 0:30:32 | 0:30:40 | |
years so we don't do any filming
outside of the supermarket and there | 0:30:40 | 0:30:43 | |
are known night shoots so it is the
nearest thing to a nine to five. A | 0:30:43 | 0:30:50 | |
little tip, that is a blind baked
tart, put it in the oven at 110, | 0:30:50 | 0:30:54 | |
pour the mix of the middle and then
you won't slot it all over. So then | 0:30:54 | 0:31:01 | |
the rhubarb, you could leave it a
couple of hours or overnight and put | 0:31:01 | 0:31:05 | |
it into a warm pan, a bit of dessert
wine going in. Bring it up to heat, | 0:31:05 | 0:31:12 | |
put a lid on and turn it off. This
is the season of beetroots now? Of | 0:31:12 | 0:31:22 | |
beetroot? I beg your pardon,
beetroot! It is the colours! | 0:31:22 | 0:31:30 | |
beetroot! It is the colours! Root,
blood oranges, both lovely. A 17 | 0:31:30 | 0:31:36 | |
week run is a long time to be
focused on doing one thing every | 0:31:36 | 0:31:39 | |
single night. Is there something you
do every night to maintain that? The | 0:31:39 | 0:31:46 | |
play is about an hour and 25 minutes
so it seems like it should be a | 0:31:46 | 0:31:49 | |
breeze but when it is just three of
your concentration levels are | 0:31:49 | 0:31:52 | |
fantastic. Doing a tour is
fantastic, especially with the | 0:31:52 | 0:31:57 | |
comedy, to see how it varies from
place to place. When the play is | 0:31:57 | 0:32:01 | |
performed in Paris, it is taken a
lot more seriously and the author | 0:32:01 | 0:32:06 | |
was quite perturbed that at won the
Olivier award for best comedy over | 0:32:06 | 0:32:11 | |
here, when it is treated very
different there and she sees it | 0:32:11 | 0:32:16 | |
different. It will be different
every night in whichever town and | 0:32:16 | 0:32:19 | |
city we play. When you take it on
the road is there a marked | 0:32:19 | 0:32:23 | |
difference between the jokes people
laugh at? Yes, and some audiences | 0:32:23 | 0:32:29 | |
are more reserved. Newcastle, for
example, is one of the best theatres | 0:32:29 | 0:32:33 | |
and audiences and I'm really looking
forward to going there. | 0:32:33 | 0:32:42 | |
forward to going there. Wires that?
I don't know, they just love going | 0:32:42 | 0:32:44 | |
to the theatres and our game for
anything. Do you get people who will | 0:32:44 | 0:32:53 | |
sit and ponder? Yes and you think
you've lost them but they show it | 0:32:53 | 0:32:56 | |
with their applause at the end. Some
are a bit reserved with getting | 0:32:56 | 0:33:01 | |
their laughter out. A big difference
between North and South? There can | 0:33:01 | 0:33:05 | |
be, yes, indeed. Here is the tart,
with a little bit of rhubarb. Sums | 0:33:05 | 0:33:16 | |
up this show, a little bit of
rhubarb! That is Matt Tebbutt's new | 0:33:16 | 0:33:23 | |
motto! That is beautiful, with the
ginger as well. A bit of a departure | 0:33:23 | 0:33:33 | |
now. Perfect timing to make a tart
because today is the 70th birthday | 0:33:33 | 0:33:39 | |
of somebody very special, our
cameraman on camera one, Lofty or | 0:33:39 | 0:33:45 | |
Phil The Fork, as he is often
called, because he is first in to | 0:33:45 | 0:33:49 | |
taste the food and has cutlery in
his back pocket. So, Lofty, downed | 0:33:49 | 0:33:55 | |
tools for just a second.
CHEERING AND APPLAUSE | 0:33:55 | 0:34:00 | |
You knew this was coming! Happy
birthday! | 0:34:05 | 0:34:19 | |
birthday! Can I just say, when we
looked at this Campbell, we wondered | 0:34:20 | 0:34:24 | |
how long it would burn for so we
looked at the instructions | 0:34:24 | 0:34:27 | |
instructions said," light touch
paper and retire immediately," which | 0:34:27 | 0:34:32 | |
I thought was quite presumptuous of
the makers to know how old you were, | 0:34:32 | 0:34:37 | |
so we don't need you to retire
immediately! Have you got your | 0:34:37 | 0:34:42 | |
cutlery in your back pocket? I have!
It is posh Gold cutlery, all this, | 0:34:42 | 0:34:51 | |
you could use. This is more you!
What is going on? Just a bit of live | 0:34:51 | 0:35:01 | |
TV! Who is on camera one? Don't get
used to it, he is coming back. Take | 0:35:01 | 0:35:12 | |
that back. That is for you.
CHEERING AND APPLAUSE | 0:35:12 | 0:35:20 | |
Watch the heart! I know that was a
surprise. What will I be making for | 0:35:23 | 0:35:27 | |
Stephen at the end of the show? Will
it be food heaven, a combination of | 0:35:27 | 0:35:31 | |
venison and wild mushrooms? I will
go all out with a roast rack of | 0:35:31 | 0:35:40 | |
venison and a brothel and tartare
and I will spoil him by adding wild | 0:35:40 | 0:35:46 | |
mushrooms and a crunchy cep grass.
If Stephen gets help, I will be | 0:35:46 | 0:35:51 | |
making tripe two ways. I will make
an Asian tripe salad with coriander, | 0:35:51 | 0:36:00 | |
served with fennel. Don't forget,
what you get is down to you, you | 0:36:00 | 0:36:06 | |
have 45 minutes -- 25 minutes left
to vote, and every vote matters. Go | 0:36:06 | 0:36:14 | |
to the website and have your say.
Enough excitement, it is time for | 0:36:14 | 0:36:19 | |
the Hairy Bikers, who are on the
hunt for something quintessentially | 0:36:19 | 0:36:21 | |
British. | 0:36:21 | 0:36:22 | |
It's quite good being
out here, isn't it? | 0:36:36 | 0:36:38 | |
Cos they don't it knock it our way. | 0:36:38 | 0:36:40 | |
It's brill. | 0:36:40 | 0:36:41 | |
Oh, crikey, it's like
watching paint dry. | 0:36:41 | 0:36:43 | |
It is, aye. | 0:36:43 | 0:36:44 | |
But there's nothing
so quintessentially British | 0:36:44 | 0:36:45 | |
as the thwack of leather on willow. | 0:36:45 | 0:36:47 | |
Freshly brewed tea in china cups. | 0:36:47 | 0:36:48 | |
A tranche of Victoria sponge. | 0:36:48 | 0:36:49 | |
Cucumber sandwiches. | 0:36:49 | 0:36:50 | |
Give over! | 0:36:50 | 0:36:51 | |
When was the last time that you ever
ate a cucumber sandwich? | 0:36:51 | 0:36:54 | |
Blargh! | 0:36:54 | 0:36:56 | |
We've gotta come up with something
better than a cucumber sandwich, | 0:36:56 | 0:36:58 | |
dude, at half-time or whatever
the flippin' heck they call it. | 0:36:58 | 0:37:01 | |
We better get a move on... | 0:37:01 | 0:37:02 | |
PLAYERS: Oh! | 0:37:02 | 0:37:03 | |
..because the way this
lot are playing, it's | 0:37:03 | 0:37:05 | |
not going to be long. | 0:37:05 | 0:37:09 | |
Dude, it's gotta be something
quintessentially British. | 0:37:09 | 0:37:11 | |
Aye, I've got it. | 0:37:11 | 0:37:12 | |
A curry! | 0:37:12 | 0:37:16 | |
But with a particularly
British spice. | 0:37:16 | 0:37:17 | |
Howzat?! | 0:37:17 | 0:37:18 | |
Come here and I'll show you. | 0:37:18 | 0:37:22 | |
HE WHISTLES | 0:37:22 | 0:37:25 | |
CHEERING | 0:37:25 | 0:37:26 | |
Curry! | 0:37:26 | 0:37:27 | |
Yes! | 0:37:27 | 0:37:28 | |
Not half. | 0:37:28 | 0:37:30 | |
Right. | 0:37:30 | 0:37:31 | |
And this is a peculiar curry that
we've never cooked before. | 0:37:31 | 0:37:33 | |
No. | 0:37:33 | 0:37:37 | |
It's a new one in our repertoire-y. | 0:37:37 | 0:37:39 | |
It is and what a repertoire-y... | 0:37:39 | 0:37:41 | |
Shorshe...shorshe... | 0:37:41 | 0:37:42 | |
It's really hard to pronounce. | 0:37:42 | 0:37:44 | |
Shorshe Murgi. | 0:37:44 | 0:37:45 | |
Shorshe Murgi. | 0:37:45 | 0:37:46 | |
It means, translated,
"mustard chicken." | 0:37:46 | 0:37:47 | |
Oh, does it? | 0:37:47 | 0:37:48 | |
Yes. | 0:37:48 | 0:37:49 | |
Oh. | 0:37:49 | 0:37:50 | |
And this is what's
special about our curry. | 0:37:50 | 0:37:52 | |
This is what it's all
about - mustard seeds. | 0:37:52 | 0:37:54 | |
Yellow mustard seeds
and brown mustard seeds. | 0:37:54 | 0:37:56 | |
And that is the British ingredient. | 0:37:56 | 0:37:57 | |
Cos that's what you have
with your roast beef. | 0:37:57 | 0:37:59 | |
And now, of course, you've got
mustard with one of the best chicken | 0:37:59 | 0:38:02 | |
curries you're ever going to taste. | 0:38:02 | 0:38:04 | |
You know what you need
for a chicken curry? | 0:38:04 | 0:38:06 | |
A chicken. | 0:38:06 | 0:38:08 | |
First off, I take an onion,
peel it and chop it. | 0:38:08 | 0:38:11 | |
Everything starts with a peeled
and chopped onion, doesn't it? | 0:38:11 | 0:38:13 | |
Well, apart from
evolution, of course. | 0:38:13 | 0:38:14 | |
We started with the egg. | 0:38:14 | 0:38:16 | |
It didn't. | 0:38:16 | 0:38:17 | |
It started with the chicken. | 0:38:17 | 0:38:18 | |
I keep telling you, you cannot
have an egg without a chicken. | 0:38:18 | 0:38:22 | |
I want about a 5cm piece of ginger. | 0:38:22 | 0:38:26 | |
Do you know the little takeaway that
I use at home, the Tandoori Oven? | 0:38:26 | 0:38:29 | |
Yeah, yeah. | 0:38:29 | 0:38:30 | |
Poor old chef, he died. | 0:38:30 | 0:38:32 | |
Really? | 0:38:32 | 0:38:33 | |
Mm. | 0:38:33 | 0:38:34 | |
It was tragic. | 0:38:34 | 0:38:35 | |
He slipped in the kitchen
and fell into a "korma." | 0:38:35 | 0:38:39 | |
A-ha-hey! | 0:38:39 | 0:38:40 | |
Take four cloves of garlic. | 0:38:40 | 0:38:44 | |
My garlic and ginger. | 0:38:44 | 0:38:45 | |
This now needs to be
pureed into a paste. | 0:38:45 | 0:38:48 | |
Due to the fact that I'm
on the edge of a cricket field | 0:38:48 | 0:38:51 | |
and I've got no leccy,
I've got to improvise. | 0:38:51 | 0:38:54 | |
But I had an idea - bing! | 0:38:54 | 0:38:56 | |
Light bulb moment. | 0:38:56 | 0:38:57 | |
In Thailand they use a blending
method called pounding, you know. | 0:38:57 | 0:39:04 | |
Well, it's not a Thai pestle
and mortar but this little belter, | 0:39:04 | 0:39:07 | |
this'll sort this out. | 0:39:07 | 0:39:12 | |
DISHES CLATTER LOUDLY | 0:39:12 | 0:39:20 | |
So, the marinade. | 0:39:24 | 0:39:25 | |
Half a lemon, half
a teaspoon of turmeric. | 0:39:25 | 0:39:30 | |
If you can get it, use
Kashmiri chilli powder | 0:39:30 | 0:39:32 | |
because it's great for colour. | 0:39:32 | 0:39:35 | |
Look at how vibrant that colour is. | 0:39:35 | 0:39:38 | |
Every Bengali housewife's
favourite - the mustard oil. | 0:39:38 | 0:39:42 | |
Take the skin off the chicken
so the flavours can get | 0:39:42 | 0:39:45 | |
right into the meat. | 0:39:45 | 0:39:48 | |
Is it working, dude? | 0:39:48 | 0:39:49 | |
Yeah. | 0:39:49 | 0:39:50 | |
Works well, this. | 0:39:50 | 0:39:51 | |
Forget your processor -
buy a cricket bat. | 0:39:51 | 0:39:55 | |
Right, dude, marinade's in. | 0:39:55 | 0:39:58 | |
I need to make another paste
now, which is a mustard | 0:39:58 | 0:40:00 | |
seed and chilli paste. | 0:40:00 | 0:40:04 | |
You can use the dark
or the brown mustard seeds. | 0:40:04 | 0:40:06 | |
I want a spoon of each. | 0:40:06 | 0:40:07 | |
Right, go on. | 0:40:07 | 0:40:13 | |
Into that, I want some chillies. | 0:40:13 | 0:40:18 | |
Two of these little fiery devils. | 0:40:18 | 0:40:21 | |
And just give it a quick bash. | 0:40:21 | 0:40:26 | |
HE LAUGHS | 0:40:26 | 0:40:27 | |
Paste number two. | 0:40:27 | 0:40:28 | |
Maestro, the pan is yours. | 0:40:28 | 0:40:30 | |
Right, so you want about
a tablespoon of mustard oil. | 0:40:30 | 0:40:37 | |
Cinnamon. | 0:40:37 | 0:40:38 | |
Cloves go in. | 0:40:38 | 0:40:39 | |
Two black cardamoms. | 0:40:39 | 0:40:40 | |
Break those down a little bit just
so the oils can come out. | 0:40:40 | 0:40:44 | |
So half a teaspoon of nigella seed. | 0:40:44 | 0:40:47 | |
Two more little green chillies. | 0:40:47 | 0:40:49 | |
Just slash them like that. | 0:40:49 | 0:40:50 | |
I want the flavour
rather than the heat. | 0:40:50 | 0:40:53 | |
But when you want the dish you can
just pick the chillies out. | 0:40:53 | 0:40:56 | |
There will always be some burke
who'll go, "I can eat it." | 0:40:56 | 0:40:59 | |
Well, good luck to them. | 0:40:59 | 0:41:00 | |
When the cardamoms are popping,
the onions come a-rocking. | 0:41:00 | 0:41:06 | |
It really has worked rather well
with me cricket bat. | 0:41:06 | 0:41:09 | |
Oh, the mustard oil
with the cardamoms, | 0:41:09 | 0:41:14 | |
the chillies, the ginger -
it's everything I love about food. | 0:41:14 | 0:41:16 | |
Put the chicken in? | 0:41:16 | 0:41:17 | |
Mm-hm. | 0:41:17 | 0:41:18 | |
And this has been skinned,
which is what we want. | 0:41:18 | 0:41:22 | |
The reason that we want to make sure
this is on the bone is cos | 0:41:22 | 0:41:25 | |
it just adds flavour. | 0:41:25 | 0:41:26 | |
And in 15 minutes' time we pop
in the mustard paste and some water. | 0:41:26 | 0:41:30 | |
See you later. | 0:41:30 | 0:41:37 | |
# I don't like cricket | 0:41:37 | 0:41:38 | |
# Oh,
no Oh, no # I love it # | 0:41:38 | 0:41:42 | |
# I love it | 0:41:42 | 0:41:43 | |
# I don't like cricket... | 0:41:43 | 0:41:47 | |
Oof! | 0:41:47 | 0:41:52 | |
# I love it | 0:41:52 | 0:41:53 | |
# I don't
like cricket... | 0:41:53 | 0:41:55 | |
It'll go wrong. | 0:41:55 | 0:41:57 | |
Come here, you, ya lummox. | 0:41:57 | 0:42:04 | |
Oh! | 0:42:04 | 0:42:05 | |
Massive flavour. | 0:42:05 | 0:42:06 | |
That is a good curry
from Bengal to Birmingham. | 0:42:06 | 0:42:09 | |
Those that want a leg can
have a leg, those that want | 0:42:09 | 0:42:12 | |
a breast can have a breast,
but everybody is going | 0:42:12 | 0:42:15 | |
to want the sauce. | 0:42:15 | 0:42:16 | |
Garnish with coriander
and fresh chilli. | 0:42:16 | 0:42:21 | |
Right, that is like no other
cucumber sandwich I've ever seen. | 0:42:21 | 0:42:27 | |
Ooh! | 0:42:27 | 0:42:28 | |
Hey-hey! | 0:42:28 | 0:42:29 | |
Our shmoozy...sherti...shusheshe... | 0:42:29 | 0:42:31 | |
Shorshe Mur-Kingi - a Bengali curry
with a British twist. | 0:42:31 | 0:42:39 | |
Thanks, lads, that definitely beats
a cucumber sandwich. Still to come, | 0:42:46 | 0:42:51 | |
Nigel Slater has more simple
suppers, pork chops with Apple cider | 0:42:51 | 0:42:57 | |
plus metallic chowder. And as it is
through 20 suite we replace the | 0:42:57 | 0:43:02 | |
omelette child with a pancake
challenge so time for me to crack | 0:43:02 | 0:43:08 | |
out some great jokes. Let's have
Gennaro and Lenora and hope they | 0:43:08 | 0:43:14 | |
don't flip out and argue the toss
and there will be some batter even | 0:43:14 | 0:43:20 | |
if the pants fall flat it up will
Stephen get food heaven, venison | 0:43:20 | 0:43:25 | |
with wild mushrooms, or hell, tripe
with fennel and chilli? We will find | 0:43:25 | 0:43:32 | |
out later underdog but your pounds
down, guys. | 0:43:32 | 0:43:42 | |
We are doing two different pasta
dishes in honour of the great | 0:43:42 | 0:43:45 | |
Antonio Carluccio. | 0:43:45 | 0:43:50 | |
Antonio Carluccio. In this
spaghetti, everything I am I02 | 0:43:50 | 0:43:53 | |
spaghetti, especially handmade! It
is like a kitchen takeover. What is | 0:43:53 | 0:44:00 | |
going on? Cut about three sizes.
Just three? Three and a half. Why | 0:44:00 | 0:44:18 | |
these dishes? This is in, is to
Antonio, you wanted to cook | 0:44:18 | 0:44:30 | |
something very quick and Antonio
used to be angry and used to say, | 0:44:30 | 0:44:35 | |
make something quick! Put them
inside there. This was his go to | 0:44:35 | 0:44:42 | |
quick dish? You can see, I am doing
two dishes instead of one. I'm going | 0:44:42 | 0:44:49 | |
to speed up. Put some salt inside. I
need some chilli for one. That is | 0:44:49 | 0:45:01 | |
garlic. I am going to do the other
one. Have you got chilly in both? I | 0:45:01 | 0:45:08 | |
have chilli and garlic in both. | 0:45:08 | 0:45:13 | |
Both these recipes come from your
last book? Yes, from my last book of | 0:45:13 | 0:45:18 | |
pasta. OK, the garlic, give it a
little bit of a cake. As soon as it | 0:45:18 | 0:45:26 | |
starts to sweat, look at this one.
-- a bit of a cake. Some capers. | 0:45:26 | 0:45:38 | |
These sticks behind us, tell us
about this. Antonio used to love | 0:45:38 | 0:45:45 | |
those sticks and we always used to
compete, I would carve my stick. We | 0:45:45 | 0:45:57 | |
used to go in the forest, in the
woods, to find mushrooms and we | 0:45:57 | 0:46:03 | |
needed something to look around. The
walking sticks were really, really | 0:46:03 | 0:46:07 | |
nice. They are beautiful. How long
did it take? About one week to make | 0:46:07 | 0:46:14 | |
one of them. Really? Your friendship
is a very genuine one, wasn't it? A | 0:46:14 | 0:46:22 | |
lot of pairings on television is not
necessarily what you would expect | 0:46:22 | 0:46:25 | |
off-screen but yours was very
different. Original. This is what we | 0:46:25 | 0:46:30 | |
used to be and this is what we are
now. I miss him, yes, I have to say, | 0:46:30 | 0:46:35 | |
I really miss him, quite a lot,
because I used to phone him up on | 0:46:35 | 0:46:44 | |
Sunday, and now I can't do that any
more. I used to insult him. Who do | 0:46:44 | 0:46:50 | |
you insult now?
LAUGHTER | 0:46:50 | 0:46:54 | |
You can see how quick it is. Garlic
and capers inside there. Pancetta | 0:46:54 | 0:47:02 | |
and wild mushrooms with chilli at
the last minute, I will put in some | 0:47:02 | 0:47:06 | |
wild mushrooms, porcini, in a little
bit of water. The Pasteur goes | 0:47:06 | 0:47:13 | |
straight in. I need you to chop some
parsley. OK, just a little bit. | 0:47:13 | 0:47:21 | |
Jamie to you out recently for a
special birthday. Can we say how old | 0:47:21 | 0:47:25 | |
you are? 69? You got it. You are
nearly the same age as Lofty. He is | 0:47:25 | 0:47:40 | |
younger than me. He is 70. Jesus! I
saw on Instagram, there were the two | 0:47:40 | 0:47:51 | |
review in his restaurant. He took me
to the shops. He bought me a suit. | 0:47:51 | 0:47:58 | |
Assured. A pair of shoes. Attire.
Pair of socks. And append. | 0:47:58 | 0:48:10 | |
Pair of socks. And append. -- a pen.
What does that say about your | 0:48:10 | 0:48:16 | |
sartorial elegance? He said, "You
always look smart." They opened | 0:48:16 | 0:48:22 | |
especially for me. And then he went
out for a lovely lunch? We had lunch | 0:48:22 | 0:48:29 | |
and we really enjoyed it. Quality
time. Nice to be able to do that. | 0:48:29 | 0:48:39 | |
What do you want me to do? Saute
this one. Go. A squeeze of lemon. | 0:48:39 | 0:48:48 | |
Lemon zest, as well? No. | 0:48:48 | 0:48:56 | |
Lemon zest, as well? No. Look at
that. Do you want some liquor, as | 0:48:57 | 0:49:03 | |
well? A little bit. Why are you
using linguine in one dish and | 0:49:03 | 0:49:11 | |
tagliatelle in the other? It goes
well with seafood, linguine. This | 0:49:11 | 0:49:20 | |
one has capers, so it's a better
when you eat it. You get a lovely | 0:49:20 | 0:49:26 | |
sensation. With the other one, wild
mushrooms, there's a little bit of | 0:49:26 | 0:49:31 | |
juice and sauce inside and it stays
on top and you can enjoy it. You are | 0:49:31 | 0:49:37 | |
still very busy every day in the
kitchen. Jamie's Italian. Have you | 0:49:37 | 0:49:43 | |
been? Yes, I love it, I took my
kids. The Pasteur, it does so much | 0:49:43 | 0:49:51 | |
to bring really, really good pasta
to such a wide audience. We make | 0:49:51 | 0:49:54 | |
fresh pasta. Every single day.
Unless you go to a high-end | 0:49:54 | 0:50:02 | |
restaurant, that's very often
something you missed. Yes, it is. We | 0:50:02 | 0:50:06 | |
have a passion for pasta. We have
special machines all the way from | 0:50:06 | 0:50:13 | |
Italy. Squeeze a bit of lemon. We
love what we are doing. A little bit | 0:50:13 | 0:50:19 | |
of oil. I want to talk to buy the
capers. You are using salted as | 0:50:19 | 0:50:25 | |
opposed to the ones in brine. Why?
In brine, it has a touch of vinegar. | 0:50:25 | 0:50:34 | |
Sometimes it becomes very difficult
to remove it. When you use the salty | 0:50:34 | 0:50:42 | |
one, you leave it for a few minutes
inside the water, and then the salt | 0:50:42 | 0:50:46 | |
will disappear. But you still get a
lovely taste. Is that clear? | 0:50:46 | 0:50:55 | |
LAUGHTER
Excellent. The breadcrumbs. This is | 0:50:55 | 0:51:01 | |
just breadcrumbs, sauteed little
bit, because when you put inside | 0:51:01 | 0:51:08 | |
your mouth, crunch. It starts to
dissolve, it's so nice. And then you | 0:51:08 | 0:51:15 | |
get biting on it. I do know what's
happening next. Quite frankly. | 0:51:15 | 0:51:28 | |
happening next. Quite frankly. Some
nice Parmesan cheese. On top. This | 0:51:28 | 0:51:34 | |
is Peggy Arena. It's a lovely dish.
-- pecorino. I got this beautiful | 0:51:34 | 0:51:45 | |
olive oil, a drizzle on it. Don't be
afraid to use olive oil. Olive oil | 0:51:45 | 0:51:52 | |
is very, very good for you. Put it
on the side. Beautiful. Two dishes | 0:51:52 | 0:51:59 | |
in six and a half minutes, something
like that, it's very good. | 0:51:59 | 0:52:07 | |
like that, it's very good. 69, you
can't be doing that any more. Watch | 0:52:07 | 0:52:10 | |
yourself. Tagliatelle with pancetta
mushrooms and thyme. And linguine | 0:52:10 | 0:52:19 | |
with capers and olives. Beautiful. A
drizzle of olive oil. That's it. | 0:52:19 | 0:52:28 | |
Come on. Come and have a lie down.
LAUGHTER | 0:52:28 | 0:52:34 | |
Right, here. Dies in wherever you
want to go first. -- dies in. -- | 0:52:34 | 0:52:45 | |
shall we have a drink? I found a
wine from Sicily. It is Nicosia Etna | 0:52:47 | 0:52:57 | |
Rosso. 11 quid from Marks & Spencer
is the quality of the wine I have to | 0:52:57 | 0:53:02 | |
say is absolutely stunning. Why is
so good from there? It's on the | 0:53:02 | 0:53:09 | |
volcano. It gives a real intensity
to lift the flavour of wine but | 0:53:09 | 0:53:13 | |
because its 700 metres above sea
level, you get freshness, so it's a | 0:53:13 | 0:53:17 | |
perfect pairing. A local grape. It's
a risky business. On a volcano. Mick | 0:53:17 | 0:53:29 | |
Hucknall from simply red had a
vineyard in there. Be used to grow | 0:53:29 | 0:53:33 | |
his own rape finds there. It's
increasingly fashionable. It is | 0:53:33 | 0:53:37 | |
southern Italy's answer. Oh my God!
Amazing. Amazing. I love it. | 0:53:37 | 0:53:52 | |
Amazing. Amazing. I love it. Olly,
how do you manage to find the | 0:53:52 | 0:53:55 | |
perfect marriage of whatever we
cook? Inspired by your cooking, | 0:53:55 | 0:53:59 | |
Gennaro, the only way. What a lovely
man. Lifted up. Don't worry. Good? | 0:53:59 | 0:54:15 | |
Beautiful. Excellent. Cheers to you.
And cheers to Antonio. Bless him. | 0:54:15 | 0:54:25 | |
Right, that was delicious. As it's
Valentine's Day on Wednesday, who | 0:54:25 | 0:54:28 | |
better to give as a desert recipe in
his romantic French annex van | 0:54:28 | 0:54:33 | |
Raymond Blanc and it's his ultimate
chocolate tart. | 0:54:33 | 0:54:46 | |
There are hundreds | 0:54:52 | 0:54:54 | |
of varieties of chocolate
on the market and for Raymond, | 0:54:54 | 0:54:56 | |
100% dark chocolate is irresistible. | 0:54:56 | 0:54:57 | |
That is seriously bitter. | 0:54:57 | 0:54:58 | |
That's what I love the most. | 0:54:58 | 0:55:00 | |
It's got so many lovely qualities. | 0:55:00 | 0:55:01 | |
It melts in the mouth,
wonderful flavours. | 0:55:01 | 0:55:03 | |
When you feel melancholic, "Oh,
let's have a bit of chocolate." | 0:55:03 | 0:55:05 | |
You feel a bit under pressure, "Oh,
let's have a bit of chocolate." | 0:55:05 | 0:55:08 | |
You feel happy, you want chocolate,
so you must always, at all times, | 0:55:08 | 0:55:12 | |
have chocolate in your cupboards. | 0:55:12 | 0:55:13 | |
That's always de rigueur. | 0:55:13 | 0:55:15 | |
To test his office staff's taste
buds, he's taking them a selection, | 0:55:15 | 0:55:18 | |
ranging from a sweet milk chocolate
to the darkest chocolate available. | 0:55:18 | 0:55:26 | |
OK, Adam, let's see the girls. | 0:55:26 | 0:55:28 | |
See if they love their
chocolate, OK Hello! | 0:55:28 | 0:55:34 | |
I have decided... | 0:55:34 | 0:55:39 | |
Can I have your attention one
minute I have decided | 0:55:39 | 0:55:41 | |
to change the bonus system. | 0:55:41 | 0:55:42 | |
We pay by chocolate now. | 0:55:42 | 0:55:43 | |
OK, so you can do a bit
of testing of chocolate. | 0:55:43 | 0:55:46 | |
Who doesn't like chocolate? | 0:55:46 | 0:55:48 | |
Number nine is the cheapest,
containing just 20% cocoa solids. | 0:55:48 | 0:55:54 | |
So which one you prefer? | 0:55:54 | 0:55:56 | |
Number nine is beautiful. | 0:55:56 | 0:55:57 | |
Number nine, yes. | 0:55:57 | 0:55:59 | |
Number nine is brilliant. | 0:55:59 | 0:56:00 | |
It's like... | 0:56:00 | 0:56:01 | |
Yes, most of you have
loved the number nine. | 0:56:01 | 0:56:04 | |
Actually that's the worst chocolate. | 0:56:04 | 0:56:06 | |
It's very highly sweet,
very addictive, the sweetness. | 0:56:06 | 0:56:13 | |
It's got only 20% cocoa content. | 0:56:13 | 0:56:17 | |
I really feel so, so disappointed,
so from tomorrow we are going to hav | 0:56:17 | 0:56:25 | |
we are going to have | 0:56:25 | 0:56:27 | |
a chocolate tasting every day
at four o'clock exactly. | 0:56:27 | 0:56:29 | |
Hooray! | 0:56:29 | 0:56:32 | |
Adam! | 0:56:36 | 0:56:37 | |
I asked you bran flakes this morning
I was very clear about it. | 0:56:37 | 0:56:41 | |
Raymond's next recipe
is a chocolate delice, | 0:56:41 | 0:56:44 | |
a rich, dark chocolate tart
with a nutty, crunchy base. | 0:56:44 | 0:56:50 | |
The delice au chocolat is a bit
like a tarte au chocolat. | 0:56:50 | 0:56:54 | |
For the base, I've used bran flakes. | 0:56:54 | 0:56:58 | |
And you just... | 0:56:58 | 0:57:03 | |
crunch them up nicely,
and you have praline. | 0:57:03 | 0:57:05 | |
Praline you can buy in any shops. | 0:57:05 | 0:57:07 | |
You can also make it yourself. | 0:57:07 | 0:57:10 | |
Praline paste is easy to make. | 0:57:10 | 0:57:13 | |
All you need to do is blitz equal
quantities of roasted hazelnuts | 0:57:13 | 0:57:16 | |
and caramelised sugar in a blender. | 0:57:16 | 0:57:21 | |
Then you mix the flakes
to your hazelnut paste. | 0:57:21 | 0:57:24 | |
So simple. | 0:57:24 | 0:57:32 | |
And that's my base for my tart. | 0:57:38 | 0:57:40 | |
Taste it. | 0:57:40 | 0:57:41 | |
Really, really lovely. | 0:57:41 | 0:57:42 | |
Yummy. | 0:57:42 | 0:57:43 | |
Place the mixture between two sheets
of greaseproof paper | 0:57:43 | 0:57:45 | |
and get ready to roll. | 0:57:45 | 0:57:46 | |
Adam, can I have my
rolling pin, please? | 0:57:46 | 0:57:48 | |
I want a big one, a serious one. | 0:57:48 | 0:57:50 | |
That one, I find it a bit too thin. | 0:57:50 | 0:57:52 | |
Tres bien. | 0:57:52 | 0:57:53 | |
That's fine. | 0:57:53 | 0:57:54 | |
Tres bien. | 0:57:54 | 0:57:55 | |
It is wonderful, very nutty. | 0:57:55 | 0:57:59 | |
There's a nut texture here and, Adam
a better palette knife, mon petit. | 0:57:59 | 0:58:04 | |
Thank you very much, Adam. | 0:58:04 | 0:58:07 | |
And that, I'm going to
keep it in the fridge. | 0:58:12 | 0:58:14 | |
Ah, now, le chocolat. | 0:58:16 | 0:58:20 | |
Let's go. | 0:58:20 | 0:58:21 | |
Tres bien. | 0:58:21 | 0:58:22 | |
Next, the filling for
the chocolate tart. | 0:58:22 | 0:58:25 | |
I'm going to boil my milk
and my cream together. | 0:58:25 | 0:58:28 | |
The eggs... | 0:58:28 | 0:58:31 | |
Tres bien. | 0:58:35 | 0:58:36 | |
So our milk now is rising,
is rising, is rising up. | 0:58:36 | 0:58:40 | |
I'm going to pour it over my eggs. | 0:58:40 | 0:58:44 | |
The eggs are magical. | 0:58:44 | 0:58:46 | |
The eggs are bonding that cream,
and now all that I've got to do | 0:58:46 | 0:58:49 | |
is to add my chocolate. | 0:58:49 | 0:58:52 | |
Oh, la! | 0:58:52 | 0:58:53 | |
Beautiful chocolate. | 0:58:53 | 0:58:55 | |
Look at it. | 0:58:55 | 0:58:57 | |
Voila. | 0:58:57 | 0:58:58 | |
For this, Raymond's
using a dark chocolate | 0:58:58 | 0:59:00 | |
containing 70% cocoa solids. | 0:59:00 | 0:59:07 | |
You see? | 0:59:07 | 0:59:08 | |
Beautiful. | 0:59:08 | 0:59:11 | |
Yes. | 0:59:11 | 0:59:12 | |
When the mixture is smooth,
pour it into a pastry frame. | 0:59:12 | 0:59:16 | |
Voila. | 0:59:16 | 0:59:21 | |
Then put it in the fridge to set
for at least six hours. | 0:59:21 | 0:59:25 | |
Voila. | 0:59:25 | 0:59:31 | |
While the tart sets,
prepare the decorations that | 0:59:31 | 0:59:33 | |
will transform this simple dish
into a work of art. | 0:59:33 | 0:59:38 | |
First, make a caramel. | 0:59:38 | 0:59:41 | |
Melt sugar in a heavy
base pan until it's rich | 0:59:41 | 0:59:44 | |
and golden in colour. | 0:59:44 | 0:59:46 | |
What I want is a bit of darker
colour so I can give a bit | 0:59:46 | 0:59:51 | |
of flavour to my caramel. | 0:59:51 | 0:59:52 | |
Put a roasted hazelnut
on a cocktail stick, | 0:59:52 | 0:59:55 | |
dip it in the caramel and pin
in some Blu-tac to | 0:59:55 | 0:59:57 | |
produce a long tail. | 0:59:57 | 1:00:03 | |
Look at that - beautiful! | 1:00:03 | 1:00:05 | |
Next, a light coffee foam. | 1:00:05 | 1:00:06 | |
Add melted gelatine to some strong
coffee and a little sugar, | 1:00:06 | 1:00:09 | |
then whisk until frothy. | 1:00:09 | 1:00:16 | |
So you've got the richness
in the hazelnut, the praline, | 1:00:16 | 1:00:18 | |
and then the richness again
in the chocolate. | 1:00:18 | 1:00:20 | |
So I want a sauce which is like air,
you know, something so light. | 1:00:20 | 1:00:24 | |
OK? | 1:00:24 | 1:00:25 | |
Once the tart is set,
it's time to decorate. | 1:00:25 | 1:00:28 | |
Dust with some grated 70% chocolate. | 1:00:28 | 1:00:31 | |
Nice textures, no? | 1:00:31 | 1:00:33 | |
Icing sugar, please! | 1:00:33 | 1:00:38 | |
Tres bien. | 1:00:38 | 1:00:39 | |
Just very lightly... | 1:00:39 | 1:00:40 | |
It's so simple. | 1:00:40 | 1:00:41 | |
No sweat, no? | 1:00:41 | 1:00:49 | |
Here's just a tiny little garnish -
very pretty, very dainty. | 1:00:55 | 1:01:01 | |
Voila, tout simplement. | 1:01:01 | 1:01:09 | |
Thanks, Raymond. Simple as that. The
heaven and hell boat is now closed | 1:01:17 | 1:01:22 | |
and Stephen's fate is sealed. | 1:01:22 | 1:01:26 | |
Let's take some calls. First is
Richard. I picked up a lobster from | 1:01:26 | 1:01:35 | |
the fishmonger this morning and I
would like some advice on what to do | 1:01:35 | 1:01:38 | |
with it. | 1:01:38 | 1:01:44 | |
with it. Lobster can be an
untameable thing but you can tame it | 1:01:44 | 1:01:46 | |
by putting it in a pan with some
lovely tomatoes, some lovely | 1:01:46 | 1:01:51 | |
parsley, fresh sage, fresh basil and
you make a lovely source to | 1:01:51 | 1:01:55 | |
accompany your spaghetti, black and
white, and the day after, you | 1:01:55 | 1:02:02 | |
scramble a few eggs and you can have
your breakfast on a Sunday. Why not? | 1:02:02 | 1:02:08 | |
Taming lobsters. What do you drink
with? Lobster is a real treat. | 1:02:08 | 1:02:13 | |
Traditionally, French champagne has
been the dish of the day but any | 1:02:13 | 1:02:17 | |
sparkling wine. Or a light white?
You could have an oak Chardonnay or | 1:02:17 | 1:02:22 | |
Burgundy would be delicious. I would
go for fizz! Stephen, you have a | 1:02:22 | 1:02:29 | |
couple of tweaks? Yes, the
appropriately named for this show | 1:02:29 | 1:02:35 | |
Janet garlic once Tono from Olly,
screw-top or Cork wine, is there any | 1:02:35 | 1:02:39 | |
difference on quality? Hi, Janet.
Nothing to fear from the screw-top. | 1:02:39 | 1:02:45 | |
Gone are the days when they were
inferior. The screw-top is very | 1:02:45 | 1:02:51 | |
convenient, you can put it in the
fridge and it will keep well but | 1:02:51 | 1:02:57 | |
courts have their place, for fine
wine. I have an inkling who might | 1:02:57 | 1:03:03 | |
answer this question. Do you have an
idea for an Italian winter salad? | 1:03:03 | 1:03:11 | |
Salads really grows in the winter,
lots different salads grow in the | 1:03:11 | 1:03:16 | |
winter. You have a rid Duccio and an
endive. Escarole... Extra virgin | 1:03:16 | 1:03:24 | |
olive oil and a squeeze of lemon
inside, salt and pepper. And you can | 1:03:24 | 1:03:31 | |
get some fennel and you can pan fry
them and put them on top with some | 1:03:31 | 1:03:36 | |
lovely blue cheese. Oh, my salad!
Our next call is Sue from | 1:03:36 | 1:03:46 | |
Worcestershire. What is your
question? Good morning. I have a | 1:03:46 | 1:03:50 | |
hazelnut liqueur and I would like to
mail how to use it? We have exactly | 1:03:50 | 1:03:58 | |
the same liqueur. It is incredible.
That his hazelnuts. Make a lovely | 1:03:58 | 1:04:05 | |
tiramisu. So simple. You need some
finger biscuits, some double | 1:04:05 | 1:04:10 | |
espresso, some mascarpone cream. You
make the coffee, you put the liqueur | 1:04:10 | 1:04:16 | |
inside with the coffee and the
sugar, you mix together at biscuits, | 1:04:16 | 1:04:21 | |
finger biscuits, sponge it, then you
can but some mascarpone on top, | 1:04:21 | 1:04:30 | |
great to shop over chocolate and
just enjoy it. It is Valentine! You | 1:04:30 | 1:04:38 | |
really love it. | 1:04:38 | 1:04:43 | |
really love it. I was wondering what
was coming next! Thanks to everyone | 1:04:43 | 1:04:46 | |
who called and treated. This week,
Glyn Pernell is getting the chance | 1:04:46 | 1:04:51 | |
to prove his theory that Birmingham
is the centre of the culinary | 1:04:51 | 1:04:55 | |
universe. Let's see if he can
persuade us. | 1:04:55 | 1:05:02 | |
I've lived in Birmingham most of my
life and I think it is the centre of | 1:05:05 | 1:05:09 | |
the universe. Used to be the
culinary desert of Britain but now | 1:05:09 | 1:05:11 | |
is one of the most exciting cities
in Britain. I am going to show you | 1:05:11 | 1:05:16 | |
exactly why it is the best place to
eat. Markets are the heartbeat of | 1:05:16 | 1:05:24 | |
any city. This is one of my
favourite places in Birmingham. I've | 1:05:24 | 1:05:28 | |
been coming here since I was a kid
and I come down here to get food for | 1:05:28 | 1:05:32 | |
home and the restaurant. Nice to see
you. There is the head. You have | 1:05:32 | 1:05:41 | |
head, belly, feet. Pigs' Trotters
are one of my favourite things. When | 1:05:41 | 1:05:47 | |
I was a kid we got them as a treat
on a Saturday to drop my mum would | 1:05:47 | 1:05:52 | |
boil them, I would be in my pyjamas
watching Blind date. We do about 25 | 1:05:52 | 1:05:59 | |
pigs are weak. Why would you say it
has become more popular? The | 1:05:59 | 1:06:03 | |
diversity of our customers, from all
over the world. Chinese, Vietnamese. | 1:06:03 | 1:06:09 | |
The only thing we don't sell is the
squeal! You can't sell the squeal! | 1:06:09 | 1:06:15 | |
These are one of my favourite little
treats at the market. Cockles, a | 1:06:15 | 1:06:22 | |
splash of vinegar and eight dash of
white pepper. Brilliant! Takes me | 1:06:22 | 1:06:27 | |
back to being a little kid coming
round here, a pot of cockles. Can't | 1:06:27 | 1:06:32 | |
beat it! How are we? Tracy, morning.
I'm here to showcase what fantastic | 1:06:32 | 1:06:40 | |
fish we've got in the Birmingham
market. Traditionally... Is at the | 1:06:40 | 1:06:46 | |
West Indians on the Chinese that
Brian? The Caribbean, you got your | 1:06:46 | 1:06:51 | |
Chinese. There are 201 different
nations in Birmingham and we are | 1:06:51 | 1:06:55 | |
trying to get as much from around
the world. Birmingham has an array | 1:06:55 | 1:07:00 | |
of fantastic produce but is also
famous for one dish, the balti. | 1:07:00 | 1:07:06 | |
This may be a bit of a cliche but if
you are in Birmingham you've got to | 1:07:19 | 1:07:23 | |
have a curry. This was created here
in the early 1960s for the western | 1:07:23 | 1:07:28 | |
Pallett and there are now hundreds
of balti houses serving 20,000 | 1:07:28 | 1:07:34 | |
people a week. That is a lot of
curry! I don't need these. I am | 1:07:34 | 1:07:38 | |
going to eat it with these. You may
have yellow stained fingers for a | 1:07:38 | 1:07:43 | |
week afterwards but it is definitely
worth it. Birmingham isn't just | 1:07:43 | 1:07:48 | |
about balti is. Over the last 15
years we have seen a fantastic | 1:07:48 | 1:07:52 | |
change in the restaurant and food
seem to cocktail bars Michelins | 1:07:52 | 1:07:55 | |
stars and sushi. This is one of my
favourite places where we buy sushi. | 1:07:55 | 1:08:06 | |
We have been spoilt, boys! | 1:08:06 | 1:08:13 | |
We have been spoilt, boys! If you
would have told me you would have | 1:08:13 | 1:08:15 | |
cocktail bars and sushi restaurants
in Birmingham 15 years ago. Of | 1:08:15 | 1:08:20 | |
cocktail 15 years ago in Birmingham
was a cube of ice and a slice of | 1:08:20 | 1:08:24 | |
lemon! I told you that Birmingham
was the food capital of the world | 1:08:24 | 1:08:28 | |
and we have only scratched the
surface of what the city has to | 1:08:28 | 1:08:36 | |
Thanks for that. If you good tips.
You are performing in Birmingham. | 1:08:36 | 1:08:40 | |
Yes, a good few tips. There is a
restaurant outside Glasgow called a | 1:08:40 | 1:08:47 | |
balti Towers. | 1:08:47 | 1:08:52 | |
... Shrove Tuesday has crept up on
us so we are going to do a pancake | 1:08:52 | 1:08:57 | |
challenge. Can our chefs toss their
way to glory. The aim is to flip the | 1:08:57 | 1:09:01 | |
pancake as many times as you can.
You both have the same batter, oil, | 1:09:01 | 1:09:09 | |
pounds, a level playing field. | 1:09:09 | 1:09:15 | |
I am ready for a challenge now I
don't have my scarf! Are you ready? | 1:09:17 | 1:09:22 | |
Shall we start making pancakes?
Three, two, one, go. Not quite the | 1:09:22 | 1:09:28 | |
explosive start! | 1:09:28 | 1:09:34 | |
explosive start! Both of you need to
make a pancake. As soon as you have | 1:09:34 | 1:09:37 | |
made a pancake, we will start
flipping. What is the secret? A warm | 1:09:37 | 1:09:44 | |
plan to start? You need a nice
nonstick pan, a hot pan, and good | 1:09:44 | 1:09:50 | |
batter. Usually the first one messes
up and I throw it away. The tension | 1:09:50 | 1:09:55 | |
is palpable. Do they do Shrove
Tuesday in Italy? We make them like | 1:09:55 | 1:10:01 | |
a cannelloni, we make them with
better melted rock Do you have a day | 1:10:01 | 1:10:07 | |
that celebrates them? No, we don't.
We make things that only contain | 1:10:07 | 1:10:15 | |
flour, eggs and a bit of sorts.
There we go. That's cooking. Are you | 1:10:15 | 1:10:27 | |
ready, Eleonora? Yes, it is cooking!
That is an improvisation for you, | 1:10:27 | 1:10:38 | |
Matt. | 1:10:38 | 1:10:43 | |
Matt. We are going to miss Shrove
Tuesday by the time... Gennaro, you | 1:10:43 | 1:10:48 | |
are cooking so well! Go! Flip!
Gennaro, help! Help! | 1:10:48 | 1:11:01 | |
Gennaro, help! Help! One. Two.
Three. Four. I think I'm being | 1:11:05 | 1:11:12 | |
hypnotised by Gennaro's pancake! | 1:11:12 | 1:11:20 | |
hypnotised by Gennaro's pancake! You
are a perfect gent, Gennaro. | 1:11:20 | 1:11:26 | |
Gennaro, | 1:11:26 | 1:11:26 | |
Gennaro, how many do you think you
got? 33. Four! That is for you, | 1:11:26 | 1:11:36 | |
fellow. Of all the achievements of
your life, that is going to be up | 1:11:36 | 1:11:41 | |
there. That is why we do the
omelette talent and nothing else! | 1:11:41 | 1:11:48 | |
Will Stephen get his food heaven,
venison, or food hell, try? We will | 1:11:48 | 1:11:54 | |
find out after Nigel Slater shows us
two more hearty simple suppers. | 1:11:54 | 1:12:07 | |
I'm going to be cooking pork chops | 1:12:08 | 1:12:10 | |
with apples and cider. | 1:12:10 | 1:12:11 | |
I'm very fussy about pork chops. | 1:12:11 | 1:12:12 | |
I like good, thick ones,
with plenty of fat, | 1:12:12 | 1:12:14 | |
so that as the chop cooks,
that fat makes the meat | 1:12:14 | 1:12:17 | |
really succulent. | 1:12:17 | 1:12:18 | |
Pork and apple works
on so many levels, you know. | 1:12:18 | 1:12:20 | |
It works because of the richness,
and the sharpness of the fruit. | 1:12:20 | 1:12:23 | |
But it also works on another
level altogether - | 1:12:23 | 1:12:25 | |
that idea of pigs, in an orchard,
crunching their way through windfall | 1:12:25 | 1:12:28 | |
apples in the grass. | 1:12:28 | 1:12:32 | |
And it just brings... | 1:12:32 | 1:12:37 | |
I don't know, a bit
of poetry to supper. | 1:12:37 | 1:12:45 | |
I don't think that's a bad thing. | 1:12:48 | 1:12:49 | |
I don't think we always have
to be quite so practical. | 1:12:49 | 1:12:52 | |
I like to give the rind a good
headstart to getting a bit crispy, | 1:12:52 | 1:12:55 | |
by just searing it in the oil. | 1:12:55 | 1:12:57 | |
Then, lightly fry each side -
about a minute or so should do it. | 1:12:57 | 1:13:05 | |
I'm going to put a little bit
of cider with these. | 1:13:11 | 1:13:19 | |
Once lightly browned on the sides,
pull out the chops, then bung | 1:13:21 | 1:13:24 | |
the onions into the hot pan. | 1:13:24 | 1:13:25 | |
Whilst they're browning,
chop up some dessert apples. | 1:13:25 | 1:13:27 | |
I'm using the Discovery
ones from my garden. | 1:13:27 | 1:13:35 | |
I'm going to carefully
add some sage. | 1:13:36 | 1:13:38 | |
Use it sparingly, | 1:13:38 | 1:13:39 | |
because it can overpower the dish. | 1:13:39 | 1:13:40 | |
Then squash some juniper
berries to add a fresh, | 1:13:40 | 1:13:43 | |
lemony quality to the dish. | 1:13:43 | 1:13:50 | |
I'm gonna pop the chops back. | 1:13:59 | 1:14:01 | |
These are such sweet little apples. | 1:14:01 | 1:14:02 | |
They're so cute. | 1:14:02 | 1:14:03 | |
I'm gonna pop a couple
of whole ones in as well. | 1:14:03 | 1:14:09 | |
Season to taste with salt and pepper
and add a good glass of cider. | 1:14:09 | 1:14:12 | |
Slide into a hot oven
for about half-an-hour. | 1:14:12 | 1:14:16 | |
What's great about this dish
is you can either cook it | 1:14:16 | 1:14:22 | |
quickly on high heat,
or leave it in the oven | 1:14:22 | 1:14:24 | |
for hours on low. | 1:14:24 | 1:14:26 | |
What's happened is that
all of the succulence from the meat, | 1:14:26 | 1:14:29 | |
and all of the juices,
all the flavourings, | 1:14:29 | 1:14:32 | |
just come together. | 1:14:32 | 1:14:36 | |
That, for me, is both
supper and a big treat. | 1:14:36 | 1:14:39 | |
Of course, the perfect drink for thi
dish is a glass of ice-cold cider. | 1:14:44 | 1:14:52 | |
We all have our favourite combos -
ingredients that work | 1:15:02 | 1:15:05 | |
perfectly together. | 1:15:05 | 1:15:08 | |
They're always on our shopping list. | 1:15:08 | 1:15:11 | |
The danger is that these favourites
can become a bit predictable. | 1:15:11 | 1:15:14 | |
Which is why I like to bring
something new to these | 1:15:14 | 1:15:16 | |
existing relationships. | 1:15:16 | 1:15:18 | |
Some of our favourite culinary
marriages are with the most | 1:15:18 | 1:15:22 | |
basic of ingredients. | 1:15:22 | 1:15:27 | |
Potatoes and leeks is one
that works very well. | 1:15:27 | 1:15:30 | |
So I want to bring them together
as the base of a sumptuous chowder. | 1:15:30 | 1:15:37 | |
Start by placing the chopped leeks
into a warm pan of butter, | 1:15:37 | 1:15:43 | |
and adding some thyme. | 1:15:43 | 1:15:44 | |
I want the leeks to cook very
gently in the butter. | 1:15:44 | 1:15:47 | |
I don't want them to brown. | 1:15:47 | 1:15:50 | |
And the best way to do that is to pu
a little bit of paper on top, | 1:15:50 | 1:15:54 | |
so that they actually steam as much
as they fry. | 1:15:54 | 1:15:57 | |
And I put the lid on as well,
so that none of the steam can escape | 1:15:57 | 1:16:02 | |
To give a little body,
add some potatoes. | 1:16:02 | 1:16:10 | |
Put my potatoes in. | 1:16:10 | 1:16:12 | |
Into this soup, or stew,
whatever you want to call it, | 1:16:12 | 1:16:17 | |
I'm going to put some smoked haddock
And I want the haddock to go quite | 1:16:17 | 1:16:21 | |
a long way, because it's not
the cheapest of fish. | 1:16:21 | 1:16:24 | |
So I'm going to use sweetcorn. | 1:16:24 | 1:16:24 | |
And the reason for that is
because the liquid in this soup | 1:16:24 | 1:16:28 | |
is actually going to be milk. | 1:16:28 | 1:16:31 | |
And sweetcorn loves dairy produce. | 1:16:31 | 1:16:38 | |
I've always cooked my
smoked haddock in milk. | 1:16:42 | 1:16:44 | |
I'm sure there's some very
technical reasons for it. | 1:16:44 | 1:16:47 | |
But I do it cos my mum did it. | 1:16:47 | 1:16:53 | |
Milk softens the smokiness
of the haddock. | 1:16:55 | 1:16:57 | |
It's also wonderful
with the sweetcorn. | 1:16:57 | 1:17:00 | |
Drop in a few bay leaves
and a sprinkling of peppercorns. | 1:17:00 | 1:17:04 | |
Your fish should be ready
in under ten minutes. | 1:17:04 | 1:17:08 | |
This is more than a single
marriage of ingredients. | 1:17:08 | 1:17:10 | |
It's actually a marriage
of the leeks and potatoes, | 1:17:10 | 1:17:14 | |
and the milk and the sweetcorn. | 1:17:14 | 1:17:20 | |
It all comes together. | 1:17:20 | 1:17:23 | |
Break the haddock into chunks,
drain some of the milk, | 1:17:23 | 1:17:26 | |
and resettle to the chowder. | 1:17:26 | 1:17:30 | |
Dishes like this, which are calming,
they've got a quality to them that | 1:17:30 | 1:17:35 | |
brings a sense of peace
into your supper. | 1:17:35 | 1:17:40 | |
There's something very gentle
and old-fashioned about these | 1:17:40 | 1:17:42 | |
flavours and these smells. | 1:17:42 | 1:17:45 | |
And especially these ingredients. | 1:17:45 | 1:17:50 | |
Everything in this dish has
a classic connection. | 1:17:50 | 1:17:53 | |
Leeks to potatoes, milk
to sweetcorn, and fish to some | 1:17:53 | 1:17:56 | |
freshly chopped parsley. | 1:17:56 | 1:18:04 | |
There are some recipes
I like to put on a plate, | 1:18:05 | 1:18:09 | |
and pop them in front of everybody. | 1:18:09 | 1:18:12 | |
And there's other recipes that
I like to put in the middle | 1:18:12 | 1:18:15 | |
of the table, with a big ladle,
and get people to help themselves. | 1:18:15 | 1:18:20 | |
And this is one of those. | 1:18:20 | 1:18:24 | |
It's bowl food. | 1:18:24 | 1:18:26 | |
As well as soul food. | 1:18:26 | 1:18:32 | |
It has to be the bond
between so many of the ingredients | 1:18:39 | 1:18:42 | |
in this supper that makes
it absolutely mouth-watering. | 1:18:42 | 1:18:49 | |
Thanks for that, Nigel. Time to find
out what Steve is going to get, Food | 1:18:53 | 1:18:57 | |
Heaven or food health. This is what
I'd deal of Heaven. Venison, all the | 1:18:57 | 1:19:03 | |
nice stuff. Your idea of how, tripe,
coriander. So nice. What is that? I | 1:19:03 | 1:19:17 | |
suspect there's a lot of tripe
eaters out there. Right, what do you | 1:19:17 | 1:19:20 | |
think they went for? I'm hoping they
went for the venison. 65% of the | 1:19:20 | 1:19:28 | |
people... Went for venison.
APPLAUSE | 1:19:28 | 1:19:32 | |
We won't need to look at the tripe
again. | 1:19:32 | 1:19:36 | |
I will eat this tripe. I love it. | 1:19:36 | 1:19:39 | |
OK, Gennaro, sort out some wild
mushrooms, venison tartare as well. | 1:19:44 | 1:19:53 | |
Eleonora, dice up the Apple and
shall not. That is not for you, | 1:19:53 | 1:19:56 | |
Gennaro. -- shallot. I've got some
roasted bones. That's right, throw | 1:19:56 | 1:20:08 | |
that in there. Garlic. Juniper
berry. Just to give it a back taste. | 1:20:08 | 1:20:16 | |
Then some chicken stock over the
top. Summer it for about one hour. | 1:20:16 | 1:20:21 | |
It reduces. -- simmer it. Do you do
a lot of cooking? Not a great deal. | 1:20:21 | 1:20:32 | |
What sort of thing do you need on
the road? Fortunately, the show | 1:20:32 | 1:20:38 | |
comes down about 9pm so there's
still time to go out and eat, so we | 1:20:38 | 1:20:42 | |
would get the local guidebooks out
and any recommendations would be | 1:20:42 | 1:20:45 | |
very gratefully received. Right, I'm
going to make, flour, egg, and this | 1:20:45 | 1:20:53 | |
is dried cep. Put it in a coffee
grinder, and put in a little crust | 1:20:53 | 1:20:59 | |
on this venison. Is it a relatively
cheap meat, venison? Generally not. | 1:20:59 | 1:21:10 | |
Some people say it is dead deer!
Think about it! | 1:21:10 | 1:21:18 | |
LAUGHTER
Right, OK, let's have some | 1:21:18 | 1:21:24 | |
seasoning, actually. Flour, egg.
Finally, the cep crumbs, put it in a | 1:21:24 | 1:21:34 | |
pan and stick it in the oven for
about six minutes or so. You want it | 1:21:34 | 1:21:38 | |
nice and rare. And the cep will form
the crust? Yes, exactly. | 1:21:38 | 1:21:49 | |
the crust? Yes, exactly. Now, going
from deer to Drop The Dead Donkey. I | 1:21:50 | 1:21:53 | |
enjoyed watching that. You won the
comedy award for that. I did, | 1:21:53 | 1:21:57 | |
indeed. Was it of its time or ahead
of its time? I think ahead of its | 1:21:57 | 1:22:04 | |
time. The only other thing on there
that was as close to it was spitting | 1:22:04 | 1:22:09 | |
image. We were absolutely dependent
on what was happening in the news. | 1:22:09 | 1:22:16 | |
It was risky because a quarter of
the show was given to you in front | 1:22:16 | 1:22:21 | |
of a live audience. We would record
it on a Wednesday night with a live | 1:22:21 | 1:22:26 | |
audience. Two of us would go in on
the Thursday to do Thursday's news | 1:22:26 | 1:22:31 | |
over the end credits. The latest
they got it to the channel before it | 1:22:31 | 1:22:36 | |
went on air was 40 minutes. A huge
amount of pressure. It was Andy | 1:22:36 | 1:22:42 | |
Hamilton and Guy Jenkins coping well
with it. They would leave gaps for | 1:22:42 | 1:22:47 | |
the topical humour and frame it
around whichever characters were on | 1:22:47 | 1:22:50 | |
screen at the time, so they shaped
it to those characters and I have no | 1:22:50 | 1:22:54 | |
idea how they did it. I would say
it's ripe for bringing it back. | 1:22:54 | 1:23:01 | |
Especially in these times as well.
Yes, it's calling out for it. You | 1:23:01 | 1:23:08 | |
could come back as gas. I loved him.
He was a great character. You've | 1:23:08 | 1:23:14 | |
done so me different things,
voice-overs, radio, TV, all the | 1:23:14 | 1:23:19 | |
roles he played, is there one
particular one that makes you more | 1:23:19 | 1:23:22 | |
nervous than the other? What's the
most nervous you've been a | 1:23:22 | 1:23:26 | |
performance? I'm doing a charity
show next Sunday in Newcastle, at | 1:23:26 | 1:23:32 | |
the Metro Arena, two shows in front
of two batches of 11,000 people. | 1:23:32 | 1:23:40 | |
That could be nerve-racking. Yeah. I
think the live radio play I did last | 1:23:40 | 1:23:48 | |
year for Valentine's Day, just
knowing that one slip-up was going | 1:23:48 | 1:23:53 | |
to be heard, that was terribly
nerve-racking. I was going to talk | 1:23:53 | 1:24:04 | |
about Wild At Heart, but you crashed
a balloon in Australia? Yes, we hit | 1:24:04 | 1:24:08 | |
the ground at 35 mph and got dragged
through a field full of rocks. Yes, | 1:24:08 | 1:24:15 | |
I broke two teeth. The cameraman
injured his back. That we are still | 1:24:15 | 1:24:19 | |
here. All in the name of television.
The producers were thrilled! They | 1:24:19 | 1:24:26 | |
didn't show it. They hired a
helicopter that day to follow us, so | 1:24:26 | 1:24:33 | |
we went when we shouldn't have,
really, but they got some fantastic | 1:24:33 | 1:24:37 | |
footage. They were very happy.
That's the main thing. Which teeth? | 1:24:37 | 1:24:45 | |
Two at the back. This is venison
tartare. Dijon mustard, shallot, | 1:24:45 | 1:24:55 | |
capers. | 1:24:55 | 1:25:00 | |
capers. Sauteed mushrooms. Here we
have got the stock. Stephen, you do | 1:25:01 | 1:25:04 | |
the voice-over where you are the
character of Bob the builder? I was | 1:25:04 | 1:25:09 | |
his twin brother. Tom, the
zoologist, which does not scan as | 1:25:09 | 1:25:15 | |
well. I haven't got a single out of
it. It was a Christmas special. The | 1:25:15 | 1:25:22 | |
best Christmas ever, it was called.
I got to sing crocodile Rock with | 1:25:22 | 1:25:29 | |
noddy Holder. So that was a treat.
And also Pingu. I was head right on | 1:25:29 | 1:25:41 | |
many theories and I have much
affection for the Penguin. Great | 1:25:41 | 1:25:46 | |
dialogue. It was all emotive and it
was good fun. But you could tell | 1:25:46 | 1:25:51 | |
what they said. Next week we have
got Stephen Mangan as a guest and | 1:25:51 | 1:25:58 | |
you have been working with him
recently. Yes, six part show for the | 1:25:58 | 1:26:03 | |
BBC called The Split dealing with a
family of divorce lawyers, one of | 1:26:03 | 1:26:10 | |
whom moved to another company, hence
the split. It's a self-contained | 1:26:10 | 1:26:16 | |
story every week, written by Abby
Morgan, and there is a big divorce | 1:26:16 | 1:26:20 | |
which goes through all six episodes
between myself and Meera sial. Happy | 1:26:20 | 1:26:27 | |
show? Yes, people will be very
interested, I'm sure. I think it on | 1:26:27 | 1:26:34 | |
in April. The BBC. There is the wild
mushroom tartare. Venison broth, and | 1:26:34 | 1:26:43 | |
after about five minutes or so,...
Let's carve that.... Bring the | 1:26:43 | 1:26:50 | |
venison out. Let it restful stop
take off a couple of chops. Stephen, | 1:26:50 | 1:26:57 | |
preparing for a role, how long in
advance does it take for you to nail | 1:26:57 | 1:27:01 | |
the character? If you are doing a
theatre show, it depends, it grows | 1:27:01 | 1:27:08 | |
in the rehearsal. And then more so
when the audience take on as well | 1:27:08 | 1:27:13 | |
because they are the missing
character for the few weeks you are | 1:27:13 | 1:27:16 | |
working away, so it's an interesting
thing when we start next week in | 1:27:16 | 1:27:19 | |
Cambridge. Stephen, do you want to
try it? Yes, thank you. What are we | 1:27:19 | 1:27:31 | |
drinking, Olly? Venison is a hearty
meat and they can cope with a big | 1:27:31 | 1:27:34 | |
flavoured wine so this is on offer
in Waitrose, this is Reserve Shiraz | 1:27:34 | 1:27:41 | |
St Hallett, £8 99, one of those
hearty winter warmers, and it's | 1:27:41 | 1:27:46 | |
superb. It has not been that
fashionable to have a big hearty | 1:27:46 | 1:27:50 | |
Australian Shiraz and I think some
of them are so brilliant. This | 1:27:50 | 1:27:54 | |
family have been doing it since the
1940s. What are you doing with the | 1:27:54 | 1:27:59 | |
glasses? It is the anticipation of
what is happening. After a frenetic | 1:27:59 | 1:28:06 | |
show, it's quite a calm thing. Yes.
I don't know why I'm putting the lid | 1:28:06 | 1:28:12 | |
on. It's absolutely beautiful. Good.
With the cold tartare. Beautiful. | 1:28:12 | 1:28:20 | |
Plenty of sunshine. | 1:28:20 | 1:28:26 | |
Plenty of sunshine. Herding cuts. It
is so good. Delicious full stop good | 1:28:26 | 1:28:32 | |
luck with the tour. That all from us
from Saturday Kitchen Live. Thanks | 1:28:32 | 1:28:39 | |
to our studio guests. All the
recipes from the show are on the | 1:28:39 | 1:28:42 | |
website bbc.co.uk/saturdaykitchen.
We are back live at 10am on BBC Two | 1:28:42 | 1:28:47 | |
next week well the Winter Olympics
continue and its Chinese New Year | 1:28:47 | 1:28:52 | |
special with Ching He-Huang and Ken
Hom. Moral Best Bites for you | 1:28:52 | 1:29:00 | |
tomorrow on BBC Two. Have | 1:29:00 | 1:29:01 |