Browse content similar to 16/10/2011. Check below for episodes and series from the same categories and more!
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Good morning. We're live on Sunday 16th October. | :00:13. | :00:19. | |
We're joined by the man who this week helped vote me off Celebrity | :00:19. | :00:27. | |
MasterChef - boo - it's Gregg but thery biscuit base Wallace. If that | :00:27. | :00:33. | |
wasn't enough star of Ashes to Ashes, Made In Dagenham, Daniel | :00:33. | :00:42. | |
Mays. And the cooks and best of next week's telly. Something for | :00:42. | :00:52. | |
:00:52. | :00:53. | ||
the Weekend something. Good morning and welcome to | :00:53. | :00:57. | |
Something for the Weekend something. Already this morning there's been | :00:57. | :01:01. | |
some sport played. There's been some Formula One. If you do like | :01:01. | :01:04. | |
Formula One but you're lazy and couldn't be bothered to get up at | :01:04. | :01:08. | |
6.00 in the morning to watch it, could you get out of the room | :01:08. | :01:18. | |
because I'm going to tell you the results. | :01:18. | :01:22. | |
We have some viewers, readers who have large houses and might have to | :01:22. | :01:26. | |
walk a long way. Jaoeu would imagine if you're in Redknapp | :01:26. | :01:32. | |
Towers. -- I would imagine. They'll not have even reached the bay | :01:32. | :01:37. | |
window. If I wait too long people might come back in. If you've come | :01:37. | :01:43. | |
back in go back out again. This is hard this. I reckon they're | :01:43. | :01:47. | |
out. In first place, Sebastian Vettel. In second place Lewis | :01:47. | :01:50. | |
Hamilton and this third place Mark Webber. We're saying that because | :01:50. | :01:58. | |
Mark Webber is on the show soon. Yeah. | :01:58. | :02:05. | |
Your week? This was the week that I got voted off Celebrity MasterChef. | :02:05. | :02:10. | |
I don't mean to laugh. It's not a laughing matter. It's the end of my | :02:10. | :02:15. | |
career. I thought you did brilliantly to get as far as you | :02:15. | :02:25. | |
:02:25. | :02:32. | ||
got. Staying with us is Linda. | :02:32. | :02:37. | |
I should have worn a tighter top. Were you really nervous standing | :02:37. | :02:41. | |
there. Be honest, did you think you were going to go through? I don't | :02:41. | :02:45. | |
know. What was weird when you're standing there, it's like, I wish | :02:45. | :02:49. | |
the cameras wouldn't look at me. It's like that award thing, when | :02:49. | :02:53. | |
you don't win the award when you want to go off. | :02:53. | :03:00. | |
I just went up and went, Wallace, get me in - I didn't really. What | :03:00. | :03:05. | |
did Linda cook? I don't know, curry, I think. Anyone can do that, Tim, | :03:05. | :03:10. | |
anyone. The other videotape this week, a | :03:10. | :03:15. | |
little clip doing the rounds on YouTube, there's this little girl | :03:15. | :03:22. | |
called Sofia Grace Browning. I thought she looked littleer, eight | :03:22. | :03:27. | |
years old and she's from Essex who has learnt the song Super Base. | :03:27. | :03:30. | |
It's doing the rounds on YouTube but it's made it over to America | :03:30. | :03:39. | |
and Ellen has stuck it on her show. Let's have a look. | :03:39. | :03:49. | |
:03:49. | :03:53. | ||
"I said excuse me, so shy and...." # You got my heart baby running | :03:53. | :03:58. | |
away. Beating like a drum and it's blown me away. | :03:58. | :04:02. | |
Did you feel like, got that super base. | :04:02. | :04:10. | |
Boom, boom, got that super base # She's not eight. She looks tiny on | :04:10. | :04:18. | |
there. She has incredible timing. That's what astounded me. Did it | :04:18. | :04:23. | |
make you jealous. A tad. She was flown over to the | :04:23. | :04:28. | |
United States of America to be on the show to do that. | :04:28. | :04:31. | |
It was quite impressive. Really talented. | :04:31. | :04:36. | |
You're all going quiet on me, everywhere. I think Tim and I would | :04:36. | :04:44. | |
be doing oupbl beyonce on YouTube this week to get a gig on Ellen. | :04:44. | :04:48. | |
Daniel Mays is on the show today, one of Britain's top actors, you'll | :04:48. | :04:54. | |
have seen him on Ashes to Ashes, Red Riding, Atonement, Made In | :04:54. | :04:58. | |
Dagenham and Doctor Who. He'll be telling us about his new projects | :04:58. | :05:03. | |
Tin Tin and Public Enemies. He's a fantastic actor and went to school | :05:03. | :05:08. | |
with you? He did. We produce fantastic actors. | :05:08. | :05:14. | |
Friend of the show, Gregg Wallace, one half of the MasterChef judging | :05:14. | :05:23. | |
duo with John. Boo, boo, boo. ask Tim why he didn't put him | :05:23. | :05:28. | |
through to the finals. But he's had a recent departure from food into | :05:28. | :05:33. | |
the world of pop. But thery base cut base. If you | :05:33. | :05:38. | |
don't know what that is, we'll show you later, it's a bloke who's made | :05:38. | :05:44. | |
a song made out of all Gregg'sisation. It's very good. | :05:44. | :05:48. | |
-- Gregg's sayings. E-mail your questions or petitions to get me | :05:49. | :05:54. | |
back on the show. No, you're not allowed to do that. Yes, let's do | :05:54. | :05:58. | |
that. Don't waste your time. I want the | :05:58. | :06:02. | |
popularity. popularity. | :06:02. | :06:05. | |
Gregg and Daniel, by the way any questions for them. Make sure you | :06:05. | :06:10. | |
tell us your name. OK. What food are you going to give | :06:10. | :06:15. | |
us today, Simon, or do for us today. We're going to start with naan | :06:15. | :06:20. | |
bread with squashed tahini dips, we're making the naan bread and the | :06:20. | :06:25. | |
mix has that lovely mix and sour thing going on. Main course is | :06:25. | :06:32. | |
quite a grown-up one, butter poached hake with mussels. The | :06:32. | :06:36. | |
process is complicated on the face of it, but it's actually quite | :06:36. | :06:41. | |
simple. That's lovely. It does look lovely. The other week, Tim, you | :06:42. | :06:46. | |
said a dish you'd eaten when you have too many colours and it looked | :06:46. | :06:50. | |
cheap. It was too brighty orange, that prawn thing you ate. Too many | :06:50. | :06:56. | |
colours, it looked cheap. Yeah, it was weird colours. It didn't look | :06:56. | :07:01. | |
nice. I'm not that enamoured with the plate on that one, the dish. | :07:01. | :07:05. | |
Really! I would have chosen something a little, can we look at | :07:05. | :07:11. | |
it again, please, the plate. Yeah, you put it in a soup dish. I | :07:11. | :07:16. | |
would have gone for something, I don't know...I probably would have | :07:16. | :07:21. | |
gone something a lot flatter. Are you going to let him do this, | :07:21. | :07:24. | |
Simon? Aesthetically the fish should stay up rather than down. | :07:24. | :07:29. | |
The fish is on mash. It should stand up. Because you've put it in | :07:29. | :07:36. | |
a dish you've lowered it. Anyway, I'm looking forward to | :07:36. | :07:40. | |
dessert. It's national chocolate week. These are easy to do, it's a | :07:40. | :07:45. | |
simple thing to do, it's loads of mixing, loads of drizling of | :07:45. | :07:50. | |
chocolate, making bits of cake. Finally today, this is probably my | :07:50. | :07:56. | |
favourite one, cauliflower cheese cottage pie. The joy of cottage pie | :07:56. | :08:03. | |
topped with cauliflower cheese. potato in it? A mince bit, potato | :08:03. | :08:09. | |
bit and cauliflower bit. Here's what else you can look | :08:09. | :08:15. | |
forward to in the show today. Things don't get any clear are for | :08:15. | :08:18. | |
Harry in Hidden. When will you be straight with me, | :08:18. | :08:28. | |
what are you doing in my life? There's more brainless brilliance | :08:28. | :08:38. | |
:08:38. | :08:40. | ||
in Burnstown. And Palin, Cleese and the gang in | :08:40. | :08:45. | |
the holy Flying Circus. I wouldn't mind being in a musical, it's got | :08:45. | :08:49. | |
mind being in a musical, it's got to be worth a few quid! | :08:49. | :08:52. | |
Great shows there and Wayne will be showing us a few great cocktails. | :08:52. | :09:00. | |
What have you got for us. A great new bur Bonn -- bourbon drink I | :09:00. | :09:04. | |
discovered in Berlin. Also, London cocktail week and it's the last day | :09:04. | :09:07. | |
for rum fest so I'm going to introduce to you a nice 18th | :09:07. | :09:10. | |
century rum drink, not from the Caribbean but from Glasgow, believe | :09:10. | :09:15. | |
it or not. Wayne's life is one big fat | :09:15. | :09:20. | |
cocktail. Travels the world drinking. That's his job. Great | :09:20. | :09:25. | |
thing there are loads of food weeks and stuff like that, national choc | :09:25. | :09:28. | |
week, but in the booze industry every week, it's like Caribbean rum | :09:28. | :09:33. | |
week this week, as opposed to South American rum week. | :09:33. | :09:42. | |
We're going to start with a bit of naan bread with a butternut squash | :09:42. | :09:47. | |
dip. Butternut squash dip we've roasted, cut in half, ol I will oil, | :09:47. | :09:54. | |
roast. Naan bread, flour, baking powder, sugar, milk, oil, brush it | :09:54. | :10:02. | |
with melted budth butter, mint, lemon, hot sauce, tahini, molasses | :10:02. | :10:05. | |
and yoghurt. How long do you roast the thing? A minimum of 20 minutes. | :10:05. | :10:10. | |
You want to have it on a medium heat, if you wroes it when it's too | :10:10. | :10:15. | |
hot you get a crispy edge, you want it to be soft. You could boil this | :10:15. | :10:18. | |
and get it soft, but there's something about roasting squash | :10:18. | :10:24. | |
that gives it that flavour. I think. Would you agree? I agree. First | :10:24. | :10:28. | |
thing, pop the flour, the baking powder and the sugar into the bowl | :10:28. | :10:37. | |
and give it a quick mix around. Then, in that bowl, combine the | :10:37. | :10:47. | |
milk and the oil, give that a quick stir, a pinch of salt, that's veg | :10:47. | :10:54. | |
oil. The moisture will help can cook. Gradually add the wet | :10:55. | :10:58. | |
ingredients into it, you can whisk the oil and milk together but you | :10:58. | :11:03. | |
don't have to, it will separate anyway. All that goes in and it's | :11:03. | :11:11. | |
making a simple dough. All in together? I didn't know if | :11:11. | :11:18. | |
Tim was watching me, and he would say "oh, not like that" You can do | :11:18. | :11:21. | |
it by hand. Once it comes together like that, now get your hands in. | :11:21. | :11:26. | |
Did you make any bread when you did MasterChef? I thought you were | :11:26. | :11:29. | |
asking me then. I did ginger biscuits. | :11:29. | :11:34. | |
His ginger biscuits, they're great. I added fresh ginger, I don't think | :11:34. | :11:41. | |
you had yours with fresh you ginger. It makes a little bit gooey inside. | :11:41. | :11:46. | |
I went to the House of Commons this week. Absolutely brilliant. I loved | :11:46. | :11:51. | |
it. How come? I was doing a little speech with the Speaker about | :11:51. | :11:56. | |
tennis, you know I'm promoting this tennis website, free website. I | :11:56. | :12:00. | |
went to talk to the MPs to try to get them to spread it in their | :12:00. | :12:05. | |
areas, to try to encourage people to play tennis. The Rt Hon Stephen | :12:06. | :12:11. | |
Hepburn MP for Jarrow came and found me, top man, big Sunderland | :12:11. | :12:16. | |
fan and said "Why don't you come for a drink in the MPs' bar?" What | :12:16. | :12:23. | |
a good night! I just hung out with loads of MPs from Liverpool. It was | :12:23. | :12:29. | |
really good fun. Is that your next career? I really enjoyed it. I | :12:29. | :12:33. | |
couldn't help myself, I was like - right politics, let's talk about | :12:33. | :12:39. | |
schooling. They loved it. Were they all listening to you? Not enough. | :12:39. | :12:46. | |
Not enough. Any great policy ideas for them? | :12:46. | :12:54. | |
Yes, I was. I was. Really. Thais a shock! And then they would -- | :12:54. | :13:00. | |
That's a shock! I met loads of people. I'm hopefully going to | :13:00. | :13:05. | |
watch PMQs soon, in a few weeks. The Speaker is going, I'm going as | :13:05. | :13:08. | |
a guest of his hopefully. It was good. | :13:08. | :13:13. | |
You've done it, that's it. Brilliant. Let it rest for 15 | :13:13. | :13:18. | |
minutes. There's no yeast in this, it's a simple naan bread. Then I | :13:18. | :13:26. | |
need you to divide that one into four and roll it into balls. You | :13:26. | :13:32. | |
could use a knife if you want. Have you been to the House of | :13:32. | :13:37. | |
Commons? I have. A friend of mine was there years ago and I was in | :13:37. | :13:44. | |
the members' bar. It's amazing. The pictures. It's an amazing building. | :13:44. | :13:48. | |
A bit of flour. I think there's a great career for you there, Tim. | :13:48. | :13:52. | |
The not as if you hold any strong opinions about anything! Really! | :13:52. | :14:00. | |
You don't have much to say. Did you overcome that natural, | :14:00. | :14:04. | |
inherent shyness you have, when you were there?! I was thinking, I | :14:05. | :14:09. | |
won't say anything and then I had a couple of lagers, I think they | :14:09. | :14:16. | |
should do before every PMQs and get the debate going a little more. | :14:16. | :14:22. | |
Let's roll it a bit like that. We're trying to, you make a sort of | :14:22. | :14:26. | |
circle from it. Then at the last minute we pull it out so you end up | :14:26. | :14:33. | |
with a lovely tear drop shape. If you have your tandoori oven at | :14:33. | :14:40. | |
home you slap it against it. The problem is that I don't have an | :14:40. | :14:43. | |
allegiance to any party at the moment. I'm a swing voter, anyone | :14:43. | :14:48. | |
can persuade me. I think that would be the difficult thing. The older | :14:48. | :14:54. | |
you get, I think, you become political sized with a small p | :14:54. | :14:58. | |
rather than a capital p, I feel that's the state of the country at | :14:58. | :15:02. | |
the moment. You see bits and bobs more from all sides, I agree with | :15:02. | :15:07. | |
that or I don't. Are you saying I should start a new party. A better | :15:07. | :15:12. | |
one than the other three? Yes, yes. Is that what you're saying stp | :15:12. | :15:17. | |
I haven't done anything yet, am I going to do anything, do you not | :15:17. | :15:23. | |
know I'm a MasterChef semi- finalist! I do, we just have the | :15:23. | :15:32. | |
pipers coming in! They've not made it, we'll have to do without. So, | :15:32. | :15:37. | |
what we're going to do with the dip, scoop out the roasted flesh and | :15:37. | :15:43. | |
stick it in there and pureee it. Do you need these or have I just | :15:43. | :15:49. | |
done this for...they're quite good. Now that you have the circle hold | :15:49. | :15:59. | |
:15:59. | :16:00. | ||
one part and tug it so you get a tear drop shape. | :16:00. | :16:07. | |
Then, what we're doing, we're cooking these. Naan bread is fab. | :16:07. | :16:15. | |
It's glorious. We don't often do bread on the show because the | :16:15. | :16:18. | |
process we're out of time without having done the dip yet. | :16:18. | :16:26. | |
You can see, as it starts to cook look at those fellas, beautiful. | :16:26. | :16:30. | |
So, this is a simple recipe. We don't often do bread on the show | :16:30. | :16:35. | |
because it is a long process. I like making things like, simple | :16:35. | :16:39. | |
flat breads where you're not waiting for it to rise particularly. | :16:39. | :16:49. | |
:16:49. | :16:50. | ||
It's about the flavour. Deplore yus. Let me -- glorious. Let me chop | :16:50. | :16:56. | |
some mint. That's fine. In a MasterChef semi-finalist way, if | :16:56. | :17:00. | |
you could scoop all of that into the bowl and then everything that's | :17:00. | :17:06. | |
on there put it in and mix. Have you carried on cooking as much, | :17:06. | :17:10. | |
Tim, since you've been finished? you know what, obviously I do stuff | :17:10. | :17:16. | |
on here all the time. But it has made me, I'm a bit better at | :17:16. | :17:21. | |
everything. It did make me, because I had to up my level a bit. Not | :17:21. | :17:27. | |
good enough but...But You're still pretty passionate about doing it? | :17:27. | :17:32. | |
do cook good food. It did disappoint me when I was robbed of | :17:32. | :17:36. | |
my rightful place in the final! Because of that. You're going to | :17:36. | :17:43. | |
have to let it go. Are you going to hold on to it forever. Everything | :17:43. | :17:50. | |
in there, yoghurt, molasses, tahini, ground Sesame seeds, hot sauce and | :17:50. | :17:55. | |
lemon juice. Do you remember when Terry Henry | :17:55. | :17:59. | |
hand bald it and Ireland didn't get through. It was much like that. On | :17:59. | :18:03. | |
Twitter everyone was horrified, they were all going, it's a | :18:03. | :18:09. | |
disgrace, get Gregg off that show! Outrage. I've known Gregg for a | :18:09. | :18:13. | |
long time and I always thought until this week he was a fairly | :18:13. | :18:17. | |
decent bloke! To be honest with you, he's not only let you down, Tim, | :18:17. | :18:26. | |
he's let himself down, to be honest. I had a lot of respect from the man. | :18:26. | :18:32. | |
Torrode, you don't expect anything. He's been on the show. And I did | :18:32. | :18:36. | |
introduce him as friend of the show. Former friend of the show. | :18:36. | :18:42. | |
What do I do now? Have a taste, are you happy with that. So that's it, | :18:42. | :18:47. | |
naan bread and sauce. You have that lovely flavour of the squash. | :18:47. | :18:53. | |
You've cooked the naan bread. We have naan bread on there, then | :18:53. | :18:57. | |
spoon all that into the bowl, however you feel as a MasterChef | :18:57. | :19:03. | |
semi-finalist. We brushed oil on to cook it and | :19:03. | :19:10. | |
finished it with butter to get that lovely delicious buttery flavour. | :19:10. | :19:20. | |
This is buttery biscuit base. Hh-mmm I was looking forward to | :19:20. | :19:26. | |
tasting that. That's great. Can I take a bit of that home. Go for it, | :19:26. | :19:31. | |
don't let Gregg have any. Main course. Butter poached hake | :19:31. | :19:35. | |
with mussels. These can be found with all our | :19:35. | :19:45. | |
:19:45. | :19:48. | ||
recipes on the website. OK. Third week into the Philip | :19:48. | :19:55. | |
Glenister vehicle and it feels like the mist might be lifting from this | :19:55. | :20:01. | |
conspiracy-laden drama, or are they, this is Hidden. We have a file | :20:01. | :20:05. | |
together, I've seen it I put it together. Why go to all that | :20:05. | :20:11. | |
trouble? I wanted to know who I was talking to? When are you going to | :20:11. | :20:14. | |
be straight with me, what are you doing in my life? My parents were | :20:14. | :20:20. | |
murdered 20 years ago and I want to know why. | :20:20. | :20:26. | |
Your parents! Yes. Your mother and your father? That's funny, because | :20:26. | :20:31. | |
I had lunch with your father this afternoon, and for a dead man he | :20:31. | :20:39. | |
looked well to me. Nigel? Yes, Nigel, He's not my father, he's my | :20:39. | :20:42. | |
Guardian. You still haven't answered my question, what are you | :20:42. | :20:48. | |
doing in high life? 20 years ago Styles executed my parents, a week | :20:48. | :20:52. | |
ago he hired quirk to kill me. I've been looking for Styles all my | :20:52. | :21:01. | |
adult life. We're looking for the same man, Harry. | :21:01. | :21:06. | |
Try to unravel the plot of hidden Try to unravel the plot of hidden | :21:07. | :21:09. | |
on Thursday at nine. Our first guest starlted his career | :21:09. | :21:14. | |
on a fruit and veg stall on the Covent Garden market before joining | :21:14. | :21:17. | |
the MasterChef team where he's become known as the cooking woman's | :21:17. | :21:22. | |
crumb pet and his amazing catch phrases have been christened | :21:22. | :21:25. | |
Wallace-isms. It doesn't get tougher than this. Boom, boom, | :21:25. | :21:31. | |
shake the room. Happy days. | :21:31. | :21:36. | |
You poured a little bit of sunshine into our studio. It's like a smoked | :21:36. | :21:41. | |
fish porridge. Dahh, dah. | :21:41. | :21:47. | |
Is that good There's not a bad one. A bit bland and stodgy. We are | :21:47. | :21:52. | |
loving it! I'm more exhausted than she is. | :21:52. | :21:56. | |
Welcome back to Something for the Weekend something. Gregg Wallace. | :21:56. | :22:03. | |
Mate, I'm sorry. Why on earth did you choose the sexy glamour model | :22:03. | :22:08. | |
over the male TV presenter to get through to the final? John is not | :22:08. | :22:13. | |
on here today, not here to defend himself, but I wanted to put you | :22:13. | :22:20. | |
through. In fairness, I got to the semi-, I | :22:20. | :22:23. | |
turned up at the semi-final day and I thought I did well becauseity | :22:23. | :22:26. | |
started terribly and I started doing better and better and got | :22:26. | :22:29. | |
through to the semi-final stage and I turned oupb that day and the | :22:29. | :22:34. | |
standard of cooking I was like, wow, these guys are hand making their | :22:34. | :22:40. | |
own pasta and, I mean, just incredible what they were doing. | :22:40. | :22:46. | |
thought you had a really good competition, you progressed really | :22:46. | :22:50. | |
quickly. You are proof of how tough that competition is. The celebs | :22:50. | :22:54. | |
have a bit of a giggle at the start but then the competition gets to | :22:54. | :22:57. | |
them. They seem to become absolutely involved. You see them | :22:57. | :23:01. | |
sweating, close to tears, you can't imagine it taking over like that. | :23:01. | :23:06. | |
It does and he's evidence of it as well. MasterChef gets under your | :23:06. | :23:11. | |
skin. I think because they fill -- they feel the progress they're | :23:11. | :23:15. | |
making and do pro-kitchens and then as they start to achieve stuff they | :23:15. | :23:19. | |
really get into it. Part of the shrof love of celeb, and part of | :23:19. | :23:22. | |
the joy is seeing the people you love on television, seeing the real | :23:22. | :23:25. | |
them, sweating, laughing or close to tears. | :23:25. | :23:30. | |
They practise and practise, I did. These guys just went an extra level, | :23:30. | :23:35. | |
some of them. Some of the guys on there really uped their game. | :23:35. | :23:38. | |
Especially when you get the sportsmen. We have Phil Vickery on | :23:38. | :23:41. | |
there now, these people don't do things by half. As soon as they | :23:41. | :23:46. | |
join the competition, that is it. It always surprises me how quick | :23:46. | :23:50. | |
the progress is. When the celebs come, how quick they start to | :23:50. | :23:53. | |
produce really good food. You as well. With you, because you work | :23:53. | :23:58. | |
with baldy over there, Simon, you're used to tasting good food. | :23:58. | :24:02. | |
You knew what it looked like and should taste like but you didn't | :24:02. | :24:08. | |
always have, what do the football guys call it techies. | :24:08. | :24:14. | |
I did turn up there thinking it would be easy, knock up a bit of | :24:14. | :24:20. | |
dinner. Then I realised I was out of league. If you want, you need | :24:20. | :24:25. | |
vast knowledge. Without kissing up to you, you have a good palate. | :24:25. | :24:32. | |
good at tasting food, not cooking. What was Tim's best dish? I can't | :24:32. | :24:37. | |
remember. I've tasted so many dishes. What dish were you most | :24:37. | :24:42. | |
proud of? The scotch quails egg. When I cut them. Yeah, they were | :24:42. | :24:47. | |
runy, that's a difficult thing to do. That's where I got the most | :24:47. | :24:52. | |
confidence. How good are the celebrities in comparison, to not | :24:52. | :24:57. | |
the chef's MasterChef but the amateur MasterChef? They don't, | :24:57. | :25:03. | |
when you get through to the final three, I would say yeah, the | :25:03. | :25:08. | |
standard is comparable but during - - excuse me - during the heats, no. | :25:08. | :25:13. | |
You celebs are a league below. What fascinates me about that is how | :25:13. | :25:16. | |
steep the learning curve is and how quick you progress. But some of the | :25:16. | :25:21. | |
amateurs that come on the series, there will be a new one of those | :25:21. | :25:24. | |
next year. Sometimes you have to check out their backgrounds they | :25:24. | :25:28. | |
cook like pros. That's why they come on to the programme, they love | :25:29. | :25:31. | |
cooking and want to be recognised for their ability. I think they | :25:31. | :25:35. | |
also want to fine out how good they are. They cook for people who love | :25:35. | :25:39. | |
them and tell them how good their food is. I think it's the same with | :25:39. | :25:44. | |
celebs. The final is next stphaet We have another Friday night and | :25:44. | :25:48. | |
then the Saturday night we announce the winner, we're down to three. We | :25:48. | :25:53. | |
take them to Ireland, it's one of my favourites, they work with the | :25:53. | :25:56. | |
ferocious Michael Caines. A gentleman, lovely man, but I had no | :25:56. | :26:01. | |
idea how ferocious he was. The bit that I think always looks so scary | :26:01. | :26:04. | |
when they have to cook for vast sums of people, like 150 people, | :26:04. | :26:08. | |
for me you can be the best cook in the world for your family but | :26:08. | :26:12. | |
trying to pull a off! That's a different sort of skill, that's | :26:12. | :26:16. | |
keeping your nerve, organisation and that is pure, pure graft. | :26:16. | :26:19. | |
soon as I said you were coming on the show, everybody wants to know | :26:19. | :26:23. | |
one thing, what do you think of your buttery biscuit base song? | :26:23. | :26:29. | |
Jaoeu love that. As soon as I saw that I was crying with laugh -- | :26:29. | :26:34. | |
laughter. I like, I like the butter biscuit | :26:34. | :26:42. | |
base, # Butter biscuit base. Acid like the buttery biscuit base. | :26:42. | :26:48. | |
Hard, soft. Base, I like the buttery biscuit base. But it needs | :26:48. | :26:58. | |
:26:58. | :27:12. | ||
Wobble, wobble, wobble. We got another -- we got to number 36 in | :27:12. | :27:16. | |
the charts with that. Unbelievable. Pl If you want to watch the whole | :27:16. | :27:22. | |
of it, I put it on Twitter. Do you like it? Jaoeu love it. Do you know | :27:22. | :27:26. | |
the guy who has done it? I haven't but he kneed the permission from | :27:26. | :27:29. | |
MasterChef to put to out there. We sent the proceeds to children in | :27:29. | :27:33. | |
need. He's a good guy. It must have taken him months. It's such a | :27:33. | :27:37. | |
compliment, when people do things like that. Do you know every | :27:37. | :27:41. | |
Christmas they do the anti-X-Factor song these days, they should do | :27:41. | :27:48. | |
that as well. I hope you don't mine, I was at a party last night, a 50th | :27:48. | :27:51. | |
wedding anniversary, Tom and Noreen Prat at the Savoy, I want to say, | :27:51. | :28:00. | |
well done, guys. A proper Cockney knees-up at the Savoy. 50 years! | :28:00. | :28:05. | |
You're also a restaurateur these days, is that true? I call it a caf, | :28:05. | :28:11. | |
120 seater in Putney. I've been there. Did you like it? I did, yes. | :28:11. | :28:15. | |
I had lovely fruit and yoghurt for breakfast. We're open from 8.00 in | :28:15. | :28:18. | |
the morning all the way through to the evening. Is it different to be | :28:18. | :28:25. | |
that side of it, though? My wife who's here Heidi refuses to go | :28:25. | :28:29. | |
there with me, she says I don't see you enough anyway, I thought I | :28:29. | :28:34. | |
could sit down, play, enjoy people, I get nervous, I start looking at | :28:34. | :28:37. | |
all the plates going by. Asking people what they think. I'm not | :28:37. | :28:40. | |
enjoying it as much as I thought I would. What's it like, you're | :28:40. | :28:43. | |
turning up to other people's restaurants to eat, do they make a | :28:43. | :28:49. | |
fuss, do they get nervous? I don't get -- I don't know if they get | :28:49. | :28:55. | |
nervous, but they make a fuss, no more dodgy tables by the gents! | :28:55. | :29:05. | |
:29:05. | :29:06. | ||
We're turning the tables on MasterChef judge Gregg and get -- | :29:06. | :29:11. | |
getting him to cook the dessert and any questions for him or top actor | :29:11. | :29:14. | |
Daniel Mays. If you can't remember from previous | :29:14. | :29:19. | |
weeks what you have to do in this nostalgia-based quiz there's no | :29:19. | :29:24. | |
chance of you recalling the year of the song, event and film in today's | :29:24. | :29:25. | |
the song, event and film in today's deja view. | :29:25. | :29:35. | |
:29:35. | :29:35. | ||
# Dancing round the moonlight, everybody feeling Brize. | :29:35. | :29:40. | |
# Such a fine natural sound, everybody's dancing in the | :29:40. | :29:43. | |
moonlight. # The latest instalment in the Harry | :29:43. | :29:48. | |
potter story is out tomorrow. The fourth book in the series by JK | :29:48. | :29:52. | |
rolling. This is the terrain the relatively | :29:52. | :29:55. | |
inexperienced British explorers have to conquer. The women | :29:55. | :30:00. | |
persevered to become the first British women to walk to the South | :30:00. | :30:06. | |
Pole. Ford has confirmed it's to stop making cars at its Dagenham | :30:06. | :30:16. | |
:30:16. | :30:27. | ||
(phone rings) Hello. Hello, cine. Who's this, | :30:27. | :30:37. | |
:30:37. | :30:38. | ||
It's me, Bobby, your boyfriend. Any sign of Gregg? | :30:38. | :30:44. | |
OK, we have to guess the year of that. Is that ten years old? | :30:44. | :30:49. | |
feels older, but I don't know, is that just me. I am ekeing away from | :30:50. | :30:58. | |
me. I'm going 2000. I'll go 2001 then. Oh, I'm changing it to 1997. | :30:58. | :31:08. | |
It does feel pre-millennium. People laugh at us now we're so bad. | :31:08. | :31:12. | |
Constantly. Now, then, we asked you last week | :31:12. | :31:18. | |
to take pictures of yourself naked with our food so... I don't know | :31:18. | :31:23. | |
about you, but I envisaged it to be a lot of ladies. I did. That was In | :31:23. | :31:25. | |
My Head. Lots of pictures of ladies. A bit | :31:25. | :31:29. | |
like with the Formula One result earlier on, if you're of a nervous | :31:29. | :31:33. | |
disposition leave the room now! Because, unfortunately, Tim, some | :31:33. | :31:37. | |
of the pictures we can't show you were very interesting but the ones | :31:38. | :31:42. | |
were very interesting but the ones that we can...this, Jason dozen | :31:42. | :31:50. | |
from Bolton here, in case you're interested, butternut squash. He is | :31:50. | :31:57. | |
just enjoying himself far too much. It looks like a 1970s German bloke. | :31:57. | :32:00. | |
You almost want subtitles underneath that one. | :32:00. | :32:06. | |
There are other pictures we can't show. Carpet burns! Absolutely | :32:06. | :32:12. | |
brilliant. However, this one, Ollie from | :32:12. | :32:16. | |
Worcestershire who also made the butternut squash. I hope now, Ollie, | :32:16. | :32:21. | |
that all your mates are texting you like mad, taking the Mickey out of | :32:21. | :32:29. | |
your. What's his name? Ollie. You're a brave man. | :32:29. | :32:34. | |
Back to normality, Claude from Barnsley made the ribs cola. What | :32:34. | :32:40. | |
you can't see here, he has no trousers in that one because we cut | :32:40. | :32:45. | |
it off. If you are going to have a go. You don't have to be naked but | :32:45. | :32:48. | |
if you want to be, that's fine. You don't have to be. | :32:48. | :32:53. | |
don't have to be. E-mail the show... | :32:53. | :32:59. | |
It wasn't quite what we intended that one. It's funny what you | :32:59. | :33:03. | |
imagine and what you get. All right, we're making the main | :33:03. | :33:06. | |
course. We're going to do butter poached hake, a nice piece of hake, | :33:06. | :33:10. | |
it's a great fish, I love it. Part of the cod family, lovely flavour, | :33:10. | :33:14. | |
delicious, well priced at the moment as well. Butter, shallots, | :33:14. | :33:19. | |
garlic, thyme, white wine and with it a bit of mashed potato but also | :33:19. | :33:25. | |
some mussels we've cooked, lemon juice and edamame beans, but we | :33:25. | :33:31. | |
could use broad beans if you wanted. Cook down the middle and into half | :33:31. | :33:38. | |
moons and I'll do a bit of garlic. Do you remember last week I went to | :33:39. | :33:43. | |
that amazing pop-up restaurant of Thomas Keller's in Harrods, he's | :33:43. | :33:49. | |
one of the finest chefs in the world without doubt. Did he know | :33:49. | :33:55. | |
who you were? No, I didn't meet him. I interviewed him a few years ago | :33:55. | :34:01. | |
for something else. Where's he from? California. A lot of what he | :34:01. | :34:06. | |
does is cooking in a water bath, basically. One of his classic | :34:06. | :34:14. | |
dishes is butter poached lobster. So, he's in a bath cooking! | :34:14. | :34:18. | |
That's what I'm thinking. Brilliant. That's exactly what he | :34:18. | :34:23. | |
does. Maybe there's a book in that for us, Tim. One of his famous | :34:24. | :34:27. | |
dishes is butter poached Maine lobster. | :34:27. | :34:31. | |
I thought, could you do that without, the baurt bath equipment | :34:31. | :34:35. | |
is very difficult, cooking thing at a controlled temperature. I | :34:35. | :34:40. | |
wondered, could we do this without having it, could we poach it? This | :34:40. | :34:45. | |
is a butter poaching liquid, what we end up with is all the delicious | :34:45. | :34:50. | |
richness of butter. So we have garlic in there, shallots, chuck in | :34:50. | :34:55. | |
thyme and cook it out for three to five minutes until the shallots | :34:55. | :34:59. | |
become nice and soft. A bit of salt and pepper goes in | :34:59. | :35:04. | |
there. Crank the heat up, add a glug of | :35:04. | :35:09. | |
white wine and you reduce the white wine down to almost nothing. It's | :35:09. | :35:17. | |
about building up flavours. Once that has come down, then we add | :35:17. | :35:22. | |
some stock into there, I'm using chicken stock in this, I like | :35:22. | :35:26. | |
poaching fish in chicken stock rather than fish stock so you don't | :35:26. | :35:30. | |
have the overpowering fishyness. That comes up to the boil and once | :35:30. | :35:35. | |
it's boiled, little by little we add a touch of butter into this. | :35:35. | :35:39. | |
It's rare that we do chefy things on the show, really. If you want to | :35:39. | :35:44. | |
do this show and do it in a different way, poach in the normal | :35:44. | :35:50. | |
way, have your normal poaching liquor and add a couple of knobs of | :35:50. | :35:52. | |
butter. This is a very nice thing to do. | :35:53. | :35:58. | |
Make a load and then save it. Once it begins to melt add a little | :35:58. | :36:03. | |
more butter, stir it around. What you're getting is a lovely flavour, | :36:03. | :36:08. | |
the only thing we haven't done, is we haven't reduced the white wine | :36:08. | :36:12. | |
down. If you were in the final of MasterChef, if Gregg had done his | :36:12. | :36:16. | |
job properly and got you into the final, this is a nice technique to | :36:16. | :36:19. | |
be able to do. It's a technique that takes a little bit of setting | :36:19. | :36:24. | |
up, once you've done it the flavour is lovely. Once you start to felt | :36:24. | :36:29. | |
that slightly, it comes off the heat and then blend it. Get the | :36:29. | :36:38. | |
soup blender at the bottom and blend it so you emulsify the liquid. | :36:38. | :36:46. | |
Now we have the shallots, thyme and garlic and as it comes together the | :36:46. | :36:52. | |
butter begins to emulsify. It smiles all right. | :36:52. | :36:58. | |
Ours is thin at the moment because we didn't reduce the wine down. | :36:58. | :37:02. | |
Wow, that smells really good. Really nice, rich flavour. Pop it | :37:02. | :37:06. | |
back on the heat, bring it up to the boil and when it comes up to | :37:06. | :37:10. | |
the boil we drop it down to a simmer and we pop our piece of hake | :37:10. | :37:15. | |
N or salmon or cod, whatever you want to do. In here, this is what | :37:16. | :37:21. | |
we've got, we have this lovely bit of fish poaching away, every now | :37:21. | :37:27. | |
and again, if it sticking above the surface gives give it a bit of a | :37:27. | :37:37. | |
:37:37. | :37:38. | ||
Base. To have a little smell of that, get | :37:38. | :37:44. | |
your knows in there. Biggest news of the week, Stone | :37:44. | :37:48. | |
Roses rumoured to be getting back together. Many from Stone Roses, | :37:48. | :37:55. | |
top man, said if the Specials got back together he would reform the | :37:55. | :37:59. | |
Roses, and the Specials have been back together for a few years now. | :37:59. | :38:04. | |
You went to see them. Friday night. Best band in the world together, | :38:04. | :38:10. | |
how were they? Absolutely fapbt city -- fantastic. | :38:10. | :38:16. | |
Had a drink with Brad afterwards. I saw them when they first came back | :38:16. | :38:21. | |
as did you. They were better than ever. You have the right hair cut | :38:21. | :38:26. | |
for it! It's funny because when you go the crowd is full with blokes | :38:26. | :38:29. | |
with the same hair cut as me and wearing all the labels you | :38:29. | :38:35. | |
associate and trying to relive our youth, me included. | :38:35. | :38:39. | |
This is poaching, ten minutes or so, because it's a poaching situation | :38:39. | :38:43. | |
you have to make sure it's cooked through. If you've -- we have loads | :38:43. | :38:45. | |
and loads of flavour in there, bringing this delicious buttery | :38:45. | :38:55. | |
:38:55. | :39:00. | ||
flavour into the hake. A warm pan and we add a couple of | :39:00. | :39:03. | |
spoonfuls of this sauce in there and we're going to warm the other | :39:03. | :39:08. | |
ingredients into this. You want to make sure that you don't bring this | :39:08. | :39:11. | |
sauce down too much, because if you do it will start to separate. It's | :39:12. | :39:18. | |
not a big problem but it's naoeufr if you don't. In cooks some mussels | :39:18. | :39:22. | |
we've cooked, in goes edamame beans, you could use butter beans, broad | :39:22. | :39:27. | |
beans, a squeeze of lemon into this, to give us a slight difference in | :39:27. | :39:31. | |
flavour. Simply toss this around. Are you liking the look of this? | :39:31. | :39:36. | |
Really liking the look of this. We'll toss that around to warm it. | :39:36. | :39:41. | |
If you could warm thpl, simply taoes them for them. | :39:42. | :39:49. | |
-- tease them. What did you make of the match yesterday? Manchester | :39:49. | :39:53. | |
United. You did well, you should have won that. Who's going to win | :39:53. | :39:56. | |
the League? I think it's Liverpool. I think we've shown we're probably | :39:56. | :40:00. | |
the best team in the country now. Have you been trying Wayne's | :40:00. | :40:04. | |
cocktails this morning Simon! aid little drink at 6.30. | :40:04. | :40:14. | |
:40:14. | :40:16. | ||
Our delicious buttery mashed potato, deliciously rich. This smell is | :40:16. | :40:23. | |
amazing. Rich, buttery, oh. Gregg has to describe it, he's the main | :40:23. | :40:30. | |
man. It's got a buttery base, has it. Wobble, wobble, wobble! | :40:30. | :40:34. | |
don't want to load the sauce, it's very tense. You want enough of it | :40:34. | :40:41. | |
so we get a bit of flavour. Tim, get some time off there, have | :40:41. | :40:44. | |
a sprinkle. Do you think Simon would do well on | :40:44. | :40:49. | |
MasterChef? I would hope so. Jaoeu would hope I do all right. Imagine | :40:49. | :40:58. | |
if they did a chef's MasterChef. They do MasterChef special. | :40:58. | :41:08. | |
With Michel Roux. Our Mikey roux as I call him. | :41:08. | :41:15. | |
Are you sure you don't want more sauce, it looks fabulous. It's | :41:15. | :41:22. | |
intense, have a taste first. It takes it... I'm not kidding, that | :41:22. | :41:26. | |
is divine. That is beautifully seasoned. It's as soft as you like, | :41:26. | :41:31. | |
it's buttery and a slight bit of acidity. That is beautiful. That's | :41:31. | :41:36. | |
all you had to do, that's all you had to do, add the sauce! A savoury | :41:36. | :41:41. | |
biscuit base on that, Gregg and that is perfection. | :41:41. | :41:47. | |
What's next? We're doing chocy cherry bars. Are we. Are you a good | :41:47. | :41:53. | |
cook? Not a bad cook at all. Just thought I'd check. Thought I'd | :41:53. | :42:01. | |
ask. That will be alongside all our recipes today. | :42:01. | :42:06. | |
You can e-mail or tweat questions for all of our guests, tweat at | :42:06. | :42:12. | |
SFTW. OK, fancy some comedy with a | :42:12. | :42:16. | |
Scottish twist? It doesn't come much more twisted or Scottish than | :42:16. | :42:26. | |
:42:26. | :42:31. | ||
# Brother I got a big question, it's a question that's on my lips, | :42:31. | :42:36. | |
it's really doing my box in, it's put me off my chips. | :42:36. | :42:41. | |
# I know what you're going mad, asking if I'm mad. I have the | :42:41. | :42:48. | |
question, too, it's a question about the bus shelter and (BLEEP), | :42:48. | :42:54. | |
who's shoes are they, whose shoes are they, whose shoes are they? | :42:54. | :43:04. | |
:43:04. | :43:18. | ||
Whose shoes are they? Whose shoes # Whose glove is that whose glove | :43:18. | :43:24. | |
is that whose glove is that who's glove is that whose (BLEEP) glove | :43:24. | :43:29. | |
is that # You can see the real life of | :43:29. | :43:35. | |
Burnstown on Thursdays at 11.20pm on you BBC Two. Our second guest | :43:35. | :43:41. | |
has acted in some amazing parts from Ashes to Ashes, Vera Drake. | :43:41. | :43:46. | |
He's described as electrifying presence, sizzling and | :43:46. | :43:51. | |
unpredictable and he's in the BBC drama, Public Enemies. You don't | :43:51. | :43:59. | |
get me into your shop, could you. Take you on? See you later. Ten | :43:59. | :44:05. | |
years time. Don't resent me, I didn't ruin our friendship, you did. | :44:05. | :44:14. | |
You ruined everything. I have to get out of here. That man | :44:14. | :44:17. | |
over there keeps staring at me. If he starts I'll put myself in a | :44:18. | :44:22. | |
situation and go back to prison. recognises you, probably thinks | :44:22. | :44:31. | |
life... Life should mean out. out, I'm not free. | :44:31. | :44:34. | |
That looks brilliant. Welcome to Something for the Weekend something, | :44:34. | :44:38. | |
Daniel Mays. Before we get into that, you went to school with | :44:38. | :44:48. | |
Louise. I did indeed, the Italia Conti. Zifrpb years. Yes. I'm quite | :44:48. | :44:54. | |
a bit older. You must remember her. Really. | :44:54. | :44:58. | |
The glass door like that. everyone at the school have a crush | :44:58. | :45:02. | |
on Louise. Russell Brand was at your school and he had a crush on | :45:02. | :45:05. | |
you. I don't think he had a crush on me. Jaoeu remember Russell Brand | :45:05. | :45:10. | |
there, a whole host of famous people. It's their centenary year. | :45:10. | :45:16. | |
It was a good school to go to. Good fun and it turns out fabulous | :45:16. | :45:21. | |
actors. Well, you are a brilliant actor. Public Enemies looks good, | :45:21. | :45:26. | |
hard hitting. What's it about? the story of like disgraced and | :45:26. | :45:29. | |
shamed individuals and whether or not they can reclaim their lives | :45:29. | :45:34. | |
and reputations. The character I play is a guy called Eddie MoT ram | :45:34. | :45:38. | |
a who at the age of 19 is sentenced to ten years in prison for | :45:38. | :45:42. | |
murdering his girlfriend. It's slightly heavy for a Sunday morning, | :45:42. | :45:46. | |
but, he serves his ten years, he's re-released back into his community | :45:46. | :45:51. | |
and the first character he meets is his probation officer played by the | :45:51. | :45:55. | |
lovely Annie freely. She plays a character called Paula, she's also | :45:55. | :46:01. | |
coming back from a public disgrace. She's been suspended, an offender | :46:01. | :46:04. | |
under her supervision has re- offended and resulted in the | :46:04. | :46:08. | |
abduction and murder of a young girl and so begins the drama and | :46:08. | :46:12. | |
their relationship together. What they have in common is that they've | :46:12. | :46:16. | |
both been shamed and disgraced and vilified. I guess the drama is all | :46:16. | :46:21. | |
about whether or not society allows these so-called Public Enemies to | :46:21. | :46:25. | |
have a second chance, to reclaim their lives and whether or not we | :46:25. | :46:29. | |
really do believe in rehabilitation. There are some powerful themes in | :46:29. | :46:34. | |
it. When you get a script like like that, is it rub your hands together, | :46:34. | :46:41. | |
a bit of a gem. This toeltly was, it was written by Tony Marx who did | :46:41. | :46:46. | |
the a few things a few years back which were great. I've been a | :46:46. | :46:51. | |
massive fan of his writing. He writes so honestly and truthfully | :46:51. | :46:54. | |
for ordinary people dealing with an extraordinary predicament. It was | :46:54. | :46:58. | |
exactly that. As soon as I read it I put it down and I recognised it | :46:58. | :47:02. | |
as one of the best parts I've played to date. The challenge it | :47:02. | :47:05. | |
gave me as an actor and the emotional journey that the | :47:05. | :47:11. | |
character goes on was immense. Talking of challenges, Miles | :47:11. | :47:14. | |
O'Boyle said script or improvisation like you did in Vera | :47:14. | :47:20. | |
Drake. In Vera Drake it's all imised stuff, It's improveised | :47:20. | :47:25. | |
within the rehearsal people. People think you do it on camera with Mike | :47:25. | :47:29. | |
Leigh but all the groundwork is done months in advance. Vera Drake, | :47:29. | :47:34. | |
we had six months to prepare for that. When you actually arrived to | :47:34. | :47:38. | |
film the scene you know what you're going to say exactly? Yeah, you | :47:38. | :47:43. | |
know the lines, the hesitations, it'sth it's all prepared. You | :47:43. | :47:47. | |
rehearse during the shooting schedule as well. But, you know, to | :47:47. | :47:50. | |
work with someone like Mike, my first film with him was a year out | :47:50. | :47:55. | |
of drama school. It's like, you know, it's like an education in | :47:55. | :47:59. | |
itself. In my mine he's a genius. When you were at school did you | :47:59. | :48:04. | |
just do the drama or did you do the singing and dancing? Cheers, Louise. | :48:04. | :48:10. | |
Come on, get up and dance and sing. I still have nightmares about boys | :48:10. | :48:16. | |
ballet, let me tell you. I used to see that on the board, boys ballet. | :48:16. | :48:22. | |
I did it all, ballet, tap, jazz. There's my reputation gone right | :48:22. | :48:26. | |
out the window. But acting was always what you really. You always | :48:26. | :48:30. | |
choose something you want to do but they teach to you do all-round | :48:30. | :48:37. | |
entertainment. There was a teacher there called Denis noonen. I loved | :48:37. | :48:40. | |
him. He did improvisation classes and I just really loved it. | :48:40. | :48:44. | |
Something clicked in me, by the time I came to the end of it there, | :48:44. | :48:48. | |
I just really wanted to act. We want to get on to Tin Tin in a | :48:48. | :48:53. | |
minute, but quickly, to learn this part you did a bit of method acting | :48:53. | :48:58. | |
and spent sometime with an exconwho, for serious crimes? Yeah, he, I | :48:58. | :49:03. | |
spoke to a few guys. As soon as I read it I knew it was imperative to | :49:03. | :49:09. | |
meet someone who had spent time in prison, this particular guy, he was | :49:09. | :49:13. | |
eight years inside. When I spoke to him he was two weeks out. He was | :49:14. | :49:18. | |
living in a hostel, on probation. So, when you actually, have you got | :49:18. | :49:21. | |
an idea of the character and when you meet this other character does | :49:21. | :49:25. | |
it change your view of what you're going to do, is that what happens? | :49:25. | :49:30. | |
Yeah, it did. He was very generous with his time and the stuff that he | :49:30. | :49:36. | |
was coming out with, it just, it actually gave me so much. The key | :49:36. | :49:40. | |
really to Eddie in Public Enemies was this thing and this guy spoke | :49:40. | :49:45. | |
about it, was this thing of, when you go in prison at 19 like Eddie | :49:45. | :49:50. | |
does, you stay there for ten years, mentally you're still 19 when you | :49:50. | :49:55. | |
leave. This is what the character has to experience. He naively | :49:55. | :49:58. | |
thinks he can come out and get on with his life. We spoke a lot about | :49:58. | :50:02. | |
arrested development and things like that. When you're dealing with | :50:02. | :50:05. | |
subject matter as serious as this, I think it's so important you do | :50:05. | :50:08. | |
the referendum and it will give you something. We want to -- research. | :50:08. | :50:13. | |
And it will give you something. What character do you play in Tin | :50:13. | :50:18. | |
Tin? A guy called Alan, that's my middle name really, I'm like a | :50:18. | :50:25. | |
double act with McKenzie Crook. The Thompson twins with played by Nick | :50:25. | :50:33. | |
frost and Simon Pegg. It looks animated but it's? Shot on motion | :50:33. | :50:41. | |
capture. You know what Andy did for gol oupl, in fact he's in it, he's | :50:41. | :50:48. | |
like the guru, we're all going up "help me out" essentially it's just | :50:48. | :50:54. | |
going into a space, -- Gollum. You've sensors on your body and all | :50:54. | :50:58. | |
you over your face. The strangest thing is that when you're in the | :50:58. | :51:02. | |
space there's a big screen in the back with your cartoon character in | :51:02. | :51:06. | |
real time. If you started doing the running man the same as your | :51:06. | :51:10. | |
character. So you work out the scenes T gets animated in a you | :51:10. | :51:20. | |
:51:20. | :51:32. | ||
computer and this is the result. Captain, get down. | :51:32. | :51:42. | |
:51:42. | :51:45. | ||
There he is. Get out of the way. Full ahead! Full speed! | :51:45. | :51:53. | |
Got you now. Stay down. | :51:53. | :52:00. | |
Are they going to die? Was it amazing working with Steven | :52:00. | :52:04. | |
Spielberg who directed and Peter Jackson produced. Yeah, it was | :52:04. | :52:08. | |
incredible. I'd never been to LA. I never worked with anyone as big as | :52:08. | :52:13. | |
Steven Spielberg and the actors involved in it. I was kind of | :52:13. | :52:16. | |
pinching myself a lot of the time. But I thoroughly enjoyed it. It was | :52:17. | :52:20. | |
an amazing experience. Having seen that clip and the trailer, it | :52:20. | :52:24. | |
really does look like it's going to be amazing.It's Looks good. I | :52:25. | :52:29. | |
remember Tin Tin, it used to always run on school holidays. It did, I | :52:29. | :52:34. | |
remember reading the comics in the kids at school. And the blond hair. | :52:35. | :52:38. | |
Daniel is co-starring with Daniel in our final dish. Keep your | :52:38. | :52:45. | |
questions for him coming in. All the very best stuff on the show | :52:45. | :52:51. | |
All the very best stuff on the show today including this: | :52:51. | :52:55. | |
Comedy meets religion in holy Flying Circus. It's a review, you | :52:55. | :53:02. | |
draw your confidence from your spirituality. | :53:02. | :53:07. | |
Simon is topping a cottage pie with cauliflower cheese. | :53:08. | :53:14. | |
Dr Alice Roberts finds The Origins Of Us. We can effectively and | :53:14. | :53:20. | |
efficiently lose body heat from the surface of our skin. | :53:20. | :53:25. | |
Loads to come including Lucy Hedges with somethings for the weekend. | :53:25. | :53:30. | |
She has the brand new Kindle on the show, we'll be trying the latest | :53:30. | :53:36. | |
rugby game. You're going to have a go at that, | :53:36. | :53:40. | |
aren't you. And the latest Apple smartphone. | :53:40. | :53:45. | |
Gregg is going to help out on the kitchen. How is your kitchen, are | :53:45. | :53:50. | |
you good? Good. I'm a dab hand at you good? Good. I'm a dab hand at | :53:50. | :53:53. | |
pudings. Look at this. What's your favourite? Easy, that | :53:53. | :53:57. | |
is a rhubarb crumble. That sharpness and sweetness. | :53:57. | :54:00. | |
Beautiful. Identify go with that. When you do | :54:00. | :54:03. | |
-- I'd go with that. When you do MasterChef, I know people come up | :54:04. | :54:08. | |
with the same old dishes all the time, is it the same with pudings? | :54:08. | :54:14. | |
What amazes me is how many people attempt and fail on a chocolate | :54:14. | :54:17. | |
fondant. It's like a graveyard of MasterChef designs. It's not your | :54:17. | :54:21. | |
oven at home, you have to get the temperature right. There's no way | :54:21. | :54:25. | |
of putting it right, if it goes wrong, the amount of failed | :54:25. | :54:31. | |
fondants. Who does your cooking at home? Heidi is a better cook than I | :54:31. | :54:36. | |
am. She's a great cook. What are we doing? Chocolate cherry | :54:36. | :54:42. | |
bars, this uses some real old- school ingredients that are | :54:42. | :54:47. | |
nostalgic. Vanilla pod, cherries, lime, condensed milk, Des kaitd | :54:47. | :54:51. | |
coconut. Those three ingredients, they're old school. Memories of | :54:51. | :55:01. | |
:55:01. | :55:09. | ||
childhood. Gregg, first job, all of the dry ingredients. Do you have a | :55:09. | :55:14. | |
sieve. Well, if you want one, then, unlucky. | :55:14. | :55:23. | |
Baking powder, sugar flour. This is a responding base, chewy top and | :55:23. | :55:27. | |
then more chocolate. Gregg, I'm going to ask you some | :55:27. | :55:33. | |
questions as you're cooking. We got lots of tweets saying are you and | :55:33. | :55:38. | |
John actually good friends? Me and John, you've seen us together, | :55:38. | :55:42. | |
we're really big muckers, we go out for dinner together. We're always | :55:42. | :55:46. | |
hanging out together. Whenever we fall out we have a beer together. | :55:46. | :55:51. | |
We are proper friends. Why do you fall out? Over the judging | :55:51. | :55:54. | |
decisions sometimes, not very often, probably once a series. If we | :55:54. | :55:58. | |
didn't fall out, we wouldn't be passionate about it and it wouldn't | :55:58. | :56:03. | |
matter as much. What's great about these two when you're on the show. | :56:03. | :56:09. | |
You're very helpful and great and supportive but you muck about loads | :56:09. | :56:14. | |
off camera and when the camera comes, off camera it's a right old | :56:14. | :56:21. | |
laugh. Naoed it in. As if you're making a crumble. Rub | :56:21. | :56:25. | |
in. Going to get very Messi doing this. We want to relax people. We | :56:25. | :56:29. | |
don't want people petrified and terrified. As MasterChef has got | :56:29. | :56:33. | |
bigger and bigger, not so much the celebrities, but the amateurs are | :56:33. | :56:43. | |
:56:43. | :56:44. | ||
terrified. Because John works as a judge no- | :56:44. | :56:48. | |
one ever sees what an incredible chef he is. I met John supplying | :56:48. | :56:52. | |
veg to him, about 20 years ago, he was always the first one in the | :56:52. | :56:58. | |
kitchen, a great big pot of coffee on, a massive motivator, brilliant | :56:58. | :57:02. | |
organiser. Wonderful chef John. that's rubbed in, add the milk and | :57:02. | :57:08. | |
bring it to together to get a heavy responding base. Do you know what, | :57:08. | :57:15. | |
they have electric mixers, you know that. Another question. "Is it true | :57:15. | :57:20. | |
you don't believe in the British weekly shop?" No, I think that's a | :57:20. | :57:23. | |
ridiculous idea. How can you know on a Saturday afternoon what you | :57:23. | :57:27. | |
want for tea on a Thursday night. Stkpwhre knows what I'm saying? In | :57:27. | :57:32. | |
Italy they have no idea what a weekly shop is. It's something | :57:32. | :57:36. | |
that's crept into our jargon, why shop once a week. People say it's | :57:36. | :57:42. | |
to save time, I says, well shop every month, get every year. | :57:42. | :57:50. | |
Get your tin food upholstered, use it for a soefa! It's about the way | :57:50. | :57:58. | |
we shop. We go to a supermarket and drive, and we feel it's then one | :57:58. | :58:03. | |
journey. I'm not anti-supermarket, once you're a foody people think | :58:03. | :58:08. | |
you're going to be an evangelist. I'm not anti-supermarkets, I'm | :58:08. | :58:13. | |
anti-lists, I'd rare we were a bit more... I think it's a shame | :58:13. | :58:17. | |
sometimes, the big supermarkets are have now got small versions of them | :58:17. | :58:20. | |
in the town centres, because they can undercut everyone else, can't | :58:20. | :58:26. | |
they. It means you're not getting the. What I'd like to see, I'd like | :58:26. | :58:30. | |
to see legislation every supermarket has to stock 10% of its | :58:30. | :58:37. | |
fresh produce within a 50-mile radius. When I go to Scotland I get | :58:37. | :58:42. | |
better local produce than in Kent and the same for Kent. Speaking of | :58:42. | :58:49. | |
Scotland, we're up there this week. MasterChef live, 11th to 13th | :58:49. | :58:53. | |
November at Olympia. Are you coming down? I was but I got knocked out | :58:53. | :58:58. | |
of the competition. It will be a poorer competition for it. In my | :58:58. | :59:01. | |
contract it says you have to do MasterChef live if you get to the | :59:01. | :59:05. | |
final. You can come down as my guest. Anybody who follows me on | :59:05. | :59:10. | |
Twitter I have a special offer for MasterChef live. You can come down | :59:10. | :59:14. | |
as my guest. How much do I get for that. Is it a bit of, let's look at | :59:14. | :59:23. | |
what you could have won, Tim. just want to boost the man. | :59:23. | :59:28. | |
We bake that. Look at this! That's beautifully done. We bake that and | :59:28. | :59:34. | |
enup with this chocolate respondingy base. That's stage one. | :59:34. | :59:43. | |
Is it a buttery biscuit base. Chuck in all the cherries, coconut, | :59:43. | :59:49. | |
condensed milk and mix them together. I'll do a bit of vanilla | :59:49. | :59:55. | |
pod. Mary Stone says, what makes a good chef? Someone who practises a | :59:55. | :00:01. | |
lot, you've it, a good palate, someone who can identify what the | :00:01. | :00:03. | |
ingredients will taste like before they're put together. Someone who | :00:03. | :00:07. | |
can work this out. The more and more you do of something the better | :00:07. | :00:16. | |
you'll get. You just have to put the kitchen time in, that's all. | :00:16. | :00:19. | |
That visualising flavours is really important. Do you that pretty well | :00:19. | :00:23. | |
Tim. You know if there's a combination of, say four | :00:23. | :00:28. | |
ingredients, you know if they're going to work together. Like some | :00:28. | :00:32. | |
people are tone deaf, some people have no palate at all. If someone | :00:32. | :00:39. | |
comes on and are determined to put red wine and honey on a red mullet, | :00:39. | :00:44. | |
there's nothing you can do for them. Is this condensed mibl? Yes and | :00:44. | :00:48. | |
that will hold it together. We're making a delicious top. Once it's | :00:48. | :00:53. | |
mixed put it on top and it goes back into the oven to firm it up. | :00:53. | :00:57. | |
That responding only takes ten minutes in the oven? Yeah, that's | :00:57. | :01:02. | |
all. You want it still to be sticky. All that on the top there. | :01:02. | :01:06. | |
I said at the start of the show, it's a good thing to do with your | :01:06. | :01:11. | |
kids, there's no real heat going on into this, apart from melted | :01:11. | :01:15. | |
chocolate now. It's mixing and slapping it together. Which is a | :01:15. | :01:20. | |
great thing to do. Trying to make it as neat as I can. Doing well. | :01:20. | :01:25. | |
That goes back into the oven and we under up with that. The final stage | :01:25. | :01:31. | |
that we're going to do is simply drizzle over the top. A light | :01:31. | :01:35. | |
drizzle chocolate. It's that kind of action. | :01:35. | :01:45. | |
Oh, we're going to get all arty here, nice. | :01:45. | :01:51. | |
Let that set and we end up with this. | :01:51. | :01:57. | |
This magnificent delicious. looks quite calorific. It is, if | :01:57. | :02:01. | |
you're having a kids' tea party it's a great thing. It's great with | :02:01. | :02:05. | |
a brew in the afternoon. It's not a dessert. A can of beer! | :02:05. | :02:11. | |
A cup of tea, a cup of coffee and a piece of this. | :02:11. | :02:19. | |
It's glamorous, it's Hollywood. Then all we do to serve this fella. | :02:19. | :02:25. | |
What happens at MasterChef live? You have the previous winners | :02:25. | :02:29. | |
cooking, you have me and John Cooking on stage. | :02:29. | :02:36. | |
You've also got food producers, nibbles, things to eat. Food | :02:36. | :02:44. | |
technology. You're using a fork. It's chewy, | :02:44. | :02:49. | |
it's sticky, delicious. It's kids... It's not as sweet as it first | :02:49. | :02:55. | |
appear. That bit of lime in there stops it becoming overpowering. | :02:55. | :03:02. | |
wife is here and I'm so not allowed this stuff, but anyway! What's | :03:02. | :03:09. | |
next? A cottage pie with call flour cheese top. You're only allowed to | :03:09. | :03:14. | |
try the cocktails, Louise Redknapp if you can guess correctly the year | :03:14. | :03:22. | |
of this clip. of this clip. | :03:22. | :03:32. | |
Boo. # Dancing in the moonlight. It's | :03:32. | :03:37. | |
such a fine natural sight # latest instalment in the Harry | :03:37. | :03:41. | |
potter story is out tomorrow. The fourth book in the series by JK | :03:41. | :03:47. | |
rolling. This is the terrain the relatively | :03:47. | :03:51. | |
inexperienced British women had to explore. | :03:51. | :03:55. | |
Ford has confirmed it's to stop making cars at its Dagenham plant | :03:55. | :03:59. | |
with the loss of 2,000 jobs. The unions claim the real of | :03:59. | :04:03. | |
redundancies will be higher. # Dancing in the moonlight. | :04:03. | :04:13. | |
:04:13. | :04:29. | ||
Everybody's feeling warm and bright I've clearly got to get the year. | :04:29. | :04:34. | |
What year is that? I don't know. I'm nervous now of my.What Year is | :04:34. | :04:40. | |
it Wayne? I think 1998. I went 2000. | :04:40. | :04:48. | |
It's hard this week. Have a guess. OK 1999. What are you making for | :04:48. | :04:54. | |
us? This is one thing I found in Berlin, a lot of speak easys in the | :04:54. | :04:58. | |
Berlin, knock on the door, nice long bars, a very comfortable place | :04:58. | :05:01. | |
as well, really good atmosphere. The music is great. I was looking | :05:01. | :05:05. | |
for some new drinks and the big there is serving things in silver | :05:05. | :05:10. | |
cups. It's like a twist on the way you make an old bourbon spharbs. | :05:10. | :05:15. | |
Fresh mint. Pressed apple juice, a bit of sugared lime. What's this | :05:15. | :05:19. | |
call? The art of bourbon. It compliments | :05:19. | :05:25. | |
Complements the flavours that work well with bourbon whisky, the apple, | :05:25. | :05:33. | |
the mint, paefp liqueur, you have that apple and peach -- and classy | :05:33. | :05:42. | |
bourbon is drunk with mint and sugar. Mint and sugar. It's an old | :05:42. | :05:49. | |
classic mint drink. This one is an adaptation of that by adding the | :05:49. | :05:54. | |
apple and peach. Down South where? In the Southern states, it's a | :05:54. | :05:59. | |
traditional drink there. I didn't know that. | :05:59. | :06:06. | |
Mint sugar, bourbon. It's like in Derby, they drink | :06:06. | :06:11. | |
dulips. We'd like to drink that one week. Of course, I thought we did | :06:11. | :06:14. | |
something before. Maybe we should request our favourite cocktail. | :06:14. | :06:23. | |
Should we do that one week. That would be good. Myti, what is it? | :06:23. | :06:32. | |
It's an old rum drink. I quite liked. Long Island iced tea. | :06:32. | :06:40. | |
I like fruity like cosmo poll tans and things like that. You have to | :06:40. | :06:46. | |
be careful your tongue doesn't stick to the glass. True, very true. | :06:46. | :06:53. | |
That's lovely, a lovely, lovely. What do we call it a cup. Yeah, | :06:53. | :06:58. | |
silver cup. That's the way they serve it in Berlin, a very popular | :06:58. | :07:02. | |
way. It's lovely. That's so nice, Wayne. That's good. | :07:02. | :07:08. | |
I have a bit of a coal, you know it nupls the flavours but that still | :07:08. | :07:13. | |
tastes. -- numbs the flavours but that one still tastes. This one | :07:13. | :07:17. | |
goes back to about 1770. Glasgow docks, a lot of the ingredients | :07:17. | :07:23. | |
would come in, lemons, laoeupls, spices and in the old days, | :07:23. | :07:28. | |
probably the biggest drinks -- limes, they were drinking Glasgow | :07:28. | :07:35. | |
punch, a bit of, pineapple would be chucked in, cold water, spice and | :07:35. | :07:41. | |
citrus fruit. We have sugared lemon there. It's already got lemon zest, | :07:42. | :07:49. | |
sugar, lemon juice, a chunk of pineapple, double rum. A pinch of | :07:49. | :07:54. | |
nutmeg. I'm going to give this a good shake. A simple, easy rum | :07:54. | :07:59. | |
punch. You look at classic drinks like a dabgry, in the latter parts | :07:59. | :08:07. | |
of the 1800, rum, lime and sugar, this predates it by 100 years by | :08:07. | :08:12. | |
Glasgow dock workers. It's the juice of the pineapple. | :08:12. | :08:16. | |
is much more popular to make your own alcohol, it used to be, years | :08:16. | :08:20. | |
ago they made a lot of their own alcohol. It's interesting that the | :08:20. | :08:23. | |
Scots, Glasgow dock workers obviously the rum was come in from | :08:23. | :08:28. | |
the Caribbean, they got a taste for the rums, and of course exotic | :08:28. | :08:32. | |
fruits, putting them together to create their own style of rum | :08:32. | :08:41. | |
punches, but it's a lovely drink. There's a classic Glasgow punch | :08:41. | :08:47. | |
from the 1770s. What did you put on the top of there? Nutmeg. Lovely. | :08:47. | :08:53. | |
The nutmeg gives it a bit of aroma. It's simple, you get the pineapple, | :08:53. | :08:59. | |
sugared lemon. You get the nutmeg as well. That's really nice. I like | :08:59. | :09:04. | |
this one. That's so good. All right. Cheers! Let's do this, | :09:04. | :09:10. | |
drink to the end of the show, shall we. You should come rum fest with | :09:10. | :09:14. | |
me this afternoon, I'll be there all day. | :09:14. | :09:24. | |
Those cocktails are on our website. This is the come deep, this is | :09:24. | :09:32. | |
about the cinema release of the line of Brian. This is holy Flying | :09:32. | :09:40. | |
Circus. Circus. | :09:40. | :09:43. | |
Michael, John, Alan., head of BBC talk, looking forward to seeing | :09:43. | :09:47. | |
who's going to win this one. Tim, this is your host for the | :09:47. | :09:52. | |
evening. Tim Rice.hi, guys. Thank you so much for coming on the show. | :09:52. | :09:57. | |
Listen, obviously my role is to be impartial, but I just want to say I | :09:57. | :10:01. | |
know exactly what you're going through. When we did Jesus Christ | :10:01. | :10:08. | |
Superstar in 1971, it was accused of blasphemy. Now it's the height | :10:08. | :10:11. | |
of respectability. I tell you what, I wouldn't mind having a hit | :10:11. | :10:15. | |
musical, it has to be worth a few quid. If only I had an idea for one. | :10:15. | :10:21. | |
You could always do what we did and lovingly rip off a story that | :10:21. | :10:26. | |
already exists. Seeing any Basil Faulty tonight. I would rather you | :10:26. | :10:31. | |
direct most of your questions at Michael. | :10:31. | :10:35. | |
All right, OK, fine by me. See you in there. | :10:35. | :10:40. | |
What? I suddenly feel quite nervous for some reason. What about me? | :10:40. | :10:43. | |
It's all right for you, you draw your confidence from your | :10:43. | :10:53. | |
spirituality. Malcolm M. Gufplt geridge. | :10:53. | :11:01. | |
That looks brilliant. You can watch holy Flying Circus on Wednesday at | :11:01. | :11:04. | |
9.00 on BBC 4. Lucy Hedges is here. How are you. | :11:04. | :11:09. | |
What news have you got for us in the world of gadgets. BlackBerry | :11:09. | :11:13. | |
stole the limelight this week for all the wrong reasons, its serve | :11:13. | :11:18. | |
erbs went down, it meant millions of customers around the world were | :11:18. | :11:23. | |
without e-mail, internet and most of all BBM as some fans put it they | :11:23. | :11:30. | |
were cut off from the world! This damage has been doing. We've got | :11:30. | :11:36. | |
its rival on the show. We dorbgs the brand new version of that. | :11:36. | :11:41. | |
The iPhone 4K. It came out on Friday and in true Apple style lots | :11:41. | :11:46. | |
of people were lapping it off. Interested in your gadget. An iPad | :11:46. | :11:52. | |
and a BlackBerry. I might be moving over to this one. Were you put out | :11:52. | :11:57. | |
this week Yeah, I couldn't send E- mails or anything, I was crippled! | :11:57. | :12:02. | |
Well the iPhone 4S has launched. It comes with a load of new features, | :12:02. | :12:06. | |
it looks the same but inside it's different. The star of the show is | :12:07. | :12:10. | |
the SIRI personal assistant that lives inside your phone. You can | :12:10. | :12:14. | |
ask its questions in statement form and to respond accordingly. Ask it | :12:15. | :12:24. | |
if you need a rain coat today. need a rain coat today? There's no | :12:24. | :12:31. | |
rain in the forecast for today. It's contextually intelligence. You | :12:31. | :12:37. | |
didn't specifically ask it about the weather. | :12:37. | :12:45. | |
Get Daniel to do it. Ask it to marry you? Will you marry me? | :12:45. | :12:49. | |
That's sweet, is there anything else I can help you with. | :12:49. | :12:55. | |
You can ask it serious stuff. going to win the English Premier | :12:55. | :13:05. | |
:13:05. | :13:07. | ||
League? Green -- Let me think about that. | :13:07. | :13:12. | |
There is loads of fun to be had out of it but back on to the inside of | :13:12. | :13:18. | |
the phone. The A5 dual cord tip you get in your iPad. Twice as fast as | :13:18. | :13:23. | |
the previous version. 10AP videos on the phone itself and it comes | :13:23. | :13:30. | |
with the new IOS5 software. You get it on 3GS and four as well, it | :13:30. | :13:37. | |
comes with things like I message, Wi-Fi sync. It gets rid of the USB | :13:37. | :13:42. | |
cable. It comes with another feature called news stand. | :13:42. | :13:48. | |
Stop it. I could go on. How much? variety of contracts are available, | :13:48. | :13:53. | |
you can get it for free, on 18 or 24-month contracts. | :13:53. | :13:59. | |
The new Kindle. Yes, �89. The cheapest so far, lighter, thinner | :13:59. | :14:03. | |
and you're getting it for such a bargain price. Have you got one of | :14:03. | :14:08. | |
these? I haven't got a Kindle. still like reading books. I love my | :14:08. | :14:12. | |
books. The pages and everything. It's making it your own and bending | :14:12. | :14:17. | |
the page back. I really like that. I can't get a grip of this. This is | :14:17. | :14:21. | |
the best selling eReader in the world. It's spawned a whole new | :14:21. | :14:26. | |
generation of book worms. It's a good device. Unlike the more | :14:26. | :14:29. | |
expensive models, there are no keyboard and 3G for the cheap price, | :14:29. | :14:32. | |
but it's a small price to pay, you're not going to be downloading | :14:32. | :14:39. | |
books on a regular basis. How many books? 1400 books. Hold it, touch | :14:39. | :14:47. | |
it, feel it, would you like it. touch screen. You have to use the | :14:47. | :14:52. | |
buttons. Refreshes pages quickly, downloads books wireless very | :14:52. | :14:57. | |
quickly. How much? �89. Move over to Gregg. Your favourite | :14:57. | :15:04. | |
sport is rugby? Yeah, I coach rugby. It's apt for us. I'm being bashed | :15:04. | :15:09. | |
up by the Kiwis. The original version on PlayStation | :15:09. | :15:14. | |
was awesome, so this is hoping to follow suit. Everything looks slick, | :15:14. | :15:20. | |
as you can see. Handball! | :15:20. | :15:28. | |
It looks good this game. I played it before the show and there was no | :15:28. | :15:33. | |
bungee jumping! I won it. adultery, drinking, dwarf throwing, | :15:33. | :15:40. | |
I don't know what was going on. This is stadiums rendered with | :15:40. | :15:45. | |
complete accuracy. The stadium in New Zealand will look exactly as it | :15:45. | :15:50. | |
would on your TV. You can follow a team over 13 years, | :15:50. | :15:55. | |
loads of fun to be had with it. Not only play with international team, | :15:55. | :16:00. | |
you can compete in domestic leagues as well, it has the Premiership. | :16:00. | :16:07. | |
What do you make of it? Do you like it? I think it's fantastic. He's | :16:07. | :16:16. | |
not said a word! How much is that? �40PC, Xbox �60. | :16:16. | :16:21. | |
Thank you Lucy and Gregg for your rugby skills. | :16:21. | :16:26. | |
A new series now with Dr Alice Roberts and she's finding out why | :16:26. | :16:36. | |
:16:36. | :16:37. | ||
we are who we are in origins of us. One of the really important ways | :16:37. | :16:46. | |
that we keep cool whilst running is this, sweat. | :16:46. | :16:51. | |
In order for sweating to work, we needed to lose our ape-like body | :16:51. | :16:55. | |
hair. One of the most obvious differences | :16:55. | :17:02. | |
between us and oeur apes is our hairlessness but in fact we're not | :17:02. | :17:08. | |
really naked apes at all because our bodies are covered in this very | :17:08. | :17:14. | |
tiny fine hairs, so maybe it's more accurate to say we are hairless. | :17:14. | :17:18. | |
Amongst those fine hairs on our skins are the pores of up to four | :17:18. | :17:21. | |
million sweat glands. Which can pump out as much as three | :17:21. | :17:31. | |
litres of sweat an hour. So, combined with that furlessness, | :17:31. | :17:35. | |
it means we can very effectively and efficiently lose body heat from | :17:35. | :17:42. | |
the surface of our skin through the evaporation of sweat. When you're | :17:42. | :17:45. | |
running you're generating much more internal body heat than you do | :17:45. | :17:48. | |
whilst walking, when you're running in a hot place like this, the need | :17:48. | :17:52. | |
to get rid of all that heat is even more pressing. | :17:52. | :17:57. | |
So, this combination of furlessness and sweatyness has been put forward | :17:58. | :18:03. | |
as just one of the physical adaptations that evolved in our | :18:03. | :18:11. | |
ancestors for endurance running. You can trace The Origins Of Us on | :18:11. | :18:14. | |
You can trace The Origins Of Us on Monday at 9pm on BBC Two. Daniel | :18:14. | :18:19. | |
has graced us with his presence in the kitchen. Indeed I have. Good | :18:19. | :18:22. | |
cook. Not great. My mum will be pleased I'm in the | :18:22. | :18:25. | |
kitchen. You have that stance of someone who | :18:25. | :18:31. | |
doesn't cook. Pl you can always tell with our guests. I'll roll my | :18:31. | :18:38. | |
sleeves up. Ones who go, the ones who are not sure they do that, I'm | :18:38. | :18:40. | |
kinda connected with this kitchen because I'm touching it. We're | :18:40. | :18:45. | |
going to make a cottage pie with call flour cheese top. We have | :18:45. | :18:52. | |
mince cooking, onions, stock, carrots, tomato pureee, garlic, the | :18:52. | :18:56. | |
topping, call flour we have blanched, poet Tate owe, cheese | :18:56. | :19:06. | |
yoghurt, Dijon mustard and aoeg. Knife -- egg. | :19:06. | :19:14. | |
Knife skills. Bring it on. Down the middle any particular way. | :19:14. | :19:19. | |
That's fine that's good. Please don't chop your finger. I'm taking | :19:19. | :19:29. | |
my life in my hands. Apart from ourselves, Louise, it's only us who | :19:29. | :19:35. | |
have injured ourselves rather than our guests. I'm starting to well up | :19:35. | :19:38. | |
and everything. Our guest clothes we've ruined many times. Yeah, the | :19:38. | :19:46. | |
clothes, but no fingers. I know, yet! I'm chopping carrot, | :19:46. | :19:51. | |
Daniel is chopping a bit of onion. The other part is really simple. A | :19:51. | :19:58. | |
simple cottage pie. We didn't get cooking lessons at school. We were | :19:58. | :20:04. | |
all running around in tap shoes. When it comes to chopping an onion. | :20:04. | :20:08. | |
It's all about politics today. That's across all schools, even | :20:08. | :20:12. | |
your beautiful drama school. wouldn't have had time in the day | :20:12. | :20:17. | |
to practise cooking. That's perfect. What do you think? | :20:17. | :20:24. | |
There's a future for you. Next year on Celebrity MasterChef. We cook | :20:24. | :20:30. | |
off the onion, the carrot and a bit of garlic and soften those up. | :20:30. | :20:34. | |
We've already cook the beef. Now we're getting the flavour going | :20:34. | :20:39. | |
back into that. The beef juices go as well. Things like this are so | :20:39. | :20:42. | |
good in the winter for your kids, when you want to combine everything, | :20:42. | :20:49. | |
stick in the oven and that's a meal. You don't have to faff around with | :20:49. | :20:54. | |
other pots and papbgs. -- papbgs. | :20:54. | :21:03. | |
You would cook the veg until they're soft. Then the tomato | :21:03. | :21:08. | |
puryaofplt A quick e-mail from Anna. | :21:08. | :21:12. | |
Vera Drake is quite a serious story line, did you feel drained when the | :21:12. | :21:16. | |
camera stopped rolling, you played a hard-hitting character, it must | :21:16. | :21:22. | |
be emotionally involved? It can be a bit like that. But I wouldn't say | :21:22. | :21:27. | |
I'm a method actor or anything like that. It's important to keep the | :21:27. | :21:31. | |
actor and the character separate. That way you can also be objective | :21:31. | :21:35. | |
as to what you're playing in the scene as well. Like, you still have | :21:35. | :21:38. | |
a third eye and you're aware of what choices that you make as an | :21:38. | :21:43. | |
actor. Is that a choice you make as an actor. Do you think "Right I'm | :21:43. | :21:46. | |
going to be a method-style actor who is going to live and breathe | :21:47. | :21:51. | |
the spart." Does that kind of happen? With the parts I play I | :21:51. | :21:55. | |
couldn't bring that home, I wouldn't get through the front door. | :21:55. | :21:59. | |
I guess everyone is different really. You've got a little boy so | :21:59. | :22:04. | |
when you go home it's...I Have, yeah. What happens if you do a | :22:04. | :22:08. | |
day's shoot and it's been a rubbish day, one of those days, then that | :22:08. | :22:12. | |
must be hard, you've been a character, you've not enjoyed your | :22:12. | :22:15. | |
day, then you go home, then, do you take your work home with you then, | :22:15. | :22:21. | |
does that affect you? It can be pressurised, when you're shooting a | :22:21. | :22:26. | |
film or whatever and you have a key scene to get through, there's | :22:26. | :22:30. | |
always that pressure to get it right. Schedules are so fast now, | :22:30. | :22:36. | |
it goes like taking a picture. There's a sort of responsibility | :22:36. | :22:40. | |
you have to take on your shoulders. It can be stressful but the more | :22:40. | :22:46. | |
work you do the more experience you gain. We cook this out for a good | :22:46. | :22:51. | |
20 minutes or so and enup with this, this is our lovely mix, simply | :22:51. | :22:54. | |
spoon that all in there, there's parsley on there as well. A bit of | :22:54. | :22:58. | |
stock in there as well. You mentioned about cooking for your | :22:58. | :23:01. | |
kids, I deliberately didn't put booze in this, if you were going to | :23:01. | :23:08. | |
do this for grown-ups, a bit of red wine, port or Madina, will enrich | :23:08. | :23:12. | |
it. I think this is one of those dishes they can, the children can | :23:12. | :23:17. | |
have and you don't have to do loads of other things with it. Exactly. | :23:17. | :23:23. | |
It's a big hearty meal. We flatten that down and then the next thing | :23:23. | :23:28. | |
we do is we have a layer of mashed potato. Because we're topping this | :23:28. | :23:32. | |
with call flour cheese. We need a bridge between the meet and the | :23:32. | :23:37. | |
call flour cheese. Do that again, spread it out with a | :23:37. | :23:40. | |
thin layer. What's next, Daniel, other things, | :23:40. | :23:46. | |
stage plays or anything like that? I did a movie called Welcome to the | :23:46. | :23:51. | |
Punch, the second film from a director called Creevy, his first | :23:51. | :23:57. | |
movie was Shifty, a low-budget film. This time around he has Ridley | :23:57. | :24:01. | |
Scott as his executive producer and all this money, it's a great film | :24:01. | :24:07. | |
with Mark Strong and James McAvoy. It's like a contemporary cops and | :24:07. | :24:11. | |
robers thriller set in London. I just finished that, which was | :24:11. | :24:17. | |
really fun. OK, so now we have our sour cream, you can use yoghurt or | :24:17. | :24:27. | |
creme fraiche, egg, Dijon mustard, give a quick whisk to break it down. | :24:27. | :24:33. | |
He's really making me work this time. Yeah, it's not sitting around | :24:33. | :24:39. | |
drinking coffee here. We tip the cheese into that. Just | :24:39. | :24:45. | |
think, though, you can cook this in the week for the family. | :24:45. | :24:49. | |
In goes the call flour, stir that around and spoon it all on to the | :24:49. | :24:56. | |
top. So it's three layers, the bottom layer is the delicious rich | :24:56. | :25:01. | |
meaty bit, then the potato and we get this lovely layer of call flour | :25:01. | :25:05. | |
cheese and the egg will set it. has a strong smell of the cheese. | :25:05. | :25:09. | |
nice mature cheddar is what you want. A big flavour. That goes into | :25:09. | :25:18. | |
the oven and we took that for about ...It Jazzs up call flour cheese | :25:18. | :25:26. | |
because it's a bit... Check that out. You compiled all that, that's | :25:26. | :25:34. | |
exactly how it will look. To serve it. For me if you were going to | :25:34. | :25:38. | |
make this for the family you'd slap it in the middle of the table and | :25:38. | :25:44. | |
let everybody dig in so you can see how delicious it is so, the best | :25:44. | :25:50. | |
bits of course are the burnt bits around the edges. They are the | :25:50. | :25:55. | |
desirable bits. Over to Tim. Thanks, Louise, we can reveal the | :25:55. | :26:01. | |
deja view year, Ford left Dagenham and Top Loader had this hit, it was | :26:01. | :26:07. | |
2,000. I think I got that right. Even though I had no idea, really. | :26:07. | :26:12. | |
We have some E-mails here but before we do that, let's all pause | :26:12. | :26:17. | |
for a minute and wait for Louise to make her way really slowly over | :26:17. | :26:21. | |
there, can you hurry up please, because I'm trying to stall without | :26:21. | :26:24. | |
asking, because it's your birthday, isn't it. | :26:24. | :26:32. | |
Yeah, tomorrow. Aaah. | :26:32. | :26:37. | |
This is my little MasterChef thing that I thought I'd let you see what | :26:37. | :26:43. | |
you think. What it's got is a buttery biscuit base. That's lovely. | :26:43. | :26:48. | |
Thanks very much. We got loads of tweets. | :26:48. | :26:55. | |
Hang on, I haven't blown the candles out. | :26:55. | :26:59. | |
Matt says, because you love your rugby so much, who are you | :26:59. | :27:02. | |
supporting now had the rugby now England and Wales are out. Be | :27:02. | :27:05. | |
careful, if you haven't seen this morning's semi-final keep your | :27:05. | :27:09. | |
fingers in your ears because we're going to talk about it. Give it | :27:09. | :27:15. | |
five seconds. New Zealand beat the Aussies and I work with the Kiwis, | :27:15. | :27:20. | |
but France are the underdogs, I'm good meets with Michel Roux aopbt | :27:20. | :27:24. | |
family I'm going to be donning the clock and the blue shirt and go for | :27:24. | :27:29. | |
France. Alles blue. But my heart goes out | :27:29. | :27:33. | |
to Wales, this should have been a Wales-New Zealand final. Could I | :27:33. | :27:38. | |
just say that referee. Yeah, appalling decision. | :27:38. | :27:45. | |
I don't know enough about rugby whether to know it was appalling. | :27:45. | :27:48. | |
Matt Dawson was saying that he deserved to get sent off on the | :27:48. | :27:54. | |
radio, so I don't know. Ruth Martin says, is it true Tim | :27:54. | :28:00. | |
Spall was your mentor at RADA? was, they fix you up with a mentor | :28:00. | :28:04. | |
of someone who has been there today. Rafe Spall is on the show tomorrow, | :28:04. | :28:11. | |
a top actor as well. Like yourself. I know him. How was Tim's acting, | :28:11. | :28:15. | |
mentor, sorry? He was great, we went out for a couple of drinks and | :28:16. | :28:21. | |
that, he gave great advice. Mentor, couple of drinks, that's | :28:21. | :28:27. | |
brilliant. Turn up for work and don't steal! 20 seconds, what is | :28:27. | :28:31. | |
your favourite comfort food. What's the stuff you always crave? Mince | :28:31. | :28:39. | |
beef, you can do chilli, spag Bol. Get mince lamb or mince beef. You | :28:39. | :28:42. | |
can't fail. All right. That's it, time is up. | :28:42. | :28:47. | |
There's no more, thanks to our guests Gregg Wallace and Daniel | :28:47. | :28:51. | |
Mays. We'll be back at the same time next week with Bill Bailey and | :28:51. | :28:53. |