Browse content similar to 23/10/2011. Check below for episodes and series from the same categories and more!
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Good morning. It's tone.00am. It's Sunday, the 23rd of October. We're | :00:12. | :00:19. | |
joined in the studio today by the man with the dandelion man who has | :00:19. | :00:22. | |
put rock 'n' roll into stand-up comedy. | :00:22. | :00:32. | |
:00:32. | :00:34. | ||
And the wonderful Raith Small. Stay with us to have some Sunday | :00:34. | :00:44. | |
:00:44. | :00:49. | ||
food, drink some Sunday cocktails. Yeah, welcome to Something For the | :00:49. | :00:55. | |
Weekend. Louise is off this week because she's ill. Get well soon. | :00:56. | :01:02. | |
Get well. Angellica Bell has stepped in. She's pregnant. I am. | :01:02. | :01:06. | |
It's not a pillow. How on earth did that happen? I am asking myself | :01:07. | :01:12. | |
that same question. Just remember, pregnancy is not an illness. Have | :01:12. | :01:15. | |
you felt good? There were three weeks where I thought, my gosh, | :01:15. | :01:21. | |
what is happening here? But most of the time I am upbeat. How long | :01:21. | :01:27. | |
until you give birth? Eight weeks. Could come today? Could. You have | :01:27. | :01:32. | |
your scrubs? Hot water, towels, a cup of tea. Nice. You have been to | :01:32. | :01:42. | |
the Good Food Show. It was fab. I was at the BBC Good Food Show in | :01:42. | :01:47. | |
Scotland. I was in a kilt. Here it is - no, that's not me in the kilt. | :01:47. | :01:52. | |
There it is. What was underneath? Do you know, I did bottle it. I did | :01:52. | :01:58. | |
actually wear underwear. I wasn't a true Scotsman. Jude made me a kilt. | :01:58. | :02:03. | |
It's great. It's very liberating. Have you ever worn won? No, I | :02:03. | :02:08. | |
haven't. Would you? Yeah, but I feel I shouldn't because isn't it | :02:08. | :02:13. | |
all heaped in history? I felt because my wife is Scottish, by | :02:13. | :02:17. | |
default I could do it. Your wife is Scottish? Yeah. How is that going | :02:18. | :02:25. | |
on? It's all right, you know? together. It was the Masterchef | :02:25. | :02:30. | |
final this week. Boo. You're booing because I am not in it, and Phil | :02:30. | :02:37. | |
won it. This is the moment he won it. Let's have a look. | :02:37. | :02:47. | |
:02:47. | :03:00. | ||
Phil. I was robbed. It wasn't right. How | :03:01. | :03:05. | |
did he win? He already does a cooking slot on This Morning. He is | :03:05. | :03:12. | |
a chef, isn't he? It's cheating, absolutely. He stole the show | :03:12. | :03:17. | |
recently playing Emma's boyfriend in One Day, but he'll be telling us | :03:17. | :03:21. | |
about a new film, Anonymous, and what it's like taking direction | :03:21. | :03:25. | |
from Ridley Scott. This film, I went to see it the other day. It's | :03:25. | :03:30. | |
really good. I am going to see it. Don't give anything away. I have to. | :03:30. | :03:35. | |
Not too much. Not too much. It's all about a conspiracy theory how | :03:35. | :03:40. | |
Shakespeare didn't write his play. I'll explain more about that later | :03:40. | :03:46. | |
on. I have just finished reading a Shakespeare. Which one? William. | :03:46. | :03:52. | |
Plus, bill Baillie, described as a master of comedy, is here to give | :03:52. | :04:02. | |
us an insight into his extremely musical, extremely funny brain. | :04:02. | :04:07. | |
Don't forget to tell us your name when you e-mail via the web site. I | :04:07. | :04:12. | |
can't believe he gave me the live access - used to have to dig for | :04:12. | :04:17. | |
that for awhile. I am pregnant. Give me a break. Do you need a wee? | :04:18. | :04:25. | |
No. I went before I came on! E-mail us or Tweet us if you have | :04:25. | :04:34. | |
questions for Bill and Raith. What is cooking today? We have coal | :04:34. | :04:40. | |
and... Chalk, tar! Exactly. All the things you're craving. This is | :04:40. | :04:47. | |
lovely. This is a Middle Eastern dish, so king prawns. We have some | :04:47. | :04:56. | |
nigella seeds and tahini. The main course is sherry-braised chicken, | :04:56. | :05:01. | |
dead simple, on a winterish day. Always going on about - what is | :05:01. | :05:07. | |
going on with the weather? It's boiling - not boiling but... It's | :05:07. | :05:13. | |
pleasant is how I would describe it. I really want winter to kick in. | :05:13. | :05:19. | |
do. I am bored of the Indian summer. I love winter clothes. When I think | :05:19. | :05:24. | |
of winter, I think of labour. due on Christmas? 19th of December. | :05:24. | :05:31. | |
Everybody is going, "It's going to come Christmas Day." Yeah! Everyone | :05:31. | :05:36. | |
is going, oh! Think of the publicity! There is actually no | :05:36. | :05:41. | |
news at Christmas. A quiet time. You could be news. You could be the | :05:41. | :05:45. | |
news. Last year you got married, and it was all about show in New | :05:45. | :05:51. | |
York. All of those pictures of you and Michael in the snow in the | :05:51. | :05:55. | |
streets of New York. Were you jealous? Did it touch your heart? | :05:55. | :06:02. | |
Made me feel jealous. He's a good- looking boy. Today's dessert is | :06:02. | :06:08. | |
apple and passion fruit mer eng pie. What more could you want? Heaven. | :06:08. | :06:15. | |
Finally today, it's a sweet potato bhuna masala. You could add other | :06:15. | :06:19. | |
ingredients, but I want to show the main bulk of the curry is the | :06:19. | :06:29. | |
:06:29. | :06:30. | ||
exciting bit of that. Lovely. Tasty. Thank you. You can follow all of | :06:30. | :06:37. | |
those recipes on the website. you can look forward to on the | :06:37. | :06:43. | |
show... British police have been murdered in a rich man's panic room. | :06:43. | :06:48. | |
Attenborough is back to explore the frozen planet. Millions of tonnes | :06:48. | :06:54. | |
of ice have lost the support of their rocky bed. And The | :06:54. | :07:01. | |
Impressions Show with Cull Shaw and Stephenson. Now, you've still got | :07:01. | :07:06. | |
another Dragon in here, so let me tell you where I am at. | :07:06. | :07:09. | |
Can't wait for all of that but we have to go over to Wayne. He's | :07:09. | :07:14. | |
going to tell us what cocktails I will not be tasting. I'll be under | :07:14. | :07:19. | |
the microscope from Mr Rimmer here because I am doing dessert-style | :07:19. | :07:23. | |
cocktails, pudding in a glass, lemon cheesecake and an apple | :07:23. | :07:30. | |
crumble. What? In a glass? Sounds sweet. Puddings in a glass. I am | :07:30. | :07:34. | |
not sure that's going to be my thing. I think that sounds nice. | :07:34. | :07:44. | |
Your thing, not mine. They come in after the pub, take some pudding, | :07:44. | :07:50. | |
vodka, puree it. They don't! course they do. They drink cider, | :07:50. | :07:57. | |
anyway, students. What are we going to make? Very tasty prawns. We have | :07:57. | :08:06. | |
some butter to cook them in, then the wet part of the sauce is lemon, | :08:06. | :08:13. | |
tahini, olive oil, mint and sumac, which is a great ingredient, a | :08:13. | :08:19. | |
spicy berry. You'll not be able to eat those, are you? They already | :08:19. | :08:24. | |
told me I can't. You can't eat shellfish, soft cheese, what else? | :08:24. | :08:29. | |
Pate. That's about it. What are you - are you doing any cravings at the | :08:29. | :08:35. | |
moment? None. I haven't had one craving at all. Supposedly your | :08:35. | :08:39. | |
cravings are the things your body requires? What the baby needs - I | :08:39. | :08:49. | |
love it you're so in touch with your feminine side. You have made | :08:49. | :08:53. | |
me go to the toilet. Do you need a wee? If you do, just go. | :08:53. | :08:58. | |
LAUGHTER What are you having, a boy or a | :08:58. | :09:03. | |
girl? I can't tell you that. Do you know? Yeah. Do you? Do you think | :09:03. | :09:09. | |
you can tell from the way I look? It's a boy, definitely a boy - 100% | :09:09. | :09:16. | |
- well, 50% - 50/50. Boy or a girl? Definitely a boy. Am I right? Am I | :09:17. | :09:24. | |
right? I'm not going to say! Let's get cooking. Did you find out? | :09:24. | :09:30. | |
my daughter, we did find out, then with Hamish, we did, I think | :09:30. | :09:35. | |
because we really liked the idea of having another girl. We thought, if | :09:35. | :09:39. | |
it was a boy, we didn't want to have that moment when you think, | :09:39. | :09:43. | |
it's a shame. So when we did, we were ready. I couldn't wait. I | :09:43. | :09:50. | |
wanted to find out. What's the point in waiting? I know. It's like, | :09:50. | :09:55. | |
the midwife knows and you don't - it's ridiculous. It's a control | :09:55. | :09:59. | |
thing there, Tim. We have toasted off the sesame seeds, the cumin | :09:59. | :10:05. | |
seeds, the nigella seeds, the hazel nuts, then we spoon all of this | :10:05. | :10:10. | |
into a mortar and pestel and grind it. You could put this into a spice | :10:10. | :10:17. | |
grinder, but there is something quite nice about this. Smells | :10:17. | :10:22. | |
lovely. Smells delicious. Just mash it down, so you're breaking down | :10:22. | :10:26. | |
all of those flavours. While that happens, we'll start to cook the | :10:26. | :10:31. | |
prawns off which is the bit you can't have, but to be honest, I | :10:31. | :10:36. | |
think this sauce is delicious on its own. I can taste that? We'll | :10:36. | :10:41. | |
have it with a little bit of flatbread. Some oil in there, | :10:41. | :10:46. | |
garlic in there. Slice the garlic so you use it as an ingredient, | :10:46. | :10:51. | |
then we chuck in our prawns and cook those away, so we have a | :10:51. | :11:01. | |
:11:01. | :11:02. | ||
lovely, delicious buttery, prawny flavour going on in there. | :11:02. | :11:05. | |
DING Are you doing that... No, I am not | :11:05. | :11:12. | |
doing that on purpose. Keep banging! I am working. My dad | :11:12. | :11:17. | |
used to ask me to clean the house. I just used to go - I am going to | :11:17. | :11:27. | |
:11:27. | :11:29. | ||
use a product name - I apologise - Mr Sheen, then think, they'll think | :11:29. | :11:36. | |
I cleaned now. Leaving pictures at an angle to show they have done it. | :11:36. | :11:41. | |
I might try that at home. Michael is a modern man. He has been really | :11:41. | :11:46. | |
good, doing the dinners, cooking. Does he know what sex your baby is? | :11:46. | :11:54. | |
He doesn't even know I am pregnant. Yeah, he does! He does. I sort of | :11:54. | :11:59. | |
convinced him at first, let's find out. He was like, mmm. Now he's | :11:59. | :12:03. | |
glad he knows. I don't think it matters either way. It's up to you | :12:03. | :12:07. | |
whatever you want to do. Yeah, but some people are dead against | :12:07. | :12:12. | |
finding out. They think it should be a surprise. Should be a surprise | :12:12. | :12:17. | |
on the day, but I'll tell you what, there is quite a lot going on when | :12:17. | :12:18. | |
you give birth. LAUGHTER | :12:18. | :12:24. | |
Squeeze the lemon oil in with the sumac, add the tahini. What sort of | :12:24. | :12:28. | |
birth are you going to have? haven't got a birth plan. I am just | :12:28. | :12:32. | |
going to go in and see what happens. Wing it? Wing it, yeah! Because I | :12:32. | :12:37. | |
think if you go in with too much preconceptions with what you want | :12:37. | :12:43. | |
and that, it doesn't go to plan, you can be disappointed. I wouldn't | :12:43. | :12:48. | |
mind trying natural. You should do - I think definitely. Yeah? And if | :12:48. | :12:53. | |
it's really bad, I might start screaming and yelping and saying, | :12:53. | :12:59. | |
"Give me something." But I am hoping I can - and one of the girls | :12:59. | :13:04. | |
here was talking about hip know- birthing, breathing and... That's | :13:04. | :13:08. | |
all good. Most of the world give birth naturally. It's only Western | :13:08. | :13:13. | |
societies - if you can. Obviously, if there is medical problems... | :13:14. | :13:17. | |
Exactly. Isn't your lifestyle different because if you have a | :13:17. | :13:23. | |
headache, you take pills and - not that you do. Is that enough? Yeah. | :13:23. | :13:27. | |
Chuck in all the lemon juice and give it a mix. That smells | :13:27. | :13:36. | |
delicious - you have all the nuts in there. That's beautiful. | :13:36. | :13:41. | |
chuck the vast majority of this in. We just coat the prawns with this, | :13:41. | :13:47. | |
so straight away, we start getting all of this lovely flavour. Why is | :13:47. | :13:50. | |
it pregnant women can't eat shellfish and soft cheese and | :13:50. | :13:55. | |
things? What happens to them? don't know. It's - with cheese - | :13:55. | :14:01. | |
mix it up - and the tahini. It's the lack of pasteurisation in soft | :14:01. | :14:10. | |
cheese, isn't it? What can you get? It's about bacterial - there are | :14:10. | :14:13. | |
things like salmonella. From the cheese, I am not sure. Probably | :14:13. | :14:18. | |
simply because if you get... I am thinking of things you can normally | :14:18. | :14:24. | |
get from shellfish as a nonpregnant person, like E-coli, salmonella - | :14:24. | :14:28. | |
what's the really scary one? It's a bit like the super-bug in | :14:28. | :14:37. | |
hospitals? No. It's called - Anyway! Anyone help? Norrow virus, | :14:37. | :14:41. | |
which is a really serious one. Right. A little bit of water comes | :14:41. | :14:45. | |
into that. Mix that around as well. Back into here - all the things | :14:45. | :14:49. | |
like the hazel nuts and the sesame seeds - they smell delicious. | :14:49. | :14:52. | |
Normally, we always have prawns in a creamy sauce and stuff like that. | :14:52. | :14:57. | |
Let's add a touch more. In here we have the lemon and the sumac. Come | :14:57. | :15:07. | |
:15:07. | :15:10. | ||
Half of that into that pan and the rest over there. Enough? Lovely. | :15:10. | :15:15. | |
Then we combine all of this lovely tahini sauce with the nuts an the | :15:15. | :15:20. | |
reason we do it in two layers is that we wafpbt there to be this | :15:20. | :15:26. | |
nice toastiness from all of the nuts -- want there to be all of the | :15:26. | :15:35. | |
toastiness from all the nuts. Then, in here,... Is that the flat | :15:35. | :15:40. | |
bread? Flat bread. So we've got the prawns, delicious flat bread to go | :15:40. | :15:44. | |
with it. You can use any kind of flat bread. That's like Lebanese | :15:44. | :15:49. | |
flavour. Yes, all the things are Lebanese, like the sumac. We are | :15:49. | :15:54. | |
going to tear the bread like that and then to serve it, we have some | :15:55. | :16:00. | |
delicious, delicious prawns sitting on the plate. So you get it like a | :16:00. | :16:05. | |
sauce, quite thick and the nuts are thickening it all up. Then we serve | :16:05. | :16:12. | |
it with pickled chillis and a little squeeze of Lemon over the | :16:12. | :16:22. | |
:16:22. | :16:27. | ||
top and Angellica, for you, some sauce. And bread. The hazelnuts and | :16:27. | :16:31. | |
prawns work really well. That's lovely. Really nice. What are we | :16:31. | :16:39. | |
going to have for the main course? Sherry-braised chicken. Luckily all | :16:39. | :16:44. | |
the alcohol gets cooked out so I can taste that. Yes. You can see | :16:44. | :16:49. | |
see that and the recipes at our website. This is just what I wanted | :16:49. | :16:54. | |
for breakfast this morning. Yes, prawns. Ben Miller steps into a new | :16:54. | :17:00. | |
drama in the role of detective Richard Poole now. Sun, sand and | :17:00. | :17:04. | |
serious crime. Oh, this is great. We have got a British policeman | :17:04. | :17:09. | |
murdered in a richman's panic room. An old book clutched in his hands. | :17:09. | :17:14. | |
A safe that's open and a vase that's smashed. As for suspects, | :17:14. | :17:17. | |
there are only two people without an alibi. James, because he was | :17:17. | :17:21. | |
town on his beach alone and Sarah because she was taking a shower. | :17:21. | :17:28. | |
Not that any of this matters. Doesn't get us any closer to | :17:28. | :17:32. | |
understanding how the murderer escaped. I need to see the pieces | :17:32. | :17:36. | |
from the vase and the book Charlie was holding, but first the body. | :17:36. | :17:41. | |
That won't be possible. What won't? Seeing the body? No, none of it, | :17:41. | :17:49. | |
the book, the boody, the vase, none of it is here. What are you saying? | :17:49. | :17:57. | |
It's in Guadeloupe. Fine. Which is a completely different island. | :17:57. | :18:01. | |
can head for the Caribbean and Death In Paradise on Tuesday at 9 | :18:01. | :18:07. | |
on BBC One. The first guest starred in Black Books and led one of the | :18:07. | :18:12. | |
Never Mind the Buzzcocks teams for 11 series. He's most known for his | :18:12. | :18:17. | |
combining music with comedy and he has a sell out show coming up. | :18:17. | :18:20. | |
likes eating, that's his own qualification for judging people's | :18:20. | :18:23. | |
dinners, right. Worrying what Michael Winner thinks of your food, | :18:23. | :18:26. | |
it would be like going to the park and worrying that a duck has looked | :18:26. | :18:36. | |
:18:36. | :18:41. | ||
at you in a funny way. Fabio Capello said it was unappetita | :18:41. | :18:51. | |
:18:51. | :18:51. | ||
Anglaise which is like very damning. The badger and the sparrow, but I | :18:51. | :19:00. | |
like the rustic bling, I've got a Prada wheel barrow. That was from | :19:00. | :19:05. | |
his new tour, Dandelion Mind. Welcome back to something for the | :19:05. | :19:09. | |
weekend, Mr Bill Bailey. A new tour that's not new because you have | :19:09. | :19:14. | |
been doing it for a year? Yes, it's modified gently. It's been all | :19:14. | :19:24. | |
:19:24. | :19:25. | ||
around the world and it's kind of, every show's an different thing, it | :19:25. | :19:29. | |
changes all the time. When you take a show, you said earlier, you have | :19:29. | :19:33. | |
taken it to Australia, where else? Started off in the Scottish | :19:33. | :19:39. | |
Highlands. Why did you start off there? I've always wanted to go | :19:39. | :19:44. | |
there. I've longed to go there. It's a beautiful part of Britain | :19:44. | :19:48. | |
and just trying to organise a trip to get up there was tricky so I | :19:48. | :19:51. | |
thought, if I book a load of gig there is, I have to go, you know, | :19:51. | :19:56. | |
you've committed to it. Also the fact is, there was a way of trying | :19:56. | :20:01. | |
out the show. So it wasn't like they were funnier up there and they | :20:01. | :20:06. | |
would like you better? No, the food was good as well. How far do they | :20:06. | :20:13. | |
have to travel? Isn't there 200,000 people up there in the size of | :20:13. | :20:17. | |
Belgium or something? Yes, it's tricky to get around, we were | :20:17. | :20:21. | |
hampered by the ash cloud when we were there, you usually fly from | :20:21. | :20:26. | |
Inverness to Orkney or Shetland, but we had to drive all the way up. | :20:26. | :20:36. | |
On a train track. We had to build a bridge! What is Dandelion Mind, the | :20:36. | :20:39. | |
concept behind it? The name comes from a dream I had in Melbourne | :20:39. | :20:47. | |
where I had a bit of a fever and/or too much blue cheese before I went | :20:47. | :20:53. | |
to bed. Basically, I had this vision at the back of my head that | :20:53. | :20:56. | |
disintegrated into dandelion spores, and I thought, that is interesting. | :20:56. | :21:01. | |
It sums up the idea of the thoughts spinning off in all directions, so | :21:01. | :21:06. | |
I adopted it for the show. It's one of my favourite images. So the show | :21:06. | :21:10. | |
is about nothing and just thoughts? That was the loose theme b, doubt | :21:10. | :21:14. | |
about it, you know, doubt about the world, western capital itch, | :21:14. | :21:20. | |
teetering on the brunk, doubt about what -- brink, doubt about where we | :21:20. | :21:25. | |
are going, it's a good way to start the show then you get spun off into | :21:25. | :21:28. | |
different challenges. There's a lot of music in it as well. You've | :21:28. | :21:34. | |
toured Australia, where else? Zealand, America and Canada and I | :21:35. | :21:39. | |
did three months in the West End. Years ago people used to tour | :21:39. | :21:42. | |
around Britain, didn't they, and say it's harder crowds up there. | :21:42. | :21:47. | |
Are they harder to play, some of the countries than others, or are | :21:47. | :21:53. | |
they all similar because the world's a closer place? It's got | :21:53. | :21:58. | |
closer, physically it's shrinking as well. Things are moving all the | :21:58. | :22:02. | |
time. I think that's a myth. People always say, humour is different in | :22:02. | :22:07. | |
America, I don't believe that, I think that's a myth. I think | :22:07. | :22:11. | |
comedy's become much more global partly because of things like the | :22:11. | :22:16. | |
intermet and YouTube, you noshes people can Google up your comedian | :22:16. | :22:24. | |
and wash clips -- you know. They're more comedy savvy now aren't they. | :22:24. | :22:28. | |
Sometimes people might think the culture is really funny and another | :22:28. | :22:33. | |
place they might think it's dead pan. Not to blow our trumpet, but | :22:33. | :22:36. | |
British comedy generally travels well around the world, probably | :22:36. | :22:41. | |
better than a lot of comedy. Some comedy of countries, certain | :22:41. | :22:44. | |
countries, can be quite country specific, but British comedy spends | :22:44. | :22:47. | |
to be universal, that's why it travels very well. Tell us about | :22:47. | :22:56. | |
this thing you are doing, called the Tenori-on? Yes, the Tenori-on | :22:56. | :23:02. | |
is a Japanese muzical and is visual instrument -- musical. It consists | :23:02. | :23:07. | |
of a pad of 140-odd buttons and each button, when you press it, it | :23:07. | :23:15. | |
luem naits and it shines in a pattern -- luminates. You can | :23:15. | :23:19. | |
create images and they're then played use ago musical tone. | :23:19. | :23:26. | |
think we should see it in action. It's extraordinary. We have a clip. | :23:26. | :23:30. | |
# Whilst vaguely watching you nibble your sandwich | :23:30. | :23:36. | |
# I was gripped by an overwhelming sense of utter futility | :23:36. | :23:41. | |
# You Twitter Oh my God I'm having a sandwich | :23:41. | :23:50. | |
# Like it's thrilling # Then later 4,000 Tweeters tweet | :23:50. | :23:56. | |
what filling... # That's not it. We had a girl come on here, an artist, | :23:56. | :24:00. | |
Ellie Goulding, she came on and played one I think. Yes, there are | :24:00. | :24:07. | |
a few. Little Boots as well. That was easy it, she came on, yes. -- | :24:07. | :24:12. | |
that was it; yes. You can hook up to other instruments and play other | :24:12. | :24:17. | |
instruments, so it's very much of now because it's a midi, meaning it | :24:17. | :24:23. | |
talks a lot to other instruments. I also like the low tech element of | :24:23. | :24:26. | |
pressing buttons because so much of music is about programming and | :24:27. | :24:32. | |
digital sounds on a computer, whereas this is, physically making | :24:32. | :24:36. | |
an image and it get played. It's perfect for me, the combination of | :24:36. | :24:42. | |
comedy and visual. We have got a Tweet from Stephanie who says what | :24:42. | :24:46. | |
do you get more pleasure from, comedy or music, you are probably | :24:46. | :24:51. | |
going to say both but music drives you, doesn't it? Yes, when I was a | :24:51. | :24:55. | |
kid I thought I would be in a rock band. I thought I'd be in Talking | :24:55. | :24:58. | |
Heads, I thought that was my ambition, I didn't write to them | :24:58. | :25:02. | |
and asked if I could be in their band. Stupid really, I should have | :25:03. | :25:10. | |
done - duh! I sat at home with with the window open playing the piano | :25:11. | :25:13. | |
hoping that David Byrne would snap me up. I thought that was what I'd | :25:14. | :25:18. | |
do. I was in band at school, played music, learned music to a high | :25:18. | :25:22. | |
level, took lots of exams, the diploma, I thought that's what I | :25:23. | :25:28. | |
would end up doing and I ended up doing the School Review and plays | :25:28. | :25:33. | |
and I loved comedy. The spoken word took over as well as a love of | :25:33. | :25:38. | |
music. I think I probably love them the same now. Didn't you headline | :25:38. | :25:48. | |
:25:48. | :25:48. | ||
neb worth? This summer. -- neb worth? I was on between Limp | :25:48. | :25:53. | |
Biscuit and another band, that was great fun. What is the biggest buzz, | :25:53. | :25:56. | |
getting the audience laugh or getting them to love your tunes? | :25:56. | :26:01. | |
Probably a bit of both. That's where it all happened, it all came | :26:01. | :26:04. | |
together because people were laughing about the comedy. Then I | :26:04. | :26:14. | |
:26:14. | :26:15. | ||
did a couple of new songs in that show. I did a version of the folk | :26:15. | :26:20. | |
song Scarborough Fair. I had the whole place bouncing and it was | :26:20. | :26:30. | |
:26:30. | :26:31. | ||
singing, you know, Scarborough Fair, you know, and it was great. For me | :26:31. | :26:35. | |
that,'s the ideal gig, you know, a bit of comedy and music. Is there | :26:35. | :26:40. | |
any instrument you can't or want to play? I'm not so good on the violin. | :26:40. | :26:46. | |
Is it because of your fingers are big? I just can't play it. They | :26:46. | :26:52. | |
don't move quick enough? I've never learned it. It's something I must | :26:52. | :26:57. | |
do. That's on my-to-do list. Stringed instruments, key boards, | :26:57. | :27:01. | |
I'm fine. OK, Bill is not allowed to leave | :27:01. | :27:05. | |
because he's going to cook a pudding with us. Keep treething | :27:05. | :27:11. | |
your questions for him or Raith Small -- tweeting. It's try and | :27:11. | :27:16. | |
remember what year it was time now or what we like to call it, Deja | :27:16. | :27:21. | |
View. # And I said | :27:21. | :27:26. | |
# What about Breakfast at Tiffany's # She said I think I remember the | :27:26. | :27:29. | |
film # As I call laughing | :27:29. | :27:32. | |
# We both kind of liked it # And I said | :27:32. | :27:37. | |
# Well that's the one thing we've got... # The world's first | :27:37. | :27:42. | |
processed food to be made from GM fruit has gone on sale here. It's | :27:42. | :27:47. | |
tomato paste from tomatoes which have an added gene to slow the | :27:47. | :27:50. | |
ripening process. It was far and away the most serious incident in | :27:50. | :27:54. | |
the Channel Tunnel's two years of operation. The fire broke out when | :27:54. | :27:58. | |
the train was approximately 12 miles from Calais. After an absence | :27:58. | :28:01. | |
of 700 years, the stone of destiny is returning to Scotland. The stone, | :28:01. | :28:07. | |
which was used for Scottish Coronations, has been kept at | :28:07. | :28:17. | |
:28:17. | :28:18. | ||
# I say # What about breakfast at | :28:18. | :28:28. | |
:28:28. | :28:47. | ||
What was the year that all happened? I can't join in because I | :28:47. | :28:52. | |
cheated. Last night I went to look up the name of that band because I | :28:52. | :28:56. | |
thought, what on earth is the name of that band? They were called Deep | :28:57. | :29:04. | |
Blue something, but when I looked it up, with the hit - in that year. | :29:04. | :29:09. | |
2003. I am getting worse at this. am embarrassed for you. I am | :29:09. | :29:16. | |
absolutely embarrassed for you. What year was that? Have a guess! | :29:16. | :29:20. | |
am rubbish! We have had so many photos. Most have been the Davina | :29:20. | :29:29. | |
McCall. -- cauliflower cottage pie. But first, naked pictures - Bruce | :29:29. | :29:34. | |
from Middleton made the cauliflower cottage pie - that's great. He has | :29:34. | :29:40. | |
a koi carp tattooed on his chest. Right over your heart - that's | :29:40. | :29:44. | |
going to hurt. It's not a bad tattoo, is it? | :29:44. | :29:47. | |
LAUGHTER Finally, when we started this and | :29:47. | :29:51. | |
you sent in the pictures we were hoping for some ladies, so Karren | :29:51. | :29:55. | |
from St Ann's - never lets us down, do you? She did the cauliflower | :29:55. | :30:00. | |
cottage pie. She made it for her boyfriend Carl. She's apologised | :30:00. | :30:06. | |
for the tan lines, Tim. Apologies accepted. Excellent. We're | :30:06. | :30:12. | |
delighted with that. Fully clothed we have Sarah, Amy, Cassie and | :30:12. | :30:15. | |
Hannah. They also made the cauliflower cottage pie. They're | :30:15. | :30:19. | |
wearing their tiger costumes as they can't afford heating. What are | :30:19. | :30:26. | |
they? Rompers? For grown-ups, yeah. Finally, Paul Evans, the dad, and | :30:26. | :30:32. | |
the son - again, cauliflower cottage pie. They're from Newcastle | :30:32. | :30:38. | |
under lime. Nice work. Cool. So if you're going to cook any of today's | :30:38. | :30:43. | |
dishes and want to show yourself - and your dish - on telly... | :30:43. | :30:53. | |
:30:53. | :30:54. | ||
don't have to be naked. It helps! Send it to the website. Or you can | :30:54. | :30:58. | |
Tweet. Have your face or whatever you want to show us on the telly. | :30:58. | :31:03. | |
What goes through your mind when you think, I am going to get a koi | :31:03. | :31:07. | |
carp tattooed on his chest? He has none on his arm, does he? He just | :31:07. | :31:13. | |
has a fish on his chest - so bizarre. I bet he's got more than | :31:13. | :31:23. | |
:31:23. | :31:23. | ||
one tattoo - don't you think? 4 -- Certainly on his thigh or something. | :31:23. | :31:27. | |
That starter was absolutely beautiful. Thank you! What are we | :31:27. | :31:31. | |
going to do? A simple dish - sherry-braised chicken. We have | :31:31. | :31:37. | |
chicken, onion, stock, sherry, olives, parsley, butter and some | :31:37. | :31:41. | |
bacon. This is a really lovely simple dish to do. The nice thing | :31:41. | :31:47. | |
about using something like sherry is it's quite sweet so you get that | :31:47. | :31:53. | |
flavour in there. If it was volume, it would be a loud flavour - aaah | :31:53. | :31:58. | |
It's shouting about its flavour. Reminds me of my nan's and | :31:58. | :32:03. | |
Grandad's - used to drink that. schooner of sherry. How much is | :32:03. | :32:09. | |
that? Like a double measure. They used to have little sherry glasses. | :32:09. | :32:17. | |
Give it a good dredge in the flour, then pat off the excess. So Phil | :32:17. | :32:23. | |
Vickery winning - did it make you agree... Just because he's a rugby | :32:23. | :32:28. | |
player! You didn't compete against him? No, no, I didn't see him. I | :32:28. | :32:32. | |
saw him in the semi-final. He was very good. He was taking it very | :32:32. | :32:36. | |
seriously. I think that's the great thing about those shows now is the | :32:36. | :32:39. | |
contestants take it very seriously and get stuck in, so good luck to | :32:39. | :32:47. | |
him. Well done! Well done - yeah! Phil, well done, mate. I was hoping | :32:47. | :32:53. | |
for the trophy here! Whatever! Let's cook. You were robbed! I was! | :32:53. | :32:58. | |
So flour, patting the excess off, the seasoned flour into some nice | :32:58. | :33:02. | |
hot fat to seal it. While we're doing that, slice the onion down | :33:02. | :33:06. | |
the middle, take off the stem on the bottom and slice it - however | :33:06. | :33:11. | |
you want to do it, really. This is classic casserole-style cooking, | :33:11. | :33:15. | |
really. That size or thicker? That's fine. So we're sealing off | :33:15. | :33:20. | |
the meat. Then we take the meat out of the pan, then add all the other | :33:20. | :33:24. | |
ingredients. So we have onion, smoked bacon, a great combination. | :33:24. | :33:29. | |
Do you have our Stone Roses tickets sorted yet? Because we're going to | :33:29. | :33:35. | |
be the support act, it shouldn't... Going to do catering to do? I can't | :33:35. | :33:41. | |
decide what we have on, really. everyone a bit giddyap in the | :33:41. | :33:46. | |
north-west because it's the Derby today, isn't it? It is. It's United | :33:46. | :33:50. | |
at Old Trafford today. Who do you think - not who do you think - but | :33:50. | :33:57. | |
who do you want to win? Obviously, I am completely unbiased - in a | :33:57. | :34:02. | |
second they'll go in here. I am unbiased, but if I had my choice of | :34:02. | :34:08. | |
who would win today, they'd be wearing sky blue. Being a Liverpool | :34:08. | :34:14. | |
fan, they're your biggest enemies, aren't they? What I would say about | :34:14. | :34:20. | |
that is whenever Liverpool played Manchester United, I felt both | :34:20. | :34:25. | |
clubs buried the hatchet and said, it's time we stop all the hideous | :34:26. | :34:31. | |
chatter. I hate all of that. That hatred thing hopefully goes. I have | :34:31. | :34:36. | |
had enough of that. Stick to the football. I agree with you. I just | :34:36. | :34:43. | |
want Mario Balotelli to play. Do you hear what he did yesterday or | :34:43. | :34:47. | |
the day before? He set off a load of fireworks in his house. I am not | :34:47. | :34:52. | |
laughing - because it's a stupid thing to do. But it's mental, isn't | :34:52. | :34:57. | |
it? Hilarious. We sweat down the onions. We get in the smoked bacon, | :34:57. | :35:01. | |
sweat that down as well. What you would probably do is I would cook | :35:01. | :35:05. | |
the onions, let them get soft, take them out of the pan or fry the | :35:05. | :35:09. | |
bacon, then the onions. I am sticking to this because that's all | :35:09. | :35:15. | |
we need to do. Let's pretend, Tim... Why would you want to do them | :35:15. | :35:18. | |
separately? I like building up the flavours. At the end of the day, | :35:18. | :35:22. | |
what I want to do have the heat high for the bacon so it gets | :35:22. | :35:25. | |
crispy, take it out of the pan, drop the heat down, then cook the | :35:25. | :35:28. | |
onions slowly so we get that natural sweetness. That's just me. | :35:29. | :35:34. | |
You don't have to do that at all. You could theoretically chuck all | :35:34. | :35:38. | |
of this in at the same time and it would work, but we want to build | :35:38. | :35:43. | |
the flavour. Give the parsley a little bit of a chop. This is all | :35:43. | :35:45. | |
about balance. When you're doing anything like a casserole, you want | :35:45. | :35:49. | |
to get a good balance. Let's imagine we cooked down the bacon | :35:49. | :35:54. | |
and onion for six minutes or so. What we do is put the chicken back | :35:54. | :35:58. | |
in. Remember, we put it in with a little bit of flour. Of course, as | :35:58. | :36:02. | |
we add moisture to this dish, the flour will give it a little bit of | :36:02. | :36:05. | |
thickening, so you're not going to have to worry about whether it's | :36:05. | :36:10. | |
going to be too thin or not. Once we have the chicken back in, add | :36:10. | :36:15. | |
your sherry into there. This works with any kind of sherry. It goes in | :36:15. | :36:19. | |
there? It will do at the end. This works with any kind at all. It | :36:19. | :36:24. | |
works with port. It works with red wine. It works with beer. It's the | :36:24. | :36:28. | |
booze and the stock combined that'll give us a nice flavour. If | :36:28. | :36:32. | |
you were cooking this with beer, I might say add a little bit of sugar | :36:32. | :36:36. | |
so it stays nice and sweet. OK. bring that up to the boil. This is | :36:36. | :36:40. | |
a fast one. Normally, with a casserole, it would be a long cook. | :36:40. | :36:48. | |
If you were going to do this with chicken thighs, it might take a | :36:48. | :36:53. | |
long time. Have a little sniff. It's amazing. It smells wintry. | :36:53. | :36:59. | |
can smell the sherry. When you're heating it this much, are you going | :36:59. | :37:03. | |
to lose all the moisture from it? It will reduce down. When that | :37:03. | :37:06. | |
happens, always the temptation is you'll put more stock in it. I | :37:06. | :37:11. | |
would say put more water in, not stock. If it does reduce too much, | :37:11. | :37:17. | |
add a little bit of water into it. Chuck those in, give it a bit of a | :37:17. | :37:22. | |
stir around. Nice. Then we want to just thicken the sauce a little bit | :37:22. | :37:27. | |
and give it an extra flavour and make it a little bit glossy, so | :37:27. | :37:32. | |
what we do is add butter. In that goes and give that a little bit of | :37:32. | :37:41. | |
a whisk around. Ideally, if you put cold butter in it, it works better. | :37:41. | :37:45. | |
Move things to one side. Give it a stir-around so it works. So we have | :37:45. | :37:50. | |
all the sherry, the stock, the butter, the bacon and everything in | :37:50. | :37:57. | |
there. Then, of course, it's quite heavy - the flavours are big and | :37:57. | :38:02. | |
heavy in there, so let's add some delicious parsley in there to make | :38:02. | :38:06. | |
it nice and grassy. What we have done to serve this - with anything, | :38:06. | :38:12. | |
you can serve it with rice, with vegetables, a bit of spinach, | :38:12. | :38:17. | |
whatever you fancy, but what I've done is we have sauteed off some | :38:17. | :38:22. | |
potatoes so you've got a nice little bit of carbohydrate in there, | :38:22. | :38:26. | |
a nice bit of crunch. They sit like that then we'll have... It does | :38:26. | :38:33. | |
smell good. One of those on there. This is the best. Time of year for | :38:33. | :38:38. | |
food, Tim. For clothes and food! Autumn is the best time. Then we | :38:38. | :38:48. | |
:38:48. | :38:50. | ||
spoon over this delicious sauce. And then finally, we add... | :38:50. | :38:56. | |
these flaked almonds there? Can I sprinkle on? Please feel free to | :38:56. | :39:02. | |
sprinkle it on, Mr Baillie. So you have sherry, flaked almonds, all | :39:02. | :39:10. | |
the flavours in there. Dig in. do you doll this? It's sherry- | :39:10. | :39:14. | |
braised chicken. Sherry-braised chicken? OK. Let's have a bit of a | :39:14. | :39:23. | |
What do you think? Autumny. Quite delicate flavour. Yeah, because the | :39:23. | :39:27. | |
chicken makes it nice and... Hearty. That's delicious! I can imagine | :39:27. | :39:33. | |
that - walking the dogs, coming in out of the cold wind sitting down | :39:33. | :39:39. | |
to a plate of that, fantastic. you got dogs? Yeah, we have four | :39:39. | :39:49. | |
dogs. Four? Four! You said that like I am a Komodo dragon. One of | :39:49. | :39:56. | |
my favourite animals, the Komodo dragons. It's not like I say I have | :39:56. | :40:05. | |
three dogs and a injuroff. It is a lot. What sort of dogs are they? | :40:05. | :40:11. | |
am afraid to say now. You're just going to lash out and stab me in | :40:11. | :40:18. | |
the arm with a fork. Bill is cooking dessert later. What are you | :40:18. | :40:22. | |
doing? An apple and passion fruit meringue. Fantastic. That recipe is | :40:22. | :40:30. | |
on our website. You can also e-mail your questions for Bill or Rafe at | :40:30. | :40:38. | |
SFTW. Are you weird or what? What's wrong with you? Why can't you have | :40:38. | :40:48. | |
:40:48. | :40:49. | ||
a hamster like normal people? are they called? Teddy, banjo and | :40:49. | :40:55. | |
Brackon. Three are feral dogs we got on holiday. We took pity on | :40:55. | :41:03. | |
them. How are they getting on with the language barriers? Fine. I do | :41:03. | :41:08. | |
signing. "Do you want -" it's amazing how it works. There is | :41:08. | :41:14. | |
frost on the ground, and Attenborough is back on the telly. | :41:14. | :41:23. | |
It's reached the ocean, and millions of tonnes of ice have lost | :41:23. | :41:33. | |
:41:33. | :41:53. | ||
the support of their rocky bed. These icefalls are an ominous sign | :41:53. | :41:59. | |
of what is about to happen. There is a rupture deep within the | :42:00. | :42:09. | |
:42:10. | :42:47. | ||
A colossal iceberg is born. And you can watch the incredible | :42:47. | :42:51. | |
cinematography of Frozen Planet Wednesday at 9.00pm. Amazing. You | :42:51. | :42:59. | |
have either watched our guests in Pete Versus Life or the hit Shadow | :42:59. | :43:04. | |
Lion. You won't be able to miss him playing Shakespeare himself in a | :43:05. | :43:10. | |
new film, Anonymous. You are the famous William Shakespeare whose | :43:10. | :43:18. | |
labours I have so enjoyed. I am at your service, sir. My expenses have | :43:18. | :43:23. | |
enlarged - grandised. If your Lordship does not agree to an | :43:23. | :43:30. | |
increase in my fee, then I shall be forced to make certain facts public. | :43:30. | :43:38. | |
Have you any idea to whom you are speaking? Yes, I am addressing the | :43:38. | :43:47. | |
writer of Hamlet - Giulio and Romeo, am I not? Get out. Wait. How much? | :43:47. | :43:57. | |
:43:57. | :44:04. | ||
Something for the weekend's Raith Spall. | :44:04. | :44:08. | |
I'm an honest guy, I think it's brilliant. It's a fantastic film. | :44:08. | :44:13. | |
It's so different to anything I've seen recently. It's an old- | :44:13. | :44:22. | |
fashioned film. It's got the period aspect, which studios think are | :44:22. | :44:26. | |
hard to pay for. The director is known for directing things like | :44:26. | :44:31. | |
Independence Day and 2012, so it's a departure for him. The studios, | :44:31. | :44:34. | |
as a favour to him said, you can make your movie that you have | :44:34. | :44:39. | |
wanted to do for 20 years to do this period piece. This works. | :44:39. | :44:43. | |
us what it's about. Without giving away too much because I'm seeing it | :44:43. | :44:47. | |
tomorrow morning. It's about who wrote Shakespeare's plays and | :44:47. | :44:50. | |
there's lots of conspiracies floating around that this man | :44:50. | :44:53. | |
didn't write the plays and this film centres on the theory that it | :44:53. | :45:01. | |
was a guy who was the Earl of Oxford. I play Shakespeare but mine | :45:01. | :45:11. | |
:45:11. | :45:12. | ||
is like Fakes-speare but I'm just an actor that got lucky. If the | :45:12. | :45:16. | |
story's not real, it's obviously a huge conspiracy theory, but you get | :45:16. | :45:19. | |
so engrossed and you think it's real and when it's finished I think, | :45:19. | :45:24. | |
no, I don't want it to be real because I like the idea. You like | :45:24. | :45:32. | |
the idea of this guy writing a huge body of work. One person could have | :45:32. | :45:42. | |
:45:42. | :45:44. | ||
written Julius caesar and Macbeth and Mim someer Night's Dream, I | :45:44. | :45:50. | |
don't believe Edward De Vere wrote it but if people want to Google him | :45:50. | :45:55. | |
and watch it with a new set of eyes... People love conspiracy | :45:55. | :45:59. | |
theories. Yes and the film is not dry, it's not intellectual, it's a | :45:59. | :46:03. | |
cracking good story, like a thriller. I'm not interested in | :46:03. | :46:11. | |
being in films that are boring and dry. It's fun and it rips alone and | :46:11. | :46:15. | |
it's engaidgeing and it's for everyone -- edge gauging. You've | :46:15. | :46:22. | |
shot a lot of of it on CGI. Period were tough to do years ago because | :46:22. | :46:27. | |
you had to create huge sets, now you can create immense depth? | :46:27. | :46:34. | |
exactly and it's pretty weird doing green screen in period costume. If | :46:34. | :46:38. | |
you are dressed as Shakespeare and everything is green around you | :46:38. | :46:43. | |
that,'s weird. But that's the merit of having someone like Rowland | :46:43. | :46:46. | |
doing it, there are big aeriel shots, have been though helicopter | :46:46. | :46:51. | |
weren't invented then, of 17th century London, which hasn't been | :46:51. | :46:56. | |
seen before. Period pieces are closed in and small, but this is | :46:56. | :47:03. | |
huge with a big scope. Was it hard as an actor, because Shakespeare is | :47:03. | :47:07. | |
your God as an actor. Was it hard to say yes to the film because | :47:07. | :47:13. | |
there are conspiracy theories in it and you are belittling him? Nah! | :47:13. | :47:18. | |
Good! I'm an actor, I want to do good parts, I'm not going to go, to, | :47:18. | :47:23. | |
that's offensive to me and my fellow actors. Yeah, I'll do it, | :47:23. | :47:33. | |
:47:33. | :47:34. | ||
when do I start?! You also like doing the TV stuff. I liked you on | :47:35. | :47:41. | |
Friday. Yes, it's a simple thing to say, but comedy's either funny or | :47:41. | :47:49. | |
it's not and my programme was a rip a minute, it's a comedy drama, it's | :47:49. | :47:53. | |
straight up comedy. We've got a clip, but explain what happens in | :47:53. | :47:58. | |
it? I play a sports writer called Pete who is a socially inept | :47:59. | :48:03. | |
awkward all-round loser. I don't know why they cast me! The general | :48:03. | :48:12. | |
can see is that he has two Sky Sports type commentators who are | :48:12. | :48:16. | |
supposed to comment Tate on the football but I comment on the | :48:16. | :48:20. | |
mundaneness of his life. You and Chloe are back together. That's... | :48:20. | :48:27. | |
Yes, it is, isn't it. How did you two hook up again? Erm, well, we | :48:27. | :48:31. | |
bumped into each other and Eva Cassidy was doing a tribute concert | :48:31. | :48:37. | |
and we did it. He's been keeping an eye on her on Facebook for a few | :48:38. | :48:43. | |
months. He engineered bumping into it. But he did have to buy Eva | :48:43. | :48:48. | |
Cassidy albums. It's like a knife in the guts. Some of it is so | :48:48. | :48:54. | |
cringey, I was thinking, oh, my gosh, imagine that situation. | :48:54. | :49:00. | |
British comedy travels and one of the things that defines it is, it's | :49:00. | :49:04. | |
we like to be embarrassed because it makes us feel better about | :49:04. | :49:08. | |
ourselves, do you know what I mean, because we get into awkward | :49:08. | :49:13. | |
situations on a daily basis, so to see Someone in a worst situation. | :49:13. | :49:18. | |
It's comforting. You are getting so many movies now, so are you going | :49:18. | :49:24. | |
to give up the TV? No, I'm not one of those that thinks, I'm going to | :49:24. | :49:29. | |
just do films. I love doing telly, so I don't know why I'd stop doing | :49:29. | :49:35. | |
it. You are doing a new film, Prometheus, the new Ridley Scott | :49:35. | :49:42. | |
one, which is a prequel to Aliens? Yes. Which he directed the first | :49:42. | :49:45. | |
Alien? Yes, and I've been sent an e-mail about what I'm allowed to | :49:45. | :49:53. | |
say and I'm not allowed to say and I haven't read the e-mail. It's out | :49:53. | :49:57. | |
next June in Yes, it's part of the Alien franchise, I know that, I'm | :49:57. | :50:07. | |
:50:07. | :50:09. | ||
in it, and I know that and chr Lyse Theron and Michael Fasbender. -- | :50:09. | :50:14. | |
Charlize Theron. Alien is one of the best films ever made and it's | :50:14. | :50:18. | |
great to be there on set with a space suit with Ridley Scott | :50:18. | :50:23. | |
speaking to you. Incredible. Yes, it is, that's why I wanted to act, | :50:23. | :50:28. | |
to be an alien in a space suit. It happened, and it was a dream. | :50:28. | :50:33. | |
you seen a final version? No, they keep it under close wraps and tight | :50:33. | :50:38. | |
and don't let anyone see anything. Will it be as food as Alien? I hope | :50:38. | :50:43. | |
so. It's one of the best films ever made, so it's a high mantle, a high | :50:43. | :50:48. | |
bar, but this is the third sci-fi film Ridley Scott's ever directed, | :50:48. | :50:52. | |
the first two were Alien and Bladerunner, but knowing me, it | :50:53. | :50:56. | |
will probably be the worst one he's ever made! | :50:56. | :51:00. | |
I've been all over the Internet looking for trailers and things, | :51:00. | :51:05. | |
there's nothing out there is there? There's a few stills? There is | :51:05. | :51:13. | |
there are a few bits and pieces but they're propective of its -- | :51:13. | :51:21. | |
protective of it. Raith is cooking so get your | :51:21. | :51:27. | |
questions in. You can tweet or e-mail us. | :51:27. | :51:32. | |
That is also the same for our other guest Bill Bailey. Here is what | :51:32. | :51:36. | |
else is coming up on the rest of today's show. X Factor, Dragons' | :51:36. | :51:42. | |
Den, Countryfile, they're all in the Impressions Show. I'll match | :51:42. | :51:51. | |
thee row's offer. Congratulations - - Theo's offer. Simon cooks up | :51:51. | :51:55. | |
speet potato massala. And we discover the meaning of | :51:55. | :52:01. | |
vocation in Young Nuns. Somehow I knew that that was where God wanted | :52:01. | :52:07. | |
me to be. Very shortly, we'll be checking out | :52:07. | :52:12. | |
the trick or treat must-haves with this little lot over there.Like at | :52:12. | :52:19. | |
them all! They're all there. Your son's there, is he? I don't know, | :52:20. | :52:27. | |
is he? I can't see. I think so. I can't see actually. OK, not at | :52:27. | :52:30. | |
the moment. We are going to look at those. But before that, Bill, | :52:30. | :52:33. | |
you're in the kitchen to do some cooking with us. I can't remember, | :52:33. | :52:38. | |
are you any good at cooking? I used to cook a lot, then I got quite | :52:38. | :52:43. | |
busy, my skills have gotten a bit Rusty, so I used to when I was | :52:43. | :52:49. | |
living on my own on a house boat. Oh, I was a dab hand. Then, I'd | :52:49. | :52:53. | |
knock up anything. How long did you live on a house boat for? Three | :52:53. | :52:57. | |
years. Any good? Great fun. It's never appealed to me that. Great | :52:57. | :53:02. | |
fun. A bit cold in the winter. was going to say it must be cold. | :53:02. | :53:06. | |
bit nippy, but if you don't mind scraping barnacles off your hole | :53:06. | :53:11. | |
every now and again, it's quite fun. We've all done that. Did you move | :53:11. | :53:16. | |
it or stay in one place? You can take them up and down the river but | :53:16. | :53:21. | |
I stayed in one place, it was a nice little community. Big inside? | :53:22. | :53:27. | |
Yes, massive. Like a Tardis. many rooms do they have? Mine had a | :53:27. | :53:33. | |
bedroom and a living area and a galley, you know, and a wheel house. | :53:33. | :53:38. | |
It was... Did you live in it by chance because it's never something | :53:38. | :53:44. | |
that appealed to me, but did you say, I fancy that or... It was out | :53:44. | :53:48. | |
of financial restraints I think. I'd have preferred a flat, but it | :53:48. | :53:52. | |
was cheap, you know, and at the time I thought, this is a cheap way | :53:52. | :53:56. | |
of living in London because the mooring fees at the time were quite | :53:56. | :53:59. | |
small so you know, you'd get a phone line, you know, bottled gas | :53:59. | :54:04. | |
for your cooking and a little heater. It was good fun. Did you | :54:05. | :54:09. | |
have electricity plumbed in as well? Yes, and a little stove. It | :54:09. | :54:19. | |
:54:19. | :54:19. | ||
was great. I might look into that! Yes, with your pipe like that, like | :54:19. | :54:24. | |
Popeye. Down the canal. We are going to make an apple and passion | :54:24. | :54:29. | |
fruit meringue tart. Pastry is milk, egg, butter, flour, shugary, and | :54:29. | :54:33. | |
the filling is passion fruit, sugar, apples and egg whites and sugar for | :54:33. | :54:43. | |
the topping. -- sugar. Flour sugar butter, add the egg, bind it and | :54:43. | :54:48. | |
bake it so the tart case is done. It's mundane our first task on this, | :54:48. | :54:58. | |
:54:58. | :55:00. | ||
Bill. It's peeping apples. So you grab a peeler, any peeler. You are | :55:00. | :55:05. | |
going to be in Doctor Who this year, aren't you? Yes, I'm in the | :55:05. | :55:11. | |
Christmas special. Who are you playing? Obviously I'm sworn to | :55:11. | :55:20. | |
secrecy, but I am ploying a human's oid. A lot of people have saying -- | :55:20. | :55:28. | |
have been saying, they'll save a few quid for the make-up. -- | :55:28. | :55:36. | |
playing a humanoid. He's like a futuristic space person. | :55:36. | :55:43. | |
I do have to cut these? Yes, then if you cut down the middle and cut | :55:43. | :55:49. | |
it across again, then you can cut the core out. OK. Still into birds, | :55:50. | :55:59. | |
:56:00. | :56:06. | ||
bird-watching? Yes, birds, yeah, Look at that! | :56:06. | :56:10. | |
My friend Kerry, lovely bloke, filmmaker, one day was on holiday | :56:10. | :56:14. | |
with his wife and suddenly all these people turned up from nowhere | :56:14. | :56:17. | |
with cameras looking at this bird and he was fascinate sod he thought | :56:17. | :56:21. | |
I'm going to make a film about these people. So he tried to lack | :56:21. | :56:25. | |
into them and it's gone native because he's become one himself, | :56:25. | :56:35. | |
he's become so obsessed. Gone a bit ferrel? Yes. I've got mates who've | :56:35. | :56:40. | |
done bird-watching. He's doing a music, bird and art festival where | :56:40. | :56:47. | |
people are all coming tot about it all. It becomes obsessive? Yes, | :56:47. | :56:54. | |
when I was a kid, we used to go to Slimbridge to some of the bird | :56:54. | :56:58. | |
sanctuarys, so it became like the kind of classic family day out. | :56:58. | :57:04. | |
We'd go to the reservoir and see if we could see a grebe, you know. | :57:04. | :57:12. | |
That was part of my childhood, you know. So it followed that when I'm | :57:12. | :57:16. | |
touring, I take the binoculars to see what I can see because I've | :57:16. | :57:19. | |
just got this thing, I needed to know the names of things. I got to | :57:19. | :57:24. | |
the point where I have a child and I want to know, I want to tell him | :57:24. | :57:29. | |
the names of bird in the garden, I don't want to look out there and go, | :57:29. | :57:33. | |
oh, I don't know what that that is, it's a sense of wanting to know the | :57:33. | :57:38. | |
world around you. It's good to get out. There are conspiracy theories | :57:38. | :57:42. | |
going on about which birds are extinct and which are still around | :57:42. | :57:49. | |
and things like that, isn't there? Yes, there are hard core bird- | :57:49. | :57:53. | |
watchers, the twitch,, they're on the pagers all the time, you know, | :57:53. | :57:59. | |
and it's like oh, one in Devon, go, go, go, and I'm not quite at that | :57:59. | :58:04. | |
level. Do you fall into different categories where you say, I'm | :58:04. | :58:10. | |
massively interested in a certain type of bird. That's true, that's | :58:10. | :58:18. | |
rieblt. But -- that's right. But there are certain people that, you | :58:18. | :58:21. | |
know, little song bird and small ones, they're just little brown | :58:21. | :58:26. | |
bird, you know, why are you interested in that now for, you | :58:26. | :58:31. | |
know, and the other people will say, I like song bird an garden birds. | :58:31. | :58:35. | |
think I would go for herons and King fishers. You would be near | :58:35. | :58:44. | |
water and you would see them. see heron everywhere. And flamingos. | :58:44. | :58:54. | |
:58:54. | :59:01. | ||
Some in Manchester as well now. Manchester parakeets - all right. | :59:01. | :59:08. | |
All right. How am I doing with this? Beautiful. Whilst you have | :59:08. | :59:13. | |
been slicing, I have put them in a pan with some sugar. We cut those | :59:13. | :59:20. | |
down nice and soft. Next, I have scooped out all the passion fruit | :59:20. | :59:24. | |
pulps. Now we're getting delicious perfume into there. Tip that in and | :59:24. | :59:28. | |
mix it all together. Look at that. The people I like when they have | :59:28. | :59:33. | |
hobbys are the storm chasers. would love to do that. You don't | :59:33. | :59:42. | |
get that in Britain, do you? You get drig -- drizzle chasers! Light | :59:42. | :59:47. | |
drizzle, everyone, in Manchester! Light drizzle. It's not going to | :59:47. | :59:51. | |
happen, is it? I was driving through America once with my mate. | :59:51. | :59:57. | |
There was a twister. I was like, go for it. See what happens. He didn't. | :59:57. | :00:01. | |
He got scared. I thought that would be exciting, to chase the weather | :00:01. | :00:05. | |
around. That's delicious, but we want to top it with meringue. So | :00:05. | :00:10. | |
Bill, that's all cooked. But you don't cook the passion fruit? | :00:11. | :00:14. | |
All that's going to happen now is the meringue will go back in the | :00:14. | :00:20. | |
oven so it will warm. Warm up. Start whisking that fella, then I | :00:20. | :00:26. | |
will tip in sugar as we go. We're going to do this quickly. Basically, | :00:26. | :00:31. | |
add the sugar a little at a time, whisk it, as it combines add more | :00:31. | :00:36. | |
so it becomes nice and toffee-ish. We haven't got time to do that. | :00:36. | :00:42. | |
Let's imagine. Does this switch off at all or I... Just hold it forever. | :00:42. | :00:47. | |
Brilliant. This is soft. As you whisk it more and more and more, it | :00:47. | :00:53. | |
will get thicker and become easy to manipulate. Basically, what we do | :00:53. | :01:00. | |
is - see how soft that is? You lift it so it stays in position. | :01:00. | :01:05. | |
peaks. Put it in the oven, five minutes or so, and what you end up | :01:05. | :01:10. | |
with is this one we did earlier., if you remember. Oh, yeah, the one | :01:10. | :01:20. | |
:01:20. | :01:23. | ||
like this. Because we want it to be really fruity, you want a solid, | :01:23. | :01:27. | |
you can add the egg in. I don't want that. I want the fruit. It's | :01:27. | :01:32. | |
English apple season. You want all of this delicious fruit, so I'll | :01:32. | :01:41. | |
get a big slab. I mate made it with my own hands - not even my hands - | :01:41. | :01:51. | |
:01:51. | :01:53. | ||
my eyebrows! Thanks, Rafe. Thanks, mate. Look at that. Can I grab a | :01:53. | :01:59. | |
blackberry with it? Grab a blackberry. Rafe is in the kitchen. | :02:00. | :02:06. | |
What he's doing? A sweet potato curry. I look forward to that. | :02:06. | :02:11. | |
That's beautiful. And your fruit - one of your five a day. Right. | :02:11. | :02:14. | |
Cocktails with Wayne next. But first, the second and last chance | :02:14. | :02:18. | |
to guess the year of the number one - the news stories and the film in | :02:18. | :02:28. | |
:02:28. | :02:31. | ||
# What about breakfast at Tiffany's? | :02:31. | :02:35. | |
# She said I think I remember the Fillmont | :02:35. | :02:39. | |
# Yes, I recall I think we both # Kind of liked it | :02:39. | :02:45. | |
# I said that's the first thing we have got. The world's first | :02:45. | :02:50. | |
processed food to be made from modified food is to go on sale here. | :02:50. | :02:54. | |
It was for and away the most serious incident in the Channel | :02:54. | :02:58. | |
Tunnel's two years of operation. The fire broke out when the train | :02:58. | :03:03. | |
was approximately 12 miles out of Calais. After an absence of 700 | :03:03. | :03:09. | |
years the stone of destiny is returning to Scotland. It has been | :03:09. | :03:19. | |
:03:19. | :03:24. | ||
kept at Westminster Abbey ever at Tiffany's? She said, "I think I | :03:24. | :03:29. | |
remember the -"" Enough is enough. You have cajoled and killed and | :03:29. | :03:33. | |
used it with people from the inside. You want to shake hands with the | :03:33. | :03:40. | |
devil. That's fine. I just want to make sure you do it in hell. | :03:40. | :03:50. | |
:03:50. | :03:56. | ||
What year GM food goes on sale - Rafe, what year do you reckon that | :03:57. | :04:03. | |
was? '95. What did you reckon? bit later, '99. The answer will be | :04:03. | :04:09. | |
revealed at the end of the show. Rafe, we're making cocktails. Do | :04:09. | :04:19. | |
:04:19. | :04:22. | ||
you like a cocktail? I do. What's your favourite? A martini with | :04:22. | :04:29. | |
tanquaray. I like it dry, learned it from Madmen. We were out at the | :04:29. | :04:34. | |
Savoy, and they spent forever making this old-fashioned, stir and | :04:34. | :04:38. | |
stir. Nice and cold. But we're not making that. We're making dessert. | :04:38. | :04:44. | |
We're doing a liquid alternative to a couple of great desserts we love, | :04:44. | :04:49. | |
cheesecake and apple cremeon. This is a cheesecake cocktail with | :04:49. | :04:59. | |
Mascarpone cheese. I am using it for the actual texture. Lovely. | :04:59. | :05:03. | |
You use natural yogurt because it has a sour edge to it. That'll help. | :05:03. | :05:08. | |
A good tablespoon of that goes in, followed by our sweetener, a bit of | :05:08. | :05:12. | |
vanilla. We need to have that. Then we're going to have a good shot and | :05:12. | :05:20. | |
a half of vodka, like that, a bit of lemon liqueur. By the way, you | :05:20. | :05:24. | |
can hear children in the background. We're about to do a Hallowe'en | :05:24. | :05:27. | |
special with the kids and the outfits. That's what they're here | :05:27. | :05:34. | |
for - not the cocktails! Lemon zest will make it nice and fragrant and | :05:34. | :05:38. | |
give it that cheesecake character. So you would have this instead of a | :05:38. | :05:41. | |
dessert? Totally. This is a dessert that ends with happiness. | :05:41. | :05:51. | |
:05:51. | :05:57. | ||
there because there is not much flavour in Mascarpone, but it | :05:57. | :06:03. | |
emulsifys nicely and gives it a nice texture to the drink. I am | :06:03. | :06:07. | |
going to give you one each. You can serve this with coffee. | :06:07. | :06:17. | |
That's like a sherry glass. Like a shot? You can see the thickness and | :06:17. | :06:22. | |
texture of it. Easy. The last thing is a little bit of digestive | :06:22. | :06:27. | |
crumble on top. When you drink it, it tastes just like lemon | :06:27. | :06:32. | |
cheesecake. Cheers. Cheers. Really surprisingly cheesecake in | :06:32. | :06:38. | |
character. That is exactly like a liquid cheesecake. That's lovely. | :06:38. | :06:46. | |
That's delicious, really good. one is a little twist on an apple | :06:46. | :06:51. | |
crumble. We have some Bramley apple sauce there, a little bit of lemon | :06:51. | :06:57. | |
juice, acid - sweetener, sugar, a pinch of ground allspice, nutmeg | :06:57. | :07:03. | |
and cinnamon, which you'll find in traditional apple crumble. Then | :07:03. | :07:08. | |
whiskey which goes fantastic with apple flavours and things like | :07:08. | :07:12. | |
liqueurs. You have to have green liqueur to give it a little apple | :07:12. | :07:18. | |
bite to it. We'll give it a nice shape-up as well. Are these - when | :07:18. | :07:26. | |
you make these sort of drinks, are they popular? You'll see more | :07:26. | :07:29. | |
restaurants are serving more alternative liquid desserts with | :07:29. | :07:34. | |
coffee. I think it's nice if you don't want to have a full dessert. | :07:34. | :07:40. | |
It's very creative. You learn a lot from various chefs at different | :07:40. | :07:49. | |
restaurants. We have a glass of crushed ice here. In an Old | :07:49. | :07:52. | |
Fashioned you need a nice cube of ice. What's the difference between | :07:52. | :07:56. | |
crushed and cubes? Normally, you have nice solid, fresh ice, it will | :07:56. | :08:01. | |
help to maintain the temperature for longer without diluting it. Now | :08:01. | :08:06. | |
you have these wonderful companies making big blocks of ice. Wow, one | :08:06. | :08:10. | |
big cube in a drink. Once you have the right dilution, you pour it | :08:10. | :08:19. | |
over a cube, and it just stays cold. Without the dilution. So we have | :08:19. | :08:24. | |
apple sauce on top, goes in there. There is our crumble. So you have | :08:24. | :08:28. | |
the crumbly ice as well. I have never had a biscuit drink! | :08:28. | :08:32. | |
LAUGHTER You could blend up some Oreo | :08:32. | :08:37. | |
cookies. That would work. Have a try of that. It tastes just like | :08:37. | :08:44. | |
that spiced apple. You have the blended Scottish working with the | :08:44. | :08:48. | |
apple... That's really, really lovely. It's like a strudel. | :08:48. | :08:54. | |
would be really happy with that. Cheers! Nice. Those cocktails can | :08:54. | :09:01. | |
be found on our website. These guys are at the top of their game at the | :09:01. | :09:11. | |
:09:11. | :09:18. | ||
moment. It's the Imelda Mayhem with Do it in soya. Lack together gives | :09:18. | :09:22. | |
me glass. A real man wouldn't worry about gas. Blow it out. Let them | :09:22. | :09:26. | |
know you're there. Yes, your Holiness. It was me. You might want | :09:26. | :09:32. | |
to open a window. I have another one brewing. Tea. Four sugars, love. | :09:33. | :09:40. | |
I'll get these. How much? �4.50, please. OK. I am going to offer you | :09:40. | :09:45. | |
all of the money, but I get 100% of the drinks. I don't really care who | :09:45. | :09:51. | |
gets the drinks. I just need �4.50. Now, hang on, hang on, hang on, | :09:52. | :09:56. | |
hang on. Now, you've still got another Dragon in here. Let me tell | :09:56. | :10:00. | |
you where I am at. I own one of the leading retail outlets in the | :10:00. | :10:05. | |
country. It's not relevant, but always feel the need to mention it. | :10:05. | :10:09. | |
Make an offer or butt out. right. I will! I'm prepared to | :10:09. | :10:19. | |
:10:19. | :10:20. | ||
offer you the �2.25, but I am going to want 50% of the drinks. I don't | :10:20. | :10:27. | |
care if you pay separately. I just need the �4.50. OK. I'll match his | :10:27. | :10:33. | |
offer. Congratulations. You've got yourselves two Dragons. Well done, | :10:33. | :10:42. | |
Theo. I like the way you buy coffee. I'm out, but you can see all the | :10:42. | :10:46. | |
stars in The Imelda Mayhem Thursday, 8.30pm on BBC One. It's time for | :10:46. | :10:49. | |
some things for the weekend. Hallowe'en has come a little bit | :10:49. | :10:55. | |
early to the studio, hasn't it? How many weeks away is it? Next week, | :10:55. | :10:58. | |
next weekend. We're getting into the spirit of things here on | :10:58. | :11:06. | |
Something For the Weekend. See what I am doing there? Good. We're going | :11:06. | :11:12. | |
to start with Ollie and George. Do you want to come over? | :11:12. | :11:15. | |
SCREAM I know Ollie has been extremely | :11:15. | :11:20. | |
excited about wearing the mummy's outfit all day - highlight of his | :11:20. | :11:26. | |
week. Can you see through that? really. Hello. How are you? This is | :11:26. | :11:31. | |
George. Tasty, isn't it Who is quite possibly one of the jolliest | :11:31. | :11:41. | |
:11:41. | :11:41. | ||
babies I ever met. Hello, ras cal. What are they... The outfit is from | :11:41. | :11:48. | |
reddot.co.uk. George is wearing the pumpkin outfit, �10 from Tesco. | :11:48. | :11:57. | |
Thank you, George. Give it back. Urrrgh! Got it. Thanks, Ollie. | :11:57. | :12:02. | |
little brothers now, who are possibly the coolest dudes. Come on | :12:02. | :12:06. | |
over. Do you want to stand there? Come in here. That's it. Now, | :12:06. | :12:12. | |
dressed as Dracula, as you'll see. We have practised this before. Do a | :12:12. | :12:18. | |
twirl for us. There we go! These costumes are from ASDA. If you | :12:18. | :12:23. | |
sponsor one of these - good boy, Frank. Stanley, do you want to put | :12:23. | :12:29. | |
those down as well? We have practised this. Let's hope it works. | :12:29. | :12:38. | |
These are the Hex-Book Spiders. There we go. Whose is that one? | :12:38. | :12:43. | |
They can be everybody's. We'll share. Do you have a remote | :12:43. | :12:49. | |
control? I do. These are the Hex Book Spiders. You get one, but you | :12:49. | :12:54. | |
can control more than one. They have a 360-degree rotation on the | :12:54. | :13:03. | |
top. They're not going! Maybe give them a bit of a kick then. Do you | :13:03. | :13:11. | |
like them? Marks out of ten? Marks out of ten? Go on. Good boys. Thank | :13:11. | :13:16. | |
you very much. And do you want to wave to your friends? Off you go. | :13:17. | :13:21. | |
Expertly done. Alfie, are you coming over? Lift your mask up so | :13:21. | :13:26. | |
you can see what you're doing. Come and join us here. Alfie is dressed | :13:26. | :13:34. | |
as Jack Skellington, a very cool outfit. Do you like that outfit? | :13:34. | :13:41. | |
Yes. In your hand there you have the headphones... Scary! Put your | :13:42. | :13:49. | |
mask back on. Cheeky. Can you pass me one of those quickly? These are | :13:49. | :13:59. | |
:13:59. | :14:06. | ||
Let's dance, Alfie. You must have some moves in your locker? How are | :14:06. | :14:12. | |
you going to woo the girls? Down with the kids. I think he thinks we | :14:12. | :14:19. | |
are both geeky. That one's �1.99? Yes, thumbs up? Yes. We'll finish | :14:19. | :14:24. | |
with that one. You would like to move on that way, Alfie. Good boy. | :14:24. | :14:29. | |
Little Grace. She's dressed as a little witch. Very pretty little | :14:29. | :14:35. | |
witch though, aren't you?! Is that you?! This outfit is from | :14:35. | :14:40. | |
Wilkinson's, it's �5. You like this, don't you, it's a pretty one and | :14:41. | :14:47. | |
the make-up. What is in your hands? The Monster High Doll. Do you like | :14:47. | :14:54. | |
this? Yes. How many marks out of ten? Ten's the best. Do you think | :14:54. | :14:59. | |
ten? Yes. The we turn it round so we can see it on the camera. Good | :14:59. | :15:03. | |
girl. These are from �14.99 and related to spooky people, this is | :15:03. | :15:09. | |
the daughter of a ghost. They're not really scary are they? No. | :15:09. | :15:15. | |
We like them. OK, Dax, another cool name, this is | :15:15. | :15:20. | |
Bill's son. Come and join us. Bailey's son. You've done this | :15:20. | :15:26. | |
before, haven't you? Yes. Show us your face. Give us a peep! Cool | :15:26. | :15:32. | |
hair as well. This outfit is from Sainsbury's, | :15:32. | :15:37. | |
12-�146789 does it get the thumbs up from you, Dax? Yes. What have | :15:37. | :15:43. | |
you got in your hand, a drink? blood. Inspired by the series, this | :15:43. | :15:46. | |
is the True Blood. Do you want to pour some for us? | :15:46. | :15:52. | |
I'll take that, you pour it. Have you tried this already? No. | :15:52. | :15:58. | |
we've got the taste test. Pour me some as well. OK. It's very nice. | :15:58. | :16:03. | |
That's it. A bit heavy handed. There we go. Do you want to try | :16:03. | :16:11. | |
that? Blood-type C, I believe. Done this before? Do you like that? | :16:11. | :16:18. | |
It's very sweet. You're a cool dude you, Dax, aren't you? Does it get | :16:18. | :16:26. | |
the thumbs up? Yes. It's not cheap but it's the blood they use in the | :16:26. | :16:32. | |
HBO series and it's �5.95. Dax take your blood that way. We've got your | :16:32. | :16:38. | |
two little rascals, Grace and Rose. Loving the make-up!. So, Grace, | :16:38. | :16:44. | |
what have you got a The white chocolate skull that is �100. | :16:44. | :16:50. | |
What?! With the decoration. Stick that in a bag afterwards and flog | :16:50. | :16:54. | |
it on eBay. It's cheaper without the lovely decorations. What have | :16:54. | :17:00. | |
you got? A jelly brain and that's �20 and it looks yummy and smells | :17:00. | :17:06. | |
like strawberries. OK, take a bite then. The pirate outfit from Tesco | :17:06. | :17:14. | |
is �10 this one and Sainsbury's this one 8-12 pounds. Do you want | :17:14. | :17:19. | |
to join us? Get a bite out of there, out the middle of it. That's it. | :17:19. | :17:24. | |
That's better, well done Dax. Come in prbgs kids, all of you. There | :17:24. | :17:32. | |
you go, come in. Thanks to Nikki and Dax Bailey and the other little | :17:32. | :17:35. | |
monsters there. For more information on the Halloween stuff | :17:35. | :17:39. | |
e-mail us via the website and we'll get it back to you. This is a | :17:39. | :17:42. | |
documentary on the aspect of life that we don't hear that much about. | :17:42. | :17:50. | |
Clara is about to enter a life of poverty, chastity, obedience and | :17:50. | :17:59. | |
silence in Young Nuns. You can actually click on the nuns on a | :17:59. | :18:02. | |
virtual tour and see them having their recreation. They have their | :18:03. | :18:10. | |
summer hats on. They're quite cute. Clara's chosen a life of silence | :18:10. | :18:15. | |
and contemplation. When she enters the Abbey, she'll spend up to seven | :18:15. | :18:23. | |
hours a day in prayer. You're not raetly meant to talk and have a | :18:23. | :18:29. | |
kofpb station about in addition -- -- you're not really meant to talk | :18:29. | :18:32. | |
and have a conversation about anything. That will get to me, the | :18:32. | :18:37. | |
silence, and at meal times as well, trying not to talk and laugh. | :18:37. | :18:41. | |
many communities of nuns are struggling to survive, Clara's | :18:41. | :18:46. | |
order is flour ushing. In the last five years, they've welcomed eight | :18:46. | :18:53. | |
new sisters, the youngest only 19. I just felt really happy there and | :18:53. | :18:58. | |
somehow I knew that that was where God wanted me to be. I felt this | :18:59. | :19:06. | |
amazing sense of peace that I hadn't felt before. | :19:06. | :19:11. | |
Fascinating story there, you can follow that journey in Young Nuns | :19:11. | :19:17. | |
on Tuesday at 10.35 on BBC One. Raith, you made it into the kitchen. | :19:17. | :19:24. | |
I'm here. Remind us how good you are? I asked you to -- I remember | :19:24. | :19:30. | |
you asked me to separate an egg white from a yolk and I did it. | :19:30. | :19:35. | |
did. I tickled it. What is this about you liking chicken livers? | :19:36. | :19:40. | |
a bolognese. Never done that before. Not a fan of liver but if you put | :19:40. | :19:45. | |
it in a bolognese, soak 'em in milk, chop 'em up fine, fry them with the | :19:45. | :19:49. | |
mince, it's the nice, rich, creamy flavour and put all the milk in as | :19:49. | :19:56. | |
well. You know your stuff. Sort of. What are we doing now? A simple | :19:56. | :20:03. | |
curry. It's about the curry this, speet potato and peas. It's about | :20:03. | :20:10. | |
making your own curry sauce really cumin, peas, coriander, curry | :20:10. | :20:17. | |
powder, chilli, garlic, ginger, tomatoes, white wine, coconut milk, | :20:17. | :20:20. | |
cinnamon and sweet potatoes. I'm going to toast the spices. In the | :20:20. | :20:25. | |
real world, you would do this slowly, so I would put them in a | :20:25. | :20:30. | |
cold pan, turn the heat on... them dry? Yes. If ever you have | :20:30. | :20:35. | |
eaten a curry and it has that bitterness behind it, generally | :20:35. | :20:40. | |
they don't toast the spices. What you want to do is release the oils | :20:40. | :20:45. | |
from the spices and so dry frying them is what you need to do. We are | :20:45. | :20:50. | |
cooking them too quickly really. If you do it gently, as it warms, the | :20:50. | :20:57. | |
oil releases at a more even rate. We are just doing it quickly. You | :20:57. | :21:01. | |
can smell already the cumin seeds start to have a nose on them. If | :21:01. | :21:05. | |
you do it slowly, that will take five minutes. Will it burn more | :21:05. | :21:08. | |
easily as well like that? Of course, yes, because it's really, really | :21:09. | :21:13. | |
high. On a lower heat and every now and again give it a move around. | :21:13. | :21:19. | |
Stpwh you don't want to let them burn. Yes. You've had an | :21:19. | :21:23. | |
interesting relationship with food in your life, haven't you? | :21:23. | :21:30. | |
suppose you could say that. lost what? Five-and-a-half stone. | :21:30. | :21:35. | |
You support drals and you would go to the football matches and buy | :21:35. | :21:40. | |
what, two hot dogs? Yes, I would watch them, buy two hot dogs and a | :21:40. | :21:45. | |
packet of minstrels for pudding. And you would eat that? Yes, that | :21:45. | :21:54. | |
was after lunch. -- you support Crystal Palace. If you fancy making | :21:54. | :21:58. | |
your own curry or anything spicy, this is great to have. Before we | :21:58. | :22:02. | |
did the prawns and grind it with a pesle and mortar, but because of | :22:02. | :22:09. | |
this, wanting it to be nice and fine, it's great. And the finer, | :22:09. | :22:16. | |
the better. Then just tip those straight in. It's not ready yet. | :22:16. | :22:24. | |
Oh! That made me jump. Is that just like that, you just open it? | :22:24. | :22:27. | |
came off completely before. thought you were good in the | :22:28. | :22:32. | |
kitchen. Never used one of these before. Gadgets are the things that | :22:32. | :22:38. | |
do it for all of us. Tip those in there. How do you get the lid off? | :22:38. | :22:43. | |
Go for tit. There you go. Tip those in and they could do with maybe | :22:44. | :22:48. | |
being a little finer. Grind those down and again, on a low heat. | :22:48. | :22:53. | |
Straightaway, you smell the coriander and a lovely bit of per | :22:53. | :22:58. | |
yuem aroma. The next thing, as they cook away matchsticking on your | :22:58. | :23:05. | |
ginger, please, young man -- perfume aroma. Slices and then | :23:05. | :23:14. | |
little strips. I - Liz Evans said, I love your character in the | :23:14. | :23:18. | |
shadowline, what was it like a play a dark character? Brilliant. I've | :23:18. | :23:22. | |
done lots of character so it's nice to do something a bit serious. It's | :23:22. | :23:28. | |
fun playing a psychopath, you know. But I got married during the making | :23:28. | :23:32. | |
of that so that was a funny thing, you know, playing such a terrible | :23:32. | :23:36. | |
character and then... Being nice at home? Yes. That must have been | :23:37. | :23:43. | |
tricky. Well... Do you take your characters home with you or not? | :23:43. | :23:48. | |
You're not allowed to really, you can't because you get home and you | :23:48. | :23:52. | |
have to empty the dishwasher and take the bins out, so you're not | :23:52. | :23:57. | |
really allowed. Tell us about One Day? Yes, the adaptation of the | :23:57. | :24:02. | |
Dave Nicholls book One Day. He adapted his own screen play with | :24:02. | :24:10. | |
Ann Hathaway and Dean stur Jess and I play the boy that Ann doesn't end | :24:10. | :24:20. | |
:24:20. | :24:23. | ||
up with -- Sturgss. -- Sturgess. People say you stole the show on | :24:23. | :24:26. | |
that? Not sure about that. It's nice to have pride in it? It's nice | :24:26. | :24:31. | |
to know people do like it, yes. We've got all the spices. This is | :24:31. | :24:35. | |
smelling love lift even though we should cook it more slowly. Chuck | :24:35. | :24:40. | |
all the ginger in there as well. We've done this in three minutes, | :24:40. | :24:45. | |
when in reality, it would take 12 or 15. Nice and slow. That goes in. | :24:45. | :24:51. | |
And then, cube a bit of sweet potato for me. We glug in a bit of | :24:51. | :24:56. | |
white wine into this. All of that goes in so we get that delicious | :24:57. | :25:02. | |
boozey flavour. You could add stock to it. Something quite nice about | :25:02. | :25:09. | |
wine in curries, Vindaloo is based around wed rhine, -- red wine. | :25:09. | :25:13. | |
You don't think of wine being in Indian cooking for some reason, do | :25:13. | :25:21. | |
you? A lot of the original spices came from Portugal. I see. Vindaloo | :25:21. | :25:29. | |
is wine and potatoes vin-da-loo. Genius. You don't cook this first, | :25:29. | :25:34. | |
it goes straight in? Once that's gone in, add water as the wine | :25:34. | :25:40. | |
reduces, and we end up with this. Now you can add spinach to it, you | :25:40. | :25:45. | |
could add chick peas, aubergine, whatever you fancy, but it's about | :25:45. | :25:48. | |
making the curry sauce. We are going to add a couple of peas. | :25:49. | :25:55. | |
Cooked peas? Frozen, yes. Can you throw them in frozen? Yes. Chuck in | :25:55. | :26:00. | |
a bit of coconut milk. Stir that around and finally we are going to | :26:00. | :26:04. | |
chop in a bit of coriander. It's about that curry sauce which is | :26:04. | :26:08. | |
dead ease. Grind the spices, fry them off, cinnamon, tomatoes, | :26:08. | :26:13. | |
whatever veg you want and it's that simple. You end up with a really | :26:13. | :26:16. | |
delicious home-made curry that's better than anything you are going | :26:16. | :26:21. | |
to buy anywhere else. To serve it, we've got a bit of rice there, | :26:21. | :26:27. | |
we've got a bit of naan bread so it's a proper one. When you make | :26:28. | :26:33. | |
curry, it never tastes like it does as a take away. That will be nicer, | :26:33. | :26:36. | |
without the shadow of a doubt because it's your own creation. The | :26:36. | :26:39. | |
thing about it is, once you start making your own curries, you will | :26:39. | :26:43. | |
find flavours that you like, so it might well be that you like more | :26:43. | :26:51. | |
cardamom in it or cumin. What about garamasala? Again, if there are | :26:51. | :26:57. | |
basic flavours you like, you love that so add that into it. You keep | :26:57. | :27:06. | |
doing that, but we need to find out about Deja View, Tim? We are busy | :27:06. | :27:11. | |
eating this. Deja View, genetically modified tomatoes went on sale and | :27:11. | :27:19. | |
Deep Blue Something sang. It's 1996. You said that to me then you | :27:19. | :27:26. | |
changed it. Yes. Have a go at that. You were so | :27:26. | :27:32. | |
far out, Simon. When does your tour begin? November in Birmingham. All | :27:32. | :27:37. | |
around the country and we end up in Belfast beginning of December. | :27:37. | :27:41. | |
was talking to you earlier, you have another TV thing coming up, | :27:41. | :27:44. | |
it's interesting because it's another conspiracy theory? Yes, a | :27:44. | :27:48. | |
documentary about Alfred Wallace, a contemporary of Darwin and a lot of | :27:48. | :27:54. | |
people think that Wallace actually was the originator of the theory of | :27:54. | :28:00. | |
evolution and that Darwin appropriated his ideas. Is nothing | :28:00. | :28:04. | |
sacred? What next, Jesus isn't the son of God. Can't believe anyone | :28:04. | :28:11. | |
now. Is it a drama or a documentary? | :28:11. | :28:16. | |
I've never even heard of that. was an amateur biologist and | :28:16. | :28:20. | |
explorer and travelled around the world. He came up with a theory, | :28:20. | :28:24. | |
having studied insects and birds, he used to collect them and send | :28:24. | :28:28. | |
them back to Britain. He wrote a letter to Darwin and he looked at | :28:28. | :28:33. | |
them and that's what prompted hum to publish the theory of evolution. | :28:33. | :28:36. | |
I'm getting on the Internet! I will steal his idea, make lots of money | :28:36. | :28:42. | |
and become famous. That is it, it's the end of the show, thanks to our | :28:42. | :28:49. |