Browse content similar to 22/01/2012. Check below for episodes and series from the same categories and more!
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Good morning! Joining us today, music legend and actor, Chris Isaac, | :00:14. | :00:24. | |
:00:24. | :00:28. | ||
there he is in the green room. Plus stand-up comic Ardal O'Hanlon, also | :00:28. | :00:38. | |
:00:38. | :00:41. | ||
known tpwr Father Ted. Welcome to something for the | :00:41. | :00:48. | |
weekend and welcome back to Louise. By the way, we were just having an | :00:48. | :00:52. | |
argument about what sort of men...This Is a second before we're | :00:52. | :01:00. | |
live on air. What sort of men women like on that show ask take me out. | :01:00. | :01:06. | |
They don't go for the cute ones. In reality they want the cute one, | :01:06. | :01:11. | |
don't new? I don't know. I'm revealing nothing, girls, you're | :01:11. | :01:17. | |
fine. Is that because they're on telly. No, everyone's got different | :01:17. | :01:22. | |
tastes. Thankfuly. Where have you been? On holiday? To Cape Town in | :01:22. | :01:27. | |
South Africa. What was that like? It was lvly. Just great, it was | :01:27. | :01:35. | |
lovely, the kids had a fab time. We saw penguins on the beach. Penguins | :01:35. | :01:40. | |
on the beach? Yes. And whales in the sea. It was a really lovely | :01:40. | :01:47. | |
trip with the kids for a week. were the sealions right up into the | :01:47. | :01:52. | |
harbour. That's what's so nice about going there, it's quite an | :01:52. | :01:57. | |
activity-type holiday. So we could take the kids out and do loads of | :01:57. | :02:04. | |
things. Fab time. Do you cycle? do that. Two days. I'm doing the | :02:04. | :02:14. | |
:02:14. | :02:15. | ||
cycle ride from Belgium to London and my bum -- I'm not, - I'm not | :02:15. | :02:19. | |
comfortable! How many miles did you do yesterday. It doesn't sound a | :02:19. | :02:26. | |
lot, but yesterday I did...Don't Tell me, about two! No, it was | :02:26. | :02:35. | |
about 20. That's good, but you've got to do 200. There was one point | :02:35. | :02:41. | |
when I was going uphill and there was a slight head wind, and I | :02:41. | :02:46. | |
wasn't moving. All your Jeans will get tighter every week as you come | :02:47. | :02:54. | |
in. We've got a new invention here. Is it one of yours? No, someone | :02:54. | :03:00. | |
else invented this. It's called a cookie catcher. I love this. | :03:00. | :03:05. | |
don't really dunk biscuits but you put your cookie catcher in there. | :03:05. | :03:13. | |
Can I say, this was invented for my household. Really? Yes, my youngest | :03:13. | :03:18. | |
son loves biscuits dipped in tea to the point where you make a cup of | :03:18. | :03:23. | |
tea and get to the bottom and it's gross. I don't like sweetness in my | :03:23. | :03:29. | |
tea. And there you go, look at that! Is this going to put you off | :03:29. | :03:33. | |
drinking your tea with that in there. You're not putting yours in | :03:33. | :03:40. | |
because you want to keep it. I am taking this home. Can I really? | :03:40. | :03:45. | |
You're catching all the bits. Extensive research says that the | :03:45. | :03:50. | |
Rich Tea are the ones that break up first, according to the girls in | :03:50. | :04:00. | |
:04:00. | :04:01. | ||
the office. The king really is a hob-nob. That there go in like an S | :04:01. | :04:06. | |
S warrior. And if you don't want to waste any you can great spoon and | :04:06. | :04:13. | |
finish it off. They're �2, by the way. This is the first time a | :04:13. | :04:20. | |
gadget has ever worked. This is great. Coming up, Chris Isaac has | :04:21. | :04:28. | |
just flown in to tell us about his latest album. # You rattle my brain | :04:28. | :04:32. | |
# Too much love # You broke my world | :04:32. | :04:37. | |
# What a thrill # Goodness gracious great balls of | :04:37. | :04:42. | |
fire # We'll be talking to him about | :04:42. | :04:51. | |
recording in Memphis. And Ardal O'Hanlon will be here to talk to us. | :04:51. | :04:59. | |
Yes, if you have a question for him, do e-mail or tweet. This is for | :04:59. | :05:08. | |
Chris, "How much of a nightmare TVs to film with Helsinkienia | :05:08. | :05:18. | |
Christianson? Did it put you off that she was naked? Poor lad! | :05:18. | :05:24. | |
does Ardal oHan less than feel type cast with Robbie the Reindeer? | :05:24. | :05:32. | |
We'll ask him later. Today we're starting off with spring rolls and | :05:32. | :05:41. | |
crispy mushrooms. It is the clinies New Year. -- Chinese New Year. | :05:41. | :05:51. | |
And then braised pork cheeks with butter beans. North heaven. A | :05:51. | :05:56. | |
really long, slow cook with butter beans in there, the flavour is | :05:56. | :06:01. | |
delicious. And the dessert is rapsry and coconut squares. Do you | :06:01. | :06:08. | |
remember these as kids? It was called coconut ice, but this is a | :06:08. | :06:13. | |
slightly upmarket version of it. posher version, like yourself. | :06:13. | :06:20. | |
Exactly! And finally, jerk snapper with rice and peas. It's really | :06:20. | :06:27. | |
straight forward. It doesn't have to be snapper, the fish, but you | :06:27. | :06:32. | |
can make it today. And here's what's on the rest of the show | :06:32. | :06:35. | |
today. Establish tan Faulks's epic love | :06:36. | :06:43. | |
story makes it on to the screen in Birdsong. And did you...stop | :06:43. | :06:50. | |
yourself? Miranda Hart swaps her joke shop for medicine in Call The | :06:50. | :06:57. | |
Midwife. I can't move my arms. a hungry long-legged buzzard hunts | :06:57. | :07:06. | |
for his supper in Earthflight. Right, Wayne is over there in the | :07:06. | :07:12. | |
bar area, what do you have today? We have some nice cocktails this | :07:12. | :07:20. | |
week. Tomorrow is the start of the Chinese New Year, so I have | :07:20. | :07:26. | |
Oriental drinks. And also Burns Night. A modern take on a whisky | :07:26. | :07:31. | |
Mach. Did you know one in five of the population of the world are | :07:31. | :07:37. | |
Chinese. So there's us three, Wayne and Lucy Hedges, I regular it's | :07:37. | :07:43. | |
Wayne who is the Chinese one, don't you think? I reckon. What do you | :07:43. | :07:50. | |
think, Wayne. The festival begins today, I think. Oh, no.... I'm not | :07:50. | :07:56. | |
going to read that bit. Do you not believe that bit. It's too | :07:56. | :08:01. | |
confusing. The festival begins on the first day of the first month | :08:01. | :08:06. | |
and ends on the 15th day. Before the festival Chinese people spring | :08:06. | :08:13. | |
clean their houses to sweep away bad luck. And it is a chance to | :08:13. | :08:18. | |
forget all grudges and wish peace and happiness for everyone. That's | :08:18. | :08:28. | |
a good idea. A really good idea. UpupSo, a simple dipping sauce with | :08:28. | :08:37. | |
UpupSo, a simple dipping sauce with spring rolls. So, there is spring | :08:37. | :08:45. | |
roll pastry under here and we have spring onion, carrot, garlic, bean | :08:45. | :08:53. | |
sprouts, ginger, apple. Apple? just for something different. | :08:53. | :09:00. | |
Lou, what would you like to chop? don't mind, what would you like me | :09:00. | :09:07. | |
to chop? Apple. We want to come round the outside, like that. So we | :09:07. | :09:13. | |
get rid of the core without having to mess around and simply cut it | :09:13. | :09:18. | |
into nice thin slices. I heard a great expression this week about | :09:18. | :09:28. | |
:09:28. | :09:31. | ||
cycling, Tim. Yes. Oh, I'm now a sicklist am I! Yeah. I'm not. | :09:31. | :09:37. | |
Apparently you've now become a Mamil. Why? Which is a middle-aged | :09:37. | :09:44. | |
man in Lycra. Tell me you're not going to wear one of them outfits! | :09:44. | :09:54. | |
:09:54. | :09:57. | ||
Yes, I am, Louise. And it's bloomin hot! What colour is it? Black. I | :09:57. | :10:02. | |
actually went for some flourescent stuff because I didn't want to get | :10:02. | :10:12. | |
:10:12. | :10:12. | ||
run over. But I don't know how cool it is. Just wear black with a light | :10:12. | :10:17. | |
on the back of the bicycle. When you fall off you have to accept | :10:17. | :10:22. | |
that you're going to fall. Yes, when you fall off you have to keep | :10:22. | :10:29. | |
your hands on the Handels. Why do you fall off? You can ride. Yes, | :10:29. | :10:34. | |
but maybe you hit ice or gravel and you're going fast. Have you got one | :10:34. | :10:39. | |
of those helmets that goes out the back and do you go down low? I've | :10:39. | :10:48. | |
only been going two days. You have to keep your hands on the Handel | :10:48. | :10:54. | |
bars because if you put your hands out when you fall you break your | :10:54. | :11:00. | |
wrists and arm et cetera. We're into scootering. I run beside the | :11:00. | :11:07. | |
kids calling out "stop." Are you still running? A lit bit. I'm doing | :11:07. | :11:15. | |
a bit of pilates? That's just breathing, isn't it? No, no, just | :11:15. | :11:23. | |
breathing, are you kidding me! are you finding that your core has | :11:23. | :11:31. | |
improved? Yes, tremendously! No, not yet. So, chop up the spring | :11:31. | :11:38. | |
onions, Tim. This is a stir fry about bit for the middle. So, a | :11:38. | :11:45. | |
nice hot pan. Two apples. I'm just going through the motions to make | :11:45. | :11:55. | |
:11:55. | :11:55. | ||
you both feel useful. Thanks for that. Chop the spring onions. | :11:55. | :12:00. | |
It doesn't matter. This is for the filling, so you don't want anything | :12:00. | :12:06. | |
too thick or it will pierce the spring onion pastry. So a hot pan, | :12:06. | :12:11. | |
toss it around and chuck in the vegies. And as we all know with | :12:11. | :12:17. | |
stir fry, keep moving it around, that's the key to it. And the | :12:17. | :12:23. | |
chilli which gives it zing. Everybody likes spring rolls. You | :12:23. | :12:28. | |
always think they're bad for you, but when you think of what goes in | :12:29. | :12:33. | |
the middle? It's the fact that they're deep fried so it's never | :12:33. | :12:39. | |
going to be the healthiest thing. You could keep all this raw and | :12:39. | :12:47. | |
they'd still be nice. You just buy the sauce? A good soy sauce? Nigh | :12:47. | :12:53. | |
yes, and I have a thicker one. And does it say that? Sorry to ask | :12:53. | :12:59. | |
questions. I like it that you ask questions. Do you buy a thick one. | :12:59. | :13:06. | |
You can buy a thick one, you absolutely can. Or you can use a | :13:06. | :13:13. | |
thin one. Whatever you want. But it says it on the bottle? Yes. I know | :13:13. | :13:18. | |
that's a stupid question. Do the soy sauces come in different | :13:18. | :13:25. | |
qualities, then? Yes, they do. they? That's why I was asking. | :13:25. | :13:32. | |
some have the consistency and flavour of salty sump oil, but a | :13:32. | :13:36. | |
delicious one. And things like that are hard to find and know because | :13:36. | :13:41. | |
you buy one and if it's wrong you waste it. Like with anything, if | :13:41. | :13:46. | |
you go to an expert then they'll give you an opinion as to why they | :13:46. | :13:54. | |
think it's good. So, a spoonful of this on the bottom edge. Not too | :13:55. | :14:00. | |
big and then it's a really tight tuck in like that. It smells lovely. | :14:00. | :14:06. | |
Roll it once and bring in the edges. And as we're coming up put some | :14:06. | :14:14. | |
water on it to hold it together. Water before you roll it up. | :14:14. | :14:23. | |
I'll just unwind a bit. then...How's About that? Beautiful. | :14:23. | :14:29. | |
You can do another one, we need three. Straight in. Either of you | :14:29. | :14:35. | |
can do it, as long as you're happy. You can be oyster mushroom monitor. | :14:35. | :14:43. | |
Oh, great. This is a really nice thing to do. Equal quantities of | :14:43. | :14:47. | |
Chinese five spice, flour and a little pinch of salt. So give it a | :14:47. | :14:54. | |
stir around and then what we do with the oyster mushrooms - this is | :14:54. | :15:02. | |
to give them a meaty texture. And we tear some of them and then deep | :15:02. | :15:09. | |
fry this as well. So you get a lovey Chinese five spice flavour | :15:09. | :15:14. | |
and when we fry them - so just toss them in that. The oil is burning. | :15:14. | :15:19. | |
It's fine. It's going to be good. It's turned off. And these go into | :15:19. | :15:25. | |
a hot oil. Obviously, in reality, you'd use the same oil that you've | :15:25. | :15:35. | |
:15:35. | :15:36. | ||
fried the spring rolls in. They're looking good in the deep fryer. How | :15:36. | :15:42. | |
long should they take? Nigh two to three minutes. This is a pretty | :15:42. | :15:49. | |
quick meal, isn't it? It looks really healthy until you just stuck | :15:49. | :15:59. | |
:15:59. | :16:06. | ||
it in there. Yes, look at that! Beautiful. So the mushrooms don't | :16:06. | :16:12. | |
take long, the rolls don't take long. We just want them to crispen | :16:12. | :16:22. | |
:16:22. | :16:25. | ||
up. And the plum sauce and the Hoi sin sauce mix them together. Say it | :16:25. | :16:35. | |
:16:35. | :16:36. | ||
again? Plum sauce and...? Chilli sauce. Then I'll cut one in half to | :16:36. | :16:46. | |
:16:46. | :16:47. | ||
have a nibble. And then our mushrooms, drain those off...this | :16:47. | :16:55. | |
is dead simple and it's a really, really....I Want the blue ones. | :16:55. | :17:05. | |
:17:05. | :17:11. | ||
right, I've gone purple. I think there's very little danger of us | :17:11. | :17:16. | |
talking too much football after the results yesterday! It's going to be | :17:16. | :17:24. | |
really hot. But the mushrooms, Chinese five spice, flour and salt | :17:24. | :17:31. | |
and deep fry them, and that brings out the meaty texture. And then the | :17:31. | :17:41. | |
:17:41. | :17:42. | ||
veggie spring roll. That's glaucous. What have we got for the main | :17:42. | :17:48. | |
choice? Pork cheeks. That's slightly worrying. You can follow | :17:48. | :17:57. | |
all the recipies on the website. a book it sold millions and now | :17:57. | :18:01. | |
Sebastian Faulks' epic love story has made it to the screen. This is | :18:01. | :18:05. | |
has made it to the screen. This is Birdsong. | :18:05. | :18:12. | |
Do you sing? Very badly. Pity, I have a fondness for the patriotic | :18:12. | :18:21. | |
song. Will you be staying with us long? A month or so. We are here to | :18:21. | :18:31. | |
:18:31. | :18:36. | ||
see how the machines work. How old are you? 20, how old are you? | :18:37. | :18:45. | |
Remember, we are speaking in English tonight. Madam, did I see | :18:45. | :18:55. | |
you today walking a long? I might have been. I passed a beautiful | :18:55. | :19:00. | |
house. There was someone playing the piano, I couldn't recognise the | :19:00. | :19:05. | |
melody, but I just stood in the garden trying to stop myself from | :19:05. | :19:15. | |
:19:15. | :19:17. | ||
walking right inside. And did you? Stop yourself? It was one of those | :19:17. | :19:23. | |
sentimental songs that I like. cannot bear them, musicians today | :19:24. | :19:28. | |
are just interested in songs they can sell on the street corner. Give | :19:28. | :19:38. | |
:19:38. | :19:47. | ||
me a great composer. Forgive me. Perhaps you can take my place at | :19:47. | :19:52. | |
cards? And I had another little song I was so looking forward to | :19:52. | :19:59. | |
singing. Another time. And you can see the first part this | :19:59. | :20:05. | |
evening at 9pm on BBC One and BBC One HD. Our first guest today | :20:05. | :20:15. | |
:20:15. | :20:15. | ||
rocketed to fame in 1990 with his single wicked games in David | :20:15. | :20:19. | |
Lynch's film wild at hart and things then he hasn't stopped with | :20:19. | :20:24. | |
hits like this. # You did a bad, bad thing | :20:24. | :20:34. | |
:20:34. | :20:49. | ||
# Baby, a bad, bad thing # I never dreamed that I'd know | :20:49. | :20:59. | |
:20:59. | :21:02. | ||
somebody like you # No, I don't want to fall in love | :21:02. | :21:12. | |
:21:12. | :21:13. | ||
# Chris isaak. And as one of our viewers said, how much of a problem | :21:13. | :21:21. | |
was it filming that? We shot it in Hawaii and people thought we had a | :21:21. | :21:28. | |
special effect behind us with the smoke, but it was a volcanic smoke | :21:28. | :21:35. | |
going out over the ocean. And we were standing on a thin, glass | :21:35. | :21:40. | |
cover, and we went back the next day and the whole thing was gone. | :21:40. | :21:50. | |
:21:50. | :21:54. | ||
We were idiots, like so much of my career! And HerbWrits made the | :21:54. | :22:00. | |
film? Herb has passed away. He's a photographer. He could make a shoe | :22:01. | :22:08. | |
look sexy. And when they finished the video they gave me the first | :22:08. | :22:13. | |
copy and asked what I thought. And I said I like it but I don't know | :22:13. | :22:21. | |
if they're going to play it and he said, "Why not?" and I said I | :22:21. | :22:27. | |
didn't think it was sexy and I said the more you cut me out and put | :22:27. | :22:34. | |
Helena in, the more I'll like the video. And up until then you'd had | :22:34. | :22:39. | |
a little success? Blue Hotel was big in France and I hadn't really, | :22:39. | :22:43. | |
I didn't know we were successful until I went to France and I walked | :22:43. | :22:47. | |
outside the place we were playing and I thought everybody was waiting | :22:47. | :22:52. | |
for a bus or something and they were waiting for us, because we | :22:52. | :22:58. | |
weren't used to crowds for us. did David Lynch find the song to | :22:58. | :23:06. | |
put in the film? I don't know how he found it, but I'm so glad. I'll | :23:06. | :23:12. | |
always be friends with David, I don't care if his car runs out of | :23:12. | :23:19. | |
gas, I'll go across town to push it! But he was looking for a song | :23:19. | :23:25. | |
and I said people like this song live, give us some money and we'll | :23:25. | :23:30. | |
make a video. And we said but the record has been out for a year, | :23:30. | :23:37. | |
it's too late. But David Lynch put up the money. Because it sold | :23:37. | :23:41. | |
millions of copies around the world. And when you got the feedback did | :23:41. | :23:46. | |
you go to all the different places and different countries? Was it | :23:46. | :23:50. | |
full on? The weird thing about having success is you never, there | :23:50. | :23:56. | |
never is, like, here's the point where you go "this is successful," | :23:56. | :24:03. | |
you know, we went from playing clubs to bigger clubs to, you know, | :24:03. | :24:08. | |
stadiums, whatever happens you're not really aware that you're being | :24:08. | :24:14. | |
successful, you're just going "OK, what's next?" you're just moving. | :24:14. | :24:20. | |
There was a chance that they were thinking about dropping you the | :24:20. | :24:24. | |
next record. I don't think they were thinking of dropping me, | :24:24. | :24:28. | |
because ever record I did sold more. So you were going in the right | :24:28. | :24:36. | |
direction. I was going up, not down. It's been slow but steady. And you | :24:36. | :24:42. | |
had critical acclaim on your first two albums. So let's talk about | :24:42. | :24:47. | |
this album. You've done an album of covers from your heroes. Explain | :24:47. | :24:55. | |
what it is. This record, I went to Memphis Tennessee, and Johnny Cash, | :24:55. | :25:02. | |
Carl Perkins, Roy Orbison, Jerry Lee Lewis, all of those artists | :25:02. | :25:07. | |
recorded for a guy called Sam Phillips in a tiny little recording | :25:07. | :25:12. | |
studio called sun studio. And that studio is still there. They ever | :25:12. | :25:17. | |
tore it down and put up a shopping centre, by some miracle. And we | :25:17. | :25:23. | |
went back to Memphis and recorded in that little studio and recorded | :25:23. | :25:27. | |
like they did back then - everybody at one time, no tricks, and we made | :25:27. | :25:32. | |
a record of all the music I just grew up loving. This is the music | :25:33. | :25:39. | |
you love, this is your muscle? I'm nuts about it. When I grew up | :25:39. | :25:44. | |
my dad had a record collection and it was, like, nowadays everybody | :25:45. | :25:49. | |
has millions of records. They have on their phone more records than we | :25:49. | :25:53. | |
had. But he had a little box of records and it was mostly those | :25:53. | :25:59. | |
artists. And when I finished this record - my dad's pretty old now - | :25:59. | :26:04. | |
and I took the first rough mix to my parents and played it. My dad | :26:04. | :26:10. | |
looks to my mum and said something. He never says much and I asked her | :26:10. | :26:16. | |
what he said and she said, "Dad said that's the way I would have | :26:16. | :26:22. | |
sung it" so I was pleased. And are there some songs on the album that | :26:22. | :26:26. | |
you've written? There are a couple, but not enough to spoil the party. | :26:26. | :26:31. | |
Because I love those songs but I had a couple I put in there. I also | :26:31. | :26:37. | |
made a copy of this for Scottie Moore, who was Elvis's first guitar | :26:37. | :26:43. | |
player, still living out there. And I sent him a copy and he was very | :26:43. | :26:52. | |
nice and said, "I love the record, who wrote Live It Up?" he | :26:52. | :26:57. | |
immediately knew he didn't know it before. We have a clip of you in | :26:57. | :27:03. | |
the sun studio. # I forgot to remember | :27:03. | :27:10. | |
# To forget. This is a record starting with all | :27:10. | :27:18. | |
the Sun sessions from the '50s. I've got a lot of great songs on | :27:18. | :27:24. | |
there and I'm really proud of it. It's the only album I've ever made | :27:24. | :27:30. | |
that my band listens to on the tour bus! # Too much in love | :27:30. | :27:34. | |
# I'm a guy insane # You broke my world | :27:34. | :27:39. | |
# What a thrill # Goodness, gracious great balls of | :27:39. | :27:44. | |
fire # And the studio was tiny? It's a | :27:44. | :27:49. | |
tiny room. Here's an example, I go in there and set up and started | :27:49. | :27:56. | |
playing and from me to you, my bass player is standing right there. | :27:56. | :28:01. | |
There are no headphones, you're just playing in the room. It's | :28:01. | :28:07. | |
really simple. And my base player says, "Where do you want me to | :28:07. | :28:17. | |
:28:17. | :28:17. | ||
stand?" and I looked on the floor and there's a hole in the Linoleum | :28:17. | :28:25. | |
and said, "That's where the spike on the bass goes, you stand there" | :28:25. | :28:35. | |
and it has a lot of history. And a lot of others lived around there. | :28:35. | :28:42. | |
Well, Elvis, you think he's the King of rock'n'roll, and you look | :28:42. | :28:47. | |
at it, and you think, "I'm sure Elton John has a better house." | :28:47. | :28:54. | |
Have you been there? No. You've got to go. In California they have a | :28:54. | :29:01. | |
museum and they were going to have an exhibit of rock musician's bits | :29:01. | :29:06. | |
and pieces and they called me and asked if I would like to put my car | :29:06. | :29:15. | |
in and they said Elton John is putting his in. And I said "yeah" | :29:15. | :29:22. | |
and they asked "what car would you like to put in?" and I said, "I've | :29:22. | :29:30. | |
only got one!" and I said, "How long will it be in there?" and the | :29:30. | :29:38. | |
guy said, "Is it a problem?" and I said, "I've only got the one car." | :29:38. | :29:47. | |
And I was thinking Elton John probably just said, "Take the | :29:47. | :29:51. | |
Masarati." Do e-mail or tweet us questions for Chris, because he is | :29:51. | :30:01. | |
:30:01. | :30:06. | ||
staying with us for a bit longer. Now, today's dejya Deja View. | :30:06. | :30:11. | |
In a dramatic and unexpected personal statement the Princess of | :30:11. | :30:17. | |
Wales has announced she is reducing the extent of her public life and | :30:17. | :30:22. | |
placed the blame squarely on what she called the overwhelming | :30:22. | :30:30. | |
attention of the media. Richard Branson has begun legal action over | :30:30. | :30:38. | |
a dirty tricks campaign by BA. . The world's leading woman tennis | :30:38. | :30:45. | |
player, Monica Seles has been stabbed with a knife by a spectator | :30:45. | :30:50. | |
at the tournament. # No, no, limits | :30:50. | :30:55. | |
# We'll give up the fight # We'll do what we want and do it | :30:55. | :31:02. | |
right # This smells like burnt rubber. It's | :31:02. | :31:12. | |
:31:12. | :31:30. | ||
Look at this, my first day as a woman and I'm getting hot flushes! | :31:30. | :31:35. | |
Diana withdraws from public life, Monica Seles was stabbed and BA | :31:36. | :31:42. | |
accused of dirty tricks and Mrs Doubt fire. I try and go back a | :31:42. | :31:47. | |
couple of decades first, so that's '92 and then it was a bit before | :31:47. | :31:56. | |
that, so.... I thought it was before that. Isle' go '93. | :31:56. | :32:05. | |
going back a bit '90. I go 20 years and back a bit. I've got that No | :32:05. | :32:14. | |
Limits in my head now. It will be there all day. No, no, no, no, no, | :32:14. | :32:24. | |
:32:24. | :32:26. | ||
it took them ages to write that! We've got John Pritchard here, from | :32:26. | :32:36. | |
:32:36. | :32:38. | ||
Mid Glamorgan. He made the Dukkah lamb cutlets. What do you think his | :32:38. | :32:45. | |
occupation is? A Tiler? Close. because his ear is out where he | :32:45. | :32:54. | |
holds the pencil. And what is he? children's entertainer. Close, an | :32:54. | :33:03. | |
accountant. And this is Sarah and her ant. And they made the dark | :33:03. | :33:08. | |
chocolate bacon cupcakes. They are...If You guess this, you're a | :33:08. | :33:16. | |
better man than me. Of course, everyone must know, they're nurses. | :33:16. | :33:26. | |
No. A good guess. Sarah is a business analyst, and Angharad is a | :33:26. | :33:36. | |
:33:36. | :33:39. | ||
procurement manager. What do they do? Don't know. And this is what | :33:39. | :33:46. | |
does Simon look like years ago. Look at you. Tucker boots, they're | :33:46. | :33:54. | |
good. I like that, is there another one next week? Yes. And for your | :33:54. | :34:02. | |
chance to be on the fridge of fame, cook one of our recipies and send | :34:02. | :34:08. | |
them in with a photo or a video. Yes, we'd like to encourage you to | :34:08. | :34:17. | |
send video clips in. Do them on send video clips in. Do them on | :34:17. | :34:21. | |
your show and send them in. OK, we're now going to make pig | :34:21. | :34:26. | |
cheeks. Yes, very excited about this. We were saying before the | :34:26. | :34:32. | |
show that it is weird because people will say, "Oh, cheeks" but | :34:32. | :34:38. | |
it's just like eating the arm, it's just another part of the animal. | :34:38. | :34:46. | |
But off cuts seem to be fashionable now. Yes. Why are they cheap? | :34:46. | :34:53. | |
supply and demand. There are as many cheeks on the animal as there | :34:53. | :35:00. | |
are other parts, but because we don't eat them so much they're | :35:00. | :35:06. | |
cheaper, belly pork now is expensive, because people desire it. | :35:06. | :35:14. | |
So, flour, the pork, shall lots, white whine, thyme and butter beans. | :35:14. | :35:19. | |
So, the cheeks, when you're buying them, these are the pillows, as | :35:20. | :35:25. | |
they're called. This is the chewing bit. Because if you buy a cheek | :35:25. | :35:30. | |
you'll get the whole bit of the face, what you want is the pillow, | :35:30. | :35:36. | |
so if you've got a good butcher get him to cut them for you. But | :35:36. | :35:42. | |
apparently the supermarkets are selling them now. When are we going | :35:42. | :35:51. | |
to eight hearts? Shall we do that? I have never eighten them. I used | :35:51. | :35:58. | |
to eat liver a lot. I didn't mind it. Hearts, somehow it's not | :35:58. | :36:03. | |
exciting. It is because I've never tried them. All right, we'll do | :36:03. | :36:11. | |
some. What are they like? Rich, slightly gamey. So if you don't | :36:11. | :36:18. | |
like it you're not going to like it. Is it like kidney? Because I don't | :36:18. | :36:26. | |
like those. I don't think you'll like it. Great, let's make them! | :36:26. | :36:30. | |
shake off the excess flour and seal these fellers. Are these tough so | :36:30. | :36:36. | |
they need a long cook? A long cook, yes. Seal in flour for the starting | :36:36. | :36:43. | |
point. But it is a good two-and-a- half hours. If you want to chop the | :36:43. | :36:53. | |
:36:53. | :36:53. | ||
shalllets, you can half-moon them or circle them. What? We're making | :36:53. | :36:59. | |
a standard casserole now so however you want to do it is...So I'm doing | :36:59. | :37:05. | |
them too thin? Well, the thing with this is the beans will give the | :37:05. | :37:13. | |
bulk. You can have lots of variation in | :37:13. | :37:19. | |
this, cabbage and smoked bacon, but for me, I want the flavour of the | :37:19. | :37:24. | |
pork today and the pork will just break down. Seal these until | :37:24. | :37:30. | |
they've got a bit of colour on there. By the way, happy | :37:30. | :37:38. | |
anniversary last week. Yes, last Monday. 15 years. She is one lucky | :37:38. | :37:45. | |
lady. 15 years, that's a long time. What did you do to celebrate? | :37:45. | :37:49. | |
Ali wasn't well, so we did absolutely nothing. What did you | :37:49. | :37:57. | |
buy her? We decided we wouldn't do presents. No! Simon, where's the | :37:57. | :38:04. | |
romance in that? It's crystal, Simon, you should have got her | :38:04. | :38:10. | |
something crystal. Yeah, I know I should. Moving on! 15 years is a | :38:10. | :38:19. | |
long time. It's good. And the key to 15 years of marriage...Yes, | :38:19. | :38:23. | |
is it? Get a job where you have to come down to London all the time? | :38:23. | :38:29. | |
Yes, I think it's space. I'm not always at home and I work long | :38:29. | :38:35. | |
hours, so when we're together it's good time together. That's my | :38:35. | :38:44. | |
theory. So, stir it around to get all the little bits of flour and | :38:44. | :38:49. | |
pork flavour in there. Then add honey for sweetness. And I want to | :38:49. | :38:56. | |
get it nice a sticky. You can use a little bit of sugar if you haven't | :38:56. | :39:01. | |
got honey. It's my third anniversary today of Twitter. Can | :39:01. | :39:05. | |
you believe that, three years of Twitter. I thought it was only a | :39:05. | :39:11. | |
year or so. But it's such a big part of our lives now. I can't | :39:11. | :39:17. | |
remember what it was like before. Yes, I do it a lot. Now, all the | :39:17. | :39:25. | |
honey is going on there, smell that. It's so nice. If you're -- say we | :39:25. | :39:30. | |
did stir fry for the spring rolls before, if you fancy doing | :39:30. | :39:35. | |
something interesting with your veg, as you stir fry, add a little bit | :39:35. | :39:41. | |
of hundredeo because it brings out the flavour. Then a glug of white | :39:41. | :39:47. | |
whine. What about the leeks? They're in there, you can use | :39:47. | :39:50. | |
whatever veg you want. Then add stock into there and bring it up to | :39:50. | :39:58. | |
the boil. When it comes up to the boil add the cheeks back in. So as | :39:58. | :40:02. | |
the moment these are quite fibrous, they're hard and not very nice to | :40:02. | :40:07. | |
eat. What we want is to break them down. We want all of the connective | :40:07. | :40:12. | |
tissue to break down so it becomes really soft and falls apart. So | :40:12. | :40:16. | |
cover it and simmer it or put it in the oven for two-and-a-half hours. | :40:16. | :40:21. | |
And we end up with that. Smell that. It's glorious. We can see that the | :40:21. | :40:26. | |
cheeks are starting to break down. It does smell good. The butter | :40:26. | :40:31. | |
beans go in. And at this point I would fish the pork cheeks out | :40:31. | :40:35. | |
again and add a little bit of mustard and cream and I'd boil it | :40:35. | :40:41. | |
just so you get that little bit of thickening going on. But for now, | :40:41. | :40:46. | |
we're just going to stir it through. A touch of vinegar which will | :40:47. | :40:52. | |
excite our taste buds. And then add a little bit of cream to finish. As | :40:52. | :40:57. | |
I say, fish out the pork cheeks, boil this down a little bit to get | :40:57. | :41:02. | |
a really, really thick sauce then put the cheeks back in. That is | :41:02. | :41:12. | |
:41:12. | :41:12. | ||
glorious. And then to serve - and you want it to fall apart. So | :41:12. | :41:16. | |
you've got big strong flavours. Lovely texture from the pork. You | :41:16. | :41:24. | |
can see how it's falling apart. And it's a great big bowlful of food. | :41:24. | :41:29. | |
It's kind of early for pork cheeks. I like the idea. Would you like to | :41:29. | :41:37. | |
try some of it? Sure. Help yourself. And how long is it cooked for? | :41:37. | :41:44. | |
and-a-half hours. It falls apart. Oh, man, it really does. From there, | :41:44. | :41:50. | |
when you're got a tight bit of cheek. It's really tender. Are you | :41:50. | :42:00. | |
going to have any? No. Can I have yours? Go for it. And dessert? | :42:00. | :42:04. | |
Coconut and raspberry squares. you can find all of today's | :42:04. | :42:09. | |
recipies on the website. Keep your e-mail questions for Chris and | :42:10. | :42:18. | |
arldle coming in or Tweet them. in the second episode of the series | :42:18. | :42:28. | |
:42:28. | :42:29. | ||
Miranda Hart makes a departure from comedy. This is Call The Midwife. | :42:29. | :42:38. | |
Camilla? Yes. Come in. I generally answer to chumy, my father used to | :42:38. | :42:45. | |
say long dogs need short names. I understand you qualified by a | :42:45. | :42:50. | |
whisker, nurse. I did pass. It was a bit of a scrape. Before that I | :42:50. | :42:56. | |
was nursing for five years. Come on. Inside. Do you need me to go | :42:56. | :43:05. | |
through this piece-by-piece? remotely. What's that? It's an | :43:05. | :43:11. | |
emema nozzle. It's made of glass. Do you break things. And are all | :43:11. | :43:18. | |
your dresses pink? I do have another. And you can watch that | :43:18. | :43:25. | |
episode of Call The Midwife tonight at 8pm. Our next guest started out | :43:25. | :43:32. | |
as a stand-up in his emerald eye before starring in the hit series | :43:32. | :43:42. | |
:43:42. | :44:01. | ||
We have to lose that sax solo. clip was voted the best moment of | :44:01. | :44:07. | |
all threes seer ies. The best moment of all time. Since the | :44:07. | :44:16. | |
evolution of man! Just remind us how ital happened. How did you get | :44:16. | :44:20. | |
the role? It was out of the blue. I was a stand-up comedian so you | :44:20. | :44:25. | |
don't expect things like that to happen to you. And I got a call one | :44:25. | :44:29. | |
day to say they were casting for the series. And I was told about | :44:29. | :44:33. | |
the series months before but I didn't pay any attention to the | :44:33. | :44:38. | |
person who told me. Because I didn't trust him, basically! And on | :44:38. | :44:45. | |
the last day of casting they were about to de camp and he said, "You | :44:45. | :44:50. | |
didn't come in" and he said hurry up. So I went in and started | :44:50. | :44:55. | |
reading and two people were laughing and the rest were looking | :44:55. | :45:00. | |
with big, blank faces. And it just happened. Two months later they | :45:00. | :45:06. | |
said, "Off egot it, come along" and it was the first time I'd done | :45:06. | :45:10. | |
anything like that, it was great, you know everything the first time | :45:10. | :45:16. | |
is great. The first kiss, the first long pair of trousers. But just by | :45:16. | :45:21. | |
reading the script could you tell it was going to be such a huge hit? | :45:21. | :45:26. | |
No, the reaction for me was I really liked it and I could see the | :45:26. | :45:29. | |
possibilities and the potential, but definitely I thought it was | :45:29. | :45:34. | |
going to be a little cult success at best. You know, three in the | :45:34. | :45:40. | |
morning and it would disappear after one series. We had no idea it | :45:40. | :45:48. | |
would become the phenomenon it did. They even have festivals for Father | :45:49. | :45:54. | |
Ted? Yes, they do. They have them in Ireland as well. I've never been | :45:54. | :46:00. | |
to one. Really, when you do a show like that you have to leave it | :46:00. | :46:05. | |
behind. I have really fond memories, but it has to be in the past. | :46:05. | :46:10. | |
when people come to see you do stand-up, are they exacting to see | :46:10. | :46:16. | |
the character? No, not really. Now it's been a while. To begin with | :46:16. | :46:22. | |
they would exact that, yes. But you quickly disabuse them of that | :46:22. | :46:29. | |
notion and just carry on with your own stuff. To some extent you had | :46:29. | :46:35. | |
to just put the blinkers on and do your own stuff. And it's nice to do | :46:35. | :46:38. | |
different things and play different roles and remove yourself from | :46:38. | :46:42. | |
something you're comfortable doing. That's it. I always work on | :46:42. | :46:46. | |
something radically different. I'm not naive enough to think that, | :46:46. | :46:54. | |
like, you know people are going to give me roles as pirates or Bond. | :46:54. | :47:00. | |
James Bond, perhaps! And your stand-up is so big you even go to | :47:00. | :47:06. | |
China. Yes, big in China. I'm doing a play at the moment and then I'll | :47:06. | :47:12. | |
go there. Are you going to do your jokes in Chinese? No, it sounds | :47:12. | :47:17. | |
better than it is, basically you play to the ex-pat society. There | :47:17. | :47:22. | |
are loads of people out there. So we play all the industrial cities | :47:22. | :47:28. | |
and it's a great excuse to go and visit China. And a new play starts | :47:28. | :47:33. | |
Wednesday. It does start Wednesday, it's called Port Authority and the | :47:33. | :47:40. | |
best thing about it, from my point of view is it it's very different | :47:40. | :47:46. | |
because I'm not playing an idiot! It's quite a straight role for me, | :47:46. | :47:52. | |
which is why I jumped at it when I was asked to do it. I'm playing, I | :47:52. | :47:59. | |
suppose you might call him a loser. He's alcohol-soaked and he's | :47:59. | :48:04. | |
unsavoury, he's unkind to his wife and child. And he gets this job and | :48:04. | :48:10. | |
he's not suited for it. He's patently unqualified for the job | :48:10. | :48:15. | |
and he goes to America with celebrity accountants and he makes | :48:15. | :48:20. | |
a show of himself and that's where his story begins. And he's | :48:20. | :48:23. | |
reflecting on this story a few years after the event and he's | :48:23. | :48:28. | |
trying to make sense of it all and justify it in some way or at least | :48:28. | :48:32. | |
get people to understand him. It's a very moving and powerful piece of | :48:32. | :48:38. | |
theatre and it's great to do. I get shivers up my back bone every time | :48:38. | :48:46. | |
I read it. Do you enjoy theatre? do. It's an entirely different | :48:46. | :48:51. | |
experience. When you're a stand-up comic you spend a lot of time on | :48:51. | :48:57. | |
your own trying to come up with funny stuff. And it's self-obsessed, | :48:57. | :49:02. | |
stand-up. And there's nothing wrong with that, being self-obsessed! But | :49:02. | :49:06. | |
it's great to work with other people for a while and forget about | :49:06. | :49:11. | |
your own thing. And it's called Port Authority, but aren't there | :49:11. | :49:16. | |
another two stories interlinked? That's right. There are three | :49:16. | :49:21. | |
distinct storeys and they kind of overlap a little. But they're all | :49:21. | :49:26. | |
guys at different stages in their lives. It's all about men. And are | :49:26. | :49:31. | |
you all on stage at the same time and it cuts between the stories? | :49:31. | :49:37. | |
Yes. Wow, how does that work? works, and you're competing with | :49:37. | :49:44. | |
the audience for your bit. And there's a lot of humour in it as | :49:44. | :49:49. | |
well. There are the three stages of men. There's an older guy in a | :49:49. | :49:54. | |
wheelchair and a middle-aged guy, like me. And all the stories are | :49:54. | :49:58. | |
about things very familiar to men, you know, like disappointment, | :49:58. | :50:04. | |
regret and loss and love and not being able to recognise success | :50:04. | :50:09. | |
when it comes along. Is it a comedy? I wouldn't say that. It's a | :50:09. | :50:14. | |
drama, but like all good dramas it has a lot of humour but you're not | :50:14. | :50:19. | |
playing it for laughs, you're playing it for real. And for me, | :50:19. | :50:25. | |
that's a God send because I'm just used to playing the goofy guy. | :50:25. | :50:33. | |
from it, big film stphrols Well, you know...-- Rolls? Well, you | :50:34. | :50:42. | |
know.. Bond! They're shooting the next Bond in bog anyway, because of | :50:42. | :50:52. | |
:50:52. | :50:58. | ||
cutbacks. So they might want a low- cost Bond! And what next? We're | :50:58. | :51:07. | |
doing a film shot in a subway. now, it's opening soon are you | :51:07. | :51:14. | |
tight? It's over rehearsed. And how long does it run for? A month. | :51:14. | :51:20. | |
that's nice and manageable. So it runs for one month? Yes. And when | :51:20. | :51:25. | |
are the critics coming in? Probably next Friday. Is that nerve-wracking | :51:25. | :51:31. | |
or do you just get on with it? not that bad. You believe in it. | :51:31. | :51:36. | |
When you put so much into something like this, you're totally exited | :51:36. | :51:41. | |
and believe in it. And you banish all those thoughts from your head | :51:41. | :51:50. | |
and just go for it. That's the only way of dealing with that. This is | :51:50. | :51:58. | |
one tweet I suppose you've already answered this, "Do you feel type | :51:58. | :52:08. | |
cast by your roles?." I feel type cast as a man! You know, when you | :52:08. | :52:16. | |
do a role like Father Ted, you don't realise that people have it | :52:17. | :52:22. | |
stuck in their mind. It doesn't stay with me in my day-to-day life, | :52:22. | :52:31. | |
because I'm at home just doing my own thing. Have you ever been on TV | :52:31. | :52:35. | |
where they've never talked about it? Never! I thought this might be | :52:35. | :52:40. | |
the one! Sorry, sorry. So, keep your questions coming in. | :52:40. | :52:49. | |
All this is still to come. We get a bird's eye view of pigeons | :52:49. | :52:57. | |
in India in Earthflight. They fall like leaves. | :52:57. | :53:07. | |
:53:07. | :53:12. | ||
Simon cooks jerk snapper with rice and peas. And celeb guest Jayne | :53:12. | :53:18. | |
lunch lunch comes in. Now, we also have the best of new | :53:18. | :53:24. | |
things, including this unbreakable camera which we have pushed to its | :53:24. | :53:33. | |
limits. And we'll try it out later in the show on gadget roulette, | :53:33. | :53:39. | |
will it work or won't it work. And Chris is joining us in the kitchen. | :53:39. | :53:49. | |
:53:49. | :53:50. | ||
How's your cooking? Well, I put in two fridges in my kitchen so that I | :53:50. | :53:58. | |
can keep all the left overs. don't cook? I live a block from the | :53:58. | :54:06. | |
sea in San Francisco and I'm surfing all the time. And I eat a | :54:06. | :54:13. | |
lot of mussels. I get them fresh. Where did you grow up as a child? | :54:13. | :54:22. | |
There's an area called Stockton. It's always vote ed the worst place | :54:22. | :54:27. | |
to live in America. Is it? It's not bad if you live there, but it's got | :54:27. | :54:32. | |
really bad crime and unemployment. You don't imagine that in | :54:32. | :54:36. | |
California, especially so close to San Francisco. And what did you | :54:36. | :54:43. | |
grow up on? What did your mum make you? My mum's Italian and she makes | :54:43. | :54:48. | |
really good ravioli. If you come to California I'll get the recipe, | :54:49. | :54:55. | |
because somebody's got to learn to make it. She has her grandmother's | :54:55. | :55:00. | |
recipe for ravioli. I love it all, out of a can, it's all different. | :55:00. | :55:09. | |
But her's is so good. Get it and But her's is so good. Get it and | :55:09. | :55:16. | |
sell it! What are we making? twist on a kid's sweet really. | :55:16. | :55:21. | |
Raspberries, icing sugar, desiccated coconut and mascarpone | :55:21. | :55:27. | |
cheese. That's the pink layer and the white layer is pretty much the | :55:27. | :55:34. | |
same, without raspberries. So, Chris, first job, start by mixing | :55:34. | :55:40. | |
those things together. I can do this. I don't remember this sweet | :55:40. | :55:47. | |
as a child. It's kind of like almost a harder version of the | :55:47. | :55:54. | |
inside of a well-known coconut chocolate bar. OK. So it's | :55:54. | :56:00. | |
compressed. I'm bound to remember it now. It almost feels as if it | :56:00. | :56:06. | |
has a hard, icing sugar, coconuty...No, I don't remember it. | :56:06. | :56:12. | |
So, San Francisco. I read that you like a bit of surfing. Is San | :56:12. | :56:17. | |
Francisco a surfing zone area? it's right in the middle of some of | :56:17. | :56:24. | |
the biggest waves in the world and we have all the sharks as well. | :56:24. | :56:32. | |
What are you putting in there? little bit of vanilla! | :56:32. | :56:41. | |
I have a friend, DocRenecker, he surfs the biggest waves in the | :56:41. | :56:48. | |
world and when I was just a beginner he dragged me out there | :56:48. | :56:56. | |
and I was almost killed but he insisted I'd love it. How are you | :56:56. | :57:02. | |
at surfing, are you any good? How many years have you been | :57:02. | :57:08. | |
surfing? I came from a farm area so it wasn't until I got older that I | :57:08. | :57:13. | |
started surfing and I've surfed a lot. So if I was going to be good I | :57:13. | :57:23. | |
:57:23. | :57:23. | ||
would be good! I think I need a different suit for this! Keep going. | :57:23. | :57:29. | |
Have you tried surfing, Simon? funny, I've always wanted to do it, | :57:29. | :57:34. | |
but I have rubbish balance. Really? Absolutely terrible. I can't take | :57:34. | :57:39. | |
my trousers off without falling over. But when I went to California | :57:39. | :57:46. | |
with the kids, they both went surfing. My son stood up on his | :57:46. | :57:53. | |
very first go, ever. Where are you from, Simon? I'm from Liverpool. | :57:53. | :57:58. | |
Because I've never heard that accent, except the beelgtsz beetle | :57:58. | :58:08. | |
:58:08. | :58:09. | ||
have? Can you say, "I'm not saying I'm better than Jesus ." No, we | :58:09. | :58:15. | |
can't say that on a Sunday! Would you like the apron? Yes, that's | :58:16. | :58:21. | |
better. So, this is the bottom layer. The nice thing about it is, | :58:21. | :58:25. | |
because it's quite compact it means you can't make a mistake with it. | :58:25. | :58:35. | |
You can't overwork it. So now we've got to that point. Tip it all in | :58:35. | :58:41. | |
there. Have you surfed? Yes, I went to surf school once on the coast of | :58:41. | :58:48. | |
Devon. Who did you go with? Just ten mates. John and Phil...First | :58:49. | :58:55. | |
the famous surf school? No, it was in England, some bloke who | :58:55. | :58:59. | |
originally came from Essex or somewhere and bought himself a | :58:59. | :59:04. | |
campavan and thought he could surf. But there's no point in learning to | :59:04. | :59:11. | |
surf unless you're near the coast. So, living in London -- we're not | :59:11. | :59:16. | |
surfing the Thames yet. It will happen. So press it down and work | :59:16. | :59:23. | |
that. So we end up with this. already tastes good. You can eat it | :59:23. | :59:30. | |
on its own. So that's layer one. And funnily enough, layer two the | :59:30. | :59:38. | |
much of the same. But this time add the fresh raspberries. You can do | :59:38. | :59:44. | |
it also with blueberries. And go to town, Chris, work it fast! Did you | :59:44. | :59:49. | |
also be a boxer when you were younger? I did. Look at this side | :59:49. | :59:55. | |
of my nose, all the cartilage is knocked out because I had a lot of | :59:55. | :00:02. | |
fights and caught it right on the nose. You got hit? I did. And at | :00:02. | :00:09. | |
some point I thought, "Hey, maybe I ought to be a singer." Were you any | :00:09. | :00:15. | |
good? I was, I was a light heavyweight. But, man, there's | :00:15. | :00:22. | |
always somebody better and it only needs one guy better to make it a | :00:22. | :00:27. | |
miserable sport, I tell you! can't imagine you as a boxer | :00:27. | :00:31. | |
because you're quite laid back. never had a street fight with | :00:31. | :00:35. | |
anybody, because they're always right! I don't hassle people, but | :00:35. | :00:43. | |
in the ring, it was a sport. It was fun. My dad boxed and my dad boxed | :00:43. | :00:49. | |
in prison and I guess he was really good and he taught all his sons to | :00:49. | :00:53. | |
box. So we always had a punch bag in the back yard. This is looking | :00:53. | :00:58. | |
good. Keep it working. So what happens is, all that comes together | :00:58. | :01:03. | |
in the same way and we lay it on the top and press it down and chill | :01:03. | :01:09. | |
it overnight. Do layer one and let that stiffen up. It's quite hard | :01:09. | :01:13. | |
now. Lay that one on top and flatten it off. This is what we end | :01:14. | :01:20. | |
up with. It is set and nice and hard. And then...turn it out, like | :01:20. | :01:27. | |
that. So we have this lovely, delicious, solid block of coconut | :01:27. | :01:33. | |
loveliness. Do you serve it with the beef cheeks? This is one of | :01:34. | :01:43. | |
:01:44. | :01:45. | ||
those things, with a strong cup of expresso, it would be a treat! | :01:45. | :01:52. | |
is traditionally something that gypsies would take in their back | :01:52. | :01:58. | |
pack and take it along the road to eat, only this and a gypsy love | :01:58. | :02:04. | |
song. I'm making this up. Somewhere, a gypsy just woke up and said, | :02:04. | :02:10. | |
"That's not true. We don't do that !" This is just an idea, but you | :02:10. | :02:17. | |
can put these in a zip lock bag and put them in your pocket and go and | :02:17. | :02:22. | |
see Port Authority, the play, and in the middle of the play start | :02:22. | :02:29. | |
eating them. And equally, you can start to dip them in chocolate. | :02:29. | :02:39. | |
:02:39. | :02:44. | ||
can't believe we have Chris Isaak in a pinny! I'm the chef, I'm in | :02:44. | :02:53. | |
charge. If you don't like my food, get out of the kitchen! Just eat it. | :02:53. | :02:59. | |
That's awesome. Do you have a restaurant here in town, Simon. | :02:59. | :03:05. | |
Manchester. Beautiful. I'm going! I'm there. Oh, that's lovely. I | :03:05. | :03:11. | |
might take some of that home with my cookie catcher. Chinese New Year | :03:11. | :03:19. | |
and Burns Night-inspired cock tails next, but guess what year all this | :03:19. | :03:23. | |
happened? # No, no, | :03:23. | :03:33. | |
# No, no, no # No, no # In a dramatic and | :03:33. | :03:36. | |
unexpected personal statement, the Princess of Wales has announced she | :03:36. | :03:41. | |
is reducing the extent of her public life and blamed it squarely | :03:41. | :03:45. | |
on the overwhelming attention of the media. Richard Branson's | :03:45. | :03:53. | |
airline, Virgin Atlantic has begun legal action against BA accusing | :03:53. | :03:57. | |
them of illegally obtaining confidential information about | :03:57. | :04:02. | |
passengers and flights. Monica Seles has been stabbed with | :04:02. | :04:07. | |
a knife by a spectator at a tournament in Germany. | :04:07. | :04:11. | |
# No mountain too high # No, no, no limit | :04:11. | :04:16. | |
# We'll give up the fight # We do what we want and we do it | :04:16. | :04:19. | |
# We do what we want and we do it right # | :04:19. | :04:28. | |
Help is on the way, dear. Doubtfire! Hold on there. One more | :04:28. | :04:38. | |
:04:38. | :04:57. | ||
time, dear. I'm OK. I'm o Kay! Are you all | :04:57. | :05:04. | |
right, boss. OK, 27 limited there, Mrs Doubtfire. | :05:04. | :05:12. | |
What year did I go for in the end? '90? I think that's a bit early. I | :05:12. | :05:18. | |
reckon we're more....You Said you were touring. We did a few shows. | :05:18. | :05:28. | |
So it's got to be about '95 or '94. I was thinking '93. Yeah, around | :05:28. | :05:35. | |
that time definitely. OK, it's the Chinese New Year, isn't it? | :05:35. | :05:40. | |
starts tomorrow. Yes, the year of the dragon, I believe. I'm a monkey | :05:40. | :05:48. | |
what are you? I'm a tiger. And what are you, mate? I'm a dawg! | :05:48. | :05:54. | |
Unfortunately. What's wrong with being a doing? A cute dog. I | :05:54. | :06:00. | |
remember reading Wayne's and thinking, "He's definitely like | :06:00. | :06:06. | |
that." Likeable, lovable, honest and...Likes A drink! No, it was all | :06:06. | :06:11. | |
really nice things, Wayne. So this first one is a drink for the | :06:11. | :06:19. | |
Chinese New Year? Yes. This is Asian basil. It's really pungent | :06:19. | :06:29. | |
:06:29. | :06:32. | ||
and aniseedy. It's aniseed meets basil. It is, but when you agitate | :06:32. | :06:37. | |
it with the ice. What does that mean? When you break up the leaves | :06:37. | :06:43. | |
a bit. The aroma really comes through. A double measure of gin | :06:43. | :06:52. | |
going in and more ice. It's based on Martini, so gin and/or yedges | :06:52. | :07:02. | |
:07:02. | :07:02. | ||
flavours. Lie chee and Mandarin. And finishing with some dry | :07:02. | :07:08. | |
vermouth. It looks like a lot of booze. It is strong, but very, very | :07:08. | :07:13. | |
complex because of all the flavours. And the basil comes right at the | :07:13. | :07:19. | |
end. Do you make loads of cocktails at family functions for everyone? | :07:19. | :07:29. | |
:07:29. | :07:29. | ||
do tend to do, when I go to my in- laws, my father-in-law likes them. | :07:29. | :07:37. | |
When I go to my in-laws, my father- in-law says, "Because you're so | :07:37. | :07:44. | |
good at making cocktails..." and I say,, "No, no, it's not me, it's | :07:44. | :07:51. | |
Wayne." Where can you get all these ingredients? General supermarkets. | :07:51. | :08:01. | |
:08:01. | :08:04. | ||
And grapefruit zest and add a grapefruit garnish. So, there an | :08:04. | :08:09. | |
Orient Martini. Delicate flavours and you can taste the aniseed basil | :08:09. | :08:17. | |
at the end. Umm that's really nice. Oh, that's lovely. That's really | :08:17. | :08:26. | |
good. Quite a kick. This one is a twist on a traditional whisky Mac. | :08:26. | :08:33. | |
I'm using some new ginger liqueur called a Mac Daddy, so a modern | :08:33. | :08:38. | |
version. And why is this one? Burns Night, which is Wednesday. I | :08:38. | :08:43. | |
think last night was a big night in Scotland. I'm going up there on | :08:43. | :08:48. | |
Wednesday. I'm looking forward to that. So this is is a popular drink | :08:48. | :08:57. | |
for Burns Night? It's a popular drink. A whisky Mac. Lemon peel to | :08:57. | :09:07. | |
add citrus, and whisky You always think of whisky as being quite a | :09:07. | :09:11. | |
masculine drink. You rarely see women drinking it. There was a bit | :09:11. | :09:21. | |
:09:21. | :09:22. | ||
of a comeback, especially in an old Manhattan cocktail. Add Ginger | :09:22. | :09:30. | |
Spice and the sweetness. Oh, I like that. It's really subtle. Oh, it's | :09:30. | :09:34. | |
very gingery. But it's not as spicey as you might think. And | :09:34. | :09:41. | |
orange over the top. And there is a Mac Daddy. It's an old-school drink. | :09:41. | :09:47. | |
The sweetness with the ginger and a whisky MacIs an old-fashioned drink. | :09:47. | :09:53. | |
Oh! So are you going to Scotland to celebrate or make drinks? I'm going | :09:53. | :09:59. | |
to celebrate. That's a proper good morning, everybody! Wow, that's | :09:59. | :10:04. | |
strong. I thought it was me when I hadn't been here for a couple of | :10:04. | :10:10. | |
weeks. You can get all the recipies from the website. There are more | :10:10. | :10:15. | |
pigeons in Britain than any other birds. Some say they are a pest, | :10:15. | :10:25. | |
:10:25. | :10:25. | ||
but in India they might be suffering. This is Earthflight. | :10:25. | :10:30. | |
Even in the midst of the city the pigeons can't escape their natural | :10:31. | :10:40. | |
:10:41. | :10:46. | ||
predators. The buzzard dives at the masses. | :10:46. | :10:55. | |
The pigeons take evasive action, falling like leaves. A single bird | :10:55. | :11:05. | |
makes a far easier target. But he drops out of reach. The fort's | :11:05. | :11:12. | |
defences provide vital bolt holes. But he's not called the long-legged | :11:12. | :11:21. | |
buzzard for nothing. Although all he gets this time is a | :11:21. | :11:28. | |
fist full of feathers. You can see the whole of Earthflight at 8pm on | :11:28. | :11:35. | |
Thursday on BBC One and BBC One HD. Lucy is our gadget's expert this | :11:35. | :11:42. | |
week. You've just come back from Vegas? I have. You've lost a lot of | :11:42. | :11:48. | |
money? And sleep. But you were there for a show? Yes, it was the | :11:48. | :11:58. | |
:11:58. | :11:59. | ||
world's biggest eelectronic show, basically. What did you see? Voice- | :11:59. | :12:04. | |
cold TV. Gesture-controlled TVs. The world's slimmest laptop. | :12:04. | :12:10. | |
you didn't see the thing I was interested in. What's that? The 3D | :12:10. | :12:15. | |
printers that can print products out. It prints things out. | :12:15. | :12:22. | |
printers are good but when you're in a room full of awesome TVs, it | :12:22. | :12:30. | |
sits on the back burner, for me, any way. But it can re-print 83% of | :12:30. | :12:36. | |
itself. So when you want one of these you can...Eventually, But not | :12:36. | :12:44. | |
right now. Embrace the future! Any way, what have you today? Nikon's | :12:44. | :12:49. | |
AW100 it's designed to brave the he will managements, so it's | :12:49. | :12:57. | |
waterproof, shock proof and everything-proof. It can be | :12:57. | :13:04. | |
submerged in water up to 10m for an hour. Pull it out and take a snap | :13:04. | :13:10. | |
to show it does work. There we go. It's also freeze proof. We have a | :13:10. | :13:18. | |
VT to back that up. We've frozen it in a block of ice. It can survive | :13:18. | :13:23. | |
in temperatures up to minus 10 degrees. So we break it open and | :13:24. | :13:31. | |
take a snap. I suppose the people who manufacturer cameras, because | :13:31. | :13:37. | |
so many have them on phones, they have to come up with more and more | :13:37. | :13:45. | |
gadgets. It has video as well and thousands of pixels. So it's still | :13:45. | :13:51. | |
better than one on the phone. and GPS to track across the globe. | :13:51. | :14:01. | |
How much is it? �300, but you could probably pick it up for �240 | :14:01. | :14:07. | |
elsewhere. And you're excited with this? This is the ASUS Transformer | :14:07. | :14:15. | |
Prime. It's essentially a net book and tablet in one. If I hit this | :14:15. | :14:22. | |
button here I can remove the tablet from its keyboard block and put it | :14:22. | :14:28. | |
in my bag, and I don't need the keyboard. But the keyboard comes in | :14:28. | :14:37. | |
handy if you need to use it. And you can plug it into your TV and | :14:37. | :14:43. | |
watch a High-Definition movie. But it packs a quad core processor. | :14:43. | :14:48. | |
That means -- that's probably gone over a lot of people's heads. | :14:48. | :14:56. | |
you saying we're stupid, Lucy? But this is five times faster than | :14:56. | :15:06. | |
:15:06. | :15:08. | ||
a tab let. And this is one made together. Yes, you can buy docks. | :15:08. | :15:17. | |
And how much is that? �500 that's a really good price. And finally? I | :15:17. | :15:23. | |
like to do a lot of eating whilst on the computer. This is a hand- | :15:23. | :15:31. | |
held vacuum from Black & Decker called the Orb-it. It's a bit funky. | :15:31. | :15:36. | |
It's designed to clean up small spillages, crumbs if you're eating | :15:36. | :15:44. | |
at your desk. There we go. That's 2350. It's not bad. �50, and it has | :15:44. | :15:50. | |
a transparent window to see when it needs to be emptied. I like that. | :15:50. | :15:57. | |
How much is it? �50. That's about as much as I can say about it. It's | :15:57. | :16:05. | |
a hand-held vacuum! That's about as much Hoovering as I like to do in | :16:05. | :16:11. | |
my life. That's fantastic. Thanks, Lucy. No problems. If you want any | :16:11. | :16:17. | |
more information e-mail us via the website and we'll get back to you. | :16:17. | :16:26. | |
Now, here's The Real Hustle Celebrity Chancers. I'm not a guy | :16:26. | :16:31. | |
to conpeople out of money but that's why I'm here to learn a new | :16:31. | :16:38. | |
side. My morals don't allow me to cheat anybody out of anything. | :16:38. | :16:45. | |
I'm going to feel terrible when a drop the bombshell to somebody | :16:45. | :16:51. | |
about losing something. Shane don't know anything about today's scram. | :16:51. | :16:57. | |
He's just been told to go to a certain place and keep an eye out | :16:57. | :17:07. | |
:17:07. | :17:07. | ||
for a sexy scannedler. Hello, Shane. Hello. Highway are you? A bit | :17:07. | :17:15. | |
scared. We'll take care of you. Have you heard the expression, fool | :17:15. | :17:25. | |
:17:25. | :17:27. | ||
me once and you'll get away with it, twice, never. So, here's Fool Me | :17:27. | :17:33. | |
Once. It's a busy town centre at lunchtime and these guys have just | :17:33. | :17:43. | |
:17:43. | :17:44. | ||
come from a Bureau de Change. And he's now the mark. Excuse me, my | :17:44. | :17:50. | |
name is Suzy. Can I just ask, did you exchange some money just now. | :17:50. | :17:53. | |
You did? We're doing an investigation, we need to check | :17:53. | :17:58. | |
your money for you. So there's some kind of undercover operation being | :17:58. | :18:03. | |
carried out in the area. I think you're going to be able to help us. | :18:03. | :18:08. | |
Don't worry, you're not in any trouble. It's a pretty weird | :18:08. | :18:16. | |
request, but as it comes from a pretty lady, the mark does as he's | :18:16. | :18:23. | |
asked. And you can see the first show in the new series of The Real | :18:23. | :18:28. | |
Hustle, Celebrity Chancers later in Hustle, Celebrity Chancers later in | :18:28. | :18:36. | |
the week. Now, I'm in the kitchen with Ardal. How is your cooking? | :18:36. | :18:41. | |
I'm not terrible. I have a wife. Don't tell me, she does it all for | :18:41. | :18:50. | |
you. No, no, she likes to do it, so I sort of keep out of her way, but | :18:50. | :18:59. | |
I like to do the starters. I like the messing around with stuff. | :18:59. | :19:05. | |
We're going to do jerk snapper with rice and peas. It doesn't have to | :19:05. | :19:10. | |
be snapper, sea bass, coley, anything you want at all. Dry | :19:10. | :19:15. | |
seasoning, you can buy it from the shop or make your own. Buy it from | :19:15. | :19:19. | |
the shop, because these are the things that throw me. I just want | :19:19. | :19:29. | |
:19:29. | :19:29. | ||
to buy it ready. Things like spice mixes ox dies, so if you keep it | :19:29. | :19:37. | |
for a long time the flavour goes. They don't last for ever. What | :19:37. | :19:44. | |
would you use? Thyme, chilli, all spice and white pepper. It is a | :19:44. | :19:50. | |
simple spice to make, but if you've got one, don't keep it too long. | :19:51. | :19:59. | |
And you can get it wet or dry. We've also got coriander. And rice | :19:59. | :20:04. | |
and peas, kidney beans, coconut milk, water, onion. And the first | :20:04. | :20:10. | |
job for you, young man, is to chop that. However you fancy. Big or | :20:10. | :20:15. | |
small I don't mind. Free wheel on it. Whatever works for you. I was | :20:15. | :20:20. | |
talking to you earlier about your book. I'm always fascinated by | :20:20. | :20:25. | |
people who can do stand-up, write and act. It doesn't mean I can do | :20:25. | :20:31. | |
it well. But I've read the reviews. It's called Talk Of the scratch | :20:31. | :20:38. | |
town. Yes. Any more books coming? There could be, but it's so time | :20:38. | :20:44. | |
consuming, and I'm still young and viingious! And people are still | :20:44. | :20:50. | |
interested in doing -- vigorous! And people are still interested in | :20:50. | :20:55. | |
me doing things. I did it before I had kids when you could work | :20:55. | :20:59. | |
through the night. I suppose it's something you could do if there was | :20:59. | :21:04. | |
a quiet moment in stand-up or acting and you can concentrate on | :21:04. | :21:13. | |
it. Normally I'd be napping! Just a second, I've rolled the jerk | :21:13. | :21:22. | |
in there and pat off the excess, and put it into a warm pan. Not too | :21:22. | :21:26. | |
hot. I've written a few cookery books, which are not like novels. | :21:26. | :21:33. | |
And I think in my head I like wrying, but when I'm doing it, I | :21:33. | :21:37. | |
hate it. I like it when it's finished but that process of | :21:37. | :21:42. | |
sitting down and...It's The best thing in the world because what | :21:42. | :21:47. | |
you're doing is expressing yourself most clearly, when you're on your | :21:47. | :21:52. | |
own at home. You've got all the time in the world to delete and | :21:52. | :21:57. | |
change. Like we're standing here and I'm probably saying stuff I | :21:58. | :22:03. | |
can't believe I'm saying. It's probably not true! We do that every | :22:03. | :22:10. | |
week! So writing is the ultimate forpbl of expression. And even -- | :22:10. | :22:14. | |
form of expression. And even stand- up, because you spend hours and | :22:14. | :22:19. | |
hours writing it and it's really personal. And why people love | :22:19. | :22:24. | |
watching comics do stand-up because they feel they've lived a bit of | :22:24. | :22:29. | |
the life you're talking about. that's the comics I like best, the | :22:29. | :22:34. | |
people who create a little bit of the world. They don't have a | :22:34. | :22:38. | |
philosophy to tell you, that would be stretching it a bit, but they | :22:38. | :22:44. | |
have a view of the world. They're stretching it, and they're | :22:44. | :22:48. | |
obviously exexaggerating it. they say things you've thought | :22:48. | :22:53. | |
before but never dared to say and they're saying it in a funny way. | :22:53. | :23:00. | |
Now, I'm quite a quiet person off stage but when you're on stage, you | :23:00. | :23:06. | |
become an exaggeration of yourself. But the pressure is out there. What | :23:06. | :23:14. | |
do you do if the audience never laugh? It's never happened! Who do | :23:14. | :23:19. | |
you like? In the distant past it would have been Laurel and Hardy | :23:20. | :23:26. | |
and Buster Keaton, but in the recent past, I suppose Eddie Izzard. | :23:26. | :23:32. | |
He wasn't a traditional joke- telling man. I always loved Dave | :23:32. | :23:38. | |
Allen. In the '70s, when comics were punch lines, but he was | :23:38. | :23:43. | |
different. He was a storyteller. That's right. More measured and | :23:43. | :23:49. | |
laid back. More observial. And here is a quick tweet that leads on from | :23:49. | :23:57. | |
that. Who is the funniest person you have ever worked with? Oh, wow, | :23:57. | :24:02. | |
that's so hard. I've put you on the spot. It's impossible to say. I | :24:02. | :24:08. | |
worked with Ross Noble the other night and he's hilarious just to be | :24:08. | :24:16. | |
in the room with. So at the moment, I'm just thinking ...of the look of | :24:16. | :24:22. | |
him! I've been working with some really, really funny people and | :24:22. | :24:26. | |
actors and comics. So, we've cooked one side of the snapper and you can | :24:27. | :24:32. | |
see we're on a relatively low heat so we're cooking it gently, which | :24:32. | :24:39. | |
is rare for fish. So fish you cook pretty quick? Generally speaking. | :24:39. | :24:45. | |
But if you took it too quickly we'd just burn all the spices and waste | :24:45. | :24:51. | |
the flavour. So we're doing it at a relatively low heat. With the rice, | :24:51. | :24:59. | |
cook the onion, a bit of thyme in there and the rice and in go the | :24:59. | :25:04. | |
kidney beans and the coconut milk and water, equal quantities of | :25:04. | :25:09. | |
coconut milk and water. And simmer it for about 20 minutes until the | :25:09. | :25:13. | |
rice is cooked and all the flavour from the coconut milk goes into the | :25:13. | :25:19. | |
rice. And you get the lovely effect of the colour of the kidney beans | :25:19. | :25:24. | |
colours the rice, to a sort of dirty colour. And the flavour is | :25:24. | :25:29. | |
fantastic. And then to serve, it's really, really simple. To be honest | :25:29. | :25:33. | |
with you, rice and peas, if you perfect that, that could be a | :25:33. | :25:39. | |
staple in your house. With sausages on the top, brilliant. Is it normal | :25:39. | :25:44. | |
to put coconut milk in rice? There's lots of different ways to | :25:44. | :25:49. | |
cook rice and peas, for example. A lot of recipies will not put | :25:49. | :25:55. | |
coconut milk in, or they'll just put it in at the end but I like to | :25:55. | :26:03. | |
cook it in quite early on, to soak it up. So, sit the snapper on the | :26:03. | :26:11. | |
top and fresh thyme. It smells top and fresh thyme. It smells | :26:11. | :26:17. | |
amazing. Over to Tim and Chris. Thank you, the Deja view year was | :26:17. | :26:23. | |
1993. No, no, there's no limit. Loads of tweets coming in, Chris. | :26:23. | :26:29. | |
"Is Chris still doing any acting?." I am, I'm doing a walkon part at | :26:29. | :26:34. | |
the Port Authority play...you don't know about this. No.! Loads of | :26:34. | :26:43. | |
people have tweeted about you being on Friends. We have the clip. | :26:43. | :26:48. | |
Oh, that really cute guy is here again. Oh, OK, so, everybody | :26:48. | :26:53. | |
pretend like I'm telling you a story and it's really funny, so | :26:53. | :27:02. | |
everyone just laugh, now! I know, I know. Hello. High. I'm Rob. Hi, Rob. | :27:02. | :27:06. | |
I don't know anything about music but I think you're really, really | :27:06. | :27:15. | |
great. Oh. Wow! Any way, I schedule performers for the children's | :27:15. | :27:19. | |
library around the city and I thought have you ever thought about | :27:19. | :27:26. | |
playing your songs for kids? Oh, I would love to have kids. You mean | :27:26. | :27:33. | |
me play the songs I write for them. That was huge. I was always busy, | :27:33. | :27:37. | |
I'm always working so when I did the show, thank God I didn't | :27:37. | :27:41. | |
realise it was a huge show. And the people couldn't have been nicer. I | :27:41. | :27:46. | |
really had fun working with the people. But I didn't know it was so | :27:46. | :27:53. | |
huge. And people asked, "Were you snefrbz" and I asked why, and they | :27:53. | :28:01. | |
said -- were you nervous?" and I asked why and people said because | :28:01. | :28:07. | |
it's such a huge show. Now I'm nervous.. And what about working | :28:07. | :28:13. | |
with David Lynch? He does such weird movies. But you can ask him | :28:13. | :28:23. | |
:28:23. | :28:26. | ||
to baby-sit, he's OK. But the movies, if it's a real sweet movie, | :28:26. | :28:32. | |
don't trust those people. And are you touring soon? No, I toured a | :28:32. | :28:37. | |
lot last year all over the world, Australia, New Zealand. But this | :28:37. | :28:45. | |
year it's Britain. Glasgow in May and I'm doing a fab taskic gig on | :28:45. | :28:50. |