Browse content similar to 26/02/2012. Check below for episodes and series from the same categories and more!
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Morning. Joining us today, actor and comedian Sally Phillips is here. | :00:11. | :00:19. | |
They call them Jules and Katie, The Ting Tings. They are here to cook, | :00:19. | :00:24. | |
some chat and to take a look at next week's telly. This is | :00:24. | :00:34. | |
:00:34. | :00:39. | ||
Welcome to Something For The Weekend. It is Sunday 26th February. | :00:39. | :00:45. | |
Is that right? I got it wrong last week! How are you? I'm really, | :00:45. | :00:52. | |
really good, thanks. Ufr' been away? In Australia, mate. I threw | :00:52. | :01:01. | |
some sh rifrps on the barbecue. day food, Carling Cup find. | :01:01. | :01:06. | |
going? I am going. Spreading love today. I will hug all Cardiff City | :01:06. | :01:13. | |
fans. Who are you supporting? Liverpool or Cardiff? Gillingham. | :01:13. | :01:21. | |
It's my team! Let's Dance was on last night. Here are the two who | :01:21. | :01:31. | |
:01:31. | :02:03. | ||
I can see you doing that, Tim. should have told you who they were. | :02:03. | :02:08. | |
They are all in make-up. First one was Eddie "the Eagle" doing Austin | :02:08. | :02:16. | |
Powers. The next guy was Miles Jupp, actor, comedian, he's in Balamory. | :02:16. | :02:22. | |
"What's the story in Balamory, wouldn't you like to know # All | :02:22. | :02:26. | |
parents who've had young children know what that is. They were the | :02:26. | :02:31. | |
two who went through. Eddie "the Eagle" was on total wife out. He's | :02:31. | :02:36. | |
such a lovely man. Not going to tell you how well he did. But he's | :02:36. | :02:43. | |
great. Is he an athlete? We like to... He has to be quite good to | :02:43. | :02:49. | |
get up and down the thing. He has skis to help him. Is he athletic? | :02:49. | :02:56. | |
He was on my show anyway. It is the 4th annual Academy Awards tonight. | :02:56. | :03:05. | |
Let's do the best picture. The Artist. The Decentents. The hep, | :03:05. | :03:12. | |
Hugo. Monyeball. Haven't seen any of them. Been away a lot. I'm going | :03:12. | :03:21. | |
for War horse. I'm going for The Help. Are we taking bets. I went | :03:21. | :03:28. | |
with who I wanted to win. Not who I think will win. Who will win? | :03:28. | :03:36. | |
think the Artist will win. On today's show. You're going to have | :03:36. | :03:40. | |
to bear with, we've funny girl Sally Phillips with us to tell us | :03:40. | :03:46. | |
about her new film, The Decoy Bride. Takes his photograph and leaves. | :03:46. | :03:51. | |
Then we go find Laura, bring her back to the chapel and do all over | :03:51. | :03:56. | |
this time for real. You're amaidsing, also. And Jules and | :03:56. | :04:02. | |
Katie otherwise known as The Ting Tings. I don't know why I want to | :04:02. | :04:07. | |
say that with an Irish accent? It just sounds so right. | :04:07. | :04:10. | |
# Next time baby, you can Hang It Up up | :04:10. | :04:16. | |
# You can Hang It Up up, you can Hang It Up up # This time baby... # | :04:17. | :04:21. | |
All their songs get right in your head. In a good way. They are in | :04:21. | :04:27. | |
there and stay with you all day. you have a question for The Ting | :04:27. | :04:31. | |
Tings, email us at bbc.co.uk/somethingfortheweekend or | :04:31. | :04:36. | |
Tweet us @SFTW. We've some examples. I gave you one | :04:36. | :04:42. | |
earlier. The example I gave you said... It is from Chris Madden, | :04:42. | :04:48. | |
The Ting Tings. Where have you been for the past two years? They've | :04:48. | :04:52. | |
been nowhere, just touring apparently. And writing a new album. | :04:52. | :04:58. | |
We'll discuss that later. It is out today. What's on the menu, Simon? | :04:58. | :05:04. | |
We're starting with grilled must Emms with chor chorizo. Stick them | :05:04. | :05:10. | |
in a pan, boil them up. With a crumbly top on. Bit of Parmesan in | :05:10. | :05:18. | |
there. Main course, baked leek Gorgonzola and walnut pen in a, -- | :05:18. | :05:23. | |
penne, big strong flavours. You need it with a couple of beers the | :05:23. | :05:29. | |
day before the Cup Final. A few beers. Celebratory red fruit | :05:29. | :05:37. | |
dessert, rueb ash and blood red orange crumble. Finally today, or | :05:37. | :05:45. | |
classic is pulled pork with spicy coleslaw. That looks amazing. I | :05:45. | :05:52. | |
bags eating all of that. It's your kind of food. Head to our website | :05:52. | :05:55. | |
bbc.co.uk/somethingfortheweekend to follow all of those recipes. Here's | :05:55. | :06:01. | |
what else is on today's show. Mrs Thackeray meets up with her | :06:01. | :06:07. | |
nephew and his family in Upstairs Downstairs. I haven't fizzled out, | :06:07. | :06:13. | |
aupblty collar Rhys, you've still got me. BBC Four celebrates its | :06:13. | :06:17. | |
10th anniversary with The Joy Of Disco. People came all over the | :06:17. | :06:24. | |
from to get the joy of sound. Pregnant Gemma continues to lead a | :06:24. | :06:33. | |
double life in prisoners Wise of wiefs. -- Prisoners' Wives. | :06:33. | :06:39. | |
Wayne has some inspired cocktails. What could they be? To celebrate | :06:39. | :06:47. | |
the winners of the BRITS we've true BRITS. Liqueur, cider brandy from | :06:47. | :06:51. | |
Somerset. Elderflower. Because of the Oscars tonight and the | :06:51. | :06:58. | |
prediction is The Artist will win it, I've an old school twist on a | :06:58. | :07:03. | |
Martini called the Tuxedo. Is there a glass, cut Adele off in the | :07:03. | :07:08. | |
middle of her speech in there? There might be. As it is a silent | :07:08. | :07:14. | |
film there will be no speech in there! You presented the Oscars? | :07:14. | :07:19. | |
From the red carpet. What's it like? The whole of Los Angeles | :07:19. | :07:24. | |
shuts down. Roads are closed for two days before. There you are with | :07:24. | :07:27. | |
Jamie cheek ston. Security's stepped up. You have about a week | :07:27. | :07:33. | |
in advance to get get your credentials. Get your passport. | :07:33. | :07:38. | |
There's you. With my BFF Clooney. I'm technically not with him. | :07:38. | :07:45. | |
That's the clois -- closest I'll ever get. Celebrities are starving | :07:45. | :07:52. | |
themselves, getting their teeth whitened, tanned. Can you get a | :07:52. | :07:56. | |
room there? No, it's impossible. The town is buzzing. It is | :07:56. | :08:02. | |
something really special. Did you go to the any of the parties? | :08:02. | :08:10. | |
went to Elton John's. You just name dropping! More Champagne, Sir? Can | :08:10. | :08:16. | |
I take your coat? That was it. I was cleaning up after all the | :08:16. | :08:21. | |
celebs. I snubbing in. I was working the carpet and then I went | :08:21. | :08:27. | |
at end of it and was gone. It was great. If you think Amanda looks | :08:27. | :08:31. | |
like a giant today, she's wearing ridiculous... Can you put your leg | :08:31. | :08:41. | |
up? You're so romantic. Can we do this gracefully? Stkpwhroo look at | :08:41. | :08:47. | |
those. We need a side look, not the bottom. Come on, fashion people. | :08:47. | :08:52. | |
dish best served cold. We didn't see the front of them. Did we? | :08:52. | :08:58. | |
on, boys. Get it together. Aren't they lovely. Are you a bit | :08:59. | :09:04. | |
intimidated by them, Tim? You're too tall for me! That's great. | :09:04. | :09:08. | |
too tall for me! That's great. Shall we do a bit of cooking? We're | :09:08. | :09:16. | |
doing mu else with Corr its owe. Garlic, shallots, chor eats owe. We | :09:16. | :09:26. | |
:09:26. | :09:27. | ||
had wine, vinegar. Bread comes -- breadcrumbs, ma'am San, butter. Tim, | :09:27. | :09:36. | |
finely dice the chorizo. Amanda, do the shallots. Do you want me to | :09:36. | :09:41. | |
square this off? You don't want the pieces to be massive. You want to | :09:41. | :09:47. | |
be able to eat it comfortfully. If you've huge bits it makes for an | :09:47. | :09:53. | |
uncomfortable eat. If we were at an Oscar party, if ufrp serving the | :09:53. | :10:00. | |
guests at Elton John's party you would want to be able to eat it. As | :10:00. | :10:08. | |
soon as we've chorizo and shallots in here, put them in here. Chorizo | :10:08. | :10:15. | |
ahead of the shol lots. Are they too small? No, it's fine. You could | :10:15. | :10:24. | |
use bacon if you don't like chorizo. Who doesn't like chorizo? Everyone. | :10:24. | :10:33. | |
How do you say it, Tim? I don't know what I say. I'm confused. I | :10:33. | :10:41. | |
don't know. Chorizo? I don't know. We always have this argument. | :10:41. | :10:51. | |
:10:51. | :10:55. | ||
argument is it should be Paris not sounding the s. In goes the garlic. | :10:55. | :11:02. | |
Stir that around. Straight in. Nice. My eyes. Is there anything you can | :11:02. | :11:08. | |
do to stop that, chopping onions? Practice. There's all that, put a | :11:08. | :11:13. | |
spoon in your mouth when chopping them. Put the onions in water | :11:13. | :11:19. | |
beforehand. I think, really, it's all about a bit of practice. We put | :11:19. | :11:22. | |
some thyme in there. Cook this out for two or three minutes. We don't | :11:22. | :11:27. | |
have the opportunity to do. That chuck in the mussels. Give that a | :11:27. | :11:32. | |
quick stir around. We need our liquid in there. We've red wine and | :11:32. | :11:40. | |
vinegar. Nice little bit of acid Di ity in there -- acidity in there. | :11:40. | :11:46. | |
Put the lid on. Stir it. Shake it. These won't take long at all. | :11:46. | :11:50. | |
Couple of minutes, wait for the must Emms to open. Any that don't | :11:50. | :11:55. | |
open, chuck them away. Amanda, tip the Parmesan and breadcrumbs in | :11:55. | :12:00. | |
there, rub together. Making a crumble. How was your holiday? | :12:00. | :12:10. | |
:12:10. | :12:11. | ||
went to Sydney. Visited my girlfriend in Tamaran beach. Did a | :12:11. | :12:15. | |
coastal walk every morning. It was amazing. You've never been to | :12:15. | :12:23. | |
Australia? No. Have you not? Any interest? It's just a long way. | :12:24. | :12:33. | |
you're dying to go? Eh! I'd like to government there's lots of other | :12:33. | :12:39. | |
places I'd like to go first. People say it is amazing. You did a lot of | :12:39. | :12:46. | |
training out there? You're doing a big event for Sport Relief? | :12:46. | :12:51. | |
doing cycling, rowing, running and there's another one, O'he, yeah, | :12:51. | :12:58. | |
sailing. For Sport Relief. It is called first nation home. England, | :12:58. | :13:05. | |
ierd, Scotland, Wales. We're all starting in our capitals. I'm on | :13:05. | :13:11. | |
the team. I'm not doing 1,000 miles by myself. Really Anyone can do | :13:12. | :13:20. | |
that, Really? 15K in one session? When do you start? The 10th March- | :13:20. | :13:30. | |
:13:30. | :13:31. | ||
17th March. Next job, Tim. Wow! That's strong. Put them there. | :13:31. | :13:37. | |
They're hot, though, Simon. They're burning my little delicate hands. | :13:37. | :13:42. | |
Back in the day, when you were MasterChefing, you would have done | :13:42. | :13:46. | |
this. That's when I was trying to win something. Let's pretend | :13:46. | :13:51. | |
there's a prize. At the end of this, there's a prize. Something For The | :13:51. | :14:01. | |
:14:01. | :14:02. | ||
Weekend badge! I was running every morning from Bondi to Kugi. | :14:02. | :14:06. | |
Probably not enough. You're probably using different parlgts | :14:07. | :14:13. | |
parts of your bod jistkph I've never sailed. I met Iain Percy. Top | :14:13. | :14:20. | |
man. One of our Olympic sailors. He's the man you want to meet. | :14:20. | :14:27. | |
Here's our miselse. Do you want to put the chorizo in there? Yes. You | :14:27. | :14:30. | |
could scoop it out. We've reduced the sauce a little bit. You want to | :14:30. | :14:35. | |
bring this down to a nice syrup. I've added a pinch of sugar into | :14:35. | :14:41. | |
that because we've done this quite quickly. It can be quite bitter. | :14:41. | :14:46. | |
Whilst we've vinegar in there, you want it to be balanced. A pinch of | :14:46. | :14:52. | |
sugar takes away the bit of harshness. Amanda, sprinkle some | :14:52. | :14:57. | |
topping into there. When you row, you have to row with your legs, not | :14:57. | :15:02. | |
your arms. The most I've managed so far is 15 mins and I put my back | :15:02. | :15:10. | |
out. It was killing me for... Sorry. I am thinking about this race. | :15:10. | :15:19. | |
We've got slightly over-grilled mussels. It's all falling to pieces. | :15:19. | :15:26. | |
OK. We've got a little bit of watercress there. And then we | :15:26. | :15:33. | |
simply lift... Oh, that looks delicious. On the mat, Simon. | :15:33. | :15:38. | |
Thinking about that? Yeah, maybe thinking about what's | :15:38. | :15:45. | |
going to happen at Wembley today. What's the outcome, Simon? | :15:45. | :15:53. | |
hoping for a Liverpool win. Can I try one? I would hope for a | :15:53. | :15:58. | |
Liverpool win. It is a Cup Final. A good game. Great football and, as | :15:58. | :16:02. | |
long as Liverpool win, that's the main thing for me. Stringle, | :16:02. | :16:12. | |
:16:12. | :16:19. | ||
sprinkle, sprinkle, gor for it. It it's rich... That's really good. | :16:19. | :16:24. | |
Isn't that nice? The chorizo, the wine... Yes, really good, really | :16:24. | :16:28. | |
different. You have outdone yourself, Simon. Really different. | :16:28. | :16:36. | |
That's the main course? The main course we're doing penne with | :16:36. | :16:42. | |
gorgonzola and walnuts. As always, you can find all of our recipes at | :16:43. | :16:47. | |
bbc.co.uk/somethingfortheweekend. That's hot. Really hot, isn't it? | :16:47. | :16:55. | |
But good, tastes good. I have third degree burns on my tongue. Sarah | :16:55. | :17:00. | |
Thackray has been for a visit to her nephew. This is the second part | :17:00. | :17:06. | |
of Upstairs Downstairs. Howard, you're too generous. You | :17:06. | :17:16. | |
:17:16. | :17:18. | ||
know that. Who else am I going to spend my nest egg on? I am going to | :17:18. | :17:23. | |
make my way, you know? I don't doubt it, my dear. One day, there's | :17:23. | :17:28. | |
going to be nothing but the best for my little soldier. Oh, your dad | :17:29. | :17:36. | |
used to call you that. I know. used to have such lovely | :17:36. | :17:41. | |
Christmases. I think of us all sometimes crammed into the parlour | :17:41. | :17:47. | |
in Edmonton, the gaslight hissing, the trifle on the side board, and I | :17:47. | :17:54. | |
think, how did that come to pass? How can a family just fizzle out? | :17:54. | :18:04. | |
:18:04. | :18:04. | ||
Like fireworks? It was fate, isn't it? Well, fate and the Spanish flu. | :18:04. | :18:14. | |
:18:14. | :18:18. | ||
Oh, God. Oh, here. Mucky pup. I haven't fizzled out on you, Clare's. | :18:18. | :18:24. | |
You've still got me. You've got me too for what it's worth. Look, | :18:24. | :18:29. | |
auntie! And you can see the second part | :18:29. | :18:34. | |
tonight on BBC One at 9.00pm. Now, our first guest hit the | :18:35. | :18:38. | |
screens as receptionist Sophie in Alan Partridge - ha! Always want to | :18:38. | :18:43. | |
say that after that, don't you? Then it became a house hold award- | :18:43. | :18:52. | |
winning name in Smack the Pony before teaming up with one of the | :18:52. | :19:02. | |
:19:02. | :19:03. | ||
country's favourite comedians. Hungolso-muck-mungolos. Looks like | :19:03. | :19:07. | |
you might have lost him to his travels. I am so over him. You are | :19:07. | :19:17. | |
:19:17. | :19:18. | ||
not. I am. I am the whole new me. Oh! Stop! Welcome to Something For | :19:19. | :19:21. | |
the Weekend Sally Phillips. Thank you very much. Thank you very much | :19:21. | :19:24. | |
having me. How are you coping? Tired at the moment? I am a bit | :19:24. | :19:32. | |
tired at the moment. This is my third baby. Congratulations or | :19:32. | :19:35. | |
commiserations on the exhaustion. No, it is congratulations. He's | :19:35. | :19:38. | |
just over there. My friend is holding him for me. Do you mind if | :19:39. | :19:46. | |
we get a shot of your baby? Can we turn around? There we go. His first | :19:46. | :19:52. | |
taste of fame. What's his name? So beautiful. Very cute. So Miranda | :19:52. | :19:58. | |
Hart, there we saw - a huge success that has been. Well, that's all her, | :19:58. | :20:05. | |
isn't it? She's a very, very clever - very, very clever, very funny, | :20:05. | :20:10. | |
extremely nice person. Isn't she brilliant in Midwife? Fantastic. It | :20:10. | :20:14. | |
took her awhile to get there. She has been doing a lot of bit parts | :20:14. | :20:21. | |
and things, and now... She's really worked hard for it. It's all come | :20:21. | :20:27. | |
good for her. Did you have her in Smack the Pony? Is that true? I | :20:27. | :20:32. | |
think I gave her her first TV shot. I think I saw her in Edinburgh 12 | :20:32. | :20:38. | |
years ago, and she was doing a double act called The Orange Girls. | :20:38. | :20:42. | |
She wrote saying, "Thanks for coming to see it. Can you help?" I | :20:42. | :20:46. | |
said no, I have no power. I suggested she went to Jennifer | :20:46. | :20:52. | |
Saunders, then got her in to do some videos on Smack the Pony. She | :20:52. | :20:56. | |
does a video date where she says, "I've got a castle". And I think | :20:56. | :20:59. | |
she does one more video date where she has a lamp on her head, so it | :20:59. | :21:05. | |
wasn't a massive break for her. it quite a close community, ladies | :21:05. | :21:09. | |
in comedy in British TV? We didn't get to meet each other. There were | :21:09. | :21:12. | |
so few of you, you didn't get to work together. Hello, Tom. | :21:12. | :21:18. | |
LAUGHTER Where's - yeah, that's strange now. | :21:18. | :21:24. | |
So yeah, it is more of a community now, I'd say. I definitely feel a | :21:24. | :21:29. | |
real sense of solidarity. It was one of the first of its kind, the | :21:29. | :21:33. | |
first all-female sketch comedy show, wasn't it? No, it wasn't. There | :21:33. | :21:36. | |
were previous ones. I am trying to remember what they were called. | :21:36. | :21:42. | |
There was one with Ruby Wax in - see, my brain doesn't work - it's | :21:42. | :21:45. | |
terrible. We definitely weren't the first, but it worked quite well. | :21:45. | :21:51. | |
How did it come about, though? Because when you pitch a female | :21:51. | :21:56. | |
comedy to networks... I wish. you a little sceptical of the idea? | :21:56. | :22:01. | |
It wasn't my idea. I wish I could claim credit for it because I am | :22:01. | :22:06. | |
proud of it, but Victoria Pyle, who produced it and Caroline who went | :22:06. | :22:11. | |
on to produce King Wing and a Commissioner at Channel 4 had the | :22:11. | :22:14. | |
idea and they selected a team, and we developed it for about a year | :22:14. | :22:20. | |
before we did it, but it wasn't my idea. We have a clip of Smack the | :22:20. | :22:25. | |
Pony. What I like about this clip is the astonishment of the dog who | :22:25. | :22:31. | |
gets all confused during the sketch. Here we go. Excuse me. Excuse me. | :22:31. | :22:36. | |
Would - um, ooh, excuse me. Would you sign a petition to give dog | :22:36. | :22:40. | |
owners the right to exercise their dogs around the long pond? I don't | :22:40. | :22:46. | |
know anything about it. I am not a dog owner. I am actually slightly | :22:46. | :22:56. | |
:22:56. | :22:59. | ||
phobic. Um, so that is... Ahhh! Ahh! Ha hh! | :22:59. | :23:09. | |
Ahh! Ahh! Ahh! LAUGHTER | :23:09. | :23:15. | |
Absolutely brilliant. That dog is so confused - what is going on? | :23:15. | :23:19. | |
usual understated performance from myself! Brilliant. You went from an | :23:19. | :23:25. | |
all-female sketch show to writing your first feature, which is a | :23:25. | :23:32. | |
female-led rom-com, Decoy Bride. Tell us about that. It was my | :23:32. | :23:35. | |
alternative career plan when I started having children. I thought | :23:35. | :23:40. | |
I'll obviously be fat when I start having children, so let's not go in | :23:40. | :23:43. | |
front of the camera. I'll stay behind and just knock off a | :23:43. | :23:48. | |
screenplay - how hard can that be? While my baby plays quietly by | :23:48. | :23:54. | |
itself in a basket. That didn't happen? Playing with the sun beams | :23:54. | :23:58. | |
- no, that's not - it was kind of I have started, so I'll finish, so I | :23:58. | :24:07. | |
started doing it, and I had a very supportive film company, and yeah, | :24:07. | :24:11. | |
that's how it came about, really. I never expected it to get made. | :24:11. | :24:18. | |
Really? I kept saying to my family - they'd ask what was happening | :24:18. | :24:27. | |
with the film. I expected someone to say, "OK.Ed a good run." | :24:27. | :24:34. | |
started filming it in... A long time ago. They asked me why don't I | :24:34. | :24:41. | |
get a part? I thought that would be a good idea. My first child wasn't | :24:41. | :24:47. | |
that well when he was first born. It slipped down my list of | :24:47. | :24:51. | |
priorities. They gave me a brilliant writing partner, Neil. | :24:51. | :24:56. | |
Hello, Neil. Who has the final say? Or is it very much a partnership? | :24:56. | :25:00. | |
You have no power when you're writing a film. Everybody else has | :25:00. | :25:05. | |
the power. As a writer, you merely make suggestions. It's the | :25:05. | :25:10. | |
director's medium really. Decoy Bride - what exactly is that? I | :25:10. | :25:14. | |
believe it's an actual profession. I don't know if it is, but I did | :25:14. | :25:21. | |
hear J-Lo and Ben Affleck were - you were there when they were | :25:21. | :25:28. | |
getting married? Yeah, I was the decountry bride! What is a decoy | :25:28. | :25:36. | |
bride? I heard their PR saying when we booked three decoy brides, three | :25:36. | :25:41. | |
decoy venues and two decoy chefs, we realised what was supposed to be | :25:41. | :25:46. | |
a very small, personal event had gotten out of control, whereas the | :25:46. | :25:49. | |
real reason they didn't get married is they didn't like each other | :25:50. | :25:54. | |
anymore. I have never heard of the phrase "decoy bride." What's the | :25:54. | :26:00. | |
purpose of them? To put the paparazzi off. Imagine if you're | :26:00. | :26:05. | |
single, and you're the joke bride, the not real bride, and if all you | :26:05. | :26:10. | |
wanted to do more than anything else is to be married - of course, | :26:10. | :26:13. | |
the film itself is not that story at all, but that phrase lodged in | :26:14. | :26:17. | |
my mind, and it sort of came from there. We've got a clip. Let's have | :26:17. | :26:24. | |
a look. S OK. He's in a tree. He wants a photo of the happy couple. | :26:24. | :26:29. | |
Let's give it to them. We go through with the wedding as planned | :26:29. | :26:35. | |
but with the stand-in. He takes his photo, leaves, then we find Laura, | :26:35. | :26:39. | |
take her back to the chapel, do it all over again, but this time for | :26:40. | :26:46. | |
real. You're amazing also. I'll go tell James. Don't tell that | :26:46. | :26:52. | |
Googling leech anything. If James finds out Laura is missing, the | :26:52. | :26:58. | |
first thing... Oh, you're in here. I'm going to go do AA. Fine. | :26:58. | :27:06. | |
Everything all right? Doctor Who is in it. He's Brit in | :27:06. | :27:09. | |
it, and Kelly MacDonald - you haven't got a clip of her, but | :27:09. | :27:16. | |
she's wonderful in it. The aim of the film was to write a modern | :27:16. | :27:19. | |
Screwball. They had these great screenplays with really zinggy | :27:19. | :27:29. | |
dialon - It Happened One Night, old-fashioned movies. It's quite an | :27:29. | :27:34. | |
old-fashioned movie. A lot of fun to film? It's fun watching Kelly | :27:34. | :27:40. | |
and David doing it. The dialogue is so good, and Kelly is so adorable, | :27:40. | :27:44. | |
really adorable in it. You're of course no stranger to the big | :27:44. | :27:51. | |
screen because you're in Bridget Jones' Diary, one and two, but I | :27:51. | :27:55. | |
heard you originally went up for the role of Bridget Jones. Yes, | :27:55. | :28:01. | |
thanks for bringing up one of my career failures. Really big | :28:01. | :28:05. | |
knickers! It was a shambles. I didn't realise what a big deal it | :28:05. | :28:11. | |
was to be honest. At that time, I was a single girl living in Notting | :28:11. | :28:16. | |
Hill, failing to go to the gym, unlucky in love, falling for people | :28:16. | :28:20. | |
who were frankly way out of my league, so yeah, I didn't really - | :28:20. | :28:24. | |
I did five auditions for that, and they very wisely didn't give it to | :28:24. | :28:29. | |
me because I wouldn't have been able to do it. They gave me the | :28:29. | :28:34. | |
consolation prize. It's the top of Tim's DVD list. He's never seen it, | :28:34. | :28:36. | |
have you? I have not seen it, no. LAUGHTER | :28:36. | :28:44. | |
Thanks for that! Sally is staying with us all morning, so is Tom, her | :28:44. | :28:53. | |
son. Maybe he'll join in with some Make sure you get your questions in | :28:53. | :28:57. | |
for her or the Ting Tings. E-mail us or Tweet us. Can you guess the | :28:57. | :29:02. | |
year all of these stories hit the headlines and the number one in the | :29:02. | :29:07. | |
charts in today's Deja View? # It's my life | :29:07. | :29:16. | |
# It's my life # The Prince of Wales has been | :29:16. | :29:23. | |
attending the Garter Service on the eve of the publication of her book | :29:23. | :29:30. | |
about her life as a Royal. Betty Boothroyd has become the new | :29:30. | :29:34. | |
Speaker of the House of Commons. The heritage secretary David Mellor | :29:34. | :29:38. | |
finally gave in tonight to the pressure over allegations over his | :29:38. | :29:43. | |
private life. He handed his resignation to the Prime Minister | :29:43. | :29:53. | |
:29:53. | :30:15. | ||
saying "I am privileged to count # So you think you can stop me and | :30:15. | :30:20. | |
spit in my eye? # # So you think you can love me and | :30:20. | :30:30. | |
:30:30. | :30:32. | ||
leave me to die? M #... Garth, pull over. Not again! | :30:32. | :30:42. | |
:30:42. | :30:43. | ||
Just saying how much we like Mike Myers. He's a Liverpool fan. Google | :30:43. | :30:48. | |
it now. Isn't he a Canadian? He has links with Liverpool. I think his | :30:48. | :30:56. | |
family was originally from Liverpool. What, he listened to the | :30:56. | :31:03. | |
Beatles once? It's true. I think that's 1994. I'm going 1992. | :31:04. | :31:10. | |
Great film that, Wayne's World. Love it. Starting with a romantic | :31:10. | :31:20. | |
one. Lauren and boyfriend Ben from Hertford shire. They make a pancake | :31:20. | :31:29. | |
decorated with fresh strawberries and sprinkleled with edible glitter. | :31:29. | :31:34. | |
Won't last? Who's takings the picture? Sna that's another story. | :31:34. | :31:40. | |
There are car keys on the side, Tim, that's all I'll say. What is that? | :31:40. | :31:49. | |
It looks like deodorant. This is my nephew, Peter. He made the Cuban | :31:49. | :31:57. | |
chicken with rice wearing his lacrosse T-shirt. Peter, you have a | :31:57. | :32:06. | |
bit of a boy band hear cut! does he support? He's not a great | :32:06. | :32:14. | |
fopbl fan but Liverpool! I like lacrosse. This is Sarah Thackrah | :32:14. | :32:18. | |
from Cullercoats near Newcastle. Wouldn't you love that to be your | :32:18. | :32:26. | |
view from your house. Where's that? Cullercoats near Newcastle. This is | :32:26. | :32:34. | |
Lauren from Leigh-on-Sea. My name's Lauren. I'm a physio by day and | :32:34. | :32:40. | |
baker by night. Today we'll eat chocolate gooey mousse cake. Does | :32:40. | :32:46. | |
that sound like something from the guys from the Fast Show? No! This | :32:46. | :32:53. | |
is a whole tribe of people. Cuban chicken chocolate mousse cake in | :32:53. | :33:02. | |
the Alps. Are you hungry? We've hot and spiced baked Cuban chicken and | :33:02. | :33:10. | |
rice and for dessert, gueying chocolate mousse cake. Thank you | :33:10. | :33:15. | |
Something For The Weekend. Goodbye from Switzerland. | :33:15. | :33:22. | |
Some good snow out there. There's more, Tim. It's hair time. And it's | :33:22. | :33:26. | |
Tim first, today. Check this one out! | :33:26. | :33:36. | |
:33:36. | :33:41. | ||
Oh, mate. Milli Vanilli. That's great. How old are you there? | :33:41. | :33:51. | |
:33:51. | :33:52. | ||
twenties. This is me in Wham. at that. Look at that vest. Your | :33:52. | :33:58. | |
shorts, what have they got on them? It is some wild random pattern. | :33:58. | :34:04. | |
you remember when grey, black and red was in. Boys' bed 5078 were | :34:04. | :34:10. | |
grey, black and red. Weird! Fortunately, only a couple more | :34:10. | :34:14. | |
weeks of photographs of me with hair. If you have a photograph. | :34:14. | :34:22. | |
hair. If you have a photograph. Send it to us. Starter was really | :34:22. | :34:31. | |
good. Thank you. Have you burned sgs else? Yeah! His mind's on the | :34:31. | :34:36. | |
football, on the Cup Final. It's not the biggest match today. | :34:36. | :34:41. | |
There's the big derby. Sheffield derby. What's that? You thought I | :34:41. | :34:47. | |
was going to go North London. The crowds they get at that derby, | :34:47. | :34:52. | |
League One, it's massive. You expect them to be up in the top | :34:52. | :35:00. | |
flight. We're going to do some slightly charred leek, walnut and | :35:00. | :35:05. | |
Gorgonzola baked pasta. We've got some leeks, butter, peace, walnuts, | :35:05. | :35:12. | |
Gorgonzola, garlic. Penne, lemon, tarragon and some garlic bread to | :35:12. | :35:17. | |
go with it. Tim, cut that down the middle and we'll have half moons on | :35:17. | :35:25. | |
the leeks. I'll do garlic chopping. I am aware I'm slightly preoccupied | :35:25. | :35:30. | |
with the game. You try to be professional. Is this what I'm | :35:30. | :35:37. | |
supposed to be doing? If you turn it over it might be easier. It is | :35:37. | :35:42. | |
split there. They are coming out as halves not quarters. With the | :35:42. | :35:47. | |
mussels, you want them to be edible. We tend to eat things with a | :35:47. | :35:57. | |
:35:57. | :35:57. | ||
similar size. Some oil and butter goes into the pan. We put leeks in, | :35:57. | :36:04. | |
cook them quite slowly. Do you have a prediction for me today, Tim? | :36:04. | :36:08. | |
you know what, I don't no who I want to win. I suppose I might go | :36:08. | :36:14. | |
for the underdogs. I'd quite like to see you happy and winning. | :36:14. | :36:20. | |
That's nice. You are the Premiership team. It would be rude, | :36:20. | :36:25. | |
being British, not to go for the underdogs? I'm excited seeing | :36:25. | :36:30. | |
Liverpool play at Wembley. We've not been there for a few years. | :36:30. | :36:34. | |
Thres something going round on the internet. All Liverpool fans saying | :36:35. | :36:41. | |
no flares. As in the trousers. Last time they went there, they were all | :36:42. | :36:46. | |
wearing flares. I can't believe that got such a beautiful laugh | :36:46. | :36:55. | |
from the floor! Mike Pickering signed The Ting Tings. You killed | :36:55. | :37:02. | |
his cat! Stop that. They're not going to talk to you. You killed | :37:02. | :37:07. | |
Mike Pickering's cat. Such a bad story. Moving on, Tim. Strip that | :37:07. | :37:12. | |
tarragon and chop it. These fall lass have cooked quite well. This | :37:12. | :37:17. | |
extra colour on them is on optional element on that, really. Probably, | :37:17. | :37:21. | |
you're better off not colouring them quite so much. In go the peace. | :37:21. | :37:26. | |
In goes the creme fraiche. This is a really simple dish. One of those | :37:27. | :37:31. | |
that doesn't have to be complicated. Sometimes I think we're all prone | :37:31. | :37:37. | |
to overcomplicate things. I'll chop some Gorgonzola. Get little cubes | :37:37. | :37:44. | |
so it will melt... Do you want this chopped finely? I love tarragon. | :37:44. | :37:52. | |
Probably my favourite her be? Really? Oh, no. What's yours? | :37:52. | :38:02. | |
:38:02. | :38:02. | ||
Parsley. Or basil. I made kediree. It was really spicy. I made poached | :38:02. | :38:08. | |
egg rather than boiled. Very good, very good indeed. I like lentil in | :38:08. | :38:18. | |
:38:18. | :38:20. | ||
with the kedg. Is is Oh, no, Simon. It just gives extra texture. It's a | :38:20. | :38:27. | |
breakfast dish, really, a bizarre breakfast dish. Once you eat it, | :38:27. | :38:33. | |
you can understand why it is good. It is hearty. The eggs help with it. | :38:33. | :38:40. | |
We've kegigree on the menu at the moment. Smoked haddock, peace and | :38:41. | :38:46. | |
sweetcorn too. Is that right? Sweetcorn, interesting. Bet it | :38:46. | :38:52. | |
worked? The sweetcorn's really nice. This is all going to be chucked in. | :38:52. | :38:58. | |
Walnuts in. Is that enough? That can all go in. Does it go in now or | :38:58. | :39:05. | |
at the end? It can go in now. To cut through the creaminess of the | :39:05. | :39:10. | |
Gorgonzola, we'll have a squeeze of lemon juice. We stir that around. | :39:10. | :39:15. | |
You get that nice smell, the Gorgonzola begins to cook out and, | :39:15. | :39:20. | |
of course, that makes it nice. We've a coated pasta. It shouldn't | :39:20. | :39:24. | |
be swimming in sauce. I sometimes think when people do pastas that | :39:24. | :39:28. | |
have too much sauce on, you know what I mean... What are you smiling | :39:28. | :39:34. | |
at? Just because if people are tuning in, people will think you're | :39:34. | :39:40. | |
killing cats. Five years you've been doing that story. It's a true | :39:40. | :39:50. | |
:39:50. | :39:50. | ||
story. I blame Pickering. OK, we spoon that into there. I'll be | :39:50. | :39:54. | |
attacked like that woman who did that thing with the cat that time. | :39:54. | :40:00. | |
In the bin? Yes. We sprinkle the gorgzol A our grill is like a | :40:00. | :40:04. | |
nuclear reactor today. Let's remember that's under here. That | :40:04. | :40:11. | |
goes in there. All we'll do to serve with it, Tim, just cut on an | :40:11. | :40:19. | |
equal angle, a piece of bread. Cut it down the middle lent-ways. Bit | :40:19. | :40:24. | |
of oil on there. Let's move the griddle pan. How's your dog getting | :40:24. | :40:32. | |
on? Dog's great. We've had our labradoodle for nearly a year now. | :40:32. | :40:39. | |
Is that snuff? Yeah. I resist for yearsed having a dog. I thought it | :40:39. | :40:45. | |
would be a nightmare. Now we have the dog, I quite like it. Taking it | :40:45. | :40:55. | |
for a walk. Every day? Four or five days a week. Who walks it? My wife, | :40:55. | :41:00. | |
the kids take the dog for a walk. I go for a run in the morning, 6.30. | :41:00. | :41:08. | |
Then walk the dog. Once a week! Five times a week, I run. How's | :41:08. | :41:13. | |
your Achilles? It's all right. It is the stopping and starting. That | :41:13. | :41:19. | |
doesn't work for me anymore. Just some garlic butter with the back of | :41:19. | :41:24. | |
the spoon, spread that on there. Now the grill's gone the other way. | :41:24. | :41:32. | |
Isn't working. Brilliant! OK. So, what will happen is... Look how | :41:32. | :41:39. | |
nice and crispy that is now! That's not even melted, Simon. No, but | :41:39. | :41:45. | |
it'll still taste delicious. We cut across on an angle like that. Nice | :41:45. | :41:49. | |
delicious stphraifrs. The bread really, for me, is for dipping in. | :41:49. | :41:54. | |
We get a little bit of that. You've all the flavour in there. Get it to | :41:54. | :41:59. | |
the point where your Gorgonzola has become a little crispy. Here with | :41:59. | :42:06. | |
go. Dig in, ladies and gentlemen. That looks delicious. Macaroony and | :42:06. | :42:13. | |
cheese, basically, Simon? A little bit. Don't have it swimming in | :42:13. | :42:18. | |
sauce. It's horrible. You just taste everything. It's coated it | :42:18. | :42:23. | |
rather than soaking it. I like that. Really good. That is georgeous. It | :42:23. | :42:33. | |
:42:33. | :42:36. | ||
has a walnut too. Dessert, Simon? Rhubarb and orange crumble. I've | :42:36. | :42:44. | |
never cooked rhubarb. Do you cook it for ages? Find out in a minute. | :42:44. | :42:49. | |
Email us at bbc.co.uk/somethingfortheweekend. | :42:49. | :42:57. | |
Or Tweet us @SFTW tweet. Time now to dust down the | :42:57. | :43:01. | |
glitterball and put on your platforms as BBC Four celebrates | :43:01. | :43:05. | |
its 10th anniversary with the soundtrack of the some of the most | :43:05. | :43:09. | |
important social changes of the sevenities. This is The Joy Of | :43:09. | :43:12. | |
sevenities. This is The Joy Of Disco. | :43:12. | :43:18. | |
N Born somewhere in the softening of soul, post-James Brown, disco | :43:18. | :43:24. | |
music has many godfathers. But if any one city could be considered | :43:24. | :43:30. | |
its spiritual home it would be Philadelphia. Philadelphia | :43:30. | :43:36. | |
international records run by Kenny and Lyon took the mantle from | :43:36. | :43:41. | |
Motown in the sevenities to create the sound of Philadelphia. | :43:41. | :43:47. | |
whole sound, being at the he willp of all that, they had a formula. | :43:47. | :43:52. | |
They would use certain musicians who would instantly comebgt and | :43:52. | :44:02. | |
reflect Philadelphia. -- connect and reflect Philadelphia. What the | :44:02. | :44:09. | |
Funk brothers were to Motown, multiple sclerosis FB were to | :44:09. | :44:17. | |
Philly international. MFSB was a combination of some of the greatest | :44:17. | :44:23. | |
musicians you could think of. That orchestra, that was the sound of | :44:23. | :44:27. | |
Philadelphia, in my view. People came from all over the world. They | :44:27. | :44:34. | |
tried to get that sound. That's what we did in the sevenities. We | :44:34. | :44:41. | |
were working. You can watch The Joy Of Disco on | :44:41. | :44:47. | |
Friday night on BBC Four at 9.00. Our next guests 23078 their band in | :44:47. | :44:54. | |
2007 and won within a year an Ivor Novo award. | :44:55. | :45:04. | |
:45:05. | :45:16. | ||
-- I've or November he will owe -- Ivor Novello award. | :45:16. | :45:22. | |
# The drums # They call me her | :45:22. | :45:25. | |
# They call me Stacey # They call me Jay | :45:25. | :45:32. | |
# That's not my name # That's not my name # | :45:33. | :45:37. | |
I ain't freakin' # I ain't fakin's | :45:37. | :45:45. | |
# Shut up and let me go # Hey! | :45:45. | :45:48. | |
Classic hits there. Welcome to Something For the Weekend, The Ting | :45:48. | :45:51. | |
Tings. We were talking about this before, an Ivor Novello, a | :45:51. | :45:56. | |
nomination for a Grammy, then we didn't see you at all. Where have | :45:56. | :46:00. | |
you been for the past couple of years? Touring. We kind of caught | :46:00. | :46:05. | |
on in different countries at different times. Because it was our | :46:05. | :46:09. | |
own little thing in Salford making our own music and videos and things | :46:09. | :46:13. | |
like that, it never really got pushed like a pop thing, then | :46:13. | :46:15. | |
suddenly all the different countries discovered us but at | :46:15. | :46:19. | |
different times of the UK started to go well, then six months later, | :46:19. | :46:23. | |
"Oh, you need to go to America. It's going really well there." Six | :46:23. | :46:28. | |
months after that, Japan and South Korea and I don't know South | :46:28. | :46:32. | |
America. You big in Germany? We do all right, yeah. We actually made | :46:32. | :46:37. | |
our second album there. Did you? You're rehearsing now to go back | :46:37. | :46:41. | |
around America. You have done well over there in comparison to other | :46:41. | :46:45. | |
British bands. They have taken to you. Yeah, it has been really good. | :46:45. | :46:50. | |
Tours out there, you get on a bus for six, seven weeks. You're one | :46:50. | :46:54. | |
unit. In the UK it's two weeks a tour. In the States it goes on | :46:54. | :46:59. | |
forever. It's a great platform to get better at what you're doing. | :46:59. | :47:03. | |
Isn't it hard work, though, every night, every other night doing a | :47:03. | :47:06. | |
gig? We have always said we should have been a folk band because there | :47:06. | :47:15. | |
is only two of us on stage. I said why don't we just write folk songs | :47:16. | :47:20. | |
and sit on stools? I was saying before the show hard work - two of | :47:20. | :47:25. | |
you on stage - if you have a band of four or five, the pressure is on | :47:25. | :47:31. | |
two of you. Tell us how you do your live gigs? We use pedals. There is | :47:31. | :47:35. | |
no backing track or sync play-back. Everything is spontaneous. I have | :47:35. | :47:41. | |
four pedals around my kit. She has four. It's a guitar fix, layering | :47:41. | :47:44. | |
stuff. Nine times out of ten, it goes wrong, but that's really what | :47:44. | :47:49. | |
we love about it because it's spontaneous. We argue on stage, but | :47:49. | :47:53. | |
it gives us our energy. A bit like this show. You. Mention you argue | :47:53. | :47:58. | |
on stage. We were discussing before the show it's hard work being | :47:58. | :48:02. | |
together for that length of time. You fall out a lot. | :48:02. | :48:07. | |
We kind of do. I fall out with Jules as much as I would fall out | :48:07. | :48:10. | |
with our sound guy. There is only, what, eight crew with us on tour, | :48:10. | :48:16. | |
but yeah, we have definitely had some - you're singing That's Not My | :48:16. | :48:21. | |
Name and you're flicking things at him. That's not my name! What's | :48:21. | :48:26. | |
your backgrounds? How did you two meet? How did The Ting Tings get | :48:26. | :48:29. | |
formed? We were both in different bands. I can't remember. We were | :48:29. | :48:32. | |
rehearsing in London in different bands, and I don't think we liked | :48:32. | :48:36. | |
what we were doing. A lot of my friends studied in Manchester. I | :48:36. | :48:41. | |
studied in London. I used to go to Manchester a lot, so hearing her | :48:41. | :48:44. | |
Manchester accent made us bond at that rehearsal studio. Next time I | :48:44. | :48:50. | |
was in Manchester, we hooked up, started to write. We loved a band | :48:50. | :48:54. | |
called Portishead and we tried to imitate their records, then we got | :48:54. | :48:58. | |
another member, got signed, got dropped. That whole thing got us to | :48:58. | :49:02. | |
Salford where we started The Ting Tings. Did you ever think - the two | :49:02. | :49:07. | |
of you is a weird dynamic - did you ever think we need to put more | :49:07. | :49:11. | |
members in the band as you were going along writing? No, we tried | :49:11. | :49:15. | |
it in a small tour of Australia. These poor musicians - we brought | :49:15. | :49:20. | |
them with us, and we just ignored them on stage. I was like, why are | :49:20. | :49:24. | |
these people on our stage? They were so talented and good. The | :49:24. | :49:29. | |
energy of the band changed. I felt so much more relaxed - great, there | :49:29. | :49:32. | |
is four of us. We can fill the stage, whereas normally, we have | :49:32. | :49:36. | |
performed in our living room in effect in Salford to, like, 40 | :49:36. | :49:41. | |
people, and that same show we played at Glastonbury to like tens | :49:41. | :49:45. | |
of thousands of people. It was the same show, and it was basically me, | :49:45. | :49:50. | |
like, legging it around the stage trying to fill the stage. In a way | :49:50. | :49:53. | |
that gives us our energy. We have the new single from the new album | :49:53. | :50:01. | |
out today. It's called Hang It Up. # Throw parties | :50:01. | :50:05. | |
# We sit on the ground # I would rather they just let me | :50:05. | :50:08. | |
down # People say don't rock the way | :50:08. | :50:12. | |
# Everybody needs somebody # You can hang it up | :50:12. | :50:18. | |
# Listen, baby # You can hang it up | :50:18. | :50:24. | |
# Listen, baby # You can hang it up | :50:24. | :50:32. | |
# You can hang it up. You hit a bit of a sonic wall, didn't you, while | :50:32. | :50:38. | |
you were making this album? Sonic wall? Yeah, that's my metaphor for | :50:38. | :50:42. | |
hitting a wall. It wasn't plain sailing, was it? You kind of | :50:42. | :50:47. | |
scrapped the first edition, didn't you? Kind of, yeahs but we did that | :50:47. | :50:52. | |
on the first album, to be honest. We wrote a song and if we weren't | :50:52. | :50:55. | |
feeling it, we'd store it rather than go back to it. I think it is | :50:55. | :51:00. | |
difficult to do a second album. The first one we wrote it by ourselves. | :51:00. | :51:04. | |
The second one we have all of these people that were like, wow, you | :51:04. | :51:08. | |
should try this. You should try that. We finally isolated ourselves | :51:08. | :51:15. | |
in the south of Spain, literally no phone signal, concentrated. We made | :51:15. | :51:18. | |
the album we wanted to make. We wanted to make something authentic. | :51:18. | :51:23. | |
We do it all ourselves. We wanted it to feel like it came for us. | :51:23. | :51:28. | |
does it compare to the other album? Quite similar? It's different. From | :51:28. | :51:33. | |
three years on Tuesday, we listened to all of our music on MP3 players, | :51:33. | :51:38. | |
whereas before that we had a record collection. We can't listen to | :51:38. | :51:42. | |
those on tour. Everything became a play list. I don't know if you do | :51:42. | :51:47. | |
that - rather than listen to a whole album, you can have three | :51:47. | :51:53. | |
tracks from Led Zeppelin or ABBA, whatever it is. We did that. When | :51:53. | :51:59. | |
we got to record this album, we had a reason to write it. The first | :51:59. | :52:04. | |
album was organic, didn't stop. The second album, we were exhausted | :52:04. | :52:09. | |
thinking, do we fake it or try to find some real substance? That | :52:09. | :52:15. | |
became the centre - the way we listen to our music. It's like a | :52:15. | :52:22. | |
play list. People will feel like, is this The Ting Tings on every | :52:22. | :52:25. | |
single song. You won an Ivor Novello award. Is that the best | :52:25. | :52:31. | |
award to win for a band because it's about writing songs? I think | :52:31. | :52:35. | |
for us it was because we have been writing together for six or seven | :52:35. | :52:39. | |
years. It's the main thing we do. Aye we're not a celebrity-driven | :52:40. | :52:43. | |
band. It's always about songs for us. If you write good songs, they | :52:43. | :52:50. | |
do the work for you. It when are you touring Britain? We're playing | :52:50. | :52:55. | |
London next week. I don't know what date. Tuesday. Yeah, Tuesday. We | :52:55. | :52:58. | |
actually go to Paris, then the United States for a massive 25-date | :52:59. | :53:02. | |
Tuesday, then we do South America, then come back and do European | :53:03. | :53:07. | |
festivals, then we do our own tour. I don't know when. I am terrible | :53:07. | :53:12. | |
with dates. No home life for either over you, then? No. On the road all | :53:12. | :53:16. | |
the time. We set up places - wherever we're touring, if we | :53:16. | :53:19. | |
happen to be in Paris three days before New York, we just stay in | :53:19. | :53:23. | |
Paris. It's so hard to get back to Manchester for those two days. By | :53:23. | :53:28. | |
the time you settle in, you're off again. So it's best to stay the | :53:28. | :53:32. | |
last place you visit. But fun nonetheless I would imagine. | :53:32. | :53:36. | |
They're staying with us to cook our last dish of the day. If you want | :53:36. | :53:42. | |
to ask them or Sally Phillips anything, Tweet us or e-mail us at | :53:42. | :53:46. | |
bbc.co.uk/somethingfortheweekend. All of this is still to come. | :53:46. | :53:48. | |
Gemma is nervous her secret is about to come out in Prisoners' | :53:48. | :53:56. | |
Wives. I am at work. I must know what I | :53:56. | :54:03. | |
have done. Simon cooks up one of his classic dishes, pulled pork | :54:03. | :54:10. | |
with spicy coleslaw. Jeremy Paxman travels to India. It was here the | :54:10. | :54:17. | |
British learned of Imperial Power. Still to come in our gadget roundup, | :54:17. | :54:22. | |
Nikki Moore will tell us what she has brought in including a new | :54:22. | :54:26. | |
popcorn maker - there she is stuffing her face with popcorn. | :54:26. | :54:30. | |
She's pregnant, so allowed to do that apparently. Sally is with us. | :54:31. | :54:37. | |
Are you handy in the kitchen? are you staring at me pregnant... | :54:37. | :54:41. | |
Because you have a baby. Did you eat a lot when you were pudding? | :54:41. | :54:47. | |
did. I couldn't shift it. Did you have cravings or not? Yes, I did | :54:47. | :54:56. | |
have a few. The first time I craved mango and cod. The last time it was | :54:56. | :55:01. | |
pan au chocolate. Is it something your body wants you to have? | :55:01. | :55:05. | |
don't know. I think it gets polluted with greed. I hear sleep | :55:05. | :55:10. | |
deprivation is really hard. Because you get tired, you get hungry, so | :55:10. | :55:13. | |
you need these sugar things all the time trying to keep going. Do you | :55:13. | :55:19. | |
do a lot of cooking yourself or... Yes, but not with any great skill. | :55:19. | :55:26. | |
What are we doing? We're doing a Lauren Rubin from Southend. We have | :55:26. | :55:34. | |
rhubarb, blood oranges, vanilla, star Anise, sugar, the crumble, | :55:34. | :55:44. | |
:55:44. | :55:50. | ||
flour, flaked almonds, dermerrera sugar and cinema. We dump in the | :55:50. | :55:58. | |
star Anise, sugar and vanilla. Nice to put it in a cold pan, then bring | :55:58. | :56:03. | |
it up slowly. This we'll fiercely cook away. Give it a bit of a prod | :56:03. | :56:13. | |
:56:13. | :56:16. | ||
vanilla seeds out? The heat will bring the seeds out of the pod, but | :56:16. | :56:20. | |
also there is loads of flavour in the pod itself. The most effective | :56:20. | :56:25. | |
way to get the most value for money out of the expensive vanilla pod is | :56:25. | :56:35. | |
if you were to blend it with sugar, you won't need to buy lots of | :56:35. | :56:41. | |
vanilla pods. You wouldn't buy vanilla sugar? No, you could make | :56:41. | :56:46. | |
your own. Bring it to a boil, and you get this intense vanilla syrup, | :56:46. | :56:54. | |
and it costs you a fraction of buying vanilla sugar. Rhubarb, all | :56:54. | :56:59. | |
you have to do is top and tail and cut it into pieces about that kind | :56:59. | :57:05. | |
of length, then just lay them into our baking dish. That's it. Go. | :57:05. | :57:10. | |
pressure. I made - just don't chop your fingers off. I made your | :57:10. | :57:16. | |
rhubarb fool - is it fool? Yeah. made his rhubarb fool. It was | :57:16. | :57:20. | |
absolutely delicious. I do like a bit of rhubarb. We got some e-mails | :57:20. | :57:27. | |
and tweets in for you. Ashley says, "What attracted you to comedy in | :57:27. | :57:32. | |
the first place?" You know what, I think I wanted to be initially very | :57:32. | :57:35. | |
serious, but was physically handicapped - not attractive enough | :57:35. | :57:40. | |
and also a bit stupid. I just looked ridiculous, so I tried to be | :57:40. | :57:45. | |
serious for a couple of years, then just got spotted by comedians. The | :57:45. | :57:49. | |
minute I started doing comedy, everybody was like, that's better! | :57:49. | :57:55. | |
I die - in one play I played a syphilis-infected whore who had to | :57:55. | :57:59. | |
die at the end, which was supposed to be very, very sad, and everybody | :57:59. | :58:05. | |
would go, ahh! Which wasn't quite right, so comedy chose me really. | :58:05. | :58:11. | |
Do you think there is a different sort of acting for comedy and | :58:11. | :58:15. | |
straight? I think there is. Some people say no, but I think so. It | :58:15. | :58:21. | |
has been said that comedy is the art of bad acting. That's nice. | :58:21. | :58:29. | |
Which it is - in some forms it is. Was your first role on TV in Alan | :58:29. | :58:36. | |
Partridge? No. My first... Just lay it in there. I was completely | :58:36. | :58:41. | |
thrilled to get it. I was on Smith and Jones. My very first job is I | :58:41. | :58:46. | |
was in bed with Mel Smith. It started on Mel. He went "I'm really | :58:46. | :58:51. | |
sorry, love. This has never happened before to me. It must have | :58:51. | :58:56. | |
been the drink." Do you do this Sunday mornings on a sketch? It's | :58:56. | :59:04. | |
clean. You mentioned "bed" - I was like, right! We didn't get it on. | :59:04. | :59:10. | |
He said "It must have been me." And they panned over to me, and I was | :59:10. | :59:16. | |
covered in vomit. It's maybe not a cooking joke. They poured cool soup | :59:16. | :59:21. | |
over me. I had an allergic reaction. I was thrilled to get that first | :59:21. | :59:25. | |
ever TV appearance. The blood orange - we're going to top and | :59:25. | :59:30. | |
tail like that and it's really just bringing the knife around at an | :59:30. | :59:34. | |
angle so you get as much of that off as you can, so we're going to | :59:34. | :59:37. | |
slice across it. Meanwhile, the sauce is done. I am going to boil | :59:37. | :59:43. | |
this up. I am going to strain this. Now you have all of that vanilla | :59:43. | :59:51. | |
coming out so you have a really delicious syrupy blood orange sauce. | :59:51. | :59:54. | |
When you write a film like Decoy Bride, how much is the finished | :59:54. | :00:01. | |
product like your vision? Because you said a lot of people had a say | :00:01. | :00:05. | |
in it. No, when you're a writer, it's the director's medium. They | :00:05. | :00:10. | |
say there is three films, the film you write, the film you shoot and | :00:10. | :00:15. | |
the film you make in the edit. Right. The film version is really | :00:15. | :00:20. | |
very different to the thing you write. I always thought to write | :00:20. | :00:24. | |
dialogue must be the hardest thing, to actually write so you're writing | :00:24. | :00:28. | |
in different characters' voices, then to write to make something | :00:28. | :00:34. | |
that's funny - the men sit around and go, wow. That is really funny. | :00:34. | :00:39. | |
What is amusing me is I just met my writing partner's parents at the | :00:39. | :00:42. | |
premier in Glasgow last week for the first time. He said - lovely | :00:42. | :00:46. | |
guy, but his parents had been in the north, so I hadn't met them. It | :00:46. | :00:50. | |
turns out his characters, nearly all of them, come from his dad, | :00:50. | :00:56. | |
especially the older ladies in the script. Really? Is based on his dad | :00:56. | :01:00. | |
- I don't know. I like that I understand how that works... Might | :01:00. | :01:07. | |
work, yeah. Chuck the blood oranges on top. This is a beautiful colour. | :01:07. | :01:11. | |
You can use regular oranges but you don't get that delicious colour if | :01:11. | :01:16. | |
you don't. It just makes for a nice flavour. For the crumble, tip all | :01:16. | :01:20. | |
of those in there, really simple, then sprinkle that on top of the | :01:20. | :01:24. | |
rhubarb and the blood orange. It's that, that easy. It's set in | :01:24. | :01:29. | |
Scotland, but it is filmed in the Isle of Man, is that right? Partly | :01:29. | :01:33. | |
filmed in Scotland, partly in the Isle of Man, but we had the money | :01:33. | :01:40. | |
given to us by the Isle of Man Films. It doubled really well, | :01:40. | :01:44. | |
actually. We were worried about that because they have slightly | :01:44. | :01:48. | |
better weather than the outer when redese. We had some fantastic | :01:48. | :01:53. | |
weather - brilliant mist and fog. That was great for us because it | :01:53. | :01:57. | |
wasn't a very expensive film. The weather makes it look - because | :01:57. | :02:01. | |
normally that fog would have been a fog dispenser - a massive squirter | :02:01. | :02:05. | |
- fog squirter that costs you millions of pounds to hire, but we | :02:05. | :02:09. | |
had actual fog. The amazing thing is we had continuity fog because we | :02:09. | :02:15. | |
had to pick up a bit of a scene we didn't finish on the day. Four days | :02:15. | :02:21. | |
later when we had to do it, it was foggy again. Both places are brutal. | :02:21. | :02:29. | |
The Isle of Man and the Outer Hebrediz is brutal. I have never | :02:29. | :02:33. | |
been to both. Isle of Man is cracking. I have been fishing. | :02:33. | :02:37. | |
you? I think it would be great to go with young kids. It's really | :02:37. | :02:47. | |
:02:47. | :02:57. | ||
should be like National Crumble Week. Something I haven't burned, | :02:57. | :03:07. | |
today, Tim. So relaxing. Lovely soft fruit. Some of the sauce. | :03:07. | :03:15. | |
Finally a good dollop of clotted cream or you could use custard with | :03:15. | :03:23. | |
that. It is heavenly. If you'd like to come round and try this. Ting | :03:23. | :03:29. | |
Tings. Very hot this, apparently, guys. Take a spoon and try some. | :03:29. | :03:37. | |
That's very good. How hot is it? Going to burn my head? We're doing | :03:37. | :03:45. | |
a classic pork pork for the and finally. -- pulled pork. | :03:45. | :03:53. | |
Very nice. Yummy. In a moment, Wayne has a BRIT inspired cocktail. | :03:53. | :03:59. | |
First, another chance to guess when all this happened in Deja View. | :03:59. | :04:09. | |
# It's my life # It's my life # | :04:09. | :04:14. | |
The Princess of wails attended the service on the eve of a | :04:14. | :04:21. | |
controversial pub hub kaigs of her book. Betty Boothroyd has become | :04:21. | :04:25. | |
the first woman Speaker of the House of Commons. She's the Labour | :04:25. | :04:32. | |
MP for West Bromwich West. Health Secretary David Mellor gave | :04:32. | :04:36. | |
into allegations about his private life. He handed in his rest | :04:36. | :04:40. | |
Ignatius to the Prime Minister saying "I'm privileged to count you | :04:40. | :04:45. | |
as a dear friend.". # It's my life | :04:45. | :04:55. | |
:04:55. | :04:56. | ||
# It's my life deml # It's my life... # | :04:56. | :05:05. | |
Wayne's World, party time. And, we're clear. Excellent show | :05:05. | :05:15. | |
:05:15. | :05:16. | ||
everyone. Great show. Benjamin Cain. Director for. I'm Russell finally. | :05:16. | :05:23. | |
We spoke earlier today. Maybe we can go somewhere to get acquainted. | :05:23. | :05:28. | |
Russell. Get to know the crew. Russell. Get to know the crew. | :05:28. | :05:37. | |
you guys later. I went 194. Simon wept 19192. I'm going 1993. I think | :05:37. | :05:45. | |
it's earlier. Wayne's World has thrown me slightly. I thought it | :05:45. | :05:51. | |
was earlier. We'll find out at the was earlier. We'll find out at the | :05:51. | :05:54. | |
end. You're making cocktails. We're celebrating the BRIT awards. | :05:54. | :06:02. | |
This is called True Brit. The best of British summer ingredients. Lime, | :06:02. | :06:07. | |
sweetened with sugar. Put some good old scotch in there. Just one | :06:07. | :06:13. | |
measure. Then we've here some cider brandy | :06:13. | :06:19. | |
from Somerset. Similar to you'd find in northern franch. This one's | :06:19. | :06:25. | |
from Somerset. Which one's this? Cider brandy. It has that really | :06:25. | :06:30. | |
nice apple flavour. I like cider on a nice hot day, sitting outside. | :06:30. | :06:37. | |
Don't hog it! That's good. season for rhubarb it is here. | :06:37. | :06:43. | |
Rhubarb liqueur. That is really strong. I love it though. That | :06:43. | :06:52. | |
apple punchiness to it. That's really nice. I like that. Delicate.. | :06:52. | :07:00. | |
Rhubarb never tasted so good. Where there any interesting drinks in | :07:00. | :07:07. | |
Australia? Not really, throw a shrimp on the barbie. Have you been | :07:07. | :07:13. | |
to Australia? I was there last summer. Sp How's the cocktail | :07:13. | :07:17. | |
scene? It's growing. Sydney and Melbourne are leading it. Some | :07:17. | :07:23. | |
things happening in Brisbane and the west coast. It is now more | :07:23. | :07:29. | |
cosmopolitan in Sydney. Good jazz scene. Good restaurants. Loads of | :07:29. | :07:36. | |
casinos in Melbourne. Really? Did you frequent them? I did. What have | :07:36. | :07:43. | |
you put in there? Elderflower press. Apple flavours, bit of the | :07:44. | :07:49. | |
elderflower. A wedge of apple. There you've got True Brit. To | :07:49. | :07:57. | |
celebrate those winners. Adele, who's winning everything. I know. | :07:57. | :08:05. | |
What did you make of her speech? don't know why they didn't fade out | :08:05. | :08:12. | |
Blur at the end and let her finish her speech. We've got the clip. | :08:12. | :08:17. | |
Thank you very much. Nothing make the prouder than coming home with | :08:17. | :08:23. | |
six Grammys, coming to the BRITS and winning Album of the Year. I'm | :08:23. | :08:27. | |
so proud to the British, flying our flag. I'm so proud to be in the | :08:27. | :08:34. | |
room with all of you. I'm so sorry. I can't believe I'm about to... | :08:34. | :08:39. | |
You're going to cut me off. Can I just say, goodbye and I'll see you | :08:39. | :08:43. | |
next time round... It was George Michael in the background laughing. | :08:43. | :08:50. | |
He was going, oh, no, a stipger here! Thing is, someone made a | :08:50. | :08:56. | |
mistake. It would have been easy to let her keep talking. Does it | :08:56. | :09:04. | |
really matter in the great scheme of things? They should do what they | :09:04. | :09:10. | |
do at the Oscars. Play elevator music until they get off. To Adele. | :09:10. | :09:17. | |
All worth it now. The Oscars is on tonight. This is a great twist on a | :09:17. | :09:23. | |
classic Martini. It is called a Tuxedo. The Artist is looking like | :09:23. | :09:28. | |
the favourite to win it, black and white old school movie. It will | :09:28. | :09:38. | |
:09:38. | :09:38. | ||
take you back. Have you seen it? haven't. Do you go to the cinema? | :09:38. | :09:44. | |
do with the kiddies. They don't want to see this one, two hours of | :09:44. | :09:48. | |
silence! A good double measure of begin. Do you go to the movies much, | :09:48. | :09:55. | |
Tim? Average, I've gone to a few. Take them in now and then. You? | :09:55. | :10:01. | |
do enjoy going to a matinee by myself every now and then! Don't | :10:01. | :10:07. | |
look at me like that. People give you funny looks, though. What have | :10:07. | :10:15. | |
you put in there? Little drop of the ab absinthe. We've got the | :10:15. | :10:25. | |
:10:25. | :10:27. | ||
begin, vermouth. Maraschino. Absinthe. A little accent at the | :10:27. | :10:32. | |
back. The drink. Comes through at the end. You don't want too much. | :10:32. | :10:37. | |
It is just the smell of that brings me back to days gone past when I | :10:37. | :10:43. | |
wasn't feeling very well, let's say. Some good old days. Bad old days, I | :10:43. | :10:52. | |
think. A traditional 1950s cocktail glass here. Fab. Like -- looks like | :10:52. | :11:02. | |
the sort of thing Tom or Jerry... Which one's the mouse? Jerry. | :11:02. | :11:12. | |
:11:12. | :11:12. | ||
is a really delectable flavour. You want to get the aromas. Have a good | :11:12. | :11:21. | |
slurp. It is a classic. That is divine. Really georgeous. A nice | :11:21. | :11:27. | |
layer of flavours. Thanks, Wayne. You can get all of his cocktail | :11:27. | :11:32. | |
recipes by logging on to www.bbc.co.uk Something For The | :11:32. | :11:34. | |
Weekend. Gemma is starting to fear she's to | :11:34. | :11:39. | |
the good at hiding the truth. This the good at hiding the truth. This | :11:39. | :11:48. | |
is Prisoners' Wives. N # Far away, someone was weeping | :11:48. | :11:53. | |
# While the world was sleeping # Any Dream Will Do | :11:53. | :12:03. | |
:12:03. | :12:26. | ||
Got for get this. It's me. Gemma. Hang on. See you tonight, love. | :12:26. | :12:33. | |
I call you back? He's altogether work. He must know what I've done. | :12:33. | :12:39. | |
He's at work. He's been released. Why? I can't talk now. I'll meet | :12:39. | :12:43. | |
you. Explain it then. Just don't tell him anything. All you have to | :12:43. | :12:53. | |
:12:53. | :12:54. | ||
do is pretend everything is normal. Andy. Sorry to keep you waiting. Is | :12:54. | :12:59. | |
everything OK? I need you to pass on a message. Called you at home | :13:00. | :13:05. | |
and your mobile. When are you next speaking to receive? I can't xaul | :13:05. | :13:14. | |
him. He has to ring me. When will he next call you? I'll speak to him | :13:14. | :13:21. | |
in the evenings. Raw OK? Fine. you speak to him. Tell him to call | :13:21. | :13:26. | |
me. What is it? A bit of trouble with the business. Something's | :13:26. | :13:36. | |
:13:36. | :13:42. | ||
happened so just make sure you pass And you can catch the next episode | :13:42. | :13:48. | |
of Prisoners' Wives on Tuesday night, BBC One at 9.00pm. Our | :13:48. | :13:53. | |
gadget guru is Nikki Moore with Oscar-inspired ideas. This is a | :13:53. | :13:59. | |
good idea. This is the home cinema popcorn maker. Perfect for movie | :13:59. | :14:04. | |
nights in. Popcorn made at home with the kids. It is made... It is | :14:04. | :14:11. | |
popping already. Made in the same way as in the cinema. Not like Mike | :14:11. | :14:16. | |
waive popcorn. You can see it is popping away. It comes with... | :14:16. | :14:20. | |
need to invent quiet popcorn for the cinema. Nothing more | :14:20. | :14:24. | |
frustrating than something sitting next to you chomping. Being noisy. | :14:24. | :14:31. | |
You add oil to the - you add oil to the metal dish. You add the | :14:31. | :14:36. | |
Colonels which come with it when you buy it. It all collects at the | :14:36. | :14:45. | |
bottom. I have a scoop. This is how they do it at the cinema. Butter. | :14:45. | :14:50. | |
Taste that. Shake it up a bit. A bit too much! This is the thing you | :14:50. | :14:55. | |
have at home. Is it as good as microwave? Miles better. It tastes | :14:55. | :14:59. | |
better. Taste it. I make it all the time. It is only a couple of | :14:59. | :15:04. | |
minutes. It is quite retro. Kids, when they have their friends over | :15:04. | :15:09. | |
for sleepovers, they'll love it. Fun to watch it being popped and | :15:09. | :15:15. | |
made. Tastes nice. It tastes like popcorn. You get 25 boxes when you | :15:15. | :15:22. | |
buy it. Two seasonings. We have chocolate, butter. You can get | :15:22. | :15:28. | |
barbecue, salt, sweet and savoury. I think that's quite good. How much | :15:28. | :15:38. | |
:15:38. | :15:43. | ||
is this? �99.95. Quite pricey?. It'll last. What's next? | :15:43. | :15:47. | |
Lomography LomoKino. An analogue movie camera. No sounds, to make | :15:47. | :15:53. | |
retro movies. To post production. Just a simple motion picture. With | :15:54. | :16:00. | |
films like The Artist, people are wanting to make retro films. We've | :16:00. | :16:07. | |
some footage. It is quite ray. Not like digital movies. That's really | :16:07. | :16:13. | |
cool. Uses is 35mm film. You film using the crank handle at the side. | :16:13. | :16:21. | |
It shoots three to five frames a second. You might get 30-45 seconds | :16:21. | :16:26. | |
of footage. You have to get the film developed. It is a lot messier. | :16:26. | :16:31. | |
Convert it? You can digitise it. You can watch it on a movie | :16:31. | :16:38. | |
projecter. If you want it digitised, Lomography would do that for you. | :16:38. | :16:44. | |
You'd use it once or twice? I think people into this would really like | :16:44. | :16:54. | |
:16:54. | :17:00. | ||
Next is the Optoma PK320 Pico Projector. This is a very portable | :17:00. | :17:04. | |
powerful light-weight projector. It's great did you want to watch | :17:04. | :17:08. | |
movies at home, you can watch a big movie on a big screen. I am going | :17:08. | :17:12. | |
to connect it to a device. We have it connected to a tablet but it | :17:12. | :17:21. | |
also has two gig of internal memory which you can export to a micro-SD | :17:21. | :17:27. | |
slot. Does it come with that thing there? No, the screen and the | :17:28. | :17:31. | |
tripod are separate. You can project it on to a wall. We have it | :17:31. | :17:37. | |
on a tablet so you can get the idea. I is decent quality. What is good | :17:37. | :17:43. | |
is it also does MS Office and Adoneby, so you can do presentation | :17:43. | :17:49. | |
at work - presentations, videos, clips. It has built-in speakers. | :17:49. | :17:55. | |
Look at that, Wayne Collins. Wayne, I never knew. That's quite good. | :17:56. | :18:03. | |
That is �329. OK, �329 - that's a lot. Or is it? No, I don't think | :18:03. | :18:08. | |
that's too bad, actually. Can we turn that off? I'm trying to do it | :18:08. | :18:12. | |
with the remote control, but it's not working. Finally? We have | :18:12. | :18:17. | |
Bean2Bed, which is, again, great for watching movies. They look like | :18:17. | :18:21. | |
beanbags but actually contain a full-sized mattress, so you can get | :18:21. | :18:26. | |
them in double size, king size or children's size. What you do is | :18:26. | :18:33. | |
unzip the beanbag at the back, then pull out the mattress, made of a | :18:33. | :18:36. | |
high-end foam. It's like memory foam. It's comfortable. It moulds | :18:36. | :18:40. | |
to your body. Once you've got it out, you have to fluff it up, so | :18:40. | :18:48. | |
you've got to flip it two or three times just to get all the foam | :18:48. | :18:53. | |
flipped up. Flip that a couple of times. This is the king-sized one. | :18:53. | :19:00. | |
There you go. If you have a lie on it, see how comfortable it is. Is | :19:01. | :19:06. | |
it comfy? Come on. It's all right. She's pregnant. I won't get up if I | :19:06. | :19:11. | |
get on here. What do you think? think it's wonderful. How much is | :19:11. | :19:17. | |
this one? They start at 175. They come in a variety of fabrics, suede, | :19:17. | :19:21. | |
animal print, denim. They come in different sizes and colours, and | :19:21. | :19:27. | |
you can customise them as well. Thanks, Nikki Moore. For any | :19:27. | :19:34. | |
information on today's gadgets, e- mail us. We'll get back to you. | :19:34. | :19:36. | |
Jeremy Paxman traces the history of the British colonies beginning by | :19:36. | :19:39. | |
asking how such a tiny island came to rule a quarter of the world's | :19:39. | :19:49. | |
:19:49. | :19:50. | ||
So much that shaped the extraordinary story of the British | :19:50. | :19:58. | |
Empire was born here in the complex, time-worn expanse of India. It was | :19:58. | :20:06. | |
here the British learned the art of imperial power, yet it was a treaty | :20:06. | :20:15. | |
signed thousands of miles away that determined the fate of India. In | :20:15. | :20:20. | |
February 1763, the great European powers were meeting in Paris to end | :20:20. | :20:25. | |
years of war and to divide the world between them from Canada to | :20:25. | :20:32. | |
the Philippines. Britain's representative at the peace talks | :20:32. | :20:36. | |
was the Duke of Bedford, a stubby, arrogant little man who had never | :20:36. | :20:40. | |
been to any of these places. In fact, his gout had made it | :20:40. | :20:45. | |
difficult enough for him to get to Paris, but the Bedfords did pretty | :20:45. | :20:50. | |
well out of the summit. The Duchess was given an 800-piece porcelain | :20:50. | :20:54. | |
dinner service by the King of France, and the Duke got India for | :20:54. | :20:59. | |
the British. And you can see the first part in | :20:59. | :21:04. | |
the new series of Empire tomorrow evening on BBC One at 9.00pm. Katy | :21:04. | :21:10. | |
from the Ting Tings is with us in the kitchen. Can you cook? Kind of. | :21:10. | :21:16. | |
I poisoned myself a couple of times, but yeah - over the space of a year. | :21:16. | :21:21. | |
Not a good recommendation. I can cook, though. Remind me never to | :21:21. | :21:25. | |
come to a dinner party hosted by you. You're left-handed. It's weird | :21:25. | :21:30. | |
how many people we have on the show who it seems the knife skills are | :21:30. | :21:36. | |
much harder. The ramt of people that have seen me cooking see me | :21:36. | :21:45. | |
take the bus out... Really? Boss says you're cack-handed, whatever | :21:45. | :21:50. | |
that means. Mark is the most left- handed person I have ever seen - | :21:50. | :21:56. | |
he's genius, genius. Are you going to make her chop so we can look at | :21:56. | :22:03. | |
those cack-handed skills? Yeah, we have a hunk of pork, cider, cider | :22:03. | :22:13. | |
:22:13. | :22:16. | ||
vinegar, we have garlic, onions, coleslaw - lime, carrots, cabbage. | :22:16. | :22:26. | |
:22:26. | :22:29. | ||
Give me onions - of all things! - I would like slices but happy | :22:29. | :22:35. | |
with chunks. Cooking with Katy from the Ting Tings - Hiroki Hara we go. | :22:35. | :22:42. | |
Is that all right? Yeah, it would be really careful if we wounded a | :22:42. | :22:52. | |
:22:52. | :22:54. | ||
Ting Ting I'd be playing a gig with four fingers. Can we talk about you | :22:54. | :23:00. | |
killing the cat? No! Is this the cat there? This is the cat. What | :23:00. | :23:05. | |
happened, Simon? I know you're watching and laughing. Here is the | :23:05. | :23:12. | |
story for the 45th time. Mike, A and R for Ting Tings. I bought my | :23:12. | :23:17. | |
house from Mike, good friends. They had a cat that stayed with us, went | :23:17. | :23:22. | |
missing, then after awhile, one of Mike's kids said, what happened to | :23:22. | :23:30. | |
the cat? It went missing. Tim in week four said, "Is it true you | :23:30. | :23:34. | |
killed Mike Pickering's cat?" To the day this story goes and goes. | :23:34. | :23:41. | |
Now I am being abused by The Ting Tings. Funny thing is he's never | :23:41. | :23:45. | |
mentioned having a cat. You must have scarred him so much he can't | :23:45. | :23:53. | |
even talk about it. Amazing. I am not enjoying this and the fact Tim | :23:53. | :23:59. | |
is sniggering hugely - moving on. Then we have whole-grain mustard - | :23:59. | :24:04. | |
it did make the cat really tasty, the mustard. People switching off | :24:04. | :24:08. | |
as we speak. What we do is put the garlic around the edge. That'll do | :24:08. | :24:16. | |
you. Then the onions - you did well. I think it's down to your tools, | :24:16. | :24:21. | |
isn't it? A good knife. This is a weird thing to say, but you're | :24:21. | :24:25. | |
actually better cutting yourself with a sharp than a blunt knife | :24:25. | :24:30. | |
because you have a cleaner cut. I'll remember that next time I'm | :24:30. | :24:35. | |
trying to... It tears the skin, but the sharp will just cut it, so it | :24:35. | :24:41. | |
heals more easily. We hour over the cider and cider vinegar, cover it | :24:41. | :24:45. | |
with foil or parchment, cook for four hours so the pork softens. | :24:45. | :24:52. | |
want to ask you a question from a viewer, "How did The Ting Tings get | :24:52. | :24:57. | |
their name? Was it anything to do with the Chinese bride from Little | :24:57. | :25:02. | |
Britain?" I stole it from a girl I worked with. I worked in a shop, | :25:02. | :25:09. | |
and her name was Ting Tinge. I thought her name was so cool. We | :25:09. | :25:14. | |
started a band. We didn't think we'd be successful, so we thought | :25:14. | :25:22. | |
that would do. We recently found out it means the innovation on open | :25:22. | :25:29. | |
minds. So we named it anything really. So what you want to do is | :25:29. | :25:34. | |
you want long pieces of carrots so go right the way down. People tend | :25:34. | :25:40. | |
to do that but if you do that, you'll get longer pieces of carrot. | :25:40. | :25:46. | |
You're that way because you're left-handed. Yeah. See, I can't do | :25:46. | :25:55. | |
it... It's really weird. But I can learn guitar -- play guitar left- | :25:55. | :26:00. | |
handed but I have learnt it right. My little boy is left-handed but | :26:00. | :26:05. | |
right footed. That's weird, isn't it? It's true. Wonders will never | :26:05. | :26:11. | |
cease. You know what I mean? I assumed if you were left handed, | :26:11. | :26:17. | |
you would be left footed. Doesn't that make sense? I am left footed. | :26:17. | :26:23. | |
It's about your brain, so why would you have one brain... Clearly both | :26:23. | :26:30. | |
sides of his brain are working unlike us normal folk. So we slice | :26:30. | :26:35. | |
the onion and a Katy is grating carrots. Is that enough? That'll do. | :26:35. | :26:41. | |
What you do is squeeze the lime juice in there, tip the soya and | :26:41. | :26:48. | |
mayo in, start to give it a bit of a stir-around. Jack wants to know, | :26:48. | :26:55. | |
"Who would you most like to collaborate with?" Both myself and | :26:55. | :27:00. | |
Jules are big fans of Talking Heads. Have you had that discussion? | :27:00. | :27:05. | |
have missed two opportunities - first, he asked us to play on a | :27:05. | :27:11. | |
stage he was cure ateing in the States. We couldn't do it. He asked | :27:11. | :27:16. | |
to us cover on a charity record. We had two hours - we went into the | :27:16. | :27:20. | |
studio and destroyed the song - we were like, we can't do this. It's | :27:20. | :27:25. | |
our favourite song in the world. We have missed two opportunities. | :27:25. | :27:30. | |
Potentially it will happen in the future? I don't know, never met him. | :27:30. | :27:36. | |
If you're watching this morning! All of this, the delicious flavours | :27:36. | :27:41. | |
come in. I like the fat the best. That's my favourite bit. All the | :27:41. | :27:46. | |
flavours come into the mix. We pull it apart with the fork, hence the | :27:46. | :27:51. | |
reason it's called pulled pork because you pull it a way like this. | :27:51. | :27:59. | |
You get this gorgeous shredded pork and the end bits are the best bits | :27:59. | :28:07. | |
- what you might want to call the burnt butts of the pork. If there | :28:07. | :28:11. | |
was scratch-and-smell television... It's the greatest smell. What we do | :28:11. | :28:16. | |
is simply spoon a big load of this delicious concoction into there. | :28:16. | :28:22. | |
This in itself is heavenly. You want loads of the sauce. You want | :28:22. | :28:28. | |
all of those in there, so this can sit here... That would be perfect | :28:28. | :28:32. | |
to bring to the game today. I am going to take this for sandwiches | :28:32. | :28:38. | |
obviously. Beats a bacon but thety, doesn't it? A spoonful of our spicy | :28:38. | :28:46. | |
coleslaw on the side - pulled pat - uh, pork! Pulled Pickering cat! | :28:46. | :28:52. | |
While you dish that up, it's over to the Deja View reveal. Yeah, when | :28:52. | :29:02. | |
:29:02. | :29:03. | ||
Betty Boothroyd was made Madam Speaker and the controversial | :29:03. | :29:10. | |
Princess Diana biography made its debut, It's My Life was in the | :29:10. | :29:15. | |
charts - 1992. Do you want to try that? | :29:15. | :29:21. | |
He's kind of a cat killer. Really put me off. Really a cat. Got lots | :29:21. | :29:28. | |
of Tweets from you asking about projects. One asks if there is | :29:28. | :29:33. | |
going to be another series of Miranda Hart? I think so. Miranda | :29:33. | :29:37. | |
Hart is in a hut in the forest writing as we speak. We're going to | :29:37. | :29:41. | |
be shooting in the summer, so I guess it would be on the screens in | :29:41. | :29:46. | |
the autumn. Chris says, "What's going on with Bridget Jones Three? | :29:46. | :29:51. | |
Will you be in it?" I haven't seen the script, but apparently there is | :29:51. | :29:55. | |
one. It was supposed to shoot before Christmas, but didn't, so | :29:55. | :30:00. | |
it's postponed, but not cancelled. Isn't there a Bridget Jones, the | :30:00. | :30:05. | |
Musical, coming up? Supposedly. Lily has written that. I am not | :30:05. | :30:10. | |
involved in that. What is that like? Have you eaten any? I want to | :30:10. | :30:17. | |
get stuck in, but I feel rude. please, get stuck in. Do that. "Are | :30:17. | :30:23. | |
there any plans to bring back Smack the Pony" says Maxwell. Not to | :30:23. | :30:29. | |
bring it back as it was, but I am good friends with Fiona and Doon | :30:29. | :30:33. | |
Mackichan. Together we have worked out and written up a sitcom which | :30:33. | :30:39. | |
we're trying to - going to try to persuade the BBC to do - please, | :30:39. | :30:43. | |
BBC! What's that about? It's about whether or not to stay married | :30:43. | :30:47. | |
called Stick or Twist, three - we were trying to grow up. That's a | :30:47. | :30:53. | |
good subject at the moment because everybody gets divorced. I think | :30:53. | :30:59. | |
everybody thinks about it. I am still married. I am still married. | :30:59. | :31:03. | |
Is that delicious? Very good. You're about to go to the States in | :31:03. | :31:07. | |
a couple of days, is that right? show Tuesday in London, then we go | :31:07. | :31:11. | |
to the States after that. About a week before we go to the States. | :31:11. | :31:16. | |
How is the touring and the food? Really difficult because obviously | :31:16. | :31:21. | |
you can't eat that well. We end up - obviously, we try to avoid fast | :31:21. | :31:26. | |
food, but you end up picking up bits of food - especially in | :31:26. | :31:30. | |
America, it is really hard. At the end of the day, the choice is | :31:30. | :31:34. | |
really limited. You end up trying to keep some sort of balance | :31:35. | :31:40. | |
between fitness and eating as less as possible when you're touring. | :31:40. | :31:46. |