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Getting to the top of any profession takes not only skill | 0:00:02 | 0:00:05 | |
and determination, but a few breaks along the way. | 0:00:05 | 0:00:08 | |
Show me what a good cook you are. | 0:00:09 | 0:00:12 | |
Tom Kitchin, Theo Randall and Michel Roux Junior have all been | 0:00:12 | 0:00:17 | |
helped in their careers by someone who believed in them. | 0:00:17 | 0:00:20 | |
'I think it would be very difficult for any chef to achieve greatness' | 0:00:20 | 0:00:24 | |
without a mentor. | 0:00:24 | 0:00:27 | |
Put it through one more time. | 0:00:27 | 0:00:28 | |
Now, they want to give someone else that same chance... | 0:00:30 | 0:00:35 | |
Come on, out, out, out, out, out, out! | 0:00:35 | 0:00:37 | |
..by going back to catering college to find a young student | 0:00:37 | 0:00:40 | |
they can each take under their wing as their own protege. | 0:00:40 | 0:00:44 | |
It's such a gruelling industry. | 0:00:45 | 0:00:47 | |
If you want to get to the top, you need to work with the best. | 0:00:47 | 0:00:51 | |
Look at you. You're excited, huh? You're excited! Hallelujah! | 0:00:51 | 0:00:55 | |
Tom, Theo and Michel are searching for someone, | 0:01:03 | 0:01:06 | |
who they think is a worthy apprentice. | 0:01:06 | 0:01:09 | |
-Happy, Chef Shonagh? -Think so! | 0:01:09 | 0:01:11 | |
They each have a week to select | 0:01:12 | 0:01:14 | |
and train up their strongest candidates... | 0:01:14 | 0:01:16 | |
Mm! | 0:01:16 | 0:01:18 | |
-So, how many have you done? -One so far. | 0:01:18 | 0:01:20 | |
-You've done ONE? -Yeah, but I... Sorry, Chef. | 0:01:20 | 0:01:22 | |
..before they compete against each other | 0:01:24 | 0:01:27 | |
to see who has the best protege. | 0:01:27 | 0:01:29 | |
This week, it's the search of Michel Roux Junior. | 0:01:35 | 0:01:40 | |
For 20 years, he has held two Michelin stars after | 0:01:40 | 0:01:44 | |
honing his skills with a string of different chefs. | 0:01:44 | 0:01:47 | |
I think it's extremely important for a young chef to find a mentor, | 0:01:48 | 0:01:51 | |
somebody that they can look up to and somebody that inspires. | 0:01:51 | 0:01:55 | |
I've had a few over the years but none more | 0:01:55 | 0:01:57 | |
so than my father who instilled in me | 0:01:57 | 0:02:01 | |
my respect for all the ingredients and the love of the French classics. | 0:02:01 | 0:02:06 | |
Michel is on his way to University College Birmingham, one of | 0:02:12 | 0:02:17 | |
the country's leading catering colleges with a strong | 0:02:17 | 0:02:20 | |
connection to the Roux family. | 0:02:20 | 0:02:22 | |
They have shortlisted seven students, | 0:02:23 | 0:02:26 | |
who they believe have the potential to be his protege. | 0:02:26 | 0:02:29 | |
I think the students have an absolutely fantastic | 0:02:30 | 0:02:33 | |
opportunity to work with Michel. | 0:02:33 | 0:02:35 | |
They're going to make the most of this. | 0:02:35 | 0:02:37 | |
This is life-changing for them | 0:02:37 | 0:02:38 | |
and they'll give 100% to make sure that they do their very best. | 0:02:38 | 0:02:42 | |
Look at this. Even I'm here. | 0:02:44 | 0:02:46 | |
Dad. | 0:02:48 | 0:02:49 | |
-All right, Neil? -Hello, Michel. Nice to meet you. -Wow! | 0:02:53 | 0:02:57 | |
What a lovely kitchen! That is amazing! | 0:02:57 | 0:03:00 | |
So, seven very excited students, eager to work with you, | 0:03:00 | 0:03:04 | |
looking forward to the challenge. They can't wait. | 0:03:04 | 0:03:06 | |
-They're so eager to get started. -That's great. Cheers. Thanks, Neil. | 0:03:06 | 0:03:09 | |
See you. Bye. | 0:03:09 | 0:03:10 | |
Today, Michel will meet the first four students. | 0:03:16 | 0:03:20 | |
But he can only take three forward in the competition. | 0:03:20 | 0:03:24 | |
I want to see what level they are, so it will be stand back | 0:03:24 | 0:03:28 | |
and watch them cook. | 0:03:28 | 0:03:29 | |
To begin with, Michel wants them | 0:03:31 | 0:03:33 | |
to cook a surprisingly simple dish. | 0:03:33 | 0:03:35 | |
Scrambled eggs. | 0:03:35 | 0:03:37 | |
My father always used to interview young chefs. | 0:03:38 | 0:03:42 | |
And part of that interview process was "cook me an egg". | 0:03:42 | 0:03:45 | |
You can learn so much from just that one simple task. | 0:03:46 | 0:03:49 | |
First up is 21-year-old Jodie. | 0:03:51 | 0:03:53 | |
-Hiya. -Hello there. -Hello. Nice to meet you. | 0:03:55 | 0:03:57 | |
-What's your name? -I'm Jodie, Jodie Jones. -Jodie? -Jodie Jones. | 0:03:57 | 0:04:00 | |
-Come on, then. Come with me. -Thank you. | 0:04:00 | 0:04:02 | |
-How long have you been here? -It's my third year. | 0:04:04 | 0:04:07 | |
-What's your favourite food? -The God's honest truth | 0:04:07 | 0:04:09 | |
-is scrambled egg with Tabasco. -Good! | 0:04:09 | 0:04:12 | |
-Well, I love scrambled eggs. -Yeah. -And that's what I want you to cook. | 0:04:12 | 0:04:16 | |
-Oh, really? Oh, OK. Cool. -That's put you at ease, hasn't it? | 0:04:16 | 0:04:19 | |
-Yeah, a little bit. -Four eggs, scrambled. | 0:04:19 | 0:04:22 | |
And what I want are the scrambled eggs that YOU would want to eat. | 0:04:22 | 0:04:26 | |
'I'm definitely easy to teach. | 0:04:30 | 0:04:31 | |
'I feel like I'm just one of these people that just... | 0:04:32 | 0:04:36 | |
'I look gormless cos I'm just, like, "I want to take everything in!"' | 0:04:36 | 0:04:39 | |
Do you know what I mean? I just want to learn everything. | 0:04:39 | 0:04:41 | |
Um... | 0:04:43 | 0:04:46 | |
Have you lost the recipe? | 0:04:46 | 0:04:47 | |
No, I just need to think about how I'm going to do it | 0:04:47 | 0:04:50 | |
cos normally, I use a microwave. | 0:04:50 | 0:04:51 | |
HE GASPS | 0:04:51 | 0:04:52 | |
-Yeah! -And you owned up to that? -Yeah! Like, come on. I'm a student! | 0:04:52 | 0:04:57 | |
-Well, there's no microwave here. -Yeah. -Not that I know of, anyway. | 0:05:00 | 0:05:03 | |
No. No, probably not. | 0:05:03 | 0:05:04 | |
So have you ever cooked scrambled eggs the conventional way? | 0:05:04 | 0:05:08 | |
-I'm going to be honest and say once. -Ooh! | 0:05:09 | 0:05:12 | |
'For me, the perfect scrambled egg has to be creamy, rich, unctuous, | 0:05:16 | 0:05:21 | |
'cooked properly, not leathery and perfectly seasoned.' | 0:05:21 | 0:05:26 | |
-It's a bit quicker in a microwave, isn't it? -Yeah. Definitely! | 0:05:30 | 0:05:33 | |
It takes a minute and a half and then you have to stir it with | 0:05:35 | 0:05:38 | |
a fork, and then a minute and a half and it's done. | 0:05:38 | 0:05:41 | |
That's what my mum used to do. | 0:05:41 | 0:05:42 | |
THEY LAUGH | 0:05:42 | 0:05:43 | |
-That it, Jodie? -There you go. -Happy with that? -No, not really. | 0:05:50 | 0:05:55 | |
What are you not happy about? | 0:05:55 | 0:05:57 | |
Well, I love scrambled egg, and I wouldn't want to eat that. | 0:05:57 | 0:05:59 | |
-What is your perfect scrambled egg? -Oh, like, fluffy deliciousness. | 0:05:59 | 0:06:04 | |
-And what's that? -Grainy, lumpy. Yeah. -It's grainy, it's incredibly dry. | 0:06:04 | 0:06:09 | |
-There's the merest hint of seasoning. -Yeah. -Hmm. | 0:06:09 | 0:06:12 | |
Not sure about you, but I know one thing for sure - I wouldn't eat that. | 0:06:12 | 0:06:16 | |
-No, I wouldn't either. -Off you go. | 0:06:16 | 0:06:18 | |
I don't know about Jodie. She cooks her scrambled eggs in a microwave. | 0:06:24 | 0:06:28 | |
And to be honest, it shows. | 0:06:28 | 0:06:31 | |
They're dreadful! They really, really are bad. | 0:06:31 | 0:06:34 | |
My eggs could have been, like, a million times better, | 0:06:35 | 0:06:38 | |
but I would definitely like Michel to be my mentor. | 0:06:38 | 0:06:41 | |
I feel like we'd get on really well, | 0:06:41 | 0:06:43 | |
and I feel like the transition of, like, genius would go well. | 0:06:43 | 0:06:47 | |
These kids are students but it's | 0:06:49 | 0:06:52 | |
basic culinary skills that I'm looking for. | 0:06:52 | 0:06:55 | |
I shouldn't have to tell them or show them how to scramble an egg. | 0:06:55 | 0:06:58 | |
Next up is 22-year-old Matt. | 0:07:00 | 0:07:02 | |
-Hello, young man. -Hello. -What's your name? Matthew? -Matt, yeah. -Right. | 0:07:05 | 0:07:09 | |
Come in, Matthew. Come on. | 0:07:09 | 0:07:11 | |
I'm sure, once you're in the kitchen, you'll be a lot less nervous. | 0:07:11 | 0:07:14 | |
-I hope so. -Come in. Scrambled eggs. -Scrambled eggs. -Off we go. | 0:07:14 | 0:07:17 | |
'From school, I left to be a carpenter.' | 0:07:22 | 0:07:24 | |
But it wasn't for me so I took a step back | 0:07:25 | 0:07:30 | |
'and I found cooking was more my thing.' | 0:07:30 | 0:07:32 | |
-So you're not an egg fan? -Not a massive egg fan, no. | 0:07:35 | 0:07:39 | |
I don't know why. I just wasn't brought up on eggs. | 0:07:39 | 0:07:42 | |
'French cuisine is more...' | 0:07:45 | 0:07:47 | |
high-end for my family. | 0:07:47 | 0:07:49 | |
'So growing up, we didn't eat very high-end food.' | 0:07:49 | 0:07:52 | |
But since I've been here, | 0:07:52 | 0:07:54 | |
'the standard of the food is really high. | 0:07:54 | 0:07:57 | |
'The food I've put out...' | 0:07:57 | 0:07:58 | |
is what I'd like to go into. | 0:07:58 | 0:08:00 | |
-You got the shakes? -Yeah! -It's only scrambled egg! -It's for you, Chef! | 0:08:03 | 0:08:08 | |
-That's it? -That's it. Yeah. -Right, let's taste. | 0:08:10 | 0:08:14 | |
-It's not cooked properly. -No. -It's well seasoned. -Seasoned well. | 0:08:20 | 0:08:23 | |
I can teach you how to cook a proper scrambled egg. | 0:08:23 | 0:08:26 | |
-But I don't think I can teach you taste. -No. -Not bad. | 0:08:26 | 0:08:29 | |
Well done, Matthew. Off you go. | 0:08:29 | 0:08:31 | |
He didn't cook the scrambled eggs particularly well. | 0:08:33 | 0:08:35 | |
They were overcooked, grainy. But actually, he's got taste. | 0:08:35 | 0:08:39 | |
And he was nervous. That showed that he really cared. | 0:08:39 | 0:08:42 | |
Feels amazing. I just wish I'd done it a bit better, if I'm honest. | 0:08:43 | 0:08:48 | |
You know, cos he's one of the greats and I just wanted to impress him. | 0:08:48 | 0:08:53 | |
Next to meet Michel is Sophie. | 0:08:54 | 0:08:58 | |
Come in. | 0:08:58 | 0:08:59 | |
-So, Sophie, how old are you? -I'm 18. -18? -Yeah. | 0:09:00 | 0:09:03 | |
Tell me a little bit about yourself, Sophie. Always wanted to be a chef? | 0:09:03 | 0:09:07 | |
-Yeah. Since I was, like, two! -Have you got a signature dish? | 0:09:07 | 0:09:11 | |
-I'm best at pastry. I love pastry. -You love pastry? | 0:09:11 | 0:09:14 | |
I love pastry cos I'm quite artistic. | 0:09:14 | 0:09:16 | |
-I like prettying things up. I know it sounds weird! -No. | 0:09:16 | 0:09:20 | |
No, no, no, no. I can understand that. | 0:09:20 | 0:09:21 | |
-I want you to cook scrambled eggs. -Scrambled egg? OK! -Off you go. | 0:09:21 | 0:09:27 | |
Kitchen's yours. | 0:09:27 | 0:09:28 | |
Ooh! Doing the fancy one-handed! | 0:09:30 | 0:09:33 | |
'Started catering college cos of my nan.' | 0:09:40 | 0:09:42 | |
She taught me when I was from, like, two years old. | 0:09:42 | 0:09:44 | |
And ever since then, I've always loved to be in the kitchen | 0:09:44 | 0:09:47 | |
and do stuff. | 0:09:47 | 0:09:48 | |
-Are they false nails or real ones? -They're acrylic. | 0:09:49 | 0:09:51 | |
They won't come off. They, like, physically don't come off. | 0:09:51 | 0:09:54 | |
Yeah, but, surely, long nails are not allowed? | 0:09:54 | 0:09:58 | |
Would you like me to chop them off for you? | 0:09:58 | 0:10:00 | |
Well, yes, I would because, for me, that's not right. | 0:10:00 | 0:10:03 | |
-Before I say anything, what do you think? -Could have done better. | 0:10:11 | 0:10:14 | |
What would you change? | 0:10:14 | 0:10:16 | |
They look a bit stodgy to me, like, they're not fluffy. | 0:10:16 | 0:10:18 | |
And for somebody who says that you are a pastry chef | 0:10:18 | 0:10:21 | |
-and that you love artistic and... -Yeah, it doesn't look artistic. | 0:10:21 | 0:10:24 | |
..visually looking-good stuff, that does not look good, does it? | 0:10:24 | 0:10:27 | |
-No, it doesn't. -Go on. Off you go. -Thank you. | 0:10:27 | 0:10:30 | |
It's good feedback because even if it's not what you want to hear, | 0:10:36 | 0:10:39 | |
it's still good because he knows what he's talking about. | 0:10:39 | 0:10:42 | |
So you can't exactly argue cos you just learn from it. | 0:10:42 | 0:10:45 | |
Those nails! | 0:10:48 | 0:10:49 | |
If she wants to work for me, she's going to have to take them off. | 0:10:49 | 0:10:52 | |
Those falsies, those nails, are just not on in a kitchen. | 0:10:52 | 0:10:56 | |
Last up is 18-year-old Reece. | 0:11:00 | 0:11:02 | |
-Hi. -Hello, young man. -You all right? -Yes, I'm fine. What's your name? | 0:11:05 | 0:11:09 | |
-Reece. -Reece? All right, Reece. Come on. Follow me. | 0:11:09 | 0:11:14 | |
So, Reece. So what kind of food do you want to cook? | 0:11:15 | 0:11:18 | |
I want to go into fine dining. | 0:11:18 | 0:11:19 | |
-What's fine dining? -Precision, flavours, something different. | 0:11:19 | 0:11:24 | |
-What's your favourite dish, then? -Moules mariniere. -Moules mariniere? | 0:11:24 | 0:11:27 | |
-Definitely. -That's straight off? -Yeah, definitely. | 0:11:27 | 0:11:29 | |
-Moules mariniere, and your eyes lit up and your face lit up. -Yeah. -Great! | 0:11:29 | 0:11:33 | |
-I love moules mariniere. You're right. Me too. -Beautiful. | 0:11:33 | 0:11:36 | |
-Do you know what scrambled eggs are supposed to look like? -Yeah. | 0:11:36 | 0:11:39 | |
Kitchen is yours. Equipment's here. Get cracking. | 0:11:39 | 0:11:43 | |
'My mum's a chef.' | 0:11:48 | 0:11:49 | |
She's been a chef for, she won't like me saying it, about 40 years! | 0:11:49 | 0:11:53 | |
'I learnt a lot from her.' | 0:11:53 | 0:11:55 | |
-What's the pan of water for? -Bain-marie. | 0:11:55 | 0:11:58 | |
Bain-marie? OK. You're going to cook the eggs over a bain-marie? | 0:11:58 | 0:12:01 | |
Yeah. | 0:12:01 | 0:12:02 | |
'And my dad's given me the drive...' | 0:12:02 | 0:12:04 | |
cos he's got where he wanted to be from nowhere. | 0:12:04 | 0:12:07 | |
'And that's given me confidence that...' | 0:12:07 | 0:12:09 | |
if I wanted to get somewhere, I can get somewhere. | 0:12:09 | 0:12:12 | |
When did you first know that you wanted to be a chef? | 0:12:14 | 0:12:16 | |
It was about my second year of high school. | 0:12:16 | 0:12:20 | |
I took catering and I loved it. | 0:12:20 | 0:12:22 | |
A couple of my friends wanted to be footballers. | 0:12:22 | 0:12:25 | |
I'd rather work in a hot kitchen, cooking food all day. | 0:12:25 | 0:12:27 | |
Another ten, 15 minutes maybe. | 0:12:30 | 0:12:32 | |
-This is the slow way, isn't it, of cooking it? -Yeah. | 0:12:32 | 0:12:34 | |
But it's your preferred way. | 0:12:34 | 0:12:36 | |
-Oh, I think it's the best way of having it. -Yeah? -Definitely. | 0:12:36 | 0:12:40 | |
Do you prefer this way or prefer it straight in a pan? | 0:12:40 | 0:12:43 | |
I just prefer good scrambled eggs, whatever way they're cooked, | 0:12:43 | 0:12:47 | |
-other than a microwave! -Yeah. | 0:12:47 | 0:12:49 | |
-They have a place in the kitchen, I think, a microwave. -Yeah? | 0:12:49 | 0:12:53 | |
In a corner! | 0:12:53 | 0:12:54 | |
REECE CHUCKLES | 0:12:54 | 0:12:55 | |
'My ambition is to make people happy and cook good food,' | 0:13:00 | 0:13:03 | |
whether it's in the best restaurant in the world | 0:13:03 | 0:13:05 | |
'or just a small cafe somewhere. It's making people happy.' | 0:13:05 | 0:13:09 | |
That's all I can do. | 0:13:09 | 0:13:10 | |
-How are we doing? -We're there. -We're there? -We're there. | 0:13:10 | 0:13:15 | |
Good. So, what's happening with the butter? | 0:13:15 | 0:13:17 | |
What are you doing with the butter? | 0:13:17 | 0:13:18 | |
-Just waiting till it goes brown, like that. -Brown. Lovely. | 0:13:18 | 0:13:21 | |
-Happy with that? -Yeah. Very much so. -Good. -Happy? -Going to taste it. | 0:13:28 | 0:13:32 | |
-You're a good boy! I like you, Reece. Can you tell? -Yeah! | 0:13:37 | 0:13:42 | |
Using a bain-marie, you managed to control the heat properly. | 0:13:42 | 0:13:46 | |
That addition of a little bit of beurre noisette, | 0:13:47 | 0:13:50 | |
or nut-brown butter, on the top is delicious! | 0:13:50 | 0:13:54 | |
Absolutely delicious! | 0:13:54 | 0:13:57 | |
-I love it! -Thank you. -Well done, young man. -Thank you. -I'm happy. | 0:13:57 | 0:14:02 | |
Good. And me! | 0:14:02 | 0:14:03 | |
-Pack your knives and off you go through that blue door. -Thank you. | 0:14:05 | 0:14:08 | |
So happy. So, so happy! Er... I've just cooked for Michel Roux! | 0:14:16 | 0:14:21 | |
And he enjoyed it! Oh, my life! Oh! | 0:14:22 | 0:14:26 | |
I like Reece. He's 18 years old... but he knows what he wants to do. | 0:14:31 | 0:14:36 | |
He's the kind of young man that I think would impress my father, | 0:14:36 | 0:14:40 | |
let alone me. | 0:14:40 | 0:14:41 | |
Having a mentor means more than just being taught basic cookery skills. | 0:14:45 | 0:14:49 | |
It is the opportunity to learn the secrets behind their food. | 0:14:51 | 0:14:54 | |
The French classics are at the heart of Michel's style. | 0:14:56 | 0:15:00 | |
In particular, perfecting the art of the sauce | 0:15:00 | 0:15:03 | |
and the elegance of presentation. | 0:15:03 | 0:15:05 | |
Michel can't take all the students through today. | 0:15:07 | 0:15:10 | |
So to help him decide who to keep, he wants them to cook a dish | 0:15:10 | 0:15:14 | |
that reflects his principles - | 0:15:14 | 0:15:16 | |
supreme of chicken with a morel sauce, | 0:15:16 | 0:15:19 | |
served with potato mash and buttered spring vegetables. | 0:15:19 | 0:15:23 | |
First job, butchery skills, | 0:15:26 | 0:15:28 | |
but easy butchery skills that I'm sure you have. | 0:15:28 | 0:15:32 | |
-I mentioned butchery and you started shaking your head. -I'm OK at this. | 0:15:32 | 0:15:37 | |
-Yeah? -Yeah. -You sure? -I worked at a butcher's. | 0:15:37 | 0:15:40 | |
You worked at a butcher's? So not a problem. | 0:15:40 | 0:15:43 | |
That is our supreme of chicken. Beautiful, meaty supreme. | 0:15:45 | 0:15:49 | |
-It's got a lovely shape. You got that? -Yup. -Morel mushrooms. | 0:15:49 | 0:15:53 | |
-Have you worked with morels before? -I haven't. -Never heard of them? -No. | 0:15:53 | 0:15:57 | |
Have a little smell of that. | 0:15:57 | 0:15:59 | |
It's very nice. | 0:16:01 | 0:16:02 | |
So you need to squeeze them, squeeze them dry, | 0:16:02 | 0:16:04 | |
and that's going to be the cornerstone of our sauce. | 0:16:04 | 0:16:07 | |
On there to reduce. | 0:16:08 | 0:16:09 | |
Baste your chicken, gently cooking it, and at the same time, | 0:16:11 | 0:16:15 | |
I'm keeping an eye on my reduction. Look at the bottom of this pan. | 0:16:15 | 0:16:19 | |
-What do you see? -Sediment. | 0:16:21 | 0:16:23 | |
The natural roasting sugars. | 0:16:23 | 0:16:25 | |
They're going to be your sauce. They're going to be the flavour. | 0:16:25 | 0:16:29 | |
Michel then adds shallots and the chopped morels to the pan, | 0:16:29 | 0:16:34 | |
then deglazes it with Madeira, | 0:16:34 | 0:16:36 | |
before adding back the morel reduction | 0:16:36 | 0:16:38 | |
and finishing it off with cream. | 0:16:38 | 0:16:41 | |
That's it. We're done. | 0:16:41 | 0:16:43 | |
That is a true French classic. | 0:16:45 | 0:16:47 | |
It's a true Roux dish. | 0:16:47 | 0:16:49 | |
That says everything you need to know about me as a chef. | 0:16:49 | 0:16:55 | |
Yep. | 0:16:55 | 0:16:56 | |
-You understand what I'm trying to get across? -Yep. -It's your turn. | 0:16:56 | 0:17:00 | |
The kitchen is yours! | 0:17:00 | 0:17:02 | |
Think about everything I told you earlier on. | 0:17:10 | 0:17:13 | |
Preparation, seasoning, technique. I want to see it all. | 0:17:13 | 0:17:17 | |
I'm quite confident I can replicate the dish. | 0:17:19 | 0:17:22 | |
Maybe not to that standard, but I'll give it my best shot. | 0:17:22 | 0:17:24 | |
I'd like to impress, make up for this morning. | 0:17:24 | 0:17:27 | |
This opportunity's never going to happen again, so... | 0:17:27 | 0:17:31 | |
hopefully I can take as much as I can in | 0:17:31 | 0:17:34 | |
and stick around for as long as I can. | 0:17:34 | 0:17:36 | |
Sophie, I like that mise en place. | 0:17:41 | 0:17:43 | |
-All those little trays look really neat and tidy. -Yes. | 0:17:43 | 0:17:46 | |
Let's have a look at your hands. | 0:17:46 | 0:17:48 | |
Yes, I took them off for you. | 0:17:49 | 0:17:51 | |
Are you happy now? | 0:17:51 | 0:17:52 | |
Literally, I've snapped them all off for you. | 0:17:52 | 0:17:54 | |
I am very happy, because you look cleaner, tidier - | 0:17:54 | 0:17:58 | |
you look like a chef, and it shows commitment. Well done. | 0:17:58 | 0:18:02 | |
-You've not taken the string off yet? -No, I haven't, no. -No. | 0:18:10 | 0:18:13 | |
Er... | 0:18:13 | 0:18:14 | |
-How did I do it? -Down the back. | 0:18:14 | 0:18:16 | |
-Why down the back? -The breast. | 0:18:16 | 0:18:19 | |
Is that the breast? | 0:18:19 | 0:18:20 | |
-Have you not done butchery before? -Yeah, I have, but two years ago, | 0:18:23 | 0:18:27 | |
-and I weren't the best. -You need practice. | 0:18:27 | 0:18:29 | |
You're going to buy a whole chicken on your way home tonight. | 0:18:29 | 0:18:31 | |
I don't want to see a chicken after today. | 0:18:31 | 0:18:33 | |
If they have listened to Michel, the students will know | 0:18:39 | 0:18:42 | |
to continually baste their chicken to keep it moist, | 0:18:42 | 0:18:46 | |
whilst keeping a careful eye on the morel reduction. | 0:18:46 | 0:18:49 | |
Careful. Both of you, careful. Careful. Careful. | 0:18:50 | 0:18:53 | |
The water and the flavour of the mushrooms - | 0:18:54 | 0:18:57 | |
it was on a bit too high, boiled over. | 0:18:57 | 0:18:59 | |
I'm going to start making my sauce now, and if it tastes really nice, | 0:18:59 | 0:19:03 | |
then I'll be very happy with myself. | 0:19:03 | 0:19:04 | |
If it's not, then I'm going to feel like I've let myself down. | 0:19:04 | 0:19:07 | |
Yeah, hope he likes it. Here's hoping. | 0:19:07 | 0:19:10 | |
-Where's your morel jus? -Morel jus is there. | 0:19:17 | 0:19:20 | |
It's dry. | 0:19:20 | 0:19:21 | |
There is nothing left in it. | 0:19:24 | 0:19:25 | |
No, I'm going to use a bit of the cooking liquor. | 0:19:25 | 0:19:28 | |
-Come on, Reece, please. -Yeah. | 0:19:28 | 0:19:30 | |
Focus, Reece. You've got to take on board what I say. | 0:19:31 | 0:19:34 | |
-You've got to be able to learn, yeah? -Chef. | 0:19:34 | 0:19:36 | |
I left my morel jus on the stove too long and it went dry, | 0:19:39 | 0:19:43 | |
so I've added a touch of water. I'm not overly confident. | 0:19:43 | 0:19:47 | |
I've done, I think, too many little mistakes, which may cost me. | 0:19:47 | 0:19:50 | |
It's looking good. Very good. No burnt butter. | 0:19:55 | 0:19:59 | |
You know, after this morning, just because | 0:20:00 | 0:20:03 | |
I can't make a scrambled egg, you know, perfectly, | 0:20:03 | 0:20:05 | |
it doesn't mean I can't cook, like, do you know what I mean? | 0:20:05 | 0:20:08 | |
In a busy kitchen during service, | 0:20:13 | 0:20:15 | |
you will get different sections shouting out different times, and | 0:20:15 | 0:20:19 | |
everything has to be coordinated and arrive on the pass at the same time. | 0:20:19 | 0:20:23 | |
-Yes? -Chef. -Yes. -Good. | 0:20:23 | 0:20:25 | |
So ten minutes from now, four plates of chicken on the pass. | 0:20:25 | 0:20:29 | |
On the pass, here. On the pass, here. Well done. | 0:20:39 | 0:20:42 | |
Next one. Come on, quick. | 0:20:42 | 0:20:44 | |
Now, either Sophie's gone too quickly, | 0:20:51 | 0:20:53 | |
or she's the only one who can actually tell the time. | 0:20:53 | 0:20:56 | |
Eh? | 0:20:57 | 0:20:58 | |
Coming up now, Chef. | 0:20:58 | 0:21:01 | |
Yeah, so's Christmas. | 0:21:02 | 0:21:03 | |
Thank you, Jodie. | 0:21:05 | 0:21:06 | |
Boys, come on. | 0:21:09 | 0:21:10 | |
If this was a real life scenario in a very busy kitchen, 100 covers, | 0:21:10 | 0:21:14 | |
head chef or the chef who would be on the pass would be most upset. | 0:21:14 | 0:21:17 | |
Most upset. | 0:21:17 | 0:21:19 | |
Good. Thank you. | 0:21:22 | 0:21:23 | |
Two minutes...late. | 0:21:29 | 0:21:31 | |
I'm not confident at all. I am not happy in myself, really. | 0:21:36 | 0:21:40 | |
Hopefully earlier saved me. Hopefully. | 0:21:40 | 0:21:43 | |
It went all right. It could have looked better, but I think, | 0:21:44 | 0:21:46 | |
with my cooking, everything's all... Everything's, like, up to scratch, | 0:21:46 | 0:21:50 | |
like. It all tastes nice. | 0:21:50 | 0:21:51 | |
I did my timing very well, got my plate up first, so...good. | 0:21:53 | 0:21:56 | |
It's a bonus, I suppose. | 0:21:56 | 0:21:58 | |
Mm. Mm-mm. | 0:22:00 | 0:22:03 | |
-Mm. I'm pleased with it. -You're pleased with it? -Yep. | 0:22:06 | 0:22:09 | |
So you should be. Your seasoning is spot-on. | 0:22:09 | 0:22:13 | |
I think you have got a very good palate. | 0:22:13 | 0:22:15 | |
I'm pretty pleased with how that went, considering my egg disaster | 0:22:17 | 0:22:21 | |
this morning. I think I've pulled myself back up. | 0:22:21 | 0:22:23 | |
Right, Jodie. | 0:22:23 | 0:22:24 | |
Yours is a little less neat. | 0:22:26 | 0:22:28 | |
Yeah. I'm not pleased with the presentation. | 0:22:28 | 0:22:31 | |
-Not pleased with the presentation? -Not at all. -Let's taste. | 0:22:31 | 0:22:33 | |
Come on, get in there and let's have a little taste. | 0:22:33 | 0:22:36 | |
Go on. | 0:22:42 | 0:22:43 | |
-I like it. -What's the predominant flavour? -Madeira. | 0:22:44 | 0:22:48 | |
-I didn't let it reduce enough. -It's... It's...pfff! | 0:22:48 | 0:22:52 | |
-Strong. -Too strong. -Yeah. | 0:22:52 | 0:22:55 | |
-It's intense. -It's intense. It needs a certain balance. | 0:22:55 | 0:22:58 | |
The mashed potato is very, very creamy. Perfectly seasoned. | 0:22:58 | 0:23:02 | |
It is a good plate of food, but... | 0:23:02 | 0:23:04 | |
-Sauce is too strong. -..your sauce is not right. -OK. -Not right. | 0:23:04 | 0:23:08 | |
OK. | 0:23:08 | 0:23:09 | |
'Even though it was OK, like, it could have been a lot better. | 0:23:11 | 0:23:14 | |
'I feel as though...' | 0:23:14 | 0:23:16 | |
that I should stay, because I feel like I've got | 0:23:16 | 0:23:18 | |
so much more to give, like. I feel like I haven't showed him, like, | 0:23:18 | 0:23:21 | |
what I can do. Do you know what I mean? | 0:23:21 | 0:23:23 | |
Reece, I like your plate of food, even though you were rushed, | 0:23:23 | 0:23:27 | |
you were two minutes late. It's smart. | 0:23:27 | 0:23:29 | |
So your chicken is a little bit dry. | 0:23:30 | 0:23:33 | |
Your sauce is well-seasoned but there's not quite enough of it. | 0:23:39 | 0:23:43 | |
You over-reduced your mushroom juice. | 0:23:43 | 0:23:45 | |
I've seen bits in you that I really like, but I've seen other bits, | 0:23:45 | 0:23:49 | |
especially on this plate of food, that... | 0:23:49 | 0:23:51 | |
ring alarm bells. | 0:23:51 | 0:23:53 | |
'I knew how I was going to go about it,' | 0:23:55 | 0:23:57 | |
and it didn't work as I wanted it to. | 0:23:57 | 0:23:59 | |
There weren't many compliments there. | 0:23:59 | 0:24:02 | |
There weren't enough good, for me. | 0:24:02 | 0:24:04 | |
Matthew, this is your plate. The sauce, here - | 0:24:04 | 0:24:08 | |
it looks a little bit messy. | 0:24:08 | 0:24:11 | |
Let's taste. | 0:24:11 | 0:24:12 | |
HE CHUCKLES | 0:24:19 | 0:24:20 | |
I like it. | 0:24:20 | 0:24:21 | |
Mm. The chicken is well seasoned and ever-so-slightly over. | 0:24:21 | 0:24:25 | |
It could be a little bit moister. | 0:24:25 | 0:24:27 | |
Your vegetables are severely over, though. I mean, look at that. | 0:24:27 | 0:24:30 | |
-You could do a puree out of that carrot. It's just mush. -Yeah. | 0:24:30 | 0:24:33 | |
See, the thing about this place is you've got lovely, | 0:24:33 | 0:24:36 | |
creamy, mashed potato. | 0:24:36 | 0:24:38 | |
You've got a creamy sauce. | 0:24:38 | 0:24:39 | |
So the plate is crying out for a little bit of crunch, texture | 0:24:39 | 0:24:42 | |
and freshness. So that's what the vegetables are there for. | 0:24:42 | 0:24:47 | |
-Right. -Yeah? | 0:24:47 | 0:24:48 | |
The eggs were a complete shambles. | 0:24:50 | 0:24:53 | |
Compared to this morning, I think I did, like, 200% better, | 0:24:53 | 0:24:56 | |
and I was quite pleased with the outcome of the sauce. | 0:24:56 | 0:24:59 | |
Really well done. | 0:25:01 | 0:25:02 | |
There's highs and lows, there's goods and bads, | 0:25:02 | 0:25:05 | |
but the really good thing about it is I can see you all care. | 0:25:05 | 0:25:09 | |
All four of you really care and love what you do. | 0:25:09 | 0:25:12 | |
-Off you go... -Thank you. -..for a cup of tea. -Thank you. | 0:25:13 | 0:25:15 | |
-I'll see you later. -Thank you. -See you in a bit, Chef. | 0:25:15 | 0:25:18 | |
-At the end of the day, we should see it as, like, we're a team. -Yeah. | 0:25:30 | 0:25:34 | |
-As long as someone from UCB wins the whole thing, who cares? -Yeah. | 0:25:34 | 0:25:37 | |
-Do you know what I mean? -Yeah. | 0:25:37 | 0:25:39 | |
It's not as clear-cut as I thought. | 0:25:41 | 0:25:43 | |
After the egg test, it was fairly straightforward. My choice was made. | 0:25:43 | 0:25:47 | |
But now I've seen them already evolve, | 0:25:47 | 0:25:50 | |
and I've seen them already change. | 0:25:50 | 0:25:53 | |
Now I can see good in all four of them. | 0:25:53 | 0:25:55 | |
I like Sophie. She can cook. | 0:25:56 | 0:25:58 | |
She's definitely got a good palate - a VERY GOOD palate. | 0:25:58 | 0:26:00 | |
Reece - he really disappointed me with that chicken dish, | 0:26:03 | 0:26:07 | |
but I like what I see in him. I just like what I see. | 0:26:07 | 0:26:09 | |
So it's either Jodie or Matthew that I let go. | 0:26:12 | 0:26:15 | |
And that's not easy. | 0:26:16 | 0:26:19 | |
Who has taken on board already | 0:26:19 | 0:26:21 | |
what I believe in? | 0:26:21 | 0:26:23 | |
Who's got the best palate? | 0:26:23 | 0:26:25 | |
Who delivered the food on time? | 0:26:25 | 0:26:27 | |
Ultimately, Michel can only take on one protege. | 0:26:32 | 0:26:36 | |
He must now let the students know who is still in the running, | 0:26:36 | 0:26:39 | |
and who is going home. | 0:26:39 | 0:26:41 | |
-Gutted. -Oh, my God. Oh, my God. | 0:26:48 | 0:26:52 | |
-SOPHIE SIGHS -Yes! | 0:26:59 | 0:27:02 | |
-Chef. -MICHEL CHUCKLES | 0:27:03 | 0:27:06 | |
-Not feeling too bad? -No, no. I'm happy. | 0:27:07 | 0:27:11 | |
I got to cook for you. | 0:27:11 | 0:27:13 | |
-You've enjoyed a bit, you've, like, not liked a bit... -Yeah, | 0:27:13 | 0:27:16 | |
but you move on, and...you know, a lot of positives. A lot of positives. | 0:27:16 | 0:27:19 | |
-Yeah. -All four of you... All four of you have got something special, | 0:27:19 | 0:27:23 | |
and that's what made it difficult. | 0:27:23 | 0:27:25 | |
-Matthew. -Chef. -Good luck. -Thank you. -Thanks. | 0:27:25 | 0:27:29 | |
'I wished I could have gone... progressed further,' | 0:27:34 | 0:27:36 | |
and learnt more from Michel Roux, | 0:27:36 | 0:27:39 | |
but, at the end of the day, | 0:27:39 | 0:27:43 | |
I'm still smiles. | 0:27:43 | 0:27:44 | |
-Ah. Ah, come here, guys. -THEY LAUGH | 0:27:48 | 0:27:51 | |
There's nothing that gives my father | 0:27:51 | 0:27:53 | |
and I more pleasure than passing on our knowledge. | 0:27:53 | 0:27:57 | |
It's a vital part, I think, of our life, | 0:27:57 | 0:28:01 | |
to help other young chefs. | 0:28:01 | 0:28:02 | |
Next time, | 0:28:09 | 0:28:11 | |
another three students from University College Birmingham | 0:28:11 | 0:28:14 | |
are offered the opportunity of a lifetime, as Michel's | 0:28:14 | 0:28:17 | |
search for his protege continues. | 0:28:17 | 0:28:19 | |
I'd had a bad scrambled egg experience with | 0:28:19 | 0:28:22 | |
-a microwaved scrambled egg, and I think... -Ooh... | 0:28:22 | 0:28:24 | |
don't talk to me about microwaved scrambled eggs. | 0:28:24 | 0:28:27 | |
How long? | 0:28:27 | 0:28:28 | |
Er, four minutes. | 0:28:28 | 0:28:30 | |
Cor, blimey. How do you like your meat - still going "baaaa"? | 0:28:30 | 0:28:34 | |
It'd be quite bad, after six years, | 0:28:35 | 0:28:36 | |
if I can't cook an omelette, in a catering college. | 0:28:36 | 0:28:39 |