Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Getting to the top of any profession | 0:00:02 | 0:00:04 | |
'takes not only skill and determination but a few breaks along the way.' | 0:00:04 | 0:00:09 | |
Show me what a good cook you are. | 0:00:09 | 0:00:11 | |
'Tom Kitchin, Theo Randall and Michel Roux Jr | 0:00:11 | 0:00:15 | |
'have all been helped in their careers by someone who believed in them.' | 0:00:15 | 0:00:19 | |
I think it would be very difficult for any chef to achieve greatness without a mentor. | 0:00:20 | 0:00:26 | |
Put it through one more time. | 0:00:26 | 0:00:29 | |
'Now they want to give someone else that same chance.' | 0:00:30 | 0:00:34 | |
Out, out, out, out, out! | 0:00:34 | 0:00:37 | |
'By going back to catering college to find a young student | 0:00:37 | 0:00:40 | |
'they can each take under their wing as their own protege.' | 0:00:40 | 0:00:44 | |
It's such a gruelling industry. | 0:00:44 | 0:00:47 | |
If you want to get to the top, you need to work with the best. | 0:00:47 | 0:00:50 | |
-Look at you, you're excited! You're excited! -Yep, definitely excited. | 0:00:50 | 0:00:54 | |
Hallelujah. | 0:00:54 | 0:00:56 | |
'Tom, Theo and Michel are searching for someone | 0:01:03 | 0:01:06 | |
'who they think is a worthy apprentice.' | 0:01:06 | 0:01:09 | |
-Happy, Chef Shona? -I think so. | 0:01:09 | 0:01:11 | |
'They each have a week to select and train up their strongest candidates. | 0:01:11 | 0:01:17 | |
Two things on the go at the same time. Come on, come on. | 0:01:17 | 0:01:20 | |
Or even three things on the go. Multi-task. Come on. | 0:01:20 | 0:01:23 | |
'Before they compete against each other | 0:01:24 | 0:01:26 | |
'to see who has the best protege. | 0:01:26 | 0:01:30 | |
'This week, Michel Roux Jr has been at University College Birmingham | 0:01:33 | 0:01:38 | |
'where he has shortlisted five of his best students.' | 0:01:38 | 0:01:40 | |
-Absolutely delicious! I love it. -Thank you. | 0:01:42 | 0:01:47 | |
'It's Michel's last day at the college | 0:01:49 | 0:01:51 | |
'before he selects the strongest students to take forward. | 0:01:51 | 0:01:55 | |
'He's asking them to do just one thing - cook their favourite dish.' | 0:01:55 | 0:02:00 | |
-Morning, young man. You all right? -Yes, chef. | 0:02:00 | 0:02:02 | |
'He is then going to tell them how to improve it.' | 0:02:02 | 0:02:06 | |
Right! | 0:02:06 | 0:02:08 | |
I am just hoping to find a young chef that has got the enthusiasm | 0:02:10 | 0:02:14 | |
that I had when I was a young chef. | 0:02:14 | 0:02:16 | |
'Michel's mentor was his father, the legendary Albert Roux, | 0:02:16 | 0:02:21 | |
'who taught him that a protege not only needs skill | 0:02:21 | 0:02:24 | |
'but the ability to take on board what the mentor is trying to teach.' | 0:02:24 | 0:02:29 | |
I only feel like I produced my B game last time, | 0:02:29 | 0:02:31 | |
so now I've got to really step it up, produce my A game, | 0:02:31 | 0:02:34 | |
so really show what I'm all about. | 0:02:34 | 0:02:36 | |
I practised yesterday and it tasted fine, | 0:02:37 | 0:02:40 | |
so hopefully I can do it again today. | 0:02:40 | 0:02:42 | |
I hope he likes my food. | 0:02:42 | 0:02:44 | |
I don't think I proved myself last time very well. | 0:02:44 | 0:02:47 | |
Hopefully today I'll show you something different. | 0:02:47 | 0:02:51 | |
I'm making a chocolate mousse with poached pear. | 0:02:51 | 0:02:54 | |
This is like a Becca classic, | 0:02:54 | 0:02:56 | |
so I hope it works, otherwise that's really embarrassing. | 0:02:56 | 0:02:59 | |
A little bit nervous. I'm not very confident with this at all, | 0:02:59 | 0:03:02 | |
but I'll give it my best. Yeah. | 0:03:02 | 0:03:05 | |
They all seem to be working very tidily and it's nice and quiet. | 0:03:09 | 0:03:12 | |
I'm expecting food on time and looking forward to the tasting. | 0:03:12 | 0:03:16 | |
Boys first. Come on, Reece, up you come. | 0:03:25 | 0:03:28 | |
-So what have we got, Reece? -You've got seared tuna steak | 0:03:32 | 0:03:36 | |
with an Asian glaze, with carrot pickle, some potatoes, and there's courgettes underneath. | 0:03:36 | 0:03:41 | |
So this is Asian flavours? Right, let's taste this. | 0:03:41 | 0:03:45 | |
This whole dish is out of kilter completely. | 0:03:49 | 0:03:51 | |
You wouldn't find potato on a Japanese dish. | 0:03:51 | 0:03:55 | |
Let's keep the tuna and keep the cooking process, because that's good. | 0:03:55 | 0:03:59 | |
I think a little ratatouille, classic French. | 0:03:59 | 0:04:02 | |
Let's go to the South of France on holiday. | 0:04:02 | 0:04:04 | |
And for a little starch, we're going to do a chickpea chip. | 0:04:04 | 0:04:09 | |
Yeah. A lot of the things that you're asking me to do, I've never done before, so it's something new. | 0:04:09 | 0:04:14 | |
-Why are you here? -I want to learn. -There you go. Bingo. | 0:04:14 | 0:04:17 | |
-Brill. -That's it. A good smile on your face. I love it. | 0:04:17 | 0:04:20 | |
I can't wait to taste your grilled tuna nicoise. Great. | 0:04:20 | 0:04:25 | |
The amendments he gave me make sense, | 0:04:26 | 0:04:29 | |
so hopefully it'll be better than what I produced. | 0:04:29 | 0:04:32 | |
Come here, come here, Sophie, it's you. It's your food, your plate. | 0:04:34 | 0:04:38 | |
-What have you done for me? -I've done you ricotta and spinach stuffed chicken | 0:04:38 | 0:04:43 | |
wrapped in bacon with vegetables and mashed potato | 0:04:43 | 0:04:46 | |
with a lemon and herb white wine sauce. | 0:04:46 | 0:04:48 | |
-Yeah. -Those courgettes stuffed in hollowed-out carrot. | 0:04:50 | 0:04:54 | |
-No. It's wrong. It looks horrible. -OK. | 0:04:54 | 0:04:58 | |
Attention to detail in the cooking and the seasoning | 0:04:58 | 0:05:01 | |
-is far, far better than that attention to detail, which is naff! -OK. -Yeah? -Yep. | 0:05:01 | 0:05:06 | |
Your chicken's really moist. It's very good. That's showing off good skills. | 0:05:11 | 0:05:16 | |
The stuffing. Tell me what's in the stuffing. | 0:05:16 | 0:05:18 | |
Gorgonzola cheese, ricotta cheese. | 0:05:18 | 0:05:21 | |
Two Italian ingredients. Ricotta, gorgonzola. | 0:05:21 | 0:05:24 | |
Do I look like an Italian? No. So that, out the window. | 0:05:24 | 0:05:28 | |
-OK. -And we're going to put in some French ingredients. -Yep. -Snails. | 0:05:28 | 0:05:33 | |
Have you worked with snails before? You haven't? | 0:05:35 | 0:05:38 | |
Snails inside the chicken. | 0:05:38 | 0:05:41 | |
-We're getting rid of the vegetable garnish. Cool? -Yep. Thank you. | 0:05:41 | 0:05:44 | |
Great, Sophie. Well done. | 0:05:44 | 0:05:46 | |
I've never cooked or eaten snails. | 0:05:46 | 0:05:49 | |
The only snails I see are the ones on the floor, and I don't really like them, so... | 0:05:49 | 0:05:53 | |
Alex, you're next. Get me your plate. Let's have it here. Right. | 0:05:53 | 0:05:57 | |
-So, tell me about it. -There's pan-seared duck, | 0:05:59 | 0:06:02 | |
wild mushroom, boulangere potatoes, | 0:06:02 | 0:06:04 | |
asparagus and a red wine jus. | 0:06:04 | 0:06:07 | |
Right, let's have a little taste. | 0:06:07 | 0:06:09 | |
Your duck is well over-cooked. You know that. | 0:06:10 | 0:06:14 | |
The pommes boulangere, potatoes are underdone. The onions are almost raw. | 0:06:14 | 0:06:18 | |
I'm not happy. I think you can tell. | 0:06:18 | 0:06:21 | |
-Yeah. -It's not the end of the world. | 0:06:21 | 0:06:23 | |
You roast the duck properly, nice and pink and moist. | 0:06:23 | 0:06:27 | |
Your pommes boulangere, let's cook the onions off first in some duck fat, maybe. | 0:06:27 | 0:06:31 | |
Again, we're bringing more duck flavour to this dish. | 0:06:31 | 0:06:34 | |
I can see your eyes lighting up already. You're listening to me and you're saying, | 0:06:34 | 0:06:38 | |
-"Yes, chef. Why didn't I think of that?" -Yeah. -Yes! | 0:06:38 | 0:06:41 | |
-There's a lot of work to be done here. -I can do it. | 0:06:41 | 0:06:43 | |
-You can? -Yeah. -You up for it? -Yeah. -Good. | 0:06:43 | 0:06:46 | |
Yeah, I've got a lot to prove. I did let myself down a little bit. | 0:06:47 | 0:06:51 | |
But sometimes I produce my best stuff when my back's against the wall, so... | 0:06:51 | 0:06:56 | |
Right, Jodie, what have we got? | 0:06:58 | 0:07:00 | |
-Blackberry mousse on an apple crisp with a crumble and a dark chocolate sauce. -Right. You want to taste? | 0:07:00 | 0:07:05 | |
I like your mousse. It's really light. It's very light. | 0:07:09 | 0:07:14 | |
And it's got no gelatine, which is lovely. | 0:07:14 | 0:07:16 | |
It's got a really nice texture. I don't think I can improve on that. | 0:07:16 | 0:07:19 | |
-OK. -Well done. I like it. | 0:07:19 | 0:07:22 | |
The apple, it's a really good addition to this dessert, | 0:07:22 | 0:07:27 | |
cos blackberry and apple work well. The chocolate sauce is not necessary. | 0:07:27 | 0:07:32 | |
I think this is screaming out for | 0:07:32 | 0:07:35 | |
-what you would normally serve with a crumble. -Sauce anglaise? | 0:07:35 | 0:07:38 | |
-Yes! A creme anglaise! -OK, yeah. | 0:07:38 | 0:07:41 | |
That's putting a smile on your face already, you're thinking, "Why didn't I think of that?" | 0:07:41 | 0:07:45 | |
-Well done, Jodie. -Cheers. Thank you. | 0:07:45 | 0:07:47 | |
Mm. | 0:07:47 | 0:07:49 | |
Yeah, it went way better than I thought it was going to, | 0:07:49 | 0:07:51 | |
considering I thought desserts weren't really my strong point. | 0:07:51 | 0:07:54 | |
Yeah, it went really well. | 0:07:54 | 0:07:58 | |
Hm. Right, Rebecca, what have we got here? | 0:08:04 | 0:08:06 | |
It's chocolate mousse topped with chocolate ganache, | 0:08:06 | 0:08:09 | |
served with poached pear which has been poached in perry, | 0:08:09 | 0:08:11 | |
-so it's like pear cider. -Right, let's taste this. | 0:08:11 | 0:08:14 | |
Mm! | 0:08:20 | 0:08:22 | |
A really good chocolate mousse. | 0:08:22 | 0:08:25 | |
You want to open a chocolate shop one day, don't you? | 0:08:25 | 0:08:27 | |
-Hopefully, yeah. -If you serve chocolate mousse like that, | 0:08:27 | 0:08:30 | |
-they'll be queuing round the block for it. -OK. | 0:08:30 | 0:08:33 | |
I think forget the pear on the side, cos it looks silly. | 0:08:33 | 0:08:37 | |
You've got a beautiful martini glass. Fan out some lovely slices of pear. | 0:08:37 | 0:08:41 | |
-OK. -So it's like a petal. -Yep. | 0:08:41 | 0:08:44 | |
Visually beautiful, striking. | 0:08:44 | 0:08:46 | |
-And a splash of... -The pear liqueur. | 0:08:46 | 0:08:49 | |
-The pear liqueur. -Yep. -Surprises. -OK. | 0:08:49 | 0:08:51 | |
Yay! And seeing as we've got a martini glass, | 0:08:51 | 0:08:55 | |
why don't we decorate the glass like it was a cocktail? | 0:08:55 | 0:08:58 | |
-OK. -That's a lot of work. -Yeah. | 0:08:58 | 0:09:01 | |
-You up for it? -Yeah, I think it sounds good. Definitely. | 0:09:01 | 0:09:04 | |
-Good. Perfect. Great mousse, though. -Thanks, Chef. -I must say, I'm impressed with that. | 0:09:04 | 0:09:10 | |
I'm so pleased that he liked it | 0:09:10 | 0:09:12 | |
and I love the ideas that he's given for improvement of the dish. | 0:09:12 | 0:09:16 | |
Erm, yeah, I'm really happy, really positive feedback. | 0:09:16 | 0:09:20 | |
We've got a choice of the snail and ricotta chicken ballotine with baby glazed carrots... | 0:09:23 | 0:09:27 | |
'Like all catering colleges, UCB has a training restaurant. | 0:09:27 | 0:09:32 | |
'Michel is going to get his students to cook the improved dishes | 0:09:32 | 0:09:35 | |
'for lunch service today. | 0:09:35 | 0:09:37 | |
'It will give him an opportunity to see just who deserves his mentoring.' | 0:09:37 | 0:09:41 | |
Today is about whether they can learn and execute what I have told them. | 0:09:41 | 0:09:47 | |
I'll be there to encourage them and help them and guide them, | 0:09:47 | 0:09:50 | |
but I want to see a vast improvement. | 0:09:50 | 0:09:54 | |
-We've got two hours and 15 minutes. -Oh! Happy days! -SHE LAUGHS | 0:09:54 | 0:09:59 | |
So I'm going to do everything at a really slow pace. | 0:09:59 | 0:10:03 | |
'Reece's first challenge is to prep the chickpea chips | 0:10:04 | 0:10:08 | |
'for his improved tuna dish.' | 0:10:08 | 0:10:10 | |
That's it. Keep going, keep going, keep going. These chickpea chips | 0:10:11 | 0:10:15 | |
need a lot of work. You've got to really, really whisk it hard. | 0:10:15 | 0:10:19 | |
And if there are any lumps, pass it through a fine sieve. | 0:10:19 | 0:10:22 | |
Never made anything like it. It's all new. | 0:10:25 | 0:10:29 | |
Press down hard so that it's all compact. | 0:10:32 | 0:10:35 | |
That's it! Don't be afraid of it. And then once it's set, | 0:10:35 | 0:10:39 | |
you need to cut them into your shapes | 0:10:39 | 0:10:41 | |
and put them on a rack so that they dry so they get a real crust. | 0:10:41 | 0:10:44 | |
And the crust will then give you a really crispy chip. That's it. Cool. | 0:10:44 | 0:10:50 | |
Lovely. | 0:10:52 | 0:10:55 | |
'To give Sophie's chicken stuffing a French twist, | 0:10:55 | 0:10:59 | |
'Michel wants her to add the most iconic of French ingredients.' | 0:10:59 | 0:11:02 | |
I remember as a kid, I used to go out and catch snails with my dad | 0:11:02 | 0:11:06 | |
here in Kent when I was a little boy. | 0:11:06 | 0:11:09 | |
As soon as it started raining, he said, "Come on, let's go!" | 0:11:09 | 0:11:12 | |
And the neighbours used to laugh and point fingers and say, | 0:11:12 | 0:11:15 | |
"Those mad French! They're after lunch again, aren't they?" | 0:11:15 | 0:11:18 | |
-Look at you now. -Mm. Exactly. | 0:11:18 | 0:11:21 | |
Lovely. | 0:11:27 | 0:11:29 | |
You won't need to cut them cos they're really small. They're lovely. Really nice. Very nice. | 0:11:29 | 0:11:34 | |
It's weird, cos I've only seen them in the garden, so it's really weird. | 0:11:34 | 0:11:37 | |
They're very meaty, very tasty. | 0:11:37 | 0:11:39 | |
-Never eaten them, either. -You've never eaten them? -No. -So it's a first. -Yeah. | 0:11:39 | 0:11:43 | |
-A delicacy. -I'm a bit nervous. -No, you're not! -I am! | 0:11:43 | 0:11:46 | |
-You're adventurous, you're not nervous! -Yeah, true. Willing to try new things. | 0:11:46 | 0:11:50 | |
After this morning, I've not really got any leeway, so I've got to get it right. | 0:11:55 | 0:12:00 | |
-Do you know why they're called pommes boulangere? -No, I don't. | 0:12:07 | 0:12:09 | |
Do you know what a boulangere is, or boulanger? | 0:12:09 | 0:12:12 | |
Is that with the layers of the potato and the... | 0:12:12 | 0:12:16 | |
-Nope. Boulanger translates as baker. -Ah. | 0:12:16 | 0:12:20 | |
Now, traditionally, these potatoes were made in big, big dishes | 0:12:20 | 0:12:23 | |
and taken to the baker | 0:12:23 | 0:12:26 | |
so that once he'd baked his bread, | 0:12:26 | 0:12:28 | |
you put these big dishes of potato in | 0:12:28 | 0:12:32 | |
and the residual heat of the oven | 0:12:32 | 0:12:34 | |
-would carry on cooking the potatoes. -Ah. -Pommes boulangere. | 0:12:34 | 0:12:38 | |
Little bit of onion. | 0:12:38 | 0:12:40 | |
-Yes, Chef. -Yeah? -Yep. -But you need to work quickly. Yeah? -Thanks, Chef. | 0:12:40 | 0:12:47 | |
I just want to get them exactly the same as Chef's, really, so a lot of pressure. | 0:12:49 | 0:12:54 | |
-Does yours look like mine? -Yes. No. | 0:12:59 | 0:13:03 | |
-It doesn't, does it? -No. -Look. | 0:13:05 | 0:13:08 | |
Look how tight and how neat mine is. | 0:13:08 | 0:13:10 | |
-If it's not tight, you're not going to be able to pick it up. -OK. | 0:13:10 | 0:13:15 | |
I reckon I've got half again as many on mine. | 0:13:15 | 0:13:18 | |
-Yeah? -Yeah. | 0:13:18 | 0:13:20 | |
Get it right, get it right. | 0:13:20 | 0:13:23 | |
-Every single one should be the same. -Yes, chef. | 0:13:23 | 0:13:26 | |
I can't believe I actually thought of something on my own | 0:13:29 | 0:13:32 | |
and just, like, created something. I just kind of made it up, basically. | 0:13:32 | 0:13:36 | |
Yeah, I'm glad that he liked it. | 0:13:36 | 0:13:38 | |
'Earlier, Jodie impressed Michel with her take of a berry mousse | 0:13:39 | 0:13:43 | |
served on a crispy apple base.' | 0:13:43 | 0:13:45 | |
-Your mousse is not done yet, is it? But it sets quickly. -Yeah. -OK. | 0:13:45 | 0:13:50 | |
Mm! | 0:13:54 | 0:13:55 | |
Yum. You know, I'm thinking... | 0:13:58 | 0:14:00 | |
-To make it look even neater, what shape plate did we say we were having? -Square. | 0:14:02 | 0:14:06 | |
Do you know what? I'm thinking on my feet. | 0:14:06 | 0:14:09 | |
-You want to cut it square? -Yes! | 0:14:09 | 0:14:12 | |
-Yes! -Yeah, I was going to square them off originally | 0:14:12 | 0:14:15 | |
-but I didn't know whether to square them or to fan them. -I think square them off | 0:14:15 | 0:14:18 | |
and then you'll have the round mousse on a square... A landing pad of apple on a square plate. | 0:14:18 | 0:14:24 | |
-I think that... Yes! -Cool. -Great minds think alike. | 0:14:24 | 0:14:28 | |
-I think that's an improvement, squared. -Definite improvement. | 0:14:32 | 0:14:35 | |
I think that's a definite improvement. Very nice. | 0:14:35 | 0:14:38 | |
-But you've got to get that mousse in. I know that it sets quickly, but nonetheless... -Yep. | 0:14:38 | 0:14:43 | |
'Michel wants Rebecca to make a more sophisticated chocolate mousse.' | 0:14:48 | 0:14:52 | |
So, your cocktail glass with a bit of sugar and the cocoa nibs. | 0:14:56 | 0:14:58 | |
-Yep. -That looks fun! Yeah. Yay! Let's go for it. | 0:14:58 | 0:15:04 | |
I think these are going to look great. I think it's going to be really pretty | 0:15:04 | 0:15:08 | |
and still have all the flavour that I envisaged | 0:15:08 | 0:15:10 | |
and still the same base idea, | 0:15:10 | 0:15:13 | |
so, yeah, I'm really happy right now. | 0:15:13 | 0:15:16 | |
What I want you to do is to fan the pears out, like this. | 0:15:21 | 0:15:24 | |
A bit tricky, but I think it's worth the effort. | 0:15:24 | 0:15:28 | |
-Yep. -So all the way round there. -OK, yep. | 0:15:28 | 0:15:30 | |
And then just a drop of the booze. | 0:15:30 | 0:15:33 | |
-OK. Lovely. -Smashing. -Thanks, Chef. | 0:15:33 | 0:15:36 | |
I like these challenges. It's good. Good fun. | 0:15:41 | 0:15:45 | |
Ah! Look at that, Jodie. | 0:15:50 | 0:15:53 | |
He's a little bit of a genius, I think. | 0:15:54 | 0:15:56 | |
'Today's diners in the college restaurant | 0:16:04 | 0:16:07 | |
'are a mixture of people from the local community and college staff.' | 0:16:07 | 0:16:11 | |
The guests are here, guys. Yeah? | 0:16:13 | 0:16:16 | |
They're here on time. They're hungry. | 0:16:16 | 0:16:18 | |
'They can choose from three mains, | 0:16:18 | 0:16:21 | |
'Reece's tuna dish, improved with the addition of chickpea chips and ratatouille, | 0:16:21 | 0:16:26 | |
'Alex's duck, now served with a potato boulangere and shallot, both cooked in duck fat, | 0:16:26 | 0:16:33 | |
'and Sophie's ballotine of chicken, now stuffed with snails.' | 0:16:33 | 0:16:38 | |
Two duck, two tuna. | 0:16:39 | 0:16:42 | |
-I can't hear anybody in the kitchen. -Yeah. | 0:16:42 | 0:16:45 | |
-Yeah what? -Yes, Chef. -Thank you. That's called respect. | 0:16:45 | 0:16:50 | |
-Are you two communicating? -Alex, mate? -Yeah? -Give me about six minutes. | 0:16:50 | 0:16:55 | |
-Yeah, OK. -I tell you what, guys, let's say ten. | 0:16:55 | 0:16:58 | |
-Ten minutes? -Ten minutes. | 0:16:58 | 0:17:01 | |
The customer won't mind waiting a few minutes extra if it's worth it. | 0:17:01 | 0:17:04 | |
I've got quite a few things to do, unlike the other guys, where they've got their things in the oven, | 0:17:04 | 0:17:09 | |
got their meat resting, I've got to do it all to serve. | 0:17:09 | 0:17:12 | |
I think they've all got a lot to prove | 0:17:14 | 0:17:16 | |
and they can all quite easily stumble. | 0:17:16 | 0:17:19 | |
Come on! I'm trying to build them up, give them a bit of confidence. | 0:17:19 | 0:17:23 | |
The last thing I want is for them to break down in the middle of service | 0:17:23 | 0:17:26 | |
and just make a mess of it. I want to test them, of course, | 0:17:26 | 0:17:29 | |
but today is not about breaking them. | 0:17:29 | 0:17:33 | |
-Where's all the duck gone? -It's just in the oven. | 0:17:33 | 0:17:36 | |
I've asked for two for pass and one more on order. | 0:17:36 | 0:17:42 | |
So why have you got all six in the oven? Ughh! | 0:17:42 | 0:17:45 | |
We're not in a canteen, we're in a restaurant. We're not preparing banqueting style. | 0:17:47 | 0:17:50 | |
-Yes, chef. -Right, Reece, are we there? -About three minutes, yeah. | 0:17:50 | 0:17:55 | |
It's sticking. | 0:17:57 | 0:17:59 | |
Let's go. Let's dress. Come on, let's dress our plate. Give me the potato. | 0:18:01 | 0:18:05 | |
-That looks lovely. -Yes. -It does look nice, doesn't it? -100 times better. | 0:18:07 | 0:18:10 | |
Yay! Great! So, nice, nice, nice. | 0:18:10 | 0:18:14 | |
A little bit more white of the plate. Not a bad effort. | 0:18:14 | 0:18:18 | |
-Now, can I have the perfect tuna, as well? -Yes, chef. Have I gone the wrong way with this? | 0:18:18 | 0:18:22 | |
-MICHEL SIGHS -What you doing, Reece? It's not a jigsaw puzzle! | 0:18:22 | 0:18:26 | |
Sorry. | 0:18:27 | 0:18:30 | |
You're not very generous with your ratatouille. You've got more. | 0:18:31 | 0:18:33 | |
You can do a beautiful, big quenelle. | 0:18:33 | 0:18:37 | |
Let's put two on there. You've got it, you might as well have it. | 0:18:37 | 0:18:40 | |
There you go. Go. | 0:18:40 | 0:18:43 | |
It really melts in the mouth. I'm quite surprised. | 0:18:49 | 0:18:52 | |
That's absolutely gorgeous. | 0:18:52 | 0:18:54 | |
The duck is really nice. Normally I would have it a bit more well done, | 0:18:54 | 0:18:58 | |
but it was perfect, so I'll always have it like this. | 0:18:58 | 0:19:00 | |
-Chef, table two, compliments on the duck. -Thank you. That's always nice to hear. | 0:19:00 | 0:19:05 | |
-Thanks, Chef. -Come on! | 0:19:05 | 0:19:08 | |
'Now the focus is on Sophie's snail-stuffed chicken.' | 0:19:09 | 0:19:14 | |
-You got the two chicken? -Yes, Chef. -Come on, chop-chop. | 0:19:14 | 0:19:17 | |
Let's hurry up. Let's go. You see, look, lots of white of the plate | 0:19:17 | 0:19:21 | |
and your food stands out a lot more. Sauce on the pass. | 0:19:21 | 0:19:25 | |
There you go. | 0:19:25 | 0:19:27 | |
That chicken is lovely. Really moist. Well done. | 0:19:27 | 0:19:30 | |
Good flavours. The snail's nice. | 0:19:36 | 0:19:40 | |
I'm quite pleased with how it turned out. | 0:19:40 | 0:19:42 | |
I organised myself, had everything ready, so good, I'm happy. | 0:19:42 | 0:19:47 | |
'Sophie only had two orders, but both boys have popular mains.' | 0:19:47 | 0:19:52 | |
Two duck, one tuna. Right, I've got the duck. Where's the tuna? | 0:19:52 | 0:19:56 | |
-It's a popular dish, tuna, isn't it? -Yep. -Yay! | 0:19:56 | 0:20:01 | |
-Nice duck. Love it. Very good. -Thank you, Chef. | 0:20:01 | 0:20:04 | |
The compliment, "You've nailed your dish," from Michel Roux Jr is, well, I'm just over the moon about that. | 0:20:04 | 0:20:10 | |
-Do you want the tuna nice and rare? -Yeah. | 0:20:11 | 0:20:14 | |
That is not rare. | 0:20:14 | 0:20:17 | |
You're working back to front. That's rare, now, off! | 0:20:18 | 0:20:22 | |
Tuna. What's missing, Reece? | 0:20:25 | 0:20:27 | |
-Peppercorns. Er... -Coriander? | 0:20:27 | 0:20:30 | |
-Yeah. -In front of you. To be honest, | 0:20:30 | 0:20:34 | |
your section is in such a mess that I'm not surprised you can't find anything. | 0:20:34 | 0:20:39 | |
That's it. Come on, let's go. | 0:20:40 | 0:20:43 | |
Yay! | 0:20:44 | 0:20:47 | |
Yes! Yes! Beautifully cut, lovely and rare, | 0:20:47 | 0:20:51 | |
one quenelle perfect, the other one's tumbled, but I don't mind. | 0:20:51 | 0:20:55 | |
Let's go. | 0:20:55 | 0:20:57 | |
It'll be all right, man, it'll be all right. | 0:21:04 | 0:21:06 | |
I wasn't set for service and then I was just playing catch-up. | 0:21:07 | 0:21:12 | |
It couldn't have gone worse than what happened. That was awful. Really bad. | 0:21:12 | 0:21:16 | |
And for your dessert? | 0:21:20 | 0:21:22 | |
'The two desserts on offer are Rebecca's chocolate mousse, | 0:21:22 | 0:21:26 | |
'now served with a cocoa nib and a fanned pear base... | 0:21:26 | 0:21:30 | |
'..and Jodie's berry cheesecake mousse, which will be served with a creme anglaise.' | 0:21:32 | 0:21:38 | |
Whoa! What's going on here? | 0:21:42 | 0:21:45 | |
-The mix has split. -Oh, deary me! I think it's over-whipped. | 0:21:45 | 0:21:49 | |
-So add some cream into the mixture... -Yeah, but you won't have time. | 0:21:49 | 0:21:53 | |
-You've got no chance of redoing it, have you? -Well, I've got two already set. | 0:21:54 | 0:21:57 | |
Oh, yeah. That looks lovely! | 0:21:59 | 0:22:03 | |
-How come the other one didn't work? -Who knows? | 0:22:03 | 0:22:07 | |
-And where's your creme anglaise? -The bain-marie in there. | 0:22:07 | 0:22:10 | |
-It is indeed. -You're not very generous, are you? | 0:22:10 | 0:22:13 | |
They don't want a lot. They only want, like, a... | 0:22:13 | 0:22:15 | |
I'm greedy. I could eat that in one sitting. | 0:22:15 | 0:22:18 | |
-Right, are we off for the desserts? What about you? -All ready. They're in the blast chiller. | 0:22:18 | 0:22:22 | |
-How many of them have you got? -Just two. | 0:22:25 | 0:22:28 | |
-How many chocolate mousses have you got? -Seven, Chef. -Seven? | 0:22:28 | 0:22:30 | |
Yep. | 0:22:30 | 0:22:32 | |
-Well, you're going to need more than two, that's for sure. -Yep. | 0:22:32 | 0:22:36 | |
So we can spoon it, maybe. We'll spoon it. | 0:22:36 | 0:22:39 | |
Don't try and mould it cos it just won't work. | 0:22:39 | 0:22:41 | |
The chocolate mousse. Thank you. | 0:22:41 | 0:22:44 | |
The crumble, blackberry and raspberry cheesecake. | 0:22:44 | 0:22:47 | |
-Table four first. So two cheesecake and two chocolate. -Yes, Chef. | 0:22:47 | 0:22:51 | |
-Jodie. -Yes, Chef, you've got them. You've got two, haven't you? | 0:22:51 | 0:22:55 | |
So am I going to serve them? No! | 0:22:55 | 0:22:57 | |
It's your dessert. Get them out of the fridge, come on. | 0:22:57 | 0:23:00 | |
-I like it. -Thanks. -Very nice. | 0:23:12 | 0:23:14 | |
OK. You've got custard here, or creme anglaise. Go easy on it. | 0:23:16 | 0:23:22 | |
-We haven't got too much. If there is any left over, please bring it back. -Yes, Chef. | 0:23:22 | 0:23:26 | |
-Can they hold the glass? -Yeah, make sure you hold the glass as you take it to the table. | 0:23:26 | 0:23:30 | |
The wafer-looking pear on top, I thought, "Oh, gosh, is that all the pear I'm going to get?" | 0:23:34 | 0:23:38 | |
So it was nice that the pear was underneath. And it was just a lovely flavour. | 0:23:38 | 0:23:42 | |
Right, after that, I need two chocolate and one cheesecake. | 0:23:42 | 0:23:46 | |
-You haven't got another cheesecake set, have you? -No, Chef. | 0:23:46 | 0:23:48 | |
Let's get a plate. We're going to have to ad lib here | 0:23:48 | 0:23:51 | |
because that is not going to set. | 0:23:51 | 0:23:54 | |
-The chocolate mousse ready? -On the pass, Chef. -Right. | 0:23:58 | 0:24:02 | |
It's called ad lib. Yeah? | 0:24:04 | 0:24:07 | |
I'm not sure what's happened, but I don't think it's really a cheesecake. | 0:24:20 | 0:24:24 | |
Unless it's one of these deconstructed cheesecakes. | 0:24:24 | 0:24:28 | |
That's just slop. Oh, dear. | 0:24:28 | 0:24:32 | |
-Go on, try some. -It's rubbish. -I'm so disappointed. | 0:24:34 | 0:24:37 | |
That's not acceptable, is it? | 0:24:37 | 0:24:40 | |
It wasn't what I wanted it to be. | 0:24:40 | 0:24:42 | |
And obviously not what he wanted it to be. | 0:24:42 | 0:24:45 | |
But, yeah, so obviously I'm a little disappointed it didn't go to plan. | 0:24:46 | 0:24:49 | |
At the end of the day, you're learning, aren't you? | 0:24:49 | 0:24:52 | |
-You're learning. -I know, yeah, but still... | 0:24:52 | 0:24:55 | |
Don't beat yourself down. | 0:24:55 | 0:24:57 | |
'Michel now needs to decide who to take forward.' | 0:25:01 | 0:25:06 | |
That was a lot tougher than I thought. | 0:25:06 | 0:25:09 | |
I feel more tired after that than a busy day in my restaurant. | 0:25:09 | 0:25:13 | |
Rebecca really impressed me. I thought that chocolate dessert looked beautiful! | 0:25:16 | 0:25:21 | |
Alex, his last plate that he brought to the pass | 0:25:23 | 0:25:28 | |
was perfect. | 0:25:28 | 0:25:30 | |
I think Sophie did all right. | 0:25:32 | 0:25:34 | |
Every step, she's learning and getting better. | 0:25:34 | 0:25:37 | |
For me, it's between Reece and Jodie. | 0:25:39 | 0:25:41 | |
They're both good kids and I'm sure they've got a great future in front of them, | 0:25:51 | 0:25:55 | |
but maybe now is not the time. | 0:25:55 | 0:25:58 | |
Reece. Come here. | 0:26:09 | 0:26:12 | |
When I first set eyes on you, I had very, very high hopes. | 0:26:15 | 0:26:19 | |
You let me down big time today. | 0:26:19 | 0:26:21 | |
You are going to have to really, really buck up your ideas. | 0:26:23 | 0:26:29 | |
You're still in. | 0:26:29 | 0:26:32 | |
-Ohh. -Don't let me down. | 0:26:33 | 0:26:36 | |
-Wow. -OK? | 0:26:36 | 0:26:38 | |
-Thank you. -I still believe in you. | 0:26:38 | 0:26:42 | |
Get polishing. | 0:26:42 | 0:26:44 | |
-Er, Jodie. -Yes, Chef? -Come here. | 0:26:55 | 0:26:58 | |
I loved your dessert, I really did. | 0:27:02 | 0:27:06 | |
I didn't want to change it because it was so good. | 0:27:06 | 0:27:09 | |
Maybe that's why you went into relax mode. | 0:27:09 | 0:27:12 | |
-Yeah, maybe. -And you had a disaster. | 0:27:12 | 0:27:16 | |
I know. | 0:27:16 | 0:27:18 | |
-You're leaving us. -OK. -But you are a star in the making. | 0:27:18 | 0:27:24 | |
-You know that. -OK. Yeah. -You are. | 0:27:24 | 0:27:26 | |
-But not today. -OK. All right. | 0:27:26 | 0:27:29 | |
-Thank you. -OK, darling? -Yeah. Thank you. -Yeah. | 0:27:29 | 0:27:32 | |
Thanks, Chef. | 0:27:33 | 0:27:35 | |
Yeah, I'm gutted, obviously, | 0:27:37 | 0:27:39 | |
but he believes that I can carry on and do well. | 0:27:39 | 0:27:41 | |
I've just got to take his advice on board and... carry on. Yeah. | 0:27:41 | 0:27:47 | |
Ohh! | 0:27:47 | 0:27:48 | |
He's obviously seen something in me that I didn't show today | 0:27:48 | 0:27:51 | |
and I don't think I've shown yet. Hopefully I'll show it next time. | 0:27:51 | 0:27:55 | |
I'm so grateful. So, so grateful. | 0:27:55 | 0:27:58 | |
Wow. | 0:27:59 | 0:28:01 | |
'Tomorrow night, the four students come face to face with their competition.' | 0:28:03 | 0:28:07 | |
I get the feeling that Michel might be trying to intimidate us a wee bit. | 0:28:07 | 0:28:11 | |
This is the part where everything could go wrong. | 0:28:11 | 0:28:15 | |
'As Michel's hunt for his protege continues.' | 0:28:16 | 0:28:18 | |
It's really doing my head in! | 0:28:18 | 0:28:21 | |
Once I cut the pork, we'll know if it's all OK. Until then... | 0:28:21 | 0:28:26 | |
I don't want to get nervous here, but it's too good. | 0:28:26 | 0:28:29 | |
MICHEL LAUGHS | 0:28:29 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:34 | 0:28:38 | |
. | 0:28:38 | 0:28:38 |