Episode 13 The Chef's Protege


Episode 13

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Transcript


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'Getting to the top of any profession

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'takes not only skill and determination but a few breaks along the way.'

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Show me what a good cook you are.

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'Tom Kitchin, Theo Randall and Michel Roux Jr

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'have all been helped in their careers by someone who believed in them.'

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I think it would be very difficult for any chef to achieve greatness without a mentor.

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Put it through one more time.

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'Now they want to give someone else that same chance.'

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Out, out, out, out, out!

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'By going back to catering college to find a young student

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'they can each take under their wing as their own protege.'

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It's such a gruelling industry.

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If you want to get to the top, you need to work with the best.

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-Look at you, you're excited! You're excited!

-Yep, definitely excited.

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Hallelujah.

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'Tom, Theo and Michel are searching for someone

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'who they think is a worthy apprentice.'

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-Happy, Chef Shona?

-I think so.

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'They each have a week to select and train up their strongest candidates.

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Two things on the go at the same time. Come on, come on.

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Or even three things on the go. Multi-task. Come on.

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'Before they compete against each other

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'to see who has the best protege.

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'This week, Michel Roux Jr has been at University College Birmingham

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'where he has shortlisted five of his best students.'

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-Absolutely delicious! I love it.

-Thank you.

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'It's Michel's last day at the college

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'before he selects the strongest students to take forward.

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'He's asking them to do just one thing - cook their favourite dish.'

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-Morning, young man. You all right?

-Yes, chef.

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'He is then going to tell them how to improve it.'

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Right!

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I am just hoping to find a young chef that has got the enthusiasm

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that I had when I was a young chef.

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'Michel's mentor was his father, the legendary Albert Roux,

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'who taught him that a protege not only needs skill

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'but the ability to take on board what the mentor is trying to teach.'

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I only feel like I produced my B game last time,

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so now I've got to really step it up, produce my A game,

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so really show what I'm all about.

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I practised yesterday and it tasted fine,

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so hopefully I can do it again today.

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I hope he likes my food.

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I don't think I proved myself last time very well.

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Hopefully today I'll show you something different.

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I'm making a chocolate mousse with poached pear.

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This is like a Becca classic,

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so I hope it works, otherwise that's really embarrassing.

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A little bit nervous. I'm not very confident with this at all,

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but I'll give it my best. Yeah.

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They all seem to be working very tidily and it's nice and quiet.

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I'm expecting food on time and looking forward to the tasting.

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Boys first. Come on, Reece, up you come.

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-So what have we got, Reece?

-You've got seared tuna steak

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with an Asian glaze, with carrot pickle, some potatoes, and there's courgettes underneath.

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So this is Asian flavours? Right, let's taste this.

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This whole dish is out of kilter completely.

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You wouldn't find potato on a Japanese dish.

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Let's keep the tuna and keep the cooking process, because that's good.

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I think a little ratatouille, classic French.

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Let's go to the South of France on holiday.

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And for a little starch, we're going to do a chickpea chip.

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Yeah. A lot of the things that you're asking me to do, I've never done before, so it's something new.

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-Why are you here?

-I want to learn.

-There you go. Bingo.

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-Brill.

-That's it. A good smile on your face. I love it.

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I can't wait to taste your grilled tuna nicoise. Great.

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The amendments he gave me make sense,

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so hopefully it'll be better than what I produced.

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Come here, come here, Sophie, it's you. It's your food, your plate.

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-What have you done for me?

-I've done you ricotta and spinach stuffed chicken

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wrapped in bacon with vegetables and mashed potato

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with a lemon and herb white wine sauce.

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-Yeah.

-Those courgettes stuffed in hollowed-out carrot.

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-No. It's wrong. It looks horrible.

-OK.

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Attention to detail in the cooking and the seasoning

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-is far, far better than that attention to detail, which is naff!

-OK.

-Yeah?

-Yep.

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Your chicken's really moist. It's very good. That's showing off good skills.

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The stuffing. Tell me what's in the stuffing.

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Gorgonzola cheese, ricotta cheese.

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Two Italian ingredients. Ricotta, gorgonzola.

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Do I look like an Italian? No. So that, out the window.

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-OK.

-And we're going to put in some French ingredients.

-Yep.

-Snails.

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Have you worked with snails before? You haven't?

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Snails inside the chicken.

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-We're getting rid of the vegetable garnish. Cool?

-Yep. Thank you.

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Great, Sophie. Well done.

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I've never cooked or eaten snails.

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The only snails I see are the ones on the floor, and I don't really like them, so...

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Alex, you're next. Get me your plate. Let's have it here. Right.

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-So, tell me about it.

-There's pan-seared duck,

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wild mushroom, boulangere potatoes,

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asparagus and a red wine jus.

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Right, let's have a little taste.

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Your duck is well over-cooked. You know that.

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The pommes boulangere, potatoes are underdone. The onions are almost raw.

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I'm not happy. I think you can tell.

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-Yeah.

-It's not the end of the world.

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You roast the duck properly, nice and pink and moist.

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Your pommes boulangere, let's cook the onions off first in some duck fat, maybe.

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Again, we're bringing more duck flavour to this dish.

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I can see your eyes lighting up already. You're listening to me and you're saying,

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-"Yes, chef. Why didn't I think of that?"

-Yeah.

-Yes!

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-There's a lot of work to be done here.

-I can do it.

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-You can?

-Yeah.

-You up for it?

-Yeah.

-Good.

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Yeah, I've got a lot to prove. I did let myself down a little bit.

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But sometimes I produce my best stuff when my back's against the wall, so...

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Right, Jodie, what have we got?

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-Blackberry mousse on an apple crisp with a crumble and a dark chocolate sauce.

-Right. You want to taste?

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I like your mousse. It's really light. It's very light.

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And it's got no gelatine, which is lovely.

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It's got a really nice texture. I don't think I can improve on that.

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-OK.

-Well done. I like it.

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The apple, it's a really good addition to this dessert,

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cos blackberry and apple work well. The chocolate sauce is not necessary.

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I think this is screaming out for

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-what you would normally serve with a crumble.

-Sauce anglaise?

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-Yes! A creme anglaise!

-OK, yeah.

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That's putting a smile on your face already, you're thinking, "Why didn't I think of that?"

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-Well done, Jodie.

-Cheers. Thank you.

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Mm.

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Yeah, it went way better than I thought it was going to,

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considering I thought desserts weren't really my strong point.

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Yeah, it went really well.

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Hm. Right, Rebecca, what have we got here?

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It's chocolate mousse topped with chocolate ganache,

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served with poached pear which has been poached in perry,

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-so it's like pear cider.

-Right, let's taste this.

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Mm!

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A really good chocolate mousse.

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You want to open a chocolate shop one day, don't you?

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-Hopefully, yeah.

-If you serve chocolate mousse like that,

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-they'll be queuing round the block for it.

-OK.

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I think forget the pear on the side, cos it looks silly.

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You've got a beautiful martini glass. Fan out some lovely slices of pear.

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-OK.

-So it's like a petal.

-Yep.

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Visually beautiful, striking.

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-And a splash of...

-The pear liqueur.

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-The pear liqueur.

-Yep.

-Surprises.

-OK.

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Yay! And seeing as we've got a martini glass,

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why don't we decorate the glass like it was a cocktail?

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-OK.

-That's a lot of work.

-Yeah.

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-You up for it?

-Yeah, I think it sounds good. Definitely.

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-Good. Perfect. Great mousse, though.

-Thanks, Chef.

-I must say, I'm impressed with that.

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I'm so pleased that he liked it

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and I love the ideas that he's given for improvement of the dish.

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Erm, yeah, I'm really happy, really positive feedback.

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We've got a choice of the snail and ricotta chicken ballotine with baby glazed carrots...

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'Like all catering colleges, UCB has a training restaurant.

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'Michel is going to get his students to cook the improved dishes

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'for lunch service today.

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'It will give him an opportunity to see just who deserves his mentoring.'

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Today is about whether they can learn and execute what I have told them.

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I'll be there to encourage them and help them and guide them,

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but I want to see a vast improvement.

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-We've got two hours and 15 minutes.

-Oh! Happy days!

-SHE LAUGHS

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So I'm going to do everything at a really slow pace.

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'Reece's first challenge is to prep the chickpea chips

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'for his improved tuna dish.'

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That's it. Keep going, keep going, keep going. These chickpea chips

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need a lot of work. You've got to really, really whisk it hard.

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And if there are any lumps, pass it through a fine sieve.

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Never made anything like it. It's all new.

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Press down hard so that it's all compact.

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That's it! Don't be afraid of it. And then once it's set,

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you need to cut them into your shapes

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and put them on a rack so that they dry so they get a real crust.

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And the crust will then give you a really crispy chip. That's it. Cool.

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Lovely.

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'To give Sophie's chicken stuffing a French twist,

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'Michel wants her to add the most iconic of French ingredients.'

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I remember as a kid, I used to go out and catch snails with my dad

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here in Kent when I was a little boy.

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As soon as it started raining, he said, "Come on, let's go!"

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And the neighbours used to laugh and point fingers and say,

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"Those mad French! They're after lunch again, aren't they?"

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-Look at you now.

-Mm. Exactly.

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Lovely.

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You won't need to cut them cos they're really small. They're lovely. Really nice. Very nice.

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It's weird, cos I've only seen them in the garden, so it's really weird.

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They're very meaty, very tasty.

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-Never eaten them, either.

-You've never eaten them?

-No.

-So it's a first.

-Yeah.

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-A delicacy.

-I'm a bit nervous.

-No, you're not!

-I am!

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-You're adventurous, you're not nervous!

-Yeah, true. Willing to try new things.

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After this morning, I've not really got any leeway, so I've got to get it right.

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-Do you know why they're called pommes boulangere?

-No, I don't.

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Do you know what a boulangere is, or boulanger?

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Is that with the layers of the potato and the...

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-Nope. Boulanger translates as baker.

-Ah.

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Now, traditionally, these potatoes were made in big, big dishes

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and taken to the baker

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so that once he'd baked his bread,

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you put these big dishes of potato in

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and the residual heat of the oven

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-would carry on cooking the potatoes.

-Ah.

-Pommes boulangere.

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Little bit of onion.

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-Yes, Chef.

-Yeah?

-Yep.

-But you need to work quickly. Yeah?

-Thanks, Chef.

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I just want to get them exactly the same as Chef's, really, so a lot of pressure.

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-Does yours look like mine?

-Yes. No.

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-It doesn't, does it?

-No.

-Look.

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Look how tight and how neat mine is.

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-If it's not tight, you're not going to be able to pick it up.

-OK.

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I reckon I've got half again as many on mine.

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-Yeah?

-Yeah.

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Get it right, get it right.

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-Every single one should be the same.

-Yes, chef.

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I can't believe I actually thought of something on my own

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and just, like, created something. I just kind of made it up, basically.

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Yeah, I'm glad that he liked it.

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'Earlier, Jodie impressed Michel with her take of a berry mousse

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served on a crispy apple base.'

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-Your mousse is not done yet, is it? But it sets quickly.

-Yeah.

-OK.

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Mm!

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Yum. You know, I'm thinking...

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-To make it look even neater, what shape plate did we say we were having?

-Square.

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Do you know what? I'm thinking on my feet.

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-You want to cut it square?

-Yes!

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-Yes!

-Yeah, I was going to square them off originally

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-but I didn't know whether to square them or to fan them.

-I think square them off

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and then you'll have the round mousse on a square... A landing pad of apple on a square plate.

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-I think that... Yes!

-Cool.

-Great minds think alike.

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-I think that's an improvement, squared.

-Definite improvement.

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I think that's a definite improvement. Very nice.

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-But you've got to get that mousse in. I know that it sets quickly, but nonetheless...

-Yep.

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'Michel wants Rebecca to make a more sophisticated chocolate mousse.'

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So, your cocktail glass with a bit of sugar and the cocoa nibs.

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-Yep.

-That looks fun! Yeah. Yay! Let's go for it.

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I think these are going to look great. I think it's going to be really pretty

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and still have all the flavour that I envisaged

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and still the same base idea,

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so, yeah, I'm really happy right now.

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What I want you to do is to fan the pears out, like this.

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A bit tricky, but I think it's worth the effort.

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-Yep.

-So all the way round there.

-OK, yep.

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And then just a drop of the booze.

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-OK. Lovely.

-Smashing.

-Thanks, Chef.

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I like these challenges. It's good. Good fun.

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Ah! Look at that, Jodie.

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He's a little bit of a genius, I think.

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'Today's diners in the college restaurant

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'are a mixture of people from the local community and college staff.'

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The guests are here, guys. Yeah?

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They're here on time. They're hungry.

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'They can choose from three mains,

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'Reece's tuna dish, improved with the addition of chickpea chips and ratatouille,

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'Alex's duck, now served with a potato boulangere and shallot, both cooked in duck fat,

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'and Sophie's ballotine of chicken, now stuffed with snails.'

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Two duck, two tuna.

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-I can't hear anybody in the kitchen.

-Yeah.

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-Yeah what?

-Yes, Chef.

-Thank you. That's called respect.

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-Are you two communicating?

-Alex, mate?

-Yeah?

-Give me about six minutes.

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-Yeah, OK.

-I tell you what, guys, let's say ten.

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-Ten minutes?

-Ten minutes.

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The customer won't mind waiting a few minutes extra if it's worth it.

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I've got quite a few things to do, unlike the other guys, where they've got their things in the oven,

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got their meat resting, I've got to do it all to serve.

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I think they've all got a lot to prove

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and they can all quite easily stumble.

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Come on! I'm trying to build them up, give them a bit of confidence.

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The last thing I want is for them to break down in the middle of service

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and just make a mess of it. I want to test them, of course,

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but today is not about breaking them.

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-Where's all the duck gone?

-It's just in the oven.

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I've asked for two for pass and one more on order.

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So why have you got all six in the oven? Ughh!

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We're not in a canteen, we're in a restaurant. We're not preparing banqueting style.

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-Yes, chef.

-Right, Reece, are we there?

-About three minutes, yeah.

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It's sticking.

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Let's go. Let's dress. Come on, let's dress our plate. Give me the potato.

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-That looks lovely.

-Yes.

-It does look nice, doesn't it?

-100 times better.

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Yay! Great! So, nice, nice, nice.

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A little bit more white of the plate. Not a bad effort.

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-Now, can I have the perfect tuna, as well?

-Yes, chef. Have I gone the wrong way with this?

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-MICHEL SIGHS

-What you doing, Reece? It's not a jigsaw puzzle!

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Sorry.

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You're not very generous with your ratatouille. You've got more.

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You can do a beautiful, big quenelle.

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Let's put two on there. You've got it, you might as well have it.

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There you go. Go.

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It really melts in the mouth. I'm quite surprised.

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That's absolutely gorgeous.

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The duck is really nice. Normally I would have it a bit more well done,

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but it was perfect, so I'll always have it like this.

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-Chef, table two, compliments on the duck.

-Thank you. That's always nice to hear.

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-Thanks, Chef.

-Come on!

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'Now the focus is on Sophie's snail-stuffed chicken.'

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-You got the two chicken?

-Yes, Chef.

-Come on, chop-chop.

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Let's hurry up. Let's go. You see, look, lots of white of the plate

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and your food stands out a lot more. Sauce on the pass.

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There you go.

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That chicken is lovely. Really moist. Well done.

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Good flavours. The snail's nice.

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I'm quite pleased with how it turned out.

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I organised myself, had everything ready, so good, I'm happy.

0:19:420:19:47

'Sophie only had two orders, but both boys have popular mains.'

0:19:470:19:52

Two duck, one tuna. Right, I've got the duck. Where's the tuna?

0:19:520:19:56

-It's a popular dish, tuna, isn't it?

-Yep.

-Yay!

0:19:560:20:01

-Nice duck. Love it. Very good.

-Thank you, Chef.

0:20:010:20:04

The compliment, "You've nailed your dish," from Michel Roux Jr is, well, I'm just over the moon about that.

0:20:040:20:10

-Do you want the tuna nice and rare?

-Yeah.

0:20:110:20:14

That is not rare.

0:20:140:20:17

You're working back to front. That's rare, now, off!

0:20:180:20:22

Tuna. What's missing, Reece?

0:20:250:20:27

-Peppercorns. Er...

-Coriander?

0:20:270:20:30

-Yeah.

-In front of you. To be honest,

0:20:300:20:34

your section is in such a mess that I'm not surprised you can't find anything.

0:20:340:20:39

That's it. Come on, let's go.

0:20:400:20:43

Yay!

0:20:440:20:47

Yes! Yes! Beautifully cut, lovely and rare,

0:20:470:20:51

one quenelle perfect, the other one's tumbled, but I don't mind.

0:20:510:20:55

Let's go.

0:20:550:20:57

It'll be all right, man, it'll be all right.

0:21:040:21:06

I wasn't set for service and then I was just playing catch-up.

0:21:070:21:12

It couldn't have gone worse than what happened. That was awful. Really bad.

0:21:120:21:16

And for your dessert?

0:21:200:21:22

'The two desserts on offer are Rebecca's chocolate mousse,

0:21:220:21:26

'now served with a cocoa nib and a fanned pear base...

0:21:260:21:30

'..and Jodie's berry cheesecake mousse, which will be served with a creme anglaise.'

0:21:320:21:38

Whoa! What's going on here?

0:21:420:21:45

-The mix has split.

-Oh, deary me! I think it's over-whipped.

0:21:450:21:49

-So add some cream into the mixture...

-Yeah, but you won't have time.

0:21:490:21:53

-You've got no chance of redoing it, have you?

-Well, I've got two already set.

0:21:540:21:57

Oh, yeah. That looks lovely!

0:21:590:22:03

-How come the other one didn't work?

-Who knows?

0:22:030:22:07

-And where's your creme anglaise?

-The bain-marie in there.

0:22:070:22:10

-It is indeed.

-You're not very generous, are you?

0:22:100:22:13

They don't want a lot. They only want, like, a...

0:22:130:22:15

I'm greedy. I could eat that in one sitting.

0:22:150:22:18

-Right, are we off for the desserts? What about you?

-All ready. They're in the blast chiller.

0:22:180:22:22

-How many of them have you got?

-Just two.

0:22:250:22:28

-How many chocolate mousses have you got?

-Seven, Chef.

-Seven?

0:22:280:22:30

Yep.

0:22:300:22:32

-Well, you're going to need more than two, that's for sure.

-Yep.

0:22:320:22:36

So we can spoon it, maybe. We'll spoon it.

0:22:360:22:39

Don't try and mould it cos it just won't work.

0:22:390:22:41

The chocolate mousse. Thank you.

0:22:410:22:44

The crumble, blackberry and raspberry cheesecake.

0:22:440:22:47

-Table four first. So two cheesecake and two chocolate.

-Yes, Chef.

0:22:470:22:51

-Jodie.

-Yes, Chef, you've got them. You've got two, haven't you?

0:22:510:22:55

So am I going to serve them? No!

0:22:550:22:57

It's your dessert. Get them out of the fridge, come on.

0:22:570:23:00

-I like it.

-Thanks.

-Very nice.

0:23:120:23:14

OK. You've got custard here, or creme anglaise. Go easy on it.

0:23:160:23:22

-We haven't got too much. If there is any left over, please bring it back.

-Yes, Chef.

0:23:220:23:26

-Can they hold the glass?

-Yeah, make sure you hold the glass as you take it to the table.

0:23:260:23:30

The wafer-looking pear on top, I thought, "Oh, gosh, is that all the pear I'm going to get?"

0:23:340:23:38

So it was nice that the pear was underneath. And it was just a lovely flavour.

0:23:380:23:42

Right, after that, I need two chocolate and one cheesecake.

0:23:420:23:46

-You haven't got another cheesecake set, have you?

-No, Chef.

0:23:460:23:48

Let's get a plate. We're going to have to ad lib here

0:23:480:23:51

because that is not going to set.

0:23:510:23:54

-The chocolate mousse ready?

-On the pass, Chef.

-Right.

0:23:580:24:02

It's called ad lib. Yeah?

0:24:040:24:07

I'm not sure what's happened, but I don't think it's really a cheesecake.

0:24:200:24:24

Unless it's one of these deconstructed cheesecakes.

0:24:240:24:28

That's just slop. Oh, dear.

0:24:280:24:32

-Go on, try some.

-It's rubbish.

-I'm so disappointed.

0:24:340:24:37

That's not acceptable, is it?

0:24:370:24:40

It wasn't what I wanted it to be.

0:24:400:24:42

And obviously not what he wanted it to be.

0:24:420:24:45

But, yeah, so obviously I'm a little disappointed it didn't go to plan.

0:24:460:24:49

At the end of the day, you're learning, aren't you?

0:24:490:24:52

-You're learning.

-I know, yeah, but still...

0:24:520:24:55

Don't beat yourself down.

0:24:550:24:57

'Michel now needs to decide who to take forward.'

0:25:010:25:06

That was a lot tougher than I thought.

0:25:060:25:09

I feel more tired after that than a busy day in my restaurant.

0:25:090:25:13

Rebecca really impressed me. I thought that chocolate dessert looked beautiful!

0:25:160:25:21

Alex, his last plate that he brought to the pass

0:25:230:25:28

was perfect.

0:25:280:25:30

I think Sophie did all right.

0:25:320:25:34

Every step, she's learning and getting better.

0:25:340:25:37

For me, it's between Reece and Jodie.

0:25:390:25:41

They're both good kids and I'm sure they've got a great future in front of them,

0:25:510:25:55

but maybe now is not the time.

0:25:550:25:58

Reece. Come here.

0:26:090:26:12

When I first set eyes on you, I had very, very high hopes.

0:26:150:26:19

You let me down big time today.

0:26:190:26:21

You are going to have to really, really buck up your ideas.

0:26:230:26:29

You're still in.

0:26:290:26:32

-Ohh.

-Don't let me down.

0:26:330:26:36

-Wow.

-OK?

0:26:360:26:38

-Thank you.

-I still believe in you.

0:26:380:26:42

Get polishing.

0:26:420:26:44

-Er, Jodie.

-Yes, Chef?

-Come here.

0:26:550:26:58

I loved your dessert, I really did.

0:27:020:27:06

I didn't want to change it because it was so good.

0:27:060:27:09

Maybe that's why you went into relax mode.

0:27:090:27:12

-Yeah, maybe.

-And you had a disaster.

0:27:120:27:16

I know.

0:27:160:27:18

-You're leaving us.

-OK.

-But you are a star in the making.

0:27:180:27:24

-You know that.

-OK. Yeah.

-You are.

0:27:240:27:26

-But not today.

-OK. All right.

0:27:260:27:29

-Thank you.

-OK, darling?

-Yeah. Thank you.

-Yeah.

0:27:290:27:32

Thanks, Chef.

0:27:330:27:35

Yeah, I'm gutted, obviously,

0:27:370:27:39

but he believes that I can carry on and do well.

0:27:390:27:41

I've just got to take his advice on board and... carry on. Yeah.

0:27:410:27:47

Ohh!

0:27:470:27:48

He's obviously seen something in me that I didn't show today

0:27:480:27:51

and I don't think I've shown yet. Hopefully I'll show it next time.

0:27:510:27:55

I'm so grateful. So, so grateful.

0:27:550:27:58

Wow.

0:27:590:28:01

'Tomorrow night, the four students come face to face with their competition.'

0:28:030:28:07

I get the feeling that Michel might be trying to intimidate us a wee bit.

0:28:070:28:11

This is the part where everything could go wrong.

0:28:110:28:15

'As Michel's hunt for his protege continues.'

0:28:160:28:18

It's really doing my head in!

0:28:180:28:21

Once I cut the pork, we'll know if it's all OK. Until then...

0:28:210:28:26

I don't want to get nervous here, but it's too good.

0:28:260:28:29

MICHEL LAUGHS

0:28:290:28:31

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