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The final four celebrity Comic Relief supporters | 0:00:02 | 0:00:04 | |
have made it here to baking central, with one aim - | 0:00:04 | 0:00:07 | |
to raise as much dough | 0:00:07 | 0:00:10 | |
as is humanly possible, | 0:00:10 | 0:00:13 | |
and hopefully inspire you to do the same. | 0:00:13 | 0:00:15 | |
Berry, in the tent, applying body lotion. Hollywood, putting in his | 0:00:15 | 0:00:20 | |
blue-steel contact lenses. Me, ready to eat. | 0:00:20 | 0:00:25 | |
And the seemingly innocent | 0:00:25 | 0:00:27 | |
lady on bench behind me, is actually my mother. (She's called Rosemary.) | 0:00:27 | 0:00:33 | |
Welcome to The Great Comic Relief Bake Off. | 0:00:33 | 0:00:36 | |
The final four Comic Relief bakers to enter the bake off tent are... | 0:00:39 | 0:00:45 | |
journalist and television presenter of BBC's Strictly Come Dancing shows, Claudia Winkleman. | 0:00:45 | 0:00:51 | |
What do the boys in the cricket team think of the dressing up? | 0:00:51 | 0:00:54 | |
They all dress up anyway. | 0:00:54 | 0:00:56 | |
This is to try and encourage people to do something funny for money. | 0:00:56 | 0:00:59 | |
Baking is just a lovely thing to do and if they can sell cakes | 0:00:59 | 0:01:03 | |
for Comic Relief, I think it's a good way to start it off. | 0:01:03 | 0:01:06 | |
Comedian and winner of the prestigious | 0:01:06 | 0:01:09 | |
Perrier Comedy Award, Ed Byrne. | 0:01:09 | 0:01:13 | |
We were quoted for a wedding 150 people were coming to. | 0:01:13 | 0:01:16 | |
we got quoted for invites, £1,700. | 0:01:16 | 0:01:19 | |
AUDIENCE GASPS | 0:01:19 | 0:01:20 | |
I love that sound. | 0:01:20 | 0:01:22 | |
I love the sound you just made. | 0:01:22 | 0:01:24 | |
I wish the guy was here now to hear you all make that sound. | 0:01:24 | 0:01:29 | |
Baking is bit of a mystery. | 0:01:29 | 0:01:31 | |
Baking I think is as close as we could get to witchcraft, | 0:01:31 | 0:01:34 | |
in that you you're combining these various different ingredients | 0:01:34 | 0:01:38 | |
and you put them altogether and they form sponge. | 0:01:38 | 0:01:42 | |
Journalist and presenter of | 0:01:42 | 0:01:44 | |
BBC Two's The Review Show, Martha Kearney. | 0:01:44 | 0:01:47 | |
When the Hayward Gallery announced its latest | 0:01:47 | 0:01:50 | |
exhibition was to feature invisible art, some people wondered | 0:01:50 | 0:01:53 | |
if the entire event was just a joke at the public's expense with | 0:01:53 | 0:01:57 | |
one wit threatening to pay his entrance fee with "invisible money". | 0:01:57 | 0:02:01 | |
(I've been baking cakes for maybe 30 years, | 0:02:01 | 0:02:05 | |
(but I've had several disasters on route and it makes me very nervous.) | 0:02:05 | 0:02:10 | |
And winner of Team GB's first-ever gold medal in the 2012 Olympics, | 0:02:13 | 0:02:16 | |
rower Helen Glover. | 0:02:16 | 0:02:19 | |
The only thing I've ever baked by myself is out of a packet. | 0:02:24 | 0:02:27 | |
I'm taking part in this because I just really want to help, | 0:02:27 | 0:02:30 | |
get people going down to bake sales, | 0:02:30 | 0:02:32 | |
making money for some of the amazing causes. | 0:02:32 | 0:02:34 | |
And Lorraine Pascale will be in Ghana discovering how | 0:02:34 | 0:02:39 | |
the money raised really can make a difference. | 0:02:39 | 0:02:42 | |
-It's beautiful. -Thank you. | 0:02:42 | 0:02:44 | |
But who has what it takes to amaze Mary Berry? | 0:02:46 | 0:02:50 | |
Oh, that's scrummy, isn't it? | 0:02:50 | 0:02:52 | |
And Paul Hollywood. | 0:02:52 | 0:02:54 | |
That flavour is divine. | 0:02:54 | 0:02:55 | |
Who will claim the last title of Comic Relief's Star Baker? | 0:02:59 | 0:03:02 | |
Wooh! | 0:03:02 | 0:03:04 | |
(Oh, no!) | 0:03:04 | 0:03:06 | |
'Claudia, Helen, Martha and Ed are the last group of special | 0:03:33 | 0:03:39 | |
'Comic Relief bakers to face the Signature Challenge.' | 0:03:39 | 0:03:42 | |
Well, here we are. Will the judges being buttering you, | 0:03:42 | 0:03:48 | |
or will they be slicing you open, prodding you and saying... | 0:03:48 | 0:03:51 | |
-LIVERPUDLIAN ACCENT: -.."That's overworked?" | 0:03:51 | 0:03:54 | |
We'll find out very soon, | 0:03:54 | 0:03:56 | |
because, my friends, you are about to start your Signature Challenge. | 0:03:56 | 0:04:00 | |
Now, Paul and Mary have decreed that you WILL bake 18 chocolate | 0:04:00 | 0:04:06 | |
biscuits or cookies. You can use any type of chocolate, | 0:04:06 | 0:04:10 | |
any accompanying flavours. You've got 1½ hours on the clock. | 0:04:10 | 0:04:15 | |
On your marks, get set, bake for Comic Relief. | 0:04:15 | 0:04:19 | |
'Chocolate biscuits are a British favourite. | 0:04:24 | 0:04:27 | |
'4.4 million chocolate digestives are eaten every year, | 0:04:27 | 0:04:30 | |
'so what better way to raise money than producing a fresh batch | 0:04:30 | 0:04:34 | |
'for a Comic Relief bake sale?' | 0:04:34 | 0:04:35 | |
First of all, they have to decide what they want. | 0:04:37 | 0:04:41 | |
Do they want a crunch, | 0:04:41 | 0:04:42 | |
or do they want a cookie that's all soft in the middle? | 0:04:42 | 0:04:46 | |
Once they've decided that and chosen their biscuit, | 0:04:46 | 0:04:48 | |
it's got to be true to type. | 0:04:48 | 0:04:50 | |
I want originality, I want innovative ideas, flavours | 0:04:50 | 0:04:53 | |
and something that strikes you and you think, "Wow, that's unusual." | 0:04:53 | 0:04:56 | |
I am making chocolate and pistachio biscotti. | 0:04:56 | 0:05:02 | |
At the moment, I'm weighing my flour. | 0:05:02 | 0:05:04 | |
It's a very technical procedure that involves scales and flour. | 0:05:04 | 0:05:11 | |
Ed's mum and wife are the bakers in his family, | 0:05:11 | 0:05:14 | |
so he's hoping to do them proud, baking for Comic Relief with | 0:05:14 | 0:05:17 | |
twice-baked Italian biscotti with chocolate chips and pistachio nuts. | 0:05:17 | 0:05:22 | |
This has been handed down to me by my fictitious Italian grandfather. | 0:05:22 | 0:05:27 | |
Is that Giuseppe? | 0:05:27 | 0:05:29 | |
-How did you know? -I've met him. | 0:05:29 | 0:05:32 | |
Do you have a similar imaginary Italian ancestor? | 0:05:32 | 0:05:34 | |
He's got a bakery, just outside Rome. Great biscotti. | 0:05:34 | 0:05:38 | |
So, Ed, what is going to hold it together? | 0:05:38 | 0:05:42 | |
-I'm hoping... -Is there some liquid in there? | 0:05:43 | 0:05:45 | |
..that the eggs in the flour will give it... | 0:05:45 | 0:05:47 | |
The eggs are in the bottom, are they? | 0:05:47 | 0:05:49 | |
They're in there and that will give it structural integrity. | 0:05:49 | 0:05:52 | |
-I love how it's all in the bowl together, dead easy. -Exactly. | 0:05:52 | 0:05:55 | |
But there's a lot to happen after that. | 0:05:55 | 0:05:57 | |
-Good luck. -I hope I don't let you down. -Or Giuseppe. | 0:05:57 | 0:06:00 | |
Keep it down over there, I'm trying to bake! | 0:06:06 | 0:06:10 | |
Martha's lost her voice but not her passion for baking. | 0:06:10 | 0:06:14 | |
She's a self-confessed clumsy baker | 0:06:14 | 0:06:16 | |
but loves the outcome of a good bake. | 0:06:16 | 0:06:18 | |
(I want it to taste very rich and buttery as well, | 0:06:18 | 0:06:23 | |
(and very, very chocolatey. | 0:06:23 | 0:06:25 | |
(I love chocolate.) | 0:06:25 | 0:06:28 | |
Martha's dipped chocolate biscuits are high in fat, | 0:06:28 | 0:06:30 | |
which should result in a short, crumbly texture. | 0:06:30 | 0:06:33 | |
Now, you've lost your voice. | 0:06:33 | 0:06:35 | |
(I have lost my voice.) | 0:06:35 | 0:06:37 | |
Have you got a paper and pencil there? | 0:06:37 | 0:06:39 | |
Write down what you're going to do. | 0:06:39 | 0:06:43 | |
-Panic! I like that. -Is that what you're making(?) | 0:06:43 | 0:06:46 | |
I'm glad that you've got cocoa in it as well as your chocolate. | 0:06:46 | 0:06:49 | |
A lot of people put drinking chocolate in | 0:06:49 | 0:06:52 | |
and, of course, that's got sugar and it isn't strong but cocoa | 0:06:52 | 0:06:55 | |
and the chocolate is going to make a good biscuit. | 0:06:55 | 0:06:58 | |
-(Oh, good, fingers crossed.) -Good luck. -(Thank you.) | 0:06:58 | 0:07:01 | |
So it's almond biscuits | 0:07:04 | 0:07:07 | |
and then at the end I'll cover it with chocolate. | 0:07:07 | 0:07:09 | |
The almonds are toasting...I need to check that they're toasting. | 0:07:09 | 0:07:13 | |
Helen says she's a novice baker but admits to being incredibly | 0:07:13 | 0:07:16 | |
competitive, so is hoping her brandy-and-almond biscuits topped | 0:07:16 | 0:07:19 | |
with chocolate, will have a "snap" that will impress Paul and Mary. | 0:07:19 | 0:07:24 | |
This is a bit different for you, isn't it? | 0:07:24 | 0:07:26 | |
Yeah, I'm actually a lot more nervous about doing this than | 0:07:26 | 0:07:29 | |
I was racing in the Olympics. | 0:07:29 | 0:07:30 | |
Can you tell us how you'll put the chocolate on the top? | 0:07:30 | 0:07:33 | |
So I'll just melt it, put it over a wire rack | 0:07:33 | 0:07:35 | |
and pour it on, cos I think that way it will kind of look nicest. | 0:07:35 | 0:07:38 | |
That's a nice idea. Are you putting any flaked almonds on top? | 0:07:38 | 0:07:41 | |
Yes, I am. | 0:07:41 | 0:07:42 | |
I'll leave some for decoration, for when I finish. | 0:07:42 | 0:07:45 | |
-Have you practised this before? -I practised it last night for the first time. | 0:07:45 | 0:07:49 | |
-And they turned out OK. -Did they? -Yeah. -Good luck, Helen. | 0:07:49 | 0:07:51 | |
-Thank you. -Thank you. | 0:07:51 | 0:07:53 | |
I'm messy, very messy in the kitchen and easily distracted. | 0:08:01 | 0:08:06 | |
Come on, that's eggs and sugar, it's creaming. | 0:08:06 | 0:08:12 | |
Claudia's only been baking for four months | 0:08:12 | 0:08:14 | |
and has discovered a new passion. | 0:08:14 | 0:08:17 | |
Claudia's making her "It's the inside that counts" | 0:08:17 | 0:08:20 | |
chocolate-chip cookies with melted chocolate. | 0:08:20 | 0:08:23 | |
Hello, Claudia. | 0:08:23 | 0:08:25 | |
This is so exciting! | 0:08:25 | 0:08:27 | |
Are you excited? Just tell us first of all, you're doing chocolate cookies, | 0:08:27 | 0:08:30 | |
tell us how you're going about it. | 0:08:30 | 0:08:32 | |
Right, first of all, I've melted stuff in a "bon-marie". | 0:08:32 | 0:08:35 | |
-Bain-marie. -Thank you. | 0:08:35 | 0:08:37 | |
When you see the dough, it's not really doughy, it's more of a soup. | 0:08:37 | 0:08:42 | |
Is it pouring consistency? Is it piping consistency? | 0:08:42 | 0:08:45 | |
It's broken all the laws of physics, it is both heavy... | 0:08:45 | 0:08:49 | |
wait, and light. It is both dense AND dry, boom! | 0:08:49 | 0:08:56 | |
We'll come back a bit later. | 0:08:56 | 0:08:57 | |
Thank you for the visit. | 0:08:57 | 0:09:00 | |
I love them. I think I scared them a little. | 0:09:00 | 0:09:04 | |
This is very therapeutic. | 0:09:07 | 0:09:11 | |
I call it cucumber-shaped - a pretty big cucumber. | 0:09:11 | 0:09:16 | |
The idea is you cook 'em in the oven like that for about half an hour, | 0:09:16 | 0:09:20 | |
and then you take it out and let it cool. and then you cut it | 0:09:20 | 0:09:23 | |
into biscuits and put them on a tray and dry them out. | 0:09:23 | 0:09:26 | |
That's basically what you have to do with biscotti. | 0:09:26 | 0:09:31 | |
Nothing we can do now but wait. | 0:09:36 | 0:09:38 | |
What's next? I've forgotten what I'm doing now. | 0:09:40 | 0:09:43 | |
-In the Olympic Village... -MIXER RUMBLES | 0:09:43 | 0:09:45 | |
Ooh, hello, Martha. Martha's rumbling. | 0:09:45 | 0:09:48 | |
Doesn't sound very healthy. | 0:09:48 | 0:09:49 | |
When everyone's in the village, is it kind of party time? | 0:09:49 | 0:09:53 | |
Would a rower look at a runner and go, "Ooh." | 0:09:53 | 0:09:56 | |
Yeah, I think everyone's got their sport that they like. | 0:09:56 | 0:09:59 | |
I think a lot of the girls were looking at the water polo players. | 0:09:59 | 0:10:01 | |
-Really? -Yeah, cos all of the girls on our team are quite tall | 0:10:01 | 0:10:04 | |
and were thinking, "What sports are sort of broad | 0:10:04 | 0:10:07 | |
"and tall?" so swimmers and water polo, they were popular. | 0:10:07 | 0:10:10 | |
SHE BANGS ROLLING PIN | 0:10:10 | 0:10:12 | |
Kearney's gone mad. | 0:10:12 | 0:10:14 | |
Martha! | 0:10:14 | 0:10:16 | |
She's lost it. She's lost it, gang. | 0:10:16 | 0:10:19 | |
The aggression is coming out. | 0:10:19 | 0:10:22 | |
-Remember, with a biscuit you can open the oven door, have a look. -Can I?! | 0:10:41 | 0:10:44 | |
But you can't with cakes. | 0:10:44 | 0:10:46 | |
You're a genius. | 0:10:46 | 0:10:47 | |
I think... We're hoping that you're the genius. | 0:10:47 | 0:10:50 | |
No. All right, they're going in. | 0:10:50 | 0:10:53 | |
Right. I most fear Mary's disappointment. | 0:10:54 | 0:11:00 | |
Because Paul, you know he'll be grumpy. | 0:11:00 | 0:11:04 | |
I want to give him a cuddle, I want to make it better, I'm not sure I can. | 0:11:04 | 0:11:07 | |
I want them to be slightly golden. | 0:11:10 | 0:11:13 | |
It's not coming out yet. | 0:11:26 | 0:11:27 | |
It's not cooked and I'll just put it up a tiny bit. | 0:11:27 | 0:11:31 | |
Right, it's time to cut them into... | 0:11:35 | 0:11:39 | |
-Are you going in? -Yeah. | 0:11:39 | 0:11:40 | |
-Is that right? -HE LAUGHS | 0:11:41 | 0:11:44 | |
I'm sorry, Ed. Are they holding together? Is that all right? | 0:11:45 | 0:11:50 | |
Hmm. | 0:11:50 | 0:11:51 | |
I'm concerned that they might be underdone now. | 0:11:53 | 0:11:56 | |
Don't worry, they'll go back in, you'll be fine. | 0:11:56 | 0:11:58 | |
Let's hope! | 0:11:58 | 0:12:00 | |
I am flabbergasted by how much I want this to turn out right. | 0:12:03 | 0:12:07 | |
They are called "It's the inside that counts" cookies, | 0:12:12 | 0:12:14 | |
because they are physically repellent. | 0:12:14 | 0:12:17 | |
But I think they taste good. | 0:12:17 | 0:12:20 | |
(They're too small. Normally they spread a bit more than this. | 0:12:25 | 0:12:29 | |
(I think I need them slightly larger, | 0:12:29 | 0:12:31 | |
(so I'll have to do another batch, I think. | 0:12:31 | 0:12:36 | |
(I'm worried they won't have time to cool and time for me to dip them. | 0:12:39 | 0:12:42 | |
(This might be a bit silly.) | 0:12:42 | 0:12:44 | |
(Martha, don't speak. | 0:12:44 | 0:12:46 | |
(Mega-stressed. Oh, I know.) | 0:12:51 | 0:12:54 | |
SHE LAUGHS | 0:12:55 | 0:12:58 | |
Always the diplomat, Martha. I do apologise. | 0:12:58 | 0:13:01 | |
-(See you later.) -(See you later.) | 0:13:01 | 0:13:04 | |
Comic Relief bakers, you've got half an hour left on your clock. | 0:13:04 | 0:13:10 | |
-Martha... -SHE MOUTHS | 0:13:10 | 0:13:13 | |
(Help!) | 0:13:13 | 0:13:15 | |
They're looking better than they were a few minutes ago, | 0:13:29 | 0:13:31 | |
so I'm glad I put the heat up. I'll leave it a little bit | 0:13:31 | 0:13:34 | |
and then put the chocolate on. | 0:13:34 | 0:13:37 | |
(OK, these are definitely a better size.) | 0:13:37 | 0:13:40 | |
I'm going to try and use a bit of melted chocolate just drizzled | 0:13:45 | 0:13:48 | |
over the biscuits, to distract from the fact that I think | 0:13:48 | 0:13:50 | |
the biscuits might have been slightly underdone on their initial cooking. | 0:13:50 | 0:13:54 | |
Turning the oven up, ever so slightly. | 0:13:54 | 0:13:57 | |
It's never a good sign. | 0:13:57 | 0:13:59 | |
Doof! | 0:14:01 | 0:14:02 | |
I won't add anything to this chocolate. | 0:14:03 | 0:14:05 | |
I think I'll just put it on as it is so, keep it nice and simple. | 0:14:05 | 0:14:09 | |
Anything to be done in the next three minutes? To de-horse. | 0:14:12 | 0:14:15 | |
-Nothing a time machine wouldn't solve. -OK! | 0:14:15 | 0:14:19 | |
(I'm going to dip these biscuits. I think it's too late, | 0:14:19 | 0:14:22 | |
(they won't set in time, but I'll give it a go anyway. | 0:14:22 | 0:14:25 | |
(I'm used to doing things, as you can see, right up to the deadline. | 0:14:25 | 0:14:29 | |
Comic Relief bakers, you have one minute left. | 0:14:29 | 0:14:33 | |
One minute to go. | 0:14:35 | 0:14:36 | |
Comic Relief bakers, step away now. Step well away. | 0:14:43 | 0:14:48 | |
I thought they were an absolute disaster, | 0:14:48 | 0:14:50 | |
whereas they're only a minor disaster. | 0:14:50 | 0:14:53 | |
Presentation isn't everything. | 0:15:20 | 0:15:22 | |
Biscotti should be crispy on the outside, | 0:15:24 | 0:15:26 | |
crispy all the way through, almost like a cracker. | 0:15:26 | 0:15:29 | |
They were supposed to be a little bit firmer | 0:15:29 | 0:15:31 | |
when they came out. | 0:15:31 | 0:15:32 | |
I like the squidge in the middle, it's different. | 0:15:32 | 0:15:34 | |
And we won't break our teeth on them. | 0:15:34 | 0:15:36 | |
-Exactly. -I think you've got a fantastic taste coming through, | 0:15:36 | 0:15:39 | |
but it's not biscotti. | 0:15:39 | 0:15:40 | |
That first bake was under-baked. | 0:15:40 | 0:15:43 | |
He said, "It's not a biscotti." | 0:15:43 | 0:15:44 | |
I think you could call them "biscotti-style" biscuits, | 0:15:44 | 0:15:47 | |
then we'd get away with it. | 0:15:47 | 0:15:49 | |
-"Bis-cookies?" -Yeah. -The orange zest really comes through in... | 0:15:49 | 0:15:52 | |
-They're delicious. -They're delicious. | 0:15:52 | 0:15:54 | |
Thanks very much, Ed, lovely. | 0:15:54 | 0:15:57 | |
You've got two sets of them, why? | 0:16:03 | 0:16:05 | |
(This is my first batch and I panicked. | 0:16:05 | 0:16:08 | |
(I wondered whether they were too small. | 0:16:08 | 0:16:10 | |
(So I then went and did a second batch.) | 0:16:10 | 0:16:12 | |
They are still quite small, aren't they? | 0:16:12 | 0:16:15 | |
I don't think there's anything wrong with having small biscuits, | 0:16:15 | 0:16:19 | |
-they're all uniform. -Lovely. | 0:16:19 | 0:16:22 | |
They do have the consistency of shortbread. | 0:16:22 | 0:16:25 | |
They also have a lovely chocolate flavour. | 0:16:25 | 0:16:29 | |
Martha, I think you've made some really lovely biscuits. | 0:16:29 | 0:16:33 | |
It is like a chocolate shortbread. | 0:16:33 | 0:16:35 | |
You will have inspired, for Comic Relief, children to make these. | 0:16:35 | 0:16:39 | |
You know, they love rolling little balls, dipping them in chocolate. | 0:16:39 | 0:16:44 | |
What a great thing to have, if you're having a sale. | 0:16:44 | 0:16:46 | |
Thank you very much, Martha. | 0:16:46 | 0:16:49 | |
Are you expecting a crunch? A bite? | 0:16:53 | 0:16:56 | |
-Well, I was expecting them to be quite hard. -HE CRUNCHES | 0:16:56 | 0:16:59 | |
They've certainly got a bit of crunch in there, by the sound of it. | 0:16:59 | 0:17:02 | |
They're beautifully crisp, just a few moments less in the oven. | 0:17:08 | 0:17:11 | |
They are very, very crisp on your teeth. | 0:17:11 | 0:17:14 | |
How are you finding them? | 0:17:14 | 0:17:15 | |
I can't hear anything. Just a big crunch in my head. | 0:17:15 | 0:17:18 | |
But the flavour is lovely. It's a very good biscuit. | 0:17:18 | 0:17:21 | |
-Do you know what Helen? I love them. -Really?! | 0:17:21 | 0:17:24 | |
Yeah, you're the only one to get a really crispy biscuit | 0:17:24 | 0:17:27 | |
and a good snap because that is a great dunking biscuit. | 0:17:27 | 0:17:30 | |
-Thanks, Helen. -Thank you. | 0:17:30 | 0:17:32 | |
Are we expecting it to snap? | 0:17:39 | 0:17:40 | |
Or be cookie-like? | 0:17:40 | 0:17:42 | |
I would love it if I had the answer to that. It's risky. | 0:17:42 | 0:17:46 | |
-That's good. -Is that good? I think that's too heavy. | 0:17:46 | 0:17:50 | |
That's like a dog's tail. | 0:17:50 | 0:17:51 | |
-Oh. -What do you think? -It's a cookie. | 0:17:51 | 0:17:54 | |
It's a cookie. | 0:17:54 | 0:17:56 | |
It's got a great texture and that flavour is divine. | 0:17:56 | 0:17:59 | |
-Is it?! -Yeah. -I'm literally going to lick your face. | 0:17:59 | 0:18:02 | |
-Oh, that's scrummy, isn't it? Very good. -Thank you! | 0:18:02 | 0:18:05 | |
-Delicious. -Mm. | 0:18:05 | 0:18:06 | |
Paul Hollywood, soon to be Paul Winkleman, | 0:18:09 | 0:18:13 | |
said that it was "divine". How is that possible? How? | 0:18:13 | 0:18:16 | |
(It's so different when you're not in your own... | 0:18:16 | 0:18:19 | |
(comfort of your own kitchen. | 0:18:19 | 0:18:21 | |
(So when they said they liked the taste, I was like, | 0:18:21 | 0:18:24 | |
("Oh, thank goodness for that.") | 0:18:24 | 0:18:25 | |
They were really kind. I didn't expect those comments, cos I thought they would slate me. | 0:18:25 | 0:18:29 | |
The worst criticism is the criticism that you inside know is true | 0:18:29 | 0:18:33 | |
and that's why Paul's remarks hurt. | 0:18:33 | 0:18:36 | |
They were slightly soft and therefore technically not biscotti. | 0:18:36 | 0:18:40 | |
If you're planning on baking a biscuit or two for Comic Relief, | 0:18:44 | 0:18:48 | |
this is one of the many projects that you could be helping. | 0:18:48 | 0:18:51 | |
Can you hear that noise? | 0:18:54 | 0:18:56 | |
It's the sound of African killer bees making this - honey. | 0:18:56 | 0:19:01 | |
And even though they're called killer bees, in Northern Ghana | 0:19:01 | 0:19:04 | |
they're actually saving lives. | 0:19:04 | 0:19:07 | |
'Farmers in this dry and arid region depend on the success | 0:19:07 | 0:19:11 | |
'of their agricultural crops to survive. | 0:19:11 | 0:19:14 | |
'But drought can mean many lose their lives. | 0:19:14 | 0:19:18 | |
'But the project Tree Aid, with Comic Relief's help, is helping | 0:19:35 | 0:19:38 | |
'people here harvest honey, so they can sell it during the dry months. | 0:19:38 | 0:19:42 | |
'In the dry season, Kolpola, a widow with five children to feed, | 0:19:44 | 0:19:48 | |
'was forced to work on the dangerous gold mines but with the help | 0:19:48 | 0:19:51 | |
'of Comic Relief, she has been farming bees in her back garden.' | 0:19:51 | 0:19:54 | |
So, this is a working hive? | 0:19:57 | 0:19:59 | |
IN TRANSLATION: | 0:19:59 | 0:20:01 | |
An African bee sting can be very painful, | 0:20:19 | 0:20:21 | |
so the protective suits, which Comic Relief money helps to pay for, | 0:20:21 | 0:20:25 | |
are crucial to enable these farmers to extract the honey safely. | 0:20:25 | 0:20:29 | |
Having left the honeycombs to drain overnight, | 0:20:32 | 0:20:35 | |
Kolpola bottles it up for sale. | 0:20:35 | 0:20:37 | |
It's really rich and creamy | 0:20:39 | 0:20:41 | |
and this gorgeous sort of caramelly flavour to it. It's beautiful. | 0:20:41 | 0:20:46 | |
Thank you. | 0:20:46 | 0:20:48 | |
Armed with her fresh honey, Kolpola heads off to market to sell it. | 0:20:50 | 0:20:54 | |
Yeah, keep building. | 0:21:12 | 0:21:14 | |
The honey business here is crucial to many families | 0:21:15 | 0:21:18 | |
in their battle against hunger. | 0:21:18 | 0:21:20 | |
To help make sure more families can make enough money | 0:21:20 | 0:21:23 | |
to keep their kids safe, please text the word BAKE to 70005. | 0:21:23 | 0:21:28 | |
Texts cost £5 plus your standard network message charge | 0:21:28 | 0:21:32 | |
and £5 per text goes to Comic Relief. | 0:21:32 | 0:21:35 | |
You must be 16 or over and please ask the bill payer's permission. | 0:21:35 | 0:21:39 | |
For full terms and conditions and more information, | 0:21:39 | 0:21:41 | |
go to bbc.co.uk/rednoseday. | 0:21:41 | 0:21:44 | |
The next challenge gives the bakers nothing to hide behind. | 0:21:51 | 0:21:54 | |
They don't know what they will be baking and have to use | 0:21:54 | 0:21:57 | |
all their knowledge and skill to follow the recipe to a T. | 0:21:57 | 0:22:01 | |
I can sense the excitement. | 0:22:03 | 0:22:06 | |
It is, of course, the Technical Challenge. | 0:22:06 | 0:22:08 | |
Paul and Mary judge this blind to give you all an even | 0:22:08 | 0:22:13 | |
playing field, so Paul and Mary, off you go. | 0:22:13 | 0:22:16 | |
Mary, you'll just about make it for your pole-dancing class | 0:22:16 | 0:22:20 | |
if you hurry. You've got two minutes. OK. | 0:22:20 | 0:22:22 | |
We'd like you please to bake and present... | 0:22:22 | 0:22:27 | |
..a lemon meringue pie. | 0:22:28 | 0:22:31 | |
-You are joking. -I'm not joking, Ed. | 0:22:31 | 0:22:33 | |
-Are you joking? -I'm not joking. | 0:22:33 | 0:22:35 | |
It's Mary Berry's recipe. | 0:22:35 | 0:22:37 | |
Oh, God. | 0:22:37 | 0:22:39 | |
You've got two and a half hours, Comic Relief bakers. | 0:22:39 | 0:22:42 | |
On your marks, get set, bake for Comic Relief. | 0:22:42 | 0:22:45 | |
When am I allowed to cry? | 0:22:49 | 0:22:50 | |
There's just flour and sugar and egg. | 0:22:52 | 0:22:54 | |
There has to be more to it than that! | 0:22:54 | 0:22:57 | |
Mary, you've chosen one of my favourites, a lemon meringue pie. | 0:22:59 | 0:23:03 | |
I think that this will worry them a little when they see the recipe | 0:23:03 | 0:23:07 | |
and all the stages that go with it, but when they stop and follow it | 0:23:07 | 0:23:11 | |
very carefully, they should end up with a result | 0:23:11 | 0:23:14 | |
that they're very proud of. | 0:23:14 | 0:23:16 | |
So we're looking for a crispy base, golden brown, | 0:23:16 | 0:23:19 | |
a nice thick lemon curd inside that's set, | 0:23:19 | 0:23:22 | |
and a beautiful, ivory, well-baked, peaked meringue on the top. | 0:23:22 | 0:23:26 | |
I think it's essential to have it thin | 0:23:26 | 0:23:29 | |
and there's no sign of a soggy bottom there. | 0:23:29 | 0:23:31 | |
That lemon inside is delicious. | 0:23:31 | 0:23:33 | |
It's so tart, | 0:23:33 | 0:23:35 | |
but the balance with the meringue on the top is delicious. | 0:23:35 | 0:23:39 | |
Can you get any more in your mouth at one go? | 0:23:39 | 0:23:42 | |
-MUFFLED: -No! | 0:23:42 | 0:23:43 | |
The first step when making a lemon meringue pie | 0:23:45 | 0:23:48 | |
is to make the thin, sweet, short-crust pastry base. | 0:23:48 | 0:23:52 | |
It's like combining three different things, the meringue | 0:23:52 | 0:23:55 | |
and the lemon and the pastry that I've got to get right. | 0:23:55 | 0:23:58 | |
(I've mixed in the egg and the icing sugar | 0:24:03 | 0:24:07 | |
(and then I like adding, like, the water a little bit at a time, | 0:24:07 | 0:24:11 | |
(cos you don't want it to be too wet.) | 0:24:11 | 0:24:13 | |
I don't think mine can be rolled out like this, it's like liquid. | 0:24:20 | 0:24:23 | |
Mine's not even close... Mine looks like cereal. | 0:24:23 | 0:24:26 | |
I'm just adding a little bit more flour because it's supposed | 0:24:28 | 0:24:31 | |
to form a ball and it wasn't forming a ball. And now, look, it's a ball. | 0:24:31 | 0:24:35 | |
(Mel said Mary likes it very thin but I'm a bit worried | 0:24:37 | 0:24:41 | |
(if it goes too thin, I'll end up with a lot of holes in it.) | 0:24:41 | 0:24:44 | |
(Right, I'll let it rest a bit.) | 0:24:56 | 0:24:58 | |
This is not right. | 0:25:06 | 0:25:08 | |
I seem to remember people saying, | 0:25:08 | 0:25:10 | |
"You don't want to play with pastry." | 0:25:10 | 0:25:13 | |
Somebody call me a cab. | 0:25:17 | 0:25:19 | |
It's all just sticking to the table. | 0:25:21 | 0:25:23 | |
-How am I supposed to get that... -I don't know. -..in there? | 0:25:23 | 0:25:26 | |
This is so much harder than it looks. | 0:25:26 | 0:25:29 | |
This is the only way. | 0:25:30 | 0:25:32 | |
I can't even tell you what I'm doing, I'm so illegal. | 0:25:32 | 0:25:34 | |
(Tell no-one!) | 0:25:34 | 0:25:36 | |
-Look. -Yours looks really good. | 0:25:39 | 0:25:42 | |
They're not going to see this bit and then you just muddle through. | 0:25:42 | 0:25:45 | |
Yeah, I'm doing that. That looks all right, I'm doing it. | 0:25:45 | 0:25:47 | |
It's fine. | 0:25:47 | 0:25:49 | |
It's... Honestly, it's watching my mother and my grandmother, you know, | 0:25:58 | 0:26:04 | |
making pastry. | 0:26:04 | 0:26:05 | |
I just remember seeing them sprinkling flour on everything. | 0:26:05 | 0:26:09 | |
The bakers are blind baking the pastry before they put | 0:26:20 | 0:26:22 | |
the filling in. | 0:26:22 | 0:26:24 | |
The ceramic beans ensure an even distribution of heat. | 0:26:24 | 0:26:27 | |
(15 minutes and then you take the beans out | 0:26:27 | 0:26:30 | |
(and the parchment, then bake it for a bit more to avoid a soggy bottom.) | 0:26:30 | 0:26:34 | |
The pie's filling, made with lemon, eggs, caster sugar and cornflour, | 0:26:37 | 0:26:41 | |
needs to be of a thick consistency | 0:26:41 | 0:26:44 | |
if it's to hold the meringue topping. | 0:26:44 | 0:26:46 | |
Stir... | 0:26:54 | 0:26:55 | |
-SHE GASPS -It's beginning to thicken. | 0:26:55 | 0:26:57 | |
-Nothing's ever thickened before. -Have you gone a bit grey? | 0:26:57 | 0:27:00 | |
Look, go like that, go like that. There's a little bit of... | 0:27:00 | 0:27:03 | |
-Actually, it's flour. -What is it? -No, it's just flour. | 0:27:03 | 0:27:06 | |
-That looks glossy. -Yes. | 0:27:06 | 0:27:09 | |
-Viscous. -Yes! -There's... | 0:27:09 | 0:27:12 | |
Yep, she's gone. She's actually gone. | 0:27:13 | 0:27:16 | |
Let me just make you a bit comfy. Let's just put that on there. | 0:27:17 | 0:27:21 | |
She's all right, she's fine. | 0:27:21 | 0:27:23 | |
This may be a little bit runny. | 0:27:25 | 0:27:28 | |
But hopefully if it cools down, | 0:27:28 | 0:27:31 | |
it might solidify a little bit. It seems to be all right. | 0:27:31 | 0:27:35 | |
Comic Relief bakers, half an hour on the clock. | 0:27:35 | 0:27:39 | |
30 minutes. | 0:27:39 | 0:27:41 | |
There's cracking here and it's not going gold either. | 0:27:42 | 0:27:46 | |
I'll take it out, it's been in for way over the time. | 0:27:46 | 0:27:48 | |
(It's shrunk here, which is a bit worrying. | 0:27:48 | 0:27:52 | |
(Because when I put the mixture in, the mixture may come out. | 0:27:52 | 0:27:56 | |
(In fact, a little bit more surgery.) | 0:27:56 | 0:27:58 | |
That looks so disgusting. | 0:28:06 | 0:28:08 | |
I'm now going to put the lemon into the pie, | 0:28:09 | 0:28:11 | |
so hopefully it won't pour through. | 0:28:11 | 0:28:15 | |
I'm just going to keep it still to make sure that it doesn't spread out | 0:28:25 | 0:28:28 | |
anywhere and I'm just getting the whites from six different eggs now. | 0:28:28 | 0:28:32 | |
The last element to tackle is the tricky art of a perfect meringue. | 0:28:32 | 0:28:36 | |
This is the only thing I remember from cookery class | 0:28:36 | 0:28:39 | |
at school, was how to separate an egg. | 0:28:39 | 0:28:42 | |
So it's coming in handy. | 0:28:42 | 0:28:43 | |
So, at the moment, this is just the eggs | 0:28:45 | 0:28:47 | |
and I'm going to add caster sugar to it slowly, | 0:28:47 | 0:28:52 | |
until it's freestanding. | 0:28:52 | 0:28:54 | |
I don't think it's quite as stiff as Martha's. | 0:29:02 | 0:29:05 | |
Maybe it needs to be a bit stiffer. | 0:29:05 | 0:29:07 | |
Yeah, I think that's stiff enough, to be honest. | 0:29:14 | 0:29:17 | |
It's not falling back down again. | 0:29:17 | 0:29:19 | |
Create a swirl. | 0:29:33 | 0:29:35 | |
It's got, you know, like fronds. Woo-hoo! | 0:29:36 | 0:29:40 | |
Winkleman's peaks. Nice peaks. | 0:29:40 | 0:29:43 | |
-Right. -In it goes. | 0:29:44 | 0:29:45 | |
(It's in the lap of the gods. The baking gods.) | 0:29:57 | 0:30:00 | |
Mmm... | 0:30:13 | 0:30:15 | |
Going to give it about 30 more seconds then whip it out. | 0:30:15 | 0:30:18 | |
(Oh God, I'm going to drop it.) | 0:30:21 | 0:30:23 | |
I don't really have time to muck about any more. | 0:30:25 | 0:30:27 | |
-Bugger! -Take them out, yeah. Take it out. | 0:30:32 | 0:30:35 | |
I'm going to make a bit more meringue, put it on top. | 0:30:37 | 0:30:39 | |
-I'd tell you that was a terrible idea. -Why is that a terrible idea? | 0:30:39 | 0:30:42 | |
The new meringue you'll put on won't have cooked as much | 0:30:42 | 0:30:45 | |
as the rest of the meringue that's been in there for 10 to 15 minutes. | 0:30:45 | 0:30:48 | |
That's true. I'm going again, I'm going again. | 0:30:48 | 0:30:51 | |
No, don't over... You're going to over-egg. | 0:30:51 | 0:30:53 | |
-We need to do this. -Are you sure? | 0:30:53 | 0:30:55 | |
I've never been more sure of anything... God, let go of that! | 0:30:55 | 0:30:59 | |
-I'm just a bit... -I'm not talking to you, Mel. | 0:30:59 | 0:31:01 | |
Ah, what are we going to do with you? | 0:31:01 | 0:31:04 | |
We've got along fine until now. I've nowhere to put this. | 0:31:04 | 0:31:09 | |
-Thank you so much. -I'm so grateful(!) | 0:31:09 | 0:31:12 | |
'The final hurdle to be faced, | 0:31:24 | 0:31:26 | |
'is removing the pie cleanly from the tin.' | 0:31:26 | 0:31:29 | |
Get on the plate! Bah! | 0:31:48 | 0:31:50 | |
Oof! | 0:31:52 | 0:31:53 | |
I'm just going to have to push it off and... | 0:31:55 | 0:31:57 | |
Yes, exactly. And now start the joinery. | 0:31:57 | 0:31:59 | |
The lemon's running out and it's basically water. | 0:31:59 | 0:32:02 | |
(My pastry was too thin, had too many holes in it.) | 0:32:11 | 0:32:14 | |
(It's just all fallen apart. I'm very disappointed.) | 0:32:14 | 0:32:17 | |
Ah! | 0:32:17 | 0:32:19 | |
Really? Really? | 0:32:20 | 0:32:22 | |
SHE GASPS | 0:32:25 | 0:32:26 | |
Hot! Hot curd, hot lemon. | 0:32:30 | 0:32:33 | |
I think Claudia has... has done herself no favours. | 0:32:35 | 0:32:38 | |
-Come on! Hot curd. Burn-y hands. -Boom! | 0:32:38 | 0:32:41 | |
All righty. | 0:32:42 | 0:32:45 | |
Technical Challenge is over. | 0:32:45 | 0:32:46 | |
Time, please, to bring up your offerings. | 0:32:46 | 0:32:49 | |
Well, we have four lemon meringue pies. | 0:33:11 | 0:33:14 | |
Obviously, there's been some major issues with this. | 0:33:14 | 0:33:18 | |
GIGGLING AND LAUGHING | 0:33:18 | 0:33:19 | |
-I bet it'll taste good, and that's very important. -It is. | 0:33:19 | 0:33:23 | |
The colour on this one is not too bad, is it? | 0:33:23 | 0:33:27 | |
But I can guarantee, we cut into this, | 0:33:27 | 0:33:30 | |
this is just going to flood everywhere. | 0:33:30 | 0:33:32 | |
-Just... Don't! Just be gentle with it. -I am being gentle with it! | 0:33:32 | 0:33:35 | |
You could've put your hand to one side as you went through. | 0:33:35 | 0:33:38 | |
Oh yes, it held together well. Will you say sorry? | 0:33:38 | 0:33:42 | |
Will you say sorry? You said it was going to ooze everywhere. | 0:33:42 | 0:33:45 | |
I apologise. It did hold together quite well. | 0:33:45 | 0:33:47 | |
Lovely, crispy pastry on the outside there. | 0:33:47 | 0:33:49 | |
That's actually quite delicious. | 0:33:51 | 0:33:53 | |
It's not quite delicious, it's very delicious. | 0:33:53 | 0:33:56 | |
Whoever's made that has made it well and if it's the first effort, | 0:33:56 | 0:34:00 | |
they should be very, very proud. | 0:34:00 | 0:34:02 | |
The only thing I would say, because we're still seeking perfection, | 0:34:02 | 0:34:05 | |
the meringue was a little bit on the sloppy side | 0:34:05 | 0:34:09 | |
and you couldn't really get peaks from it, whoever made that. | 0:34:09 | 0:34:12 | |
Now this one, it's er... | 0:34:12 | 0:34:15 | |
The base seems under-baked. | 0:34:15 | 0:34:17 | |
There you are, it's coming out in one piece. | 0:34:18 | 0:34:21 | |
She's intact. | 0:34:21 | 0:34:22 | |
It's quite wet underneath, if I'm honest. | 0:34:22 | 0:34:24 | |
The lemon is full of flavour, though it did need a little bit more | 0:34:26 | 0:34:30 | |
cooking through with the cornflour at the beginning. | 0:34:30 | 0:34:33 | |
The meringue actually tastes OK. The pastry is slightly | 0:34:33 | 0:34:36 | |
underdone, you needed to blind bake it for longer in the oven. | 0:34:36 | 0:34:39 | |
And I think if that was served after Sunday lunch, they'd perhaps | 0:34:39 | 0:34:43 | |
leave the edge of the pastry but they'd still enjoy the rest of it. | 0:34:43 | 0:34:46 | |
I wouldn't even bother with a knife on this one. | 0:34:46 | 0:34:48 | |
ED LAUGHS | 0:34:48 | 0:34:49 | |
Obviously it's had a few issues with the pastry. | 0:34:49 | 0:34:52 | |
HE SIGHS | 0:34:52 | 0:34:54 | |
That's terrible! | 0:34:55 | 0:34:57 | |
It's just had a few problems. | 0:34:57 | 0:35:00 | |
It looks like two different types of meringue has been lumped on the top. | 0:35:00 | 0:35:03 | |
-It looks as though an accident happened and... -It's been dropped. | 0:35:03 | 0:35:07 | |
I've struck a bit of lovely, crispy meringue. | 0:35:07 | 0:35:09 | |
The meringue's gone "ping" and they've knocked up another one | 0:35:09 | 0:35:12 | |
to cover up the cracked bits in the top. | 0:35:12 | 0:35:14 | |
It's been through a journey, this one. | 0:35:14 | 0:35:16 | |
The pastry on this looks wafer thin. | 0:35:19 | 0:35:21 | |
Well done for wafer-thin pastry, I like thin pastry. | 0:35:21 | 0:35:24 | |
Because it's been so wafer thin, | 0:35:24 | 0:35:26 | |
it's got a problem either bringing it out or putting | 0:35:26 | 0:35:28 | |
the filling in and it's been knocked again and cracked. | 0:35:28 | 0:35:32 | |
The meringue's good, the lemon's good and the base is good. | 0:35:33 | 0:35:36 | |
This pastry and the best top | 0:35:36 | 0:35:38 | |
and you could just get it in the piece onto the plate. | 0:35:38 | 0:35:42 | |
Paul and Mary must now decide whose lemon meringue pie has come out top. | 0:35:44 | 0:35:49 | |
Right, we've marked them, and the person in last place is this one. | 0:35:50 | 0:35:56 | |
Claudia, what happened? | 0:35:56 | 0:35:58 | |
Well, it almost slipped. Half of it flew off. | 0:35:58 | 0:36:01 | |
Mel saved the day. | 0:36:01 | 0:36:03 | |
In third place... | 0:36:03 | 0:36:06 | |
is this one. | 0:36:06 | 0:36:08 | |
Little bit of a problem with the meringue and pastry not quite done. | 0:36:08 | 0:36:12 | |
And in second place, is this one. | 0:36:12 | 0:36:15 | |
It's actually not a bad meringue there, | 0:36:15 | 0:36:17 | |
but you obviously had an issue with it either putting it onto this or... | 0:36:17 | 0:36:22 | |
The meringue, the lemon and the base were very good. Well done. | 0:36:22 | 0:36:25 | |
And then who's beaten the girls, as number one? | 0:36:25 | 0:36:30 | |
Mr Ed. | 0:36:30 | 0:36:32 | |
-Mr Ed. -Are you proud? | 0:36:32 | 0:36:34 | |
Unbelievably proud. I did not think I would care this much. | 0:36:34 | 0:36:38 | |
And I care so much. | 0:36:38 | 0:36:39 | |
-He's brimming. -I'm so happy about this. -He's moistening up. | 0:36:39 | 0:36:43 | |
Well, well done all of you. We are very proud of you. | 0:36:43 | 0:36:46 | |
A very difficult challenge and you've done remarkably well. | 0:36:46 | 0:36:49 | |
The unexpected has just happened. | 0:36:51 | 0:36:54 | |
I don't think anybody, including myself, | 0:36:54 | 0:36:55 | |
thought that I was going to end up winning the technical bake. | 0:36:55 | 0:36:59 | |
(I was amazed to get second place to be perfectly honest, | 0:36:59 | 0:37:02 | |
(because it didn't look like a pie | 0:37:02 | 0:37:05 | |
(and I would've thought that's pretty basic!) | 0:37:05 | 0:37:07 | |
It was hard but it was really fun, actually. | 0:37:07 | 0:37:10 | |
It was definitely the right order. It was... | 0:37:10 | 0:37:13 | |
Yeah. It was a small crash on a plate. | 0:37:13 | 0:37:16 | |
The final challenge that stands between Claudia, Helen, | 0:37:22 | 0:37:25 | |
Martha and Ed and the title of Comic Relief Star Baker, is the biggest. | 0:37:25 | 0:37:30 | |
The Showstopper. | 0:37:30 | 0:37:32 | |
Now, do you remember the Olympics Opening Ceremony? | 0:37:34 | 0:37:37 | |
Helen, I'm sure you do. It was quite good, wasn't it? | 0:37:37 | 0:37:40 | |
It was pretty good, yeah. | 0:37:40 | 0:37:41 | |
Chimneys coming up, Kenneth Branagh, lights, music, razzle dazzle. | 0:37:41 | 0:37:46 | |
That will be remembered as piffling, small fry | 0:37:46 | 0:37:50 | |
compared to the showstopper that Paul and Mary | 0:37:50 | 0:37:54 | |
would like you to produce today. | 0:37:54 | 0:37:56 | |
You have to dazzle them | 0:37:56 | 0:37:58 | |
with a birthday cake for Comic Relief's 25th birthday. | 0:37:58 | 0:38:03 | |
It should be at least two tiers, any decoration you like. | 0:38:03 | 0:38:07 | |
You have got three and a half hours | 0:38:07 | 0:38:09 | |
till the judges will be giving you the bumps. | 0:38:09 | 0:38:12 | |
On your marks, get set, bake for Comic Relief. | 0:38:12 | 0:38:15 | |
I've forgotten to turn the oven on. | 0:38:22 | 0:38:25 | |
It's got to look amazing but, more importantly, | 0:38:26 | 0:38:30 | |
it's got to represent Comic Relief and the flavours have got to | 0:38:30 | 0:38:33 | |
balance with the outside as well as the inside. | 0:38:33 | 0:38:36 | |
When we cut it, we want the layers to be even, the texture | 0:38:36 | 0:38:40 | |
of the cake itself has got to be good and it's got to be original. | 0:38:40 | 0:38:44 | |
I am making a Red Nose cake. | 0:38:46 | 0:38:49 | |
It's my daughter's favourite cake, but I'm not sure | 0:38:49 | 0:38:55 | |
whether my six-year-old should be our culinary guide, | 0:38:55 | 0:38:58 | |
because she always dresses as a mermaid | 0:38:58 | 0:39:00 | |
and she thinks that furniture has feelings. | 0:39:00 | 0:39:03 | |
Claudia's Red Nose cake is made of red velvet sponge, | 0:39:03 | 0:39:07 | |
a chocolate cake with red food dye to give it its distinctive colour. | 0:39:07 | 0:39:10 | |
It's sandwiched with cream cheese frosting | 0:39:10 | 0:39:13 | |
and topped with fondant red noses. | 0:39:13 | 0:39:15 | |
If that doesn't say "Happy Birthday, Comic Relief"... | 0:39:15 | 0:39:18 | |
Or an abattoir. | 0:39:18 | 0:39:20 | |
Thanks, snuggles(!) | 0:39:20 | 0:39:21 | |
No, this looks good. This is just going to be a massive Red Nose cake. | 0:39:21 | 0:39:24 | |
If I have time, I'm going to do this again, maybe go three tiered, | 0:39:24 | 0:39:27 | |
maybe four tiered. Ring-a-ding-ding. | 0:39:27 | 0:39:31 | |
Make sure in your mix that everything's blended in properly. | 0:39:31 | 0:39:34 | |
Does that not looked blended? | 0:39:34 | 0:39:36 | |
What you don't want is patches of brown and red. | 0:39:36 | 0:39:39 | |
He's just putting the wind up you, really. | 0:39:39 | 0:39:42 | |
This is dating for us. This is just getting to know each other. | 0:39:42 | 0:39:45 | |
Fantastic. Thanks, Claudia! | 0:39:45 | 0:39:46 | |
I'm making a carrot cake. | 0:39:51 | 0:39:53 | |
I had a chemistry set when I was a kid and following | 0:39:53 | 0:39:56 | |
the instructions to do the various experiments was always a lot of fun. | 0:39:56 | 0:39:59 | |
This is as close to that as I've gotten in my adult life. | 0:39:59 | 0:40:03 | |
Ed's three-tiered carrot cake is spiced with cinnamon and ginger | 0:40:03 | 0:40:06 | |
and will be adorned with a red nose and the number 25. | 0:40:06 | 0:40:10 | |
So, you're doing three layers? | 0:40:10 | 0:40:12 | |
Well, what I'm going to do is kind of like two and a half. | 0:40:12 | 0:40:15 | |
I'm doing two tiers and then the top tier - | 0:40:15 | 0:40:18 | |
this is going to blow your baking mind - | 0:40:18 | 0:40:21 | |
I'm going to cut the top tier into a two and a five | 0:40:21 | 0:40:25 | |
-and put that on the top. -That's a nice idea. | 0:40:25 | 0:40:27 | |
It might work, it might not. | 0:40:27 | 0:40:29 | |
Winning the Technical Challenge yesterday has absolutely ruined me. | 0:40:29 | 0:40:32 | |
If I had lost that miserably, | 0:40:32 | 0:40:33 | |
I could come in here with nothing to lose and not caring. | 0:40:33 | 0:40:36 | |
But now you really want to win? | 0:40:36 | 0:40:37 | |
You've given me a shot. | 0:40:37 | 0:40:39 | |
Do you know, you are in with a chance? | 0:40:39 | 0:40:41 | |
You have done well so far. | 0:40:41 | 0:40:42 | |
-That's what kept me awake last night. -Good luck, Ed. | 0:40:42 | 0:40:45 | |
-We'll just see. -Thanks, buddy. | 0:40:45 | 0:40:47 | |
I'm trying to make a beehive cake. | 0:40:47 | 0:40:50 | |
So that's the idea. That's the biggest, then that one | 0:40:50 | 0:40:52 | |
and then that on the top. | 0:40:52 | 0:40:54 | |
This is honey from my own beehives and it'll go into the sponge mix | 0:40:54 | 0:40:59 | |
that I'm making, along with some lemon zest. | 0:40:59 | 0:41:02 | |
Martha has practised | 0:41:02 | 0:41:03 | |
her three-tiered honey sponge showstopper three times | 0:41:03 | 0:41:06 | |
to try and reach perfection | 0:41:06 | 0:41:08 | |
and her greatest fear is dropping it. | 0:41:08 | 0:41:11 | |
Basing it on the theme of Comic Relief, | 0:41:11 | 0:41:13 | |
-how are you going to Comic Relief it up, so to speak? -Right, OK. | 0:41:13 | 0:41:16 | |
One, the work of Comic Relief, | 0:41:16 | 0:41:18 | |
because they support a number of projects | 0:41:18 | 0:41:21 | |
which work with beekeepers in poor countries, | 0:41:21 | 0:41:24 | |
and if you can get it to market, | 0:41:24 | 0:41:26 | |
you can actually make quite a lot of money, | 0:41:26 | 0:41:28 | |
so that's the sort of serious side, | 0:41:28 | 0:41:29 | |
and then I'm going to make bees to put on the outside of the cake | 0:41:29 | 0:41:33 | |
and I'm going to put little red noses on them. | 0:41:33 | 0:41:35 | |
You're a crafty cook. | 0:41:35 | 0:41:37 | |
I noticed in the bottom of that bowl, | 0:41:37 | 0:41:39 | |
-you've put a little disc of non-stick... -Oh, yes, that. | 0:41:39 | 0:41:43 | |
Very wise, cos that's just where it would sit. | 0:41:43 | 0:41:45 | |
-Good luck. -Well, good luck, Martha. Thank you. -Thank you. | 0:41:45 | 0:41:48 | |
So I'm doing a lemon drizzle cake. | 0:41:48 | 0:41:53 | |
It's making my arm ache, | 0:41:53 | 0:41:54 | |
which you'd think would not be a problem being a rower, | 0:41:54 | 0:41:57 | |
but it's actually quite tiring. | 0:41:57 | 0:41:59 | |
Helen's lemon drizzle polka dot cake | 0:41:59 | 0:42:01 | |
will be covered in a blanket of ready-made fondant icing, | 0:42:01 | 0:42:05 | |
using the patriotic colours of red, white and blue. | 0:42:05 | 0:42:08 | |
So how many layers have you got? | 0:42:08 | 0:42:10 | |
Well, I was planning on making a cake with two layers | 0:42:10 | 0:42:13 | |
but I'm going to bake three, just so I've got a backup | 0:42:13 | 0:42:16 | |
and then if I want to make a third layer, I can. | 0:42:16 | 0:42:19 | |
And how are you going to be decorating it? | 0:42:19 | 0:42:21 | |
I'm going to try and make a bow on top and... | 0:42:21 | 0:42:23 | |
Like they've been wrapped sort of thing. | 0:42:23 | 0:42:25 | |
It's quite simple but I think, when it comes to taste and flavour, | 0:42:25 | 0:42:28 | |
that's going to be a winner. Good luck. | 0:42:28 | 0:42:31 | |
-Thanks. -Thanks, Helen. | 0:42:31 | 0:42:32 | |
I'm just about to add the carrot and the walnuts. | 0:42:33 | 0:42:37 | |
I'm slightly concerned about exactly how much mixture I've got, to be honest. | 0:42:39 | 0:42:43 | |
I don't know that I do have enough for three tiers. | 0:42:43 | 0:42:46 | |
Yep, I'm just going to have to make more mixture, that's all there is to it. | 0:42:47 | 0:42:51 | |
I'm going to knock up a quick third tier. | 0:42:56 | 0:42:59 | |
Everyone's gone tier mad. | 0:43:13 | 0:43:15 | |
So I'm tiering it up. I'm making a third tier. | 0:43:17 | 0:43:21 | |
Why not, eh? Why not? Come on! There we go. | 0:43:22 | 0:43:25 | |
Oh, no! | 0:43:44 | 0:43:46 | |
Disaster. | 0:43:46 | 0:43:48 | |
Oh, God, that's very bad news, | 0:43:52 | 0:43:56 | |
because I've dropped one of my cakes not once, but twice. | 0:43:56 | 0:44:00 | |
And that's the middle layer that kind of holds it all together. | 0:44:00 | 0:44:03 | |
I suppose the only thing I could think about doing | 0:44:03 | 0:44:06 | |
is doing that layer again. | 0:44:06 | 0:44:08 | |
Now, this is where I'm likely to go wrong, | 0:44:19 | 0:44:21 | |
because I'm beginning to panic. | 0:44:21 | 0:44:23 | |
OK, I reckon they need a little bit longer. | 0:44:27 | 0:44:30 | |
Yeah, that's a red nose right there. | 0:44:39 | 0:44:42 | |
The third tier is in the oven. | 0:44:46 | 0:44:49 | |
Which, actually, hopefully, will be the bottom tier. | 0:44:49 | 0:44:51 | |
So while that's cooking, I am going to make the icing. | 0:44:51 | 0:44:55 | |
I'm actually going to make some circles | 0:45:04 | 0:45:06 | |
so it's all ready for when the cake comes out. | 0:45:06 | 0:45:09 | |
Helen, I'm multitasking. | 0:45:11 | 0:45:12 | |
I'm rowing and doing the backward moon walk. | 0:45:12 | 0:45:15 | |
-I hope you're impressed. -I'm very impressed. | 0:45:15 | 0:45:18 | |
Helen, I love your medal. | 0:45:18 | 0:45:19 | |
-Thank you. It goes with your outfit. -I know. | 0:45:19 | 0:45:21 | |
Have you secretly worn it at home | 0:45:21 | 0:45:24 | |
and looked at yourself in the mirror, a bit pleased? | 0:45:24 | 0:45:27 | |
-I haven't done that yet. -Come on! Helen! -No, I honestly haven't. | 0:45:27 | 0:45:29 | |
-We all would, wouldn't we? Wouldn't we? Just me. -I haven't. | 0:45:29 | 0:45:32 | |
Ah, how did it feel when the anthem was playing, though? | 0:45:32 | 0:45:35 | |
That was the most emotional bit. Everyone started singing along | 0:45:35 | 0:45:38 | |
-and we realised, "This is the first time they've played the anthem..." -Wowzers. | 0:45:38 | 0:45:41 | |
..and so it was a really nice moment for everyone watching as well. | 0:45:41 | 0:45:44 | |
-MEL HUMS: "God Save The Queen" -I'm taking you back there. Amazing. | 0:45:44 | 0:45:48 | |
Yeah, no, it was really good. | 0:45:48 | 0:45:50 | |
Oooh. Look at you, you little baby. | 0:45:54 | 0:45:58 | |
I still don't think that's done. | 0:46:02 | 0:46:04 | |
Comic Relief bakers, half an hour to go. | 0:46:06 | 0:46:09 | |
Half an hour on your showstopper. | 0:46:09 | 0:46:11 | |
That's not enough time. | 0:46:11 | 0:46:13 | |
OK, I think that's all right. | 0:46:18 | 0:46:20 | |
Doing the old poking thing? Without even thinking? | 0:46:20 | 0:46:23 | |
I'm panicking now we've got half an hour. | 0:46:23 | 0:46:26 | |
The thing is, if I'm rowing, I know what I'm doing. | 0:46:26 | 0:46:28 | |
I've got no idea what I'm doing. | 0:46:28 | 0:46:30 | |
Fives are hard. Why couldn't it have been...11? | 0:46:32 | 0:46:38 | |
I'm running out of time because I had to redo the second layer, | 0:46:47 | 0:46:52 | |
so I'm behind on my bees. | 0:46:52 | 0:46:55 | |
I need to forget about the bees for the time being | 0:46:57 | 0:47:00 | |
and just make some butter icing, so at least I can cover it. | 0:47:00 | 0:47:03 | |
Three tiers, you say. (Three tiers.) | 0:47:09 | 0:47:15 | |
Third layer time. I've never done this before. | 0:47:17 | 0:47:19 | |
Eee. | 0:47:19 | 0:47:21 | |
SHE GASPS | 0:47:23 | 0:47:24 | |
That looks wonky. | 0:47:24 | 0:47:26 | |
Ten minutes to go on your bake. Ten minutes. | 0:47:26 | 0:47:30 | |
Ten minutes? Oh, my God. OK, now I'm stressed. | 0:47:30 | 0:47:34 | |
I'm just going to try and put it on. | 0:47:34 | 0:47:37 | |
If it doesn't work, just "chuck it on" technique. | 0:47:37 | 0:47:39 | |
The bit I'm dreading most, which is the piping, | 0:47:45 | 0:47:48 | |
I'm doing at the very last minute completely against the clock, | 0:47:48 | 0:47:51 | |
which is not what I wanted to do at all. | 0:47:51 | 0:47:52 | |
All the difference. | 0:48:12 | 0:48:14 | |
Time check? | 0:48:31 | 0:48:32 | |
Bakers, five minutes. | 0:48:32 | 0:48:35 | |
Five minutes. | 0:48:35 | 0:48:36 | |
-My heart rate's gone up. -SHE LAUGHS | 0:48:48 | 0:48:50 | |
25 red noses...circling. | 0:48:50 | 0:48:54 | |
Or do they look weird? | 0:48:54 | 0:48:57 | |
-I think they're stylish. -Do you? -Yeah. | 0:48:57 | 0:48:59 | |
How does this compare to three high-level politicians | 0:48:59 | 0:49:04 | |
-in the world at one studio? -Far, far worse. | 0:49:04 | 0:49:07 | |
Bakers, two minutes. | 0:49:09 | 0:49:11 | |
Oooh, Ed, be careful of the numbers! | 0:49:25 | 0:49:28 | |
A sprinkling of walnut. | 0:49:34 | 0:49:37 | |
Comic Relief bakers, that's it, step away. | 0:49:38 | 0:49:41 | |
Whoo! | 0:49:43 | 0:49:45 | |
Paul and Mary, maybe you should blow the candles out? | 0:50:15 | 0:50:18 | |
-(Save them for next year, save them for next year.) -Oh, yes. | 0:50:20 | 0:50:23 | |
I actually quite like the look of it. | 0:50:23 | 0:50:25 | |
I think it's got a very attractive look to it. | 0:50:25 | 0:50:27 | |
Take a cut out of the middle. | 0:50:27 | 0:50:30 | |
Does that feel nice, Paul? | 0:50:30 | 0:50:32 | |
Yeah, it does. | 0:50:32 | 0:50:33 | |
-Oh, that looks good. -Oh, hello. | 0:50:35 | 0:50:36 | |
-It really does look good. -Yeah. | 0:50:36 | 0:50:39 | |
I think the overall image is fantastic. | 0:50:42 | 0:50:44 | |
It's very pretty. But not a lot of flavour. | 0:50:44 | 0:50:46 | |
It needs maybe a bit of citrus in there, | 0:50:46 | 0:50:50 | |
maybe a bit of orange, or something to lift it up. | 0:50:50 | 0:50:53 | |
I was impressed that you got all three layers the same. | 0:50:53 | 0:50:56 | |
It looks a lovely texture. | 0:50:56 | 0:50:57 | |
The actual mixture's a little on the dry side | 0:50:57 | 0:51:00 | |
but because you've made this lovely moist filling, | 0:51:00 | 0:51:03 | |
-the two together go very well. -Thank you, Claudia. | 0:51:03 | 0:51:05 | |
Thank you. Do I curtsey? | 0:51:05 | 0:51:07 | |
Helen, that looks really smart. You're good at tying bows as well. | 0:51:15 | 0:51:19 | |
That fell through. | 0:51:19 | 0:51:21 | |
Ooh. | 0:51:21 | 0:51:23 | |
Well, you had difficulty before in perhaps slightly over-baking. | 0:51:25 | 0:51:29 | |
Nice. | 0:51:29 | 0:51:30 | |
It's...um...under-baked. | 0:51:34 | 0:51:36 | |
-Is it? -Yeah. | 0:51:36 | 0:51:38 | |
It's a little close textured. | 0:51:38 | 0:51:40 | |
But the flavour is good, actually. | 0:51:40 | 0:51:43 | |
Thank you. | 0:51:43 | 0:51:44 | |
-But she won gold at the Olympics. -I know. | 0:51:44 | 0:51:47 | |
You can't take that away from her. | 0:51:47 | 0:51:50 | |
I call this "What's Up, Doc?". | 0:51:57 | 0:52:00 | |
Because it's a carrot cake and also because when you look at it, | 0:52:00 | 0:52:04 | |
there appears to be something up. | 0:52:04 | 0:52:06 | |
There certainly appears to be something up! | 0:52:06 | 0:52:09 | |
I like it cos it's informal. | 0:52:09 | 0:52:11 | |
-You know, sometimes informal... -Informal! That's the word. | 0:52:11 | 0:52:14 | |
No, seriously, this is not perfection, | 0:52:14 | 0:52:17 | |
it just looks as fresh as a daisy, | 0:52:17 | 0:52:19 | |
done in a short time, and we know you haven't had any help. | 0:52:19 | 0:52:23 | |
You have some raw carrot cake. | 0:52:27 | 0:52:31 | |
-What we have is a range of textures. -PAUL LAUGHS | 0:52:31 | 0:52:36 | |
It is a bit under-baked, particularly the bottom one, | 0:52:36 | 0:52:38 | |
but I think it would give a lot of pleasure to this birthday party. | 0:52:38 | 0:52:42 | |
-The bake is very poor but the flavour's good. -Thank you. | 0:52:42 | 0:52:46 | |
I think your decoration on that is fantastic. | 0:52:52 | 0:52:54 | |
It's a work of art. Well done. | 0:52:54 | 0:52:57 | |
-Thank you. -It just looks the part. And those bees, red noses, | 0:52:57 | 0:53:01 | |
almost smiling bees, and I like that. | 0:53:01 | 0:53:05 | |
-I've just realised it's almonds that they've got... -The wings. | 0:53:05 | 0:53:09 | |
..as their wings. Little flaked almonds. | 0:53:09 | 0:53:11 | |
That was my mum's idea. | 0:53:11 | 0:53:13 | |
-Martha, that's delicious. -Oh, my God. | 0:53:17 | 0:53:19 | |
It's light, it's fluffy, | 0:53:19 | 0:53:21 | |
a nice bit of lemon coming through there, | 0:53:21 | 0:53:23 | |
the aftertaste of honey. | 0:53:23 | 0:53:25 | |
Very clever to put the lemon with the honey. | 0:53:25 | 0:53:28 | |
The lemon just sharpens it up. It just tastes so good. | 0:53:28 | 0:53:31 | |
Well done, Martha. | 0:53:31 | 0:53:33 | |
I can't believe it. OK. | 0:53:33 | 0:53:34 | |
It was very nerve-wracking when they cut into it | 0:53:34 | 0:53:36 | |
cos it was still warm when I iced it | 0:53:36 | 0:53:39 | |
and I was very worried that that would have actually collapsed. | 0:53:39 | 0:53:42 | |
But Mary really liked the taste of it | 0:53:42 | 0:53:45 | |
and so I couldn't be happier, to be honest. | 0:53:45 | 0:53:47 | |
I wish I could show you all the cake that was in my head. | 0:53:47 | 0:53:51 | |
But, alas, I have instead shown you | 0:53:51 | 0:53:54 | |
the cake of my nightmares. | 0:53:54 | 0:53:57 | |
I think I did rubbish in that. I did way worse than I thought I was going to do, actually. | 0:53:57 | 0:54:01 | |
And it was under-baked, and so that was the most annoying thing. | 0:54:01 | 0:54:05 | |
I do think there's no chance of me winning Star Baker. | 0:54:05 | 0:54:07 | |
I've not done enough to impress them, no. | 0:54:07 | 0:54:10 | |
When the lemon meringue pie flew off my spatula yesterday, | 0:54:10 | 0:54:16 | |
that was curtains. | 0:54:16 | 0:54:18 | |
Claudia's Red Nose three-tiered velvety cake. | 0:54:22 | 0:54:28 | |
It looks the part but then when you taste it, | 0:54:28 | 0:54:31 | |
-the flavour just isn't there. -Her cookies, however, | 0:54:31 | 0:54:33 | |
-were bursting with flavour, weren't they? -Oh, gosh. | 0:54:33 | 0:54:36 | |
They were delicious, those cookies. | 0:54:36 | 0:54:38 | |
Those cookies were actually the best ones of all four. | 0:54:38 | 0:54:41 | |
Lemon meringue pie? | 0:54:41 | 0:54:42 | |
Lemon meringue pie - you can't really keep a straight face | 0:54:42 | 0:54:45 | |
talking about her lemon meringue pie. | 0:54:45 | 0:54:47 | |
It was a little bit of a disaster, but, after all, | 0:54:47 | 0:54:50 | |
if the taste is good, we'll remember it. | 0:54:50 | 0:54:52 | |
Helen's showstopper? The old bow, red, white and blue. | 0:54:52 | 0:54:56 | |
She did get the sugar paste very thin, which is good. | 0:54:56 | 0:55:00 | |
Although it looks, when you first cut into it, the bake is all right, | 0:55:00 | 0:55:03 | |
but when we got down to the middle, there's some under-bake there. | 0:55:03 | 0:55:06 | |
-She made a cracking batch of biscuits, though. -Oh, good. | 0:55:06 | 0:55:09 | |
-Didn't do so well in the technical, she came third. -Yeah. | 0:55:09 | 0:55:12 | |
-Now, on to Ed. -Well, he's obviously a natural at baking. | 0:55:12 | 0:55:15 | |
The 25, I saw him putting the icing on with his fingers - | 0:55:15 | 0:55:18 | |
that cracked me up. So there's a little bit of "comic relief" for me as well. | 0:55:18 | 0:55:22 | |
But the actual flavour of that cake is very, very good. | 0:55:22 | 0:55:25 | |
The biscotti were so delicious. | 0:55:25 | 0:55:28 | |
They weren't biscotti, but they were very, very good. | 0:55:28 | 0:55:31 | |
-Yeah. -And guess who was first in the lemon meringue pie? | 0:55:31 | 0:55:34 | |
-He was. -Is he still in contention, do you think? | 0:55:34 | 0:55:37 | |
-I would put him up there, yeah. -Let's have a look at Martha's. | 0:55:37 | 0:55:40 | |
Martha has showed skill. It was just stunning. | 0:55:40 | 0:55:43 | |
-And the flavours - weren't they good? -Mmm. | 0:55:43 | 0:55:46 | |
-And she came second, of course, in... -The lemon meringue pie. | 0:55:46 | 0:55:49 | |
-Precisely. So I think we do have our top two. -Mm-hm. | 0:55:49 | 0:55:52 | |
Ed and Martha. | 0:55:52 | 0:55:54 | |
Exactly. | 0:55:54 | 0:55:55 | |
As always, up to you two. | 0:55:55 | 0:55:58 | |
Comic Relief bakers, you have been epic from start to finish. | 0:56:13 | 0:56:19 | |
Signature bake was biscuit KEARNAGE. | 0:56:19 | 0:56:22 | |
Technical bake, you CLAUDIA-ED back. | 0:56:22 | 0:56:25 | |
You made some GLOVERLY showstoppers. | 0:56:25 | 0:56:28 | |
And all the way through, you allowed nothing to BYRNE. | 0:56:28 | 0:56:31 | |
-Oh! -Paul and Mary have made their decision. | 0:56:31 | 0:56:35 | |
So Comic Relief Star Baker is awarded to... | 0:56:37 | 0:56:41 | |
..Martha Kearney. | 0:56:47 | 0:56:49 | |
Well done. | 0:56:51 | 0:56:52 | |
Thanks very much. | 0:56:52 | 0:56:53 | |
-There you go, my dear. -Thanks. | 0:56:55 | 0:56:57 | |
It honestly feels amazing. I never... | 0:56:57 | 0:57:00 | |
Seriously, I never thought this would happen. | 0:57:00 | 0:57:02 | |
I can't quite believe it. I'm really happy. | 0:57:02 | 0:57:04 | |
-Back to work. I'm not going to take it off. -You wear it. | 0:57:04 | 0:57:08 | |
'The best woman won.' | 0:57:08 | 0:57:09 | |
A good day for baking and a good day for justice. | 0:57:09 | 0:57:11 | |
I hope that people watching Comic Relief Bake Off | 0:57:11 | 0:57:13 | |
have been inspired to make their own bakes | 0:57:13 | 0:57:16 | |
and raise money for a worthy cause. | 0:57:16 | 0:57:18 | |
If you do bake to raise money for Comic Relief, which is good, | 0:57:18 | 0:57:21 | |
if it doesn't... | 0:57:21 | 0:57:22 | |
if, like me, it's not always edible, then, yeah, Frisbee. | 0:57:22 | 0:57:25 | |
So two days ago, if I was going to a party, | 0:57:25 | 0:57:28 | |
I'd bring along crisps and drinks | 0:57:28 | 0:57:30 | |
and now I think I'd be confident and I'd make a cake instead. | 0:57:30 | 0:57:33 | |
We've all had such a laugh doing this together | 0:57:33 | 0:57:36 | |
and I hope that this will inspire people | 0:57:36 | 0:57:39 | |
to donate some money to Comic Relief. | 0:57:39 | 0:57:41 | |
Anyone, if they put their mind to it can bake something for Comic Relief. | 0:57:41 | 0:57:44 | |
The general spirit has been great, | 0:57:44 | 0:57:47 | |
and they've all given up their time for Comic Relief | 0:57:47 | 0:57:50 | |
and the results have been amazing. | 0:57:50 | 0:57:53 | |
And you can be a star baker too and get your very own apron of honour. | 0:57:53 | 0:57:58 | |
These gorgeous Comic Relief aprons are available online and in store | 0:57:58 | 0:58:04 | |
with all profits going to Comic Relief | 0:58:04 | 0:58:06 | |
and they are selling like... hot cakes. | 0:58:06 | 0:58:09 | |
If we've inspired you to get baking, | 0:58:11 | 0:58:12 | |
why not go out and buy the beautiful Great Comic Relief Bake Off Booklet. | 0:58:12 | 0:58:18 | |
It's full of recipes that you can make for your very own bake sale. | 0:58:18 | 0:58:22 | |
Details are all on the website. | 0:58:22 | 0:58:24 | |
Where's that man with the apron? | 0:58:24 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |