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We've managed to lure four more celebrity Comic Relief supporters | 0:00:02 | 0:00:04 | |
into our Bake Off tent, using a little trail | 0:00:04 | 0:00:07 | |
of mini Battenberg cakes and the musk of Paul Hollywood. | 0:00:07 | 0:00:10 | |
They're in there now, | 0:00:10 | 0:00:12 | |
whisking themselves into a frenzy for Paul and for Mary in a bid to | 0:00:12 | 0:00:16 | |
raise lots of money and, if all goes to plan, inspire you to do the same. | 0:00:16 | 0:00:21 | |
So, I hope you're sitting there comfortably with your nice, | 0:00:21 | 0:00:24 | |
warming cup of tea and a nice little tray of sweet meats because, | 0:00:24 | 0:00:27 | |
as you know, anything can happen in that tent. | 0:00:27 | 0:00:31 | |
Welcome to the Great Comic Relief Bake Off. | 0:00:31 | 0:00:34 | |
'For these special programmes, | 0:00:37 | 0:00:39 | |
'the Bake Off rules have been relaxed, so a host of well-known | 0:00:39 | 0:00:41 | |
'personalities can lay their baking skills bare for Comic Relief. | 0:00:41 | 0:00:46 | |
'The brave batch tying the apron strings tonight are... | 0:00:46 | 0:00:50 | |
'four-times gold medal winner and world record holder | 0:00:50 | 0:00:53 | |
'Ellie Simmonds is the youngest person to be awarded | 0:00:53 | 0:00:55 | |
'an MBE for her achievements as a Paralympic swimmer.' | 0:00:55 | 0:00:58 | |
I am The Great British Bake Off's biggest fan, | 0:01:03 | 0:01:05 | |
so it's an opportunity to do it and try out my baking skills. | 0:01:05 | 0:01:09 | |
I'm excited. | 0:01:09 | 0:01:11 | |
'One of Britain's most experienced television journalists, | 0:01:11 | 0:01:15 | |
'Kirsty Wark has fronted Newsnight for the past 20 years.' | 0:01:15 | 0:01:18 | |
Today the Prime Minister unveiled his latest transformational | 0:01:18 | 0:01:21 | |
plan called Smarter Government. | 0:01:21 | 0:01:23 | |
Anything I can do to support Comic Relief, | 0:01:25 | 0:01:29 | |
and have a bit of fun at the same time, is worth doing in my book | 0:01:29 | 0:01:32 | |
and I love baking, so it's a great combination. | 0:01:32 | 0:01:37 | |
'Television presenter Julia Bradbury, | 0:01:37 | 0:01:39 | |
'best known for presenting Countryfile.' | 0:01:39 | 0:01:42 | |
This is one of the largest surviving | 0:01:42 | 0:01:45 | |
ancient grazing marsh systems in the UK. | 0:01:45 | 0:01:48 | |
So I'm feeling a little bit nervous, apprehensive, | 0:01:48 | 0:01:51 | |
but also quite excited. | 0:01:51 | 0:01:53 | |
I have no idea what sort of baker I'm going to be under pressure | 0:01:53 | 0:01:56 | |
because I have no idea what sort of baker I am. | 0:01:56 | 0:01:59 | |
And comedian Bob Mortimer, | 0:02:00 | 0:02:01 | |
famous for his much-loved partnership with Vic Reeves. | 0:02:01 | 0:02:05 | |
True or false, Ulrika, Alan Sugar is actually 30% Canderel? | 0:02:05 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:13 | |
I'm nervous, I'm looking forward to the end, | 0:02:13 | 0:02:15 | |
hopefully having not failed completely, you know? | 0:02:15 | 0:02:18 | |
I've got a feeling that I'm up against some proper cooks. | 0:02:18 | 0:02:22 | |
There's a lot of swag going on. | 0:02:22 | 0:02:24 | |
'And Lorraine Pascale will be in Ghana, | 0:02:25 | 0:02:27 | |
'finding out about the projects Comic Relief supports.' | 0:02:27 | 0:02:30 | |
This is very good. | 0:02:30 | 0:02:32 | |
'But who is about to impress Mary Berry?' | 0:02:35 | 0:02:37 | |
Actual flavours are absolutely delicious. | 0:02:37 | 0:02:41 | |
'And Paul Hollywood?' | 0:02:41 | 0:02:42 | |
It does taste excellent. | 0:02:42 | 0:02:45 | |
'And become tonight's Comic Relief Star Baker?' | 0:02:46 | 0:02:49 | |
-That's good. -I snorted again! | 0:02:49 | 0:02:54 | |
'Julia, Bob, Ellie and Kirsty are about to show Paul | 0:03:27 | 0:03:30 | |
'and Mary the level of their baking skills, | 0:03:30 | 0:03:32 | |
'with a tried-and-tested recipe in the Signature Challenge.' | 0:03:32 | 0:03:36 | |
Welcome, Comic Relief bakers, to Mary and Paul's patch. | 0:03:39 | 0:03:43 | |
So, it's time for the Signature Challenge | 0:03:43 | 0:03:46 | |
and we'd like you to make something without which an afternoon tea | 0:03:46 | 0:03:50 | |
would simply be an afternoon. | 0:03:50 | 0:03:54 | |
-Scones, or is it "scoans"? Mary, "scoans"? -Scones. -Scones. -Definitely. | 0:03:54 | 0:03:58 | |
Scones. | 0:03:58 | 0:04:00 | |
So we'd like you to make 18 of these little fellas | 0:04:00 | 0:04:03 | |
and any flavours that you use to accompany should be complementary. | 0:04:03 | 0:04:07 | |
So you've got an hour and a half on the clock before you need to present the scones. | 0:04:07 | 0:04:12 | |
On your marks, get set, bake for Comic Relief. | 0:04:12 | 0:04:15 | |
'If you're thinking about making something for a bake sale, | 0:04:23 | 0:04:26 | |
'scones are a great choice. | 0:04:26 | 0:04:28 | |
'You can make multiple batches and, like our new-recruit bakers, | 0:04:28 | 0:04:32 | |
'get creative with flavours.' | 0:04:32 | 0:04:35 | |
SHE LAUGHS | 0:04:38 | 0:04:40 | |
It's going everywhere! | 0:04:40 | 0:04:42 | |
A scone sounds dead easy, but it's not. | 0:04:42 | 0:04:45 | |
It's got to be very light, they've got to choose the right flour, | 0:04:45 | 0:04:50 | |
they've got to have the right raising agent, then they've got all the flavourings. | 0:04:50 | 0:04:53 | |
If you can make a good scone, you're well on your way to becoming a good baker. | 0:04:53 | 0:04:57 | |
It's just about their interpretation that will make it a fantastic scone. | 0:04:57 | 0:05:00 | |
I'm expecting great things. | 0:05:00 | 0:05:02 | |
'To start, scones are made by bringing together butter, | 0:05:03 | 0:05:07 | |
'flour, sugar and baking powder.' | 0:05:07 | 0:05:09 | |
I'm making a chocolate-and-orange scone. | 0:05:10 | 0:05:13 | |
I don't really have time to do baking with all the training | 0:05:13 | 0:05:16 | |
that I do, but when I do, I love it and I really enjoy it, | 0:05:16 | 0:05:20 | |
it's quite relaxing. | 0:05:20 | 0:05:22 | |
The recipe's gone wrong, someone's missed out the sugar. | 0:05:22 | 0:05:26 | |
I know who's done this wrong, as well...me dad! | 0:05:26 | 0:05:30 | |
'Ellie's love of baking means she's always the one who makes | 0:05:33 | 0:05:36 | |
'the birthday cakes for her team-mates. | 0:05:36 | 0:05:39 | |
'She's making sweet scones with chocolate drops and orange zest.' | 0:05:39 | 0:05:43 | |
-How you getting on? -I think OK. | 0:05:43 | 0:05:45 | |
I got a bit lost, I think my instructions were a bit wrong. | 0:05:45 | 0:05:48 | |
-Why? What happened? -There's no sugar. | 0:05:48 | 0:05:50 | |
-How much is your recipe? How much flour is it? -700 grams. | 0:05:50 | 0:05:55 | |
-Have you weighed up any sugar? -Yeah, I put 150 grams. -Well, that's fine. | 0:05:55 | 0:05:59 | |
And you're putting some orange juice in that, too? | 0:05:59 | 0:06:02 | |
Well, I put it half-and-half with milk so... | 0:06:02 | 0:06:04 | |
I think that's most unusual and it's going to be different. | 0:06:04 | 0:06:06 | |
-Good luck, Ellie. I'm looking forward to those. -Thank you. | 0:06:06 | 0:06:10 | |
I've made these scones a bit before. | 0:06:10 | 0:06:13 | |
I like scones for breakfast, it's what I do. | 0:06:13 | 0:06:17 | |
'Kirsty was taught to bake by her mum and grandmother. | 0:06:19 | 0:06:22 | |
'Her savoury scones are made with a local Scottish cheese, | 0:06:22 | 0:06:25 | |
'chives and served with homemade butter.' | 0:06:25 | 0:06:27 | |
-Would you like to try? -Mm, please. That's beautiful. | 0:06:28 | 0:06:31 | |
-It's a nice cheese. -I love the idea of fresh chives. | 0:06:33 | 0:06:35 | |
You'll have the flecks of chives all the way through. | 0:06:35 | 0:06:39 | |
-Are you putting egg wash or milk on the top? -Egg wash. | 0:06:39 | 0:06:42 | |
-It's quite different, isn't it? -Yeah, I like that cheese. | 0:06:42 | 0:06:45 | |
Thank you very much indeed. | 0:06:45 | 0:06:46 | |
I'm doing jalapeno, Parmigiano and Parma ham scones. | 0:06:48 | 0:06:54 | |
Well, it started off as a friend's recipe | 0:06:54 | 0:06:58 | |
and I decided to throw in Parma ham cos it was posher. | 0:06:58 | 0:07:01 | |
'Preferring to cook, Julia has only recently taken up baking, | 0:07:01 | 0:07:04 | |
'but is testing her new skills with a rather unusual savoury scone recipe.' | 0:07:04 | 0:07:09 | |
So you're using both yeast and baking powder, | 0:07:09 | 0:07:13 | |
you've got double raising agents in there so it should rise. | 0:07:13 | 0:07:16 | |
It should rise, I hope so, Mary, I hope it's foolproof. | 0:07:16 | 0:07:19 | |
-Do you rest it before you then bake it... -Yes. | 0:07:19 | 0:07:21 | |
..if it's got yeast in? How long do you normally leave it for? | 0:07:21 | 0:07:24 | |
You're meant to leave it for an hour-and-a-half. | 0:07:24 | 0:07:26 | |
The problem is we've only got an hour-and-a-half in total. | 0:07:26 | 0:07:29 | |
-Yeah, you haven't made your dough yet? -No. -You'll try and bake it for how long? | 0:07:29 | 0:07:32 | |
25 minutes. | 0:07:32 | 0:07:34 | |
Right. So you'll rest this for about ten minutes before it goes in the oven? | 0:07:34 | 0:07:38 | |
-Yeah, in a warm oven. -I think we better go, she hasn't got much time left. | 0:07:38 | 0:07:41 | |
-Yeah, I'm under pressure here! -I'm looking forward to this one! Thanks, Julia. | 0:07:41 | 0:07:45 | |
I can tell by the look in their eyes, that they think I'm a complete idiot. | 0:07:46 | 0:07:50 | |
Kirsty and Julie have got all sorts of ingredients that | 0:07:55 | 0:07:59 | |
I would never have associated with scones. | 0:07:59 | 0:08:02 | |
I'm sure they know what they're doing. But I'm just keeping it traditional. | 0:08:02 | 0:08:05 | |
'Bob bakes about once every six months and apart from making bread, | 0:08:05 | 0:08:09 | |
'he's on a mission to recreate the perfect 1970s jam tart. | 0:08:09 | 0:08:13 | |
'Bob's sultana scones are made with lemon zest and cinnamon | 0:08:13 | 0:08:17 | |
'and will be served with homemade lemon curd.' | 0:08:17 | 0:08:20 | |
-What sort of recipe have you got? Plain flour? -Self-raising flour. | 0:08:20 | 0:08:24 | |
And baking powder? | 0:08:24 | 0:08:25 | |
-And a bit of baking powder, yeah. -OK. | 0:08:25 | 0:08:28 | |
That sounds wrong immediately, but yeah, I have. | 0:08:28 | 0:08:30 | |
Don't worry about having self-raising flour | 0:08:30 | 0:08:33 | |
and baking powder. | 0:08:33 | 0:08:35 | |
Self-raising flour is formulated really for cakes, | 0:08:35 | 0:08:39 | |
but with scones, you need the extra rise, | 0:08:39 | 0:08:41 | |
so adding a bit more baking powder is a good idea. | 0:08:41 | 0:08:45 | |
Yeah, I've tried them once and they didn't really rise, so... | 0:08:45 | 0:08:49 | |
I've put quite a bit of baking powder in, in the hope that they will... | 0:08:49 | 0:08:52 | |
-As long as we don't taste it. -That's the key thing. | 0:08:52 | 0:08:56 | |
Thank you very much. | 0:08:56 | 0:08:58 | |
It is quite a dull scone I'm making. | 0:08:58 | 0:09:00 | |
Depends what you like, you know, | 0:09:00 | 0:09:02 | |
do you like a mongrel or do you like a Labradoodle? | 0:09:02 | 0:09:05 | |
'While the others keep their flavourings fairly simple, | 0:09:13 | 0:09:16 | |
'Julia's adding to her time worries.' | 0:09:16 | 0:09:19 | |
Oh, that smell. Fresh chilli, chilli, chilli, chilli! | 0:09:19 | 0:09:22 | |
The jalapenos and the Parma ham get gently stir-fried together. | 0:09:22 | 0:09:27 | |
Julia, are you beginning to realise you took on too much now? | 0:09:29 | 0:09:33 | |
I knew that right from the beginning. My recipe would never work within the allotted time. | 0:09:33 | 0:09:37 | |
But you thought something magical would happen? | 0:09:37 | 0:09:39 | |
-I was hoping... -Time would stop(?) -I was hoping for beginner's luck | 0:09:39 | 0:09:42 | |
and for somebody like you, Bob, who'd never cooked before. | 0:09:42 | 0:09:45 | |
You, on the other hand, "Oh, it's just an old recipe!" | 0:09:45 | 0:09:49 | |
That would not be you mocking a Scottish accent, would it? | 0:09:49 | 0:09:53 | |
So the original recipe for these scones requires resting time, | 0:09:53 | 0:09:57 | |
time for the dough to rise, about an hour-and-a-half. | 0:09:57 | 0:10:00 | |
I don't have that time, so apparently I've been reliably | 0:10:00 | 0:10:03 | |
informed that I can help that process along, speed it | 0:10:03 | 0:10:06 | |
along a little bit, by putting the entire mixture into a warm oven and | 0:10:06 | 0:10:11 | |
just letting it rise more speedily than perhaps it would like to. | 0:10:11 | 0:10:14 | |
I have no idea. | 0:10:14 | 0:10:16 | |
You seem quite at home here, Kirsty, I get the feeling... | 0:10:16 | 0:10:20 | |
I like a tent! | 0:10:20 | 0:10:21 | |
SHE LAUGHS | 0:10:21 | 0:10:23 | |
-Takes me back to the time before I was chucked out the Guides. -How long were you a Guide for? | 0:10:23 | 0:10:29 | |
-About two years, three years. -Did you do this kind of thing when you were Guiding? | 0:10:29 | 0:10:33 | |
-We did a bit of baking, yeah. -Did you? | 0:10:33 | 0:10:35 | |
-But we did more camping. -And you got little badges? -Not so many. | 0:10:35 | 0:10:39 | |
No? What did you get badges in? Baking, surely? | 0:10:39 | 0:10:41 | |
Baking, sewing, that was it. | 0:10:41 | 0:10:45 | |
This is the important part, I would say. | 0:10:46 | 0:10:49 | |
I tell you what, there isn't 18 there, is there? | 0:11:00 | 0:11:02 | |
Ellie, are you using that dough? | 0:11:02 | 0:11:06 | |
-No, I've made enough already. -Yeah? | 0:11:06 | 0:11:09 | |
So, yeah, this is just spare, but I don't know... | 0:11:09 | 0:11:12 | |
I suppose that would define a cheat, just using someone else's. | 0:11:12 | 0:11:15 | |
So I'm just doing a bit of egg wash and then I'll put them | 0:11:17 | 0:11:22 | |
in a hot oven for ten minutes and then swap them around, cos | 0:11:22 | 0:11:26 | |
I don't know if this oven is the same temperature at top and bottom. | 0:11:26 | 0:11:31 | |
One, two, three, four, five, six, seven, eight, nine, ten, | 0:11:39 | 0:11:42 | |
11, 12, 13, 14, 15, 16, 17, 18! | 0:11:42 | 0:11:45 | |
The door's gone...oh. | 0:11:48 | 0:11:50 | |
I'd say, Ellie, maybe it's because you are a multi-medal-winning | 0:11:59 | 0:12:04 | |
Paralympian, I think you've got the most focus in the room. | 0:12:04 | 0:12:08 | |
I think, that's what I like to... | 0:12:08 | 0:12:09 | |
Yeah, you are just totally focused. | 0:12:09 | 0:12:12 | |
I like things to go right, so, like, I like everything... | 0:12:12 | 0:12:15 | |
Like these are quite chilled, I'm like... | 0:12:15 | 0:12:17 | |
Yeah, I think that will stand you in good stead. | 0:12:17 | 0:12:20 | |
'To accompany his scones, Bob is going that extra mile | 0:12:20 | 0:12:23 | |
'and making his own lemon curd.' | 0:12:23 | 0:12:25 | |
I've made the lemon curd once and it was awful. | 0:12:25 | 0:12:31 | |
It weren't awful, but it tasted like butter. | 0:12:31 | 0:12:33 | |
How bad does that look?! | 0:12:33 | 0:12:36 | |
So I'm putting more lemon in and more sugar...to see what happens. | 0:12:36 | 0:12:43 | |
I'm making butter at the moment, that's what I'm doing and I'm just | 0:12:46 | 0:12:48 | |
separating the buttermilk and the cream and then put it into a muslin. | 0:12:48 | 0:12:54 | |
I'm going to add sea salt to this, and I'll squeeze it. | 0:12:54 | 0:12:59 | |
The only other time I've made this before as a child in Ireland | 0:12:59 | 0:13:02 | |
in an old wooden churn in a blackhouse, it wasn't pasteurised. | 0:13:02 | 0:13:06 | |
I'll tightly roll it up. | 0:13:06 | 0:13:08 | |
So that that's my pat of butter and then I'll put it in the fridge. | 0:13:11 | 0:13:15 | |
-What I've done is, I've only made 14 scones. -Bob. | 0:13:18 | 0:13:21 | |
So I've asked for a mirror and I think if I place the mirror... | 0:13:21 | 0:13:25 | |
-Cunningly. -..Cunningly it'll look... -Against just four of them. | 0:13:25 | 0:13:28 | |
It'll look like there's 30-odd scones, | 0:13:28 | 0:13:30 | |
and Paul will take some off and say "Too many, Bob." | 0:13:30 | 0:13:32 | |
Oh, I like that. Why did you just make 14? That was just what happened? | 0:13:32 | 0:13:35 | |
I'm not blaming you, I'm just wondering. | 0:13:35 | 0:13:38 | |
It surprised me, the 18 when I came here this morning. | 0:13:38 | 0:13:42 | |
When would anyone make 18 scones? | 0:13:42 | 0:13:44 | |
-I know. -Unless you're like a professional caterer? -Yeah. | 0:13:44 | 0:13:47 | |
Or a scone addict, you know what I mean, you just can't get enough. | 0:13:47 | 0:13:51 | |
Well, Comic Relief bakers, time has "scone." | 0:13:58 | 0:14:01 | |
You've got 15 minutes on your bake. | 0:14:01 | 0:14:04 | |
Paul and Mary are quite perplexed by everything about this recipe. | 0:14:05 | 0:14:10 | |
I couldn't get the recipe mix for 18 scones, | 0:14:23 | 0:14:25 | |
so I just thought I'd make them smaller and use the same mix. | 0:14:25 | 0:14:29 | |
Right, you're here for the moment. | 0:14:29 | 0:14:30 | |
-So you've egg-washed? -I've egg-washed and they're going in. -You're going in! | 0:14:30 | 0:14:34 | |
Wish me the best of luck. | 0:14:34 | 0:14:35 | |
Come on! Are you quite pleased with that? | 0:14:35 | 0:14:37 | |
I'm quite pleased with the flavours. | 0:14:37 | 0:14:39 | |
I think the overall skill is very, very poor. | 0:14:39 | 0:14:43 | |
I picked a recipe that needed double the amount of time that I have | 0:14:43 | 0:14:48 | |
and I've tried, as usual, to cut corners. | 0:14:48 | 0:14:51 | |
You'll have heard of the phrase "drop scone", yeah? | 0:15:17 | 0:15:19 | |
That's how we do it(!) | 0:15:19 | 0:15:21 | |
When I get the two-minute warning, I'll whip them out, not before. | 0:15:21 | 0:15:26 | |
Even distribution of colour? No. | 0:15:26 | 0:15:28 | |
Regular size? No. | 0:15:29 | 0:15:31 | |
Kirsty's looking really good on her presentation skills. Oh, my gosh. | 0:15:33 | 0:15:38 | |
Come on, little babies! Rise, rise! | 0:15:40 | 0:15:43 | |
Comic Relief bakers, one minute to go. One minute. | 0:15:46 | 0:15:50 | |
Quick! | 0:15:50 | 0:15:52 | |
I'm going for the artisan scone and I'm hoping to get points for that. | 0:15:56 | 0:16:01 | |
Comic Relief bakers, that is that. Step away, please. | 0:16:07 | 0:16:11 | |
It's a good rise you've got on those, and you've presented them beautifully. | 0:16:39 | 0:16:42 | |
Hasn't she? It's like Sconehenge. | 0:16:42 | 0:16:44 | |
Mm. | 0:16:44 | 0:16:46 | |
You've been thinking that for ages, haven't you? | 0:16:46 | 0:16:48 | |
I actually think the shape, the size is good. | 0:16:49 | 0:16:51 | |
-Did you put an egg wash or a milk on top of these? -Egg wash. | 0:16:51 | 0:16:54 | |
It's just in patches, which again has caused the different browning in areas. | 0:16:54 | 0:16:58 | |
-Do you always make your own butter, Kirsty? -No. | 0:16:58 | 0:17:02 | |
-Mm. -SHE LAUGHS | 0:17:03 | 0:17:05 | |
How much salt did you put in there? | 0:17:05 | 0:17:07 | |
I put less salt in there than I would, | 0:17:07 | 0:17:10 | |
because I wanted to heavily salt the butter. | 0:17:10 | 0:17:12 | |
Yeah, I think with the butter, it's too seasoned, | 0:17:12 | 0:17:15 | |
because that cheese carries so much flavour with it. | 0:17:15 | 0:17:17 | |
I noticed actually when you were rolling it out, that it | 0:17:17 | 0:17:20 | |
was a little bit on the dry side, but they are, I think, rather good. | 0:17:20 | 0:17:25 | |
-Well done. -Thank you. | 0:17:25 | 0:17:26 | |
I think they look very good and, you know, we do like original | 0:17:33 | 0:17:36 | |
things and that looks interesting and a lovely light texture in there. | 0:17:36 | 0:17:40 | |
Ellie, they are delicious. | 0:17:43 | 0:17:45 | |
Oh, thank you! | 0:17:45 | 0:17:46 | |
That consistency is beautiful. | 0:17:46 | 0:17:49 | |
They're light, they're like clouds. | 0:17:49 | 0:17:51 | |
Thank you very much. | 0:17:51 | 0:17:52 | |
-The texture of that is beautiful. -It really is lovely. | 0:17:52 | 0:17:56 | |
-I shall make orange and chocolate myself. -Oh, thank you very much. | 0:17:56 | 0:17:59 | |
I've never had an orange-and-chocolate scone myself, | 0:17:59 | 0:18:02 | |
but I will definitely... | 0:18:02 | 0:18:04 | |
Steal the idea? | 0:18:04 | 0:18:05 | |
Yeah, thank you very much indeed. | 0:18:05 | 0:18:07 | |
And make sure Ms Ellie Simmonds gets at least 80% of the profit. | 0:18:07 | 0:18:10 | |
Thanks, Ellie, well done. | 0:18:10 | 0:18:12 | |
I don't know where to look first. | 0:18:25 | 0:18:27 | |
They are too close in texture. | 0:18:27 | 0:18:29 | |
They should be a little bit lighter. | 0:18:29 | 0:18:31 | |
Actual flavours are absolutely delicious. | 0:18:31 | 0:18:36 | |
If you'd given the yeast time to work, made the dough a little wetter, | 0:18:36 | 0:18:39 | |
it would have lightened the dough up. | 0:18:39 | 0:18:41 | |
A little bit bigger on the cuts, got a nice flavour coming through, | 0:18:41 | 0:18:45 | |
but it's too much like a biscuit. | 0:18:45 | 0:18:46 | |
I needed two more hours. | 0:18:46 | 0:18:48 | |
-At least. -Thank you very much, Julia. -Thank you. | 0:18:48 | 0:18:51 | |
-Hello. -Hey, Bob. | 0:18:58 | 0:19:00 | |
Hi, Bob. | 0:19:00 | 0:19:01 | |
I naively thought that you might think there were more scones | 0:19:01 | 0:19:05 | |
than there were if I utilised a mirror. | 0:19:05 | 0:19:08 | |
How many did you get? | 0:19:08 | 0:19:10 | |
There's not enough scones, I can't get away from that and I apologise. | 0:19:10 | 0:19:13 | |
Oh, you can smell that baking powder, mate. | 0:19:13 | 0:19:16 | |
Thank you. That's how I'd want it to be(!) | 0:19:16 | 0:19:19 | |
I can taste the baking powder, a little bit too much, | 0:19:19 | 0:19:22 | |
-but it's given a nice texture. -Yeah. | 0:19:22 | 0:19:24 | |
And, as you can see, more fruit. | 0:19:24 | 0:19:27 | |
Of course, yes. | 0:19:27 | 0:19:29 | |
-You needed more fruit in there. -Yeah. | 0:19:29 | 0:19:31 | |
Less baking powder, more scones. | 0:19:31 | 0:19:35 | |
-But other than that... -Other than that, you got it nailed, mate. -Eh, I turned up(!) | 0:19:35 | 0:19:39 | |
-That lemon curd's delicious. -Oh, well, thank you. | 0:19:41 | 0:19:43 | |
If you were doing a competition, "Lemon Curd Off," | 0:19:43 | 0:19:46 | |
you'd win every step of the way. | 0:19:46 | 0:19:47 | |
Been really positive so sets me up for my next two bakes, | 0:19:53 | 0:19:56 | |
which I'm really looking forward to. | 0:19:56 | 0:19:58 | |
No, baking is a science and it's not a science that I've ever mastered. | 0:19:58 | 0:20:02 | |
I think Paul's got a grudge against me. | 0:20:02 | 0:20:04 | |
The scone had barely touched his lips before he bleated out | 0:20:04 | 0:20:08 | |
that there was too much baking powder in it. | 0:20:08 | 0:20:10 | |
I've absolutely no idea what is going to happen | 0:20:10 | 0:20:13 | |
in the technical challenge. | 0:20:13 | 0:20:14 | |
It'll be something like choux pastry thing that we've got | 0:20:14 | 0:20:17 | |
to actually make it. | 0:20:17 | 0:20:18 | |
You know, I've never made choux pastry in my life. | 0:20:18 | 0:20:21 | |
Our four celebrity Comic Relief bakers are in that tent | 0:20:23 | 0:20:27 | |
working their little socks off in an effort to raise lots of money | 0:20:27 | 0:20:32 | |
and here is one of the reasons why. | 0:20:32 | 0:20:34 | |
I am in Ghana to find out more about my favourite ingredient - chocolate. | 0:20:39 | 0:20:44 | |
When you're standing there melting that chocolate for the ganache | 0:20:44 | 0:20:47 | |
or whipping up some chocolate butter cream, | 0:20:47 | 0:20:49 | |
do you ever think about the people that make this chocolate happen? | 0:20:49 | 0:20:53 | |
Ghana is the second-largest producer of cocoa in the world, | 0:20:56 | 0:21:00 | |
harvesting about one and a half tonnes a year, | 0:21:00 | 0:21:02 | |
making up to 20% of the world's chocolate market. | 0:21:02 | 0:21:05 | |
Chocolate is big-money business, | 0:21:07 | 0:21:09 | |
but those who farm it don't always get a fair price | 0:21:09 | 0:21:12 | |
for their produce, and they're the ones that need it the most. | 0:21:12 | 0:21:15 | |
This is where Comic Relief comes in. | 0:21:17 | 0:21:19 | |
By supporting organisations such as the Kuapa Kokoo Cooperative, | 0:21:19 | 0:21:23 | |
farmers like Samuel can command a fair price for their cocoa | 0:21:23 | 0:21:26 | |
which, in turn, radically improves lives. | 0:21:26 | 0:21:31 | |
-How are you doing? -Fine. -Nice to meet you. -This is the cocoa pod. | 0:21:31 | 0:21:33 | |
-This is it? This is the cocoa pod? -The ripe one. | 0:21:33 | 0:21:36 | |
-So, altogether, you've got this... -Company. -..company, | 0:21:44 | 0:21:47 | |
you're all united so you have a much stronger voice altogether | 0:21:47 | 0:21:50 | |
-and you'll be able to command much higher prices. -Exactly. | 0:21:50 | 0:21:53 | |
It's very sweet. | 0:21:57 | 0:21:59 | |
Mm, oh yeah. | 0:21:59 | 0:22:01 | |
It's very sweet. | 0:22:01 | 0:22:03 | |
-This is very good. -Very good, very good. | 0:22:03 | 0:22:05 | |
In the past, Samuel, his son Paul and his family used to | 0:22:07 | 0:22:11 | |
rely on the local stream for their drinking water. | 0:22:11 | 0:22:14 | |
TRANSLATION: | 0:22:16 | 0:22:17 | |
But being part of the Kuapa Kokoo Cooperative means | 0:22:28 | 0:22:31 | |
they have been able to buy a water pump for the village. | 0:22:31 | 0:22:35 | |
TRANSLATION: | 0:22:38 | 0:22:39 | |
With your support, projects like Kuapa Kokoo | 0:23:02 | 0:23:04 | |
can help many more farmers earn their rightful living | 0:23:04 | 0:23:08 | |
and change their lives for the better. | 0:23:08 | 0:23:10 | |
And donating couldn't be easier - | 0:23:12 | 0:23:14 | |
just pick up the phone and text the word "bake" to 70005. | 0:23:14 | 0:23:17 | |
Texts cost £5, plus your standard network message charge, | 0:23:19 | 0:23:22 | |
and £5 per text goes to Comic Relief. | 0:23:22 | 0:23:26 | |
You must be 16 or over and please ask the bill payer's permission. | 0:23:26 | 0:23:31 | |
For full terms and conditions and more information, | 0:23:31 | 0:23:33 | |
go to bbc.co.uk/rednoseday | 0:23:33 | 0:23:37 | |
Every penny really does make a difference. | 0:23:38 | 0:23:41 | |
If the scone challenge was tough, | 0:23:46 | 0:23:48 | |
then our courageous Comic Relief supporters are in for an even | 0:23:48 | 0:23:51 | |
rougher ride with the notoriously difficult technical bake. | 0:23:51 | 0:23:55 | |
Comic Relief bakers, it's the old technical challenge. | 0:23:57 | 0:24:01 | |
As you know, this will be judged blind | 0:24:01 | 0:24:03 | |
so, Paul and Mary, off to your rave tepee. | 0:24:03 | 0:24:06 | |
Paul, you're on the decks, | 0:24:06 | 0:24:08 | |
Mary, there's a podium ready and waiting for you over there, | 0:24:08 | 0:24:11 | |
off you go. | 0:24:11 | 0:24:12 | |
Now, Comic Relief bakers, | 0:24:12 | 0:24:14 | |
we would like you to make something which is an absolute classic. | 0:24:14 | 0:24:19 | |
We're asking you to make 12 chocolate eclairs. | 0:24:19 | 0:24:23 | |
Choux pastry? | 0:24:25 | 0:24:27 | |
You took the words out of my mouth, Kirsty Wark. | 0:24:27 | 0:24:30 | |
Mary and Paul will be expecting deliciously light choux pastry. | 0:24:30 | 0:24:36 | |
They will be filled with Chantilly creme | 0:24:36 | 0:24:39 | |
and they will be topped with delicious melted chocolate. | 0:24:39 | 0:24:42 | |
You've got two hours to do this. | 0:24:42 | 0:24:44 | |
On your marks, get set, | 0:24:44 | 0:24:47 | |
bake for Comic Relief. | 0:24:47 | 0:24:48 | |
OK, what's choux pastry? | 0:24:49 | 0:24:50 | |
Have you ever made it? | 0:24:50 | 0:24:52 | |
No, of course not. Does it tell you what to do? | 0:24:52 | 0:24:54 | |
Does it tell you where the nearest baker's is? | 0:24:54 | 0:24:56 | |
Do you like chocolate eclairs? | 0:25:01 | 0:25:03 | |
I love chocolate eclairs. | 0:25:03 | 0:25:05 | |
OK, would you like to try one, Mary? Help yourself. | 0:25:05 | 0:25:07 | |
Oh, how lovely. | 0:25:07 | 0:25:09 | |
Now, even when I catch hold of that, it's still crisp | 0:25:09 | 0:25:13 | |
and no chocolate dipping down. | 0:25:13 | 0:25:16 | |
That is sheer heaven. | 0:25:17 | 0:25:19 | |
I think it tastes lovely. | 0:25:19 | 0:25:21 | |
They're crispy, chocolate's got a nice bite to it as well | 0:25:21 | 0:25:24 | |
and then that lovely cream inside. | 0:25:24 | 0:25:26 | |
What I don't want to see is any soggy eclairs. | 0:25:26 | 0:25:30 | |
None of our novice bakers have ever made choux pastry before, | 0:25:32 | 0:25:36 | |
and the very first instruction has them baffled. | 0:25:36 | 0:25:40 | |
Sieve the flour onto a sheet of grease-proof paper. | 0:25:40 | 0:25:44 | |
Why would you put the flour on grease-proof paper? | 0:25:44 | 0:25:47 | |
Cos it says put it on here, then pour it into a bowl. | 0:25:47 | 0:25:49 | |
Weird, innit? | 0:25:49 | 0:25:50 | |
Like, why do you need to put it on there? | 0:25:50 | 0:25:53 | |
I don't know. | 0:25:53 | 0:25:54 | |
Is that a Paul Hollywood thing? | 0:25:54 | 0:25:56 | |
The grease-proof paper chute makes it easier to get | 0:25:56 | 0:26:00 | |
all the flour into the pan of water, melted butter and salt. | 0:26:00 | 0:26:03 | |
Right. | 0:26:14 | 0:26:16 | |
I'm just taking it easy. | 0:26:28 | 0:26:30 | |
-JULIA: -Oh, this reminds me of home economics, making a roux sauce. | 0:26:43 | 0:26:46 | |
Working up a heat as well. Phew! | 0:26:49 | 0:26:54 | |
The pastry mix should stay over the heat | 0:26:54 | 0:26:56 | |
until the flour is cooked out and it becomes a stiff ball. | 0:26:56 | 0:27:00 | |
Beat the eggs and beat them into the dough. | 0:27:00 | 0:27:03 | |
Beat the eggs. | 0:27:03 | 0:27:04 | |
If it's too hot then the eggs will scramble, that much I know, | 0:27:05 | 0:27:10 | |
so how cool should that be? | 0:27:10 | 0:27:12 | |
Kirsty's off already. | 0:27:12 | 0:27:15 | |
-KIRSTY: -That's it. | 0:27:15 | 0:27:16 | |
That's it. | 0:27:19 | 0:27:21 | |
So, she's off, I reckon it must be safe to go. | 0:27:21 | 0:27:25 | |
I think it's all right. | 0:27:27 | 0:27:29 | |
It's coming into the texture that I want now. | 0:27:29 | 0:27:32 | |
Oh, it's hard. | 0:27:34 | 0:27:35 | |
The final dough should be stringy so it can be piped with ease. | 0:27:37 | 0:27:41 | |
-Cos I'm above a certain age... -Yeah, go on. | 0:27:41 | 0:27:43 | |
..12cm means absolutely nothing to me. | 0:27:43 | 0:27:47 | |
What's supposed to be 12cm? The actual eclair itself? | 0:27:47 | 0:27:50 | |
Yeah. | 0:27:50 | 0:27:52 | |
I think it's about that long. | 0:27:52 | 0:27:53 | |
See where that line is there and that line is there? | 0:27:53 | 0:27:55 | |
-Well, here goes. -Come on, my love. | 0:27:55 | 0:27:57 | |
I think it probably needs to be wider than that. | 0:27:57 | 0:27:59 | |
Yeah, that's about right, that's about right. | 0:27:59 | 0:28:01 | |
I think that's about right. | 0:28:01 | 0:28:03 | |
And the question is how wide do I cut the scissors into the bag? | 0:28:03 | 0:28:08 | |
Right. | 0:28:11 | 0:28:12 | |
Just snip it like that? | 0:28:20 | 0:28:21 | |
That doesn't look right. | 0:28:27 | 0:28:29 | |
I want to do it neater but I think... | 0:28:29 | 0:28:31 | |
..that I'm going to wipe it off. | 0:28:33 | 0:28:35 | |
I'm scraping them all back in the bag. | 0:28:35 | 0:28:37 | |
How long have I got? | 0:28:39 | 0:28:41 | |
I'm going to start again and measure them. | 0:28:41 | 0:28:43 | |
That's not really a line. | 0:28:47 | 0:28:49 | |
Get in! | 0:28:49 | 0:28:50 | |
Come on! | 0:28:50 | 0:28:52 | |
Check it out though, yeah? You ought to! | 0:28:52 | 0:28:54 | |
Oh, I better check myself before I wet myself, | 0:28:56 | 0:28:59 | |
all that sort of thing. | 0:28:59 | 0:29:00 | |
-Right, let's pop them in then. -Good. | 0:29:00 | 0:29:03 | |
Bye-bye. | 0:29:03 | 0:29:04 | |
15 minutes, where's my thingy? | 0:29:10 | 0:29:12 | |
A successful eclair relies on the oven door being shut | 0:29:18 | 0:29:21 | |
until the pastry has achieved a good rise and is set. | 0:29:21 | 0:29:24 | |
So, what I'm concerned about is that they're going to be too dark. | 0:29:28 | 0:29:32 | |
So I'm going to take them out | 0:29:32 | 0:29:34 | |
and I'm going to put them down one shelf. | 0:29:34 | 0:29:38 | |
Cos I don't want them to cook too quickly. | 0:29:38 | 0:29:40 | |
THEY LAUGH | 0:29:40 | 0:29:42 | |
They're like little sausages. | 0:29:42 | 0:29:44 | |
Yeah. I've done something wrong. | 0:29:44 | 0:29:47 | |
I wonder what you've done. | 0:29:47 | 0:29:49 | |
Yeah, they look like Bonios. | 0:29:49 | 0:29:51 | |
Yeah. Dog biscuits, brilliant. Just the look I was going for. | 0:29:51 | 0:29:55 | |
Comic Relief Bake Off dog biscuits. | 0:29:55 | 0:29:57 | |
Comic Relief bakers, you've got ten minutes left to pump and dunk. | 0:30:02 | 0:30:08 | |
I think mine are cooked. | 0:30:12 | 0:30:13 | |
I'm going to call it a day on that. | 0:30:20 | 0:30:22 | |
I thought they would rise up more but these are clearly so wrong. | 0:30:24 | 0:30:28 | |
They're coming out, they're coming out! | 0:30:28 | 0:30:32 | |
Don't drop them now, Bradders. | 0:30:32 | 0:30:34 | |
They don't get any better. There's no chance. | 0:30:34 | 0:30:37 | |
Look at that. That's pathetic. | 0:30:37 | 0:30:40 | |
Lordy! They're flat. | 0:30:40 | 0:30:42 | |
I've got to put a cut down the side of them | 0:30:46 | 0:30:49 | |
and insert cream, via the gift of this bag. | 0:30:49 | 0:30:52 | |
-Could you... -Yeah, absolutely, I'm on duty. -Could we work as a team? | 0:31:09 | 0:31:12 | |
I'm on total duty now. | 0:31:12 | 0:31:14 | |
-Sorry. -Oh, you broke it! | 0:31:14 | 0:31:15 | |
SHE LAUGHS | 0:31:15 | 0:31:17 | |
SHE SNORTS | 0:31:17 | 0:31:19 | |
I just snorted! | 0:31:19 | 0:31:20 | |
Just snorted. | 0:31:20 | 0:31:22 | |
-I don't know what's going on. -Stick it together. | 0:31:22 | 0:31:24 | |
-OK, Is that enough? -Yeah, you've got to do it nicely. | 0:31:24 | 0:31:26 | |
OK, sorry, love. | 0:31:26 | 0:31:28 | |
And then maybe wipe the cream off. | 0:31:28 | 0:31:30 | |
That's really nice(!) | 0:31:30 | 0:31:31 | |
SHE GIGGLES | 0:31:31 | 0:31:32 | |
That's a very small hole there. | 0:31:37 | 0:31:38 | |
That's good, that's all over me. That's good. | 0:31:38 | 0:31:41 | |
SHE SNORTS | 0:31:41 | 0:31:43 | |
I snorted again! OK. | 0:31:43 | 0:31:45 | |
Do you think you're going to be on the medals podium | 0:31:45 | 0:31:48 | |
for these eclairs, Ellie? | 0:31:48 | 0:31:50 | |
Not really. | 0:31:50 | 0:31:51 | |
Dipping the eclair in chocolate and creating a smooth finish | 0:31:52 | 0:31:56 | |
is a tricky art, even for an experienced baker. | 0:31:56 | 0:31:59 | |
I'm sure this is going to be a total disaster. | 0:32:01 | 0:32:03 | |
Let me try... I'm going to experiment here | 0:32:05 | 0:32:09 | |
with painting. And I think I might go with painting. | 0:32:09 | 0:32:12 | |
I'm going to put my chocolate in here | 0:32:12 | 0:32:14 | |
so I've got a wide enough aperture to just literally dip them in. | 0:32:14 | 0:32:18 | |
I'm happy with this frying-pan approach. | 0:32:18 | 0:32:21 | |
I think the judges will probably say that they're not good. | 0:32:23 | 0:32:27 | |
Comic Relief bakers, you've got one minute left, one minute! | 0:32:27 | 0:32:31 | |
I'm cementing my eclairs together with the filling | 0:32:34 | 0:32:39 | |
and the chocolate | 0:32:39 | 0:32:41 | |
and, to be honest, I don't think Mary or Paul are going to notice. | 0:32:41 | 0:32:45 | |
Comic Relief bakers, the eclair challenge is now closed. | 0:32:55 | 0:32:59 | |
Please bring your eclairs up, put them behind your own photo, OK? | 0:32:59 | 0:33:03 | |
Think I'll maybe do it behind someone else's photo. | 0:33:03 | 0:33:06 | |
-PAUL: -So, we'll start on this side. | 0:33:28 | 0:33:29 | |
They're a bit thin, if I'm going to be honest, a bit like pencils. | 0:33:29 | 0:33:33 | |
I think they're rather slim and elegant. | 0:33:33 | 0:33:35 | |
That's one way of putting them, yeah. | 0:33:35 | 0:33:37 | |
Surprised they managed to get any cream in there at all. | 0:33:37 | 0:33:39 | |
They're a pretty pale even bake all the way round. | 0:33:39 | 0:33:43 | |
Yes, quite doughy inside. | 0:33:43 | 0:33:45 | |
They have some crispness there. | 0:33:48 | 0:33:50 | |
If you don't dry them out, the middle of the eclair can be soggy | 0:33:50 | 0:33:54 | |
and it is nice to come into a crisp outside, which those have got. | 0:33:54 | 0:33:58 | |
Let's move onto this one. Again, slightly thicker pencils. | 0:33:58 | 0:34:02 | |
The colour looks OK. | 0:34:02 | 0:34:04 | |
Mm, cut through very nicely. | 0:34:04 | 0:34:06 | |
It does, it's quite crispy, it's been dried out slightly. | 0:34:06 | 0:34:10 | |
That tastes really good. | 0:34:10 | 0:34:12 | |
Plenty of cream in there and I like a lot of cream. | 0:34:12 | 0:34:14 | |
Good coating of chocolate. | 0:34:14 | 0:34:16 | |
They're not bad, them - taste's OK and is quite uniform. | 0:34:16 | 0:34:19 | |
This one's got a nice colour. | 0:34:19 | 0:34:21 | |
But they vary considerably in size. | 0:34:21 | 0:34:24 | |
Yeah, there was a few issues with piping on this one. | 0:34:24 | 0:34:27 | |
That's an interesting one, isn't it? | 0:34:28 | 0:34:30 | |
But they've got a good puff up. | 0:34:31 | 0:34:33 | |
They're crispy. OK, shall we move on to the last one? | 0:34:33 | 0:34:36 | |
-Yes. -Now these all look fairly eclair-like, | 0:34:36 | 0:34:40 | |
but there was a problem with this mix and the bake. | 0:34:40 | 0:34:42 | |
It's gone very, very soft. | 0:34:42 | 0:34:44 | |
I think the way it's been beaten together. | 0:34:44 | 0:34:46 | |
Not cooked enough in the first place and not dried out | 0:34:46 | 0:34:49 | |
because it's soft. | 0:34:49 | 0:34:50 | |
It's got issues, yeah. It's got big issues. | 0:34:50 | 0:34:53 | |
Does it need counselling, Paul? | 0:34:53 | 0:34:54 | |
Stay behind afterwards for a chat. | 0:34:54 | 0:34:56 | |
Mary and Paul will rank the chocolate eclairs | 0:35:00 | 0:35:03 | |
from worst to best. | 0:35:03 | 0:35:04 | |
So, in fourth place is this one here. | 0:35:08 | 0:35:11 | |
What do you think, Kirsty? What happened? | 0:35:13 | 0:35:15 | |
I don't know what happened. | 0:35:15 | 0:35:17 | |
Maybe I didn't beat it far enough to cook in the flour. | 0:35:17 | 0:35:20 | |
-You may not have cooked it out properly. -Maybe not. | 0:35:20 | 0:35:22 | |
And actually the last three are all very similar. | 0:35:22 | 0:35:25 | |
It's not bad, you've got some rise in there, got some bloom, | 0:35:25 | 0:35:28 | |
-but in third place is this one. Whose is this? -That's me, Paul. | 0:35:28 | 0:35:31 | |
Bob, too thin on the piping, needed longer in the oven. | 0:35:31 | 0:35:33 | |
That's why it concertinaed up and has a bit of dough at the bottom. | 0:35:33 | 0:35:36 | |
But the flavour was good. | 0:35:36 | 0:35:38 | |
Fair enough. | 0:35:38 | 0:35:39 | |
And in second place is this one. | 0:35:39 | 0:35:42 | |
Well done, Ellie, they're really nice and you got the biggest rise | 0:35:42 | 0:35:45 | |
out of all of them, but just a problem with the piping. | 0:35:45 | 0:35:48 | |
I was impatient with them. | 0:35:48 | 0:35:49 | |
Obviously, number one. | 0:35:49 | 0:35:51 | |
I can't believe it! I'm ecstatic! | 0:35:51 | 0:35:54 | |
Winning the technical challenge is a genuine high | 0:36:00 | 0:36:03 | |
'and a complete surprise.' | 0:36:03 | 0:36:05 | |
To come away with second... | 0:36:05 | 0:36:06 | |
..I was amazed and so chuffed, as well. | 0:36:08 | 0:36:10 | |
Mmm. | 0:36:10 | 0:36:12 | |
I think this has been flown over from France. | 0:36:13 | 0:36:16 | |
It's that good. | 0:36:16 | 0:36:18 | |
So embarrassing. | 0:36:18 | 0:36:19 | |
I think I raced at it too fast. | 0:36:19 | 0:36:21 | |
It's made me think I've just got to raise my game for tomorrow. | 0:36:21 | 0:36:24 | |
The valiant Comic Relief bakers take their place in the marquee | 0:36:30 | 0:36:33 | |
for the last and most complicated of all the challenges. | 0:36:33 | 0:36:37 | |
Morning, Comic Relief bakers. | 0:36:42 | 0:36:44 | |
This is your third and final challenge. | 0:36:44 | 0:36:47 | |
It's the Showstopper, of course. | 0:36:47 | 0:36:50 | |
You have got your work cut out today because | 0:36:50 | 0:36:52 | |
we're asking you please to build, create, present | 0:36:52 | 0:36:57 | |
some 3-D novelty hand-cut cakes | 0:36:57 | 0:37:01 | |
in the shape of something British, OK? | 0:37:01 | 0:37:05 | |
You could do Valerie Singleton in sponge form, | 0:37:05 | 0:37:08 | |
you could do an iconic building, | 0:37:08 | 0:37:10 | |
like the Leatherhead Leisure Centre, it's up to you. | 0:37:10 | 0:37:13 | |
You've got three and a half hours | 0:37:13 | 0:37:16 | |
to build and finish your masterpieces. | 0:37:16 | 0:37:20 | |
So, on your marks, get set, | 0:37:20 | 0:37:23 | |
bake for Comic Relief. | 0:37:23 | 0:37:24 | |
-JULIA: -It's actually quite a hard thing to do, | 0:37:30 | 0:37:32 | |
if you've never baked before. | 0:37:32 | 0:37:34 | |
I'd better get cracking. | 0:37:34 | 0:37:35 | |
-PAUL: -It's all about the planning, with this one. | 0:37:35 | 0:37:38 | |
Baking is one thing, decorating something to make it | 0:37:38 | 0:37:41 | |
look like something is a completely different sphere. | 0:37:41 | 0:37:44 | |
MARY: It'll be very interesting to see | 0:37:44 | 0:37:47 | |
how they assemble this cake. | 0:37:47 | 0:37:48 | |
They've got to do a cut-out, they're not allowed to use a mould, | 0:37:48 | 0:37:51 | |
but it will be their idea | 0:37:51 | 0:37:53 | |
and they've got to achieve something very, very special. | 0:37:53 | 0:37:57 | |
You're being very meticulous. Tell us all about what you're up to. | 0:37:59 | 0:38:02 | |
I'm making something that's a kind of British first, | 0:38:02 | 0:38:05 | |
which is the Old Man of Hoy, | 0:38:05 | 0:38:06 | |
which is the highest sea stack in the United Kingdom. | 0:38:06 | 0:38:11 | |
Kirsty's ambitious structure of | 0:38:12 | 0:38:14 | |
the sea stack, the Old Man Of Hoy, | 0:38:14 | 0:38:16 | |
is made from Madeira cake. | 0:38:16 | 0:38:18 | |
Its dense structure should make it | 0:38:18 | 0:38:20 | |
more stable when stacked. | 0:38:20 | 0:38:22 | |
It looks quite straightforward from here, | 0:38:22 | 0:38:24 | |
but if you look at it from the side, it's got a wee kink. | 0:38:24 | 0:38:27 | |
That's the worry. | 0:38:27 | 0:38:28 | |
And how are you going to support this stack? | 0:38:28 | 0:38:31 | |
I'm going to support it by having a slightly broader, | 0:38:31 | 0:38:34 | |
square-ish - cos it is square-ish on the base - | 0:38:34 | 0:38:38 | |
and so actually keeping them quite narrow on the way up. | 0:38:38 | 0:38:40 | |
Will you use buttercream in between each layer | 0:38:40 | 0:38:43 | |
and then layer it up that way? | 0:38:43 | 0:38:44 | |
I'll use buttercream and raspberry jam, but just a little | 0:38:44 | 0:38:46 | |
tiny... Just for flavour, just a very thin skim of raspberry jam, | 0:38:46 | 0:38:49 | |
cos I don't want to make it too soft and so I don't want it to collapse. | 0:38:49 | 0:38:52 | |
I like a bit of sculpture myself. | 0:38:52 | 0:38:54 | |
SHE LAUGHS | 0:38:54 | 0:38:55 | |
-Thank you. -Thank you. | 0:38:55 | 0:38:56 | |
Shall I put some more lemon in? | 0:38:58 | 0:38:59 | |
Do you know what I mean? Just for, like, that... | 0:39:01 | 0:39:04 | |
lemon inferno kind of vibe? | 0:39:04 | 0:39:07 | |
I wonder? | 0:39:08 | 0:39:09 | |
No, I won't, it might make it too... Might do something. | 0:39:09 | 0:39:12 | |
Bob's flavouring his sponge | 0:39:13 | 0:39:15 | |
with the zest of five lemons. | 0:39:15 | 0:39:16 | |
Using ready made icing to decorate, | 0:39:16 | 0:39:18 | |
his novelty cake will take on | 0:39:18 | 0:39:20 | |
the shape of the London underground sign, Baker Street. | 0:39:20 | 0:39:24 | |
Baker Street tube, how are you going to do that? | 0:39:24 | 0:39:27 | |
It's two cakes on top of each other, | 0:39:27 | 0:39:30 | |
then I take a slice out of the middle... | 0:39:30 | 0:39:33 | |
-Mmm? -..move the slice across, | 0:39:33 | 0:39:35 | |
so that it sticks out | 0:39:35 | 0:39:37 | |
and I bake another little bit of cake | 0:39:37 | 0:39:39 | |
that makes the other end of the bit in the middle. | 0:39:39 | 0:39:43 | |
I'm glad you've come over, cos I've had a bit of trouble with it. | 0:39:43 | 0:39:46 | |
Does that look worth cooking, or does it need something? | 0:39:46 | 0:39:49 | |
-Baking. -Baking, sorry. | 0:39:49 | 0:39:51 | |
Quite a stodgy mix. | 0:39:51 | 0:39:53 | |
It's the same amounts of everything, but a bit more flour. | 0:39:53 | 0:39:56 | |
You add more flour, of course it makes it a little bit stiffer. | 0:39:56 | 0:39:59 | |
-Just a drop of milk in there. -I'll do that. | 0:39:59 | 0:40:01 | |
-Give it a good beat, slap it in tins and get it in the oven. -Righty-ho. | 0:40:01 | 0:40:04 | |
Good luck, I'll leave it to you. Take care, Bob. | 0:40:04 | 0:40:07 | |
Thank you. | 0:40:07 | 0:40:08 | |
The cake that I'll be making is a busby cake | 0:40:10 | 0:40:13 | |
because that's something properly, very British and that's the theme. | 0:40:13 | 0:40:18 | |
Ellie's Queen's guard, complete with bearskin hat, | 0:40:18 | 0:40:22 | |
will be constructed from three lemon-flavoured sponges | 0:40:22 | 0:40:24 | |
and decorated with handmade icing. | 0:40:24 | 0:40:27 | |
So, this is the body and I'll cut out some legs | 0:40:27 | 0:40:30 | |
and make some feet and then this is the face and the hat. | 0:40:30 | 0:40:34 | |
You're actually going to be using | 0:40:34 | 0:40:36 | |
a sort of sugar paste to cover the sponge? | 0:40:36 | 0:40:38 | |
No, icing sugar and just water. | 0:40:38 | 0:40:41 | |
That's very brave of you. | 0:40:41 | 0:40:43 | |
Is it? | 0:40:43 | 0:40:45 | |
I find it hard, the decorating side, so I'll try my best. | 0:40:45 | 0:40:49 | |
-All right, fantastic. -It's going to be good. | 0:40:49 | 0:40:51 | |
-Thank you very much. -Bye-bye. | 0:40:51 | 0:40:53 | |
I think I'll be all right in time, hopefully. | 0:40:53 | 0:40:56 | |
Don't speak too soon. | 0:40:56 | 0:40:58 | |
-JULIA: -I'm really trying to go for a simple, good, light vanilla sponge | 0:40:58 | 0:41:01 | |
that Paul and Mary are going to say has got a good flavour. | 0:41:01 | 0:41:05 | |
After that, the icing, the novelty aspect, | 0:41:05 | 0:41:07 | |
who knows how it's going to turn out. | 0:41:07 | 0:41:10 | |
Julia's adding blueberries to a basic sponge | 0:41:10 | 0:41:14 | |
and decorating it with a union flag | 0:41:14 | 0:41:16 | |
made of buttercream and food colouring, | 0:41:16 | 0:41:18 | |
before cutting out the Queen's profile. | 0:41:18 | 0:41:21 | |
Guys, you've arrived just at the moment that I'm about | 0:41:21 | 0:41:23 | |
to pop my sponge into the oven. | 0:41:23 | 0:41:25 | |
That's the sort of size it's going to be, is it? | 0:41:25 | 0:41:27 | |
Yeah, it's going to be that size. | 0:41:27 | 0:41:28 | |
Obviously, when you look at the size there... | 0:41:28 | 0:41:31 | |
-Yeah, yeah. -..I'm going for that kind of shape. | 0:41:31 | 0:41:33 | |
It's going to be iced on top, | 0:41:33 | 0:41:35 | |
so it's a buttercream icing on top, | 0:41:35 | 0:41:37 | |
with blueberries and raspberries. | 0:41:37 | 0:41:40 | |
Quite simple. | 0:41:40 | 0:41:41 | |
I've never baked before, so I wanted to keep it simple | 0:41:41 | 0:41:43 | |
and go strong on the idea and hopefully | 0:41:43 | 0:41:46 | |
make the sponge as perfect as I can. | 0:41:46 | 0:41:49 | |
Fantastic, thanks very much, Julia. Good luck. | 0:41:49 | 0:41:51 | |
I think he thinks the whole thing is a bit too easy-peasy. | 0:41:51 | 0:41:54 | |
He doesn't know the trauma that we're all going through. | 0:41:54 | 0:41:57 | |
Right, 30 minutes. | 0:41:57 | 0:41:59 | |
While the cakes are baking, | 0:42:07 | 0:42:10 | |
everyone remains focussed. | 0:42:10 | 0:42:13 | |
Is that shirt, is that Jamie Oliver? Is that what it is? | 0:42:13 | 0:42:15 | |
I borrowed it off Jamie, yeah. It's got utensils hidden around it. | 0:42:15 | 0:42:19 | |
The best thing about Bob's outfit, though, is the slippers. | 0:42:19 | 0:42:22 | |
It's a corduroy slipper, yeah, tartan-lined. | 0:42:22 | 0:42:25 | |
Right, coming out. | 0:42:28 | 0:42:29 | |
-KIRSTY: -The quicker I take them out, the quicker they cool. | 0:42:31 | 0:42:34 | |
They're a bit over-cooked, I think. | 0:42:36 | 0:42:39 | |
I'll be able to cover that up with icing. | 0:42:39 | 0:42:42 | |
ELLIE: Not even, but got a bit of a tummy. | 0:42:48 | 0:42:51 | |
-JULIA: -I'm not sure if that's cooked enough. | 0:42:53 | 0:42:56 | |
See my little dip in there? | 0:42:56 | 0:42:58 | |
I'll leave that to cool now. It's going to have to do. | 0:42:58 | 0:43:01 | |
A successful novelty cake relies on attention | 0:43:04 | 0:43:06 | |
to the smallest of details. | 0:43:06 | 0:43:08 | |
A mixture of apricot and brown, I think, is better. | 0:43:08 | 0:43:12 | |
There's no going back, once you've actually tried to create | 0:43:17 | 0:43:20 | |
the colour of the sandstone. If you don't get it right... | 0:43:20 | 0:43:23 | |
..you're in trouble. | 0:43:24 | 0:43:26 | |
ELLIE: That's grey. | 0:43:27 | 0:43:29 | |
OK, just a bit grey. | 0:43:29 | 0:43:30 | |
This is not going to work out. | 0:43:30 | 0:43:32 | |
No, it's not black, it's grey. | 0:43:34 | 0:43:36 | |
It's getting there, though. | 0:43:36 | 0:43:38 | |
That's pretty good on the black front. | 0:43:38 | 0:43:40 | |
You'll be all right, my love. | 0:43:40 | 0:43:41 | |
Yeah, but I need to make it, like, even. | 0:43:41 | 0:43:43 | |
Yeah, fair enough. | 0:43:43 | 0:43:45 | |
-BOB: -Probably my biggest challenge of this whole bake | 0:43:45 | 0:43:48 | |
is this letter S. | 0:43:48 | 0:43:50 | |
So here goes. | 0:43:51 | 0:43:52 | |
Check it out! | 0:44:08 | 0:44:09 | |
I don't usually fear the cake, but today it's become a sworn emeny... | 0:44:10 | 0:44:13 | |
enemeny...enemy. | 0:44:13 | 0:44:14 | |
-How's it going? -It's going OK. | 0:44:23 | 0:44:25 | |
It's got kind of like, absolutely no taste whatsoever | 0:44:25 | 0:44:28 | |
and that's kind of like its unique thing. | 0:44:28 | 0:44:30 | |
-KIRSTY: -I'm cutting the quarters and flattening them, | 0:44:32 | 0:44:34 | |
so that I'm ready to compile them. | 0:44:34 | 0:44:37 | |
These are my stacks. | 0:44:38 | 0:44:41 | |
It's a series of jam sandwiches at the moment. | 0:44:41 | 0:44:43 | |
What I'm going to do is I'm going to turn it round, | 0:44:43 | 0:44:45 | |
so it's like the opposite side, | 0:44:45 | 0:44:47 | |
so it keeps looking like it's slightly wonky. | 0:44:47 | 0:44:50 | |
I recognise them! | 0:45:11 | 0:45:12 | |
Ellie, I'm sorry, do you mind? | 0:45:12 | 0:45:15 | |
-No. -They feel so good. | 0:45:15 | 0:45:19 | |
Heavy. | 0:45:19 | 0:45:20 | |
-Really heavy, aren't they? -Really heavy. | 0:45:20 | 0:45:22 | |
-And you've got blooming four of these, Ellie. -I know. | 0:45:22 | 0:45:24 | |
Have you ever had to wear all four at the same time? | 0:45:24 | 0:45:28 | |
Yeah, quite a bit. | 0:45:28 | 0:45:30 | |
Oh, that feels good, man. | 0:45:30 | 0:45:31 | |
Let's just see how this works. | 0:45:31 | 0:45:33 | |
I'm going to try and disguise the little dip with buttercream. | 0:45:35 | 0:45:39 | |
Oh, hello, shark. | 0:45:42 | 0:45:44 | |
There is method to my madness. | 0:45:44 | 0:45:46 | |
At least it's covered that dropped bit, anyway. | 0:45:46 | 0:45:48 | |
What drop? What are you talking about? | 0:45:48 | 0:45:50 | |
You see, if you look there. | 0:45:50 | 0:45:52 | |
-No, no, no, I think that's just an optical illusion. -Think so? | 0:45:52 | 0:45:55 | |
I think that could be the icing, perhaps. | 0:45:55 | 0:45:56 | |
Comic Relief bakers, you've got 15 minutes of 3-D novelty fun to go. | 0:45:56 | 0:46:02 | |
This is really messy. | 0:46:18 | 0:46:19 | |
The real challenge, the real moment of truth, | 0:46:42 | 0:46:45 | |
is when I place Queenie's head on top of the sponge, | 0:46:45 | 0:46:47 | |
on top of the icing | 0:46:47 | 0:46:48 | |
and then I start to cut around my template. | 0:46:48 | 0:46:51 | |
Obviously, that's the moment where it could literally all crumble. | 0:46:51 | 0:46:55 | |
There she is. | 0:47:14 | 0:47:16 | |
That was the bit I was most worried about. | 0:47:17 | 0:47:20 | |
That is a very dinky little nest. | 0:47:20 | 0:47:22 | |
Very cute. | 0:47:22 | 0:47:24 | |
-KIRSTY: -Look, this is where I think | 0:47:24 | 0:47:26 | |
-it can go all horribly wrong, to be honest. -It looks good. | 0:47:26 | 0:47:29 | |
Slightly spiky on top. | 0:47:37 | 0:47:39 | |
It's OK, it's OK, because I've got another wee bit of thing. | 0:47:39 | 0:47:42 | |
Good, good, good. | 0:47:42 | 0:47:44 | |
That looks pretty secure, Kirsty. | 0:47:44 | 0:47:46 | |
Comic Relief bakers, | 0:47:52 | 0:47:54 | |
three minutes on your 3-D. | 0:47:54 | 0:47:57 | |
It's a bit tense, isn't it? I really want to finish it. | 0:48:05 | 0:48:09 | |
BOB GASPS | 0:48:22 | 0:48:23 | |
-I can tell that's the Queen. -Well, that's amazing that you can. | 0:48:28 | 0:48:31 | |
I'm really impressed. | 0:48:31 | 0:48:33 | |
Do you find you're slightly addicted to baking now? | 0:48:33 | 0:48:35 | |
-No. -OK. | 0:48:35 | 0:48:37 | |
It's a stressful experience, this Bake Off business, isn't it? | 0:48:37 | 0:48:41 | |
This is just the last seagull. That's when to stop, I think. | 0:48:46 | 0:48:49 | |
I'm so worried I'll break it, I'm so worried. | 0:48:49 | 0:48:52 | |
I think I'll knock it over if I go near it. | 0:48:53 | 0:48:56 | |
-Ellie? -Yeah. | 0:49:01 | 0:49:03 | |
Sorry, I know this might not be the time to ask you, | 0:49:03 | 0:49:06 | |
but I've always wanted to know how to do a tumble turn. | 0:49:06 | 0:49:09 | |
ELLIE LAUGHS | 0:49:09 | 0:49:11 | |
Any tips? | 0:49:11 | 0:49:13 | |
Yeah, just give me... | 0:49:13 | 0:49:14 | |
Sorry, no, it's the wrong time, it is the wrong time, | 0:49:14 | 0:49:17 | |
but I do want a masterclass in tumble turns. | 0:49:17 | 0:49:19 | |
Comic Relief bakers, | 0:49:32 | 0:49:34 | |
you know what I'm going to say now. | 0:49:34 | 0:49:36 | |
Time to stop, | 0:49:36 | 0:49:38 | |
it's the end. | 0:49:38 | 0:49:40 | |
This challenge is now finished. | 0:49:40 | 0:49:42 | |
That looks right royal. | 0:50:05 | 0:50:07 | |
I like it. I can't quite see the Queen's... | 0:50:07 | 0:50:10 | |
It's sort of lost a little bit, | 0:50:10 | 0:50:11 | |
but the way you've executed it, | 0:50:11 | 0:50:13 | |
anyway, and given the Queen a nice strawberry nose. | 0:50:13 | 0:50:16 | |
Comic Relief. | 0:50:16 | 0:50:17 | |
So if we cut in... | 0:50:17 | 0:50:18 | |
Don't cut off her head, Paul! That's treason. | 0:50:18 | 0:50:22 | |
-You have got that dip in the middle. -What dip? | 0:50:22 | 0:50:25 | |
Thin icing, then thick and then thin again. | 0:50:25 | 0:50:27 | |
Typically, if you add too much baking powder, | 0:50:27 | 0:50:30 | |
it rises up and comes down again. | 0:50:30 | 0:50:31 | |
Hopefully, you can't taste it. | 0:50:31 | 0:50:33 | |
You're very lucky, I can't taste it and I don't know why I can't, | 0:50:34 | 0:50:37 | |
but I should be able to. | 0:50:37 | 0:50:39 | |
And when you do hit that blueberry, | 0:50:39 | 0:50:41 | |
it's got a lovely flavour, as well, together with the whole sponge. | 0:50:41 | 0:50:44 | |
-But in future, just be careful of your rising agents. -I will. | 0:50:44 | 0:50:48 | |
There's something quite charming about this cake. | 0:50:53 | 0:50:56 | |
I think it works, even the shape of the chest | 0:50:56 | 0:50:59 | |
from the cake coming down and the legs. | 0:50:59 | 0:51:01 | |
But you did all the icing yourself, didn't you? You mixed all the icing. | 0:51:01 | 0:51:04 | |
And none of it's run. | 0:51:04 | 0:51:05 | |
So we'll take a wedge out of his heart. | 0:51:05 | 0:51:08 | |
That's a good sponge. | 0:51:11 | 0:51:13 | |
It's a beautiful texture. | 0:51:13 | 0:51:14 | |
It's a nice, strong flavour of lemon, which I like. | 0:51:14 | 0:51:17 | |
It's a little bit dry, | 0:51:17 | 0:51:18 | |
but the texture and the flavour's there and the design, I like. | 0:51:18 | 0:51:23 | |
Thank you. | 0:51:23 | 0:51:24 | |
I would never have thought of that in a million years, | 0:51:30 | 0:51:33 | |
but you know exactly what it is. | 0:51:33 | 0:51:34 | |
It's instantly recognisable. | 0:51:34 | 0:51:36 | |
It's most effective | 0:51:36 | 0:51:38 | |
and you've done very good letters there, carving it out freehand. | 0:51:38 | 0:51:42 | |
-Aw! -Cooked well. | 0:51:43 | 0:51:44 | |
It looks quite neat. I think you've caught it slightly in the oven. | 0:51:46 | 0:51:48 | |
It's gone quite brown on the outside. | 0:51:48 | 0:51:51 | |
It's brown on the outside, | 0:51:51 | 0:51:52 | |
but you've been frightfully clever at cutting it off. | 0:51:52 | 0:51:55 | |
I mean, looking at it there, you wouldn't notice that. | 0:51:55 | 0:51:57 | |
That's a good sponge. | 0:52:00 | 0:52:02 | |
I was expecting it to be on the heavy side, | 0:52:02 | 0:52:04 | |
-but it's good, isn't it? -Mm. -Thank you. | 0:52:04 | 0:52:07 | |
It's quite a professional-looking cake, | 0:52:07 | 0:52:09 | |
if I'm going to be honest, because it's so neat. | 0:52:09 | 0:52:11 | |
Well done. Thanks, Bob. | 0:52:11 | 0:52:13 | |
You OK? | 0:52:18 | 0:52:20 | |
MARY: Solid as a rock. | 0:52:23 | 0:52:25 | |
Just in case the Old Man of Hoy does topple over, | 0:52:27 | 0:52:29 | |
there's just a little... | 0:52:29 | 0:52:30 | |
Just for health and safety. | 0:52:30 | 0:52:32 | |
There we go, thanks. | 0:52:32 | 0:52:34 | |
I love the detail. | 0:52:34 | 0:52:36 | |
The little seagulls, the eggs, | 0:52:36 | 0:52:39 | |
the nest, the moss, the sea. | 0:52:39 | 0:52:42 | |
I like the idea. I think the idea's very good, it's ingenious. | 0:52:42 | 0:52:45 | |
It's beautifully moist. | 0:52:49 | 0:52:50 | |
Yeah, I actually think the flavour's good. | 0:52:50 | 0:52:52 | |
The idea is very good. | 0:52:52 | 0:52:54 | |
It has been executed well | 0:52:54 | 0:52:56 | |
and it does taste excellent. | 0:52:56 | 0:52:58 | |
-Thank you. -Lovely, well done. -Wowzers. Well done, Kirsty. | 0:52:58 | 0:53:02 | |
-KIRSTY: -'The Old Man of Hoy was a bit left-field, for a start,' | 0:53:04 | 0:53:07 | |
so I think any of those three could win | 0:53:07 | 0:53:09 | |
and, you know, what Mary said was absolutely right, | 0:53:09 | 0:53:11 | |
they could be novelty cakes that people could copy. | 0:53:11 | 0:53:14 | |
JULIA: 'I feel a little bit disappointed | 0:53:14 | 0:53:16 | |
'with my baking powder faux pas.' | 0:53:16 | 0:53:17 | |
I think I've let myself down, I've let the cake down, | 0:53:17 | 0:53:20 | |
I've let the Queen down. | 0:53:20 | 0:53:21 | |
Paul said some nice things about my cake, cos as you know, | 0:53:21 | 0:53:25 | |
I've always liked Paul. | 0:53:25 | 0:53:26 | |
I've said throughout the show how fond I am... | 0:53:26 | 0:53:29 | |
No, it was nice to get some half-decent comments. | 0:53:29 | 0:53:32 | |
ELLIE: 'Hopefully I'll come away with Star Baker,' | 0:53:32 | 0:53:35 | |
but I don't mind if I don't, because I've had a great time. | 0:53:35 | 0:53:38 | |
Paul and Mary, we must dissect. | 0:53:40 | 0:53:43 | |
Let's start with Julia. | 0:53:43 | 0:53:45 | |
I knew it was the Queen, it looked like a stamp. | 0:53:45 | 0:53:48 | |
It did have too much baking powder, rising up, bit of a dip. | 0:53:48 | 0:53:52 | |
Overall, I think Julia's done well. | 0:53:52 | 0:53:54 | |
She did well on her eclairs, you know, I think they were OK. | 0:53:54 | 0:53:57 | |
Has her Showstopper pulled her right back | 0:53:57 | 0:53:59 | |
or is she still in the running, do you think? | 0:53:59 | 0:54:01 | |
I think the Showstopper has dropped her back a bit. | 0:54:01 | 0:54:03 | |
Yeah, it's not the best one here. | 0:54:03 | 0:54:05 | |
OK. Let's move on. Bob's Baker Street. | 0:54:05 | 0:54:07 | |
I really like this. I thought the idea was good, executed quite well. | 0:54:07 | 0:54:11 | |
That little sandwich in-between of filling really lifted it slightly. | 0:54:11 | 0:54:15 | |
-And it looked stunning. -Yeah, it's a great design, isn't it? | 0:54:15 | 0:54:18 | |
A great design and it's one that would catch on. | 0:54:18 | 0:54:20 | |
Absolutely. | 0:54:20 | 0:54:22 | |
He's fallen short on a couple of the tech challenges, but actually, | 0:54:22 | 0:54:24 | |
on this one today, I think he's built himself up a little bit. | 0:54:24 | 0:54:27 | |
Let's move on to Ellie. | 0:54:27 | 0:54:28 | |
The appearance was very interesting, what she did. | 0:54:28 | 0:54:31 | |
As a kid's soldiers cake, excellent. | 0:54:31 | 0:54:33 | |
Anybody else would have, you know, done little sweeties down here | 0:54:33 | 0:54:37 | |
and had a great big beaming smile, | 0:54:37 | 0:54:40 | |
but really, our guard looked ON guard | 0:54:40 | 0:54:44 | |
and I was impressed. | 0:54:44 | 0:54:45 | |
What about yesterday, Paul? | 0:54:45 | 0:54:46 | |
Yesterday, I thought she did really well. | 0:54:46 | 0:54:48 | |
I think she's dropped slightly today with that. | 0:54:48 | 0:54:51 | |
OK, is she still in with a chance of a medal? | 0:54:51 | 0:54:53 | |
Absolutely. | 0:54:53 | 0:54:55 | |
Kirsty's Old Man of Hoy Showstopper. | 0:54:55 | 0:54:59 | |
I really liked that. | 0:54:59 | 0:55:00 | |
The actual cake was beautifully cooked | 0:55:00 | 0:55:04 | |
and the detail of those eggs | 0:55:04 | 0:55:07 | |
and the nest and the moss, | 0:55:07 | 0:55:09 | |
it all added to it. | 0:55:09 | 0:55:10 | |
For me, out of all the cakes, it tasted the best. | 0:55:10 | 0:55:13 | |
Comic Relief foursome, you've sponged, | 0:55:24 | 0:55:26 | |
stippled and stacked with style, | 0:55:26 | 0:55:29 | |
it's fair to say. | 0:55:29 | 0:55:30 | |
You've also been a very, very difficult group to judge, | 0:55:30 | 0:55:36 | |
but Paul and Mary have made their decision. | 0:55:36 | 0:55:39 | |
We're moments away from announcing the illustrious title | 0:55:39 | 0:55:43 | |
of Comic Relief Star Baker, | 0:55:43 | 0:55:46 | |
and this person is... | 0:55:46 | 0:55:47 | |
..two people. | 0:55:51 | 0:55:53 | |
-BOB: -Ooh! | 0:55:53 | 0:55:54 | |
Our first Star Baker is somebody who's had | 0:55:55 | 0:55:58 | |
a few accolades in their life, | 0:55:58 | 0:56:01 | |
but, frankly, nothing as important | 0:56:01 | 0:56:04 | |
and illustrious as an apron. | 0:56:04 | 0:56:07 | |
Our first Star Baker is, of course, | 0:56:08 | 0:56:10 | |
Ellie Simmonds. | 0:56:10 | 0:56:12 | |
THEY CHEER | 0:56:12 | 0:56:14 | |
-Well done, Ellie, good work. There you go. -Thank you. | 0:56:14 | 0:56:17 | |
Beat any gold, that Ellie. | 0:56:17 | 0:56:18 | |
Better than winning a medal | 0:56:18 | 0:56:19 | |
-at the Paralympics? -Yeah, it's well nicer. | 0:56:19 | 0:56:21 | |
ELLIE LAUGHS | 0:56:21 | 0:56:23 | |
-Thank you very much. -Thank you so much, Ellie. | 0:56:23 | 0:56:25 | |
THEY CHEER | 0:56:25 | 0:56:27 | |
Now, our second Star Baker blew the judges away with | 0:56:27 | 0:56:31 | |
the fantastic flavour of their Showstopper cake. | 0:56:31 | 0:56:35 | |
Our second Star Baker | 0:56:35 | 0:56:38 | |
goes to Kirsty Wark. | 0:56:38 | 0:56:39 | |
THEY CHEER | 0:56:39 | 0:56:40 | |
Well done, Kirsty! | 0:56:40 | 0:56:42 | |
Well done. | 0:56:42 | 0:56:44 | |
Nice cake. There you go, my dear. | 0:56:44 | 0:56:45 | |
-KIRSTY: -Ellie! | 0:56:45 | 0:56:47 | |
Two Star Bakers. | 0:56:47 | 0:56:48 | |
-PAUL: -'Ellie was good over all of the challenges,' | 0:56:49 | 0:56:52 | |
but on the other hand, Kirsty came from nowhere and just flew | 0:56:52 | 0:56:56 | |
'and that's why she had to win, as well.' | 0:56:56 | 0:56:59 | |
What an apron! Look at this apron. | 0:56:59 | 0:57:01 | |
I don't think I'll ever take it off, I'll wear this on Newsnight. | 0:57:01 | 0:57:04 | |
Kirsty had so upped her game with originality, | 0:57:04 | 0:57:08 | |
'but the highest points came from Ellie,' | 0:57:08 | 0:57:11 | |
so that's why we had two. | 0:57:11 | 0:57:12 | |
It seemed the fairest answer. | 0:57:12 | 0:57:14 | |
Really pleased, like, to have this apron. | 0:57:14 | 0:57:17 | |
Oh, I'm so happy and I can't wait to tell everyone, now, as well. | 0:57:17 | 0:57:21 | |
-BOB: -'This was a brilliant way to be involved in Comic Relief.' | 0:57:21 | 0:57:24 | |
It was quite a challenge, met some lovely people. | 0:57:24 | 0:57:27 | |
I hope the Comic Relief Bake Off | 0:57:27 | 0:57:29 | |
inspires people to do one of two things - | 0:57:29 | 0:57:31 | |
either to have their own Comic Relief Bake Off | 0:57:31 | 0:57:34 | |
to raise funny money, or just donate. | 0:57:34 | 0:57:37 | |
If that motley crew have inspired you | 0:57:37 | 0:57:39 | |
to get baking for Comic Relief, | 0:57:39 | 0:57:41 | |
then why not go out and buy | 0:57:41 | 0:57:43 | |
the Great Comic Relief Bake Off booklet? | 0:57:43 | 0:57:46 | |
It's full of recipes to inspire you | 0:57:46 | 0:57:48 | |
when you're organising your own bake sale. | 0:57:48 | 0:57:51 | |
For more information go to... | 0:57:51 | 0:57:52 | |
'Next time, the final four well-known personalities | 0:57:56 | 0:58:01 | |
'will battle it out over Signature biscuits...' | 0:58:01 | 0:58:03 | |
The aggression is coming out. | 0:58:05 | 0:58:08 | |
'..technically tricky lemon meringue pies...' | 0:58:08 | 0:58:10 | |
'..and Showstopping birthday cakes...' | 0:58:14 | 0:58:17 | |
Just feel my heart rate's gone up! | 0:58:17 | 0:58:19 | |
'..in a bid to claim the last title of Comic Relief Star Baker.' | 0:58:19 | 0:58:22 | |
Woo! | 0:58:22 | 0:58:23 | |
That's scrummy, isn't it? | 0:58:23 | 0:58:25 | |
That flavour is divine. | 0:58:25 | 0:58:26 | |
Oh, no! | 0:58:27 | 0:58:28 | |
SHE BREATHES OUT SLOWLY | 0:58:28 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:45 | 0:58:50 |