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Across Britain, bakers work to feed our passion for bread and cake. | 0:00:02 | 0:00:07 | |
But where did this four billion pound a year industry come from? | 0:00:07 | 0:00:12 | |
To find out, four professionals are going back in time. | 0:00:12 | 0:00:16 | |
They're baking through 63 years | 0:00:16 | 0:00:18 | |
which transformed their trade and our diet forever. | 0:00:18 | 0:00:22 | |
The age of the Victorians. | 0:00:22 | 0:00:25 | |
From the rural bakeries of the 1840s, | 0:00:25 | 0:00:27 | |
where baking had barely changed for centuries. | 0:00:27 | 0:00:30 | |
To the sweat and toil of the urban bakery | 0:00:30 | 0:00:32 | |
at the height of the Industrial Revolution. | 0:00:32 | 0:00:35 | |
To luxurious high street retailers at the dawn of the 20th century. | 0:00:35 | 0:00:40 | |
So far, they've explored wholesome country baking | 0:00:40 | 0:00:43 | |
in the earliest years of Victoria's reign. | 0:00:43 | 0:00:46 | |
Oh, gosh, that is lovely. | 0:00:46 | 0:00:48 | |
Now, they're moving to the town and the middle years | 0:00:48 | 0:00:51 | |
of the Victorian era. | 0:00:51 | 0:00:53 | |
The physical exertion | 0:00:53 | 0:00:54 | |
just to get the damn stuff made | 0:00:54 | 0:00:56 | |
is pretty much sickening. | 0:00:56 | 0:00:58 | |
At the height of the Industrial Revolution, | 0:00:58 | 0:01:00 | |
bakers took desperate measures. | 0:01:00 | 0:01:02 | |
This is potassium aluminium sulphate. | 0:01:02 | 0:01:05 | |
Doesn't that cause brain damage? | 0:01:05 | 0:01:07 | |
It's got this grittiness about it which is just awful. | 0:01:07 | 0:01:11 | |
We can't have people doing this. | 0:01:11 | 0:01:12 | |
If this is what they did, then who am I not to do it? | 0:01:12 | 0:01:15 | |
Do you want that on your gravestone? | 0:01:15 | 0:01:17 | |
It's just heartbreaking. | 0:01:17 | 0:01:20 | |
Neither baking nor Britain | 0:01:20 | 0:01:22 | |
would ever be the same again. | 0:01:22 | 0:01:23 | |
This glimpse into their world | 0:01:23 | 0:01:25 | |
has made me realise just how hard they would have had to work | 0:01:25 | 0:01:29 | |
feeding the nation as it was growing. | 0:01:29 | 0:01:32 | |
Four modern bakers are reporting for duty, | 0:01:43 | 0:01:46 | |
deep in the industrial heartland of Victorian Britain. | 0:01:46 | 0:01:50 | |
They've come to one of the very few | 0:01:50 | 0:01:52 | |
places in Britain which still | 0:01:52 | 0:01:54 | |
has a 19th-century bakehouse | 0:01:54 | 0:01:56 | |
in working order - | 0:01:56 | 0:01:57 | |
the Black Country Living Museum near Birmingham. | 0:01:57 | 0:02:02 | |
It's very different from the rural setting | 0:02:02 | 0:02:04 | |
of their previous Victorian bakery. | 0:02:04 | 0:02:06 | |
They've moved forward in time | 0:02:06 | 0:02:08 | |
and during the three decades that have passed, | 0:02:08 | 0:02:11 | |
Britain's population has increased by 20% to over 30 million. | 0:02:11 | 0:02:16 | |
We've become the world's first urban economy. | 0:02:16 | 0:02:20 | |
By the time we get to the 1870s, you've got over two thirds | 0:02:20 | 0:02:23 | |
of the population of Britain living in towns and cities. | 0:02:23 | 0:02:27 | |
People were flooding to the cities to work in factories | 0:02:27 | 0:02:30 | |
and in various emerging industries, and this boom in population, | 0:02:30 | 0:02:34 | |
of course, created a need for food. | 0:02:34 | 0:02:37 | |
You're also in an urban environment in an industrial age | 0:02:37 | 0:02:40 | |
which means that as bakers | 0:02:40 | 0:02:42 | |
you'll be working longer hours for less money. | 0:02:42 | 0:02:45 | |
SHE SIGHS You can see how it's going to go. | 0:02:45 | 0:02:48 | |
It's going to be hard. | 0:02:48 | 0:02:49 | |
It's going to be very hard, | 0:02:49 | 0:02:50 | |
-but we should show you the bakehouse first, so come this way. -Let's go. | 0:02:50 | 0:02:55 | |
Urban bakers fed the workers | 0:02:57 | 0:02:59 | |
who staffed the factories which supplied the world. | 0:02:59 | 0:03:02 | |
Britain manufactured and exported more than any other nation. | 0:03:02 | 0:03:06 | |
By the 1870s, | 0:03:07 | 0:03:09 | |
the Industrial Revolution had already been underway | 0:03:09 | 0:03:11 | |
for nearly a century and almost two thirds of our economy | 0:03:11 | 0:03:14 | |
was classified as industrialised. | 0:03:14 | 0:03:17 | |
This figure had doubled since Victoria began her rule | 0:03:17 | 0:03:20 | |
just 33 years earlier. | 0:03:20 | 0:03:22 | |
The astonishing rate of progress | 0:03:22 | 0:03:24 | |
is a hopeful sign for modern factory owner John Foster. | 0:03:24 | 0:03:28 | |
I'm expecting to see a little bit more equipment. | 0:03:28 | 0:03:31 | |
That would be nice. | 0:03:31 | 0:03:33 | |
Will we get any controls on our oven? | 0:03:33 | 0:03:35 | |
It would be rather nice | 0:03:35 | 0:03:37 | |
if there was a mixing machine | 0:03:37 | 0:03:38 | |
and we didn't have to mix it all by hand. | 0:03:38 | 0:03:41 | |
-There we have it. -Wow. -Bit small. | 0:03:41 | 0:03:44 | |
It's a lot smaller than I thought it would be. | 0:03:44 | 0:03:46 | |
And where's the bakery? | 0:03:46 | 0:03:47 | |
So although you might think of Victorian Britain as a place | 0:03:47 | 0:03:51 | |
of big factories and children up chimneys, | 0:03:51 | 0:03:53 | |
baking really hadn't caught up. | 0:03:53 | 0:03:55 | |
This is about the same size | 0:03:55 | 0:03:57 | |
as the bakehouse you were used to in the 1840s. | 0:03:57 | 0:04:00 | |
Half 100 weight of coal outside, | 0:04:00 | 0:04:01 | |
it's, you know, a bit different to usual. | 0:04:01 | 0:04:03 | |
But in terms of how baking worked | 0:04:03 | 0:04:05 | |
it's still very much a lot of brute force. | 0:04:05 | 0:04:07 | |
-So...in we go. -Come and have a look inside. | 0:04:07 | 0:04:11 | |
Sorry there aren't any fancy machines for you, John. | 0:04:11 | 0:04:13 | |
-Yeah. -But... | 0:04:13 | 0:04:15 | |
-I'll sing the blues music. -Yeah. -ALEX LAUGHS | 0:04:15 | 0:04:18 | |
This is grubby as anything. | 0:04:18 | 0:04:21 | |
-I know what this is. -That's a big ass tray. | 0:04:22 | 0:04:24 | |
-HARPREET: Wow. -Full sack. -Yeah. | 0:04:24 | 0:04:26 | |
This is where we get to know how strong we all are. | 0:04:26 | 0:04:29 | |
'Annie and I are on hand to explain how a bakehouse like this | 0:04:29 | 0:04:32 | |
'would have worked in the 1870s. | 0:04:32 | 0:04:35 | |
'But we're depending on the bakers' expertise | 0:04:35 | 0:04:38 | |
'to turn historical theory into practice.' | 0:04:38 | 0:04:40 | |
Bread is still very, very much the staple of life. | 0:04:40 | 0:04:43 | |
We know that in Birmingham, there were about 340 bakeries and that's... | 0:04:43 | 0:04:48 | |
That's a lot. | 0:04:48 | 0:04:49 | |
Bakehouses like this, small bakehouses like this, | 0:04:49 | 0:04:52 | |
would probably use sacks of around 280 pounds' worth of flour. | 0:04:52 | 0:04:56 | |
So you're probably working towards between 90 and 100 loaves. | 0:04:56 | 0:05:01 | |
And on top of those loaves, | 0:05:01 | 0:05:02 | |
one of the things they really developed a taste for, | 0:05:02 | 0:05:05 | |
Victorians, was fresh little rolls | 0:05:05 | 0:05:07 | |
that you're also going to churn out for first thing in the morning. | 0:05:07 | 0:05:10 | |
So that means, without a doubt, | 0:05:10 | 0:05:13 | |
you're going to be working through the night. | 0:05:13 | 0:05:15 | |
Nothing changes. | 0:05:15 | 0:05:16 | |
You're not scaring us. Not scaring us. Not a problem. | 0:05:16 | 0:05:19 | |
One final point, as well, | 0:05:19 | 0:05:20 | |
there is a hierarchy within the bakery. | 0:05:20 | 0:05:22 | |
That means a foreman. | 0:05:22 | 0:05:24 | |
-Yeah, I'll tell everybody what to do. -Yeah. | 0:05:24 | 0:05:26 | |
A second hand, a third hand and then the fourth hand. | 0:05:26 | 0:05:28 | |
And they earned about two and a half times less than the foreman | 0:05:28 | 0:05:33 | |
so you're looking at quite a wage differential, as well. | 0:05:33 | 0:05:35 | |
I'm basically coal shoveller for the night, | 0:05:35 | 0:05:37 | |
that's pretty much it, isn't it? | 0:05:37 | 0:05:39 | |
-That's where you're going to start. -Yeah. | 0:05:39 | 0:05:41 | |
Bakers' shifts usually started at around 11 in the evening. | 0:05:41 | 0:05:45 | |
-And since we are about on that now... -We'll let you get to work. | 0:05:45 | 0:05:49 | |
-Thank you. -Thank you very much. -Catch you later. -OK. | 0:05:49 | 0:05:52 | |
Since ancient times, baking had been seen as a valued trade, | 0:05:53 | 0:05:57 | |
a venerable craft handed down through generations. | 0:05:57 | 0:06:02 | |
I tell you what, guys, this is...this is chuffing heavy. | 0:06:02 | 0:06:04 | |
Ohh. | 0:06:04 | 0:06:05 | |
But in the new industrial towns, | 0:06:05 | 0:06:07 | |
bakers were increasingly treated as little more than unskilled muscle. | 0:06:07 | 0:06:11 | |
Right, shall we have... Oh, actually, | 0:06:13 | 0:06:15 | |
-I'm not allowed to talk, am I? -No. We've got to... | 0:06:15 | 0:06:17 | |
-I'm just the coal shoveller. -We've got to figure out how to do the | 0:06:17 | 0:06:20 | |
-dough. -Yeah. -And how to get these ovens lit. | 0:06:20 | 0:06:23 | |
The rapid development of Victorian Britain | 0:06:24 | 0:06:26 | |
would have been impossible without coal. | 0:06:26 | 0:06:28 | |
We mined 200 million tonnes a year of the stuff | 0:06:28 | 0:06:32 | |
and the industry employed one in ten working men. | 0:06:32 | 0:06:35 | |
But it's not something you'd ever see in the bakery | 0:06:38 | 0:06:40 | |
owned by 21st-century artisan Duncan Glendinning. | 0:06:40 | 0:06:43 | |
Having to fire up the oven with coal, | 0:06:45 | 0:06:49 | |
this is just a nightmare. | 0:06:49 | 0:06:50 | |
I mean, being conscious, running my own bakery | 0:06:50 | 0:06:53 | |
and conscious of the cleanliness | 0:06:53 | 0:06:56 | |
with which we have to tackle bread making, | 0:06:56 | 0:06:58 | |
the idea of me turning my hands to some dough | 0:06:58 | 0:07:01 | |
with the hands in the state that they're in | 0:07:01 | 0:07:04 | |
is a little bit scary. | 0:07:04 | 0:07:06 | |
Fifth generation baker John Swift sets to work with the flour, | 0:07:08 | 0:07:12 | |
aided by couture cake creator, Harpreet Baura. | 0:07:12 | 0:07:16 | |
A typical bakery of this size would get through at least | 0:07:16 | 0:07:18 | |
two 20-stone sacks a night. | 0:07:18 | 0:07:21 | |
John's great, great aunt Harriet, | 0:07:21 | 0:07:23 | |
who founded his family business in 1863, | 0:07:23 | 0:07:27 | |
has one at the ready just behind her. | 0:07:27 | 0:07:30 | |
A pre-dough is already fermenting. | 0:07:30 | 0:07:33 | |
Normally the foreman would have come in earlier in the day | 0:07:33 | 0:07:36 | |
to set the sponge | 0:07:36 | 0:07:38 | |
by mixing a little flour with yeast. | 0:07:38 | 0:07:40 | |
-It's good. -It's looking pretty lively. | 0:07:40 | 0:07:42 | |
Then water is added, along with the rest of the flour, | 0:07:44 | 0:07:46 | |
and it's time to mix the dough, manually. | 0:07:46 | 0:07:49 | |
Ugh. | 0:07:49 | 0:07:51 | |
The team found this tiring enough in their rural bakehouse, | 0:07:51 | 0:07:54 | |
where they were making much smaller batches for a much smaller oven. | 0:07:54 | 0:07:58 | |
Though the amount of staff employed by a typical bakery | 0:07:58 | 0:08:01 | |
didn't increase during Victoria's reign, | 0:08:01 | 0:08:03 | |
the amount they were expected to produce multiplied fivefold. | 0:08:03 | 0:08:07 | |
This is about as difficult as getting the dog off the bed. | 0:08:07 | 0:08:11 | |
Ready? | 0:08:11 | 0:08:13 | |
Ugh. | 0:08:13 | 0:08:15 | |
I mean, they must have been fitter than us. | 0:08:17 | 0:08:19 | |
We rely on machines or sizes of dough. | 0:08:19 | 0:08:22 | |
-HARPREET: -We're not used to it. -20st of dough by hand. | 0:08:22 | 0:08:25 | |
Bakers now are strong. | 0:08:25 | 0:08:27 | |
Bakers back then must have been ferociously strong. | 0:08:27 | 0:08:30 | |
The dough is so dense and heavy, | 0:08:30 | 0:08:33 | |
that John Foster decides a different approach is needed. | 0:08:33 | 0:08:36 | |
This is the one and only opportunity in my life | 0:08:36 | 0:08:39 | |
I am going to get to knead dough with my feet, I am not missing it. | 0:08:39 | 0:08:43 | |
But we will be hygienic. | 0:08:45 | 0:08:47 | |
There are some horrified Victorian accounts | 0:08:47 | 0:08:49 | |
of bakers using their feet to knead but most used their hands. | 0:08:49 | 0:08:54 | |
Someone must have looked at this and gone hang on a minute, | 0:08:54 | 0:08:57 | |
we're mixing 20st of dough, it's killing us. | 0:08:57 | 0:09:01 | |
It's killing me now, I tell ya. | 0:09:01 | 0:09:03 | |
-HARPREET: -You all right, John? -Yeah. | 0:09:03 | 0:09:06 | |
-He's actually really enjoying this. -DUNCAN: -John. | 0:09:06 | 0:09:08 | |
-I think he's got some... -CREAKING | 0:09:09 | 0:09:12 | |
-HARPREET: -Ooh, something, something's creaking. | 0:09:12 | 0:09:14 | |
Yeah, something's creaking. | 0:09:14 | 0:09:16 | |
The bakers might think this is the best approach, | 0:09:16 | 0:09:19 | |
but the kneading trough is feeling the strain. | 0:09:19 | 0:09:22 | |
So what, what we got in here? | 0:09:25 | 0:09:27 | |
We got 20st of flour, so we got like 25st now, with... | 0:09:27 | 0:09:30 | |
with John in, yeah? | 0:09:30 | 0:09:32 | |
Are you coming out? Is that it? | 0:09:32 | 0:09:33 | |
Yeah, that's it. | 0:09:33 | 0:09:35 | |
Even using his feet, John is out of breath | 0:09:35 | 0:09:38 | |
and coated in sweat within minutes. | 0:09:38 | 0:09:40 | |
Can I ask you a question, if you don't mind answering, | 0:09:40 | 0:09:43 | |
-how old are you? -53. | 0:09:43 | 0:09:45 | |
53. OK, the average life expectancy for a baker | 0:09:45 | 0:09:49 | |
in this period is 42. | 0:09:49 | 0:09:51 | |
There you go, see, you're pushing your luck as it is. | 0:09:51 | 0:09:54 | |
-You'd be, you'd be... -Dead man walking! Dead man walking! | 0:09:54 | 0:09:57 | |
-The thing is - you're past it at 30. -Yeah. | 0:09:57 | 0:10:01 | |
How long are you going to have to knead this for? | 0:10:01 | 0:10:03 | |
What are we looking at? Hour maybe? | 0:10:03 | 0:10:06 | |
-Give or take, yeah. -If not an hour and a half. | 0:10:06 | 0:10:08 | |
-You've done five minutes and you're knackered. -Yeah. | 0:10:08 | 0:10:10 | |
So you're starting to get an insight into the working conditions. | 0:10:10 | 0:10:15 | |
One of the things you've got here that you just wouldn't have, | 0:10:15 | 0:10:17 | |
really, in most bakeries, urban bakeries in this time, | 0:10:17 | 0:10:22 | |
-are these things - windows. -OK. | 0:10:22 | 0:10:25 | |
OK. And I can feel the draft coming through here. | 0:10:25 | 0:10:27 | |
Now we know from accounts that the large percentage of bakeries | 0:10:27 | 0:10:32 | |
were actually underground, they were in cellars. | 0:10:32 | 0:10:34 | |
Imagine doing this down in a basement with no ventilation. | 0:10:34 | 0:10:38 | |
-No wonder they died early. -Well, exactly. | 0:10:38 | 0:10:40 | |
Though a baker's life had always been physically demanding, | 0:10:43 | 0:10:46 | |
before the mid-19th century | 0:10:46 | 0:10:48 | |
when the majority were still based in the countryside, | 0:10:48 | 0:10:51 | |
they at least had clean air | 0:10:51 | 0:10:52 | |
and a ready supply of fresh, local produce. | 0:10:52 | 0:10:56 | |
If I could have this life and still make a living | 0:10:56 | 0:10:59 | |
I would choose so. | 0:10:59 | 0:11:00 | |
Rural bakeries were also most often family owned and run. | 0:11:01 | 0:11:06 | |
But in the ruthlessly competitive mid-Victorian city, | 0:11:09 | 0:11:12 | |
bakeries were more likely to be owned by businessmen | 0:11:12 | 0:11:15 | |
or absent landlords, | 0:11:15 | 0:11:16 | |
who would cut their costs by renting cheap cellar premises. | 0:11:16 | 0:11:20 | |
Individual bakers rarely had the capital | 0:11:20 | 0:11:22 | |
to buy their own place in towns, | 0:11:22 | 0:11:24 | |
so they increasingly became freelancers for hire, | 0:11:24 | 0:11:27 | |
known as journeymen | 0:11:27 | 0:11:28 | |
with little control over their working conditions. | 0:11:28 | 0:11:32 | |
Right. | 0:11:32 | 0:11:33 | |
Time to get some shuteye. | 0:11:35 | 0:11:37 | |
You two on the floor. | 0:11:38 | 0:11:40 | |
I'm on the top of the tub. | 0:11:40 | 0:11:42 | |
You're the first woman I've slept with in 11 years that isn't my wife. | 0:11:42 | 0:11:47 | |
Accounts of the time describe how the journeymen | 0:11:47 | 0:11:50 | |
would grab a little sleep in the small hours | 0:11:50 | 0:11:52 | |
while the dough proved. | 0:11:52 | 0:11:54 | |
They wouldn't have had time to get home for this. | 0:11:54 | 0:11:56 | |
Besides, in many places, | 0:11:56 | 0:11:58 | |
they were actually locked into their bakehouses by the owners. | 0:11:58 | 0:12:01 | |
We all know that the Industrial Revolution | 0:12:03 | 0:12:06 | |
led to appalling conditions | 0:12:06 | 0:12:08 | |
but, surprisingly, | 0:12:08 | 0:12:09 | |
bakers had it worse than nearly any other profession. | 0:12:09 | 0:12:12 | |
One Victorian philanthropist argued that only a job in the bleach works | 0:12:12 | 0:12:17 | |
was more damaging for your health. | 0:12:17 | 0:12:19 | |
The air in Victorian cities was already pretty polluted | 0:12:21 | 0:12:24 | |
due to industrialisation but it was even worse for bakers | 0:12:24 | 0:12:28 | |
in their underground bakeries, surrounded by flying flour dust. | 0:12:28 | 0:12:32 | |
One study showed that of 111 bakers, | 0:12:32 | 0:12:35 | |
108 were suffering from severe or moderate lung disease. | 0:12:35 | 0:12:40 | |
The flour would make the baker wheeze, | 0:12:42 | 0:12:45 | |
cause asthma and a dry throat | 0:12:45 | 0:12:47 | |
that would often bleed. | 0:12:47 | 0:12:48 | |
Some cellar bakeries had toilets in the middle of them, | 0:12:51 | 0:12:54 | |
or even sewage running through them. | 0:12:54 | 0:12:56 | |
So the risk of cholera was particularly high. | 0:12:56 | 0:12:58 | |
Skin diseases were common too. | 0:12:58 | 0:13:01 | |
A government sanitary commission found that over two thirds of bakers | 0:13:01 | 0:13:04 | |
had health problems. | 0:13:04 | 0:13:06 | |
And for the few hours a baker did get away from work, | 0:13:10 | 0:13:13 | |
they may well have returned to a slum. | 0:13:13 | 0:13:15 | |
These were also the conditions in which many of their customers | 0:13:18 | 0:13:21 | |
would have lived. | 0:13:21 | 0:13:22 | |
A small room like this could very easily have housed a whole family, | 0:13:23 | 0:13:27 | |
sometimes several, along with various lice and bedbugs, | 0:13:27 | 0:13:31 | |
rats and mice. | 0:13:31 | 0:13:32 | |
Sanitation was very limited. | 0:13:32 | 0:13:34 | |
There was no running water | 0:13:34 | 0:13:35 | |
and the bathroom probably just consisted of a couple of pots. | 0:13:35 | 0:13:39 | |
The other problem for everyone's health | 0:13:39 | 0:13:42 | |
in the Victorian industrial town was what they ate. | 0:13:42 | 0:13:45 | |
And what they didn't. | 0:13:45 | 0:13:47 | |
You might have a little bit of meat in your diet if you could afford it, | 0:13:47 | 0:13:51 | |
some dripping, perhaps some bacon, maybe a sausage. | 0:13:51 | 0:13:54 | |
But the meat would usually go to the breadwinner, | 0:13:54 | 0:13:57 | |
the man of the house, and then perhaps the children. | 0:13:57 | 0:13:59 | |
Women nearly always lost out. | 0:13:59 | 0:14:02 | |
And your cooking facilities would have been very limited, as well, | 0:14:02 | 0:14:05 | |
so even if you did manage to get hold of something to vary your diet, | 0:14:05 | 0:14:08 | |
perhaps some potatoes or even some cabbage, | 0:14:08 | 0:14:11 | |
you'd have to work out how to cook it on a very, very small fire, | 0:14:11 | 0:14:15 | |
no oven, and, really, very little else. | 0:14:15 | 0:14:18 | |
In this kind of context, it's no surprise | 0:14:19 | 0:14:22 | |
that the major source of calories for working people | 0:14:22 | 0:14:25 | |
came from the bakery. | 0:14:25 | 0:14:27 | |
Bread was still the main part of the working-class diet. | 0:14:27 | 0:14:30 | |
Certainly your diet depended on exactly how much money you had, | 0:14:30 | 0:14:33 | |
but it's still fair to say that along with coal, | 0:14:33 | 0:14:36 | |
bread really did fuel the Industrial Revolution. | 0:14:36 | 0:14:40 | |
After considerably less than 40 winks, | 0:14:46 | 0:14:48 | |
the bakers get back to work. | 0:14:48 | 0:14:50 | |
Come on, guys. | 0:14:53 | 0:14:55 | |
-Ugh. I'm not used to that. -Come on. | 0:14:55 | 0:14:58 | |
I actually feel worse having stopped and laid down. | 0:14:58 | 0:15:02 | |
The coal has brought the oven to the right temperature | 0:15:04 | 0:15:06 | |
and the dough is ready to be weighed out | 0:15:06 | 0:15:09 | |
and moulded into the 90 or so loaves | 0:15:09 | 0:15:12 | |
which a 20-stone sack of flour would usually make. | 0:15:12 | 0:15:14 | |
Oh, it feels nice, it's just a four-pound lump of dough. | 0:15:14 | 0:15:17 | |
The quartern was double the weight of a modern sliced loaf, | 0:15:19 | 0:15:22 | |
and a working man would get through four of these | 0:15:22 | 0:15:25 | |
four-pound whoppers a week. | 0:15:25 | 0:15:26 | |
Looking good. | 0:15:28 | 0:15:30 | |
The dough is the most basic household variety, | 0:15:30 | 0:15:33 | |
the shapes are plain mounds like giant baps. | 0:15:33 | 0:15:36 | |
This was no-frills, utility bread, basic fuel for hardworking people. | 0:15:36 | 0:15:41 | |
Right, first one's going in. | 0:15:41 | 0:15:43 | |
Are you ready? | 0:15:43 | 0:15:45 | |
From this side, guys, is that what you want? | 0:15:45 | 0:15:48 | |
Like virtually all bread in Britain at the time, though, it's white. | 0:15:48 | 0:15:52 | |
From the start of the 19th century, | 0:15:52 | 0:15:54 | |
that's what even the poorest customers demanded. | 0:15:54 | 0:15:57 | |
Each loaf would be sold for eight pence, | 0:15:58 | 0:16:01 | |
roughly a third of a typical worker's daily wages at the time. | 0:16:01 | 0:16:05 | |
Damper shut. | 0:16:05 | 0:16:07 | |
Well done, everybody. | 0:16:08 | 0:16:10 | |
It's five in the morning, but the shift is far from over. | 0:16:14 | 0:16:17 | |
The main reason bakers now had to work through the night | 0:16:17 | 0:16:20 | |
is that urban customers expected fresh morning rolls | 0:16:20 | 0:16:23 | |
with their breakfast. | 0:16:23 | 0:16:24 | |
-Are you ready? -Yeah. | 0:16:24 | 0:16:26 | |
These belong to a class of products called fancy breads. | 0:16:27 | 0:16:32 | |
Not something rural bakers had much call for. | 0:16:32 | 0:16:35 | |
This is fresh milk, got cream on the top, as well. | 0:16:35 | 0:16:37 | |
-JOHN FOSTER: -Hello. -Good morning, everyone. | 0:16:37 | 0:16:39 | |
-Good morning! -JOHN SWIFT: -Good morning. | 0:16:39 | 0:16:42 | |
Now, you've baked what to me looks like | 0:16:42 | 0:16:45 | |
a very respectable night's baking, | 0:16:45 | 0:16:48 | |
but here you are still baking on, making these fancy breads. | 0:16:48 | 0:16:52 | |
But this in many ways is a bit of a moneymaker for you. | 0:16:52 | 0:16:55 | |
-What the customer wants... -JOHN SWIFT: -Customer gets. | 0:16:55 | 0:16:57 | |
If you think about towns and cities, OK, | 0:16:57 | 0:17:00 | |
you've got the people at the top of the pile | 0:17:00 | 0:17:02 | |
and then you've got the working classes. | 0:17:02 | 0:17:04 | |
But what you do have emerging within the towns and cities | 0:17:04 | 0:17:07 | |
is that middle class. | 0:17:07 | 0:17:08 | |
You know, every warehouse, every factory, | 0:17:08 | 0:17:12 | |
not only does it have its people working on the ground, | 0:17:12 | 0:17:14 | |
but it's also got its clerks, | 0:17:14 | 0:17:15 | |
all its admin staff and all its money people. | 0:17:15 | 0:17:18 | |
So you've got this developing middle class | 0:17:18 | 0:17:20 | |
and they've also got money to spend, they've got disposable income. | 0:17:20 | 0:17:23 | |
What they want to do is they want to spend that income | 0:17:23 | 0:17:26 | |
on the things that they like. | 0:17:26 | 0:17:27 | |
And one of those things would be fancy breads. | 0:17:27 | 0:17:29 | |
You know, slightly sweeter breads | 0:17:29 | 0:17:31 | |
but they want them first thing in the morning, | 0:17:31 | 0:17:34 | |
cooked nice and fresh, of course, as we all do today. | 0:17:34 | 0:17:37 | |
These are going to be small. | 0:17:37 | 0:17:40 | |
Made with more expensive ingredients like fresh milk and eggs, | 0:17:40 | 0:17:44 | |
fancy bread was a little like brioche. | 0:17:44 | 0:17:46 | |
Yeah, and I'll peel them over to you and you just... | 0:17:46 | 0:17:49 | |
And as with premium or artisan ranges today, | 0:17:50 | 0:17:53 | |
for this slightly more elite line, | 0:17:53 | 0:17:55 | |
bakers could get away with charging a bigger mark up. | 0:17:55 | 0:17:58 | |
By 8am, the first night's bake is finally done. | 0:18:00 | 0:18:04 | |
-So just the two slices, yeah? -Yeah. | 0:18:04 | 0:18:08 | |
-Left side and right side. -You can have that. Let's have a... | 0:18:08 | 0:18:11 | |
Smells lovely. | 0:18:11 | 0:18:12 | |
-Crusty bit. -Oh, no, it's really lovely. | 0:18:12 | 0:18:15 | |
It doesn't taste anywhere near as coaly as I was expecting. | 0:18:18 | 0:18:22 | |
Mm. | 0:18:22 | 0:18:23 | |
The amount of coal dust is just ridiculous. | 0:18:23 | 0:18:26 | |
You can feel that this is workers' bread though, I think. | 0:18:26 | 0:18:29 | |
I mean the size of these loaves just... | 0:18:29 | 0:18:31 | |
Just...this is a man's bread, basically. | 0:18:33 | 0:18:35 | |
This is what is fuelling the factories of Birmingham | 0:18:35 | 0:18:37 | |
at this point. | 0:18:37 | 0:18:39 | |
One of the things that the poor used to put on their bread was treacle | 0:18:39 | 0:18:42 | |
which is basically the goo left when you start to refine sugar. | 0:18:42 | 0:18:45 | |
At this point in time, if you're a manual worker, | 0:18:45 | 0:18:47 | |
you're needing anything between five and a half | 0:18:47 | 0:18:49 | |
to six and a half thousand calories a day. | 0:18:49 | 0:18:52 | |
Your calories have got to come from somewhere. | 0:18:52 | 0:18:54 | |
And if you are on the breadline | 0:18:54 | 0:18:55 | |
if you're a journeyman baker, you know, | 0:18:55 | 0:18:57 | |
and you really have no idea | 0:18:57 | 0:18:59 | |
whether or not you've got work tomorrow, | 0:18:59 | 0:19:00 | |
then you go for what's cheap | 0:19:00 | 0:19:02 | |
and what's cheap is sugar-based calories. | 0:19:02 | 0:19:05 | |
It's 8.30 in the morning | 0:19:05 | 0:19:07 | |
but the end of baking did not mean the end of the shift. | 0:19:07 | 0:19:10 | |
As the most junior bakers, | 0:19:11 | 0:19:13 | |
Duncan and John are now expected to deliver to customers. | 0:19:13 | 0:19:16 | |
-Hello. -What a whopper. | 0:19:16 | 0:19:18 | |
The idea of bakers selling in their own shops | 0:19:18 | 0:19:20 | |
still wasn't standard in the 1870s. | 0:19:20 | 0:19:22 | |
Last to be loaded are the oven-fresh fancy breads. | 0:19:24 | 0:19:27 | |
-Don't forget these. -Wow. | 0:19:27 | 0:19:29 | |
OK. | 0:19:29 | 0:19:31 | |
I don't want to eat all our profit, so I'll just have a go at that. | 0:19:32 | 0:19:35 | |
-Hmm. -Smell funny. | 0:19:35 | 0:19:37 | |
They are a much higher class of bread. | 0:19:38 | 0:19:42 | |
Delicate, white, suited to the middle-class palate. | 0:19:42 | 0:19:45 | |
-I quite like them. -It tastes awful. | 0:19:45 | 0:19:48 | |
That's eggy and... | 0:19:48 | 0:19:50 | |
Yeah, well, that's the point, innit? | 0:19:50 | 0:19:52 | |
Ooh, it's delicious. | 0:19:52 | 0:19:54 | |
The sweetened bread isn't to the taste | 0:19:55 | 0:19:58 | |
of sourdough loving Duncan but refined white rolls | 0:19:58 | 0:20:01 | |
were exactly what aspirational Victorian customers | 0:20:01 | 0:20:04 | |
would have paid a premium for. | 0:20:04 | 0:20:06 | |
-Good morning! -Good morning, madam. | 0:20:06 | 0:20:09 | |
-Good morning. -See what you think. | 0:20:09 | 0:20:10 | |
They're like an English Victorian take of a brioche, really, you know. | 0:20:10 | 0:20:15 | |
-This is really nice. -Ah, thank you very much. | 0:20:17 | 0:20:20 | |
That's made the night worthwhile. | 0:20:20 | 0:20:23 | |
By law, Victorian bakers were obliged to weigh each loaf | 0:20:23 | 0:20:26 | |
in front of the customer. | 0:20:26 | 0:20:28 | |
Right. And fingers crossed. | 0:20:28 | 0:20:30 | |
Well there you go, we've been very, very generous last night. | 0:20:33 | 0:20:37 | |
If it was underweight or you were caught not weighing it, | 0:20:37 | 0:20:40 | |
you could be fined up to five pounds, | 0:20:40 | 0:20:42 | |
which would be 40 times your weekly wage. | 0:20:42 | 0:20:46 | |
Bread would also be delivered to factories, | 0:20:49 | 0:20:51 | |
so junior bakers were sometimes still working | 0:20:51 | 0:20:54 | |
18 hours after they'd started. | 0:20:54 | 0:20:57 | |
Some lovely loaves for you. | 0:21:00 | 0:21:01 | |
I'll get this one, you want to get that one? | 0:21:01 | 0:21:04 | |
Let's go. | 0:21:04 | 0:21:05 | |
18 hours in that environment with that soot, | 0:21:06 | 0:21:10 | |
lifting those weights, you know, | 0:21:10 | 0:21:13 | |
I literally take my hat off | 0:21:13 | 0:21:15 | |
because quite frankly I don't think many people can do that any more. | 0:21:15 | 0:21:20 | |
This tiny glimpse that we've had into their world | 0:21:21 | 0:21:24 | |
has just made me realise just how difficult | 0:21:24 | 0:21:29 | |
their lives would have been | 0:21:29 | 0:21:30 | |
and how hard they would have had to work to put, | 0:21:30 | 0:21:33 | |
you know, bread on their own table, | 0:21:33 | 0:21:36 | |
let alone feeding the nation like they've done as it was growing. | 0:21:36 | 0:21:39 | |
From the mid-19th century onwards, legislation limited the working day | 0:21:41 | 0:21:45 | |
to ten hours for an ever increasing number of trades, but not baking. | 0:21:45 | 0:21:51 | |
Fresh bread for breakfast | 0:21:51 | 0:21:53 | |
had come to be seen as an essential service. | 0:21:53 | 0:21:55 | |
A series of bakers' strikes demanded better pay, conditions | 0:21:55 | 0:21:59 | |
and an end to overnight working. | 0:21:59 | 0:22:02 | |
But with no success. | 0:22:02 | 0:22:03 | |
In a freelance industry with 14,000 journeymen | 0:22:03 | 0:22:07 | |
competing for jobs in London alone, employers had the upper hand. | 0:22:07 | 0:22:12 | |
You could hardly blame bakers | 0:22:14 | 0:22:16 | |
for spending what little free time they had down the pub. | 0:22:16 | 0:22:19 | |
"Exhausted by the inordinate amount of work exacted of them | 0:22:19 | 0:22:23 | |
"how strong is the temptation during the brief periods | 0:22:23 | 0:22:26 | |
"which they can snatch from labour and sleep, | 0:22:26 | 0:22:28 | |
"systematically to repair to the alehouse, | 0:22:28 | 0:22:32 | |
"to stir up their languid frames by means of stimulating draughts. | 0:22:32 | 0:22:37 | |
"No wonder then, if in the course of time | 0:22:37 | 0:22:40 | |
"they abandon themselves to dissipated habits." | 0:22:40 | 0:22:44 | |
-Have you got any dissipated habits? -I have many. | 0:22:44 | 0:22:46 | |
I have literally, I've got a whole closetful of 'em I think. | 0:22:46 | 0:22:50 | |
I think we all have. | 0:22:50 | 0:22:51 | |
I kind of feel a bit depressed for them | 0:22:51 | 0:22:54 | |
because I can go back to my life. | 0:22:54 | 0:22:56 | |
And even though that's a lot of hours, difficult, | 0:22:56 | 0:23:00 | |
it's not this, you know, it's not the drudgery of 18 hours | 0:23:00 | 0:23:05 | |
through the night, 20st, caked in all sorts of muck. | 0:23:05 | 0:23:10 | |
-It was dirty. -HARPREET: -Yeah. | 0:23:10 | 0:23:11 | |
It wasn't about the quality of the product. | 0:23:11 | 0:23:14 | |
It was purely about the volume. | 0:23:14 | 0:23:15 | |
People at the top are wanting more and more money, more profit, | 0:23:15 | 0:23:19 | |
and are pushing us harder and harder. | 0:23:19 | 0:23:21 | |
In the mid-1870s, bakers' hands | 0:23:25 | 0:23:28 | |
earned between 12 and 20 shillings a week, | 0:23:28 | 0:23:31 | |
often less than an average male factory worker, | 0:23:31 | 0:23:33 | |
but they worked more hours. | 0:23:33 | 0:23:35 | |
Despite this, bakehouse owners were struggling to make a profit | 0:23:37 | 0:23:40 | |
as they tried to hold on to business amongst hundreds of competitors. | 0:23:40 | 0:23:45 | |
The biggest challenge came from the so called undersellers | 0:23:45 | 0:23:48 | |
which, much like supermarket chains today, | 0:23:48 | 0:23:51 | |
won custom by competing ruthlessly on price. | 0:23:51 | 0:23:55 | |
They were sometimes owned directly by milling firms who, | 0:23:55 | 0:23:58 | |
by cutting out the middleman, could supply cheaper flour. | 0:23:58 | 0:24:02 | |
We move into a time where really | 0:24:02 | 0:24:03 | |
in order to make a profit, you have to start cutting corners. | 0:24:03 | 0:24:07 | |
One of the ways in which you can become competitive | 0:24:07 | 0:24:09 | |
is to become an underseller. | 0:24:09 | 0:24:11 | |
Now there's all sorts of ways in which you can do that. | 0:24:11 | 0:24:13 | |
You can cut costs through labour, cheaper labour, longer hours, | 0:24:13 | 0:24:17 | |
but you've already kind of experienced that. | 0:24:17 | 0:24:19 | |
But there are other ways within which you can do it | 0:24:19 | 0:24:21 | |
and that has to do with adulteration of the flour itself. | 0:24:21 | 0:24:25 | |
We're going to turn out around the same number of loaves | 0:24:25 | 0:24:28 | |
as yesterday, but we'd like you to use a lot less flour. | 0:24:28 | 0:24:32 | |
You're going to be making one full sack of flour, | 0:24:32 | 0:24:34 | |
the aim of which is to bulk it out. | 0:24:34 | 0:24:37 | |
We'll give you what you're putting into it shortly, | 0:24:37 | 0:24:39 | |
and then a half sack of flour, | 0:24:39 | 0:24:41 | |
where the aim is to really work on the whiteness of the loaf. | 0:24:41 | 0:24:43 | |
Here we go again. | 0:24:43 | 0:24:46 | |
Let me get in there, John. | 0:24:46 | 0:24:49 | |
-HARPREET: -Shall I get the water, guys? -That sounds good, yeah. | 0:24:49 | 0:24:53 | |
Beautiful sponge and what are we about to add? | 0:24:53 | 0:24:56 | |
What a travesty. | 0:24:56 | 0:24:58 | |
For much of the Victorian era, | 0:24:58 | 0:25:00 | |
there wasn't effective regulation in place | 0:25:00 | 0:25:02 | |
to check whether food or drink were being sold in a pure state. | 0:25:02 | 0:25:05 | |
So there was little to stop traders adding ingredients, | 0:25:05 | 0:25:08 | |
usually with something cheaper. | 0:25:08 | 0:25:10 | |
A common act of adulteration was watering down milk. | 0:25:10 | 0:25:14 | |
Flour was by far the most expensive outlay for any bakery. | 0:25:14 | 0:25:19 | |
A single sack cost five times as much | 0:25:19 | 0:25:21 | |
as a junior baker's pay for the week. | 0:25:21 | 0:25:24 | |
So using less of it would massively reduce the owner's running costs. | 0:25:24 | 0:25:28 | |
Here... | 0:25:28 | 0:25:29 | |
..is your first adulterant. | 0:25:31 | 0:25:33 | |
-Chalk. HARPREET: -What is it? | 0:25:34 | 0:25:36 | |
-It's chalk. -Oh. -Lovely. | 0:25:36 | 0:25:37 | |
We know from accounts that people were adding about 10%. | 0:25:37 | 0:25:41 | |
So what we've done is taken out 10% of the flour. | 0:25:41 | 0:25:45 | |
Here's 10% chalk. | 0:25:45 | 0:25:47 | |
I can't believe that this went in there. I mean, I'm... | 0:25:47 | 0:25:49 | |
It's got this grittiness to it, it's incredible. | 0:25:49 | 0:25:52 | |
The texture of it is just ridiculous. | 0:25:52 | 0:25:54 | |
My God! | 0:25:54 | 0:25:56 | |
Pfft! | 0:25:56 | 0:25:57 | |
It's so dusty. | 0:25:57 | 0:25:59 | |
-JOHN FOSTER: -This is not guys, this. This is not good. | 0:25:59 | 0:26:02 | |
Welcome to the future. | 0:26:02 | 0:26:04 | |
It smells like it's a mortar mix, | 0:26:04 | 0:26:06 | |
like you're mixing up like plaster something, it genuinely does. | 0:26:06 | 0:26:09 | |
There's nothing that smells of bread in here. | 0:26:09 | 0:26:11 | |
It's got this grittiness about it | 0:26:11 | 0:26:13 | |
which is just...awful. | 0:26:13 | 0:26:16 | |
There's nothing that's right about this | 0:26:19 | 0:26:22 | |
and the idea that they would have reached this level | 0:26:22 | 0:26:25 | |
of trying to eke out, you know, as much as possible | 0:26:25 | 0:26:29 | |
from their ingredients is just, it's just crazy. | 0:26:29 | 0:26:33 | |
I know it's a test but I feel ashamed even though it's a test | 0:26:35 | 0:26:38 | |
which is...which I didn't think I would do. | 0:26:38 | 0:26:42 | |
We're doing it not from any moralistic point of view, | 0:26:42 | 0:26:47 | |
we're doing it because we're cheating. | 0:26:47 | 0:26:49 | |
That's the issue, it's cheating. | 0:26:49 | 0:26:51 | |
That's...there's no other word. | 0:26:51 | 0:26:53 | |
The trough was slightly damaged by John's feet kneading | 0:26:54 | 0:26:57 | |
the night before | 0:26:57 | 0:26:58 | |
so this time the bakers will stick to using their upper bodies | 0:26:58 | 0:27:02 | |
which they soon appreciate is much, much harder. | 0:27:02 | 0:27:05 | |
The whole thing is pretty much sickening, in all fairness, | 0:27:06 | 0:27:11 | |
and the physical exertion | 0:27:11 | 0:27:14 | |
you've got to put just to get the damn stuff made, | 0:27:14 | 0:27:17 | |
I've got an oven to the back of me and... | 0:27:17 | 0:27:20 | |
A baker to the right. | 0:27:20 | 0:27:22 | |
It's just ridiculous that even though we're making all this effort, | 0:27:22 | 0:27:25 | |
there's absolutely no way you'd want to stick it in your own shop. | 0:27:25 | 0:27:29 | |
It's just... | 0:27:29 | 0:27:32 | |
-What a thankless task. -It's just nuts. | 0:27:38 | 0:27:41 | |
Right, I'm sweating buckets. | 0:27:41 | 0:27:43 | |
-It's dripping into the trough. -Every time you sweat... | 0:27:43 | 0:27:45 | |
-Look at this. -You have to move aside, | 0:27:45 | 0:27:47 | |
wipe yourself, you'd never get it mixed. | 0:27:47 | 0:27:49 | |
-HARPREET: -I think everyone's feeling quite low | 0:27:52 | 0:27:54 | |
because you don't mind working hard | 0:27:54 | 0:27:55 | |
when you're excited about the end product, | 0:27:55 | 0:27:57 | |
but the level of excitement about this chalk bread | 0:27:57 | 0:28:00 | |
is just on the floor. | 0:28:00 | 0:28:02 | |
I've never kneaded this quantity. | 0:28:02 | 0:28:04 | |
Come on! | 0:28:08 | 0:28:09 | |
This level of physical exertion would be illegal in a modern bakery. | 0:28:09 | 0:28:14 | |
20st. | 0:28:14 | 0:28:15 | |
I mean, you're only allowed to lift, by today's standards, | 0:28:15 | 0:28:18 | |
16 kilos, which is like two and a half stone. | 0:28:18 | 0:28:24 | |
Here you are in a trough, next to a furnace, you know. | 0:28:24 | 0:28:30 | |
You can't have people doing this. | 0:28:31 | 0:28:33 | |
At the moment, not only do I want to throw up | 0:28:33 | 0:28:36 | |
because I'm leaning over this... | 0:28:36 | 0:28:39 | |
..my back's hurting, my legs are hurting. | 0:28:40 | 0:28:43 | |
Then might I suggest it is time to stop? | 0:28:43 | 0:28:46 | |
-Never. -Yeah, well... | 0:28:46 | 0:28:47 | |
The reason I came here was to see what my family did. | 0:28:47 | 0:28:50 | |
If this is what they did, then who am I not to do it? | 0:28:50 | 0:28:54 | |
Do you want that on your gravestone? | 0:28:54 | 0:28:56 | |
No matter how much you mix that, | 0:28:56 | 0:28:57 | |
you're not going to pull it together. | 0:28:57 | 0:28:59 | |
But are you talking from a... I mean, love you to bits, | 0:28:59 | 0:29:01 | |
but are you talking from a health and safety point of view | 0:29:01 | 0:29:03 | |
or just the fact you like us and we don't want to be dead? | 0:29:03 | 0:29:06 | |
-Not dying is a bit of a bonus, but... -Yeah. | 0:29:06 | 0:29:08 | |
..but I still don't think that you're going to pull together, | 0:29:08 | 0:29:11 | |
to get the type of dough that you're expected to get. | 0:29:11 | 0:29:13 | |
-All I want to do is not give up. -Yeah. -I don't give up. | 0:29:13 | 0:29:15 | |
Eventually, John accepts he needs a break. | 0:29:20 | 0:29:23 | |
My shirt is literally... | 0:29:26 | 0:29:29 | |
I'm going to have to peel this off later on. | 0:29:29 | 0:29:31 | |
If it gets any hotter in here, | 0:29:31 | 0:29:32 | |
it's going to be naked bakers central. | 0:29:32 | 0:29:36 | |
Many bakers did knead topless, | 0:29:36 | 0:29:38 | |
another cause for Victorian concern | 0:29:38 | 0:29:41 | |
about what was being added to their bread. | 0:29:41 | 0:29:43 | |
Leading food writer of the period Eliza Acton | 0:29:43 | 0:29:46 | |
described how the violent exertions of bakers | 0:29:46 | 0:29:49 | |
who were overflowing with perspiration, | 0:29:49 | 0:29:51 | |
led to torrents of sweat pouring into the bread. | 0:29:51 | 0:29:55 | |
She summed up the conditions bakers worked in with a simple word - | 0:29:55 | 0:29:59 | |
killing. | 0:29:59 | 0:30:01 | |
So she campaigned for what today seems the obvious solution | 0:30:01 | 0:30:05 | |
to both the poor hygiene and the human misery. | 0:30:05 | 0:30:09 | |
-Where are the machines? -Yeah. | 0:30:09 | 0:30:10 | |
It's the Industrial Revolution, where are the machines? | 0:30:10 | 0:30:12 | |
It's still nowhere near where I thought we'd be. | 0:30:12 | 0:30:17 | |
Victorian science and industry | 0:30:17 | 0:30:19 | |
did invent some bread making machinery, | 0:30:19 | 0:30:21 | |
as early as the 1850s | 0:30:21 | 0:30:23 | |
but the first models caused as many problems as they solved. | 0:30:23 | 0:30:27 | |
You've got to work out how you power your machinery. | 0:30:27 | 0:30:31 | |
When you consider that most of the bakehouses are this kind of size, | 0:30:31 | 0:30:34 | |
where are you going to site the machinery? | 0:30:34 | 0:30:36 | |
And the capital cost is immense. | 0:30:36 | 0:30:37 | |
And then you look at things like this. | 0:30:37 | 0:30:39 | |
-It's not just the fact that labour's cheap. -Is that steam? Electric? | 0:30:39 | 0:30:42 | |
-What's that? -It's hand-cranked. Hand-cranked. | 0:30:42 | 0:30:44 | |
So it's still using the labour they've got. | 0:30:44 | 0:30:46 | |
You've got to fill the machine by hand, you've got to turn it by hand, | 0:30:46 | 0:30:49 | |
you've got to get the dough out by hand. | 0:30:49 | 0:30:51 | |
When you've done all of that you think, | 0:30:51 | 0:30:53 | |
"Well, what is the point in spending all this money? | 0:30:53 | 0:30:55 | |
"I might as well just do the whole thing by hand." | 0:30:55 | 0:30:57 | |
-Um, and when you've got people like... -Cheap labour. | 0:30:57 | 0:31:00 | |
-Yeah, the journeymen bakers... -Expendable. | 0:31:00 | 0:31:03 | |
-Yeah. It is expendable... -It always comes back to that. | 0:31:03 | 0:31:05 | |
What's the one thing that they can afford | 0:31:05 | 0:31:07 | |
to use, abuse, burnout and turnover, it's...it's people. | 0:31:07 | 0:31:13 | |
The other thing is that journeymen bakers themselves | 0:31:13 | 0:31:16 | |
resist mechanisation. | 0:31:16 | 0:31:17 | |
And their argument is, well, | 0:31:17 | 0:31:19 | |
if you bring in a machine, it does away with the jobs for all of us. | 0:31:19 | 0:31:22 | |
-JOHN FOSTER: -They're scared. -Mm. | 0:31:22 | 0:31:24 | |
So put sacredness on top of this, | 0:31:25 | 0:31:29 | |
you're going to work your arse off, aren't you? | 0:31:29 | 0:31:31 | |
Your guts are going to come up doing this, | 0:31:31 | 0:31:33 | |
cos you don't want to be out of a job. | 0:31:33 | 0:31:36 | |
What a horrible, horrible situation to be in. | 0:31:36 | 0:31:39 | |
Although the average small scale bakery didn't mechanise, | 0:31:44 | 0:31:47 | |
a few large factories found more success at this time. | 0:31:47 | 0:31:50 | |
This machine was capable of converting two sacks of flour | 0:31:52 | 0:31:56 | |
into 400 two-pound loaves in just 40 minutes. | 0:31:56 | 0:32:00 | |
It would take our four bakers all night to do the same. | 0:32:00 | 0:32:03 | |
And the resulting bread was 20% cheaper. | 0:32:03 | 0:32:06 | |
No wonder the company who owned it | 0:32:08 | 0:32:10 | |
became a household name to Victorians. | 0:32:10 | 0:32:12 | |
Today, they have largely been forgotten, | 0:32:13 | 0:32:16 | |
but you can just make out traces of the Aerated Bread Company | 0:32:16 | 0:32:19 | |
over there, in the street signage of Fleet Street. | 0:32:19 | 0:32:23 | |
None of their extraordinary machines survive, | 0:32:23 | 0:32:26 | |
but at the university of Huddersfield, | 0:32:26 | 0:32:28 | |
there's a food scientist who can recreate the bread | 0:32:28 | 0:32:30 | |
once enjoyed by millions of Victorians, | 0:32:30 | 0:32:32 | |
but which barely anyone has eaten for a century. | 0:32:32 | 0:32:35 | |
And as Professor Grant Campbell explains to me, | 0:32:37 | 0:32:39 | |
the ABC machine marked a revolutionary break | 0:32:39 | 0:32:42 | |
with millennia of bread making. | 0:32:42 | 0:32:44 | |
For thousands of years, we've been getting bubbles into bread | 0:32:44 | 0:32:49 | |
using yeast to slowly, slowly produce the carbon dioxide | 0:32:49 | 0:32:52 | |
and that makes our dough piece rise. | 0:32:52 | 0:32:54 | |
We put them in the oven, we bake it into bread, | 0:32:54 | 0:32:56 | |
we've got this nice aerated loaf. | 0:32:56 | 0:32:58 | |
But the Victorians had discovered what carbon dioxide was | 0:32:58 | 0:33:02 | |
and how to produce it themselves | 0:33:02 | 0:33:04 | |
and how to make carbonated water, soda water with that. | 0:33:04 | 0:33:08 | |
-OK. -Now, here we have some carbonated water. | 0:33:08 | 0:33:13 | |
If you then mix that with flour to create a dough, | 0:33:13 | 0:33:16 | |
-keeping it all under pressure... -Right. | 0:33:16 | 0:33:18 | |
..then you'll get a lot of carbon dioxide dissolved in your dough. | 0:33:18 | 0:33:22 | |
When you release the pressure, your dough expands. | 0:33:22 | 0:33:25 | |
You can put it straight in the oven and bake it | 0:33:25 | 0:33:27 | |
and you haven't had to wait around for the yeast | 0:33:27 | 0:33:29 | |
to produce the carbon dioxide. | 0:33:29 | 0:33:31 | |
Though Grant's aerating machine clearly isn't steam-powered | 0:33:31 | 0:33:34 | |
like the original, it does replicate the process | 0:33:34 | 0:33:38 | |
of forcing carbon dioxide into the dough mix under pressure. | 0:33:38 | 0:33:42 | |
And even on a small scale, you sense what an appealing alternative | 0:33:42 | 0:33:45 | |
it must have seemed to handmade bread. | 0:33:45 | 0:33:48 | |
This was sold, in part, | 0:33:48 | 0:33:50 | |
that it was pure and it was hygienic | 0:33:50 | 0:33:52 | |
and that you were no longer, when you were eating your bread, | 0:33:52 | 0:33:55 | |
eating quite a lot of bakers' sweat. | 0:33:55 | 0:33:58 | |
I would have bought this new bread for that reason alone. | 0:33:58 | 0:34:00 | |
The Victorians were simply very experimental. | 0:34:00 | 0:34:03 | |
It was a time of massive social change and industrial change | 0:34:03 | 0:34:07 | |
and they wanted to try new and modern things | 0:34:07 | 0:34:10 | |
that made business sense, as well. | 0:34:10 | 0:34:12 | |
There was an element of - | 0:34:12 | 0:34:13 | |
the science and the engineering allowed this. | 0:34:13 | 0:34:16 | |
Oh, wow. That's grown. | 0:34:17 | 0:34:20 | |
That's raising. | 0:34:20 | 0:34:22 | |
Another reason why Victorians | 0:34:22 | 0:34:23 | |
were trying to make bread without yeast | 0:34:23 | 0:34:25 | |
was the work of contemporary French scientist, Louis Pasteur. | 0:34:25 | 0:34:29 | |
For thousands of years, | 0:34:29 | 0:34:31 | |
the action of whatever it was that was making bread rise | 0:34:31 | 0:34:35 | |
was mysterious and a bit sinister. | 0:34:35 | 0:34:38 | |
And then Pasteur comes along and shows it's a living organism | 0:34:38 | 0:34:42 | |
and not only that, | 0:34:42 | 0:34:43 | |
it's the same sort of stuff as germs which make you sick. | 0:34:43 | 0:34:46 | |
Some Victorians began to worry | 0:34:46 | 0:34:49 | |
whether yeast itself was another dodgy additive. | 0:34:49 | 0:34:52 | |
The growing temperance movement | 0:34:52 | 0:34:54 | |
were also suspicious of it because, like booze, | 0:34:54 | 0:34:57 | |
yeast relies on fermentation. | 0:34:57 | 0:34:59 | |
So why isn't aerated bread still on sale today? | 0:35:00 | 0:35:04 | |
Right, here we go then. | 0:35:05 | 0:35:07 | |
It's bread. | 0:35:14 | 0:35:16 | |
It's missing something and it's... | 0:35:18 | 0:35:22 | |
-..it's...cloy-ey. -Mm. | 0:35:22 | 0:35:25 | |
-I am missing the yeast. -Yes. | 0:35:25 | 0:35:28 | |
-It's not inedible. -No. | 0:35:28 | 0:35:31 | |
But I don't know whether that's a go-to bread for me. | 0:35:31 | 0:35:35 | |
It's a fantastic taste of Victorian Britain, | 0:35:36 | 0:35:41 | |
-a taste of scientific... -Yes. | 0:35:41 | 0:35:43 | |
..and technology-driven Victorian Britain. | 0:35:43 | 0:35:45 | |
But I don't know that it's a taste | 0:35:45 | 0:35:48 | |
that would necessarily take off today. | 0:35:48 | 0:35:50 | |
Possibly not. | 0:35:50 | 0:35:51 | |
But in the 19th century, | 0:35:58 | 0:36:00 | |
unadulterated aerated bread was stealing sales | 0:36:00 | 0:36:03 | |
from independent bakers, | 0:36:03 | 0:36:06 | |
making their lives harder still. | 0:36:06 | 0:36:09 | |
How many more? | 0:36:09 | 0:36:11 | |
By 3am, the bakers have their chalky dough in the oven. | 0:36:11 | 0:36:16 | |
They still have another 50 standard loaves to bake and for those | 0:36:16 | 0:36:20 | |
they're going to experiment with a different additive. | 0:36:20 | 0:36:23 | |
Ah, that looks beautifully white. | 0:36:23 | 0:36:25 | |
-JOHN FOSTER: -Yeah, lovely. -Oh, my God, it's horrible. | 0:36:25 | 0:36:28 | |
I'd be quite careful with this one if you've got cuts on your hands. | 0:36:28 | 0:36:32 | |
This is the adulterant par excellence - | 0:36:32 | 0:36:36 | |
this is alum. | 0:36:36 | 0:36:38 | |
Alum? | 0:36:38 | 0:36:39 | |
-Which is potassium aluminium sulphate. -It stinks! | 0:36:39 | 0:36:42 | |
Doesn't that cause brain damage? | 0:36:42 | 0:36:44 | |
-Not immediately. -Ah. -Oh, OK. -No. | 0:36:44 | 0:36:47 | |
This was an adulterant that was in really common use. | 0:36:47 | 0:36:51 | |
We know from the examinations of bread done by The Lancet, | 0:36:51 | 0:36:54 | |
every single loaf of bread in London had this in it. | 0:36:54 | 0:36:57 | |
The point of alum is really threefold. | 0:36:57 | 0:37:00 | |
One is it is supposed to be a flour improver, | 0:37:00 | 0:37:02 | |
another is that it's supposed to help you | 0:37:02 | 0:37:04 | |
to add more water to the dough | 0:37:04 | 0:37:06 | |
and the other is that it whitens flour. | 0:37:06 | 0:37:09 | |
The bakers fetch the flour they'll supposedly improve with alum. | 0:37:10 | 0:37:14 | |
It feels gritty, it actually is really smelly | 0:37:14 | 0:37:19 | |
and precisely as Annie said, | 0:37:19 | 0:37:21 | |
I've got a cut on this finger that I managed to do yesterday | 0:37:21 | 0:37:24 | |
while scaling off, and it's starting to sting a bit. | 0:37:24 | 0:37:26 | |
So there's that immediate change that you can tell | 0:37:26 | 0:37:31 | |
and we are not happy bakers today. | 0:37:31 | 0:37:33 | |
Jeez, it stinks. | 0:37:35 | 0:37:37 | |
Stinks. It's very dry. Most of it's in my... | 0:37:37 | 0:37:42 | |
-JOHN FOSTER: -Get all of that water in. | 0:37:42 | 0:37:44 | |
Just smell it, there's something just not right about this. | 0:37:51 | 0:37:55 | |
When mixed with alum, flour becomes more absorbent. | 0:37:55 | 0:37:58 | |
That means the weight of each loaf the bakers sell | 0:37:58 | 0:38:01 | |
will come more from water and less from flour, | 0:38:01 | 0:38:04 | |
so they save on their most expensive ingredient. | 0:38:04 | 0:38:07 | |
-JOHN FOSTER: -You want more water in? -We'll have more water. -Fantastic. | 0:38:07 | 0:38:10 | |
-But I don't think we need the... -Water's...water's free, innit? | 0:38:10 | 0:38:13 | |
-DUNCAN: -Fantastic. Thank God for alum! | 0:38:13 | 0:38:15 | |
Yeah, yeah, good old alum. | 0:38:15 | 0:38:17 | |
Water's free, so, from a historic point of view, | 0:38:17 | 0:38:20 | |
we're in the money, guys. | 0:38:20 | 0:38:22 | |
We're in the money. | 0:38:22 | 0:38:24 | |
From our 21st-century perspective, it'd be easy to think | 0:38:24 | 0:38:28 | |
that bakers who behaved like this were unscrupulous villains. | 0:38:28 | 0:38:31 | |
But the reality of adulteration was more complex. | 0:38:32 | 0:38:36 | |
Though adding alum to bread was technically illegal, | 0:38:36 | 0:38:39 | |
buying it certainly wasn't. | 0:38:39 | 0:38:41 | |
Every pharmacist stocked it. | 0:38:41 | 0:38:43 | |
The Victorians would have come to a pharmacy like this one | 0:38:44 | 0:38:47 | |
to buy their medicines | 0:38:47 | 0:38:49 | |
but also to buy things for culinary use - | 0:38:49 | 0:38:51 | |
chrome yellow, for example, | 0:38:51 | 0:38:53 | |
which was used to give colour to Bath buns. | 0:38:53 | 0:38:55 | |
That's not an additive we'd allow today because it contains lead | 0:38:55 | 0:38:59 | |
and in one particularly unfortunate case from 1859, | 0:38:59 | 0:39:03 | |
a baker in Bath accidentally poisoned | 0:39:03 | 0:39:05 | |
six customers because when he'd reached for the chrome yellow, | 0:39:05 | 0:39:08 | |
he'd ended up using a similar-looking pharmaceutical product - arsenic. | 0:39:08 | 0:39:13 | |
The point is that although chemistry was flourishing, | 0:39:13 | 0:39:16 | |
food regulation was really in its infancy. | 0:39:16 | 0:39:20 | |
Bakers added all sorts of things to their bread and many of them | 0:39:20 | 0:39:23 | |
weren't harmful at all. | 0:39:23 | 0:39:25 | |
Things like pea flour and bean flour and potato flour - | 0:39:25 | 0:39:28 | |
they were just a lot cheaper than flour | 0:39:28 | 0:39:30 | |
and helped to bulk out the bread. | 0:39:30 | 0:39:32 | |
Even when it came to things like alum | 0:39:32 | 0:39:34 | |
which we'd certainly avoid today, | 0:39:34 | 0:39:36 | |
the most it would probably do | 0:39:36 | 0:39:38 | |
is just give you a bit of an upset stomach. | 0:39:38 | 0:39:40 | |
Indeed, bakers argued that it wasn't even really an adulterant, | 0:39:40 | 0:39:44 | |
it was more of an additive, an improver. | 0:39:44 | 0:39:47 | |
And why did bakers feel the need to improve bread? | 0:39:47 | 0:39:51 | |
Because that's what customers wanted, | 0:39:51 | 0:39:53 | |
according to Britain's leading medical journal. | 0:39:53 | 0:39:56 | |
The Lancet, which regularly analysed the amount of adulterants in food, | 0:39:56 | 0:40:00 | |
pointed out that consumers were apt to complain. | 0:40:00 | 0:40:04 | |
"Lord Baker, how brown your bread is today" | 0:40:04 | 0:40:07 | |
And yet they still demanded cheap, white bread. | 0:40:07 | 0:40:11 | |
So consumers, as well as producers, | 0:40:11 | 0:40:14 | |
were to blame for the food adulteration scandal | 0:40:14 | 0:40:16 | |
in the Victorian period. | 0:40:16 | 0:40:18 | |
The same still rings true today. | 0:40:18 | 0:40:21 | |
There just comes a point where food cannot get any cheaper | 0:40:21 | 0:40:25 | |
without someone, somewhere fudging it. | 0:40:25 | 0:40:28 | |
Horse meat burger, anyone? | 0:40:28 | 0:40:31 | |
Many Victorian consumers would never have tasted unadulterated bread, | 0:40:31 | 0:40:36 | |
and bakers would have become skilful in the artful use of additives. | 0:40:36 | 0:40:40 | |
But our 21st-century bakers can't draw on the same experience. | 0:40:40 | 0:40:45 | |
It's just like foam, like sludge. | 0:40:45 | 0:40:47 | |
The Victorian accounts are vague about quantities and techniques. | 0:40:47 | 0:40:51 | |
The bakers may have added too much alum | 0:40:51 | 0:40:53 | |
and misjudged the flour quality. | 0:40:53 | 0:40:55 | |
Really, really strange to work with. | 0:40:55 | 0:40:58 | |
-There's nothing to actually to do. -To do, yeah. | 0:40:58 | 0:41:02 | |
Just, yeah. But this is better, apparently. | 0:41:02 | 0:41:06 | |
Something's happened to this, definitely, | 0:41:06 | 0:41:08 | |
because there's just no stretch to it, | 0:41:08 | 0:41:10 | |
it's not, it's not bread as we know it. | 0:41:10 | 0:41:14 | |
But Victorian customers judged bread not on stretch, but on appearance. | 0:41:14 | 0:41:18 | |
By the end of the shift, the bakers have successfully turned out | 0:41:18 | 0:41:21 | |
150 decent-looking white loaves. | 0:41:21 | 0:41:25 | |
How much repeat business they'd have got is harder to say. | 0:41:25 | 0:41:28 | |
So, this is what I've been most interested to see, | 0:41:29 | 0:41:33 | |
is what it tastes like. | 0:41:33 | 0:41:35 | |
Here we are. You start off, Duncan. | 0:41:35 | 0:41:37 | |
-I'm the guinea pig, am I? -Go for it. | 0:41:37 | 0:41:39 | |
-JOHN SWIFT: -If you choke, we will all run. | 0:41:39 | 0:41:41 | |
Now this is the one that's got the chalk in, isn't it? | 0:41:41 | 0:41:44 | |
-Yeah. -Oh! | 0:41:44 | 0:41:47 | |
-Have you just hit the chalk? -Ooh, it's gritty. | 0:41:47 | 0:41:49 | |
There's a grittiness about it. | 0:41:49 | 0:41:52 | |
Ah. | 0:41:52 | 0:41:55 | |
What do you think? | 0:41:55 | 0:41:57 | |
It tastes like bread but there's a... | 0:41:57 | 0:42:00 | |
That would grind your teeth down. | 0:42:00 | 0:42:02 | |
It would bring a new definition to the meaning of a sandwich, | 0:42:02 | 0:42:05 | |
wouldn't it? | 0:42:05 | 0:42:07 | |
-It is awful. -The thing is it's whiter, so... | 0:42:08 | 0:42:11 | |
-It's whiter, definitely. -..what you have achieved | 0:42:11 | 0:42:13 | |
is something that is marketable. | 0:42:13 | 0:42:15 | |
-Mm. -Yeah. | 0:42:15 | 0:42:16 | |
In terms of how it appears. | 0:42:16 | 0:42:19 | |
It's time, I think. | 0:42:19 | 0:42:20 | |
Still a bit of warmth in this one. | 0:42:22 | 0:42:24 | |
This makes me sound like a diva, but I don't even want to try it. | 0:42:24 | 0:42:27 | |
You're not even going to try it? | 0:42:27 | 0:42:29 | |
And it's not really the health thing, it's just, I mean, | 0:42:29 | 0:42:31 | |
this has been really upsetting, having to make this. | 0:42:31 | 0:42:34 | |
And it's kind of more what it represents to me. | 0:42:34 | 0:42:36 | |
-You're not going to try it? -I'm going on strike. | 0:42:36 | 0:42:38 | |
-OK, I know John will try it. -Yeah. | 0:42:38 | 0:42:40 | |
John, verdict? | 0:42:41 | 0:42:44 | |
-Barley bread. -Really? | 0:42:44 | 0:42:46 | |
Just like barley bread. | 0:42:46 | 0:42:47 | |
-Barley bread with fizz. -JOHN SWIFT: -Does it fizz? | 0:42:47 | 0:42:50 | |
-Yeah. -There's fizz in that. -There's fizz. | 0:42:50 | 0:42:53 | |
Cor. | 0:42:53 | 0:42:54 | |
-That is actually disgusting. -Ugh, when it hits you. | 0:42:54 | 0:42:58 | |
It's, it's sort of borderline rancid. | 0:42:58 | 0:43:00 | |
And then you get that fizz, don't you... | 0:43:00 | 0:43:01 | |
-Can you compare it to anything that you've ever...? -No. | 0:43:01 | 0:43:04 | |
I can't compare that to anything | 0:43:04 | 0:43:05 | |
I would put in my mouth and enjoy eating in any way, shape or form. | 0:43:05 | 0:43:08 | |
-That's disgusting. -There is an extra twist to this. | 0:43:08 | 0:43:11 | |
Now, millers are renowned for adulterating the flour | 0:43:11 | 0:43:14 | |
before you even get it. | 0:43:14 | 0:43:15 | |
So I don't know how much you picked up on it | 0:43:15 | 0:43:18 | |
because I know you were so appalled by the fact you were using alum, | 0:43:18 | 0:43:21 | |
but there's a substantial portion of sour flour in here, | 0:43:21 | 0:43:25 | |
properly off, rancid flour. | 0:43:25 | 0:43:27 | |
So some of that sour note is due to the fact that we, | 0:43:27 | 0:43:30 | |
or rather our miller, had adulterated the flour before it even got here. | 0:43:30 | 0:43:33 | |
Which means the baker really can't win. | 0:43:33 | 0:43:36 | |
Well, that explains it. | 0:43:36 | 0:43:38 | |
So by the time that that loaf will get to the customer, | 0:43:38 | 0:43:41 | |
if we've adulterated it and the miller's adulterated it, | 0:43:41 | 0:43:44 | |
what are they going to get? | 0:43:44 | 0:43:45 | |
They get...it's basically nothing. | 0:43:45 | 0:43:47 | |
Alum was used to improve flour, | 0:43:47 | 0:43:49 | |
but this bake was impossible to salvage. | 0:43:49 | 0:43:51 | |
Today it's just been a kind of a travesty to my trade, | 0:43:51 | 0:43:56 | |
my craft and sort of everything I stand for | 0:43:56 | 0:44:00 | |
as sort of a modern artisan baker. | 0:44:00 | 0:44:02 | |
We've actually been looking at this real dark side | 0:44:02 | 0:44:05 | |
of the baking industry in the Victorian era. | 0:44:05 | 0:44:08 | |
And that's something I've never come across before | 0:44:08 | 0:44:10 | |
and that's been really interesting. | 0:44:10 | 0:44:13 | |
To be this tired, having done nothing valuable, | 0:44:13 | 0:44:19 | |
is just heartbreaking. | 0:44:19 | 0:44:21 | |
John Swift's family bakery was started in this period, | 0:44:21 | 0:44:24 | |
exactly the time when adulteration would have been rife. | 0:44:24 | 0:44:27 | |
I reflected and thought, you know, | 0:44:27 | 0:44:29 | |
have my family at some point used these methods - | 0:44:29 | 0:44:33 | |
the chalk and stuff? | 0:44:33 | 0:44:35 | |
And there may have been a chance that we actually didn't do it, | 0:44:35 | 0:44:39 | |
but there is a massive chance that we did. | 0:44:39 | 0:44:41 | |
I mean, they were living in times where, you know, | 0:44:41 | 0:44:44 | |
if they didn't eat, they died, | 0:44:44 | 0:44:46 | |
if they lost their job, they were at the workhouse. | 0:44:46 | 0:44:48 | |
So, you know, when push comes to shove, who knows? They may have. | 0:44:48 | 0:44:54 | |
In the 1880s, things finally began to look up for bakers. | 0:44:57 | 0:45:01 | |
They benefitted at last from some technological progress, | 0:45:01 | 0:45:04 | |
though it didn't happen in their premises. | 0:45:04 | 0:45:06 | |
In the USA and Canada, | 0:45:08 | 0:45:10 | |
vast areas were now growing far better wheat | 0:45:10 | 0:45:12 | |
than Britain could produce | 0:45:12 | 0:45:13 | |
and harvesting it with efficient new machinery. | 0:45:13 | 0:45:16 | |
Transcontinental railroads brought the grain to port. | 0:45:18 | 0:45:22 | |
Huge cargo ships brought it cheaply across the Atlantic. | 0:45:22 | 0:45:26 | |
And in Britain, the sophisticated new technology | 0:45:27 | 0:45:30 | |
of steam-powered metal roller mills turned the wheat into purer, | 0:45:30 | 0:45:34 | |
whiter flour than had been possible with stone grinding. | 0:45:34 | 0:45:37 | |
By the mid-1880s, this purer, stronger imported flour | 0:45:40 | 0:45:44 | |
was also 50% cheaper than home-grown. | 0:45:44 | 0:45:46 | |
To bakers, it must have seemed miraculous, | 0:45:46 | 0:45:49 | |
but it was all thanks to technological progress. | 0:45:49 | 0:45:52 | |
-Good evening. -Good evening. | 0:46:05 | 0:46:07 | |
Got something else to add here to your trolley. | 0:46:07 | 0:46:10 | |
You're very, very lucky because Britain has access | 0:46:10 | 0:46:13 | |
to enormous supplies of cheap grain coming in from the United States. | 0:46:13 | 0:46:18 | |
It would be milled in ports like Liverpool, Manchester, | 0:46:18 | 0:46:21 | |
and then brought down to places like this on the barge, | 0:46:21 | 0:46:24 | |
but, of course, also on the railway lines, as well. | 0:46:24 | 0:46:26 | |
So you've got good, cheap, | 0:46:26 | 0:46:28 | |
unadulterated, pure flour to work with. | 0:46:28 | 0:46:30 | |
-Success. -Yes. | 0:46:30 | 0:46:32 | |
And the other thing you've got is sugar. | 0:46:32 | 0:46:33 | |
Sugar comes down enormously in price during Victoria's reign | 0:46:33 | 0:46:37 | |
and, of course, consumption of it goes up | 0:46:37 | 0:46:39 | |
in direct relation to the price of it. | 0:46:39 | 0:46:41 | |
So we know that sugar consumption pretty much doubles. | 0:46:41 | 0:46:43 | |
From the beginning of Victoria's reign till in the 1880s, | 0:46:43 | 0:46:47 | |
we're consuming around 80 pounds per head, per person, per year. | 0:46:47 | 0:46:52 | |
So tonight, not only are we going to be baking loaves, | 0:46:52 | 0:46:55 | |
we're also going to diversify and that's where the sugar comes in. | 0:46:55 | 0:46:58 | |
We're going to be baking that great 19th-century classic - buns! | 0:46:58 | 0:47:02 | |
-Let's make our way to the bakehouse. -At least it's edible. | 0:47:02 | 0:47:05 | |
British baking was turning a corner at last. | 0:47:05 | 0:47:08 | |
-Now that's finer. -That feels so good. | 0:47:10 | 0:47:12 | |
Look how white that is. Mm. | 0:47:12 | 0:47:14 | |
-HARPREET: -I'm really excited to work with this. | 0:47:14 | 0:47:16 | |
And I'm pretty sure this hasn't been contaminated. | 0:47:16 | 0:47:18 | |
As soon as the bakers start working with the flour, | 0:47:23 | 0:47:26 | |
they notice the difference. | 0:47:26 | 0:47:28 | |
Do you feel like there's a buzz in the bakery? | 0:47:28 | 0:47:31 | |
-Yeah, I mean, we're definitely all upbeat now. -Yeah. | 0:47:31 | 0:47:33 | |
Cos we've got something decent to work with | 0:47:33 | 0:47:36 | |
and I don't feel like we're going to make something | 0:47:36 | 0:47:38 | |
that's going to kill children. | 0:47:38 | 0:47:41 | |
God, this looks so much better. | 0:47:41 | 0:47:43 | |
This is so good from where we've been. | 0:47:43 | 0:47:46 | |
This is, yeah. | 0:47:46 | 0:47:47 | |
It's literally, it's, it's so familiar, as well, the way it feels. | 0:47:47 | 0:47:51 | |
-It is, yeah. -I'm even considering catching my sweat, | 0:47:51 | 0:47:55 | |
so it doesn't go into it cos I'm thinking, | 0:47:55 | 0:47:57 | |
"I don't want to ruin the dough." | 0:47:57 | 0:47:59 | |
North American flour is naturally high in gluten, | 0:47:59 | 0:48:01 | |
making it perfect for bread, | 0:48:01 | 0:48:03 | |
and it's still widely used in British baking. | 0:48:03 | 0:48:06 | |
I would really, really like to be able to buy, you know, | 0:48:06 | 0:48:09 | |
the lovely spelt that is grown | 0:48:09 | 0:48:11 | |
and milled literally ten miles down the road from me. | 0:48:11 | 0:48:14 | |
But the reality is there has to be some compromises. | 0:48:14 | 0:48:18 | |
I'm a big believer in local but only when it works for my business. | 0:48:18 | 0:48:22 | |
-So we buy local when it's better. -Yeah. | 0:48:22 | 0:48:24 | |
By the end of Victoria's reign, 90% of British flour was imported | 0:48:24 | 0:48:29 | |
and our wheat industry came close to collapse. | 0:48:29 | 0:48:31 | |
We're doing this, we're killing ourselves... | 0:48:31 | 0:48:34 | |
-But it's for a purpose. -..third day in a row. -Yeah. | 0:48:34 | 0:48:36 | |
But at least it feels like we're making something decent again... | 0:48:36 | 0:48:40 | |
-Yeah. -...yesterday. -What a difference a dough makes. | 0:48:40 | 0:48:42 | |
JOHN FOSTER LAUGHS | 0:48:42 | 0:48:44 | |
I didn't hear much laughing yesterday. | 0:48:44 | 0:48:46 | |
-HARPREET: -That's cos yesterday we were bloody depressed! | 0:48:46 | 0:48:50 | |
Better flour wasn't the only example of technological progress | 0:48:50 | 0:48:54 | |
finally improving life for 1880s bakers. | 0:48:54 | 0:48:57 | |
I think we can safely say that the Industrial Revolution | 0:48:57 | 0:49:01 | |
has finally arrived in the bakehouse, | 0:49:01 | 0:49:04 | |
heralded by the advent of tins. | 0:49:04 | 0:49:07 | |
And these things, I think, are a progressive step in the sense | 0:49:07 | 0:49:10 | |
that you can just get more in the oven with tins. | 0:49:10 | 0:49:14 | |
It's a lot cleaner because we're still on the er, floor. | 0:49:14 | 0:49:16 | |
-Yeah. -We're still firing with coal. | 0:49:16 | 0:49:18 | |
-Yeah. -We're still getting that dirt, so using these... | 0:49:18 | 0:49:21 | |
That'll definitely.. | 0:49:21 | 0:49:22 | |
It's cutting out the amount of filth on the bottom of the loaf. | 0:49:22 | 0:49:25 | |
I can sense the sort of morale is lifting in the bakehouse. | 0:49:25 | 0:49:29 | |
-HARPREET: -Morale could not possibly have been any lower yesterday. | 0:49:29 | 0:49:32 | |
-Yeah. -DUNCAN: -Excellent. | 0:49:32 | 0:49:35 | |
This dough is really different. | 0:49:35 | 0:49:37 | |
From the moment you cut it out the bowl, | 0:49:37 | 0:49:39 | |
you can tell it's got that elasticity, | 0:49:39 | 0:49:41 | |
where you can really pull it out without it breaking | 0:49:41 | 0:49:44 | |
and you've got that, that stretchiness. | 0:49:44 | 0:49:46 | |
Seam on the bottom, seam on the bottom. | 0:49:46 | 0:49:48 | |
Of course. | 0:49:48 | 0:49:50 | |
Average wages for working people began to improve in the 1880s. | 0:49:51 | 0:49:56 | |
Even a humble factory worker could afford the occasional bun, | 0:49:56 | 0:49:59 | |
which is good news for cake baker, Harpreet. | 0:49:59 | 0:50:02 | |
Doesn't it feel good to be working with sugar again? | 0:50:02 | 0:50:04 | |
HE LAUGHS | 0:50:04 | 0:50:07 | |
OK, that's about right. | 0:50:07 | 0:50:08 | |
And then we want a pint of milk. | 0:50:08 | 0:50:11 | |
For centuries, bakehouses only sold bread, | 0:50:11 | 0:50:15 | |
but as the price of sugar fell, bakers increasingly diversified. | 0:50:15 | 0:50:18 | |
Buns weren't too big a leap from standard bread dough, | 0:50:18 | 0:50:21 | |
still reliant on yeast for their texture. | 0:50:21 | 0:50:24 | |
-Whoa, that is awesome. -Isn't that fun? | 0:50:24 | 0:50:29 | |
Just leave me here guys. I'm in heaven. | 0:50:29 | 0:50:32 | |
So this really is a sweet treat. | 0:50:33 | 0:50:35 | |
-This is when you come into your own then, Harpreet? -Definitely. | 0:50:35 | 0:50:38 | |
So, now, to the sponge we're adding this fantastic peel, | 0:50:38 | 0:50:43 | |
which is the best thing I've smelt in days, | 0:50:43 | 0:50:46 | |
-other than Duncan, of course. -Ooh, that smells nice. | 0:50:46 | 0:50:48 | |
-Mm. -This is for the Bath buns? | 0:50:48 | 0:50:52 | |
Yeah. Well, they're known as London buns. | 0:50:52 | 0:50:54 | |
They have their origins in the Great Exhibition, | 0:50:54 | 0:50:57 | |
which was sort of the generation before, really - 1851. | 0:50:57 | 0:51:00 | |
This huge exhibition set up by Prince Albert, | 0:51:00 | 0:51:04 | |
to kind of showcase British industrialism. | 0:51:04 | 0:51:07 | |
So you can imagine this Great Exhibition, | 0:51:07 | 0:51:09 | |
six million visitors, | 0:51:09 | 0:51:11 | |
all of them needed feeding. | 0:51:11 | 0:51:13 | |
And there were lots of food stalls put on. | 0:51:13 | 0:51:15 | |
Schweppes, they were one of the contractors, | 0:51:15 | 0:51:18 | |
providing food for people there. | 0:51:18 | 0:51:20 | |
I've got an appendix here which lists all of the foodstuffs | 0:51:20 | 0:51:22 | |
that were sold. | 0:51:22 | 0:51:23 | |
Soda water, lemonade and ginger beer - | 0:51:23 | 0:51:26 | |
over a million bottles. | 0:51:26 | 0:51:27 | |
But most importantly for our purposes - Bath buns. OK? | 0:51:27 | 0:51:31 | |
So this bun had come from the West Country, | 0:51:31 | 0:51:33 | |
from your homeland, Duncan. | 0:51:33 | 0:51:35 | |
934,691 Bath buns. | 0:51:35 | 0:51:42 | |
-That's... -That is insane. | 0:51:42 | 0:51:43 | |
I mean, that's nearly a million buns. | 0:51:43 | 0:51:47 | |
The Bath buns sold at the exhibition were reputedly cheaper | 0:51:47 | 0:51:51 | |
and sweeter than the traditional West Country variety and so, | 0:51:51 | 0:51:54 | |
according to some, the London bun was born. | 0:51:54 | 0:51:57 | |
It's turned into a bakery. | 0:51:57 | 0:51:58 | |
This is, this is the nice bit. | 0:51:58 | 0:52:00 | |
We've got certain jobs being done in certain places, | 0:52:00 | 0:52:03 | |
it's...it's like, you know. | 0:52:03 | 0:52:05 | |
And the environment we're in is, isn't exactly a modern bakery, | 0:52:05 | 0:52:08 | |
but the actual systems in place | 0:52:08 | 0:52:10 | |
and the ingredients coming in, it's starting to feel like more | 0:52:10 | 0:52:13 | |
of a modern bakery. | 0:52:13 | 0:52:14 | |
It's starting to feel like what we're used to. | 0:52:14 | 0:52:16 | |
And you can tell that by everyone's faces | 0:52:16 | 0:52:19 | |
cos they're all smiling. | 0:52:19 | 0:52:20 | |
It's just really nice working with a dough | 0:52:23 | 0:52:25 | |
that you just know is packed full of delicious stuff, | 0:52:25 | 0:52:29 | |
and they must have loved this back in the day. Eggs... | 0:52:29 | 0:52:33 | |
This would have been the height of luxury. | 0:52:33 | 0:52:34 | |
-..butter... -Peel. -..mixed peel. -Sugar. | 0:52:34 | 0:52:36 | |
Yeah, all these exciting ingredients coming in. | 0:52:36 | 0:52:40 | |
It's just great. | 0:52:41 | 0:52:43 | |
So I'm kind of feeling excited cos I know that they... | 0:52:43 | 0:52:46 | |
they would have been excited by all of this. | 0:52:46 | 0:52:48 | |
-JOHN FOSTER: -Smells lovely. -Smells like Christmas. | 0:52:50 | 0:52:52 | |
Smells lovely now, doesn't it? | 0:52:52 | 0:52:54 | |
With new ingredients and improved flour, | 0:52:56 | 0:52:58 | |
pride is returning to the urban bakehouse. | 0:52:58 | 0:53:01 | |
-There you go. -Oh, wow. | 0:53:03 | 0:53:05 | |
I cannot wait to tuck into that. | 0:53:05 | 0:53:07 | |
That is just the business. | 0:53:07 | 0:53:10 | |
-DUNCAN: -That, I mean, you could sell that in a shop in the 21st century. | 0:53:10 | 0:53:13 | |
You can see you've got the flour line, | 0:53:13 | 0:53:15 | |
where you've put it on and it's moved. | 0:53:15 | 0:53:17 | |
You've got...it's, it's jumped. It looks good. | 0:53:17 | 0:53:20 | |
-DUNCAN: -Great, let's get the rest out. | 0:53:20 | 0:53:23 | |
-Are you going onto the racks, yeah? -Yeah. | 0:53:27 | 0:53:30 | |
-Nice colour on them. -Let's pop these underneath. | 0:53:32 | 0:53:34 | |
They smell amazing. | 0:53:34 | 0:53:36 | |
-Job done. -London buns. | 0:53:36 | 0:53:38 | |
They do look pretty good. | 0:53:38 | 0:53:40 | |
For the first time since arriving at the urban bakehouse, | 0:53:41 | 0:53:44 | |
the bakers are excited to taste what they have produced. | 0:53:44 | 0:53:48 | |
That's lovely. | 0:53:49 | 0:53:50 | |
Best we've ate. | 0:53:51 | 0:53:53 | |
I'm actually really impressed that we made this in this kitchen. | 0:53:53 | 0:53:57 | |
Right, who's up for trying these buns? | 0:53:57 | 0:53:59 | |
Really delicate, really lovely. Mm. | 0:54:02 | 0:54:05 | |
I think it's really helped with the peel and the sugar on top. | 0:54:05 | 0:54:08 | |
-That's actually really nice. -Good work! | 0:54:08 | 0:54:10 | |
-JOHN SWIFT: -What a difference a day makes, eh? | 0:54:10 | 0:54:12 | |
BRASS BAND PLAYS | 0:54:12 | 0:54:15 | |
With the last shift | 0:54:15 | 0:54:16 | |
in the industrial bakehouse at an end, | 0:54:16 | 0:54:18 | |
the bakers are finally getting some fresh air | 0:54:18 | 0:54:21 | |
and enjoying time off 1880s style with a brass band in the park. | 0:54:21 | 0:54:26 | |
Alex and I have also dressed in the fashion of the time | 0:54:26 | 0:54:29 | |
to join the bakers in a new commemorative ritual of the period. | 0:54:29 | 0:54:34 | |
Photography was becoming cheaper and more widespread | 0:54:34 | 0:54:37 | |
towards the end of the 19th century. | 0:54:37 | 0:54:40 | |
And bakers were among the tradespeople | 0:54:40 | 0:54:42 | |
who lined up to be captured on film. | 0:54:42 | 0:54:45 | |
Here we go. | 0:54:49 | 0:54:50 | |
My, God! Oh, wow! | 0:54:53 | 0:54:55 | |
-That is literally bonkers. -We look like the real deal. | 0:54:55 | 0:55:00 | |
That is absolutely bonkers. | 0:55:00 | 0:55:02 | |
-That looks superb, doesn't it? -Yeah, that is fantastic. | 0:55:02 | 0:55:05 | |
Captured the moment of a wonderful week's baking, I think. | 0:55:05 | 0:55:08 | |
Don't be using words like wonderful. | 0:55:08 | 0:55:10 | |
-But we took you to the brink. -Yeah. | 0:55:10 | 0:55:12 | |
-DUNCAN: -You literally did. | 0:55:12 | 0:55:14 | |
Although the working through the night isn't very nice, | 0:55:14 | 0:55:17 | |
in terms of the physicality of life | 0:55:17 | 0:55:19 | |
and in terms of the expectations on people | 0:55:19 | 0:55:21 | |
and in terms of the fact that if you fail, there is no safety net, | 0:55:21 | 0:55:24 | |
I think this is very reflective | 0:55:24 | 0:55:26 | |
of the working-class experience in late Victorian Britain. | 0:55:26 | 0:55:29 | |
I have a massive respect for my family now | 0:55:30 | 0:55:33 | |
because they were baking at this point with these... | 0:55:33 | 0:55:37 | |
these conditions. | 0:55:37 | 0:55:38 | |
And for my family to have gone through | 0:55:38 | 0:55:40 | |
what I went through last night, | 0:55:40 | 0:55:43 | |
it's just humbling and quite emotional. | 0:55:43 | 0:55:46 | |
Let's face it, they are aware they were going to go back | 0:55:47 | 0:55:49 | |
to a world that has a welfare state and a health service so... | 0:55:49 | 0:55:53 | |
-Yeah. -Actually, you know, | 0:55:53 | 0:55:54 | |
they've just scratched the surface of what it would have been like. | 0:55:54 | 0:55:57 | |
And our hands are not dirty, it's soot. | 0:55:57 | 0:55:59 | |
I actually don't think I could have been a Victorian baker | 0:55:59 | 0:56:02 | |
because the level of graft that was required | 0:56:02 | 0:56:05 | |
in terms of kneading those doughs, | 0:56:05 | 0:56:07 | |
I was just physically not strong enough to do it. | 0:56:07 | 0:56:10 | |
So I think that I definitely would have got sent to the workhouse. | 0:56:10 | 0:56:13 | |
When I look at a bread mixer in future, | 0:56:13 | 0:56:17 | |
it will hold a special place in my heart | 0:56:17 | 0:56:19 | |
because I know what it's doing. | 0:56:19 | 0:56:21 | |
It really is taking that backbreaking, | 0:56:21 | 0:56:25 | |
arm-aching, horrible work out of it. | 0:56:25 | 0:56:28 | |
I think I'm going to go back to my bakery and hug a few things. | 0:56:28 | 0:56:31 | |
The Victorian period - everything was expanding, | 0:56:32 | 0:56:35 | |
everything was growing and if you could make money somewhere, | 0:56:35 | 0:56:39 | |
you would, but there was always a price to pay | 0:56:39 | 0:56:42 | |
and I think it's opened their eyes to that. | 0:56:42 | 0:56:44 | |
I've been quite militant with my approach | 0:56:46 | 0:56:47 | |
to bread and my not wanting the other types of bread, | 0:56:47 | 0:56:52 | |
the commercial stuff to even really be in existence | 0:56:52 | 0:56:55 | |
but I understand that we've kind of gone through | 0:56:55 | 0:56:57 | |
periods in history where it was a genuine need to feed the nation. | 0:56:57 | 0:57:02 | |
Bread is what the industrialisation | 0:57:02 | 0:57:05 | |
was kind of fuelled on. | 0:57:05 | 0:57:07 | |
They didn't want to adulterate that bread, but the reality is, | 0:57:07 | 0:57:10 | |
if you had family members at home, | 0:57:10 | 0:57:12 | |
if you had a wife and children at home | 0:57:12 | 0:57:14 | |
and you had to keep your business going, you would have had to. | 0:57:14 | 0:57:17 | |
And these are still arguments we're having today. | 0:57:17 | 0:57:20 | |
What goes into our food? | 0:57:20 | 0:57:21 | |
What price do we need to pay for things? | 0:57:21 | 0:57:23 | |
-Mm. -How much is too much? How cheap is too cheap? | 0:57:23 | 0:57:26 | |
Physically, I hope it gets easier cos I think I'm done. | 0:57:30 | 0:57:34 | |
Next time - the bakers experience the end of the Victorian era. | 0:57:34 | 0:57:39 | |
Welcome to the future. | 0:57:39 | 0:57:42 | |
This doesn't complain, this won't die | 0:57:42 | 0:57:44 | |
and this can work 24 hours a day. | 0:57:44 | 0:57:46 | |
Everything on the table is just shouting to me - high-end. | 0:57:49 | 0:57:52 | |
It was a case of how bling can this cake be? | 0:57:56 | 0:57:58 | |
This stuff isn't sexy. | 0:57:58 | 0:58:00 | |
Sorry, that's not going to pass. | 0:58:04 | 0:58:06 | |
These guys would have lost their minds. | 0:58:06 | 0:58:08 | |
This is harder than kneading the dough by hand. | 0:58:08 | 0:58:11 | |
Oh, wow. That is phenomenal. | 0:58:11 | 0:58:15 |