Browse content similar to The 80s. Check below for episodes and series from the same categories and more!
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Meet the Ashby Hawkins family. | 0:00:02 | 0:00:04 | |
For one summer, they are giving up the trappings of their modern lives | 0:00:04 | 0:00:08 | |
and travelling back in time | 0:00:08 | 0:00:10 | |
to live through 50 years of British weekends. | 0:00:10 | 0:00:12 | |
Steph, Rob, Daisy and Seth will experience a radical transformation | 0:00:16 | 0:00:21 | |
-in how we spend our leisure time. -I'm free! | 0:00:21 | 0:00:24 | |
-From the formal... -I feel like I'm going to a wedding. | 0:00:24 | 0:00:26 | |
-..to the frivolous. -We're going on holiday! | 0:00:26 | 0:00:29 | |
From do-it-yourself... | 0:00:29 | 0:00:30 | |
-..to doing almost nothing. -You've turned into Wham. | 0:00:32 | 0:00:36 | |
-Starting in 1950... -Oh, my... | 0:00:36 | 0:00:37 | |
..their own home will be their time machine... | 0:00:37 | 0:00:40 | |
It's 1961! | 0:00:41 | 0:00:43 | |
..fast-forwarding them through a new year each day... | 0:00:43 | 0:00:46 | |
What on Earth are you doing? | 0:00:46 | 0:00:49 | |
We're making a massive dartboard. | 0:00:49 | 0:00:52 | |
It's beige! | 0:00:52 | 0:00:53 | |
Oh, there's a telly up in the corner as well, look. | 0:00:53 | 0:00:56 | |
..as they discover how a social... | 0:00:56 | 0:00:58 | |
-..technological... -What's that? | 0:00:59 | 0:01:02 | |
-..and spending revolution... -Oh, my God! | 0:01:02 | 0:01:06 | |
..has transformed our free time forever. | 0:01:06 | 0:01:10 | |
-Are you ready? -Yes! | 0:01:10 | 0:01:12 | |
Last time, the Ashby Hawkins strutted their way | 0:01:12 | 0:01:15 | |
-through the 1970s... -Oh! | 0:01:15 | 0:01:17 | |
..a decade filled with family togetherness. | 0:01:17 | 0:01:20 | |
I wanted to create memories... | 0:01:20 | 0:01:23 | |
and we have. | 0:01:23 | 0:01:26 | |
This time, they enter an era of aspiration - the 1980s. | 0:01:26 | 0:01:31 | |
This is a power suit. I'm going to look like a boxer. | 0:01:31 | 0:01:34 | |
But what will the multiple distractions on offer... | 0:01:34 | 0:01:36 | |
Hello, everybody. My mum has just returned from work. | 0:01:36 | 0:01:39 | |
-..mean for family life? -We're all going in that direction, | 0:01:39 | 0:01:42 | |
I'm not sure what it is that's going to bring us back together again. | 0:01:42 | 0:01:46 | |
It's the next chapter in our time-travelling adventure. | 0:01:57 | 0:02:00 | |
It's 1980 and the family's eye-catching '70s house | 0:02:00 | 0:02:03 | |
has been transformed into a chintzy show home... | 0:02:03 | 0:02:06 | |
..and their humble Renault | 0:02:08 | 0:02:10 | |
exchanged for a top-of-the-range Vauxhall Cavalier. | 0:02:10 | 0:02:13 | |
I'm back with the social historian Polly Russell to let loose the '80s. | 0:02:15 | 0:02:19 | |
Oh, my eyes. | 0:02:21 | 0:02:23 | |
This is the decade that's most identified | 0:02:23 | 0:02:26 | |
with the rise in home ownership. | 0:02:26 | 0:02:28 | |
Your home is your biggest asset, | 0:02:28 | 0:02:29 | |
and evidence of your success and your taste. | 0:02:29 | 0:02:32 | |
There isn't one style here, is there? And I think that's | 0:02:32 | 0:02:34 | |
because, in this period, you know, | 0:02:34 | 0:02:36 | |
home decorating becomes the sort of national obsession. | 0:02:36 | 0:02:39 | |
People who hadn't really done any home decorating before | 0:02:39 | 0:02:41 | |
started in the '80s and you can see that it took them a while | 0:02:41 | 0:02:44 | |
-to get the hang of it. -Yes, you've got a kind of mishmash of styles, | 0:02:44 | 0:02:47 | |
with the ruched curtains and all the flowers | 0:02:47 | 0:02:50 | |
and the chintz and the wallpaper that's giving you a headache. | 0:02:50 | 0:02:54 | |
A reminder that not everybody in the '80s lived in a pop video. | 0:02:54 | 0:02:57 | |
No, there's none of that kind of sleek coolness, is there? | 0:02:57 | 0:03:00 | |
It certainly looks a lot like my house that | 0:03:00 | 0:03:02 | |
-I grew up in during the '80s. -Does it? | 0:03:02 | 0:03:04 | |
Yeah, I think my mother would be desperate | 0:03:04 | 0:03:05 | |
if she thought I was saying that. | 0:03:05 | 0:03:07 | |
Ah, totally open plan now. | 0:03:09 | 0:03:11 | |
And the colour palette is disgusting. | 0:03:11 | 0:03:13 | |
It's a kind of flesh. | 0:03:13 | 0:03:15 | |
Also, my beady eye for a design feature tells me | 0:03:15 | 0:03:17 | |
that it's a breakfast bar, the key '80s thing. | 0:03:17 | 0:03:20 | |
You run in, coffee, boom, off you go and then just run off | 0:03:20 | 0:03:23 | |
to the deregulated City and start making money. | 0:03:23 | 0:03:25 | |
It's about pleasure and fun, so it's not about labour. | 0:03:25 | 0:03:28 | |
I think what it's suggesting is really busy, affluent lives. | 0:03:28 | 0:03:31 | |
A year before the '80s began, | 0:03:33 | 0:03:35 | |
Margaret Thatcher had been elected Prime Minister | 0:03:35 | 0:03:37 | |
on a promise of freedom for the market and the individual. | 0:03:37 | 0:03:41 | |
There are many things to be done to set this nation on the road | 0:03:41 | 0:03:45 | |
to recovery and I don't mean economic recovery alone, | 0:03:45 | 0:03:50 | |
but a new independence of spirit and a zest for achievement. | 0:03:50 | 0:03:55 | |
What a nation we could be. | 0:03:55 | 0:03:57 | |
Aspiration was prized, even as inequality rose. | 0:03:59 | 0:04:03 | |
To keep up with the Joneses, many of us were spending beyond our means, | 0:04:03 | 0:04:08 | |
a trend seen clearly in the Family Expenditure Survey, which | 0:04:08 | 0:04:11 | |
asked thousands of households to record all their purchases, | 0:04:11 | 0:04:14 | |
from a meal out to a new car. | 0:04:14 | 0:04:17 | |
The original handwritten diaries had been shredded, | 0:04:18 | 0:04:21 | |
but the survey's data give us the best possible clue about what | 0:04:21 | 0:04:25 | |
families were doing in their leisure time. | 0:04:25 | 0:04:28 | |
We've had the Family Expenditures Survey analysed and what you see | 0:04:28 | 0:04:32 | |
is that expenditure goes up significantly | 0:04:32 | 0:04:34 | |
on leisure and entertainment. | 0:04:34 | 0:04:36 | |
It goes up by a whopping 60 billion over the decade. | 0:04:36 | 0:04:39 | |
Looking down here, it's VCRs, videos, home computers. | 0:04:39 | 0:04:41 | |
In the '50s, it was a shilling on fags. | 0:04:41 | 0:04:44 | |
This man owns five televisions, but how does this gel with the idea | 0:04:44 | 0:04:47 | |
of the '80s as the haves and the have-nots? | 0:04:47 | 0:04:49 | |
What you have to remember is that there's been deregulation of credit, | 0:04:49 | 0:04:53 | |
so you can spend a lot of money without necessarily having | 0:04:53 | 0:04:57 | |
the requisite income. | 0:04:57 | 0:04:58 | |
Here's a man who is 45 from Wales, | 0:04:58 | 0:05:00 | |
he earns £549 per week but he's got £741 credit card debt. | 0:05:00 | 0:05:05 | |
So sitting there and watching adverts and buying everything | 0:05:05 | 0:05:08 | |
that they tell him to buy, isn't he? | 0:05:08 | 0:05:09 | |
So even people who haven't got money are really stretching themselves | 0:05:09 | 0:05:12 | |
-trying to have it all. -Yes, I think that's right. | 0:05:12 | 0:05:14 | |
The Family Expenditure Survey will guide everything | 0:05:17 | 0:05:20 | |
the Ashby Hawkins do in the 1980s. | 0:05:20 | 0:05:22 | |
The '70s, to me, was a real golden time in terms of spending it | 0:05:23 | 0:05:26 | |
with the family, so I'm hoping that we can keep that | 0:05:26 | 0:05:29 | |
kernel of fun together. | 0:05:29 | 0:05:30 | |
I sort of enjoyed spending time with my family, | 0:05:31 | 0:05:33 | |
but really hope we're going to be spending less time together | 0:05:33 | 0:05:36 | |
and more time on technology. | 0:05:36 | 0:05:38 | |
-DAISY: -Look at the car! -I can't wait to drive it. | 0:05:41 | 0:05:43 | |
Ew. | 0:05:47 | 0:05:49 | |
-SETH: -This room is so small. -Oh, it's lovely. | 0:05:49 | 0:05:52 | |
What a lot of furniture! | 0:05:52 | 0:05:54 | |
-Oh, it has a ghetto blaster! -There's a lot of weird stuff. | 0:05:54 | 0:05:58 | |
I mean, look at that. | 0:05:58 | 0:06:00 | |
You've got a pretending-to-be Ming vase with silk flowers. | 0:06:00 | 0:06:05 | |
In a stately home, you could have a vase of that size, | 0:06:05 | 0:06:08 | |
but in a lounge in suburbia... what's all that about? | 0:06:08 | 0:06:11 | |
Look at the Hi-fi system. Look, twin deck! | 0:06:11 | 0:06:14 | |
HE GASPS | 0:06:14 | 0:06:15 | |
-It's very hi-tech though, isn't it? -It's the future. | 0:06:15 | 0:06:18 | |
I had a ghetto blaster and I used to carry it around with me | 0:06:18 | 0:06:21 | |
on my shoulder and you could have a party anywhere when you took that. | 0:06:21 | 0:06:26 | |
-That is such a small TV. -It's remote control. | 0:06:26 | 0:06:29 | |
-DAISY GASPS -We don't have to get up now, | 0:06:29 | 0:06:31 | |
we can sit about lazing, watching TV all day. | 0:06:31 | 0:06:33 | |
-It's the tackiest taste I've ever seen. -Is this edible? | 0:06:33 | 0:06:38 | |
-No, it's for smelling, look. -It's air freshener. | 0:06:38 | 0:06:41 | |
It was an alternative to... | 0:06:41 | 0:06:43 | |
You'd smell it when you'd go into the toilet at my nan's house. | 0:06:43 | 0:06:45 | |
Smells like disinfectant. | 0:06:45 | 0:06:47 | |
-Oh! Whoa. -Wow! | 0:06:51 | 0:06:53 | |
-DAISY: -Look at this! It's bigger. | 0:06:54 | 0:06:57 | |
-It's beige! -SETH: -We have a microwave. | 0:06:57 | 0:06:59 | |
They've replaced the wall with work surface. | 0:06:59 | 0:07:01 | |
Look at the breakfast table, the breakfast table is awesome. | 0:07:01 | 0:07:04 | |
There's a telly in here as well. | 0:07:04 | 0:07:06 | |
Oh, look! It's like the first mobile phone, but you can't take it... | 0:07:06 | 0:07:10 | |
How was that mobile? You're attached by a cord. | 0:07:10 | 0:07:12 | |
Yeah, but you can take it around the house. | 0:07:12 | 0:07:14 | |
Yeah, we have got a lot of stuff, so it looks like we've been spending. | 0:07:14 | 0:07:17 | |
I remember in the '80s, appearance was important and substance less so | 0:07:17 | 0:07:21 | |
and this room epitomises that for me. | 0:07:21 | 0:07:23 | |
I've got to last a decade in this house | 0:07:23 | 0:07:26 | |
and I think I'm going to be going slightly mad... | 0:07:26 | 0:07:29 | |
by the end of it. | 0:07:29 | 0:07:31 | |
-Hello, Giles. -Hello! You look amazing. | 0:07:33 | 0:07:36 | |
This is your exciting '80s show home. | 0:07:36 | 0:07:37 | |
This house is an expression of having it all but you're going to | 0:07:37 | 0:07:40 | |
need money to pay for it, so you're going to become | 0:07:40 | 0:07:42 | |
-a dual income family. Steph, you're going to be going out to work. -Yay! | 0:07:42 | 0:07:45 | |
But there's still an expectation that you should be in the kitchen | 0:07:45 | 0:07:48 | |
cooking the dinner, so you're going to be doing both. | 0:07:48 | 0:07:50 | |
Rob, the job-for-life thing is gone, | 0:07:50 | 0:07:52 | |
so you're going to have to work longer and longer hours and although | 0:07:52 | 0:07:55 | |
most of you are going to find work creeping into your leisure time, | 0:07:55 | 0:07:58 | |
that won't be the case for you, Seth. You're going to have | 0:07:58 | 0:08:00 | |
-a lot more choice in your leisure time. -OK, good. | 0:08:00 | 0:08:03 | |
So, there's your mail for the decade. | 0:08:03 | 0:08:05 | |
I'm going to leave you to get on with one of the most popular | 0:08:05 | 0:08:08 | |
pastimes of the 1980s, which is DIY, home improvement. | 0:08:08 | 0:08:12 | |
-We're all doing that? -All of you are doing it | 0:08:12 | 0:08:14 | |
and if you can improve on this, I'll be really surprised. | 0:08:14 | 0:08:17 | |
-So have fun with that. -That shouldn't be too hard. -Excellent. | 0:08:17 | 0:08:20 | |
It's going to be flamboyant and frilly, isn't it? | 0:08:20 | 0:08:23 | |
-What is there to decorate? -Everything. | 0:08:23 | 0:08:25 | |
Decorating gave property owners the chance to stamp their personality | 0:08:28 | 0:08:31 | |
all over their home. | 0:08:31 | 0:08:33 | |
The really important thing with stencils is that you don't | 0:08:33 | 0:08:36 | |
put too much paint on that because otherwise it just splurges. | 0:08:36 | 0:08:39 | |
The expansion of right-to-buy and mortgage deregulation in the '80s | 0:08:39 | 0:08:43 | |
saw home ownership grow by 10% across the decade. | 0:08:43 | 0:08:47 | |
And, thanks to newly opened DIY superstores, owners could | 0:08:47 | 0:08:50 | |
improve their properties with all the latest daring styles. | 0:08:50 | 0:08:54 | |
Carefully painting across the stencil. | 0:08:54 | 0:08:57 | |
This takes you into your wonderful fancy world | 0:08:57 | 0:09:00 | |
where you can have any pattern that you could ever imagine. | 0:09:00 | 0:09:03 | |
Oh, look! I don't think it's meant to do that... | 0:09:07 | 0:09:10 | |
Daisy! Stop stencilling your brother. | 0:09:12 | 0:09:15 | |
The Expenditure Survey reflects this obsession with redecoration, | 0:09:17 | 0:09:21 | |
like this 47-year-old man from the Southeast who | 0:09:21 | 0:09:24 | |
spent £40 on paint, the equivalent of £120 today. | 0:09:24 | 0:09:28 | |
No, no, no! We've got to live in here! | 0:09:31 | 0:09:34 | |
I don't even know what we were doing to that poor kitchen wall. | 0:09:34 | 0:09:38 | |
You can't have my mum, control freak number one, | 0:09:38 | 0:09:41 | |
and my sister, control freak number two, doing the same thing | 0:09:41 | 0:09:45 | |
and hope there to be complete peace. That will not happen. | 0:09:45 | 0:09:48 | |
I have to say, like it or loathe it, | 0:09:48 | 0:09:50 | |
we've certainly transformed the room. | 0:09:50 | 0:09:53 | |
Meanwhile... | 0:09:56 | 0:09:58 | |
Rob is busy making his own improvements. | 0:09:58 | 0:10:00 | |
Whoa! | 0:10:03 | 0:10:06 | |
-It totally changes this room. -Why... | 0:10:08 | 0:10:11 | |
Why do people think that this would improve their housing? | 0:10:11 | 0:10:14 | |
I was looking outside at the road, no-one's got it. | 0:10:14 | 0:10:17 | |
Yeah, I wonder why(!) | 0:10:17 | 0:10:19 | |
When we weren't chintzing of our homes, | 0:10:21 | 0:10:23 | |
we spent most of our time doing one thing...watching TV. | 0:10:23 | 0:10:26 | |
# Video killed the radio star... # | 0:10:26 | 0:10:30 | |
The time we spent glued to the box | 0:10:30 | 0:10:32 | |
went up from 19 to 26 hours a week in the first half of the decade. | 0:10:32 | 0:10:36 | |
So I'm bringing the family a new gadget which will help them | 0:10:39 | 0:10:42 | |
cram even more telly into their lives. | 0:10:42 | 0:10:44 | |
-What is that? -What is that?! Do you really mean, what is that? | 0:10:45 | 0:10:48 | |
-I think I might know. It can't be a DVD player. -A DVD in 1980? | 0:10:48 | 0:10:53 | |
-Oh, is that a VCR? -Yes! It is. -That's brilliant. | 0:10:53 | 0:10:57 | |
Yeah, it means you can record things when you're out and come back | 0:10:57 | 0:11:01 | |
and watch them later. This is the birth of on-demand TV. | 0:11:01 | 0:11:04 | |
You can spend the entire week just watching telly. | 0:11:04 | 0:11:06 | |
A really expensive piece of kit. | 0:11:06 | 0:11:08 | |
-Do you remember how expensive it was? -Really expensive! | 0:11:08 | 0:11:11 | |
A chap like this would have been £599, | 0:11:11 | 0:11:14 | |
which is about two grand, about £1,900 in today's money. | 0:11:14 | 0:11:18 | |
It's a month's salary. So people mostly rented them. | 0:11:18 | 0:11:21 | |
I'll put it down here and I'll leave you to try and work it out. | 0:11:21 | 0:11:25 | |
-Thank you. -Cheerio. | 0:11:25 | 0:11:27 | |
-There we go! -That's the eject button. | 0:11:29 | 0:11:31 | |
The Expenditure Survey is awash with this revolutionary | 0:11:33 | 0:11:36 | |
piece of home technology. | 0:11:36 | 0:11:38 | |
By the end of the decade, 60% of homes had one. | 0:11:40 | 0:11:43 | |
VCRs were just, like, the most exciting thing | 0:11:43 | 0:11:46 | |
when they first came out. | 0:11:46 | 0:11:48 | |
OK, it's on. It's flashing 12. | 0:11:48 | 0:11:51 | |
I think it's really cool that I should be able to record TV now. | 0:11:51 | 0:11:55 | |
-DAISY: -When setting the length of the recording set, | 0:11:55 | 0:11:58 | |
the minute button must be first. | 0:11:58 | 0:12:00 | |
Read the instructions! That's how you record stuff, | 0:12:04 | 0:12:07 | |
that's the instructions on how to record it! | 0:12:07 | 0:12:09 | |
-Go away. -For God's sake! | 0:12:09 | 0:12:11 | |
Oh, look, it's doing it, yes! Yay! | 0:12:13 | 0:12:15 | |
Right, insert this side into the recorder. It's a bit big... | 0:12:16 | 0:12:20 | |
What about that? This is called Dallas. | 0:12:20 | 0:12:23 | |
-Sounds like a cowboy Western. -With JR Ewing. | 0:12:23 | 0:12:28 | |
-So should we record this so we can watch it later? -Yeah. | 0:12:28 | 0:12:33 | |
In the early '80s, British viewers couldn't get enough of | 0:12:33 | 0:12:36 | |
US television imports like Dallas. | 0:12:36 | 0:12:38 | |
And our special relationship with all things American | 0:12:41 | 0:12:44 | |
didn't stop there. | 0:12:44 | 0:12:45 | |
The bond between Margaret Thatcher and new president Ronald Reagan | 0:12:45 | 0:12:49 | |
would define the decade. | 0:12:49 | 0:12:51 | |
This great friendship is, if anything, | 0:12:51 | 0:12:53 | |
stronger than it has ever been. | 0:12:53 | 0:12:56 | |
And American influences were everywhere. | 0:12:57 | 0:13:00 | |
Dinner time! | 0:13:00 | 0:13:02 | |
Oh, yay! What've we got, what've we got? | 0:13:02 | 0:13:05 | |
-Got a takeaway, got a takeaway. -What is it? | 0:13:05 | 0:13:08 | |
Fries, burgers and fizzy drinks. | 0:13:08 | 0:13:10 | |
-Do you think we could do this every night, then? -Yep. | 0:13:12 | 0:13:15 | |
-It's the shooting of JR. -Yeah. | 0:13:18 | 0:13:20 | |
We're actually going to see JR get shot! | 0:13:20 | 0:13:23 | |
I had a mirror badge that said, "I shot JR". | 0:13:23 | 0:13:25 | |
THEME MUSIC PLAYS | 0:13:28 | 0:13:31 | |
It was about the American multimillionaires, so they | 0:13:31 | 0:13:34 | |
lived in these massive houses and people just aspired to be like them. | 0:13:34 | 0:13:38 | |
On the 26th May, 1980, | 0:13:38 | 0:13:40 | |
22 million Brits tuned in to watch arch-villain JR get shot. | 0:13:40 | 0:13:45 | |
Oh, the door is open. There he is! | 0:13:47 | 0:13:50 | |
-LOUD SHOT FROM TELLY -Oh! | 0:13:50 | 0:13:53 | |
Bang, bang. Is he dead? | 0:13:53 | 0:13:55 | |
We don't even know if he's dead! | 0:13:55 | 0:13:58 | |
-Mom, he went, uggggh. And he got shot twice. -Whoa! | 0:13:58 | 0:14:01 | |
I was more excited there than I was then, back in the '80s. | 0:14:02 | 0:14:07 | |
That was ultra exciting. Shall we watch it again? | 0:14:07 | 0:14:10 | |
We can rewind the tape and watch it again. | 0:14:10 | 0:14:13 | |
We're in a completely new era with a lot more technology. | 0:14:15 | 0:14:18 | |
Everything seems a bit more relaxed. | 0:14:18 | 0:14:20 | |
I've heard of a VCR, but I didn't actually know what it was. | 0:14:20 | 0:14:24 | |
They are really complicated and obviously Dallas, you know... Wow. | 0:14:24 | 0:14:29 | |
It's a new day at the Ashby Hawkins which, in this experiment, | 0:14:35 | 0:14:38 | |
means a new year. | 0:14:38 | 0:14:40 | |
It's 1981, the year of the wedding. | 0:14:40 | 0:14:44 | |
We may have been enthralled to all things American, | 0:14:44 | 0:14:47 | |
but some occasions had us proud to be British. | 0:14:47 | 0:14:50 | |
On 29th July, there was a national holiday to mark the marriage | 0:14:50 | 0:14:54 | |
of Charles and Diana, | 0:14:54 | 0:14:55 | |
and Britain celebrated in true '80s style by going shopping. | 0:14:55 | 0:14:59 | |
They put the Royal Wedding on everything. | 0:15:00 | 0:15:03 | |
From Royal Wedding sweatshirts to Royal Wedding beer | 0:15:03 | 0:15:06 | |
and even Royal Wedding trainers. | 0:15:06 | 0:15:08 | |
Like ten million of us, the Ashby Hawkins are going to have | 0:15:12 | 0:15:14 | |
a party for friends and neighbours at their local hall. | 0:15:14 | 0:15:18 | |
Really, is that Diana, do you think? | 0:15:18 | 0:15:21 | |
Oh, my God, that's terrible. | 0:15:21 | 0:15:24 | |
Wow, this is amazing! | 0:15:27 | 0:15:29 | |
Granny Jennifer is here to join in the festivities. | 0:15:29 | 0:15:32 | |
In 1981, over half a million people congregated in London, | 0:15:34 | 0:15:37 | |
hoping to capture a glimpse of the Royal party. | 0:15:37 | 0:15:40 | |
And to grab the prime spots, people camped for days. | 0:15:43 | 0:15:47 | |
-REPORTER: -'You couldn't actually see an inch of pavement anywhere | 0:15:47 | 0:15:49 | |
'and money wouldn't buy you a space for most of these people.' | 0:15:49 | 0:15:52 | |
I hope to be involved in a piece of history being made. | 0:15:52 | 0:15:55 | |
On the streets that week was a ten-year-old Rob | 0:15:55 | 0:15:58 | |
and mum Jennifer, who slept outside St Paul's for five nights. | 0:15:58 | 0:16:02 | |
I just saw it on the television that people were gathering | 0:16:02 | 0:16:05 | |
and I'm thinking, "Why aren't I there?" | 0:16:05 | 0:16:09 | |
-You dropped everything for the Royal family. -I did! | 0:16:09 | 0:16:12 | |
I did take a chance, really, taking you along, ten years old. | 0:16:12 | 0:16:15 | |
We were so close to the church, | 0:16:15 | 0:16:16 | |
I actually felt like one of the guests. | 0:16:16 | 0:16:18 | |
What I always remember, though, was right at the very last, | 0:16:18 | 0:16:21 | |
when you knew the carriages were leaving Buckingham Palace, | 0:16:21 | 0:16:24 | |
they were still vacuuming that carpet. | 0:16:24 | 0:16:27 | |
But not everyone was as captivated as Jennifer by the Royal event. | 0:16:27 | 0:16:31 | |
In 1981, a 16-year-old Steph went to a very different celebration. | 0:16:31 | 0:16:36 | |
There were an awful lot of people in the country that didn't care | 0:16:36 | 0:16:39 | |
and I kind of fell into that camp, really. Sorry! | 0:16:39 | 0:16:42 | |
There was a "Not The Royal Wedding" bash at my local which I went to | 0:16:42 | 0:16:45 | |
and no-one was allowed to mention the Royal wedding | 0:16:45 | 0:16:48 | |
or wear anything red, white or blue and it was great. | 0:16:48 | 0:16:51 | |
Hey, how are you? | 0:16:55 | 0:16:57 | |
We need more chairs? | 0:17:00 | 0:17:02 | |
Rob's recording the whole event on a state-of-the-art '80s camcorder, | 0:17:03 | 0:17:07 | |
precious family memories they can relive again and again on VCR. | 0:17:07 | 0:17:12 | |
I'm not overly excited about seeing the wedding. | 0:17:12 | 0:17:14 | |
I'm not really a big fan of the Royals. So I don't... | 0:17:14 | 0:17:17 | |
You say that, sitting next to me?! | 0:17:17 | 0:17:19 | |
These are made into coasters. | 0:17:23 | 0:17:25 | |
Is that them coming out? Oh, yes! | 0:17:25 | 0:17:27 | |
That's how close we were to it, huh? Incredible. I'm with Buzby. | 0:17:27 | 0:17:30 | |
It was just worth bunking off school for a once-in-a-lifetime | 0:17:30 | 0:17:33 | |
-opportunity, isn't it? -That is really what I wanted you to answer. | 0:17:33 | 0:17:36 | |
There you go, see? | 0:17:36 | 0:17:38 | |
You can never have too many balloons! | 0:17:40 | 0:17:43 | |
Oh, it's time, it's time, I'm going to put the telly on! | 0:17:43 | 0:17:46 | |
What are you doing? Sit down in the front! | 0:17:48 | 0:17:51 | |
No messing around, the anthem is playing. | 0:17:51 | 0:17:53 | |
-She looks great, doesn't she? -CROWD ROARS ON TELLY | 0:17:54 | 0:17:57 | |
Listen to the crowd. | 0:17:57 | 0:17:59 | |
The wedding was watched by over 28 million people, | 0:18:00 | 0:18:03 | |
more than half the UK population, | 0:18:03 | 0:18:06 | |
and globally reached a staggering 750 million viewers. | 0:18:06 | 0:18:09 | |
-Hang on a minute, we're going to see us in a minute. -There! | 0:18:12 | 0:18:16 | |
-The flags! -We were right there. | 0:18:16 | 0:18:18 | |
Right where those flags were. | 0:18:18 | 0:18:19 | |
She's looking over to us, look. | 0:18:21 | 0:18:22 | |
Wait, wait for the kiss, wait for the kiss. | 0:18:23 | 0:18:26 | |
-Oh, it's the famous kiss, of course. -Yes! | 0:18:26 | 0:18:29 | |
That's not a proper kiss! Do it again! | 0:18:29 | 0:18:31 | |
I'd never seen it on television before, the only time I'd seen it | 0:18:32 | 0:18:35 | |
was live with my mother there, | 0:18:35 | 0:18:37 | |
so to actually watch it with my mum, it was a lovely experience. | 0:18:37 | 0:18:40 | |
I'd quite like to do it again, actually, it was really good. | 0:18:40 | 0:18:43 | |
'It was really sweet to be in the hall, decorations and getting | 0:18:46 | 0:18:49 | |
'dressed up and preparing food and the kids were messing about. | 0:18:49 | 0:18:52 | |
'I love a party.' | 0:18:52 | 0:18:54 | |
I just don't need the Royals as an excuse to do that. | 0:18:54 | 0:18:58 | |
1981... | 0:18:58 | 0:19:00 | |
'82! | 0:19:08 | 0:19:10 | |
-It's an important day for Steph. -I'm starting work today. | 0:19:10 | 0:19:13 | |
And that's kind of nerve-racking and exciting at the same time. | 0:19:13 | 0:19:17 | |
In their normal lives, she's the family's main breadwinner, | 0:19:17 | 0:19:20 | |
but, for the first time in this experiment, Steph is going to be | 0:19:20 | 0:19:22 | |
joining the 35% of women who were working full-time. | 0:19:22 | 0:19:26 | |
OK, thank you, ma'am. | 0:19:26 | 0:19:28 | |
Are you wearing that to the office? | 0:19:28 | 0:19:30 | |
I'm feeling that I need a bit more shoulder pad going on and something | 0:19:30 | 0:19:33 | |
a bit more formal, something that makes me look more like a man. | 0:19:33 | 0:19:36 | |
You need a bowler hat and a tash. | 0:19:36 | 0:19:38 | |
Not to worry, I sent Steph THE wardrobe essential | 0:19:38 | 0:19:41 | |
for an '80s working woman. | 0:19:41 | 0:19:42 | |
Oh, now this...this is a power suit! | 0:19:46 | 0:19:48 | |
Look at the shoulders on that! | 0:19:48 | 0:19:50 | |
I'm going to look like a boxer! | 0:19:50 | 0:19:52 | |
Whoa! | 0:19:54 | 0:19:55 | |
What? | 0:19:55 | 0:19:57 | |
It's definitely intimidating. | 0:19:57 | 0:19:59 | |
I'm going to look like a powerful businesswoman. | 0:19:59 | 0:20:01 | |
Yeah, I'd do what I was told if you told me. | 0:20:01 | 0:20:04 | |
# I'm so excited | 0:20:04 | 0:20:07 | |
# And I just can't hide it. # | 0:20:07 | 0:20:09 | |
I love being at home and I love my family. | 0:20:10 | 0:20:12 | |
But, equally, it drives me stir crazy. | 0:20:12 | 0:20:15 | |
Steph's new job comes with the latest accessories. | 0:20:15 | 0:20:17 | |
A Filofax and a pager. | 0:20:17 | 0:20:21 | |
This, this, if anything in the '80s, was a real status symbol. | 0:20:21 | 0:20:24 | |
People used to wear them clipped on their belts | 0:20:24 | 0:20:26 | |
so that you could see that you were on call. | 0:20:26 | 0:20:28 | |
If you were on call, that meant you were indispensable | 0:20:28 | 0:20:31 | |
and, therefore, hugely important. | 0:20:31 | 0:20:33 | |
# Once in every lifetime comes a love like this | 0:20:33 | 0:20:38 | |
With both parents working full-time, Daisy and Seth are joining | 0:20:38 | 0:20:40 | |
a whole new generation of latchkey kids | 0:20:40 | 0:20:43 | |
who could do exactly what they liked... | 0:20:43 | 0:20:45 | |
# Darling, we're the young ones. # | 0:20:45 | 0:20:48 | |
..leaving them free to indulge in social media 1980s style. | 0:20:48 | 0:20:52 | |
-RADIO CRACKLES -Hello? | 0:20:52 | 0:20:54 | |
-RADIO CRACKLES -Hello! | 0:20:54 | 0:20:55 | |
-Ooh, God! -Hello! | 0:20:55 | 0:20:57 | |
CB radio had been an illicit popular past-time in Britain for years. | 0:20:59 | 0:21:02 | |
Breaker one-four, breaker one-four. | 0:21:02 | 0:21:05 | |
Once legalised in the early '80s, thousands of kids got the bug. | 0:21:05 | 0:21:09 | |
-This is Kit Kat and Cherry Bomb as he likes to be known. -Cherry Bomb. | 0:21:09 | 0:21:13 | |
What are your handles, guys? | 0:21:13 | 0:21:16 | |
RADIO CRACKLES | 0:21:16 | 0:21:17 | |
We are Crunchy and Doughnut! | 0:21:17 | 0:21:19 | |
Ooh! I really fancy both of those right now. | 0:21:19 | 0:21:22 | |
Who is that? | 0:21:23 | 0:21:25 | |
Ooh, God! you were so loud then. Oh, hello, Ella, how are you? | 0:21:26 | 0:21:30 | |
I'm good, how are you? | 0:21:32 | 0:21:35 | |
It's like talking to your grandmother. | 0:21:37 | 0:21:39 | |
-Like, hello! -Hello! -Yes, I'll repeat myself one more time! | 0:21:39 | 0:21:43 | |
-This is a very bad version of social media. -Is Doughnut there? | 0:21:43 | 0:21:47 | |
LINE CRACKLES AND GOES DEAD | 0:21:47 | 0:21:48 | |
Is anyone there? | 0:21:51 | 0:21:52 | |
LINE CRACKLES | 0:21:52 | 0:21:54 | |
-Hello, Dad. -CB radio! -Yeah. | 0:21:55 | 0:21:57 | |
Oh, QSK, QSK, brilliant. I used to have one. | 0:21:57 | 0:22:01 | |
They're so cool. I had a friend who had one on his bike | 0:22:01 | 0:22:03 | |
-he used to ride around Worthing. -Oh, that's cool. | 0:22:03 | 0:22:06 | |
With a big aerial sticking up the back. That's the best thing ever. | 0:22:06 | 0:22:08 | |
-Do you want to have a go? -Yes, why not. | 0:22:08 | 0:22:11 | |
-We're talking to Crunchy and Doughnut. -Crunchy and Doughnut? | 0:22:11 | 0:22:14 | |
Crunchy and Doughnut? This is Fallout. | 0:22:14 | 0:22:16 | |
My name's Fallout and I'm calling from south-west London. | 0:22:16 | 0:22:19 | |
After a full day at the office, Steph's back from work. | 0:22:21 | 0:22:25 | |
-Hey, hello! -Hello, everybody, my mum's just returned from work. | 0:22:25 | 0:22:28 | |
-Daisy, do you want chicken or prawn? -Erm, both. | 0:22:28 | 0:22:32 | |
In the '80s, despite more women working full-time than ever before, | 0:22:32 | 0:22:35 | |
they were still expected to do the housework when they got home. | 0:22:35 | 0:22:39 | |
It feels like I am still actually attached to the kitchen sink | 0:22:39 | 0:22:42 | |
but I've got one of those very, very long dog leads that allows me out. | 0:22:42 | 0:22:45 | |
But, actually, I still always get pulled back here. | 0:22:45 | 0:22:47 | |
Oh, kids! | 0:22:49 | 0:22:50 | |
Jesus, have you seen this lounge? | 0:22:51 | 0:22:53 | |
In a bid to keep up appearances, | 0:22:53 | 0:22:55 | |
women were doing two hours' more housework than a decade before. | 0:22:55 | 0:22:57 | |
No wonder, when advertisers were persuading us | 0:22:59 | 0:23:02 | |
that even our carpets needed to wear perfume. | 0:23:02 | 0:23:05 | |
ADVERT JINGLE | 0:23:05 | 0:23:07 | |
# Do the shake n' vac... | 0:23:07 | 0:23:08 | |
Steph's not the only one vacuuming in a power suit. | 0:23:08 | 0:23:10 | |
# Put the freshness back | 0:23:10 | 0:23:12 | |
# Do the shake n' vac and put the freshness back | 0:23:12 | 0:23:15 | |
# When your carpet smells fresh, your room does too | 0:23:15 | 0:23:17 | |
# Every time you vacuum, remember what to do... | 0:23:17 | 0:23:21 | |
I think I might open a window. | 0:23:21 | 0:23:22 | |
# Put the freshness back! # | 0:23:22 | 0:23:24 | |
Dinner means Steph can finally sit down. | 0:23:24 | 0:23:27 | |
BEEPING | 0:23:27 | 0:23:29 | |
-Not absolutely sure what that is. -BEEPING | 0:23:29 | 0:23:33 | |
-It's coming from your handbag. -Thank goodness for that. | 0:23:33 | 0:23:36 | |
-Oh, God, it's my pager. -Have you got a pager coming? | 0:23:36 | 0:23:38 | |
BEEPING | 0:23:38 | 0:23:39 | |
-Seriously, you've got a pager? -Yep. | 0:23:39 | 0:23:41 | |
In a world before mobiles, pagers were phenomenally popular | 0:23:41 | 0:23:45 | |
with 61 million users globally by the end of the decade. | 0:23:45 | 0:23:49 | |
The person who wants to send you the message | 0:23:49 | 0:23:51 | |
first phones up a control centre. | 0:23:51 | 0:23:53 | |
And an operator there keys it into a computer. | 0:23:53 | 0:23:56 | |
The message goes out in a series of coded pulses. | 0:23:56 | 0:23:58 | |
Sold as a way to free people from the office, | 0:23:58 | 0:24:01 | |
this new technology was a double-edged sword. | 0:24:01 | 0:24:04 | |
'All this immediacy of communication, it has its benefits | 0:24:06 | 0:24:10 | |
'but the reality of pagers was that you could never switch off.' | 0:24:10 | 0:24:13 | |
OK, cheers, thanks, bye. | 0:24:13 | 0:24:14 | |
'This device is probably the very start of that intrusion | 0:24:14 | 0:24:17 | |
'into your personal life, of work. | 0:24:17 | 0:24:20 | |
'It's a slippery slope.' | 0:24:20 | 0:24:22 | |
What it's saying is work is more important than family. | 0:24:22 | 0:24:25 | |
'That's the wrong way round.' | 0:24:25 | 0:24:26 | |
# Give me time. # | 0:24:26 | 0:24:29 | |
Wait for it. | 0:24:39 | 0:24:41 | |
1983. | 0:24:41 | 0:24:44 | |
-ALL: -Yay! | 0:24:44 | 0:24:46 | |
A year when the country could cram even more telly into their day | 0:24:46 | 0:24:50 | |
with the launch of Breakfast TV. | 0:24:50 | 0:24:52 | |
TV MUSIC | 0:24:52 | 0:24:54 | |
The Family Expenditure Survey shows that, | 0:24:54 | 0:24:56 | |
for more and more families, one TV was no longer enough. | 0:24:56 | 0:25:00 | |
Thousands of households now had multiple sets. TV. | 0:25:00 | 0:25:02 | |
-TV: -Hello, good morning. | 0:25:02 | 0:25:04 | |
The two main channels went head-to-head | 0:25:04 | 0:25:06 | |
with cheerful, unthreatening styles. | 0:25:06 | 0:25:09 | |
The BBC had Selina Scott. | 0:25:09 | 0:25:10 | |
Now, it's British Fashion Week and, all this week, | 0:25:10 | 0:25:13 | |
the best of British fashion is on show in London, | 0:25:13 | 0:25:15 | |
and here on Breakfast Time. | 0:25:15 | 0:25:16 | |
But ITV had a secret weapon. | 0:25:16 | 0:25:19 | |
Morning, Roland, what are you wearing this lot for? | 0:25:19 | 0:25:21 | |
Well, I thought I'd deck myself up this morning. | 0:25:21 | 0:25:24 | |
-Roland Rat! -TV: -But you're not Scottish. | 0:25:24 | 0:25:26 | |
I must say, you look very smart this morning, Nicko. Heh. | 0:25:26 | 0:25:30 | |
I mean, it's great that there's breakfast television. | 0:25:30 | 0:25:34 | |
They kind of waste it with a talking rat. | 0:25:34 | 0:25:36 | |
That thing's really creepy. | 0:25:36 | 0:25:38 | |
Heh. | 0:25:38 | 0:25:40 | |
Seth and his friend Harvey are heading off to try out | 0:25:41 | 0:25:44 | |
one of the most popular leisure activities | 0:25:44 | 0:25:46 | |
for boys in the early '80s. | 0:25:46 | 0:25:47 | |
Video games. | 0:25:49 | 0:25:50 | |
With local authority cuts closing many youth clubs, | 0:25:53 | 0:25:56 | |
'80s kids turned to the bright lights of the arcade. | 0:25:56 | 0:25:59 | |
Out on the street, you can't go around zapping things generally, | 0:25:59 | 0:26:02 | |
can you? But here, you can stick 10p in a slot | 0:26:02 | 0:26:07 | |
and you can zap things all you want. | 0:26:07 | 0:26:09 | |
Run, run, run! | 0:26:11 | 0:26:13 | |
'In the '70s, I was like, "Yay! I've got Pong." | 0:26:13 | 0:26:15 | |
'But it was really boring after, like, an hour. | 0:26:15 | 0:26:18 | |
'This is a lot more exciting. | 0:26:18 | 0:26:19 | |
'And it's in colour, it's a lot more advanced.' | 0:26:19 | 0:26:21 | |
Up, up, down! | 0:26:21 | 0:26:23 | |
I've got no proper supervision from my parents. | 0:26:23 | 0:26:25 | |
There's no-one there to tell me, let's go now. | 0:26:25 | 0:26:27 | |
I'm away from my parents and I kind of like it that way. | 0:26:27 | 0:26:31 | |
Back at home... | 0:26:32 | 0:26:33 | |
..Steph's got her hands on her own video technology. | 0:26:35 | 0:26:38 | |
She's trying out the latest American-inspired fitness fad. | 0:26:38 | 0:26:42 | |
Are you ready to do the workout? | 0:26:42 | 0:26:44 | |
Jane Fonda's workout was a top seller, | 0:26:44 | 0:26:46 | |
shifting 17 million copies worldwide. | 0:26:46 | 0:26:50 | |
Big circles. | 0:26:50 | 0:26:51 | |
'She looks amazing. And it is quite hypnotic watching her on the screen. | 0:26:51 | 0:26:55 | |
'It's a very aspirational thing. | 0:26:55 | 0:26:56 | |
'They're obviously having a really good time. | 0:26:56 | 0:26:58 | |
'It's something you could do at home.' | 0:26:58 | 0:27:00 | |
It's very elegant, isn't! | 0:27:00 | 0:27:02 | |
'If you're unfit and flabby, you can do it | 0:27:02 | 0:27:03 | |
'without too much shame in your own home.' | 0:27:03 | 0:27:06 | |
TV: EXERCISE MUSIC | 0:27:06 | 0:27:08 | |
Very good. You should be warmed up and ready | 0:27:08 | 0:27:11 | |
to go on to the arm exercise. | 0:27:11 | 0:27:13 | |
Oh, was that a warm-up? Holy Moses. | 0:27:13 | 0:27:15 | |
DOORBELL | 0:27:20 | 0:27:21 | |
It wasn't just women who aspired to have the perfect body in the '80s. | 0:27:21 | 0:27:25 | |
ROB LAUGHS | 0:27:25 | 0:27:26 | |
Men were also focusing on their appearance. | 0:27:26 | 0:27:29 | |
Steph, come and see. | 0:27:29 | 0:27:30 | |
We're going to get a tan. That is awesome, isn't it? | 0:27:32 | 0:27:35 | |
Dear Rob. In the '80s, pale and interesting won't cut it. | 0:27:35 | 0:27:39 | |
You need a tan. So, I've bought you a cutting-edge machine, | 0:27:39 | 0:27:42 | |
a tanning bed. | 0:27:42 | 0:27:43 | |
-Excellent! -Wow. -Will you turn me over when I'm done? | 0:27:43 | 0:27:45 | |
ROB GIGGLES | 0:27:45 | 0:27:46 | |
EIGHTIES PARTY MUSIC | 0:27:49 | 0:27:52 | |
Love the shorts. | 0:27:53 | 0:27:55 | |
Of the ridiculous things I've ever done in my lounge, | 0:27:55 | 0:27:57 | |
this is definitely up there. | 0:27:57 | 0:27:59 | |
In the '80s, we were told this was a safe way to tan. | 0:27:59 | 0:28:03 | |
And this is a pastime. I mean, at least in the '60s, | 0:28:03 | 0:28:05 | |
we went to the seaside to do this. | 0:28:05 | 0:28:08 | |
It was more of an occasion, wasn't it? | 0:28:08 | 0:28:10 | |
Seth! Come and see how ridiculous your father looks. | 0:28:10 | 0:28:13 | |
ROB LAUGHS | 0:28:13 | 0:28:15 | |
Look, look. | 0:28:15 | 0:28:17 | |
This is really weird. I don't even understand the point of this. | 0:28:19 | 0:28:22 | |
ROB LAUGHS | 0:28:22 | 0:28:24 | |
I could do with a pina colada, that might help. | 0:28:24 | 0:28:27 | |
But no bad boy's look would be complete | 0:28:27 | 0:28:30 | |
without the most popular finishing touch for men. | 0:28:30 | 0:28:33 | |
Oh! | 0:28:33 | 0:28:34 | |
Why have you put a jellyfish on my head? | 0:28:34 | 0:28:37 | |
Blond highlights. | 0:28:37 | 0:28:38 | |
MUSIC: Bad Boys by Wham! | 0:28:38 | 0:28:40 | |
Ooh. Ow! Oh. Urgh! | 0:28:40 | 0:28:43 | |
ROB SQUEALS | 0:28:43 | 0:28:45 | |
Tonight, Daisy is Rob's stylist. | 0:28:45 | 0:28:47 | |
THEY GIGGLE | 0:28:48 | 0:28:50 | |
DAISY LAUGHS | 0:28:51 | 0:28:53 | |
-I'm laughing with you really. -Oh, yeah, that's right. | 0:28:58 | 0:29:00 | |
-ROB LAUGHS -You could be Andrew Ridgley | 0:29:03 | 0:29:05 | |
and I could be George Michael. We could be Wham! together. | 0:29:05 | 0:29:08 | |
No! I'd die. | 0:29:08 | 0:29:10 | |
Yes, it's pretty good. | 0:29:13 | 0:29:15 | |
Yeah. Well done, Daisy. | 0:29:15 | 0:29:17 | |
# Whoo whoo! # | 0:29:17 | 0:29:18 | |
As the '80s moved on, | 0:29:21 | 0:29:23 | |
our leisure time was increasingly dominated by American imports. | 0:29:23 | 0:29:27 | |
Seth and Harvey are trying one out. | 0:29:27 | 0:29:30 | |
I've enlisted the help of break dancer B-boy, Steady, | 0:29:30 | 0:29:33 | |
to put them through their paces. | 0:29:33 | 0:29:36 | |
-Hi, guys. -Hi. -I'm Steady from Flawless. | 0:29:36 | 0:29:39 | |
-From the '80s, right? -Yep. -That's what we used to wear, nice. | 0:29:39 | 0:29:42 | |
Direct from New York, kids from Norwich to Newport | 0:29:42 | 0:29:45 | |
were breaking out the frog splash. | 0:29:45 | 0:29:47 | |
We're going to learn some top rock first, | 0:29:48 | 0:29:50 | |
and then a drop which is how we get to the floor. Then a six step. | 0:29:50 | 0:29:54 | |
-That sounds complicated. -Yep. | 0:29:54 | 0:29:56 | |
Don't think too hard, just let your body do the work. | 0:29:56 | 0:29:58 | |
So, five, six, seven and cross. | 0:29:58 | 0:30:02 | |
-In, cross. In, cross. In, cross. -Oh! | 0:30:02 | 0:30:06 | |
-You've got it! -I went backwards, though. | 0:30:06 | 0:30:08 | |
OK, you made a little mistake, but you got it. | 0:30:08 | 0:30:10 | |
OK, this is a six step, OK? | 0:30:10 | 0:30:14 | |
One... STEADY LAUGHS | 0:30:15 | 0:30:17 | |
-Bend down. -..two, three, four, | 0:30:17 | 0:30:20 | |
-five, six. -Oh, no. | 0:30:20 | 0:30:22 | |
Jump up. | 0:30:22 | 0:30:24 | |
Right. Music time? | 0:30:24 | 0:30:26 | |
-MUSIC PLAYS -Five, six, seven and | 0:30:28 | 0:30:30 | |
march, march, march, march. | 0:30:30 | 0:30:33 | |
-Yep. -Cross. | 0:30:33 | 0:30:34 | |
# Good girl! # | 0:30:34 | 0:30:36 | |
Six step's nice. | 0:30:36 | 0:30:38 | |
Out. | 0:30:38 | 0:30:39 | |
I thought you said you were no good! | 0:30:39 | 0:30:41 | |
Most people I'm teaching that would take two or three lessons | 0:30:43 | 0:30:45 | |
just to learn that, you've learnt it in 20 minutes. | 0:30:45 | 0:30:48 | |
THEY LAUGH | 0:30:48 | 0:30:49 | |
I didn't really like break dancing, and the idea of it. | 0:30:49 | 0:30:52 | |
So, I was just a bit worried about it. | 0:30:52 | 0:30:54 | |
But when I got into it, I really enjoyed it. | 0:30:54 | 0:30:56 | |
Tat, tat, tat, tat. | 0:30:56 | 0:30:57 | |
High fives. | 0:30:57 | 0:30:59 | |
While Seth's breaking in the park... | 0:30:59 | 0:31:00 | |
I think I've twisted my ankle. | 0:31:00 | 0:31:03 | |
..Daisy's also fallen under the spell of all things American. | 0:31:03 | 0:31:07 | |
Ow! | 0:31:07 | 0:31:08 | |
But '80s fashion comes at a price. | 0:31:08 | 0:31:11 | |
Argh! | 0:31:11 | 0:31:12 | |
SHE SQUEALS | 0:31:12 | 0:31:14 | |
Are you trying to rip my hair out of my skull? | 0:31:16 | 0:31:19 | |
# Holiday! | 0:31:19 | 0:31:20 | |
Madonna burst onto the music scene in 1984. | 0:31:20 | 0:31:24 | |
Her radical style was immediately embraced by fans. | 0:31:24 | 0:31:26 | |
And high-street shops were soon selling out of lace gloves, | 0:31:26 | 0:31:29 | |
as Madonna-mania swept the country. | 0:31:29 | 0:31:33 | |
In the '50s, '60s and '70s, you weren't following a celebrity, | 0:31:33 | 0:31:36 | |
you were following what everyone else was wearing. Whereas this, | 0:31:36 | 0:31:39 | |
it's like you choose your celebrity and you look like them. | 0:31:39 | 0:31:41 | |
# Holiday! | 0:31:41 | 0:31:43 | |
I do think I can express myself more as I can put anything on | 0:31:43 | 0:31:45 | |
and someone will go, oh, that's totally normal. | 0:31:45 | 0:31:48 | |
-What's the dance in the '80s? -# Holiday! | 0:31:48 | 0:31:50 | |
It's all like that. | 0:31:50 | 0:31:52 | |
# It would be so nice. # | 0:31:52 | 0:31:54 | |
MUSIC: Jump by Van Halen. | 0:31:55 | 0:31:57 | |
# I get up... | 0:32:01 | 0:32:03 | |
While the kids transform themselves, | 0:32:03 | 0:32:04 | |
Rob's taken up yet another craze from across the pond, jogging. | 0:32:04 | 0:32:09 | |
# You got it tough | 0:32:09 | 0:32:10 | |
# I've seen the toughest all around... | 0:32:10 | 0:32:12 | |
I'm pleased to be out. | 0:32:12 | 0:32:13 | |
I know I'm on my own but I like the isolation of exercising on my own. | 0:32:13 | 0:32:16 | |
So, I'm really pleased to be out, | 0:32:16 | 0:32:18 | |
and pleased to get rid of the excess energy that I have. | 0:32:18 | 0:32:20 | |
# Just how you feel. # | 0:32:20 | 0:32:22 | |
We were enthusiastically embracing American culture in 1984. | 0:32:22 | 0:32:26 | |
But there was one import from the USA that was far from popular. | 0:32:26 | 0:32:30 | |
-TV: -The message was clear. Spring, said the organisers, brought life, | 0:32:31 | 0:32:35 | |
cruise missiles, death. | 0:32:35 | 0:32:36 | |
The year before, American cruise missiles | 0:32:36 | 0:32:39 | |
had arrived at Greenham Common. | 0:32:39 | 0:32:42 | |
And, as the Cold War intensified, | 0:32:42 | 0:32:43 | |
fears of a nuclear conflict were at a peak. | 0:32:43 | 0:32:46 | |
In 1984, seven million people tuned in to the BBC's drama Threads | 0:32:50 | 0:32:56 | |
which depicted the horror of nuclear war, and its aftermath. | 0:32:56 | 0:32:59 | |
-TV: -If anyone dies while you are kept in your fallout room, | 0:33:00 | 0:33:04 | |
move the body to another room in the house. | 0:33:04 | 0:33:08 | |
That guy's voice, to this day, curdles my blood. | 0:33:08 | 0:33:12 | |
-Felt like it had taken away my future. -It was horrible. | 0:33:12 | 0:33:15 | |
I remember thinking, I don't want to bring children into this world | 0:33:15 | 0:33:18 | |
if they're going to be living in a nuclear wasteland, | 0:33:18 | 0:33:21 | |
if they were lucky enough to survive it. | 0:33:21 | 0:33:23 | |
-TV: -Attack. Warning red. -Attack warning? Is it for real? | 0:33:23 | 0:33:26 | |
Attack warning? It's not bloody real! | 0:33:26 | 0:33:28 | |
TV: AIR RAID SIREN | 0:33:29 | 0:33:31 | |
TV: SCREAMS OF PANIC, ALARMS RING | 0:33:32 | 0:33:34 | |
TV: SIRENS | 0:33:36 | 0:33:38 | |
'It's making me think, | 0:33:38 | 0:33:39 | |
'what would you do in your last four minutes of living?' | 0:33:39 | 0:33:42 | |
Would you try and run and survive, | 0:33:42 | 0:33:43 | |
or would you try and embrace the last four minutes? | 0:33:43 | 0:33:45 | |
TV: SCREAMS OF PANIC | 0:33:47 | 0:33:48 | |
'It's really, really chilling.' | 0:33:54 | 0:33:57 | |
Oh, my God. | 0:34:04 | 0:34:06 | |
It's actually a cracking piece of television. | 0:34:09 | 0:34:12 | |
-STEPH SNIFFS -I hate it. | 0:34:15 | 0:34:18 | |
I hate it. | 0:34:18 | 0:34:19 | |
I hate it. | 0:34:21 | 0:34:22 | |
I hate it as much the second time round as I did the first time round. | 0:34:22 | 0:34:26 | |
-TV: -Jesus Christ, Tommy. | 0:34:29 | 0:34:31 | |
I spent that entire part of my life being angry, frightened, | 0:34:33 | 0:34:37 | |
resentful. Scared. | 0:34:37 | 0:34:41 | |
And it all came rushing back in Technicolor today | 0:34:41 | 0:34:43 | |
which is why I got emotional. | 0:34:43 | 0:34:45 | |
TV: PANICKED VOICES | 0:34:45 | 0:34:47 | |
By the mid-'80s, TV had become a powerful cultural force. | 0:34:47 | 0:34:51 | |
Ronald Reagan watched Threads, and the American equivalent, | 0:34:51 | 0:34:54 | |
The Day After, which he said changed his mind on nuclear policy. | 0:34:54 | 0:34:58 | |
Three years later, Russia and the USA signed a treaty | 0:34:59 | 0:35:02 | |
to reduce nuclear weapons. | 0:35:02 | 0:35:04 | |
One, two, three. Orange! | 0:35:10 | 0:35:12 | |
# Together! Together in electric dreams. # | 0:35:12 | 0:35:17 | |
It's 1985, and Polly is bringing the Ashby Hawkins | 0:35:20 | 0:35:24 | |
a bit of cutting-edge technology which would revolutionise our lives. | 0:35:24 | 0:35:28 | |
We're growing up into a computerised world | 0:35:30 | 0:35:33 | |
and, really, everyone's going to need one by the time they grow up. | 0:35:33 | 0:35:36 | |
-Hello. -Hello, Polly. -Ah, I see a keyboard. | 0:35:36 | 0:35:40 | |
-I'm bringing you the future. -Wow. -It's a home computer. | 0:35:40 | 0:35:43 | |
-Commodore 64. -How happy is Seth, look. | 0:35:43 | 0:35:46 | |
By the mid-'80s, as many as three million households had one. | 0:35:46 | 0:35:50 | |
And there were multiple British brands to choose from. | 0:35:50 | 0:35:53 | |
As well as the ZX Spectrum or the BBC Micro, | 0:35:53 | 0:35:55 | |
there was also the Grundy New Brain. | 0:35:55 | 0:35:57 | |
The Jupiter Ace. And the Welsh-made Dragon computer. | 0:35:57 | 0:36:01 | |
But, in the end, we fell for another American import, the Commodore 64. | 0:36:04 | 0:36:08 | |
It would become the biggest seller of all time. | 0:36:08 | 0:36:10 | |
This model costs around £200. That's about £1,000 in today's money. | 0:36:13 | 0:36:18 | |
They sold 17 million in 12 years of its existence. | 0:36:18 | 0:36:22 | |
The expenditure survey shows an astounding number of us | 0:36:24 | 0:36:27 | |
jumping on the home computer bandwagon, | 0:36:27 | 0:36:29 | |
including this 30-year-old man from Scotland who bought one for £188.50. | 0:36:29 | 0:36:34 | |
# Einstein a go go. # | 0:36:36 | 0:36:38 | |
Unlike today's tablets and laptops, | 0:36:38 | 0:36:40 | |
you couldn't just download apps or games. | 0:36:40 | 0:36:43 | |
64K RAM. Normal computers are four gigabytes of RAM. | 0:36:43 | 0:36:47 | |
They were designed for you to create everything yourself | 0:36:47 | 0:36:50 | |
by writing your own computer code. | 0:36:50 | 0:36:52 | |
-Try this, type in ten. -Yep. -Space. | 0:36:53 | 0:36:59 | |
Question mark. Quote, Seth smells. | 0:36:59 | 0:37:02 | |
The thing with computers is, | 0:37:02 | 0:37:04 | |
although they're capable of very clever things, | 0:37:04 | 0:37:06 | |
they are actually very stupid. | 0:37:06 | 0:37:09 | |
20. Go to. Ten. | 0:37:09 | 0:37:11 | |
-There we go. -It says "Steph smells"! That's not right! | 0:37:12 | 0:37:17 | |
But programming is no easy feat. | 0:37:17 | 0:37:20 | |
It is being extremely...stupid! | 0:37:20 | 0:37:24 | |
I don't like dollar signs any more! | 0:37:24 | 0:37:26 | |
it's still creating dollar signs. I'm pressing delete! | 0:37:26 | 0:37:30 | |
And now top, at the top again. Why is it doing that! | 0:37:30 | 0:37:34 | |
-Oh, my God! -HE GROANS | 0:37:35 | 0:37:37 | |
I've waited 30 years so far for a computer. | 0:37:38 | 0:37:42 | |
I want my laptop back now. It's so much quicker than this. | 0:37:42 | 0:37:45 | |
He might not be sold on its charms, | 0:37:47 | 0:37:49 | |
but the kids who learned to programme on these computers | 0:37:49 | 0:37:52 | |
would go on to create the games Seth loves. | 0:37:52 | 0:37:55 | |
-Hey, Seth, are you sure you don't want to come outside? -No. | 0:37:56 | 0:37:59 | |
And actually enjoy the sunshine? | 0:37:59 | 0:38:01 | |
I've got to do this. | 0:38:02 | 0:38:04 | |
It changes your brain, changes your behaviour | 0:38:06 | 0:38:08 | |
when you're on the screen all the time. | 0:38:08 | 0:38:09 | |
I can see how addictive it is. | 0:38:09 | 0:38:12 | |
That's why it's not working. | 0:38:12 | 0:38:14 | |
Ah! | 0:38:17 | 0:38:19 | |
But, on July 13, 1985, there's a huge global spectacle | 0:38:19 | 0:38:23 | |
that will tear even Seth away from his computer. | 0:38:23 | 0:38:27 | |
-TV: -It's 12 noon in London, 7am in Philadelphia, | 0:38:27 | 0:38:30 | |
and, around the world, it's time for Live Aid! | 0:38:30 | 0:38:34 | |
It was the most amazing thing ever. | 0:38:34 | 0:38:38 | |
And you could not buy a blank videotape for love nor money | 0:38:38 | 0:38:41 | |
in the week leading up to this because everyone recorded it. | 0:38:41 | 0:38:45 | |
# I bought a ticket to the world | 0:38:45 | 0:38:49 | |
-CROWD: -# But now I've come back again... | 0:38:49 | 0:38:51 | |
Pop singers Bob Geldof and Midge Ure galvanised the music industry | 0:38:51 | 0:38:55 | |
to stage the biggest global charity event in history | 0:38:55 | 0:38:58 | |
in an attempt to help the desperate situation in Ethiopia. | 0:38:58 | 0:39:01 | |
# I want the truth to be said. # | 0:39:01 | 0:39:03 | |
-TV: -Dawn. And, as the sun breaks through the piercing chill of night | 0:39:04 | 0:39:08 | |
on the plain outside Korem, it lights up a biblical famine. | 0:39:08 | 0:39:13 | |
Don't go to the pub tonight. Please, stay in and give us the money. | 0:39:13 | 0:39:16 | |
There are people dying now. | 0:39:16 | 0:39:18 | |
He basically mobilised the whole country, didn't he? | 0:39:18 | 0:39:21 | |
This was unique. | 0:39:21 | 0:39:22 | |
McCartney, Bowie, there's Wham! | 0:39:22 | 0:39:24 | |
George Michael in the yellow shirt. Woohoo! | 0:39:24 | 0:39:27 | |
1.9 billion people tuned in worldwide, | 0:39:27 | 0:39:31 | |
one of the largest TV audiences ever, | 0:39:31 | 0:39:33 | |
and it raised a colossal £70 million. | 0:39:33 | 0:39:35 | |
-# Are the clanging chimes of doom... -This is giving me goose bumps. | 0:39:35 | 0:39:39 | |
# Well, tonight, thank God it's them instead of you | 0:39:39 | 0:39:46 | |
# And there won't be snow in Africa... # | 0:39:47 | 0:39:50 | |
Thanks to Live Aid, charity fund raising took off. | 0:39:50 | 0:39:53 | |
And, in true British style, the sillier, the better. | 0:39:53 | 0:39:56 | |
-Where's your dad, what's he up to? Something weird again? -Mm. | 0:39:56 | 0:39:59 | |
Woohoo! | 0:40:02 | 0:40:04 | |
-What is it? -Best thing ever. | 0:40:05 | 0:40:08 | |
Gripped by the charity bug, Rob's got his hands | 0:40:08 | 0:40:10 | |
on the latest vehicle to hit the market, the Sinclair C5. | 0:40:10 | 0:40:14 | |
-I want one! -Awesome. | 0:40:14 | 0:40:17 | |
-Let's go and raise money 1985-style. -Wa-hey, hey. | 0:40:17 | 0:40:20 | |
How are we going to do that. | 0:40:20 | 0:40:22 | |
We're going to let people ride on it for money. | 0:40:22 | 0:40:25 | |
Madam, good afternoon. Welcome to Live Aid 1985. | 0:40:25 | 0:40:28 | |
-And pedal. -You've got to press quite hard. | 0:40:28 | 0:40:30 | |
Don't forget, we've got your dog as deposit. | 0:40:32 | 0:40:34 | |
DOG BARKS | 0:40:34 | 0:40:36 | |
THE FAMILY WHOOP | 0:40:37 | 0:40:38 | |
Stop. | 0:40:38 | 0:40:40 | |
THEY LAUGH | 0:40:40 | 0:40:41 | |
Money for Live Aid! | 0:40:41 | 0:40:43 | |
'It's a really positive thing. | 0:40:43 | 0:40:45 | |
'And it's a real upbeat part of the '80s for me. | 0:40:45 | 0:40:47 | |
'I feel like the tide's turning and changing a bit.' | 0:40:47 | 0:40:50 | |
Because there's been quite a lot of dark stuff up to now. | 0:40:50 | 0:40:53 | |
As a pastime, it was fun, and we did it together. | 0:40:54 | 0:40:58 | |
And it was for a good cause. | 0:40:58 | 0:41:00 | |
The legacy of Live Aid remains, | 0:41:03 | 0:41:05 | |
and the charity is still taking donations today. | 0:41:05 | 0:41:08 | |
THEY CHATTER | 0:41:08 | 0:41:09 | |
COINS JINGLE | 0:41:10 | 0:41:12 | |
But a less glorious future awaited the C5. | 0:41:12 | 0:41:16 | |
So, pedal first, get it going and then push the button in. | 0:41:16 | 0:41:19 | |
It was hoped that this electric tricycle would replace cars. | 0:41:19 | 0:41:23 | |
STEPH LAUGHS | 0:41:23 | 0:41:24 | |
Nimble in traffic and easy to park, and only £399. | 0:41:24 | 0:41:28 | |
-Stop, stop! -# We're on the road to nowhere... # | 0:41:28 | 0:41:30 | |
I wonder how fast you can go on this. | 0:41:30 | 0:41:32 | |
However, its exposure to the elements and low-profile | 0:41:32 | 0:41:36 | |
made it unsafe and uncomfortable. | 0:41:36 | 0:41:38 | |
I have seen so many youngsters just come straight across the road, | 0:41:38 | 0:41:42 | |
no signals, no nothing. | 0:41:42 | 0:41:44 | |
I do, I think they're an absolute hazard on the road. | 0:41:44 | 0:41:47 | |
Whoever brought out that, well, | 0:41:47 | 0:41:48 | |
wants putting up against a wall and shooting. | 0:41:48 | 0:41:50 | |
After only a few months on the market, | 0:41:51 | 0:41:53 | |
with poor sales and terrible press, it was a total flop. | 0:41:53 | 0:41:57 | |
I love it. I want one. | 0:41:58 | 0:42:00 | |
Live Aid is amazing. | 0:42:03 | 0:42:05 | |
Oh, my goodness, it's incredible. | 0:42:05 | 0:42:07 | |
That is the trigger of | 0:42:07 | 0:42:10 | |
every single Comic Relief, every Sports Relief. | 0:42:10 | 0:42:12 | |
It's stuck with us, and it's just awesome, it's really cool. | 0:42:12 | 0:42:15 | |
It had dreadful beginnings. But the actual event, | 0:42:15 | 0:42:17 | |
it really did bring hope. | 0:42:17 | 0:42:19 | |
It really restored my faith in people. | 0:42:19 | 0:42:23 | |
Despite a multitude of distractions... | 0:42:27 | 0:42:30 | |
How's it going, mate? | 0:42:30 | 0:42:32 | |
..one activity has dominated the family's activity time. | 0:42:32 | 0:42:35 | |
# The sun always shines on TV | 0:42:35 | 0:42:39 | |
# Hold me... # | 0:42:39 | 0:42:40 | |
Television. | 0:42:40 | 0:42:41 | |
We're watching a lot more television than in previous decades. | 0:42:41 | 0:42:44 | |
It's brilliant, absolutely brilliant. | 0:42:44 | 0:42:47 | |
'Long live my square eyes.' | 0:42:47 | 0:42:49 | |
In the '80, Britain was watching 50% more than a decade earlier. | 0:42:49 | 0:42:54 | |
And, naturally, it was the TV that told us | 0:42:55 | 0:42:57 | |
about brand-new things to buy. | 0:42:57 | 0:42:59 | |
What's up? | 0:43:00 | 0:43:02 | |
You know these British Gas shares? They're really easy to do. | 0:43:02 | 0:43:06 | |
-Give them a ring. -CAR HORN | 0:43:06 | 0:43:07 | |
If you see Sid, tell him. | 0:43:07 | 0:43:09 | |
In 1986, the government began privatising | 0:43:09 | 0:43:12 | |
Britain's nationalised industries. | 0:43:12 | 0:43:14 | |
Most famously, British Gas. | 0:43:14 | 0:43:16 | |
People made a bucket-load of money almost instantly. | 0:43:19 | 0:43:23 | |
BELL | 0:43:23 | 0:43:24 | |
As thousands of buyers cashed in their new shares, | 0:43:24 | 0:43:27 | |
it meant the chance to buy even more stuff. | 0:43:27 | 0:43:29 | |
-Oh! -Ooh, it's a Fiesta. | 0:43:31 | 0:43:35 | |
-Steph's car. -It's really exciting. | 0:43:35 | 0:43:37 | |
HORN BEEPS | 0:43:38 | 0:43:40 | |
By the end of the decade, 23% of Britons were two-car families. | 0:43:40 | 0:43:44 | |
ENGINE STARTS | 0:43:44 | 0:43:45 | |
And, what better way to put them to use | 0:43:45 | 0:43:47 | |
than another favoured leisure pursuit. | 0:43:47 | 0:43:50 | |
Right, let's go shopping. | 0:43:50 | 0:43:52 | |
The Family Expenditure Survey indicates that | 0:43:54 | 0:43:56 | |
even men were catching the shopping bug, | 0:43:56 | 0:43:59 | |
and the male fashion market rocketed. | 0:43:59 | 0:44:01 | |
I've arranged for Rob and Steph to get some style tips | 0:44:02 | 0:44:06 | |
from expert Caryn Franklin. | 0:44:06 | 0:44:07 | |
Hello. Look at you, you look amazing. | 0:44:07 | 0:44:11 | |
In 1986, Caryn told the British public what to buy every week | 0:44:11 | 0:44:14 | |
on the Clothes Show. | 0:44:14 | 0:44:16 | |
With the massive choice available in your high streets | 0:44:16 | 0:44:19 | |
this very minute, there really is no excuse for looking shoddy. | 0:44:19 | 0:44:23 | |
Is there, boys? | 0:44:23 | 0:44:25 | |
-OK, Rob, I've got you these. Nice sloppy suit. -Wow. | 0:44:25 | 0:44:31 | |
-Have a go. -Look at the colours. | 0:44:31 | 0:44:32 | |
This was the time, really, when menswear was really blossoming. | 0:44:34 | 0:44:37 | |
Suddenly, the weekend was about shopping as a hobby. | 0:44:37 | 0:44:42 | |
And buying clothes, and buying style. | 0:44:42 | 0:44:45 | |
There were big shopping malls sprouting up, | 0:44:45 | 0:44:48 | |
where everything was under one roof. | 0:44:48 | 0:44:50 | |
So, we were encouraged to shop. | 0:44:50 | 0:44:53 | |
So, Rob, how are you getting on with that? | 0:44:53 | 0:44:55 | |
I am ready. | 0:44:55 | 0:44:57 | |
Let's have a look. Wa-hey! | 0:44:57 | 0:45:00 | |
-Whoa. -Look at you, -mister. Amazing. | 0:45:00 | 0:45:02 | |
-How do you feel? -Comfortable and stylish, | 0:45:02 | 0:45:05 | |
a lot better than how I was dressed when I went in there. | 0:45:05 | 0:45:08 | |
I've got the finishing touch here. We've rolled up your sleeves, | 0:45:08 | 0:45:11 | |
because that's a big part of the look. | 0:45:11 | 0:45:14 | |
Don Johnson's really the look that we're channelling here. | 0:45:14 | 0:45:17 | |
He was the David Beckham of his day. | 0:45:17 | 0:45:20 | |
What he wore on telly influenced men | 0:45:20 | 0:45:23 | |
and women would have just tuned in to adore him. | 0:45:23 | 0:45:26 | |
-Have a look at yourself in the mirror. -It's very comfortable. | 0:45:26 | 0:45:28 | |
Oh! I haven't seen it all. | 0:45:28 | 0:45:30 | |
-Whoo! -Who's that? -Wow, yeah. | 0:45:30 | 0:45:33 | |
No, I need now is a Ferrari Testarossa, and I'll be off. | 0:45:33 | 0:45:36 | |
MUSIC: I Heard It Through The Grapevine by Marvin Gaye | 0:45:37 | 0:45:40 | |
It wasn't just Miami Vice influencing us. | 0:45:40 | 0:45:42 | |
The '80s was the golden age of advertising. | 0:45:42 | 0:45:44 | |
# Ooh, I bet you're wondering how I knew | 0:45:47 | 0:45:51 | |
# About your plans... # | 0:45:51 | 0:45:53 | |
I've come to meet John Hegarty. | 0:45:53 | 0:45:55 | |
The man responsible for one of the decade's most memorable ads. | 0:45:55 | 0:45:59 | |
So, what changed in the 1980s? | 0:45:59 | 0:46:01 | |
Well, Thatcher came along. | 0:46:01 | 0:46:03 | |
She talked about individualism, achieving things yourself. | 0:46:03 | 0:46:07 | |
All of a sudden, there was a huge change | 0:46:07 | 0:46:10 | |
in the way people thought and felt. | 0:46:10 | 0:46:12 | |
People had this sense of, I can do it. I can achieve it. | 0:46:12 | 0:46:16 | |
Advertising used to be about us, the family. About togetherness and that. | 0:46:16 | 0:46:21 | |
And, I think, the '80s, advertising was about me. | 0:46:21 | 0:46:24 | |
What I can achieve. It's about me. | 0:46:24 | 0:46:27 | |
The amazing thing about the 501s ad with Nick Kamen was, | 0:46:27 | 0:46:29 | |
in theory, you were selling jeans. | 0:46:29 | 0:46:31 | |
But, in fact, you changed the kind of pants people wore. | 0:46:31 | 0:46:33 | |
My drawer full of Y-fronts became irrelevant. | 0:46:33 | 0:46:36 | |
My girlfriend bought me a pair of boxer shorts. | 0:46:36 | 0:46:39 | |
But what's funny about it is, the original script, | 0:46:39 | 0:46:42 | |
we had him stripping down to a pair of Y-fronts. | 0:46:42 | 0:46:44 | |
-Completely different ad. -Completely different ad. | 0:46:44 | 0:46:46 | |
But I think the other thing that Levi's did with that campaign | 0:46:46 | 0:46:49 | |
was that they change the way people appreciated music. | 0:46:49 | 0:46:52 | |
They changed not only Levi's but fashion itself. | 0:46:52 | 0:46:56 | |
And it had an impact on how you could tell a story in advertising. | 0:46:56 | 0:47:01 | |
It could be sexy, it could be individual, | 0:47:01 | 0:47:03 | |
it could be very different. And I think it became a mark for that era. | 0:47:03 | 0:47:07 | |
As a spotty 17-year-old, | 0:47:07 | 0:47:09 | |
even I bought a pair of Levis in a bid to look like Nick Kamen. | 0:47:09 | 0:47:13 | |
And I've managed to get hold of a few pairs for the family. | 0:47:13 | 0:47:16 | |
I love these jeans. | 0:47:16 | 0:47:17 | |
The guy in the advert, cor, he was just sex on legs. | 0:47:17 | 0:47:21 | |
# Don't you know that I heard it through the grapevine... # | 0:47:21 | 0:47:24 | |
The advert was so successful, Levi's sales went up by 700% | 0:47:24 | 0:47:27 | |
and they struggled to keep up with demand. | 0:47:27 | 0:47:30 | |
# Oh, I heard it through the grapevine. # | 0:47:30 | 0:47:33 | |
I love these jeans. They feel really cool. | 0:47:33 | 0:47:36 | |
The last night out Steph had was bingo in the '60s. | 0:47:43 | 0:47:47 | |
Now, as a liberated '80s woman with a full Filofax, | 0:47:47 | 0:47:50 | |
she can go out with friends after work | 0:47:50 | 0:47:52 | |
to a new female-friendly wine bar. | 0:47:52 | 0:47:55 | |
-Shall I get a bottle of white? -Yes. Mm. -I'll go and get that. | 0:47:55 | 0:47:58 | |
# Sisters are doing it for themselves. # | 0:47:58 | 0:48:01 | |
Most pubs in the '80s were rowdy, male-dominated environments. | 0:48:02 | 0:48:06 | |
But the recently opened Pitcher & Piano was the first bar | 0:48:06 | 0:48:10 | |
to target working women with money to spend on socialising. | 0:48:10 | 0:48:14 | |
It banned fruit machines, and designed a look | 0:48:14 | 0:48:16 | |
that was a world away from the traditional British boozer. | 0:48:16 | 0:48:19 | |
-Cheers. -Cheers. -Cheers. Our first outing to a wine bar. | 0:48:19 | 0:48:22 | |
-Dartboard, pool table. -Smoking. -Smoking. | 0:48:23 | 0:48:26 | |
Horrible, grotty wallpaper. Sticky carpets. | 0:48:26 | 0:48:30 | |
But this, this is very different from a pub. | 0:48:30 | 0:48:33 | |
-It's open and light. -Airy, clean. -Posh. | 0:48:33 | 0:48:37 | |
I think it took a long time for the hospitality industry | 0:48:37 | 0:48:40 | |
to realise that women had got money to spend. | 0:48:40 | 0:48:42 | |
In true '80s style, the night out gives Steph to a chance | 0:48:42 | 0:48:45 | |
to name-drop about her latest purchases. | 0:48:45 | 0:48:49 | |
I've just got a car, I've got a Ford Fiesta. | 0:48:49 | 0:48:51 | |
-No! What colour? -Blue? | 0:48:51 | 0:48:54 | |
You see, that's a girl's question. And it's my car. | 0:48:54 | 0:48:57 | |
-Rob's got the boring family car. -What's he got? | 0:48:57 | 0:49:00 | |
He's got a Vauxhall Cavalier which is, it's maroon. | 0:49:00 | 0:49:02 | |
-Ooh. -Ugh. | 0:49:02 | 0:49:04 | |
So far in this experiment, | 0:49:05 | 0:49:07 | |
Steph has done the lion's share of the housework. | 0:49:07 | 0:49:10 | |
However, in 1987, a new phrase came into common parlance, the new man. | 0:49:11 | 0:49:16 | |
# What have I, what have I, what have I done to deserve this? # | 0:49:16 | 0:49:20 | |
I feel more useful and comfortable now that | 0:49:20 | 0:49:22 | |
I'm back into what I would normally do in the contemporary life. | 0:49:22 | 0:49:26 | |
But, despite the hype, most men were actually only doing | 0:49:26 | 0:49:29 | |
a couple more minutes of housework a week. | 0:49:29 | 0:49:32 | |
Ugh. | 0:49:32 | 0:49:33 | |
HE MAKES A SUCTION NOISE | 0:49:34 | 0:49:36 | |
Whoo! | 0:49:36 | 0:49:37 | |
-Daisy has given him blond highlights in his hair. -Oh, yes? No! | 0:49:37 | 0:49:41 | |
-He's got a tan. -Really. -Oh, God. -It looks so funny. | 0:49:41 | 0:49:45 | |
'I'm not seeing her but at least I know she's having a good time | 0:49:45 | 0:49:49 | |
'instead of being chained to the sink.' | 0:49:49 | 0:49:52 | |
Look how important I am... | 0:49:52 | 0:49:53 | |
'It's really good. I've definitely got my freedom in this era.' | 0:49:53 | 0:49:56 | |
I haven't been out since the 1960s. | 0:49:56 | 0:49:58 | |
So, really, really chuffed to actually get out and have fun. | 0:49:58 | 0:50:03 | |
It was brilliant, that was so lovely. | 0:50:05 | 0:50:07 | |
It's much more like what I'm used to doing. | 0:50:07 | 0:50:09 | |
It felt like the old me a bit. | 0:50:09 | 0:50:11 | |
I felt like I'd got my mojo back a bit. | 0:50:11 | 0:50:13 | |
-RADIO: -This is Bruno Brookes live in London with a brand-new Top 40. | 0:50:16 | 0:50:21 | |
A direct computer link with Gallup headquarters tells us | 0:50:21 | 0:50:24 | |
the news as it comes in minute by minute. | 0:50:24 | 0:50:25 | |
It's Sunday. | 0:50:25 | 0:50:27 | |
Daisy's taping the Top 40. | 0:50:28 | 0:50:30 | |
Pump up the volume. | 0:50:30 | 0:50:31 | |
Ah, 1988, my hard-working one. | 0:50:33 | 0:50:36 | |
Already? Wow. Time flies. | 0:50:36 | 0:50:39 | |
Now Rob and Steph are both working full-time, | 0:50:41 | 0:50:43 | |
they're using the very latest tools to bring the garden | 0:50:43 | 0:50:46 | |
up to the standards of their '80s show home. | 0:50:46 | 0:50:49 | |
One false move and your topiary's done for, isn't it? | 0:50:50 | 0:50:53 | |
While his parents are gardening, | 0:50:56 | 0:50:58 | |
Seth and his friend Harvey are off to the video shop. | 0:50:58 | 0:51:02 | |
Pre-recorded tapes were expensive to buy, | 0:51:02 | 0:51:05 | |
but the expenditure survey shows countless video rental entries. | 0:51:05 | 0:51:09 | |
Like this family from the south-east who spent £3.99 on renting videos. | 0:51:09 | 0:51:14 | |
-TV ARCHIVE: -Britain has more video recorders | 0:51:17 | 0:51:20 | |
per head of population than any other country in the world. | 0:51:20 | 0:51:22 | |
The rise of the video shop left cinemas struggling, | 0:51:22 | 0:51:26 | |
as audiences dipped to their lowest levels ever in the mid-'80s. | 0:51:26 | 0:51:31 | |
-Ghostbusters? -Seen it. Seen Indiana Jones. Seen that. | 0:51:31 | 0:51:35 | |
Karate Kid? Maybe not. | 0:51:35 | 0:51:37 | |
-Er. Crocodile Dundee. -No. | 0:51:37 | 0:51:39 | |
Dirty Dancing! First dance, first love, the time of your life. | 0:51:40 | 0:51:43 | |
That is for girls. Flashdance? No! | 0:51:43 | 0:51:47 | |
-There's Top Gun. -Yeah. | 0:51:47 | 0:51:48 | |
I've not seen that one yet. | 0:51:48 | 0:51:50 | |
Top Gun's good, yeah. What about Ferris Bueller's Day Off? | 0:51:50 | 0:51:53 | |
-Ah, that's supposed to be good. OK, let's go. -Let's go play. | 0:51:53 | 0:51:56 | |
As the decade progresses, | 0:51:57 | 0:51:59 | |
the family are spending less and less time together. | 0:51:59 | 0:52:01 | |
In the '60s and '70s, we did gardening out here together. | 0:52:02 | 0:52:06 | |
But Seth's got other shiny distractions, | 0:52:06 | 0:52:09 | |
and Daisy's going off and doing her own thing. | 0:52:09 | 0:52:11 | |
I worry we're all going in that direction. | 0:52:11 | 0:52:13 | |
I'm not sure what will bring back together again. | 0:52:13 | 0:52:15 | |
It's almost like we're divorced from our children. | 0:52:15 | 0:52:18 | |
Which is sad, I don't like it. I miss them. | 0:52:18 | 0:52:21 | |
# I went to the danger zone... # | 0:52:22 | 0:52:26 | |
Instead of visiting the cinema like we did in the '50s, | 0:52:26 | 0:52:29 | |
Seth can now watch films back-to-back | 0:52:29 | 0:52:32 | |
in the comfort of his own home. | 0:52:32 | 0:52:33 | |
-I feel the need. -ALL: -The need for speed! | 0:52:34 | 0:52:38 | |
# Danger zone | 0:52:38 | 0:52:40 | |
# Highway to the danger zone. # | 0:52:40 | 0:52:44 | |
It's all the stuff we've been given. | 0:52:45 | 0:52:48 | |
what it seems to do is make my house smaller, | 0:52:48 | 0:52:50 | |
and push me further away from my family. | 0:52:50 | 0:52:53 | |
You're replacing emotion and feeling with plastic and whirring. | 0:52:54 | 0:53:00 | |
I think the '80s is much more about money, | 0:53:00 | 0:53:02 | |
and being able to buy things, as opposed to create our own happiness. | 0:53:02 | 0:53:05 | |
I feel materially richer, but I don't feel spiritually richer. | 0:53:05 | 0:53:11 | |
# I see! I see! I see! # | 0:53:15 | 0:53:18 | |
Away from home, as the '80s drew to a close, | 0:53:18 | 0:53:21 | |
a new youth counterculture emerged. | 0:53:21 | 0:53:24 | |
-RADIO: -Party crew, listen up. | 0:53:25 | 0:53:27 | |
party crew, Fantasia girls and all the Saturday night party crew, | 0:53:27 | 0:53:30 | |
-listen up. -Where is it, mate? | 0:53:30 | 0:53:33 | |
Now, you get to The Cross, at Junction 4, A506, that's A506. | 0:53:34 | 0:53:40 | |
Wait there for more info. Wait there. It's going to be a large one. | 0:53:40 | 0:53:43 | |
-Tell your mates. -Tell our mates? | 0:53:43 | 0:53:45 | |
-Tell our mates. If we had any. -How can we tell them without a mobile? | 0:53:45 | 0:53:49 | |
Growing out of the pirate radio scene, | 0:53:49 | 0:53:51 | |
acid house was a rejection of the brand-led consumerism of the '80s. | 0:53:51 | 0:53:56 | |
With illegal parties in deserted warehouses, | 0:53:56 | 0:53:58 | |
it was definitely not something to share with your parents. | 0:53:58 | 0:54:01 | |
This is what it's like to be a proper teenager. | 0:54:03 | 0:54:05 | |
Going out to raves, being rebellious and being cool. | 0:54:05 | 0:54:08 | |
We are not cool in any way. We sit on our phones all day. | 0:54:08 | 0:54:10 | |
Why don't we just do this? I really wish we did this. | 0:54:10 | 0:54:12 | |
# No, no. # | 0:54:13 | 0:54:15 | |
I want to go to a rave, like, right now. | 0:54:18 | 0:54:20 | |
It's 1989. | 0:54:24 | 0:54:27 | |
To celebrate the end of the decade, | 0:54:29 | 0:54:31 | |
the family are hosting a cocktail party. | 0:54:31 | 0:54:34 | |
The '80s saw a renaissance in cocktail making. | 0:54:34 | 0:54:36 | |
The more flamboyant, the better. | 0:54:36 | 0:54:38 | |
It's no longer a breakfast bar. | 0:54:39 | 0:54:41 | |
-Cocktail bar. -Cool. | 0:54:41 | 0:54:43 | |
So, it's much more fun. | 0:54:43 | 0:54:45 | |
After Tom Cruise made bar keeping cool. | 0:54:45 | 0:54:48 | |
Oh! | 0:54:48 | 0:54:49 | |
How you mixed the drink was almost as important as what went in it. | 0:54:49 | 0:54:53 | |
-There it is, there's vodka. -One measure of vodka. | 0:54:53 | 0:54:55 | |
Three-quarters of a measure of tequila. | 0:54:56 | 0:54:58 | |
-Quite an alcoholic one. -Measure of tequila. | 0:54:58 | 0:55:00 | |
While Rob and Steph tend bar, Seth's found a job too. | 0:55:00 | 0:55:04 | |
-What are you playing? -Paperboy. -I used to play Paperboy. | 0:55:05 | 0:55:08 | |
-Is it good, Seth? -No, it sucks. | 0:55:08 | 0:55:11 | |
-Watch the cat. -That's a dog. | 0:55:11 | 0:55:12 | |
You should have gone on to the pavement then. There we go. | 0:55:12 | 0:55:15 | |
Oh! Yeah. | 0:55:15 | 0:55:17 | |
-Whoa! -Oh, what! | 0:55:17 | 0:55:19 | |
-Uh. Game over. -Yeah. | 0:55:20 | 0:55:23 | |
That looks like you could probably clean any stain off anything with. | 0:55:24 | 0:55:27 | |
-Shall we try them? -You first, yeah? -Straw each. So, this is a Blue Moon. | 0:55:27 | 0:55:31 | |
It tastes like something you'd clean a toilet with as well. | 0:55:34 | 0:55:37 | |
It's really nice. Do you not like that? | 0:55:37 | 0:55:40 | |
DOORBELL | 0:55:40 | 0:55:41 | |
Bonjour! | 0:55:42 | 0:55:44 | |
THEY CHATTER | 0:55:45 | 0:55:47 | |
Polly and I are back to find out | 0:55:47 | 0:55:50 | |
what the '80s has meant to the family. | 0:55:50 | 0:55:52 | |
I've just prepared a Harvey Wallbanger for you, | 0:55:52 | 0:55:54 | |
there we are, excellent. | 0:55:54 | 0:55:56 | |
And I accidentally put too much cucumber, so it's sunk. | 0:55:56 | 0:55:58 | |
The problem with that is there's too much cucumber in it? | 0:55:58 | 0:56:01 | |
I'll give it a go. | 0:56:01 | 0:56:02 | |
Oh! | 0:56:05 | 0:56:06 | |
So, how was the '80s from a kid's point of view? | 0:56:08 | 0:56:11 | |
-Good. -Awesome. -Enjoyable, lots of technology. Fun. | 0:56:11 | 0:56:14 | |
-Awesome, I loved it. -Really, it's all that good? -Yeah, I loved it. | 0:56:14 | 0:56:17 | |
I did my dad's hair, as you can see, it was lovely. | 0:56:17 | 0:56:20 | |
Raves. I dressed up like Madonna. | 0:56:20 | 0:56:22 | |
I was really Madonna-ing up and I really loved it. | 0:56:22 | 0:56:24 | |
The '80s is so cool, do whatever you want, and get away with it. | 0:56:24 | 0:56:27 | |
What was it like for you as a family? | 0:56:28 | 0:56:30 | |
We didn't spend a lot of time together. | 0:56:30 | 0:56:32 | |
Unlike the '70s where we were always together doing fun stuff, | 0:56:32 | 0:56:35 | |
in the '80s, this is all about have it all, a full-on lifestyle, | 0:56:35 | 0:56:38 | |
-and appearance being really, really important. -Image, yeah, image. | 0:56:38 | 0:56:42 | |
Here's the lounge. | 0:56:42 | 0:56:44 | |
But no '80s bash would be complete without breaking out the karaoke. | 0:56:45 | 0:56:50 | |
# Don't leave me this way | 0:56:50 | 0:56:55 | |
# I can't survive... # | 0:56:55 | 0:56:57 | |
I'll be sorry to leave '80s television | 0:56:57 | 0:57:01 | |
because, for me, that was the best television ever. | 0:57:01 | 0:57:05 | |
Um. But the '80s, for me, was the time for just buying lots of stuff | 0:57:05 | 0:57:11 | |
that you don't need. | 0:57:11 | 0:57:12 | |
You had to have it, keep having it, have more, have the new one. | 0:57:12 | 0:57:15 | |
You don't need to do that. | 0:57:15 | 0:57:17 | |
-ALL: -# Because I've had the time of my life | 0:57:17 | 0:57:23 | |
# And I've never felt this way before. # | 0:57:23 | 0:57:27 | |
I've got a full-time, meaningful job. I've got my own car. | 0:57:28 | 0:57:32 | |
'I am allowed to go out on my own with my friends. | 0:57:32 | 0:57:34 | |
'So, a bit more freedom. But it feels to me there is less leisure.' | 0:57:34 | 0:57:37 | |
And what there is, is compressed into quite a short amount of time. | 0:57:37 | 0:57:41 | |
SAXOPHONE MUSIC | 0:57:41 | 0:57:43 | |
Well, having it all is not all it seems. | 0:57:45 | 0:57:47 | |
They've had so much choice, so much more freedom, so much more to do. | 0:57:47 | 0:57:50 | |
And yet, at what cost to family life? | 0:57:50 | 0:57:53 | |
# Karma, karma, karma, karma, karma chameleon... | 0:57:53 | 0:57:55 | |
'In the '80s, it feels as though we're going off on separate paths.' | 0:57:55 | 0:57:58 | |
And we need a way to get us back together again. | 0:57:58 | 0:58:01 | |
# You come and go. # | 0:58:01 | 0:58:02 | |
# Don't tell my heart, my achy breaky heart | 0:58:04 | 0:58:06 | |
Next time... | 0:58:06 | 0:58:07 | |
# I just don't think he'd understand. # | 0:58:07 | 0:58:09 | |
..the Ashby Hawkins launch into the '90s. | 0:58:09 | 0:58:12 | |
Oh, my God! It's amazing! | 0:58:12 | 0:58:15 | |
A decade when technology gets personal. | 0:58:15 | 0:58:19 | |
THEY GASP | 0:58:19 | 0:58:20 | |
I've got a mobile! | 0:58:20 | 0:58:21 | |
One, two. | 0:58:21 | 0:58:23 | |
I'm going to put this in my bedroom. | 0:58:23 | 0:58:24 | |
-Can we get a photograph of you before you go? -Yes! It's a Game Boy. | 0:58:24 | 0:58:30 | |
MUSIC: Sweet Dreams by Eurythmics | 0:58:30 | 0:58:32 | |
# Sweet dreams are made of this Who am I to disagree? | 0:58:37 | 0:58:44 | |
# I travel the world and the seven seas | 0:58:44 | 0:58:48 | |
# Everybody's looking for something. # | 0:58:48 | 0:58:52 |