Browse content similar to The 90s. Check below for episodes and series from the same categories and more!
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Meet the Ashby-Hawkins family. | 0:00:02 | 0:00:04 | |
For one summer, they're giving up the trappings of their modern lives | 0:00:04 | 0:00:07 | |
and travelling back in time | 0:00:07 | 0:00:09 | |
to live through 50 years of British weekends. | 0:00:09 | 0:00:12 | |
Steph, Rob, Daisy and Seth | 0:00:14 | 0:00:18 | |
will experience a radical transformation in how we spend our leisure time. | 0:00:18 | 0:00:22 | |
-I'm free! -From the formal... | 0:00:22 | 0:00:25 | |
-I feel like I'm going to a wedding. -..to the frivolous. | 0:00:25 | 0:00:28 | |
-We're going on holiday. -From do-it-yourself... | 0:00:28 | 0:00:30 | |
..to doing almost nothing. | 0:00:31 | 0:00:33 | |
You've turned into Wham! | 0:00:33 | 0:00:35 | |
Starting in 1950... | 0:00:35 | 0:00:37 | |
-Oh, my...! -..their own home will be their time machine. | 0:00:37 | 0:00:41 | |
It's 1961! | 0:00:41 | 0:00:43 | |
Fast-forwarding them through a new year each day. | 0:00:43 | 0:00:47 | |
What on earth are you doing? | 0:00:47 | 0:00:49 | |
We're making a massive dartboard. | 0:00:49 | 0:00:51 | |
It's beige! | 0:00:51 | 0:00:53 | |
There's a telly up in the corner, as well, look. | 0:00:53 | 0:00:55 | |
As they discover how a social... | 0:00:55 | 0:00:57 | |
..technological... | 0:00:59 | 0:01:01 | |
-What's that? -..and spending revolution... | 0:01:01 | 0:01:03 | |
Oh, my God! | 0:01:03 | 0:01:05 | |
..has transformed our free time for ever. | 0:01:05 | 0:01:08 | |
-Are you ready?! -BOTH: Yeah! | 0:01:08 | 0:01:10 | |
-Last time... -Wahey! | 0:01:10 | 0:01:12 | |
..the '80s opened up a whole new world of leisure. | 0:01:12 | 0:01:16 | |
What will the technology-driven '90s mean for the family's spare time? | 0:01:16 | 0:01:20 | |
Oh, yes! | 0:01:20 | 0:01:23 | |
It's a Game Boy. | 0:01:23 | 0:01:24 | |
# You can't touch this | 0:01:34 | 0:01:36 | |
# You can't touch this... | 0:01:37 | 0:01:39 | |
It's the next leg of our time-travelling adventure. | 0:01:39 | 0:01:41 | |
# You can't touch this... | 0:01:41 | 0:01:43 | |
The Ashby-Hawkins' chock-full-of-chintz 1980s' home | 0:01:43 | 0:01:47 | |
has had a very '90s makeover. | 0:01:47 | 0:01:49 | |
# Break it down | 0:01:49 | 0:01:51 | |
# Oh, oh, oh, oh, oh, oh, oh, oh, oh | 0:01:51 | 0:01:54 | |
# Oh, oh, oh, oh... | 0:01:54 | 0:01:56 | |
'I'm back with social historian, Polly Russell, | 0:01:56 | 0:01:58 | |
'to launch the Ashby-Hawkins headlong into the decade. | 0:01:58 | 0:02:01 | |
# Stop, Hammer time! # | 0:02:03 | 0:02:04 | |
Well, this is some very nice colour coordination. | 0:02:04 | 0:02:07 | |
Clearly, there's an element of reaction to the '80s excess and vulgarity. | 0:02:07 | 0:02:11 | |
I think that it's a particular sort of moment | 0:02:11 | 0:02:14 | |
in which people have access to taste. | 0:02:14 | 0:02:17 | |
So where that had been the preserve of being an architect | 0:02:17 | 0:02:19 | |
or a graphic designer, suddenly, taste becomes democratised. | 0:02:19 | 0:02:23 | |
With that baffling, ubiquitous poster of pebbles. | 0:02:23 | 0:02:26 | |
Where do they get those from? | 0:02:26 | 0:02:27 | |
These are one of those pictures that you just saw in so many homes. | 0:02:27 | 0:02:30 | |
Mass-produced, buy them in IKEA. | 0:02:30 | 0:02:33 | |
One of the other things you notice in this room is that again, | 0:02:33 | 0:02:35 | |
the encroaching technology. | 0:02:35 | 0:02:37 | |
It'll be interesting to see what effect the technology has. | 0:02:37 | 0:02:40 | |
The early '90s, they'd probably be in here watching videos. | 0:02:40 | 0:02:42 | |
That's still reasonably new, although it was an '80s thing. | 0:02:42 | 0:02:45 | |
-And over the course of the decade, it'll start to change. -Yep. | 0:02:45 | 0:02:49 | |
By 1990, the boom years were over | 0:02:53 | 0:02:56 | |
and there was a looming threat of recession. | 0:02:56 | 0:02:58 | |
But with more women than ever in full-time work | 0:02:58 | 0:03:01 | |
and increased use of credit cards, | 0:03:01 | 0:03:03 | |
the average family were spending more on leisure than ever before, | 0:03:03 | 0:03:06 | |
something that's reflected in the Family Expenditure Survey. | 0:03:06 | 0:03:10 | |
Over 10,000 families a year took part in this government study, | 0:03:12 | 0:03:15 | |
recording their spending on everything from clothes to computer games. | 0:03:15 | 0:03:20 | |
The Family Expenditure Survey gives us this really unique insight | 0:03:23 | 0:03:27 | |
into what ordinary people are spending their money on. | 0:03:27 | 0:03:29 | |
And we've had the data analysed for the 1990s | 0:03:29 | 0:03:32 | |
and what you see is that things like CD players, microwaves, | 0:03:32 | 0:03:36 | |
dishwashers, those are what everybody has. | 0:03:36 | 0:03:39 | |
This is where the cost of food is driven down, | 0:03:39 | 0:03:42 | |
the cost of electronic goods is so much cheaper than it's ever been. | 0:03:42 | 0:03:45 | |
What people are now spending their money on is | 0:03:45 | 0:03:47 | |
-things like video games... -Like this fellow here, for example. | 0:03:47 | 0:03:51 | |
And he's spending £100, a sixth of his income on video games. | 0:03:51 | 0:03:54 | |
That could have just been a heavy week for gaming, | 0:03:54 | 0:03:56 | |
or that could be typical. | 0:03:56 | 0:03:58 | |
Another category that starts to get analysed in the 1990s is mobile phones. | 0:03:58 | 0:04:02 | |
So this data shows us the moment | 0:04:02 | 0:04:05 | |
when we all start to get mobile phones. | 0:04:05 | 0:04:07 | |
And I don't think we had any idea then | 0:04:07 | 0:04:09 | |
how much having mobile phones would change our lives. | 0:04:09 | 0:04:12 | |
Is that you, or me(?) | 0:04:12 | 0:04:14 | |
Everything the Ashby-Hawkins do in the 1990s | 0:04:19 | 0:04:21 | |
will be guided by the survey. | 0:04:21 | 0:04:23 | |
I don't remember a great deal of the '90s. | 0:04:25 | 0:04:27 | |
It was a lot of festivals, a lot of dancing, um... Yeah. | 0:04:27 | 0:04:30 | |
Yeah, it's a bit of a blur. | 0:04:30 | 0:04:33 | |
'I'm just wondering if the '90s have got great technology.' | 0:04:33 | 0:04:36 | |
I'm hoping I'll have some stuff that is my own stuff | 0:04:36 | 0:04:39 | |
and nobody else can use it. | 0:04:39 | 0:04:41 | |
I was born in '99, six months into '99, | 0:04:41 | 0:04:44 | |
and I count myself as a '90s child. | 0:04:44 | 0:04:47 | |
So I am very excited about the '90s. | 0:04:47 | 0:04:50 | |
-Oh! -Oh, wow! | 0:04:56 | 0:05:00 | |
This is so different! | 0:05:00 | 0:05:03 | |
-It's brilliant! -STEPH LAUGHS | 0:05:03 | 0:05:05 | |
It's, like, super colourful! | 0:05:05 | 0:05:07 | |
-There's a telly up in the corner, as well, look. -Oh, yeah. | 0:05:07 | 0:05:10 | |
-I love... -And there's a sofa in here as well, look. | 0:05:10 | 0:05:12 | |
It's like a... That's unusual. | 0:05:12 | 0:05:14 | |
-Sofa. That's a bit new. -It's the centre of the home. | 0:05:14 | 0:05:17 | |
This is the place where people come and chill. | 0:05:17 | 0:05:20 | |
-I love that clock! -That clock is quite cool! | 0:05:20 | 0:05:23 | |
It's awesome, isn't it? | 0:05:23 | 0:05:24 | |
It's got the starts of an IKEA sort of look about it, hasn't it? | 0:05:24 | 0:05:28 | |
Ooo, look, almost a mobile phone. | 0:05:28 | 0:05:30 | |
All: Ohhhhh! | 0:05:30 | 0:05:32 | |
Cordless. It's cordless. | 0:05:32 | 0:05:33 | |
You can probably go two feet outside the front door with it. | 0:05:33 | 0:05:36 | |
-Kitchen done! -'90s lounge. | 0:05:36 | 0:05:38 | |
Wow! | 0:05:38 | 0:05:39 | |
-Ooooo! -Whoa! -Interesting. | 0:05:39 | 0:05:43 | |
-ROB LAUGHS -Um... | 0:05:43 | 0:05:45 | |
Very '90s. Wow! | 0:05:45 | 0:05:47 | |
This three thing in a row was quite popular, wasn't it? | 0:05:47 | 0:05:50 | |
Three balls there, three of those, three elephants. | 0:05:50 | 0:05:54 | |
It's quite designed, isn't it? This is actually thought about. | 0:05:54 | 0:05:57 | |
I have to say, it's not to my liking. I even preferred the '80s. | 0:05:57 | 0:06:02 | |
-Really? -Yes. -Really? No! -Oh, God! -No! -I don't know why. | 0:06:02 | 0:06:06 | |
-Hello, Giles. -I'm not sure whether you look like Oasis or Blur. | 0:06:14 | 0:06:17 | |
You look like some terrible, or wonderful, indie band. | 0:06:17 | 0:06:20 | |
Still working full-time, you've become a bit more new mannish. | 0:06:20 | 0:06:24 | |
-You'll get out in the kitchen now. You'll be able to cook. -Yes! | 0:06:24 | 0:06:27 | |
Seth, technology, which I think you've identified as rubbish to now, | 0:06:27 | 0:06:30 | |
-will start to get recognisable to you. -Nice. | 0:06:30 | 0:06:32 | |
And sort of useful and possibly addictive. | 0:06:32 | 0:06:35 | |
So, here's your manual. DOORBELL | 0:06:35 | 0:06:37 | |
Ya-ha! MUSIC: Ice Ice Baby by Vanilla Ice | 0:06:37 | 0:06:40 | |
It's time for your first upgrade. | 0:06:40 | 0:06:41 | |
'More than any other decade, the '90s is the one | 0:06:41 | 0:06:43 | |
'where technology will change how we spend time together. | 0:06:43 | 0:06:47 | |
'I've arranged a delivery to kick off the decade | 0:06:47 | 0:06:49 | |
'and give the Ashby-Hawkins their first upgrade.' | 0:06:49 | 0:06:52 | |
-Take this thing last. -OK. -Move through the big things upwards. | 0:06:52 | 0:06:55 | |
-Thank you. -Thank you very much. -Enjoy yourselves. | 0:06:55 | 0:06:57 | |
-I hope life improves. -Excellent, thank you very much. | 0:06:57 | 0:07:00 | |
-Cheers. -Woohoo! Let's get stuck in. | 0:07:00 | 0:07:02 | |
'90s entertainment technology has gone from the shared | 0:07:02 | 0:07:04 | |
'to the personal.' | 0:07:04 | 0:07:05 | |
-There's a DVD. -CD. | 0:07:05 | 0:07:07 | |
-Discman! -Aw! | 0:07:07 | 0:07:09 | |
Discman! I had a Discman! | 0:07:09 | 0:07:11 | |
I think after the excesses of the 1980s and having it all, | 0:07:13 | 0:07:15 | |
there's a possibility the Ashby-Hawkins | 0:07:15 | 0:07:17 | |
will find the '90s a rather subdued decade. | 0:07:17 | 0:07:19 | |
But of course, it was one that was quite slow to get started | 0:07:19 | 0:07:22 | |
and I know there are big changes on the way. | 0:07:22 | 0:07:25 | |
One, two. | 0:07:25 | 0:07:27 | |
What's the difference between that... Oh, it plays! Look. | 0:07:27 | 0:07:30 | |
We've got a TV in the kitchen, we've got a TV in the lounge. | 0:07:30 | 0:07:33 | |
Where's the third telly going to go? | 0:07:33 | 0:07:35 | |
Well, I'm thinking maybe, against what we normally would do | 0:07:35 | 0:07:38 | |
in the modern days, maybe it can just go in your bedroom. | 0:07:38 | 0:07:41 | |
-SHE GASPS -Oh, his little face! | 0:07:41 | 0:07:44 | |
Am I not getting anything? | 0:07:44 | 0:07:46 | |
Can I just say, I don't feel any sympathy for you whatsoever. | 0:07:46 | 0:07:48 | |
I'm going to go and put this in my bedroom. | 0:07:48 | 0:07:50 | |
Can we get a photograph of you before you go? | 0:07:50 | 0:07:53 | |
So we can remember you by it. | 0:07:53 | 0:07:54 | |
'In 1960, 30% of homes were without a television. | 0:07:56 | 0:08:00 | |
'By the end of the '90s, more than half of children | 0:08:00 | 0:08:02 | |
'had one of their own.' | 0:08:02 | 0:08:03 | |
-Cool. -Out with the old. | 0:08:06 | 0:08:08 | |
'Upgrade was the buzzword of the decade and electronic gadgets | 0:08:08 | 0:08:12 | |
'would become almost disposable. | 0:08:12 | 0:08:14 | |
And the reason families like the Ashby-Hawkins could afford | 0:08:16 | 0:08:19 | |
the latest technology? | 0:08:19 | 0:08:20 | |
Three little words - | 0:08:20 | 0:08:22 | |
made in China. | 0:08:22 | 0:08:23 | |
Cheap labour and the eightfold expansion of | 0:08:26 | 0:08:28 | |
global container shipping in 20 years, | 0:08:28 | 0:08:30 | |
meant Chinese manufacturers could drive down the cost | 0:08:30 | 0:08:33 | |
of electronic exports. | 0:08:33 | 0:08:34 | |
In the late '60s, a colour TV cost the equivalent of £3,000. | 0:08:37 | 0:08:42 | |
By 1990, they were less than £200. | 0:08:42 | 0:08:44 | |
As well as all that technology, I've left them with another classic | 0:08:49 | 0:08:52 | |
'90s form of entertainment - | 0:08:52 | 0:08:53 | |
a role-playing murder mystery dinner party game. | 0:08:53 | 0:08:56 | |
"But remember that no-one will prove to be quite what they seem." | 0:08:56 | 0:09:00 | |
Dun, dun, dun! | 0:09:00 | 0:09:02 | |
They were so popular in the early '90s, | 0:09:02 | 0:09:04 | |
that one maker sold 100,000 sets a year. | 0:09:04 | 0:09:07 | |
It talks about setting the mood and setting the scene, | 0:09:07 | 0:09:13 | |
what music you should be playing, dinner menu and wine. | 0:09:13 | 0:09:18 | |
And we need red and white and beer. | 0:09:18 | 0:09:22 | |
And plenty of it. It says that. | 0:09:22 | 0:09:24 | |
Rob's been dispatched to the off-licence, | 0:09:26 | 0:09:28 | |
but in the early '90s, another option was to go on a booze cruise. | 0:09:28 | 0:09:32 | |
-NEWSREEL: -Vive le plonk! British supermarkets are | 0:09:33 | 0:09:36 | |
crossing the Channel to cash in on the dash for cheap drink. | 0:09:36 | 0:09:39 | |
30 years earlier, a day trip to France to go shopping | 0:09:41 | 0:09:44 | |
would have been unthinkable. | 0:09:44 | 0:09:46 | |
But in the '90s, nine out of ten passengers crossed the Channel, | 0:09:46 | 0:09:48 | |
bought duty-free booze and got straight back on the boat. | 0:09:48 | 0:09:52 | |
Meanwhile, Steph's in the kitchen preparing the pasta part of | 0:09:58 | 0:10:01 | |
Pasta, Passion And Pistols. | 0:10:01 | 0:10:03 | |
I've never done a murder mystery before. | 0:10:03 | 0:10:05 | |
This is the first time in the experiment we've had | 0:10:05 | 0:10:07 | |
friends round for dinner. We've had lunches, we've done party food, | 0:10:07 | 0:10:10 | |
but not the sort of sit down, grown-up thing. | 0:10:10 | 0:10:12 | |
So, yeah, I'm really looking forward to it, actually. | 0:10:12 | 0:10:15 | |
-BOTTLES CLINK -Aw, listen to that sound. | 0:10:15 | 0:10:18 | |
Sound of success, that is. | 0:10:18 | 0:10:19 | |
With recession looming and a ready supply of cheap alcohol, | 0:10:22 | 0:10:26 | |
staying in was the new going out. | 0:10:26 | 0:10:28 | |
Hello! Good evening! | 0:10:30 | 0:10:33 | |
Dinner parties were a way to impress your friends | 0:10:33 | 0:10:35 | |
without splashing out. | 0:10:35 | 0:10:37 | |
And we drank more, too. | 0:10:37 | 0:10:39 | |
-Would you like red or white? -Red, please. | 0:10:39 | 0:10:42 | |
In the 1950s, average wine consumption was | 0:10:42 | 0:10:44 | |
four pints per head per year. | 0:10:44 | 0:10:46 | |
By the '90s, it had risen to 25 and a half. | 0:10:46 | 0:10:49 | |
All that wine helped you get into character. | 0:10:56 | 0:10:59 | |
You can't see what you are, stupido. | 0:10:59 | 0:11:03 | |
THEY LAUGH | 0:11:03 | 0:11:07 | |
-ITALIAN ACCENT: -It is very bad. If the son has no respect | 0:11:07 | 0:11:09 | |
for his father, he does not learn right from wrong. | 0:11:09 | 0:11:12 | |
Murder would be nothing to such a boy. | 0:11:12 | 0:11:15 | |
Even though Papa... | 0:11:15 | 0:11:17 | |
THEY LAUGH | 0:11:17 | 0:11:19 | |
..never listened to me or tried to learn... | 0:11:19 | 0:11:22 | |
I have no idea what they're doing in there. | 0:11:23 | 0:11:25 | |
It's probably really embarrassing, so I don't want to know. | 0:11:25 | 0:11:29 | |
When I was younger, all my friends had TVs in their rooms | 0:11:33 | 0:11:36 | |
and I was never allowed a TV in my room | 0:11:36 | 0:11:38 | |
cos my mum would be like, "No, no, no, no." | 0:11:38 | 0:11:40 | |
So, now I've got a TV in my room, I am so happy. | 0:11:40 | 0:11:42 | |
My sister's got one and there's a TV in the lounge | 0:11:42 | 0:11:44 | |
and there's a TV in the kitchen | 0:11:44 | 0:11:47 | |
and I'm the one without a TV! | 0:11:47 | 0:11:48 | |
-BOTH: -Ooh! | 0:11:56 | 0:11:58 | |
It's another day and for the Ashby-Hawkins, | 0:11:58 | 0:12:00 | |
a whole new year. | 0:12:00 | 0:12:01 | |
It's a lot of gadgets actually, isn't it? | 0:12:02 | 0:12:04 | |
Just for one meal, there's kettle, toaster, coffee machine... | 0:12:04 | 0:12:09 | |
juicer. | 0:12:10 | 0:12:12 | |
Four different gadgets for one meal. | 0:12:12 | 0:12:14 | |
-Come on. -All right! -We're going to be late. | 0:12:15 | 0:12:18 | |
I'm coming, I'm coming. | 0:12:18 | 0:12:19 | |
Got to switch all the gadgets off. | 0:12:22 | 0:12:24 | |
I've sent Rob and Steph to a destination | 0:12:27 | 0:12:29 | |
on the brink of becoming a major '90s hang-out. | 0:12:29 | 0:12:31 | |
In the 1990s, chains like Fitness First and LA Fitness | 0:12:36 | 0:12:39 | |
hit the High Street. | 0:12:39 | 0:12:40 | |
Why jog around your local park when you could pay to join | 0:12:43 | 0:12:45 | |
a private gym? | 0:12:45 | 0:12:47 | |
And enjoy everything from aerobics to personal training. | 0:12:47 | 0:12:51 | |
You know, I fall apart. | 0:12:51 | 0:12:52 | |
Where is those two people I like? | 0:12:52 | 0:12:54 | |
Oh, my God. | 0:12:54 | 0:12:55 | |
Oh, my goodness. I need your body, you two. | 0:12:55 | 0:12:58 | |
Yep, I know. I am the man, I'm here. How are you? | 0:12:58 | 0:13:00 | |
Eight minutes to. Yes, it is time to waken up | 0:13:00 | 0:13:03 | |
because Mr Motivator is back. | 0:13:03 | 0:13:05 | |
Here we go. All right, let's get marching on the spot. | 0:13:05 | 0:13:07 | |
Rob and Steph's instructor started out as a personal trainer | 0:13:07 | 0:13:10 | |
before finding fame on breakfast TV, where he introduced | 0:13:10 | 0:13:13 | |
three million viewers to the joys of working out. | 0:13:13 | 0:13:16 | |
All right, pick it up and down. | 0:13:16 | 0:13:18 | |
So, here we are in the '90s. | 0:13:18 | 0:13:21 | |
Gym business - huge business. | 0:13:21 | 0:13:23 | |
Every single fad came along. But it was all to do with the fact that | 0:13:23 | 0:13:25 | |
you could make so much money from it. | 0:13:25 | 0:13:27 | |
You know, when we look at stepping, for example, | 0:13:27 | 0:13:29 | |
that was a big thing in the '90s. Now, how are you at stepping? | 0:13:29 | 0:13:32 | |
-It's hard. -I've never stepped. -You've never stepped? -Never stepped. | 0:13:32 | 0:13:36 | |
From the top, you ready? | 0:13:36 | 0:13:37 | |
-Are you ready?! -BOTH: -Yeah! | 0:13:37 | 0:13:39 | |
We're ready! Everybody go, "Hoo-ah!" | 0:13:39 | 0:13:41 | |
-Hoo-ah! -You got it! | 0:13:41 | 0:13:43 | |
After five, six, five, six, seven, eight, go! | 0:13:43 | 0:13:48 | |
Oh, wrong leg, sorry! | 0:13:48 | 0:13:49 | |
Left leg. | 0:13:49 | 0:13:51 | |
Left leg. | 0:13:51 | 0:13:53 | |
Right leg. | 0:13:53 | 0:13:54 | |
It's OK. It's all to do with rhythm, my darling. | 0:13:54 | 0:13:57 | |
You see, look at him. | 0:13:57 | 0:14:00 | |
He's so Fred Astaire. | 0:14:00 | 0:14:02 | |
He's got all the rhythm! Here we go. | 0:14:02 | 0:14:03 | |
So, right leg goes up. Right then left. | 0:14:03 | 0:14:07 | |
Exercise was no longer just a leisure activity, | 0:14:07 | 0:14:10 | |
it was a whole new leisure industry. | 0:14:10 | 0:14:12 | |
You're doing good! | 0:14:12 | 0:14:14 | |
As the fitness market boomed, the fight was on | 0:14:14 | 0:14:16 | |
to find the next money making exercise equipment fad. | 0:14:16 | 0:14:20 | |
The step was a top seller. | 0:14:20 | 0:14:22 | |
-ALL: -Ow, ooh! | 0:14:23 | 0:14:26 | |
Yes, yes, yes! | 0:14:27 | 0:14:28 | |
Other big hits were the ab roller and the Thighmaster. | 0:14:28 | 0:14:32 | |
Because there was so much demand for anything to do with | 0:14:32 | 0:14:35 | |
fitness and health, here's a classic case | 0:14:35 | 0:14:37 | |
of where demand was outstripping supply. | 0:14:37 | 0:14:40 | |
In fact, they ran out so many times because people believe | 0:14:40 | 0:14:43 | |
those adverts. | 0:14:43 | 0:14:44 | |
Go, go, go! | 0:14:44 | 0:14:46 | |
Go! Quicker! | 0:14:46 | 0:14:47 | |
We're on a mission here! We want to get as fit as we can! | 0:14:47 | 0:14:50 | |
What's your problem? | 0:14:50 | 0:14:51 | |
OK, now you should feel it working the chest area. | 0:14:51 | 0:14:53 | |
This won't give you more, but it may help you to hold on | 0:14:53 | 0:14:56 | |
to what you've got! | 0:14:56 | 0:14:57 | |
Which is not very much! | 0:14:57 | 0:14:58 | |
Let's go. Four more. | 0:14:58 | 0:15:00 | |
By 1998, the fitness industry was worth more than a billion pounds. | 0:15:00 | 0:15:04 | |
In part, because almost 70% of us were paying for a gym membership | 0:15:04 | 0:15:07 | |
we didn't use. | 0:15:07 | 0:15:08 | |
Move it! | 0:15:08 | 0:15:10 | |
Come on, give them a look. Whoa, that one! | 0:15:10 | 0:15:13 | |
Come on, give them a hard look! | 0:15:13 | 0:15:14 | |
Oh, yes! | 0:15:14 | 0:15:16 | |
Good for you guys, yeah? Thank you so much for you time. | 0:15:16 | 0:15:18 | |
-Thank you so much. -Cheers, OK. | 0:15:18 | 0:15:20 | |
-Thank you so much. -Bye. | 0:15:20 | 0:15:22 | |
Oh! | 0:15:22 | 0:15:23 | |
I'm knackered. | 0:15:26 | 0:15:28 | |
HE GROANS | 0:15:28 | 0:15:30 | |
I think we fooled him enough. | 0:15:30 | 0:15:32 | |
I found it comical that all these gadgets that were on sale | 0:15:34 | 0:15:38 | |
throughout the '90s and now in contemporary life, | 0:15:38 | 0:15:42 | |
actually a lot of them are just useless. | 0:15:42 | 0:15:45 | |
Although, I will be buying one of those ab machines. | 0:15:45 | 0:15:49 | |
NEWS CHANNEL INTRO MUSIC | 0:15:49 | 0:15:53 | |
A clear victory for the Conservatives. | 0:15:56 | 0:15:58 | |
They become the first party this century to win four elections | 0:15:58 | 0:16:02 | |
in a row. | 0:16:02 | 0:16:03 | |
It's 1992 and there's company at the breakfast table. | 0:16:03 | 0:16:06 | |
'..defeated by the voters of Bath.' | 0:16:06 | 0:16:08 | |
I'm watching the telly, shh. | 0:16:08 | 0:16:10 | |
With a TV in every room, you could have it with your breakfast, | 0:16:10 | 0:16:12 | |
lunch and dinner and even in your bed. | 0:16:12 | 0:16:15 | |
'Will Mr Kinnock resign?' | 0:16:15 | 0:16:17 | |
We seem to be speaking a lot less this morning. | 0:16:17 | 0:16:20 | |
-It's cos the box is on, isn't it? -The telly's on. | 0:16:20 | 0:16:23 | |
But in the early '90s, most of us only had | 0:16:23 | 0:16:26 | |
terrestrial television. | 0:16:26 | 0:16:27 | |
DOORBELL | 0:16:27 | 0:16:29 | |
Door. | 0:16:29 | 0:16:30 | |
-Ah! -Ta-dah! | 0:16:32 | 0:16:34 | |
-Steph, Giles is here. -Come in. | 0:16:34 | 0:16:36 | |
Not just Giles, but Giles... | 0:16:36 | 0:16:38 | |
-Wow. -Whoa. -..with new TV channels. | 0:16:38 | 0:16:40 | |
You've got a satellite dish. You're going to get | 0:16:40 | 0:16:43 | |
international excitement - football, European films(!) | 0:16:43 | 0:16:46 | |
THEY LAUGH | 0:16:46 | 0:16:48 | |
It's bigger than I thought it was. It's huge, isn't it? | 0:16:48 | 0:16:50 | |
Yeah, yeah. It's going to cover your house. | 0:16:50 | 0:16:52 | |
Can you put it on your roof? Will the neighbours mind? | 0:16:52 | 0:16:54 | |
-Do you mind? -No, not at all. I don't mind. | 0:16:54 | 0:16:56 | |
I'm sure it will enhance the look of the house greatly. | 0:16:56 | 0:16:59 | |
The Family Expenditure Survey shows that people | 0:17:04 | 0:17:06 | |
were prepared to fork out for a satellite dish. | 0:17:06 | 0:17:10 | |
Like this man from North Yorkshire, who spent £110 on his. | 0:17:10 | 0:17:13 | |
Satellite television was a cut-throat market, | 0:17:19 | 0:17:21 | |
but in '92, Sky hit on a winning formula - | 0:17:21 | 0:17:23 | |
purchasing broadcast rights to the newly formed Premier League. | 0:17:23 | 0:17:27 | |
By the end of the year, 1.1 million new Sky Sports subscribers, | 0:17:29 | 0:17:33 | |
like Rob's mate KP, were happy to pay around £18 a month | 0:17:33 | 0:17:36 | |
to sit on their own sofa watching their own television. | 0:17:36 | 0:17:40 | |
The FA Premier League, live only on Sky. | 0:17:41 | 0:17:46 | |
We didn't have Sky at home, but I had a girlfriend | 0:17:49 | 0:17:51 | |
and the dad had it and every Sunday round there was so exciting | 0:17:51 | 0:17:54 | |
when it first came along. Nowadays, I don't think kids could imagine | 0:17:54 | 0:17:57 | |
that there wasn't football on the telly. | 0:17:57 | 0:17:59 | |
I just thought it's always been there. | 0:17:59 | 0:18:00 | |
I thought, "You wake up on a Saturday, | 0:18:00 | 0:18:02 | |
"you wait for the 12.45 game then you have a rest in the afternoon..." | 0:18:02 | 0:18:06 | |
-Have a rest! -Yeah, just have a little rest. | 0:18:06 | 0:18:08 | |
A rest from the effort of... | 0:18:08 | 0:18:10 | |
And then you watch a five o'clock game and then there we go. | 0:18:10 | 0:18:12 | |
-So, there's one at five as well? -Yeah. | 0:18:12 | 0:18:14 | |
You can tell he's not a football fan cos look how he's sitting. | 0:18:14 | 0:18:17 | |
We're football lads. You're either like that with your legs apart | 0:18:17 | 0:18:20 | |
or like that, not like that. | 0:18:20 | 0:18:21 | |
That's not how people sit to watch the football. | 0:18:21 | 0:18:23 | |
That's how you sit to watch the ballet. | 0:18:23 | 0:18:25 | |
Watch the football, get your legs open. | 0:18:25 | 0:18:27 | |
Match over, I've left tech-starved Seth a parting gift. | 0:18:30 | 0:18:34 | |
Oh, yes! | 0:18:36 | 0:18:39 | |
It's a Game Boy. | 0:18:41 | 0:18:43 | |
It's a Game Boy. | 0:18:43 | 0:18:45 | |
Personal, portable and an instant hit, | 0:18:45 | 0:18:47 | |
Game Boy sold 35 million by the end of the year. | 0:18:47 | 0:18:51 | |
This is my version of my phone in modern day. | 0:18:51 | 0:18:53 | |
Except only I can't make calls with it. | 0:18:53 | 0:18:56 | |
I'm... | 0:18:56 | 0:18:57 | |
I'm just... This is just unbelievable. | 0:18:57 | 0:19:00 | |
Its graphics are so bad, but I don't care | 0:19:00 | 0:19:03 | |
because I'm playing. | 0:19:03 | 0:19:05 | |
GAME PLAYS TUNE | 0:19:05 | 0:19:08 | |
No! Stop placing them! I don't have enough time to place them! | 0:19:10 | 0:19:13 | |
MUSIC: Smells Like Teen Spirit by Nirvana | 0:19:13 | 0:19:16 | |
In the '50s, Steph's day was dominated by household chores. | 0:19:16 | 0:19:19 | |
But with Seth happily occupied, Daisy embracing her teen spirit... | 0:19:19 | 0:19:24 | |
-Stop it! -Sorry! | 0:19:24 | 0:19:26 | |
..and Rob cooking dinner, | 0:19:26 | 0:19:28 | |
she can indulge herself in her new-found free time. | 0:19:28 | 0:19:31 | |
Oh. | 0:19:31 | 0:19:32 | |
The idea of me-time doesn't come naturally. | 0:19:32 | 0:19:34 | |
I always feel really disconcerted if I'm sitting around | 0:19:34 | 0:19:37 | |
doing nothing, like I've missed something important. | 0:19:37 | 0:19:39 | |
So, I've not graced it, but I'm going to give it a go with this. | 0:19:39 | 0:19:42 | |
Yeah, it's weird. | 0:19:44 | 0:19:46 | |
I'm going to try this contraption next... | 0:19:46 | 0:19:48 | |
which is a facial sauna. | 0:19:49 | 0:19:52 | |
This smell does remind me of having massages and things | 0:19:52 | 0:19:56 | |
and that whaley music they always play. | 0:19:56 | 0:19:59 | |
Right, I'm going in. | 0:19:59 | 0:20:00 | |
WHALE MUSIC | 0:20:02 | 0:20:04 | |
Oh, my God, it's so weird. | 0:20:04 | 0:20:06 | |
Rob! I've got something for you to try. | 0:20:06 | 0:20:08 | |
Say anything, it's good. | 0:20:10 | 0:20:11 | |
-DARTH VADER VOICE: -I am your father. | 0:20:11 | 0:20:13 | |
STEPH LAUGHS | 0:20:13 | 0:20:14 | |
That's the best thing! | 0:20:14 | 0:20:15 | |
ROB LAUGHS | 0:20:15 | 0:20:17 | |
See, this is so much more fun with you here than doing it on my own. | 0:20:17 | 0:20:20 | |
Mmm. | 0:20:20 | 0:20:21 | |
I think this me time thing's a bit overrated. | 0:20:21 | 0:20:24 | |
WHALE MUSIC | 0:20:24 | 0:20:26 | |
With satellite TV, gaming and the home spa, | 0:20:26 | 0:20:30 | |
the '90s was full of exciting new ways to spend money on your free time. | 0:20:30 | 0:20:34 | |
We got... We got more gadgets today. | 0:20:38 | 0:20:41 | |
My goodness, this house is full of gadgets. | 0:20:41 | 0:20:43 | |
Um...I'm looking... | 0:20:43 | 0:20:45 | |
..from a modern-day perspective | 0:20:46 | 0:20:48 | |
and I'm looking back at the technology that we are using now | 0:20:48 | 0:20:50 | |
that's actually, to our eyes, modern eyes, is quite old and naff now, | 0:20:50 | 0:20:54 | |
but at the time was really new and shiny and I remember the new | 0:20:54 | 0:20:57 | |
and shiny feeling that came with it in the '90s, | 0:20:57 | 0:21:00 | |
so I'm looking now back and thinking... | 0:21:00 | 0:21:02 | |
That stuff's going to be obsolete really soon. | 0:21:04 | 0:21:06 | |
TETRIS MUSIC AND BLEEPS | 0:21:08 | 0:21:10 | |
Doing my diary. | 0:21:12 | 0:21:13 | |
Hello, it's nine o'clock and you're watching BBC One for the very | 0:21:22 | 0:21:25 | |
first edition of Live & Kicking, woo! | 0:21:25 | 0:21:28 | |
LIVE & KICKING THEME TUNE | 0:21:28 | 0:21:31 | |
Your feet stink. SETH LAUGHS | 0:21:31 | 0:21:33 | |
Do you want me to take my socks off? | 0:21:33 | 0:21:36 | |
Is that John Barrowman? | 0:21:36 | 0:21:38 | |
Yeah. | 0:21:38 | 0:21:39 | |
-Look how young he is! -I know. | 0:21:39 | 0:21:42 | |
Seriously, mate, I can't see the telly. | 0:21:44 | 0:21:45 | |
OK, I'm going to try and move. | 0:21:45 | 0:21:47 | |
DAISY WAILS | 0:21:47 | 0:21:48 | |
-This is my telly as well! -Shut up! | 0:21:48 | 0:21:50 | |
Keep up the good work. | 0:21:53 | 0:21:54 | |
-Morning. -Morning. | 0:21:56 | 0:21:58 | |
And... | 0:21:59 | 0:22:00 | |
Good morning, 1993. | 0:22:01 | 0:22:02 | |
MUSIC: I've Got The Power by Snap | 0:22:04 | 0:22:06 | |
# I've got the power... # | 0:22:06 | 0:22:07 | |
In 1993, the big story of technology was a battle | 0:22:08 | 0:22:11 | |
between two video game giants. | 0:22:11 | 0:22:14 | |
# I've got the power... # | 0:22:14 | 0:22:16 | |
Gaming was no longer a niche market. | 0:22:16 | 0:22:18 | |
Sega's Sonic The Hedgehog and Nintendo's Super Mario fought it out for global domination. | 0:22:18 | 0:22:23 | |
# I've got the power... # | 0:22:24 | 0:22:26 | |
I'm sending Seth the rival consoles delivered by his best friends | 0:22:26 | 0:22:30 | |
Harvey and Max. | 0:22:30 | 0:22:31 | |
You guys look like idiots. | 0:22:32 | 0:22:35 | |
We do, it's great. | 0:22:35 | 0:22:36 | |
Hello, hello? | 0:22:36 | 0:22:38 | |
You're good. OK, so that's how you... | 0:22:39 | 0:22:41 | |
That's how you jump. | 0:22:41 | 0:22:42 | |
In 1993, video games show up | 0:22:42 | 0:22:44 | |
on the Family Expenditure Survey for the first time. | 0:22:44 | 0:22:47 | |
Like this 28-year-old man from the south-east. | 0:22:49 | 0:22:51 | |
He spent £100 on video games in one week. | 0:22:51 | 0:22:54 | |
He wasn't alone. | 0:22:58 | 0:22:59 | |
In that year, these two games combined sold more than 16 million copies. | 0:22:59 | 0:23:03 | |
IN UNISON: Sonic The Hedgehog! | 0:23:03 | 0:23:06 | |
-Oh, wow. -Oh, he's already dead. | 0:23:06 | 0:23:08 | |
It's a long way from '70s Pong... | 0:23:08 | 0:23:10 | |
-Yeah! -Oh, no! | 0:23:11 | 0:23:13 | |
..and the '80s home computer. | 0:23:13 | 0:23:14 | |
Back. Back. | 0:23:15 | 0:23:17 | |
'I used the Commodore 64 in the '80s and that was so slow and so painful.' | 0:23:17 | 0:23:23 | |
But this didn't take ages to load, you just put it in, | 0:23:23 | 0:23:27 | |
it comes up on the screen, you play the game, that's it, it's so much simpler. | 0:23:27 | 0:23:30 | |
Fast evolving gaming software would one day open up an industry | 0:23:32 | 0:23:36 | |
worth more money than the movies. | 0:23:36 | 0:23:38 | |
MUSIC: Achy Breaky Heart by Billy Ray Cyrus | 0:23:40 | 0:23:43 | |
Leaving Daisy and Seth at home, | 0:23:43 | 0:23:45 | |
Steph and Rob are stepping out to try a classic '90s dance craze | 0:23:45 | 0:23:50 | |
that gave exercise classes a run for their money. | 0:23:50 | 0:23:53 | |
Billy Ray Cyrus's hit Achy Breaky Heart spent six weeks in the top ten | 0:23:53 | 0:23:57 | |
and brought a little bit of Nashville to the British church hall. | 0:23:57 | 0:24:00 | |
-Are you ready for the Achy Breaky Heart? -ALL: Woo! -Yes! | 0:24:00 | 0:24:04 | |
One, two, three, hey. | 0:24:05 | 0:24:08 | |
Now forward! Step, clap, step, clap, back, two, three, hey! | 0:24:08 | 0:24:13 | |
OK. You've got it. | 0:24:14 | 0:24:16 | |
He's got it. | 0:24:16 | 0:24:17 | |
Why haven't you got it? | 0:24:17 | 0:24:19 | |
Line dancing was a big hit with the mums and dads, but the 1990s | 0:24:21 | 0:24:24 | |
youth scene was dominated by a different sort of dancing. | 0:24:24 | 0:24:27 | |
DOORBELL RINGS | 0:24:27 | 0:24:28 | |
-DAISY: -I'll get it. | 0:24:28 | 0:24:30 | |
Daisy's too young to go out clubbing, | 0:24:30 | 0:24:32 | |
so I've sent the rave to her. | 0:24:32 | 0:24:33 | |
Together with '90s superstar DJ Ann Savage. | 0:24:33 | 0:24:36 | |
Hello! | 0:24:36 | 0:24:37 | |
The '80s rave scene had moved from illegal gatherings in fields... | 0:24:40 | 0:24:43 | |
To new super clubs like Ministry of Sound and Cream. | 0:24:44 | 0:24:47 | |
-MUSIC: -Night In Motion by Cubic 22 | 0:24:47 | 0:24:49 | |
1993 was a massive year for me. | 0:24:54 | 0:24:56 | |
It was the year I got my first residency in a nightclub. | 0:24:56 | 0:24:59 | |
Where have you played? | 0:24:59 | 0:25:00 | |
-I've played Australia, America, China, South Africa, Japan, everywhere... -Wow. | 0:25:00 | 0:25:07 | |
And you know, private jets from one festival to another if there was more than one in one day. | 0:25:07 | 0:25:12 | |
-I'm so jealous. -Ibiza every week. | 0:25:12 | 0:25:14 | |
How much, if you don't mind me asking, how much... | 0:25:14 | 0:25:17 | |
What was the biggest sum of money that you earnt from DJing? | 0:25:17 | 0:25:20 | |
It's been in the five figures. | 0:25:20 | 0:25:22 | |
Holy... | 0:25:24 | 0:25:25 | |
Every Saturday, thousands of young people queued | 0:25:26 | 0:25:29 | |
and paid the equivalent of £30 to get in. | 0:25:29 | 0:25:32 | |
This is Daisy's mini-Ministry. | 0:25:37 | 0:25:39 | |
MUSIC: Don't You Want Me by Felix | 0:25:41 | 0:25:45 | |
CHEERING | 0:25:45 | 0:25:47 | |
# Don't tell my heart, my achy breaky heart | 0:25:48 | 0:25:51 | |
# I just don't think he'd understand... # | 0:25:51 | 0:25:54 | |
MUSIC: Don't You Want Me by Felix | 0:25:55 | 0:26:00 | |
# You can tell your ma I moved to Arkansas | 0:26:03 | 0:26:07 | |
# You can tell your dog to bite my leg... # | 0:26:07 | 0:26:09 | |
You see, with me, it wasn't so much line dancing as sort of blob dancing | 0:26:11 | 0:26:15 | |
cos I wasn't ever in a line with anybody else! | 0:26:15 | 0:26:18 | |
I was raving in the '90s, | 0:26:18 | 0:26:20 | |
-that was the only kind of dancing I did really. -Techno... | 0:26:20 | 0:26:23 | |
-A little bit of a trance, basically. -Yeah, trans, techno, big fish, still fish, cardboard box, yeah? | 0:26:23 | 0:26:27 | |
-I never did that. -No, I didn't do it either. | 0:26:27 | 0:26:29 | |
Big fish, little fish, cardboard box. | 0:26:29 | 0:26:31 | |
Big fish, little fish, cardboard box. | 0:26:31 | 0:26:33 | |
MUSIC: Don't You Want Me by Felix | 0:26:35 | 0:26:37 | |
The '90s is awesome. | 0:26:39 | 0:26:41 | |
It's for young people, it's for dancing, | 0:26:41 | 0:26:43 | |
it's for having fun and it's not serious like the '80s, | 0:26:43 | 0:26:46 | |
it's just like embracing life and enjoying it. | 0:26:46 | 0:26:50 | |
I love it cos it's social, we're all together. | 0:26:50 | 0:26:52 | |
Usually I'll be messaging them on my phone and now | 0:26:52 | 0:26:54 | |
we're all together in the same room dancing, it's amazing. | 0:26:54 | 0:26:57 | |
But I'm just going to go back right...I'm going to go back in right now. | 0:26:57 | 0:27:01 | |
Definitely through the '50s, '60s, '70s, '80s, '90s, | 0:27:08 | 0:27:11 | |
there has been that continuous thing about teenagers having that | 0:27:11 | 0:27:16 | |
music as their freedom, their way of freedom. | 0:27:16 | 0:27:18 | |
So, yeah, '90s... | 0:27:20 | 0:27:22 | |
Awesome. | 0:27:23 | 0:27:24 | |
BREAKFAST WITH FROST THEME | 0:27:26 | 0:27:28 | |
Hello, good morning and welcome to Breakfast With Frost. | 0:27:31 | 0:27:34 | |
On the programme... | 0:27:34 | 0:27:35 | |
It's Sunday. | 0:27:35 | 0:27:36 | |
1994! | 0:27:36 | 0:27:37 | |
And I've sent the Ashby-Hawkins something that will transform their leisure time forever. | 0:27:37 | 0:27:41 | |
DOORBELL | 0:27:41 | 0:27:43 | |
You're all looking at me, so I'll go. I suppose I'm nearest the door. | 0:27:44 | 0:27:47 | |
Fair enough. | 0:27:47 | 0:27:49 | |
-I've got a package. -ALL: Oh! | 0:27:50 | 0:27:53 | |
-Are you ready? -You lot are going to be so jealous. | 0:27:54 | 0:27:57 | |
-Whenever you're ready. -Any day now. | 0:27:57 | 0:28:00 | |
ALL: Awww! | 0:28:01 | 0:28:02 | |
-I've got a mobile. -Can I have a look? | 0:28:04 | 0:28:06 | |
-Ah, ah, ah! -D-d-d-d-d... | 0:28:06 | 0:28:07 | |
STEPH LAUGHS | 0:28:07 | 0:28:08 | |
STEPH MIMICS MONKEY | 0:28:08 | 0:28:10 | |
-Oh... -You're meant to have games on it. | 0:28:11 | 0:28:13 | |
No, it's for calling. Take a picture of me with it. | 0:28:14 | 0:28:17 | |
Oh, you can't! | 0:28:17 | 0:28:18 | |
So, legit, it literally is just for calls, so it's not... | 0:28:18 | 0:28:22 | |
-It's a proper phone. -It's a mobile...phone! | 0:28:22 | 0:28:27 | |
Previously the preserve of the wealthy, | 0:28:31 | 0:28:33 | |
by 1994 cheap mobile phones were flooding the market. | 0:28:33 | 0:28:37 | |
Life without one would be unimaginable now, | 0:28:38 | 0:28:41 | |
so Polly's come to meet Charles Dunstone, | 0:28:41 | 0:28:43 | |
founder of Carphone Warehouse, | 0:28:43 | 0:28:45 | |
to find out how they became so indispensable. | 0:28:45 | 0:28:47 | |
When it all started, | 0:28:49 | 0:28:51 | |
everyone just imagined that it would be a business tool. | 0:28:51 | 0:28:54 | |
When Vodafone... | 0:28:54 | 0:28:55 | |
There were two networks at the beginning, Vodafone and Cellnet. | 0:28:55 | 0:28:58 | |
Vodafone, everyone thought they were crazy. | 0:28:58 | 0:29:00 | |
In their application, they said they thought ultimately, | 0:29:00 | 0:29:04 | |
-ultimately there could be 600,000 mobile phone users in the UK. -Never! | 0:29:04 | 0:29:08 | |
That was the extent of people's ambition. | 0:29:08 | 0:29:11 | |
And that seemed outlandish? | 0:29:11 | 0:29:12 | |
People thought it was absolutely crazy, yeah. | 0:29:12 | 0:29:14 | |
Of these phones, which one was the one that was really | 0:29:14 | 0:29:18 | |
picked up by, sort of, everyday consumers. | 0:29:18 | 0:29:21 | |
People using them recreationally. | 0:29:21 | 0:29:22 | |
The Nokia 2110, that was like the Volkswagen Golf of mobile phones, if you like. | 0:29:22 | 0:29:28 | |
And how many of these do you know sold? | 0:29:28 | 0:29:30 | |
I think someone said 20 million of them, of those were sold. | 0:29:30 | 0:29:33 | |
They look funny. | 0:29:33 | 0:29:35 | |
This is such a revolution to have these and people think a modern | 0:29:35 | 0:29:39 | |
smartphone is amazing, and it is absolutely amazing, | 0:29:39 | 0:29:42 | |
but it's actually not as amazing as this was, | 0:29:42 | 0:29:45 | |
just the concept that you could | 0:29:45 | 0:29:47 | |
always be in touch wherever you were. | 0:29:47 | 0:29:49 | |
When I was your age with my mates, | 0:29:51 | 0:29:52 | |
we'd arrange to meet somewhere and we'd arrange to meet | 0:29:52 | 0:29:55 | |
at the phone box on the corner of whatever at one o'clock. | 0:29:55 | 0:29:58 | |
And that was it. That was the way you made arrangements. | 0:29:58 | 0:30:00 | |
And you'd keep to your time. | 0:30:00 | 0:30:02 | |
PHONE RINGS | 0:30:02 | 0:30:03 | |
Oh...Excuse me. | 0:30:03 | 0:30:04 | |
Hello? | 0:30:05 | 0:30:07 | |
Hello, Polly, how are you doing? | 0:30:07 | 0:30:09 | |
Oh, it's great. | 0:30:11 | 0:30:12 | |
I'm sitting here at the breakfast table rudely talking to you and ignoring everyone else. | 0:30:12 | 0:30:16 | |
It's brilliant. | 0:30:16 | 0:30:17 | |
Oh...exciting! | 0:30:17 | 0:30:19 | |
We'll see you at Lakeside at 11. | 0:30:19 | 0:30:21 | |
And if I get delayed, I'll call you on your mobile. Woohoo! | 0:30:21 | 0:30:25 | |
1994 saw the passing of legislation that changed our weekends forever. | 0:30:27 | 0:30:31 | |
Sunday in England and Wales will never be the same again after | 0:30:33 | 0:30:37 | |
last night's Commons vote | 0:30:37 | 0:30:39 | |
and the Church of England is worried about the impact of new | 0:30:39 | 0:30:41 | |
Sunday trading on the nation's spiritual and physical health. | 0:30:41 | 0:30:44 | |
So, we walked along this route. | 0:30:45 | 0:30:47 | |
-In our Sunday best. -In our Sunday best. | 0:30:47 | 0:30:49 | |
-And we went there to the church. -In there. | 0:30:50 | 0:30:53 | |
-Right there? -There. | 0:30:53 | 0:30:55 | |
-In there. -It's strange. -It is r... -It is really strange. | 0:30:55 | 0:31:00 | |
I have to say, I felt very uncomfortable going to church | 0:31:00 | 0:31:02 | |
not being religious and I feel much more comfortable shopping. | 0:31:02 | 0:31:05 | |
By 1994, with the ready availability of credit, ten times as many | 0:31:07 | 0:31:10 | |
people were going out shopping on a Sunday as were going to church. | 0:31:10 | 0:31:14 | |
MUSIC: Music For A Found Harmonium by Penguin Cafe Orchestra | 0:31:14 | 0:31:18 | |
But we weren't just heading to the high street any more. | 0:31:26 | 0:31:28 | |
Huge new out-of-town shopping centres offered | 0:31:28 | 0:31:31 | |
parking for thousands of cars, | 0:31:31 | 0:31:32 | |
millions of square feet of retail space | 0:31:32 | 0:31:34 | |
and hundreds of shops and restaurants. | 0:31:34 | 0:31:37 | |
Is this the first time that you've been to Lakeside Shopping Centre? | 0:31:37 | 0:31:40 | |
I've been before once. | 0:31:40 | 0:31:42 | |
-When did you come? -Not long after it opened. | 0:31:42 | 0:31:44 | |
Why did you come? | 0:31:44 | 0:31:45 | |
Christmas shopping and pure curiosity | 0:31:45 | 0:31:48 | |
about what this huge new shopping Mecca was, really. | 0:31:48 | 0:31:51 | |
And it was huge. | 0:31:51 | 0:31:52 | |
Yeah, because in the 1990s, this is really the decade when shopping | 0:31:52 | 0:31:57 | |
and consumption become the way that people spend their time. | 0:31:57 | 0:32:01 | |
And the way that we are shopping is being shaped and controlled | 0:32:01 | 0:32:05 | |
and interpreted by consumer analysts. | 0:32:05 | 0:32:08 | |
These spaces are clean and safe and ideal for families. | 0:32:08 | 0:32:12 | |
There were rules in some of these shopping centres that you couldn't wear hoods. | 0:32:12 | 0:32:15 | |
I mean, you can't come here and beg. | 0:32:15 | 0:32:17 | |
There is a degree of social engineering going on. | 0:32:17 | 0:32:20 | |
So, where a high street organically grew up over years | 0:32:20 | 0:32:23 | |
and decades and centuries, this space has been very carefully | 0:32:23 | 0:32:27 | |
planned to make sure that you spend maximum time and maximum money. | 0:32:27 | 0:32:31 | |
The 1990s see an explosion in service industry jobs | 0:32:31 | 0:32:36 | |
and a decline in manufacturing jobs. | 0:32:36 | 0:32:38 | |
And that is why today, Daisy, you're going to go and work in a shop. | 0:32:38 | 0:32:42 | |
You're going to be part of the retail industry. | 0:32:42 | 0:32:44 | |
New shopping centres like this one were significant employers. | 0:32:48 | 0:32:51 | |
Welcome to Flutterbyes. | 0:32:53 | 0:32:54 | |
-Here's your pinny. -Thank you. | 0:32:54 | 0:32:56 | |
-Today, as your first task, can you do some sweeping for me? -Yeah. | 0:32:56 | 0:33:00 | |
In the mid-1990s, around 40% of teenagers had a weekend job | 0:33:01 | 0:33:05 | |
compared with just 20% now. | 0:33:05 | 0:33:07 | |
With all these new ways to spend our time and money, the retail | 0:33:14 | 0:33:17 | |
industry was becoming increasingly important to the country's economy. | 0:33:17 | 0:33:21 | |
I find doing things like this very satisfying and I do enjoy it. | 0:33:25 | 0:33:29 | |
I wouldn't take it up as a professional profession. | 0:33:29 | 0:33:31 | |
But I do enjoy stacking shelves! | 0:33:32 | 0:33:35 | |
As the number of things to spend money on grew, 1994 saw the | 0:33:38 | 0:33:42 | |
arrival of a game that offered to fulfil all your consumer fantasies. | 0:33:42 | 0:33:46 | |
Within the next hour, | 0:33:46 | 0:33:48 | |
somebody watching this show is going to be made a millionaire. | 0:33:48 | 0:33:51 | |
And it could be you. | 0:33:52 | 0:33:53 | |
Tonight, Grandma Jennifer is joining them for the big draw. | 0:33:55 | 0:33:59 | |
In the advert, it was the finger, wasn't it? "It could be you." | 0:33:59 | 0:34:01 | |
It was brilliant. Yeah, love it. Absolutely love it. | 0:34:01 | 0:34:04 | |
I was so excited about it. | 0:34:04 | 0:34:05 | |
It wore off after about two weeks of not winning, | 0:34:05 | 0:34:08 | |
but at the time I was like, "Yes, here we go!" | 0:34:08 | 0:34:11 | |
-Five, four, three, two, one! -Activate the balls! | 0:34:11 | 0:34:16 | |
And the first ever national live lottery draw... | 0:34:18 | 0:34:22 | |
Here they come, here they come, here they come. Check your numbers. | 0:34:22 | 0:34:25 | |
And the first number to be coming out now, it's green, | 0:34:25 | 0:34:27 | |
and it is number 30! | 0:34:27 | 0:34:29 | |
-Yes! -I got that one. I thought it was a three. | 0:34:29 | 0:34:34 | |
Oh, no, there's the three. I got the three! | 0:34:34 | 0:34:36 | |
Yeah, I got a five! | 0:34:38 | 0:34:39 | |
-Wow! -Come on! | 0:34:39 | 0:34:42 | |
44! | 0:34:44 | 0:34:46 | |
You got 44? ALL: No! | 0:34:46 | 0:34:47 | |
-14? -No-o-o... | 0:34:49 | 0:34:51 | |
And the bonus is number 10. | 0:34:52 | 0:34:54 | |
So, erm, we're not millionaires, | 0:34:56 | 0:34:58 | |
so let's see what's on the other side, shall we? | 0:34:58 | 0:35:00 | |
He's off already. | 0:35:00 | 0:35:01 | |
22 million people watched the first National Lottery draw, | 0:35:01 | 0:35:04 | |
but by the mid-1990s, | 0:35:04 | 0:35:06 | |
family viewing was no longer the default leisure time activity. | 0:35:06 | 0:35:09 | |
Instead, personal technology dominated. | 0:35:11 | 0:35:14 | |
-ROB: -Oh, flip. | 0:35:18 | 0:35:19 | |
Yes, all right, come on, then, you stupid hedgehog. | 0:35:20 | 0:35:23 | |
Do your thing. | 0:35:23 | 0:35:24 | |
I've always been rubbish at video games. | 0:35:26 | 0:35:29 | |
MUSIC: Human Behaviour by Bjork | 0:35:30 | 0:35:32 | |
# Human behaviour... # | 0:35:32 | 0:35:35 | |
'I miss my children, I have to say.' | 0:35:35 | 0:35:37 | |
We've been replaced by gadgets. | 0:35:37 | 0:35:40 | |
And electrical toot. | 0:35:40 | 0:35:42 | |
That felt weirdly normal. | 0:35:42 | 0:35:45 | |
I felt like this was the closest to contemporary life. | 0:35:45 | 0:35:48 | |
I knew something like that would happen, | 0:35:48 | 0:35:50 | |
but I didn't really expect it to happen so early in the '90s. | 0:35:50 | 0:35:55 | |
MUSIC: All Over You by Level 42 | 0:35:57 | 0:35:59 | |
Daisy's off to pick up a message. | 0:36:03 | 0:36:05 | |
That's clearly my computer, it's so retro. | 0:36:08 | 0:36:11 | |
SHE LAUGHS | 0:36:11 | 0:36:13 | |
It does feel a bit odd that I'm going out to check my e-mails | 0:36:13 | 0:36:17 | |
and paying to do that, whereas now I can just go on my phone. | 0:36:17 | 0:36:20 | |
In 1995, just 2.5% of us had internet access at home, | 0:36:20 | 0:36:24 | |
so cafes where you could pay a couple of quid to dial up thrived. | 0:36:24 | 0:36:28 | |
This is a really slow computer. | 0:36:29 | 0:36:31 | |
I'm used to everything being done like that. | 0:36:31 | 0:36:34 | |
It's from Giles. | 0:36:34 | 0:36:36 | |
"Dear Ashby-Hawkins, I hope you're enjoying the 1990s. | 0:36:36 | 0:36:39 | |
"You are no doubt already feeling the impact of all the new | 0:36:39 | 0:36:42 | |
"technology that has come your way. | 0:36:42 | 0:36:44 | |
"I have taken it upon myself to ensure that you have some quality time together..." | 0:36:44 | 0:36:47 | |
Oh, yay(!) | 0:36:47 | 0:36:49 | |
"I have arranged for you to have a mini break in the Center Parcs. | 0:36:49 | 0:36:53 | |
"Enjoy, Giles." | 0:36:53 | 0:36:54 | |
Oh, that is so nice! That's really cool. | 0:36:54 | 0:36:58 | |
What's Center Parcs? | 0:36:58 | 0:36:59 | |
-VOICEOVER: -Beneath the canopy of a million trees, | 0:37:01 | 0:37:04 | |
in 400 acres of woodland and water... | 0:37:04 | 0:37:07 | |
By the mid-90s, in addition to a summer holiday, | 0:37:07 | 0:37:10 | |
a third of Brits were taking at least one short break a year. | 0:37:10 | 0:37:13 | |
This is the magic of Center Parcs. | 0:37:16 | 0:37:19 | |
Opened in 1994, this new resort tapped into the mini break market. | 0:37:22 | 0:37:26 | |
MUSIC: Alright by Supergrass | 0:37:26 | 0:37:28 | |
Some of the activities have changed, but the principle is still the same. | 0:37:28 | 0:37:32 | |
A secure environment where families can enjoy quality | 0:37:32 | 0:37:34 | |
time in the outdoors. | 0:37:34 | 0:37:36 | |
Woahhhh! | 0:37:36 | 0:37:37 | |
# We are young, we run free | 0:37:39 | 0:37:42 | |
# Keep our teeth nice and clean... # | 0:37:42 | 0:37:45 | |
One, two, three. | 0:37:46 | 0:37:49 | |
We're lost. | 0:37:51 | 0:37:52 | |
Safety was a big part of the appeal. | 0:37:52 | 0:37:54 | |
I exceed the height. | 0:37:55 | 0:37:57 | |
With more cars on the road than ever before | 0:37:57 | 0:38:00 | |
and saturation media coverage of some high-profile crimes, | 0:38:00 | 0:38:03 | |
the outside world felt like an increasingly dangerous place. | 0:38:03 | 0:38:07 | |
For goodness' sake, keep tight hold of your children. | 0:38:07 | 0:38:11 | |
And these fears had an impact. | 0:38:11 | 0:38:13 | |
In the mid-90s, only 9% of parents let their seven | 0:38:13 | 0:38:15 | |
and eight-year-olds walk to school on their own compared to 80% | 0:38:15 | 0:38:19 | |
just two decades before. | 0:38:19 | 0:38:20 | |
Places like this offered your children the chance to run free | 0:38:22 | 0:38:26 | |
and face only the right kind of danger. | 0:38:26 | 0:38:28 | |
Woo! | 0:38:29 | 0:38:30 | |
Oh, my God, it's amazing! | 0:38:33 | 0:38:35 | |
-Three, two, one! -Go, go! | 0:38:35 | 0:38:39 | |
SCREAMING | 0:38:39 | 0:38:41 | |
# Of the scene as she turns | 0:38:41 | 0:38:43 | |
# We are strange in our worlds | 0:38:43 | 0:38:46 | |
# But we are young... # | 0:38:46 | 0:38:50 | |
I don't want a hug. | 0:38:50 | 0:38:52 | |
-What do you think? -That's great. | 0:38:52 | 0:38:54 | |
That was awesome. | 0:38:54 | 0:38:56 | |
No, Daisy, I'm never doing that again. | 0:38:56 | 0:38:58 | |
That was so good. | 0:38:58 | 0:39:00 | |
I want to do it again and again and again. | 0:39:00 | 0:39:02 | |
What I like about this place is it's a secure environment. | 0:39:03 | 0:39:06 | |
The outside world is big and scary, particularly in the '90s, | 0:39:06 | 0:39:09 | |
it becomes a bit, you know, scarier and I would never have | 0:39:09 | 0:39:12 | |
dreamt of letting you out at the age of 10 or 11 onto the streets. | 0:39:12 | 0:39:16 | |
-Do you think we've spent quality time together? -Yeah. -I do. | 0:39:16 | 0:39:19 | |
When I was playing Tetris and you were on Sonic | 0:39:19 | 0:39:21 | |
and you are on something else, that's time together, | 0:39:21 | 0:39:24 | |
but it's rubbish time together, isn't it? | 0:39:24 | 0:39:26 | |
But quality time together is actually where we are interacting. | 0:39:26 | 0:39:31 | |
This place gives it to you on a plate, | 0:39:31 | 0:39:34 | |
but the point is it's a contrived thing. | 0:39:34 | 0:39:36 | |
It was like the equivalent of the shopping centre, isn't it? | 0:39:36 | 0:39:38 | |
And before that quality time phrase was invented, | 0:39:38 | 0:39:41 | |
-places like this didn't exist. -No. | 0:39:41 | 0:39:42 | |
MUSIC: Bagatelle In A Minor by Ludwig van Beethoven | 0:39:44 | 0:39:47 | |
# Yo, I'll tell you what I want, what I really, really want | 0:39:50 | 0:39:52 | |
# So, tell me what you want, what you really, really want... # | 0:39:52 | 0:39:55 | |
I wasn't into the Spice Girls. | 0:39:55 | 0:39:57 | |
I'd just be a dirty old man, cos they were all young ladies. | 0:39:57 | 0:39:59 | |
THEY LAUGH | 0:39:59 | 0:40:01 | |
I feel like they're your guilty pleasure. | 0:40:01 | 0:40:03 | |
Like my guilty pleasure is, like, Taylor Swift | 0:40:03 | 0:40:06 | |
and then your guilty pleasure is the Spice Girls. | 0:40:06 | 0:40:10 | |
'It's 1996, and I've sent the Asbhy-Hawkins another upgrade.' | 0:40:12 | 0:40:17 | |
-What is it? -Whoa, they're huge! | 0:40:17 | 0:40:21 | |
'Having technology is no longer enough. | 0:40:21 | 0:40:23 | |
'What matters now is having the latest...' | 0:40:23 | 0:40:26 | |
Look at that! | 0:40:26 | 0:40:28 | |
-'..including a brand-new home computer.' -Compact, isn't it? | 0:40:32 | 0:40:36 | |
'By '96, 27% of UK households had one. | 0:40:39 | 0:40:44 | |
'As did this 35-year-old from Scotland, who spent £357 on his. | 0:40:45 | 0:40:51 | |
'This one comes with a feature that will change everything.' | 0:40:52 | 0:40:56 | |
-Family! -Yeah? -Come hither. Historic moment | 0:40:57 | 0:41:00 | |
-in the Ashby-Hawkins household. -We got post? | 0:41:00 | 0:41:03 | |
We're going to dial up. | 0:41:03 | 0:41:05 | |
-So, can you see the little icon? -Yeah. | 0:41:05 | 0:41:07 | |
That's the telephone line communicating with the computer, | 0:41:07 | 0:41:10 | |
and it's going to make a noise in a minute | 0:41:10 | 0:41:12 | |
cos you'll get a dialling tone. | 0:41:12 | 0:41:13 | |
LOUD BUZZING | 0:41:13 | 0:41:16 | |
That's quite cool, actually. | 0:41:18 | 0:41:20 | |
COMPUTER BUZZES | 0:41:21 | 0:41:23 | |
That's the data, Stevie. Down the line. That noise. | 0:41:23 | 0:41:26 | |
-So we're now connected. -To the internet. -Ooh, check that out! | 0:41:29 | 0:41:33 | |
That is retro. | 0:41:33 | 0:41:34 | |
'Today, there are a billion websites, | 0:41:34 | 0:41:37 | |
'and we average more than three hours a day staring at them.' | 0:41:37 | 0:41:40 | |
..the address of the very... | 0:41:40 | 0:41:42 | |
'In 1996, there was little to do online, | 0:41:42 | 0:41:45 | |
'and it was hard to imagine that to Google would one day be a verb.' | 0:41:45 | 0:41:50 | |
What do you think, though, about the way it looks and what's in it? | 0:41:51 | 0:41:54 | |
Slow and boring and simple. | 0:41:54 | 0:41:56 | |
You keep asking for more tech and when you get it, | 0:41:56 | 0:41:59 | |
all you do is complain about it! I don't understand you, mate. | 0:41:59 | 0:42:02 | |
Can I have a go? | 0:42:02 | 0:42:03 | |
-Yeah, course you can. -I'm going to go and make some food. -I'm going. | 0:42:03 | 0:42:06 | |
-How are you not excited? I'm so excited. -I think it's brilliant! | 0:42:06 | 0:42:10 | |
It's gone from a typewriter to this. | 0:42:12 | 0:42:15 | |
MUSIC: Babies by Pulp | 0:42:15 | 0:42:17 | |
Rob and Seth may be underwhelmed, | 0:42:18 | 0:42:19 | |
but the internet has made its first move on family life. | 0:42:19 | 0:42:23 | |
With the endless upgrades, the outdated tech had to go somewhere, | 0:42:27 | 0:42:31 | |
to either landfill, lofts or the shed. | 0:42:31 | 0:42:33 | |
But that didn't dampen our enthusiasm for all things new. | 0:42:35 | 0:42:39 | |
Technology is very addictive, and from this point of history onwards, | 0:42:39 | 0:42:42 | |
particularly with the internet, | 0:42:42 | 0:42:44 | |
you could just waste an entire life away just looking at the screen. | 0:42:44 | 0:42:47 | |
It's making sure that it doesn't take over our lives. | 0:42:47 | 0:42:51 | |
MUSIC: Things Can Only Get Better by D:Ream | 0:42:56 | 0:43:01 | |
'1997 was a big year for Britain. | 0:43:03 | 0:43:05 | |
'After 18 years of Conservative rule, | 0:43:08 | 0:43:10 | |
'a historic victory for Tony Blair and the Labour Party.' | 0:43:10 | 0:43:13 | |
I say to the people of this country, | 0:43:13 | 0:43:15 | |
we ran for office as New Labour - we will govern as New Labour. | 0:43:15 | 0:43:19 | |
MUSIC: Brimful of Asha by Cornershop | 0:43:21 | 0:43:23 | |
'With a sense of the country starting afresh, there was a massive | 0:43:23 | 0:43:27 | |
'appetite for reinvention, which we even applied to our own homes. | 0:43:27 | 0:43:31 | |
'And if we weren't doing it ourselves, | 0:43:32 | 0:43:34 | |
'we were watching it on television. | 0:43:34 | 0:43:35 | |
'Lifestyle and makeover programmes | 0:43:35 | 0:43:37 | |
'dominated the TV schedules in the '90s. | 0:43:37 | 0:43:40 | |
'Linda Barker and Tommy Walsh were stars of Changing Rooms | 0:43:43 | 0:43:46 | |
'and Ground Force, with audiences of ten million tuning in every week. | 0:43:46 | 0:43:51 | |
'They're coming to give the Ashby-Hawkins | 0:43:51 | 0:43:53 | |
'their own '90s makeover.' | 0:43:53 | 0:43:54 | |
Yeah! | 0:43:56 | 0:43:58 | |
One, two, three - open your eyes. | 0:43:58 | 0:44:02 | |
'Both shows were a race against the clock, | 0:44:02 | 0:44:06 | |
'creating radical transformations... triumphs and disasters.' | 0:44:06 | 0:44:11 | |
I think we just have to put our hands up on this one. | 0:44:12 | 0:44:14 | |
DOORBELL RINGS | 0:44:14 | 0:44:16 | |
Oh, my goodness! Hello, hello! How lovely to meet you! | 0:44:18 | 0:44:24 | |
Tommy! | 0:44:24 | 0:44:25 | |
So, in good Changing Rooms fashion, we've got the shirts. | 0:44:25 | 0:44:28 | |
-I'd forgotten about the shirts. The team shirts! -Yeah. | 0:44:28 | 0:44:31 | |
Rob, do you fancy red? And Daisy. | 0:44:31 | 0:44:34 | |
And you guys can be in the orange team. | 0:44:34 | 0:44:36 | |
Cos it's competitive, you know. | 0:44:36 | 0:44:38 | |
'Daisy and Rob are with Linda, | 0:44:40 | 0:44:42 | |
'giving the living area a cool Britannia twist...' | 0:44:42 | 0:44:45 | |
I am bursting with excitement right now. This is so cool! | 0:44:45 | 0:44:49 | |
I mean, I've got Tommy Walsh in the back garden | 0:44:49 | 0:44:51 | |
and I've got Linda Barker all to myself. | 0:44:51 | 0:44:53 | |
Absolutely fabulous. What more can I ask for? | 0:44:53 | 0:44:55 | |
'..while Seth and Steph are with Tommy, creating an outdoor room.' | 0:44:57 | 0:45:01 | |
On a scale of one to ten with ten being really, really excited, | 0:45:01 | 0:45:04 | |
I'm about an 11. | 0:45:04 | 0:45:06 | |
I'm really excited! | 0:45:06 | 0:45:07 | |
Yes! Victory is mine! | 0:45:09 | 0:45:13 | |
Oh, it's lovely, isn't it, having a zip? | 0:45:13 | 0:45:16 | |
-Makes it so much easier, doesn't it? -Has it transformed your life? | 0:45:16 | 0:45:20 | |
'It's not just the Ashby-Hawkins going crazy for home improvements. | 0:45:20 | 0:45:24 | |
'The Family Expenditure Survey shows countless entries for DIY. | 0:45:24 | 0:45:28 | |
'Like this 42-year-old woman from the West Midlands, | 0:45:28 | 0:45:31 | |
'who spent £115 on materials in one week. | 0:45:31 | 0:45:34 | |
'As we took inspiration from our televisions, makeover shows | 0:45:38 | 0:45:41 | |
'helped turn DIY into a leisure pursuit worth £9 billion by 1997.' | 0:45:41 | 0:45:47 | |
It enabled people to be their own interior designers. | 0:45:47 | 0:45:51 | |
Prior to that, interior design was really for the rich | 0:45:51 | 0:45:53 | |
and famous and rock royalty, not for the ordinary person in the street. | 0:45:53 | 0:45:58 | |
Guess what I'm going to say? | 0:45:58 | 0:45:59 | |
We've got, like, 40 minutes, so keep it big and colourful, I think. | 0:45:59 | 0:46:03 | |
-Now is not the time for taste. -Right. | 0:46:03 | 0:46:05 | |
-What's this? -This is just made out of MDF. | 0:46:05 | 0:46:08 | |
LINDA: After most of the shows that we did, | 0:46:08 | 0:46:10 | |
the big DIY stores would have massive increase of sales. | 0:46:10 | 0:46:14 | |
They loved us. | 0:46:14 | 0:46:16 | |
They would get us to open their new showrooms, and they would be | 0:46:16 | 0:46:20 | |
opening new showrooms like every week, so it was just bonkers. | 0:46:20 | 0:46:26 | |
We had a regular slot on a Friday night, and then everyone would | 0:46:34 | 0:46:37 | |
then go to the garden centre on a Saturday and a Sunday asking for | 0:46:37 | 0:46:41 | |
all the stuff that they'd seen on the show the night before, | 0:46:41 | 0:46:44 | |
and there was a real problem because all the merchants had to try | 0:46:44 | 0:46:47 | |
and guess what we would do. | 0:46:47 | 0:46:49 | |
'It was no coincidence that in the space of three years, | 0:46:49 | 0:46:53 | |
'B&Q's annual decking sales went from £5,000 to £16 million.' | 0:46:53 | 0:46:58 | |
It made a fundamental change to the way people spent their leisure time. | 0:46:58 | 0:47:02 | |
Such was the popularity of Ground Force | 0:47:02 | 0:47:04 | |
that they even entered the world of international politics. | 0:47:04 | 0:47:08 | |
From the Ground Force team, in the garden of - | 0:47:08 | 0:47:11 | |
and I still can't really believe I'm saying this - Nelson Mandela, | 0:47:11 | 0:47:15 | |
from Mr Mandela and the Ground Force team... | 0:47:15 | 0:47:17 | |
If you can't believe it, it's even more for me! | 0:47:17 | 0:47:21 | |
-My pleasure. -High five! | 0:47:26 | 0:47:28 | |
They're keeping their eyes shut! | 0:47:28 | 0:47:31 | |
Open your eyes. | 0:47:31 | 0:47:33 | |
Oh! It's amazing! | 0:47:33 | 0:47:36 | |
-Oh! -Wow! | 0:47:36 | 0:47:42 | |
Here's to Ground Force/Changing Rooms mashup! | 0:47:42 | 0:47:47 | |
-1990s. -Welcome to the club, and as we used to say, until the next time. | 0:47:47 | 0:47:52 | |
Home improvements or DIY... | 0:48:02 | 0:48:05 | |
not really my thing. | 0:48:05 | 0:48:08 | |
Just look at that, on my head. | 0:48:08 | 0:48:12 | |
That's not amazing DIY. | 0:48:12 | 0:48:15 | |
It's 1998, Seth. | 0:48:20 | 0:48:23 | |
More stuff. Kids! Kids. | 0:48:24 | 0:48:28 | |
'I've sent Steph everything she needs to work from home, | 0:48:28 | 0:48:31 | |
'including a brand-new designer Apple iMac.' | 0:48:31 | 0:48:34 | |
Look at that! It's a thing of beauty, isn't it? | 0:48:35 | 0:48:40 | |
'Launched in May '98, it sold 800,000 that year, | 0:48:43 | 0:48:46 | |
'which is one every 15 seconds.' | 0:48:46 | 0:48:49 | |
-Out with the grey, boring old. -We only got that a couple of years ago. | 0:48:49 | 0:48:53 | |
No, seriously, we got that, like, two years ago | 0:48:53 | 0:48:56 | |
-and now we're getting a new computer. -That's what happens. | 0:48:56 | 0:48:58 | |
'And if you are going to work from home, | 0:48:58 | 0:49:01 | |
'who wouldn't want something that looks like it belongs there?' | 0:49:01 | 0:49:04 | |
It feels much more like what I'm used to, in modern day, | 0:49:04 | 0:49:08 | |
which I guess for its time was a real step forward. | 0:49:08 | 0:49:12 | |
We've got a Linda Barker designed kitchen now, | 0:49:12 | 0:49:15 | |
and now we've got a lovely computer that doesn't look out of place. | 0:49:15 | 0:49:19 | |
It's almost turned it into a design statement piece of furniture, | 0:49:19 | 0:49:24 | |
as well as it being a computer. | 0:49:24 | 0:49:28 | |
'By 1998, twice as many people | 0:49:28 | 0:49:30 | |
'worked from home as in the early '80s, | 0:49:30 | 0:49:32 | |
'and technology once thought extraordinary had become everyday. | 0:49:32 | 0:49:36 | |
'So for a special treat, you had to think outside the box, | 0:49:36 | 0:49:40 | |
'which is what Steph's done for Rob's birthday. | 0:49:40 | 0:49:42 | |
'Experience gifts, like this, were a '90s innovation. | 0:49:49 | 0:49:53 | |
'In the '50s, a trip to the pub was a treat. | 0:49:53 | 0:49:56 | |
'Now Rob's getting to ride in a vintage Tiger Moth.' | 0:49:56 | 0:50:00 | |
Right, these straps here.... | 0:50:00 | 0:50:01 | |
Erm, will keep you in. | 0:50:01 | 0:50:04 | |
-Or keep your body with the wreckage. -ROB LAUGHS | 0:50:04 | 0:50:06 | |
The company that started them sold 22,000 experiences in 1998 | 0:50:28 | 0:50:32 | |
and kick-started an entirely new form of leisure. | 0:50:32 | 0:50:35 | |
MUSIC: Tomorrow Never Dies By Sheryl Crow | 0:50:40 | 0:50:42 | |
Oh, what an experience. | 0:51:07 | 0:51:08 | |
As experiences go. | 0:51:08 | 0:51:09 | |
It's hard to put into words how fantastically brilliant that was. | 0:51:12 | 0:51:15 | |
I mean, it was just... Yeah. | 0:51:15 | 0:51:17 | |
It was just the smoothest plane ride I've ever had in my life | 0:51:17 | 0:51:20 | |
and the most exhilarating thing that I've ever done. | 0:51:20 | 0:51:22 | |
Last day of the '90s tomorrow | 0:51:36 | 0:51:38 | |
and I've been thinking about the whole experience | 0:51:38 | 0:51:44 | |
and it's been incredible. | 0:51:44 | 0:51:47 | |
And I know I'm going to get really emotional on the last day | 0:51:47 | 0:51:51 | |
because it's... | 0:51:51 | 0:51:53 | |
It's literally the end of an era. | 0:51:53 | 0:51:55 | |
Tonight we're going to party like it's 1999. | 0:51:58 | 0:52:02 | |
That's cos it is 1999. | 0:52:02 | 0:52:04 | |
Over five decades of time travelling, | 0:52:06 | 0:52:09 | |
the Ashby-Hawkins' home has gone from sparse to overflowing. | 0:52:09 | 0:52:12 | |
Their shed is now full of all the stuff they've accumulated. | 0:52:12 | 0:52:16 | |
Luckily, in the '90s, | 0:52:21 | 0:52:22 | |
some savvy businessman came up with a solution for our storage woes. | 0:52:22 | 0:52:26 | |
'I'm meeting James Gibson who founded Big Yellow Storage.' | 0:52:26 | 0:52:30 | |
Why do you think in the '90s Britain suddenly started to need | 0:52:30 | 0:52:34 | |
storage space like this? | 0:52:34 | 0:52:35 | |
Rising house prices in the '80s and '90s | 0:52:35 | 0:52:38 | |
did lead to people beginning to invest in their homes more. | 0:52:38 | 0:52:41 | |
Whether they were doing lofts or extending, | 0:52:41 | 0:52:44 | |
they're taking storage out of their houses. | 0:52:44 | 0:52:47 | |
We're providing just an extension to their home. | 0:52:47 | 0:52:50 | |
Why do they need to store it in a special space? | 0:52:50 | 0:52:52 | |
Why not in their homes? | 0:52:52 | 0:52:53 | |
Part of what they're storing will be emotional - | 0:52:53 | 0:52:55 | |
stuff that they have an attachment to. | 0:52:55 | 0:52:57 | |
But part of it, in these very small rooms, | 0:52:57 | 0:52:59 | |
is stuff you want access to, | 0:52:59 | 0:53:01 | |
but you don't necessarily have to keep in your flat | 0:53:01 | 0:53:04 | |
or your house 24 hours a day. | 0:53:04 | 0:53:06 | |
You know, it wasn't until we started filling this store up | 0:53:06 | 0:53:09 | |
after a week or two, then they started signing licence agreements, | 0:53:09 | 0:53:12 | |
putting locks on doors, that we really knew we were onto something. | 0:53:12 | 0:53:15 | |
I'm back with my final delivery of the decade. | 0:53:17 | 0:53:20 | |
-Giles. -Hello, Rob. | 0:53:23 | 0:53:25 | |
-Hello, sir. How are you? -Take me to your shed. | 0:53:25 | 0:53:28 | |
You don't mind if I open your shed? | 0:53:28 | 0:53:30 | |
-No. -Help yourself. -The newly blue shed. | 0:53:30 | 0:53:32 | |
Look at all this stuff. | 0:53:32 | 0:53:34 | |
-You've finished with it, and there's nowhere to put it. -No. | 0:53:34 | 0:53:36 | |
This wouldn't have been a problem for people in the '50s. | 0:53:36 | 0:53:39 | |
-No, of course. -They knew the value of possessions. | 0:53:39 | 0:53:41 | |
Luckily what we have here is the key to a self storage unit. | 0:53:41 | 0:53:44 | |
The kind of houses we live in today, the size of houses, | 0:53:44 | 0:53:46 | |
are not designed for the amount of stuff we have. | 0:53:46 | 0:53:48 | |
So, people who lived in sort of Downton Abbey | 0:53:48 | 0:53:50 | |
there's always a loft, an attic and a wing to lob it in. | 0:53:50 | 0:53:53 | |
-But a normal, terraced, urban house there just isn't room. -No. | 0:53:53 | 0:53:55 | |
And you can't throw it away, so you sort of punt it into the future. | 0:53:55 | 0:53:59 | |
-Yeah. -OK, look. | 0:53:59 | 0:54:00 | |
-Steph, you have the key. -Thanks. | 0:54:00 | 0:54:02 | |
It's the '90s after all. | 0:54:02 | 0:54:03 | |
-You have the hard stuff for boxing up. -Thank you very much. | 0:54:03 | 0:54:06 | |
Get on with that. And I'll see you later. | 0:54:06 | 0:54:08 | |
-Thank you very much. -Bye. | 0:54:08 | 0:54:09 | |
There's a nice pair of puppies. | 0:54:09 | 0:54:11 | |
Remember this? Huh? Remember this? | 0:54:11 | 0:54:13 | |
A cabinet. | 0:54:14 | 0:54:16 | |
IBM. IBM monitor. | 0:54:17 | 0:54:19 | |
Where's Seth? | 0:54:22 | 0:54:24 | |
Seth, where are you? Come on. | 0:54:24 | 0:54:26 | |
Ah! What? What the...? | 0:54:26 | 0:54:28 | |
Oh, no. | 0:54:28 | 0:54:29 | |
Oh, that's tape. | 0:54:29 | 0:54:30 | |
For the Ashby-Hawkins, a new millennium is fast approaching. | 0:54:34 | 0:54:37 | |
And they're off out to celebrate. | 0:54:37 | 0:54:39 | |
In the build-up to the millennium, | 0:54:41 | 0:54:43 | |
the government pumped £1.3 billion of lottery money | 0:54:43 | 0:54:46 | |
into big leisure sites, like the Eden Project, | 0:54:46 | 0:54:49 | |
Cardiff Millennium Stadium and the Dome. | 0:54:49 | 0:54:52 | |
-Hey! -Oh, you're here. | 0:54:58 | 0:55:00 | |
Happy New Year, everyone. | 0:55:00 | 0:55:01 | |
So, it's December 31, 1999. | 0:55:01 | 0:55:03 | |
It's the last day of the old millennium, | 0:55:03 | 0:55:05 | |
-and what better place to celebrate it than on the London Eye? -Yay! | 0:55:05 | 0:55:08 | |
It was opened that night by Tony Blair, although | 0:55:08 | 0:55:10 | |
general punters couldn't go on it until March. | 0:55:10 | 0:55:12 | |
We are not general punters, we are special. | 0:55:12 | 0:55:14 | |
We are going to celebrate on there. So, let's go and tear it up. | 0:55:14 | 0:55:16 | |
On that evening, people across the country gathered together | 0:55:22 | 0:55:25 | |
to see in the new millennium. | 0:55:25 | 0:55:26 | |
3 million made their way to the banks of the River Thames. | 0:55:29 | 0:55:33 | |
-ALL: -Five...four... | 0:55:36 | 0:55:38 | |
three...two...one! | 0:55:38 | 0:55:41 | |
THEY CHEER | 0:55:41 | 0:55:43 | |
MUSIC: Nessun Dorma | 0:55:45 | 0:55:48 | |
Cheers, welcome to the new millennium. | 0:55:59 | 0:56:01 | |
-Cheers, yes, thank you. -Cheers! | 0:56:01 | 0:56:02 | |
So, how was your 50 years then? | 0:56:02 | 0:56:04 | |
-Awesome. -Amazing. Absolutely amazing. | 0:56:04 | 0:56:06 | |
-And what about you, Daisy? -There were some moments where I'm like, | 0:56:06 | 0:56:09 | |
"Oh, I hate being a teenager." But there's some moments | 0:56:09 | 0:56:11 | |
I've actually rejoiced in being a teenager. It's been fun. | 0:56:11 | 0:56:13 | |
Are you glad to get back into the 21st century? | 0:56:13 | 0:56:16 | |
I'm glad to get back to the 21st century, | 0:56:16 | 0:56:17 | |
but I also didn't want to say goodbye to this. | 0:56:17 | 0:56:19 | |
-Really? -I've really enjoyed it. | 0:56:19 | 0:56:21 | |
What's shone out of this whole experiment is | 0:56:26 | 0:56:28 | |
it's all about people, isn't it? | 0:56:28 | 0:56:30 | |
It's about spending time with people who you care about | 0:56:30 | 0:56:34 | |
and having the freedom to choose the stuff that you do. | 0:56:34 | 0:56:36 | |
Oh, my God. It's amazing! | 0:56:36 | 0:56:39 | |
I think what it's done... It's laid the foundations for us, | 0:56:39 | 0:56:42 | |
when we go back to our contemporary life, | 0:56:42 | 0:56:44 | |
to spend longer with our family. | 0:56:44 | 0:56:46 | |
Because we weren't. | 0:56:46 | 0:56:47 | |
And it's opened our eyes up as to what we have to do | 0:56:47 | 0:56:50 | |
when we go back to our modern lives. | 0:56:50 | 0:56:52 | |
I'd probably take away this whole being a proper teenager thing | 0:56:52 | 0:56:56 | |
and I'm slightly envious of previous decades' teenagers | 0:56:56 | 0:56:59 | |
cos they're proper teenagers, | 0:56:59 | 0:57:01 | |
whereas we just stare at our screens the entire time. | 0:57:01 | 0:57:03 | |
So, I really will... I really will miss that. | 0:57:03 | 0:57:05 | |
When I go back to contemporary life, | 0:57:12 | 0:57:13 | |
I will probably miss the family time that I've spent. | 0:57:13 | 0:57:16 | |
In modern-day life, spending time with my family | 0:57:16 | 0:57:18 | |
is the difficult part. | 0:57:18 | 0:57:19 | |
It shouldn't be difficult, | 0:57:19 | 0:57:21 | |
but it is, because technology gets in the way | 0:57:21 | 0:57:23 | |
and it absorbs your entire life. | 0:57:23 | 0:57:25 | |
It's like a new beginning, it's great. I love it. I'm just so... | 0:57:28 | 0:57:31 | |
I'm so happy we did it and really sad it's finishing. | 0:57:31 | 0:57:36 | |
Sorry. | 0:57:36 | 0:57:38 | |
In just a few short weeks, the Ashby-Hawkins have gone from 1950, | 0:57:45 | 0:57:49 | |
a point at which leisure barely existed, | 0:57:49 | 0:57:51 | |
to 1999 with its dizzying array of choices for our free time. | 0:57:51 | 0:57:54 | |
As they leave the 20th century and step into the future, | 0:57:54 | 0:57:56 | |
does the family have any idea how much technology will continue | 0:57:56 | 0:58:00 | |
to transform our leisure time? | 0:58:00 | 0:58:02 | |
Next time... | 0:58:08 | 0:58:09 | |
-ALL: -Whoa! | 0:58:09 | 0:58:11 | |
..will technology in the future free us...? | 0:58:11 | 0:58:15 | |
I've got control of it, | 0:58:15 | 0:58:16 | |
but it's going the wrong way. Whoa! | 0:58:16 | 0:58:18 | |
..or constrain us? | 0:58:18 | 0:58:21 | |
You spent seven hours and 15 minutes on your phone that Sunday. | 0:58:21 | 0:58:24 | |
Oh! | 0:58:24 | 0:58:25 | |
It's the future. | 0:58:25 | 0:58:27 | |
Freedom. | 0:58:27 | 0:58:29 | |
MUSIC: Whatever by Oasis | 0:58:29 | 0:58:32 |