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We're travelling across the UK on a mission. | 0:00:02 | 0:00:04 | |
All over the country, our heritage is at risk. | 0:00:04 | 0:00:07 | |
Ancient buildings and monuments are under threat of demolition. | 0:00:07 | 0:00:11 | |
Valuable arts and crafts are on the brink of extinction. | 0:00:11 | 0:00:14 | |
And our rich industrial heritage is disappearing fast. | 0:00:14 | 0:00:18 | |
We're scouring town and country, | 0:00:18 | 0:00:21 | |
in search of the nation's unsung heroes | 0:00:21 | 0:00:23 | |
determined not to let our heritage become a thing of the past. | 0:00:23 | 0:00:27 | |
Today, we look behind the scenes of a £9 million restoration project | 0:00:27 | 0:00:32 | |
that's opening up a Cumbrian estate | 0:00:32 | 0:00:35 | |
for the first time in 70 years. | 0:00:35 | 0:00:37 | |
What a view to work with. Fantastic, isn't it? | 0:00:37 | 0:00:39 | |
And meet a group who've campaigned tirelessly | 0:00:39 | 0:00:42 | |
to save a viaduct from demolition. | 0:00:42 | 0:00:45 | |
On this journey, we're uncovering the hidden treasures of our country, | 0:00:45 | 0:00:49 | |
treasures that are certainly worth fighting for. | 0:00:49 | 0:00:52 | |
And meeting heritage heroes saving Britain at risk. | 0:00:52 | 0:00:56 | |
THEY LAUGH | 0:01:10 | 0:01:12 | |
Here we are at Hartside, | 0:01:12 | 0:01:14 | |
one of the highest points in the Pennines. | 0:01:14 | 0:01:17 | |
Well, I've had better starts to the day, John. I have to say! | 0:01:17 | 0:01:20 | |
Look at this! | 0:01:20 | 0:01:22 | |
"The view in front of you is one of the most spectacular in England." | 0:01:22 | 0:01:26 | |
Over there is the Lake District. | 0:01:26 | 0:01:28 | |
Over there is the Solway Firth. | 0:01:28 | 0:01:31 | |
THEY LAUGH | 0:01:31 | 0:01:32 | |
Beautiful(!) Shall we get out of this gloom? | 0:01:32 | 0:01:34 | |
Hopefully, we might see SOMETHING today. | 0:01:34 | 0:01:37 | |
Yeah, it might clear as we get down to the foothills. Let's hope so. | 0:01:37 | 0:01:40 | |
Ever the optimist. | 0:01:40 | 0:01:42 | |
Our journey started in Northumberland, near Hadrian's Wall. | 0:01:42 | 0:01:47 | |
Today, we're heading south into Cumbria and the Lakes. | 0:01:47 | 0:01:50 | |
We're then venturing across the Pennines into Yorkshire, | 0:01:50 | 0:01:53 | |
and ending our trail in the stunning county of Derbyshire. | 0:01:53 | 0:01:57 | |
Cumbria can claim to have | 0:01:59 | 0:02:01 | |
some of the most breathtaking scenery in England. | 0:02:01 | 0:02:05 | |
The county has a rich agricultural landscape | 0:02:05 | 0:02:08 | |
that runs alongside the dramatic hills of the Lake District. | 0:02:08 | 0:02:12 | |
We're getting off the well-beaten tourist trail | 0:02:12 | 0:02:15 | |
to meet the people working hard to preserve its heritage. | 0:02:15 | 0:02:19 | |
Well, it's brightening up, John, down here. | 0:02:19 | 0:02:23 | |
It is, and our first stop is a little village called Bolton. | 0:02:23 | 0:02:26 | |
Close by the A66. | 0:02:26 | 0:02:28 | |
We're not just looking, on our journey, | 0:02:28 | 0:02:32 | |
at buildings at risk. We're looking at the whole social network | 0:02:32 | 0:02:36 | |
in the country that might be at risk. | 0:02:36 | 0:02:39 | |
Things like village shops, post offices, and pubs, and things, | 0:02:39 | 0:02:43 | |
are DANGEROUSLY at risk, these days. | 0:02:43 | 0:02:45 | |
I've certainly seen it first-hand where I live. | 0:02:45 | 0:02:48 | |
These things are under growing commercial pressures | 0:02:48 | 0:02:51 | |
from the bigger supermarkets. | 0:02:51 | 0:02:53 | |
Due to cutbacks in recent years, over 2,500 post offices have closed, | 0:02:53 | 0:02:58 | |
along with hundreds of pubs. | 0:02:58 | 0:03:01 | |
Some communities aren't taking these closures lying down. | 0:03:01 | 0:03:06 | |
After the demise of the shop and post office in Bolton, | 0:03:06 | 0:03:10 | |
the locals have found another focal point for local life. | 0:03:10 | 0:03:14 | |
We join them as they celebrate | 0:03:14 | 0:03:16 | |
three successful years of weekly gatherings in their village hall. | 0:03:16 | 0:03:21 | |
-Look at this! -It's a party! | 0:03:21 | 0:03:23 | |
Hello! Who are you? | 0:03:23 | 0:03:24 | |
Hope we're allowed inside! | 0:03:29 | 0:03:32 | |
Well, what a turnout! | 0:03:33 | 0:03:35 | |
-Hello. -How are things going? | 0:03:35 | 0:03:37 | |
Nice to see you. Look at this! | 0:03:37 | 0:03:39 | |
'They call this the Exchange. | 0:03:39 | 0:03:43 | |
'It gives locals a place to get together | 0:03:43 | 0:03:45 | |
'and sell home-made crafts and products.' | 0:03:45 | 0:03:49 | |
Are all these from different people's back gardens? | 0:03:49 | 0:03:51 | |
-That's right. Jacob and Freddie have grown the cucumbers. -Well done! | 0:03:51 | 0:03:55 | |
40 pence to £1. | 0:03:55 | 0:03:57 | |
-That one's 50p. -Right, I'll have that. | 0:03:57 | 0:04:00 | |
Some greens, as well. I like fresh peas. | 0:04:00 | 0:04:03 | |
-OK, Jacob, there you are. -Thank you. -Thank you very much indeed. | 0:04:03 | 0:04:07 | |
Now, THAT looks like just the ticket. | 0:04:07 | 0:04:10 | |
-Hello, how are you? -How are YOU? -What kind of cheese is it? | 0:04:10 | 0:04:14 | |
That one is Lincolnshire Poacher. | 0:04:14 | 0:04:17 | |
And is this Stilton? | 0:04:17 | 0:04:18 | |
No, that's our own blend, called Withnail Blue. | 0:04:18 | 0:04:21 | |
I've got to have Withnail Blue. | 0:04:21 | 0:04:23 | |
I'm a huge fan of Withnail & I. So I've got to have that. | 0:04:23 | 0:04:25 | |
We farm just across from Sleddale Hall, | 0:04:25 | 0:04:28 | |
which was Uncle Monty's summer house. | 0:04:28 | 0:04:30 | |
Really? So, we're in film nostalgia territory, aren't we? | 0:04:30 | 0:04:33 | |
I'll have a piece of that, and, yes, Withnail Blue. | 0:04:33 | 0:04:36 | |
Lovely. | 0:04:36 | 0:04:38 | |
Not only can you buy fantastic local produce here at the Exchange, | 0:04:41 | 0:04:44 | |
you can also have a cup of tea, | 0:04:44 | 0:04:46 | |
-and a cake, and a bit of a chat, can't you? -Certainly, yes. | 0:04:46 | 0:04:49 | |
What difference has it made, the Exchange, to the village? | 0:04:49 | 0:04:53 | |
I think it's made a lot of difference. | 0:04:53 | 0:04:56 | |
Before, although for some of the elderly people, | 0:04:56 | 0:04:59 | |
losing the post office was a bit of a disaster to begin with, | 0:04:59 | 0:05:02 | |
because where did they cash their pension? | 0:05:02 | 0:05:05 | |
If you go down to the village shop, or the post office, | 0:05:05 | 0:05:08 | |
-you might meet one person. But here, you meet... -Everybody. -Everybody. | 0:05:08 | 0:05:13 | |
And you can spend the whole afternoon seeing your friends. | 0:05:13 | 0:05:17 | |
And it has REALLY brought the village together. | 0:05:17 | 0:05:21 | |
Right, I'll have a cup of tea, please. | 0:05:21 | 0:05:24 | |
-What would you like in the way of cake? -A cream cake, please. | 0:05:24 | 0:05:27 | |
With a strawberry on top. | 0:05:27 | 0:05:29 | |
-It's a raspberry, actually. -Oh, it's a raspberry. So it is. | 0:05:29 | 0:05:33 | |
Oh, lovely. Thank you very much. | 0:05:33 | 0:05:36 | |
There's one problem. Trying to find somewhere to sit! | 0:05:36 | 0:05:40 | |
Ooh, lovely. I'm not supposed to eat cream. | 0:05:46 | 0:05:49 | |
So don't tell my wife, will you? | 0:05:49 | 0:05:51 | |
Derek Cotter is the man who rallied the community troops | 0:05:52 | 0:05:56 | |
to get THIS Exchange off the ground. | 0:05:56 | 0:05:58 | |
It's pretty warm in there this morning, Derek, isn't it? | 0:05:58 | 0:06:01 | |
There's a tremendous atmosphere in there. | 0:06:01 | 0:06:04 | |
Isn't it just? Absolutely buzzing. | 0:06:04 | 0:06:06 | |
That must be a huge source of pleasure for you, | 0:06:06 | 0:06:09 | |
to see this, on its third anniversary, so excited? | 0:06:09 | 0:06:12 | |
It's a tremendous satisfaction. | 0:06:12 | 0:06:16 | |
Although I helped found the idea, it's down to the community itself, | 0:06:16 | 0:06:19 | |
in that we have 25 or so volunteers | 0:06:19 | 0:06:22 | |
that turn out very frequently for it. | 0:06:22 | 0:06:25 | |
What happened to give you the idea | 0:06:25 | 0:06:28 | |
to take up this challenge of creating an exchange here in Bolton? | 0:06:28 | 0:06:32 | |
We're approaching the building itself. | 0:06:32 | 0:06:34 | |
-This is where the shop and the post office used to be. -THIS is it? | 0:06:34 | 0:06:38 | |
-Yes. -The black postbox. | 0:06:38 | 0:06:40 | |
That's simply done to avoid anybody inadvertently posting letters. | 0:06:40 | 0:06:44 | |
It's also bolted off. | 0:06:44 | 0:06:46 | |
As far as the community were concerned, | 0:06:46 | 0:06:49 | |
this was really the social hub of the village. | 0:06:49 | 0:06:51 | |
But is your success here catching on in other villages in the area? | 0:06:51 | 0:06:55 | |
Yes, we managed to sell this idea to Culgaith, | 0:06:55 | 0:06:57 | |
which is just across the A66, | 0:06:57 | 0:07:01 | |
and they open once a week, the same as us. | 0:07:01 | 0:07:03 | |
I suppose the question I'm dying to ask you is, | 0:07:03 | 0:07:06 | |
would you go back to having your post office | 0:07:06 | 0:07:08 | |
in exchange for the Exchange? Would you swap one for the other? | 0:07:08 | 0:07:11 | |
I don't think we'd want to go back to being without the Exchange. | 0:07:11 | 0:07:15 | |
Clearly, we'd like the shop, we'd like the post office. | 0:07:15 | 0:07:19 | |
This is really something the community REALLY benefits from, | 0:07:19 | 0:07:23 | |
and the sort of thing I'd want every community to have, | 0:07:23 | 0:07:26 | |
if they could manage it. | 0:07:26 | 0:07:27 | |
It's a simple idea that we can ALL take on, | 0:07:27 | 0:07:31 | |
to breathe new life into our own communities. | 0:07:31 | 0:07:34 | |
We're back on the road, in Cumbria, | 0:07:36 | 0:07:38 | |
exploring the history of the rolling countryside. | 0:07:38 | 0:07:42 | |
We have, as you know, this peculiar fascination | 0:07:42 | 0:07:45 | |
-with our industrial past. -Uh-huh. | 0:07:45 | 0:07:47 | |
One of the things that always catches my eye, wherever I am in the country, | 0:07:47 | 0:07:50 | |
are the great viaducts that once linked the railway system, | 0:07:50 | 0:07:53 | |
and the aqueducts that linked the canal system together. | 0:07:53 | 0:07:57 | |
They ARE quite spectacular, aren't they? | 0:07:57 | 0:07:59 | |
How on earth did they do that? All those years ago, you know. | 0:07:59 | 0:08:03 | |
Ancient technology. It's a Roman technology. | 0:08:03 | 0:08:08 | |
You wonder about engine drivers on the first crossing. | 0:08:08 | 0:08:11 | |
THEY LAUGH | 0:08:11 | 0:08:12 | |
Hoping it had all been done properly. | 0:08:12 | 0:08:14 | |
Viaducts have been built since the late 1800s | 0:08:14 | 0:08:17 | |
to connect industrial Britain. | 0:08:17 | 0:08:20 | |
Smardale Gill viaduct was constructed in 1861 | 0:08:20 | 0:08:23 | |
to carry coke and coal on the first trans-Pennines railway. | 0:08:23 | 0:08:27 | |
It ran for 100 years, closing in 1962. | 0:08:27 | 0:08:31 | |
Left to rot, it was threatened with demolition in the 1980s. | 0:08:31 | 0:08:35 | |
A community group challenged British Rail's plans. | 0:08:37 | 0:08:40 | |
Martin Holdgate is one of the locals | 0:08:41 | 0:08:43 | |
who set up a trust that saved the viaduct. | 0:08:43 | 0:08:46 | |
I care very much about this place. | 0:08:46 | 0:08:48 | |
It's a superb bit of railway heritage. | 0:08:48 | 0:08:52 | |
14 arches, 90 feet high. | 0:08:52 | 0:08:54 | |
Beautifully shaped, very graceful structure. | 0:08:54 | 0:08:57 | |
I've known it, and it's been part of my memory, all my life, almost. | 0:08:57 | 0:09:01 | |
I would be very sad if it wasn't here for future people to enjoy. | 0:09:01 | 0:09:07 | |
First thing that's got to be done is, | 0:09:07 | 0:09:10 | |
the track way itself has got to be waterproofed. | 0:09:10 | 0:09:13 | |
There are people already beginning to work on it, | 0:09:13 | 0:09:15 | |
because we want to get that done this year, | 0:09:15 | 0:09:18 | |
using our own resources. | 0:09:18 | 0:09:21 | |
We have limited funds but think we've got enough for this. | 0:09:21 | 0:09:23 | |
Because, if we can waterproof the track way, | 0:09:23 | 0:09:26 | |
and stop the water percolating into the fabric, | 0:09:26 | 0:09:29 | |
we, as it were, turn the tap of damage off. | 0:09:29 | 0:09:32 | |
The viaduct sits 90 feet above a deep ravine, | 0:09:32 | 0:09:36 | |
and is at constant risk from the elements. | 0:09:36 | 0:09:39 | |
The added complication is that it's surrounded by a nature reserve. | 0:09:39 | 0:09:43 | |
Andrew Walter of Cumbria's Wildlife Trust | 0:09:43 | 0:09:46 | |
is advising them on how to protect the site. | 0:09:46 | 0:09:49 | |
It's particularly important for all the life in the river, | 0:09:49 | 0:09:52 | |
especially the crayfish, | 0:09:52 | 0:09:53 | |
that there's no pollution, siltation, or anything brought in, | 0:09:53 | 0:09:57 | |
especially for this fella. | 0:09:57 | 0:09:59 | |
White-clawed crayfish are just one of the species found here, | 0:10:00 | 0:10:03 | |
so any work undertaken on the viaduct | 0:10:03 | 0:10:06 | |
has to be done with real care. | 0:10:06 | 0:10:09 | |
Generally, there will again be fear for the stability of the structure, | 0:10:09 | 0:10:14 | |
if we don't do something about it. | 0:10:14 | 0:10:18 | |
That's why I'm passionate about getting the money, | 0:10:18 | 0:10:21 | |
and getting it refurbished, | 0:10:21 | 0:10:23 | |
and making sure it's even sounder for the next 50 years | 0:10:23 | 0:10:27 | |
than it has been since the railway closed in 1962. | 0:10:27 | 0:10:30 | |
Winding our way south through Cumbria, | 0:10:34 | 0:10:36 | |
we're now heading to a restoration project | 0:10:36 | 0:10:39 | |
on the edge of the northern Lake District. | 0:10:39 | 0:10:42 | |
Today, John, it's interesting criss-crossing the country, | 0:10:45 | 0:10:48 | |
as we do, | 0:10:48 | 0:10:50 | |
the amount of AONBs, Areas of Outstanding Natural Beauty, | 0:10:50 | 0:10:55 | |
and of course national parks, | 0:10:55 | 0:10:57 | |
that were put together by people with some extraordinary foresight. | 0:10:57 | 0:11:00 | |
It all happened while the Second World War was raging. | 0:11:00 | 0:11:03 | |
There were people in Whitehall, and other places, | 0:11:03 | 0:11:06 | |
thinking about the future. | 0:11:06 | 0:11:08 | |
What would it be like after the war was over? | 0:11:08 | 0:11:10 | |
"We want a home fit for heroes." | 0:11:10 | 0:11:13 | |
It's not just the agriculture that defines the Pennines. | 0:11:13 | 0:11:15 | |
Its great stately homes and castles | 0:11:15 | 0:11:18 | |
-also give it a real flavour, don't they? -Yeah, absolutely! | 0:11:18 | 0:11:22 | |
A lot of those castles just fell into disrepair eventually. | 0:11:22 | 0:11:26 | |
But, actually, where we are, | 0:11:26 | 0:11:28 | |
not far from Penrith, is Lowther Castle. | 0:11:28 | 0:11:32 | |
I think they are doing something quite interesting. | 0:11:32 | 0:11:34 | |
They're not just trying to restore it all to its former glory. | 0:11:34 | 0:11:38 | |
The idea is to capture it as is, warts and all. | 0:11:38 | 0:11:42 | |
Lowther Castle has been home to the Lowther family | 0:11:44 | 0:11:47 | |
since the reign of Edward I | 0:11:47 | 0:11:50 | |
The castle and gardens are just part of their estate | 0:11:50 | 0:11:54 | |
that still dominates Cumbria. | 0:11:54 | 0:11:56 | |
Much of it is still in use, | 0:11:56 | 0:11:57 | |
but after the death of the fifth Earl of Lonsdale, | 0:11:57 | 0:12:00 | |
the castle lay uninhabited. | 0:12:00 | 0:12:02 | |
To save it from complete dereliction, | 0:12:02 | 0:12:05 | |
a charitable trust stepped in. | 0:12:05 | 0:12:07 | |
An injection of £9 million | 0:12:07 | 0:12:09 | |
is helping restore this impressive site, | 0:12:09 | 0:12:12 | |
opening it up to the public for the first time in 70 years. | 0:12:12 | 0:12:16 | |
Andrew Mercer is the man overseeing the project. | 0:12:17 | 0:12:20 | |
Well, Andrew, this is quite something, isn't it? | 0:12:21 | 0:12:25 | |
HE LAUGHS | 0:12:25 | 0:12:26 | |
There's a little bit to do! | 0:12:26 | 0:12:28 | |
We've been at it now for a couple of months. | 0:12:28 | 0:12:30 | |
There's a huge amount of restoration and conversion to do. | 0:12:30 | 0:12:33 | |
In terms of the main castle itself, are you going to tackle that? | 0:12:33 | 0:12:36 | |
Will you put a roof on it, or keep it as a ruin? | 0:12:36 | 0:12:38 | |
It's a ruin. That's what it is. | 0:12:38 | 0:12:40 | |
It sits lovely, grandly, and very elegantly in the landscape. | 0:12:40 | 0:12:43 | |
It has a real presence. We don't need a roof to be put back on it. | 0:12:43 | 0:12:48 | |
We're keen to see it as a proper, well-consolidated ruin | 0:12:48 | 0:12:50 | |
that will be a great landmark in this wonderful countryside. | 0:12:50 | 0:12:54 | |
There's lots of clever people. | 0:12:54 | 0:12:55 | |
There's the lead workers, the roofers, the stonemasons. | 0:12:55 | 0:12:58 | |
There's a whole army of craftsmen. | 0:12:58 | 0:13:01 | |
Today we've had seven or eight apprentices working here, | 0:13:01 | 0:13:04 | |
learning these new traditional skills. | 0:13:04 | 0:13:06 | |
I think, as an apprentice, to have the opportunity to learn your skills | 0:13:06 | 0:13:10 | |
on such a great building as this must be great fun, a great joy. | 0:13:10 | 0:13:14 | |
One of the first jobs | 0:13:14 | 0:13:15 | |
for the stonemasons is making safe | 0:13:15 | 0:13:18 | |
the existing stonework. | 0:13:18 | 0:13:20 | |
As you can see behind me, hundreds of tonnes of work stone | 0:13:20 | 0:13:23 | |
have been taken off this building, | 0:13:23 | 0:13:26 | |
carefully cleaned, and then restored. | 0:13:26 | 0:13:28 | |
Now comes the task of putting the whole thing back together. | 0:13:28 | 0:13:33 | |
THIS is what's known in the trade as a "merlon". | 0:13:33 | 0:13:35 | |
It's one of the little square pieces that turn this | 0:13:35 | 0:13:38 | |
from a straightforward country house into a crenellated castle. | 0:13:38 | 0:13:41 | |
And this is going up there. | 0:13:41 | 0:13:43 | |
All right, Steve! | 0:13:43 | 0:13:45 | |
I think I've lost count of the number of ladders! | 0:13:56 | 0:13:59 | |
Hey, look, there's the block! | 0:13:59 | 0:14:02 | |
Is Stanley up here, as well? | 0:14:02 | 0:14:04 | |
Stanley? He is. | 0:14:04 | 0:14:06 | |
-Hello, mate, nice to see you. How are you? -Hi. | 0:14:06 | 0:14:10 | |
-So, there's our merlon? -It is. | 0:14:10 | 0:14:12 | |
Isn't it gorgeous? What a view you fellas have to work with! | 0:14:12 | 0:14:16 | |
Is that the old mason's mark on the end? | 0:14:16 | 0:14:19 | |
That IS the mason's mark, yes. | 0:14:19 | 0:14:21 | |
-There's a terrific heritage to these things. -That's right. | 0:14:21 | 0:14:24 | |
'Restoration on this scale takes real skill. | 0:14:24 | 0:14:30 | |
'Each merlon has to be removed and cleaned. | 0:14:30 | 0:14:33 | |
'Limestone mortar then secures it | 0:14:33 | 0:14:35 | |
'to where it originally sat over 200 years ago.' | 0:14:35 | 0:14:38 | |
Well done, Stanley. So, that's it, then? | 0:14:38 | 0:14:41 | |
-The 20th one done. -Yes. | 0:14:41 | 0:14:43 | |
How many more to go? | 0:14:43 | 0:14:45 | |
Eh...150? | 0:14:45 | 0:14:46 | |
THEY LAUGH | 0:14:46 | 0:14:48 | |
The plans for the grounds are as impressive. | 0:14:48 | 0:14:53 | |
In its heyday, Lowther had one of the grandest gardens in England. | 0:14:53 | 0:14:57 | |
Now, acres of parks, woodlands, pond and walkways | 0:14:57 | 0:15:00 | |
are waiting to be rediscovered. | 0:15:00 | 0:15:03 | |
Landscape designer Dominic Cole | 0:15:03 | 0:15:05 | |
has the task of reviving this 17th-century garden | 0:15:05 | 0:15:10 | |
for everyone to enjoy. | 0:15:10 | 0:15:12 | |
This is the central core of the garden. We're restoring most of it. | 0:15:12 | 0:15:15 | |
What's all this going to be? Lawns? | 0:15:15 | 0:15:17 | |
These will be different types of lawns. | 0:15:17 | 0:15:19 | |
Some will be formal. Some we want to have as wild flowers, | 0:15:19 | 0:15:23 | |
so we'll use wild flowers from the local area. | 0:15:23 | 0:15:27 | |
We'll work with the ecologist to do that. | 0:15:27 | 0:15:29 | |
This is a memory of the bowling green. Very formal. | 0:15:29 | 0:15:32 | |
Then, a bulb lawn. So you have something for all seasons. | 0:15:32 | 0:15:35 | |
We're taking that formal structure of the paths | 0:15:35 | 0:15:38 | |
and using that as the basis onto which we'll overlay | 0:15:38 | 0:15:41 | |
our garden from this generation. | 0:15:41 | 0:15:44 | |
So, you're not actually rebuilding the place, | 0:15:44 | 0:15:47 | |
you're giving a flavour of what it was like? | 0:15:47 | 0:15:49 | |
That's right. Because there's so much going on here, | 0:15:49 | 0:15:53 | |
and we can look at another period, one of the summerhouses. | 0:15:53 | 0:15:57 | |
Lovely. | 0:15:57 | 0:15:58 | |
What's exciting is we're walking through | 0:16:00 | 0:16:03 | |
from one period to another. | 0:16:03 | 0:16:04 | |
What we're coming up to now is a much later period, | 0:16:04 | 0:16:08 | |
the Victorian period. | 0:16:08 | 0:16:10 | |
What is THIS? | 0:16:10 | 0:16:12 | |
This is one of the Victorian summerhouses. | 0:16:12 | 0:16:15 | |
It has this most wonderful character. | 0:16:15 | 0:16:18 | |
It's almost Hansel & Gretel. | 0:16:18 | 0:16:19 | |
You've got the gingerbread house. | 0:16:19 | 0:16:21 | |
It has its original decoration. It's exciting to find it. | 0:16:21 | 0:16:24 | |
There were 24 of these throughout the gardens. | 0:16:24 | 0:16:27 | |
There's just a couple left. | 0:16:27 | 0:16:29 | |
-Will you be using it again? -Very much so. | 0:16:29 | 0:16:32 | |
We're assuming the planting is holding it together. | 0:16:32 | 0:16:36 | |
You can see the two ivies on either side, | 0:16:36 | 0:16:38 | |
which are now very much entangled with the decoration. | 0:16:38 | 0:16:42 | |
So, we think this won't need a lot more than a haircut. | 0:16:42 | 0:16:46 | |
We're certainly not going to attempt to strip the ivy off it. | 0:16:46 | 0:16:49 | |
-This old place is idyllic, isn't it? -It's fantastic. | 0:16:49 | 0:16:52 | |
It WOULD be, if it wasn't for the noise your men are making. | 0:16:52 | 0:16:55 | |
I apologise for the noise. We're doing some tree work. | 0:16:55 | 0:16:58 | |
More clearance, to open up new views. | 0:16:58 | 0:17:00 | |
Next will be this fantastic vista, | 0:17:00 | 0:17:02 | |
down the pond from the summerhouse. | 0:17:02 | 0:17:04 | |
'With more than a hundred acres to play with, | 0:17:04 | 0:17:06 | |
'Dominic and his crew | 0:17:06 | 0:17:09 | |
'have certainly got their work cut out.' | 0:17:09 | 0:17:11 | |
Jules, you've been at the big house. | 0:17:11 | 0:17:13 | |
Let me show you the view from a little house. | 0:17:13 | 0:17:15 | |
Look at that. Isn't it sweet? | 0:17:15 | 0:17:17 | |
A diamond jubilee summerhouse for the Lonsdale family. | 0:17:17 | 0:17:21 | |
But look at the view that it has. | 0:17:21 | 0:17:23 | |
-Perfectly sited, isn't it? -Isn't that fantastic? | 0:17:23 | 0:17:26 | |
This view was really just the view of the Lonsdale family | 0:17:26 | 0:17:30 | |
and their visitors. | 0:17:30 | 0:17:32 | |
But now, we can all have a look at it. | 0:17:32 | 0:17:35 | |
We've all got a chance. It's wonderful, isn't it? | 0:17:35 | 0:17:37 | |
What I like is they're doing a very inclusive project. | 0:17:37 | 0:17:40 | |
The house has its issues, | 0:17:40 | 0:17:42 | |
but I love the fact they're going for this romantic ruin. | 0:17:42 | 0:17:45 | |
They're also opening up the stable block, | 0:17:45 | 0:17:48 | |
to make that a real venue for visitors, | 0:17:48 | 0:17:50 | |
and 130 acres of gardens we can all now explore. | 0:17:50 | 0:17:52 | |
A place that was very much at risk has now been saved. | 0:17:52 | 0:17:56 | |
From what you've seen, do you think money well spent? | 0:17:56 | 0:18:00 | |
-I do, indeed. -I agree with you. | 0:18:00 | 0:18:02 | |
They're our Heritage Heroes here, aren't they? | 0:18:02 | 0:18:04 | |
THEY LAUGH | 0:18:04 | 0:18:05 | |
It's fantastic to see part of Cumbria's rich heritage | 0:18:05 | 0:18:09 | |
being opened up for all. | 0:18:09 | 0:18:12 | |
And there are more hidden gems to be discovered on our journey. | 0:18:12 | 0:18:17 | |
Keep right on to the end of the road. | 0:18:17 | 0:18:21 | |
# Keep right on to the end | 0:18:21 | 0:18:25 | |
# Though the way be...# | 0:18:25 | 0:18:28 | |
Or something like that. | 0:18:28 | 0:18:29 | |
-Something like that. -Harry Lauder. | 0:18:29 | 0:18:31 | |
HE LAUGHS | 0:18:31 | 0:18:33 | |
'Oh, the joys of car sharing with Mr Craven! | 0:18:33 | 0:18:37 | |
'On our heritage trail, we're discovering | 0:18:37 | 0:18:40 | |
'food, arts and crafts fighting for survival. | 0:18:40 | 0:18:44 | |
'In Cumbria a campaign has taken hold | 0:18:44 | 0:18:46 | |
'to promote a great British delicacy. | 0:18:46 | 0:18:48 | |
'Marmalade.' | 0:18:48 | 0:18:50 | |
Winston Churchill insisted on Seville oranges | 0:18:50 | 0:18:52 | |
being imported to Britain during the war. | 0:18:52 | 0:18:55 | |
He claimed marmalade was vital for morale. | 0:18:55 | 0:18:59 | |
It's since declined in popularity. | 0:18:59 | 0:19:01 | |
But, one woman who's lucky enough | 0:19:01 | 0:19:03 | |
to call the historic house of Dalemain her home, | 0:19:03 | 0:19:06 | |
is declaring she'll defend it forever. | 0:19:06 | 0:19:08 | |
I made marmalade with my mother, and it was all good fun. | 0:19:08 | 0:19:12 | |
When I got married, I came to live at Dalemain. | 0:19:12 | 0:19:15 | |
It's a house open to the public. | 0:19:15 | 0:19:16 | |
It has this enormous archive, | 0:19:16 | 0:19:19 | |
and nobody has ever really delved into it, until recently, | 0:19:19 | 0:19:22 | |
when we had an archivist who found all sorts of things, and treasures, | 0:19:22 | 0:19:28 | |
including this huge archive of marmalade recipes. | 0:19:28 | 0:19:32 | |
In the archive at Dalemain, | 0:19:34 | 0:19:36 | |
we discovered this wonderful, ancient recipe book. | 0:19:36 | 0:19:40 | |
It was created and pulled together about the end of the 1600s. | 0:19:40 | 0:19:44 | |
So it's a very ancient book. | 0:19:44 | 0:19:46 | |
But it is stuffed full of wonderful marmalade recipes, | 0:19:46 | 0:19:49 | |
which we can now use. | 0:19:49 | 0:19:51 | |
The idea is, | 0:19:51 | 0:19:52 | |
we're using ancient recipes, and perpetuating them for the future, | 0:19:52 | 0:19:57 | |
and it's truly exciting. | 0:19:57 | 0:19:59 | |
Already it's going liquid. | 0:19:59 | 0:20:02 | |
Wonderful. | 0:20:02 | 0:20:04 | |
And it can just boil for a little bit longer. | 0:20:04 | 0:20:08 | |
And then it will be ready to pot, | 0:20:08 | 0:20:10 | |
which will be delicious. | 0:20:10 | 0:20:12 | |
Ladled with history, Jane Hasell-McCosh | 0:20:13 | 0:20:15 | |
decided to bring marmalade into the 21st century. | 0:20:15 | 0:20:18 | |
Five years ago, she launched the World Marmalade Awards. | 0:20:18 | 0:20:22 | |
It draws support and entries from around the world. | 0:20:22 | 0:20:27 | |
I think the most important thing | 0:20:27 | 0:20:29 | |
is our artisan producer's competition. | 0:20:29 | 0:20:32 | |
That's all about the small producers who are making marmalade | 0:20:32 | 0:20:35 | |
with the open pan method, | 0:20:35 | 0:20:38 | |
and using recipes often belonging to their granny, or their great-granny. | 0:20:38 | 0:20:43 | |
But, they are perpetuating what they learned, | 0:20:43 | 0:20:46 | |
and then producing it on a commercial scale. | 0:20:46 | 0:20:49 | |
Now, that commercial scale may be tiny amounts | 0:20:49 | 0:20:51 | |
sold in the village post office, or the local shop. | 0:20:51 | 0:20:55 | |
But they are producing the marmalade of today, | 0:20:55 | 0:20:59 | |
and that, to me, is the lifeline to marmalade production of the future. | 0:20:59 | 0:21:04 | |
THIS is what you can't beat. | 0:21:06 | 0:21:08 | |
A nice cup of tea, with a view like this. | 0:21:08 | 0:21:11 | |
Isn't it gorgeous? | 0:21:11 | 0:21:14 | |
As WB Yeats said about another lake, "Peace comes dropping slowly here". | 0:21:14 | 0:21:18 | |
Oh, John. I'm going to cry now. | 0:21:18 | 0:21:20 | |
THEY LAUGH | 0:21:20 | 0:21:22 | |
Cheers! | 0:21:22 | 0:21:23 | |
Our final stop on our journey through Cumbria is Brougham, | 0:21:27 | 0:21:32 | |
just south of Penrith. | 0:21:32 | 0:21:34 | |
We've already had a nice look at Lowther, | 0:21:35 | 0:21:39 | |
which was a pretty ambitious endeavour. | 0:21:39 | 0:21:42 | |
£9 million going into that one. | 0:21:42 | 0:21:45 | |
How about another grand house that...? | 0:21:45 | 0:21:47 | |
Has it got a roof on? | 0:21:47 | 0:21:49 | |
-It HAS got a roof on it. -Good. | 0:21:49 | 0:21:50 | |
But they haven't got that sort of money to spend. | 0:21:50 | 0:21:54 | |
This is very much a homespun operation, at Brougham. | 0:21:54 | 0:21:57 | |
It's been saved from the teeth of a housing development. | 0:21:57 | 0:22:01 | |
They've compromised slightly, | 0:22:01 | 0:22:03 | |
on how they've allowed the housing to happen around it. | 0:22:03 | 0:22:07 | |
They've given some land for housing | 0:22:07 | 0:22:09 | |
on the understanding they can keep the hall itself. | 0:22:09 | 0:22:12 | |
Ah, Brougham Hall! | 0:22:12 | 0:22:14 | |
-Look at that. -That IS a castle, to me. | 0:22:14 | 0:22:17 | |
-That IS a castle. -It's castellated. | 0:22:17 | 0:22:19 | |
Let's go and find out the story. | 0:22:19 | 0:22:21 | |
-They must have been small in those days. -You can say that again. | 0:22:21 | 0:22:25 | |
Look at this place! Wonderful! | 0:22:25 | 0:22:26 | |
-LOUDSPEAKER: -'Hello. Please help us in our private endeavour | 0:22:26 | 0:22:29 | |
'to restore this 14th-century fortified house.' | 0:22:29 | 0:22:32 | |
It's the voice of the Almighty! | 0:22:32 | 0:22:34 | |
-We're being watched! -And they're wanting money. -I think they are. | 0:22:34 | 0:22:38 | |
Dig deep, John. Go on! | 0:22:38 | 0:22:41 | |
Hey, look at this! | 0:22:41 | 0:22:42 | |
"On the 15th October 1905, | 0:22:42 | 0:22:44 | |
"Edward VII set off | 0:22:44 | 0:22:45 | |
"through this arch to Raby Castle | 0:22:45 | 0:22:47 | |
"in the first motorcade | 0:22:47 | 0:22:49 | |
"in the north of England | 0:22:49 | 0:22:51 | |
"by a British monarch." | 0:22:51 | 0:22:53 | |
Winston Churchill was here, as well. In 1942. | 0:22:53 | 0:22:56 | |
This is quite something, isn't it? | 0:22:56 | 0:22:58 | |
Very different feel from the outside. | 0:22:58 | 0:23:01 | |
-No big house, or anything. -No. | 0:23:01 | 0:23:03 | |
'Brougham Hall has an incredible history. | 0:23:05 | 0:23:07 | |
'Royalty, Lords and commanders of war | 0:23:07 | 0:23:10 | |
'have all taken sanctuary | 0:23:10 | 0:23:13 | |
'within these walls. | 0:23:13 | 0:23:15 | |
'But in the 1980s, it was to be pulled down | 0:23:15 | 0:23:17 | |
'to give way to a new development.' | 0:23:17 | 0:23:19 | |
There are the new houses, then. | 0:23:19 | 0:23:21 | |
That's obviously part of the deal that meant the rest of this | 0:23:21 | 0:23:25 | |
wasn't covered in houses, either. | 0:23:25 | 0:23:27 | |
But, if it wasn't for one individual with some serious foresight, | 0:23:27 | 0:23:30 | |
-this would have been completely lost. -You're right. | 0:23:30 | 0:23:33 | |
'It's incredible to think it was down to one man | 0:23:33 | 0:23:37 | |
'that this hall was saved. | 0:23:37 | 0:23:39 | |
'Christopher Terry visited Brougham in his early 20s. | 0:23:39 | 0:23:42 | |
'When he heard it was to be demolished, | 0:23:42 | 0:23:44 | |
'he made it his mission to save it. | 0:23:44 | 0:23:47 | |
'He took over the development of the site, | 0:23:47 | 0:23:49 | |
'and was able to rescue the Hall | 0:23:49 | 0:23:51 | |
'by building residential houses in the grounds. | 0:23:51 | 0:23:54 | |
'It's now open to the public | 0:23:54 | 0:23:56 | |
'and the converted stables are home to local businesses. | 0:23:56 | 0:24:00 | |
'Their rent, along with some charitable funding, | 0:24:00 | 0:24:02 | |
'is allowing Christopher to restore the rest of the site.' | 0:24:02 | 0:24:06 | |
At the beginning, | 0:24:06 | 0:24:08 | |
friends of mine said I'd got the Nobel Prize for Lunacy. | 0:24:08 | 0:24:11 | |
But, we've done enough of it now | 0:24:11 | 0:24:15 | |
to have proved that we CAN do it. | 0:24:15 | 0:24:18 | |
This is where we started, in January 1986. | 0:24:18 | 0:24:22 | |
We rebuilt this south wall, | 0:24:22 | 0:24:25 | |
and we took on 22 youngsters, who'd never had a job. | 0:24:25 | 0:24:28 | |
-And they made a very credible job. -They certainly have. | 0:24:28 | 0:24:31 | |
It looks very impressive, doesn't it? | 0:24:31 | 0:24:33 | |
And then we worked our way the whole way round, | 0:24:33 | 0:24:36 | |
and we've got as far as the tearoom, there. | 0:24:36 | 0:24:39 | |
We've done over half, in area. | 0:24:39 | 0:24:42 | |
And, we are viable. | 0:24:42 | 0:24:44 | |
We can pay our bills. | 0:24:44 | 0:24:45 | |
'Christopher is also committed | 0:24:45 | 0:24:47 | |
'to re-housing the mass of historical documents | 0:24:47 | 0:24:51 | |
'that are currently under wraps in this store room.' | 0:24:51 | 0:24:54 | |
What have you got HERE, Christopher? | 0:24:54 | 0:24:57 | |
This looks very impressive. | 0:24:57 | 0:24:59 | |
This is the visitors' book, from 1888 onwards. | 0:24:59 | 0:25:03 | |
I should tell you the Royal Family used Brougham as the halfway house | 0:25:03 | 0:25:09 | |
between Windsor and Balmoral, | 0:25:09 | 0:25:11 | |
from 1857 to 1905. | 0:25:11 | 0:25:14 | |
For example, here we have the future King George V | 0:25:14 | 0:25:17 | |
coming as Prince George, in 1892. | 0:25:17 | 0:25:22 | |
There's Albert Edward, later King Edward VII, | 0:25:22 | 0:25:24 | |
and, sending a telegram from Balmoral | 0:25:24 | 0:25:28 | |
to say thanks very much for having me. | 0:25:28 | 0:25:32 | |
This is just a very small section of the amazing archive here. | 0:25:32 | 0:25:35 | |
What would have happened to it if you hadn't stepped in? | 0:25:35 | 0:25:38 | |
I think, if we hadn't come along when we did, | 0:25:38 | 0:25:41 | |
both Brougham Hall, and the history attaching to Brougham Hall, | 0:25:41 | 0:25:45 | |
would have been smashed off the face of the earth. | 0:25:45 | 0:25:50 | |
Getting this history on display | 0:25:50 | 0:25:52 | |
will help secure Brougham Hall's future | 0:25:52 | 0:25:55 | |
and put it back on the map as an important historic site. | 0:25:55 | 0:25:58 | |
What I love about this place is, there's clearly a lot more to it | 0:25:58 | 0:26:01 | |
than just the restoration and conservation of the building itself. | 0:26:01 | 0:26:05 | |
It's also become a real haven for many local artisan industries. | 0:26:05 | 0:26:09 | |
There's a wedding planner here, an IT consultant, | 0:26:09 | 0:26:11 | |
even a country furnishing store. | 0:26:11 | 0:26:14 | |
All of them have a direct contribution to make | 0:26:14 | 0:26:17 | |
in keeping this place an ongoing success. | 0:26:17 | 0:26:20 | |
Piers Merry was one of the teenagers | 0:26:20 | 0:26:22 | |
who helped rebuild the hall. | 0:26:22 | 0:26:26 | |
The work inspired him to take up stonemasonry. | 0:26:26 | 0:26:30 | |
He's dedicated his life to learning these heritage skills. | 0:26:30 | 0:26:33 | |
His work is now acclaimed around the world. | 0:26:33 | 0:26:37 | |
Piers! | 0:26:37 | 0:26:38 | |
I've found you! What a place to work! | 0:26:38 | 0:26:40 | |
This is a stonemason's dream, isn't it? | 0:26:40 | 0:26:43 | |
A vaulted ceiling... | 0:26:43 | 0:26:45 | |
There's not many people who have a vaulted ceiling in their workshop. | 0:26:45 | 0:26:48 | |
-Nice to see you. How's things? -Very good. | 0:26:48 | 0:26:51 | |
I gather you started out here 15-odd years ago, | 0:26:51 | 0:26:54 | |
when they were beginning to restore the castle walls, and so forth? | 0:26:54 | 0:26:57 | |
Yeah. It was my first job. | 0:26:57 | 0:26:59 | |
It was the most fun job I could find when I was at school. | 0:26:59 | 0:27:03 | |
I used to come here, and dig out, and excavate. | 0:27:03 | 0:27:06 | |
Find the good stone, separate the bad stone. | 0:27:06 | 0:27:09 | |
They had face workers and stonemasons working here. | 0:27:09 | 0:27:12 | |
We came in and got as much ready for them as we could. | 0:27:12 | 0:27:15 | |
One thing that strikes me about Brougham is this hotbed | 0:27:15 | 0:27:18 | |
of local businesses that have come into it, | 0:27:18 | 0:27:21 | |
which not only keep it going, but have a direct investment, | 0:27:21 | 0:27:25 | |
a real passion for its survival. | 0:27:25 | 0:27:27 | |
And you're one of those people. | 0:27:27 | 0:27:29 | |
Would you ever want to work anywhere else, | 0:27:29 | 0:27:32 | |
-or is Brougham where you want to be? -No, no. I want to be here. | 0:27:32 | 0:27:35 | |
It's wonderful. Look at it. Look at the office! | 0:27:35 | 0:27:39 | |
THEY LAUGH | 0:27:39 | 0:27:40 | |
Yeah! Look at the office. This is a nice place to be. | 0:27:40 | 0:27:43 | |
Brougham Hall certainly looks to have a future | 0:27:43 | 0:27:45 | |
as rich as its past. | 0:27:45 | 0:27:48 | |
This has been a great day travelling across Cumbria. | 0:27:50 | 0:27:54 | |
Lowther Castle is spectacular, | 0:27:54 | 0:27:57 | |
and it's great news that it's being preserved for future generations. | 0:27:57 | 0:28:01 | |
And the buzz of the Exchange in Bolton is fantastic. | 0:28:01 | 0:28:05 | |
The locals have created a whole new centre | 0:28:05 | 0:28:09 | |
where community spirit can thrive. | 0:28:09 | 0:28:11 | |
Next time, we're in the Yorkshire Dales | 0:28:11 | 0:28:14 | |
to see how local funding is helping a community to help itself. | 0:28:14 | 0:28:17 | |
And we explore the industrial heart of the Pennines, | 0:28:17 | 0:28:21 | |
as we visit a textile mill | 0:28:21 | 0:28:24 | |
whose creative future is reaching new heights. | 0:28:24 | 0:28:28 | |
How about that? | 0:28:28 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |