Caernarfon Castle Climbing Great Buildings


Caernarfon Castle

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I'm 100ft up the Eagle Tower at Caernarfon Castle.

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700 years ago, Welsh rebels tried to invade the castle by scaling these magnificent walls.

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Believe me, they didn't get very far.

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This is Climbing Great Buildings,

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and throughout the series I'll be scaling our most iconic structures, from the Normans to the present day.

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I'll be revealing the buildings' secrets, and telling the story

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of how British architecture and construction developed over 1000 years.

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Caernarfon Castle, in the north-western corner of Wales,

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is a magnificent example of medieval castle-building.

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Work began here over 700 years ago, in 1283.

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It's just one of many in an iron ring of castles

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that King Edward I of England built

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to stamp his authority on the rebellious Welsh people.

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I'm going to climb this monster, not only to reveal the secrets of its construction,

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but to find out about its advances in medieval technology,

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so we can understand what it took to defend, and attack, this place.

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'But I won't be going it alone. I'll be aided by Lucy Creamer,

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'one of Britain's best climbers, and her team of riggers,

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'along with fearless cameraman Ian Burton.

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'My climbing skills will be tested as I scramble up these walls,

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'to discover the brilliance behind the layout of this structure.'

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-I'm grabbing hold of anything I can reach!

-Anything that's available!

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'I'll do whatever it takes to get closer to the secrets of its construction.'

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That was a mixture of scary and fun.

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'And I'll be attacking the King's Gate, a defensive barrier

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'that was so ingenious and brutal it struck fear into the hearts of its enemies, as well as mine.'

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Yes. so one bacon sandwich down today, and...I may see it again. Who knows?

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'I'm going to begin my climb on the south wall of the castle.

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'It's a sheer cliff of masonry, as daunting an obstacle today

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'as it would have been during the reign of Edward I, over 700 years ago.'

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The Welsh were a fearsome opposition, so Edward knew he had to build castles

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which were bigger, stronger, more technologically advanced than ever before.

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Caernarfon is built off solid bedrock.

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There's no better place to understand exactly how it met Edward's needs

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than to look at the walls.

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HE GROANS Start of the day, just getting into it!

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Edward chose to flex his muscles by having this stuff quarried.

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It's local, sturdy limestone.

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Taken out of the ground at Anglesey,

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brought over the water in boats by the tens of thousands of tonnes.

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These curtain walls, they're unique in Britain at the time,

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because they contain passages that run between the towers.

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They allow guards to keep a constant lookout.

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And they offer valuable protection to archers.

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Between the outer wall and the inner wall, it's over six metres thick.

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Building Caernarfon Castle was a massively ambitious thing to do.

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It's not just a matter of manpower, it's about getting the right balance

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of specialist engineering and construction skills on site.

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Edward scoured 32 English counties for the best masons and master masons,

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quarrymen, joiners, carpenters, barrowmen,

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and brought 2000 of them here to work on his new castle.

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Carrying on the work that never ends, renovating these castle walls, is the current Banker Mason.

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How do you rate the work of medieval masons?

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Fantastic.

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You look at these buildings and you think to yourself,

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wow, it's unbelievable what they did with simple, basic tools.

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How many feet of this kind of carving do you reckon you do a day?

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One, maybe two maximum.

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-One or two feet?

-Yes.

-Times...

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-Yeah, I get the picture. It's a big job.

-Yep, it is a big job.

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'Those highly-skilled workers were well paid for their talents, as original payrolls show.'

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These tell you all about the people that worked on Caernarfon Castle,

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and how much they were paid per week.

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And some of the little jobs that they did.

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Let's get to know them, shall we? Who are these people?

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These are the top masons, and these are getting paid the most amount of money.

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You can see here, the master mason is there being paid

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14 shillings for the week, which is a nice healthy sum.

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14 shillings a week? That's a lot of money then.

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-These must be the equivalent of City bankers' wages?

-Pretty much, yes.

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-Craft-based fat cats!

-Something like that, yes.

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But I think he was very skilled, so it was worthwhile.

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The next rank down, these are the layers and the setters.

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So these are still masons, they're still quite skilled, but they're not quite there at the top ranks yet.

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They're being paid two shillings one pence for a week,

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and the bottom one here is being paid 23 pence and half a pence.

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So, just under two shillings.

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-It's an enormous range, isn't it? It shows the career ladder.

-Yes.

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-Simply in masonry, and how elevated that status was.

-Yes.

-Once you got to the top.

-Absolutely.

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Are there any surnames which tell us where these guys came from?

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Well, there's Robert de Stoke, John de Cheddar.

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So I think you can get some kind of idea that they are coming from all over the place.

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So, Luce, tell me about this thing. What are you looking for?

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Well, I'm looking for really big hand-holds, and I reckon this would be the one I'd go for.

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Just climb up here like that.

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Scaling castles made easy.

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Now, what Lucy describes as her favourite hand-hold

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is known to many as an arrow loop, and of course they're standard parts of castle design.

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And the trick is to fire at people without being fired back on in return.

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Check that one out, Ian, straight ahead of you.

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Now, Caernarfon sees some major innovations in arrow-loop design,

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which makes them more like medieval machine guns.

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I'll show you those later.

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-I'm just grabbing hold of anything I can reach at this point!

-Anything that's available!

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-Well done, Jonathan.

-Thanks, Luce!

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Good effort.

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-Well done, you.

-And you.

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You did well, first top-out.

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Well, that's invaded that. What are we going to do next?!

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That wasn't so bad, actually.

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It was worth it for the view, Luce, wasn't it?

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There are 13 towers at Caernarfon, and I'm about to swing out onto the Queen's Tower to get a closer look

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at its unusual design and decoration.

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Here we go.

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Cool!

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That was fun!

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'I'm 70ft up, and, despite the guide ropes, the idea of leaping

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'from battlements seems insane, and against all my natural instincts.'

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Whey! That was a good one.

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Ooooh!

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How was it?

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That's a mix. That was a mixture of scary and fun.

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That's what it's all about.

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I've got to say, climbing is one thing, because obviously you start from the ground.

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You make your way up gradually and get used to it.

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But swinging up from the top of the wall is contrary to every instinct in my body.

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Because you start by looking down!

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That's freaky. But the guys who built the thing in the first place,

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they were working off pretty rudimentary timber scaffolding.

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No safety, no barriers, no health and safety officers.

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-No.

-You wonder how many people lost their lives building something like this.

-Yeah.

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Good for them. Right. On which note...

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'It was tough enough for the masons themselves to get up to this height.

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'But no medieval invader could possibly have gone over or around these walls.

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'Invaders had worked out that, if they couldn't overthrow a castle

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'by going over the walls, they could go under them.

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'A tunnel would be dug beneath the corners of square towers.

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'This would be propped and packed with kindling, and set on fire, collapsing the tower.

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'To remove vulnerable corners, round and polygonal towers were developed, like those at Caernarfon,

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'which had the added bonus that missiles from catapults tended to ricochet off them.'

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We've climbed halfway up the Queen's Tower now.

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And my feet are on the top of three giant bands of coloured stone.

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You can see it's slightly creamier now.

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That stonework isn't just decorative, and these polygonal towers aren't simply defensive.

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They have a much deeper symbolic meaning,

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and the answer to what that is lies 1500 miles away in the ancient Roman city of Constantinople.

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Edward I, who built this castle, saw himself as more than just a king.

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He modelled himself on Constantine, the first Christian emperor of ancient Rome,

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and builder of the great city of Constantinople,

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Europe's largest and wealthiest city throughout the Middle Ages.

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So, by echoing those coloured bands and towers of Constantinople,

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Edward was saying something quite profound.

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He's more than just a king, he's an emperor.

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And this was the latest of his new dominions in an ever-growing empire.

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So, step up and get your Croll higher if it's possible.

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Good.

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There we go.

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-Good effort.

-Nice.

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-Yeah, that worked, didn't it?

-Yeah.

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'It's a great feeling to have made it up this far,

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'but I'm also just glad to have my feet back on solid ground again.

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'All the towers here at Caernarfon performed specific functions.

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'The Well Tower retrieved fresh water from the bedrock.

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'One tower stored and processed grain, another housed the treasury.

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'Others, such as the lookout towers, held more traditional, defensive roles.

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'But the greatest of all has to be the Eagle Tower, which contained the royal apartments,

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'where King Edward intended to stay with Queen Eleanor.

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'Everything about it was designed on a regal scale.'

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-Hello, sir.

-Hello, Jonathan. Welcome to Caernarfon Castle.

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My name's Tristan, I'm the Head Custodian.

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-That's a warmer welcome than I'd have had 700 years ago.

-Absolutely.

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What does Caernarfon mean to the Welsh today?

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It's moved from being a symbol of imperialistic oppression, status of the English,

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to being accepted as part of the Welsh psyche.

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It is a World Heritage Site, and it's gone from being

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what would have been a royal palace to now being part of Caernarfon.

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-Thoroughly absorbed landmark in the fabric of Wales?

-Absolutely.

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But the Eagle Tower is the ultimate symbol of that royal authority, isn't it?

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Absolutely. King Edward brought his heavily pregnant wife across.

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He wanted the next future king to be born in Wales.

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Edward I ensured his eldest son was born at Caernarfon to legitimise his claim over Wales.

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He was later given the title Prince of Wales, since conferred on every first-born royal son.

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Our own Prince Charles was invested here at Caernarfon in 1969.

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-This heir to the throne was born at Caernarfon as a statement of imperial authority?

-Absolutely.

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It was a political statement.

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And that transforms this place from being just a castle

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into both a seat of government as well as a palatial residence?

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Definitely. It's not just a castle, it's a grand palace.

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And here we have a lavish royal apartment.

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-I don't think I've ever seen a beam that big.

-Huge vaulted beams.

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-Beautiful big space.

-It's huge, fit for purpose.

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Massive great big fireplace. We've got en-suite facilities.

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A kitchen.

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-The Privy Kitchen, so that you don't poison the king?

-Absolutely.

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-He's got his own royal cookery.

-Nice.

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What else has he got?

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-Wonderful sea views from the windows that we're coming up against now.

-This one?

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-This one here. A lovely bay window.

-Oh, a window seat! Let's have a look.

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-Charming.

-There we go. Anglesey.

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-Beaumaris over in the distance.

-You can see Beaumaris!

-On a good day.

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-King of all he surveys.

-Absolutely.

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Right, what else has he got, then?

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'They made brilliant use of space

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'and even managed to fit each living area

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'with its own mini chapel.'

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You wash out the holy vessels here?

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That's right, and then obviously the water drains away.

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There are still bits of plaster that can give us an indication

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that the walls and possibly the ceiling would have been lime-washed.

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-I bet this was a little jewel box, this room.

-It would have been quite cosy at the time, I think.

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'Edward spared no expense in providing

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'all the mod cons of the day to the residents of the castle.

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'The kitchens had hot and cold running water, and even a waste disposal unit.

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'Edward's grand designs for Caernarfon almost bankrupted him.

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'Several planned elements to the castle had to be abandoned.'

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How much of the castle was eventually built remains an open question.

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You can see on the north side that inside the walls there are several stories imagined.

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Downstairs there's a whole row of arrow loops

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and then there are corbels, those chunky stones

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just sticking out of the wall to accept a timber floor deck.

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Then, over the top, you see that upside down V-shape on both sides?

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They were built to receive a roof.

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But the regularity of the toothing

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means that those walls that butted up to the tower,

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that formed the inside of those chambers, was never built.

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Had it been built and demolished, it simply wouldn't look as neat.

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Maybe something timber was built there that just rotted away.

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Some questions we'll never have the answers to.

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'At the base of the Eagle Tower

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'there are elegantly cut Gothic arches.

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'These would have taken weeks to construct

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'but, with hundreds of windows to be built, there was simply no time.

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'At Caernarfon, we see introduced a clever French solution.

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'Masons built rounded-off stone shoulders.

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'These supported a straight lintel across the top.

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'This was so successful that an extended version was used

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'for the construction of many of the corridors within the castle.

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'This smart and efficient solution

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'would become a standard feature of later castle design,

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'but it would always be known as the Caernarfon Arch.

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'To really appreciate the design and the strategic layout of this place,

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'I'm going to climb to the very top of the majestic Eagle Tower.'

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Now...

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Remember you can push your jammer up higher if you want to, Jonathan.

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The terminology in climbing!

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-"You can push your jammer up as high as you want to." What's my jammer?

-Sorry, your Jumar.

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My Jumar? Oh, my handle.

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-Is that good?

-Yeah, it just means you can go a bit further...

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I felt my jammer was fully operational there.

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-You're jammin'!

-Yeah!

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Ian, is your jammer in full operational mode?

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There's a window there, I have to be careful about this.

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'The designer of Caernarfon Castle

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'was Master James of St George from Savoy in the Alps.

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'Master James was a visionary architect who'd worked on a number of great European castles.

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'One of the innovations he brought with him from the Continent was the concentric castle.'

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To understand where Caernarfon comes from and the brilliance of Master James of St George,

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we need to wind it back a bit

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and understand what castle design was like in the couple of centuries leading up to Caernarfon.

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Lucy, I need my drawing pad, please.

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Time to draw at this point.

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Thank you so much, that's great.

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Righty.

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Let's start here.

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After the Norman Conquest,

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a Britain which didn't really have many stone castles,

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a typical castle was something like this.

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It's called a motte-and-bailey.

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And you have a castle on a hill...

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Motte...

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..is not the word for a moat but for a mound

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and then the bailey is at the bottom of the mound

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and that's where the little ancillary buildings would be.

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So, a motte-and-bailey castle.

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In the 12th century, we make a move toward concentric castles.

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'The main tower would be surrounded by walls for extra defence.

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'Caernarfon goes even further.

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'The central tower or keep is done away with.

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'The town itself is within this concentric castle

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'and its towers are so strong and fine they could double up as living areas for the king's subjects.'

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It's a very brilliant solution.

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HE GROANS

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-Are you managing?

-Just about.

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I'm holding on by what feels like my toenails.

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'That's the first stage of the Eagle Tower complete, but I still need to scale one of its three turrets,

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'which will take us to the very highest point of the castle.'

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That is quite...beautiful.

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At Caernarfon, Master James made best use of the natural defences.

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The river runs to the south of the castle and opens out onto that estuary with Anglesey beyond.

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But from the land entrance you arrive at the town before the castle.

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The town itself is defended by a circuit of wall

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snaking around the outside, with gatehouses and defensible posterns.

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You have to get through that before you arrive at the castle itself.

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In that respect, Edward I was the first king to build a fully fortified town.

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Well done. HE LAUGHS

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-I lose so many points on the dismount!

-Beautiful.

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Just like a baby elephant.

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-That is some view.

-It's pretty amazing, yeah.

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I feel quite privileged to be up here.

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On top of the Eagle Tower you come face to face

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with the eagles that gave this tower its name.

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They're pretty weathered, they don't look much, but they're important evidence for Edward I's self-image,

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using this symbol of Ancient Roman imperial grandeur to show his own ambitions as an emperor.

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'As well as the eagles, there are carved heads all along the battlements.

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'At first glance the stone heads may have looked like helmeted soldiers

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'and deterred would-be attackers.

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'On permanent lookout, they certainly symbolise the strength of the royal garrison within.

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'You'd have thought that only the foolhardy would have attacked this monster of a castle

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'but in 1293 Welsh rebels, resentful of the occupation of their country by the English,

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'lay siege to Caernarfon.

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'Under the command of Madog ap Llywelyn,

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'hundreds of Welsh rebels attacked the north face of the castle,

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'which was still under construction.'

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We're on the highest point of the castle on the west side

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and we need to get to where the invaders broke in in the 1290s on the north.

0:21:250:21:29

-What have you got lined up?

-As I said, I've got a little plan for you.

0:21:290:21:34

-We've done lots of climbing and I think your arms need a rest.

-They do.

0:21:340:21:37

So I've got this zip-line rigged up for you and you can swing down

0:21:370:21:40

and it's a really quick way to get to the other tower.

0:21:400:21:43

I'm off. Right, attack.

0:21:450:21:47

Wahey!

0:21:520:21:54

That's marvellous.

0:21:540:21:56

Whey! Awesome.

0:21:560:21:57

It's actually incredibly exciting.

0:21:580:22:00

You get a seagull's-eye view of Caernarfon.

0:22:000:22:04

Not something I expected to do.

0:22:040:22:07

OK?

0:22:080:22:09

Right, I'm going.

0:22:090:22:11

-One, two, three...

-Go on, Luce.

0:22:110:22:13

-Whoo-hoo!

-She's so gung-ho.

0:22:140:22:16

Wheee! HE LAUGHS

0:22:160:22:19

Awesome!

0:22:200:22:22

Oh, that was amazing!

0:22:220:22:25

Oh, wow, I'm buzzing.

0:22:250:22:28

-Welcome.

-Yeah.

-Wow, that was...

-I loved your impressive launch.

0:22:310:22:36

It seemed like the easiest way to go.

0:22:360:22:39

It's brilliant, this place is quite gob-smacking.

0:22:430:22:46

When the Welsh attacked in 1293, this side of the castle wasn't here.

0:22:480:22:53

Only the town walls and a deep ditch were protecting the north side.

0:22:540:22:59

The Welsh exploited this Achilles heel

0:22:590:23:01

and Madog's forces overran an occupied Caernarfon for several months.

0:23:010:23:06

The English managed to regain control and they set about fortifying the north side.

0:23:070:23:13

An embarrassed King Edward was paranoid about further attacks

0:23:130:23:17

and so it was important to get this north side built as quickly as possible.

0:23:170:23:21

The coloured banding on the south side went out the window here.

0:23:210:23:24

It wasn't about exterior decoration, it was about protecting the castle as quickly as possible.

0:23:240:23:30

Master James's instructions were to turn the weakest part of the castle into the strongest.

0:23:300:23:35

To do that he used a mixture of brute force, architectural cunning and refinement in execution.

0:23:350:23:41

Edward I wanted to build the strongest fortress he possibly could.

0:23:430:23:47

The king's desire to avoid any more military humiliation led to another ingenious innovation.

0:23:470:23:54

This is the machine gun of the medieval period.

0:23:540:23:58

As you see, three archers could shoot all simultaneously out of the one slit so you'd have a crossfire.

0:23:580:24:05

-It looks like three windows from the inside.

-That's what it is, but from the outside, it looks like one.

0:24:050:24:11

Three fellows could work in synchronicity.

0:24:110:24:14

-Yep. A medieval machine gun.

-Very clever, very nasty.

0:24:140:24:17

It is. This was the machine that would have been used.

0:24:170:24:20

As you can see, a deadly weapon, and penetration...

0:24:200:24:25

-You're making me nervous because you may kill some tourists if you go any further.

-Yes, a bit scary.

0:24:250:24:31

Let's put that down. This is more my line.

0:24:310:24:34

I'll just replace this one.

0:24:350:24:37

Robin of Sherwood.

0:24:370:24:39

-Thank you, Jonathan!

-Thank you very much.

0:24:390:24:42

Here we are. Low-tech as it is, we'll get some idea of how it works.

0:24:420:24:47

Draw...and loose!

0:24:470:24:49

'Well, you get the idea.

0:24:490:24:51

'But 700 years ago there could have been volleys of 1000 arrows per minute

0:24:530:24:57

'shooting out of the castle at every conceivable angle.

0:24:570:25:01

'Any would-be invaders would have simply been cut to ribbons.

0:25:010:25:04

'It's with some trepidation that I approach the final stage of our journey.

0:25:100:25:15

'A decidedly unnerving descent past the grand entrance of the King's Gate.'

0:25:160:25:21

-Here we go.

-Well done, you're doing brilliantly.

0:25:250:25:28

'My stomach is churning, although perhaps far less so

0:25:280:25:32

'than that of any army faced with the defences we're about to see.'

0:25:320:25:35

Now for the sinking.

0:25:410:25:42

Just sit down on it. You're going to have to put your weight on it.

0:25:450:25:48

Brilliant, well done.

0:25:480:25:51

It's not what you want to do first thing in the morning.

0:25:510:25:54

Not first thing, maybe not even second.

0:25:540:25:56

You just do whatever you want. That's it.

0:26:000:26:04

-Whoo...

-You're doing fine.

0:26:080:26:11

I'm being very delicate because I don't want to touch this sculpture.

0:26:130:26:17

Anything to my mind that's cut by human hand and eye into a meaningful shape

0:26:170:26:23

I really don't want to get too close to,

0:26:230:26:26

but to see it at this distance is fantastic.

0:26:260:26:28

You just don't see major medieval sculpture like this.

0:26:280:26:31

Oh, wow.

0:26:310:26:33

-HE LAUGHS

-He's seen better days, hasn't he?

0:26:330:26:36

He's held together with bronze pins,

0:26:360:26:38

he's like a racing driver after a bad accident,

0:26:380:26:41

but this is a 1321 sculpture of the man who would be Edward II.

0:26:410:26:47

'By placing a statue of his son here, right on this powerful entrance,

0:26:470:26:52

'Edward I was reaffirming that this was the seat of a great regal dynasty.

0:26:520:26:57

'Built into the walls just below Edward II's statue

0:26:590:27:03

'lies a devastating array of medieval defences.'

0:27:030:27:06

It's quite amazing, it's really complex the way that these defences are integrated in the one gate.

0:27:060:27:11

You have the first of five portcullises sliding down here.

0:27:110:27:15

You can see the groove there in the stone, it goes all the way down to the ground,

0:27:150:27:20

but then there are murder holes right above you.

0:27:200:27:23

Any kind of substance or weapon or arrows

0:27:230:27:27

could be raining down from there,

0:27:270:27:29

and then you've got arrow slits everywhere.

0:27:290:27:32

You would not stand a chance.

0:27:320:27:35

'The castle was attacked again in 1304

0:27:350:27:38

'but it's thought that, with the newly erected defensive wall,

0:27:380:27:41

'over 300 soldiers were held off by only 28 castle guards.

0:27:410:27:46

'Ultimately advances in modern warfare such as cannons

0:27:480:27:52

'rendered castles like this obsolete.

0:27:520:27:54

'Because Caernarfon Castle stood as a symbol of the monarchy,

0:27:560:27:59

'following the Civil War, Parliament ordered it to be demolished.

0:27:590:28:03

'But such was its sheer scale, it proved too difficult to dismantle and they gave up.

0:28:030:28:08

'Here it stands, 700 years later and as formidable as ever.

0:28:120:28:16

'A fitting monument to a powerful warrior king

0:28:160:28:19

'and a brilliant architect.

0:28:190:28:21

'Next time we see how the Black Death devastated the population of Britain

0:28:250:28:29

'but also inspired a blueprint for university buildings

0:28:290:28:33

'at New College, Oxford.'

0:28:330:28:34

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