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I'm 100ft up the Eagle Tower at Caernarfon Castle. | 0:00:02 | 0:00:06 | |
700 years ago, Welsh rebels tried to invade the castle by scaling these magnificent walls. | 0:00:06 | 0:00:12 | |
Believe me, they didn't get very far. | 0:00:12 | 0:00:14 | |
This is Climbing Great Buildings, | 0:00:16 | 0:00:18 | |
and throughout the series I'll be scaling our most iconic structures, from the Normans to the present day. | 0:00:18 | 0:00:24 | |
I'll be revealing the buildings' secrets, and telling the story | 0:00:24 | 0:00:27 | |
of how British architecture and construction developed over 1000 years. | 0:00:27 | 0:00:32 | |
Caernarfon Castle, in the north-western corner of Wales, | 0:00:39 | 0:00:42 | |
is a magnificent example of medieval castle-building. | 0:00:42 | 0:00:46 | |
Work began here over 700 years ago, in 1283. | 0:00:47 | 0:00:51 | |
It's just one of many in an iron ring of castles | 0:00:52 | 0:00:55 | |
that King Edward I of England built | 0:00:55 | 0:00:58 | |
to stamp his authority on the rebellious Welsh people. | 0:00:58 | 0:01:01 | |
I'm going to climb this monster, not only to reveal the secrets of its construction, | 0:01:01 | 0:01:06 | |
but to find out about its advances in medieval technology, | 0:01:06 | 0:01:09 | |
so we can understand what it took to defend, and attack, this place. | 0:01:09 | 0:01:14 | |
'But I won't be going it alone. I'll be aided by Lucy Creamer, | 0:01:15 | 0:01:18 | |
'one of Britain's best climbers, and her team of riggers, | 0:01:18 | 0:01:22 | |
'along with fearless cameraman Ian Burton. | 0:01:22 | 0:01:26 | |
'My climbing skills will be tested as I scramble up these walls, | 0:01:28 | 0:01:31 | |
'to discover the brilliance behind the layout of this structure.' | 0:01:31 | 0:01:35 | |
-I'm grabbing hold of anything I can reach! -Anything that's available! | 0:01:35 | 0:01:39 | |
'I'll do whatever it takes to get closer to the secrets of its construction.' | 0:01:42 | 0:01:46 | |
That was a mixture of scary and fun. | 0:01:46 | 0:01:49 | |
'And I'll be attacking the King's Gate, a defensive barrier | 0:01:50 | 0:01:54 | |
'that was so ingenious and brutal it struck fear into the hearts of its enemies, as well as mine.' | 0:01:54 | 0:02:00 | |
Yes. so one bacon sandwich down today, and...I may see it again. Who knows? | 0:02:00 | 0:02:05 | |
'I'm going to begin my climb on the south wall of the castle. | 0:02:06 | 0:02:09 | |
'It's a sheer cliff of masonry, as daunting an obstacle today | 0:02:09 | 0:02:13 | |
'as it would have been during the reign of Edward I, over 700 years ago.' | 0:02:13 | 0:02:18 | |
The Welsh were a fearsome opposition, so Edward knew he had to build castles | 0:02:18 | 0:02:22 | |
which were bigger, stronger, more technologically advanced than ever before. | 0:02:22 | 0:02:26 | |
Caernarfon is built off solid bedrock. | 0:02:26 | 0:02:29 | |
There's no better place to understand exactly how it met Edward's needs | 0:02:29 | 0:02:34 | |
than to look at the walls. | 0:02:34 | 0:02:36 | |
HE GROANS Start of the day, just getting into it! | 0:02:36 | 0:02:38 | |
Edward chose to flex his muscles by having this stuff quarried. | 0:02:42 | 0:02:45 | |
It's local, sturdy limestone. | 0:02:45 | 0:02:48 | |
Taken out of the ground at Anglesey, | 0:02:48 | 0:02:51 | |
brought over the water in boats by the tens of thousands of tonnes. | 0:02:51 | 0:02:56 | |
These curtain walls, they're unique in Britain at the time, | 0:02:58 | 0:03:01 | |
because they contain passages that run between the towers. | 0:03:01 | 0:03:05 | |
They allow guards to keep a constant lookout. | 0:03:05 | 0:03:08 | |
And they offer valuable protection to archers. | 0:03:08 | 0:03:10 | |
Between the outer wall and the inner wall, it's over six metres thick. | 0:03:10 | 0:03:15 | |
Building Caernarfon Castle was a massively ambitious thing to do. | 0:03:17 | 0:03:21 | |
It's not just a matter of manpower, it's about getting the right balance | 0:03:21 | 0:03:25 | |
of specialist engineering and construction skills on site. | 0:03:25 | 0:03:30 | |
Edward scoured 32 English counties for the best masons and master masons, | 0:03:30 | 0:03:34 | |
quarrymen, joiners, carpenters, barrowmen, | 0:03:34 | 0:03:38 | |
and brought 2000 of them here to work on his new castle. | 0:03:38 | 0:03:41 | |
Carrying on the work that never ends, renovating these castle walls, is the current Banker Mason. | 0:03:47 | 0:03:53 | |
How do you rate the work of medieval masons? | 0:03:53 | 0:03:56 | |
Fantastic. | 0:03:56 | 0:03:58 | |
You look at these buildings and you think to yourself, | 0:03:58 | 0:04:01 | |
wow, it's unbelievable what they did with simple, basic tools. | 0:04:01 | 0:04:06 | |
How many feet of this kind of carving do you reckon you do a day? | 0:04:06 | 0:04:09 | |
One, maybe two maximum. | 0:04:09 | 0:04:11 | |
-One or two feet? -Yes. -Times... | 0:04:11 | 0:04:14 | |
-Yeah, I get the picture. It's a big job. -Yep, it is a big job. | 0:04:14 | 0:04:18 | |
'Those highly-skilled workers were well paid for their talents, as original payrolls show.' | 0:04:18 | 0:04:23 | |
These tell you all about the people that worked on Caernarfon Castle, | 0:04:23 | 0:04:26 | |
and how much they were paid per week. | 0:04:26 | 0:04:29 | |
And some of the little jobs that they did. | 0:04:29 | 0:04:31 | |
Let's get to know them, shall we? Who are these people? | 0:04:31 | 0:04:33 | |
These are the top masons, and these are getting paid the most amount of money. | 0:04:33 | 0:04:37 | |
You can see here, the master mason is there being paid | 0:04:37 | 0:04:41 | |
14 shillings for the week, which is a nice healthy sum. | 0:04:41 | 0:04:44 | |
14 shillings a week? That's a lot of money then. | 0:04:44 | 0:04:47 | |
-These must be the equivalent of City bankers' wages? -Pretty much, yes. | 0:04:47 | 0:04:51 | |
-Craft-based fat cats! -Something like that, yes. | 0:04:51 | 0:04:54 | |
But I think he was very skilled, so it was worthwhile. | 0:04:54 | 0:04:57 | |
The next rank down, these are the layers and the setters. | 0:04:57 | 0:05:00 | |
So these are still masons, they're still quite skilled, but they're not quite there at the top ranks yet. | 0:05:00 | 0:05:06 | |
They're being paid two shillings one pence for a week, | 0:05:06 | 0:05:09 | |
and the bottom one here is being paid 23 pence and half a pence. | 0:05:09 | 0:05:13 | |
So, just under two shillings. | 0:05:13 | 0:05:15 | |
-It's an enormous range, isn't it? It shows the career ladder. -Yes. | 0:05:15 | 0:05:18 | |
-Simply in masonry, and how elevated that status was. -Yes. -Once you got to the top. -Absolutely. | 0:05:18 | 0:05:23 | |
Are there any surnames which tell us where these guys came from? | 0:05:23 | 0:05:26 | |
Well, there's Robert de Stoke, John de Cheddar. | 0:05:26 | 0:05:30 | |
So I think you can get some kind of idea that they are coming from all over the place. | 0:05:30 | 0:05:36 | |
So, Luce, tell me about this thing. What are you looking for? | 0:05:43 | 0:05:45 | |
Well, I'm looking for really big hand-holds, and I reckon this would be the one I'd go for. | 0:05:45 | 0:05:50 | |
Just climb up here like that. | 0:05:50 | 0:05:53 | |
Scaling castles made easy. | 0:05:53 | 0:05:54 | |
Now, what Lucy describes as her favourite hand-hold | 0:05:54 | 0:05:57 | |
is known to many as an arrow loop, and of course they're standard parts of castle design. | 0:05:57 | 0:06:02 | |
And the trick is to fire at people without being fired back on in return. | 0:06:02 | 0:06:07 | |
Check that one out, Ian, straight ahead of you. | 0:06:07 | 0:06:10 | |
Now, Caernarfon sees some major innovations in arrow-loop design, | 0:06:10 | 0:06:14 | |
which makes them more like medieval machine guns. | 0:06:14 | 0:06:17 | |
I'll show you those later. | 0:06:17 | 0:06:19 | |
-I'm just grabbing hold of anything I can reach at this point! -Anything that's available! | 0:06:19 | 0:06:24 | |
-Well done, Jonathan. -Thanks, Luce! | 0:06:26 | 0:06:28 | |
Good effort. | 0:06:28 | 0:06:30 | |
-Well done, you. -And you. | 0:06:32 | 0:06:34 | |
You did well, first top-out. | 0:06:34 | 0:06:36 | |
Well, that's invaded that. What are we going to do next?! | 0:06:36 | 0:06:40 | |
That wasn't so bad, actually. | 0:06:40 | 0:06:42 | |
It was worth it for the view, Luce, wasn't it? | 0:06:42 | 0:06:44 | |
There are 13 towers at Caernarfon, and I'm about to swing out onto the Queen's Tower to get a closer look | 0:06:50 | 0:06:55 | |
at its unusual design and decoration. | 0:06:55 | 0:06:58 | |
Here we go. | 0:06:58 | 0:07:00 | |
Cool! | 0:07:03 | 0:07:04 | |
That was fun! | 0:07:04 | 0:07:06 | |
'I'm 70ft up, and, despite the guide ropes, the idea of leaping | 0:07:07 | 0:07:10 | |
'from battlements seems insane, and against all my natural instincts.' | 0:07:10 | 0:07:15 | |
Whey! That was a good one. | 0:07:16 | 0:07:19 | |
Ooooh! | 0:07:19 | 0:07:21 | |
How was it? | 0:07:21 | 0:07:24 | |
That's a mix. That was a mixture of scary and fun. | 0:07:24 | 0:07:28 | |
That's what it's all about. | 0:07:30 | 0:07:32 | |
I've got to say, climbing is one thing, because obviously you start from the ground. | 0:07:32 | 0:07:37 | |
You make your way up gradually and get used to it. | 0:07:37 | 0:07:40 | |
But swinging up from the top of the wall is contrary to every instinct in my body. | 0:07:40 | 0:07:45 | |
Because you start by looking down! | 0:07:45 | 0:07:48 | |
That's freaky. But the guys who built the thing in the first place, | 0:07:48 | 0:07:51 | |
they were working off pretty rudimentary timber scaffolding. | 0:07:51 | 0:07:54 | |
No safety, no barriers, no health and safety officers. | 0:07:54 | 0:07:57 | |
-No. -You wonder how many people lost their lives building something like this. -Yeah. | 0:07:57 | 0:08:02 | |
Good for them. Right. On which note... | 0:08:02 | 0:08:05 | |
'It was tough enough for the masons themselves to get up to this height. | 0:08:07 | 0:08:11 | |
'But no medieval invader could possibly have gone over or around these walls. | 0:08:11 | 0:08:15 | |
'Invaders had worked out that, if they couldn't overthrow a castle | 0:08:17 | 0:08:20 | |
'by going over the walls, they could go under them. | 0:08:20 | 0:08:24 | |
'A tunnel would be dug beneath the corners of square towers. | 0:08:24 | 0:08:27 | |
'This would be propped and packed with kindling, and set on fire, collapsing the tower. | 0:08:27 | 0:08:32 | |
'To remove vulnerable corners, round and polygonal towers were developed, like those at Caernarfon, | 0:08:34 | 0:08:39 | |
'which had the added bonus that missiles from catapults tended to ricochet off them.' | 0:08:39 | 0:08:44 | |
We've climbed halfway up the Queen's Tower now. | 0:08:45 | 0:08:49 | |
And my feet are on the top of three giant bands of coloured stone. | 0:08:49 | 0:08:54 | |
You can see it's slightly creamier now. | 0:08:54 | 0:08:57 | |
That stonework isn't just decorative, and these polygonal towers aren't simply defensive. | 0:08:57 | 0:09:03 | |
They have a much deeper symbolic meaning, | 0:09:03 | 0:09:05 | |
and the answer to what that is lies 1500 miles away in the ancient Roman city of Constantinople. | 0:09:05 | 0:09:12 | |
Edward I, who built this castle, saw himself as more than just a king. | 0:09:13 | 0:09:18 | |
He modelled himself on Constantine, the first Christian emperor of ancient Rome, | 0:09:18 | 0:09:23 | |
and builder of the great city of Constantinople, | 0:09:23 | 0:09:25 | |
Europe's largest and wealthiest city throughout the Middle Ages. | 0:09:25 | 0:09:29 | |
So, by echoing those coloured bands and towers of Constantinople, | 0:09:31 | 0:09:36 | |
Edward was saying something quite profound. | 0:09:36 | 0:09:39 | |
He's more than just a king, he's an emperor. | 0:09:39 | 0:09:42 | |
And this was the latest of his new dominions in an ever-growing empire. | 0:09:42 | 0:09:46 | |
So, step up and get your Croll higher if it's possible. | 0:09:53 | 0:09:58 | |
Good. | 0:09:58 | 0:09:59 | |
There we go. | 0:09:59 | 0:10:01 | |
-Good effort. -Nice. | 0:10:01 | 0:10:03 | |
-Yeah, that worked, didn't it? -Yeah. | 0:10:11 | 0:10:14 | |
'It's a great feeling to have made it up this far, | 0:10:16 | 0:10:19 | |
'but I'm also just glad to have my feet back on solid ground again. | 0:10:19 | 0:10:23 | |
'All the towers here at Caernarfon performed specific functions. | 0:10:23 | 0:10:27 | |
'The Well Tower retrieved fresh water from the bedrock. | 0:10:27 | 0:10:31 | |
'One tower stored and processed grain, another housed the treasury. | 0:10:31 | 0:10:35 | |
'Others, such as the lookout towers, held more traditional, defensive roles. | 0:10:35 | 0:10:40 | |
'But the greatest of all has to be the Eagle Tower, which contained the royal apartments, | 0:10:41 | 0:10:46 | |
'where King Edward intended to stay with Queen Eleanor. | 0:10:46 | 0:10:49 | |
'Everything about it was designed on a regal scale.' | 0:10:49 | 0:10:52 | |
-Hello, sir. -Hello, Jonathan. Welcome to Caernarfon Castle. | 0:10:56 | 0:10:58 | |
My name's Tristan, I'm the Head Custodian. | 0:10:58 | 0:11:01 | |
-That's a warmer welcome than I'd have had 700 years ago. -Absolutely. | 0:11:01 | 0:11:04 | |
What does Caernarfon mean to the Welsh today? | 0:11:07 | 0:11:11 | |
It's moved from being a symbol of imperialistic oppression, status of the English, | 0:11:11 | 0:11:17 | |
to being accepted as part of the Welsh psyche. | 0:11:17 | 0:11:20 | |
It is a World Heritage Site, and it's gone from being | 0:11:20 | 0:11:23 | |
what would have been a royal palace to now being part of Caernarfon. | 0:11:23 | 0:11:26 | |
-Thoroughly absorbed landmark in the fabric of Wales? -Absolutely. | 0:11:26 | 0:11:29 | |
But the Eagle Tower is the ultimate symbol of that royal authority, isn't it? | 0:11:29 | 0:11:33 | |
Absolutely. King Edward brought his heavily pregnant wife across. | 0:11:33 | 0:11:38 | |
He wanted the next future king to be born in Wales. | 0:11:38 | 0:11:41 | |
Edward I ensured his eldest son was born at Caernarfon to legitimise his claim over Wales. | 0:11:43 | 0:11:47 | |
He was later given the title Prince of Wales, since conferred on every first-born royal son. | 0:11:48 | 0:11:54 | |
Our own Prince Charles was invested here at Caernarfon in 1969. | 0:11:55 | 0:12:00 | |
-This heir to the throne was born at Caernarfon as a statement of imperial authority? -Absolutely. | 0:12:02 | 0:12:09 | |
It was a political statement. | 0:12:09 | 0:12:10 | |
And that transforms this place from being just a castle | 0:12:10 | 0:12:14 | |
into both a seat of government as well as a palatial residence? | 0:12:14 | 0:12:19 | |
Definitely. It's not just a castle, it's a grand palace. | 0:12:19 | 0:12:23 | |
And here we have a lavish royal apartment. | 0:12:28 | 0:12:31 | |
-I don't think I've ever seen a beam that big. -Huge vaulted beams. | 0:12:31 | 0:12:35 | |
-Beautiful big space. -It's huge, fit for purpose. | 0:12:35 | 0:12:38 | |
Massive great big fireplace. We've got en-suite facilities. | 0:12:38 | 0:12:42 | |
A kitchen. | 0:12:42 | 0:12:43 | |
-The Privy Kitchen, so that you don't poison the king? -Absolutely. | 0:12:43 | 0:12:47 | |
-He's got his own royal cookery. -Nice. | 0:12:47 | 0:12:50 | |
What else has he got? | 0:12:50 | 0:12:52 | |
-Wonderful sea views from the windows that we're coming up against now. -This one? | 0:12:52 | 0:12:56 | |
-This one here. A lovely bay window. -Oh, a window seat! Let's have a look. | 0:12:56 | 0:13:00 | |
-Charming. -There we go. Anglesey. | 0:13:02 | 0:13:04 | |
-Beaumaris over in the distance. -You can see Beaumaris! -On a good day. | 0:13:04 | 0:13:08 | |
-King of all he surveys. -Absolutely. | 0:13:08 | 0:13:11 | |
Right, what else has he got, then? | 0:13:11 | 0:13:14 | |
'They made brilliant use of space | 0:13:14 | 0:13:16 | |
'and even managed to fit each living area | 0:13:16 | 0:13:18 | |
'with its own mini chapel.' | 0:13:18 | 0:13:20 | |
You wash out the holy vessels here? | 0:13:20 | 0:13:22 | |
That's right, and then obviously the water drains away. | 0:13:22 | 0:13:25 | |
There are still bits of plaster that can give us an indication | 0:13:25 | 0:13:28 | |
that the walls and possibly the ceiling would have been lime-washed. | 0:13:28 | 0:13:31 | |
-I bet this was a little jewel box, this room. -It would have been quite cosy at the time, I think. | 0:13:31 | 0:13:37 | |
'Edward spared no expense in providing | 0:13:39 | 0:13:42 | |
'all the mod cons of the day to the residents of the castle. | 0:13:42 | 0:13:45 | |
'The kitchens had hot and cold running water, and even a waste disposal unit. | 0:13:45 | 0:13:51 | |
'Edward's grand designs for Caernarfon almost bankrupted him. | 0:13:52 | 0:13:56 | |
'Several planned elements to the castle had to be abandoned.' | 0:13:56 | 0:14:00 | |
How much of the castle was eventually built remains an open question. | 0:14:03 | 0:14:06 | |
You can see on the north side that inside the walls there are several stories imagined. | 0:14:06 | 0:14:11 | |
Downstairs there's a whole row of arrow loops | 0:14:11 | 0:14:14 | |
and then there are corbels, those chunky stones | 0:14:14 | 0:14:17 | |
just sticking out of the wall to accept a timber floor deck. | 0:14:17 | 0:14:21 | |
Then, over the top, you see that upside down V-shape on both sides? | 0:14:21 | 0:14:26 | |
They were built to receive a roof. | 0:14:26 | 0:14:28 | |
But the regularity of the toothing | 0:14:28 | 0:14:30 | |
means that those walls that butted up to the tower, | 0:14:30 | 0:14:34 | |
that formed the inside of those chambers, was never built. | 0:14:34 | 0:14:37 | |
Had it been built and demolished, it simply wouldn't look as neat. | 0:14:37 | 0:14:41 | |
Maybe something timber was built there that just rotted away. | 0:14:41 | 0:14:44 | |
Some questions we'll never have the answers to. | 0:14:44 | 0:14:47 | |
'At the base of the Eagle Tower | 0:14:52 | 0:14:53 | |
'there are elegantly cut Gothic arches. | 0:14:53 | 0:14:56 | |
'These would have taken weeks to construct | 0:14:59 | 0:15:01 | |
'but, with hundreds of windows to be built, there was simply no time. | 0:15:01 | 0:15:05 | |
'At Caernarfon, we see introduced a clever French solution. | 0:15:07 | 0:15:11 | |
'Masons built rounded-off stone shoulders. | 0:15:11 | 0:15:14 | |
'These supported a straight lintel across the top. | 0:15:14 | 0:15:18 | |
'This was so successful that an extended version was used | 0:15:20 | 0:15:23 | |
'for the construction of many of the corridors within the castle. | 0:15:23 | 0:15:26 | |
'This smart and efficient solution | 0:15:26 | 0:15:28 | |
'would become a standard feature of later castle design, | 0:15:28 | 0:15:31 | |
'but it would always be known as the Caernarfon Arch. | 0:15:31 | 0:15:36 | |
'To really appreciate the design and the strategic layout of this place, | 0:15:36 | 0:15:40 | |
'I'm going to climb to the very top of the majestic Eagle Tower.' | 0:15:40 | 0:15:44 | |
Now... | 0:15:48 | 0:15:49 | |
Remember you can push your jammer up higher if you want to, Jonathan. | 0:15:58 | 0:16:05 | |
The terminology in climbing! | 0:16:06 | 0:16:08 | |
-"You can push your jammer up as high as you want to." What's my jammer? -Sorry, your Jumar. | 0:16:08 | 0:16:13 | |
My Jumar? Oh, my handle. | 0:16:13 | 0:16:15 | |
-Is that good? -Yeah, it just means you can go a bit further... | 0:16:16 | 0:16:19 | |
I felt my jammer was fully operational there. | 0:16:19 | 0:16:23 | |
-You're jammin'! -Yeah! | 0:16:23 | 0:16:24 | |
Ian, is your jammer in full operational mode? | 0:16:24 | 0:16:29 | |
There's a window there, I have to be careful about this. | 0:16:29 | 0:16:32 | |
'The designer of Caernarfon Castle | 0:16:32 | 0:16:35 | |
'was Master James of St George from Savoy in the Alps. | 0:16:35 | 0:16:38 | |
'Master James was a visionary architect who'd worked on a number of great European castles. | 0:16:38 | 0:16:44 | |
'One of the innovations he brought with him from the Continent was the concentric castle.' | 0:16:44 | 0:16:49 | |
To understand where Caernarfon comes from and the brilliance of Master James of St George, | 0:16:50 | 0:16:56 | |
we need to wind it back a bit | 0:16:56 | 0:16:57 | |
and understand what castle design was like in the couple of centuries leading up to Caernarfon. | 0:16:57 | 0:17:03 | |
Lucy, I need my drawing pad, please. | 0:17:03 | 0:17:06 | |
Time to draw at this point. | 0:17:06 | 0:17:07 | |
Thank you so much, that's great. | 0:17:07 | 0:17:09 | |
Righty. | 0:17:09 | 0:17:11 | |
Let's start here. | 0:17:12 | 0:17:14 | |
After the Norman Conquest, | 0:17:14 | 0:17:16 | |
a Britain which didn't really have many stone castles, | 0:17:16 | 0:17:20 | |
a typical castle was something like this. | 0:17:20 | 0:17:25 | |
It's called a motte-and-bailey. | 0:17:25 | 0:17:29 | |
And you have a castle on a hill... | 0:17:29 | 0:17:31 | |
Motte... | 0:17:33 | 0:17:34 | |
..is not the word for a moat but for a mound | 0:17:36 | 0:17:39 | |
and then the bailey is at the bottom of the mound | 0:17:39 | 0:17:43 | |
and that's where the little ancillary buildings would be. | 0:17:43 | 0:17:46 | |
So, a motte-and-bailey castle. | 0:17:46 | 0:17:50 | |
In the 12th century, we make a move toward concentric castles. | 0:17:50 | 0:17:55 | |
'The main tower would be surrounded by walls for extra defence. | 0:17:57 | 0:18:01 | |
'Caernarfon goes even further. | 0:18:01 | 0:18:03 | |
'The central tower or keep is done away with. | 0:18:03 | 0:18:07 | |
'The town itself is within this concentric castle | 0:18:07 | 0:18:10 | |
'and its towers are so strong and fine they could double up as living areas for the king's subjects.' | 0:18:10 | 0:18:16 | |
It's a very brilliant solution. | 0:18:16 | 0:18:19 | |
HE GROANS | 0:18:19 | 0:18:21 | |
-Are you managing? -Just about. | 0:18:22 | 0:18:24 | |
I'm holding on by what feels like my toenails. | 0:18:24 | 0:18:27 | |
'That's the first stage of the Eagle Tower complete, but I still need to scale one of its three turrets, | 0:18:30 | 0:18:36 | |
'which will take us to the very highest point of the castle.' | 0:18:36 | 0:18:39 | |
That is quite...beautiful. | 0:18:53 | 0:18:56 | |
At Caernarfon, Master James made best use of the natural defences. | 0:18:59 | 0:19:04 | |
The river runs to the south of the castle and opens out onto that estuary with Anglesey beyond. | 0:19:04 | 0:19:10 | |
But from the land entrance you arrive at the town before the castle. | 0:19:10 | 0:19:14 | |
The town itself is defended by a circuit of wall | 0:19:14 | 0:19:17 | |
snaking around the outside, with gatehouses and defensible posterns. | 0:19:17 | 0:19:22 | |
You have to get through that before you arrive at the castle itself. | 0:19:22 | 0:19:27 | |
In that respect, Edward I was the first king to build a fully fortified town. | 0:19:27 | 0:19:32 | |
Well done. HE LAUGHS | 0:19:37 | 0:19:39 | |
-I lose so many points on the dismount! -Beautiful. | 0:19:40 | 0:19:44 | |
Just like a baby elephant. | 0:19:44 | 0:19:47 | |
-That is some view. -It's pretty amazing, yeah. | 0:19:58 | 0:20:02 | |
I feel quite privileged to be up here. | 0:20:02 | 0:20:05 | |
On top of the Eagle Tower you come face to face | 0:20:18 | 0:20:21 | |
with the eagles that gave this tower its name. | 0:20:21 | 0:20:24 | |
They're pretty weathered, they don't look much, but they're important evidence for Edward I's self-image, | 0:20:24 | 0:20:30 | |
using this symbol of Ancient Roman imperial grandeur to show his own ambitions as an emperor. | 0:20:30 | 0:20:36 | |
'As well as the eagles, there are carved heads all along the battlements. | 0:20:38 | 0:20:42 | |
'At first glance the stone heads may have looked like helmeted soldiers | 0:20:42 | 0:20:47 | |
'and deterred would-be attackers. | 0:20:47 | 0:20:49 | |
'On permanent lookout, they certainly symbolise the strength of the royal garrison within. | 0:20:49 | 0:20:55 | |
'You'd have thought that only the foolhardy would have attacked this monster of a castle | 0:20:57 | 0:21:01 | |
'but in 1293 Welsh rebels, resentful of the occupation of their country by the English, | 0:21:01 | 0:21:07 | |
'lay siege to Caernarfon. | 0:21:07 | 0:21:08 | |
'Under the command of Madog ap Llywelyn, | 0:21:10 | 0:21:13 | |
'hundreds of Welsh rebels attacked the north face of the castle, | 0:21:13 | 0:21:16 | |
'which was still under construction.' | 0:21:16 | 0:21:19 | |
We're on the highest point of the castle on the west side | 0:21:21 | 0:21:25 | |
and we need to get to where the invaders broke in in the 1290s on the north. | 0:21:25 | 0:21:29 | |
-What have you got lined up? -As I said, I've got a little plan for you. | 0:21:29 | 0:21:34 | |
-We've done lots of climbing and I think your arms need a rest. -They do. | 0:21:34 | 0:21:37 | |
So I've got this zip-line rigged up for you and you can swing down | 0:21:37 | 0:21:40 | |
and it's a really quick way to get to the other tower. | 0:21:40 | 0:21:43 | |
I'm off. Right, attack. | 0:21:45 | 0:21:47 | |
Wahey! | 0:21:52 | 0:21:54 | |
That's marvellous. | 0:21:54 | 0:21:56 | |
Whey! Awesome. | 0:21:56 | 0:21:57 | |
It's actually incredibly exciting. | 0:21:58 | 0:22:00 | |
You get a seagull's-eye view of Caernarfon. | 0:22:00 | 0:22:04 | |
Not something I expected to do. | 0:22:04 | 0:22:07 | |
OK? | 0:22:08 | 0:22:09 | |
Right, I'm going. | 0:22:09 | 0:22:11 | |
-One, two, three... -Go on, Luce. | 0:22:11 | 0:22:13 | |
-Whoo-hoo! -She's so gung-ho. | 0:22:14 | 0:22:16 | |
Wheee! HE LAUGHS | 0:22:16 | 0:22:19 | |
Awesome! | 0:22:20 | 0:22:22 | |
Oh, that was amazing! | 0:22:22 | 0:22:25 | |
Oh, wow, I'm buzzing. | 0:22:25 | 0:22:28 | |
-Welcome. -Yeah. -Wow, that was... -I loved your impressive launch. | 0:22:31 | 0:22:36 | |
It seemed like the easiest way to go. | 0:22:36 | 0:22:39 | |
It's brilliant, this place is quite gob-smacking. | 0:22:43 | 0:22:46 | |
When the Welsh attacked in 1293, this side of the castle wasn't here. | 0:22:48 | 0:22:53 | |
Only the town walls and a deep ditch were protecting the north side. | 0:22:54 | 0:22:59 | |
The Welsh exploited this Achilles heel | 0:22:59 | 0:23:01 | |
and Madog's forces overran an occupied Caernarfon for several months. | 0:23:01 | 0:23:06 | |
The English managed to regain control and they set about fortifying the north side. | 0:23:07 | 0:23:13 | |
An embarrassed King Edward was paranoid about further attacks | 0:23:13 | 0:23:17 | |
and so it was important to get this north side built as quickly as possible. | 0:23:17 | 0:23:21 | |
The coloured banding on the south side went out the window here. | 0:23:21 | 0:23:24 | |
It wasn't about exterior decoration, it was about protecting the castle as quickly as possible. | 0:23:24 | 0:23:30 | |
Master James's instructions were to turn the weakest part of the castle into the strongest. | 0:23:30 | 0:23:35 | |
To do that he used a mixture of brute force, architectural cunning and refinement in execution. | 0:23:35 | 0:23:41 | |
Edward I wanted to build the strongest fortress he possibly could. | 0:23:43 | 0:23:47 | |
The king's desire to avoid any more military humiliation led to another ingenious innovation. | 0:23:47 | 0:23:54 | |
This is the machine gun of the medieval period. | 0:23:54 | 0:23:58 | |
As you see, three archers could shoot all simultaneously out of the one slit so you'd have a crossfire. | 0:23:58 | 0:24:05 | |
-It looks like three windows from the inside. -That's what it is, but from the outside, it looks like one. | 0:24:05 | 0:24:11 | |
Three fellows could work in synchronicity. | 0:24:11 | 0:24:14 | |
-Yep. A medieval machine gun. -Very clever, very nasty. | 0:24:14 | 0:24:17 | |
It is. This was the machine that would have been used. | 0:24:17 | 0:24:20 | |
As you can see, a deadly weapon, and penetration... | 0:24:20 | 0:24:25 | |
-You're making me nervous because you may kill some tourists if you go any further. -Yes, a bit scary. | 0:24:25 | 0:24:31 | |
Let's put that down. This is more my line. | 0:24:31 | 0:24:34 | |
I'll just replace this one. | 0:24:35 | 0:24:37 | |
Robin of Sherwood. | 0:24:37 | 0:24:39 | |
-Thank you, Jonathan! -Thank you very much. | 0:24:39 | 0:24:42 | |
Here we are. Low-tech as it is, we'll get some idea of how it works. | 0:24:42 | 0:24:47 | |
Draw...and loose! | 0:24:47 | 0:24:49 | |
'Well, you get the idea. | 0:24:49 | 0:24:51 | |
'But 700 years ago there could have been volleys of 1000 arrows per minute | 0:24:53 | 0:24:57 | |
'shooting out of the castle at every conceivable angle. | 0:24:57 | 0:25:01 | |
'Any would-be invaders would have simply been cut to ribbons. | 0:25:01 | 0:25:04 | |
'It's with some trepidation that I approach the final stage of our journey. | 0:25:10 | 0:25:15 | |
'A decidedly unnerving descent past the grand entrance of the King's Gate.' | 0:25:16 | 0:25:21 | |
-Here we go. -Well done, you're doing brilliantly. | 0:25:25 | 0:25:28 | |
'My stomach is churning, although perhaps far less so | 0:25:28 | 0:25:32 | |
'than that of any army faced with the defences we're about to see.' | 0:25:32 | 0:25:35 | |
Now for the sinking. | 0:25:41 | 0:25:42 | |
Just sit down on it. You're going to have to put your weight on it. | 0:25:45 | 0:25:48 | |
Brilliant, well done. | 0:25:48 | 0:25:51 | |
It's not what you want to do first thing in the morning. | 0:25:51 | 0:25:54 | |
Not first thing, maybe not even second. | 0:25:54 | 0:25:56 | |
You just do whatever you want. That's it. | 0:26:00 | 0:26:04 | |
-Whoo... -You're doing fine. | 0:26:08 | 0:26:11 | |
I'm being very delicate because I don't want to touch this sculpture. | 0:26:13 | 0:26:17 | |
Anything to my mind that's cut by human hand and eye into a meaningful shape | 0:26:17 | 0:26:23 | |
I really don't want to get too close to, | 0:26:23 | 0:26:26 | |
but to see it at this distance is fantastic. | 0:26:26 | 0:26:28 | |
You just don't see major medieval sculpture like this. | 0:26:28 | 0:26:31 | |
Oh, wow. | 0:26:31 | 0:26:33 | |
-HE LAUGHS -He's seen better days, hasn't he? | 0:26:33 | 0:26:36 | |
He's held together with bronze pins, | 0:26:36 | 0:26:38 | |
he's like a racing driver after a bad accident, | 0:26:38 | 0:26:41 | |
but this is a 1321 sculpture of the man who would be Edward II. | 0:26:41 | 0:26:47 | |
'By placing a statue of his son here, right on this powerful entrance, | 0:26:47 | 0:26:52 | |
'Edward I was reaffirming that this was the seat of a great regal dynasty. | 0:26:52 | 0:26:57 | |
'Built into the walls just below Edward II's statue | 0:26:59 | 0:27:03 | |
'lies a devastating array of medieval defences.' | 0:27:03 | 0:27:06 | |
It's quite amazing, it's really complex the way that these defences are integrated in the one gate. | 0:27:06 | 0:27:11 | |
You have the first of five portcullises sliding down here. | 0:27:11 | 0:27:15 | |
You can see the groove there in the stone, it goes all the way down to the ground, | 0:27:15 | 0:27:20 | |
but then there are murder holes right above you. | 0:27:20 | 0:27:23 | |
Any kind of substance or weapon or arrows | 0:27:23 | 0:27:27 | |
could be raining down from there, | 0:27:27 | 0:27:29 | |
and then you've got arrow slits everywhere. | 0:27:29 | 0:27:32 | |
You would not stand a chance. | 0:27:32 | 0:27:35 | |
'The castle was attacked again in 1304 | 0:27:35 | 0:27:38 | |
'but it's thought that, with the newly erected defensive wall, | 0:27:38 | 0:27:41 | |
'over 300 soldiers were held off by only 28 castle guards. | 0:27:41 | 0:27:46 | |
'Ultimately advances in modern warfare such as cannons | 0:27:48 | 0:27:52 | |
'rendered castles like this obsolete. | 0:27:52 | 0:27:54 | |
'Because Caernarfon Castle stood as a symbol of the monarchy, | 0:27:56 | 0:27:59 | |
'following the Civil War, Parliament ordered it to be demolished. | 0:27:59 | 0:28:03 | |
'But such was its sheer scale, it proved too difficult to dismantle and they gave up. | 0:28:03 | 0:28:08 | |
'Here it stands, 700 years later and as formidable as ever. | 0:28:12 | 0:28:16 | |
'A fitting monument to a powerful warrior king | 0:28:16 | 0:28:19 | |
'and a brilliant architect. | 0:28:19 | 0:28:21 | |
'Next time we see how the Black Death devastated the population of Britain | 0:28:25 | 0:28:29 | |
'but also inspired a blueprint for university buildings | 0:28:29 | 0:28:33 | |
'at New College, Oxford.' | 0:28:33 | 0:28:34 |