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SPEECH INAUDIBLE | 0:00:02 | 0:00:05 | |
'Sir Mortimer Wheeler, the greatest archaeologist of our time. | 0:00:41 | 0:00:45 | |
'Now aged 84, he lives an active and hospitable retirement | 0:00:45 | 0:00:49 | |
'close to London's Trafalgar Square and his beloved British Academy. | 0:00:49 | 0:00:53 | |
'He's been a star in everything he's ever set his hand to. | 0:00:53 | 0:00:56 | |
'Now he has time to look back with wit and affection | 0:00:56 | 0:00:59 | |
'on the great men and events he's known or admired.' | 0:00:59 | 0:01:02 | |
Are you a student of Benjamin Disraeli? | 0:01:02 | 0:01:06 | |
-No. -You're not. | 0:01:06 | 0:01:08 | |
I am. | 0:01:08 | 0:01:09 | |
I find that Benjamin Disraeli on my table by my bedside, | 0:01:09 | 0:01:15 | |
it lightens my day for me, or my night for me. | 0:01:15 | 0:01:21 | |
He...he produces | 0:01:21 | 0:01:23 | |
exactly the things I've been trying to say myself | 0:01:23 | 0:01:26 | |
for so long. | 0:01:26 | 0:01:27 | |
And lately, I've picked up his, I think it's his last novel. | 0:01:29 | 0:01:34 | |
A novel of his old age - Lothair. | 0:01:34 | 0:01:36 | |
And there I opened the book at a page which has | 0:01:37 | 0:01:41 | |
a direct bearing on what you've just been saying. | 0:01:41 | 0:01:46 | |
On this page he is talking about | 0:01:46 | 0:01:48 | |
a little man called Pinto, | 0:01:48 | 0:01:51 | |
Portuguese of some sort. | 0:01:51 | 0:01:53 | |
But a pet of society in the period he's writing off. | 0:01:53 | 0:01:56 | |
And he... | 0:01:56 | 0:01:59 | |
..gives an idea of the sort of conversation that he imagines, | 0:02:00 | 0:02:05 | |
or had heard, taking place in his time. | 0:02:05 | 0:02:08 | |
After all, nearly everything that he wrote in his novels is, for us, | 0:02:09 | 0:02:14 | |
an inheritance from the age of conversation. | 0:02:14 | 0:02:17 | |
And in this particular book, his hero, I think, his hidden hero | 0:02:18 | 0:02:23 | |
is a little man called Pinto. | 0:02:23 | 0:02:26 | |
And Pinto he describes in what I think is a perfectly delightful | 0:02:26 | 0:02:30 | |
and eloquent manner. | 0:02:30 | 0:02:32 | |
"He was not of intellectual Croesus | 0:02:32 | 0:02:35 | |
"but his pockets were full of sixpences." | 0:02:35 | 0:02:38 | |
And he gives one or two of the sixpences as examples. | 0:02:38 | 0:02:41 | |
And one of them is this, | 0:02:41 | 0:02:43 | |
"He would sometimes remark, when a man fell into his anecdotage, | 0:02:43 | 0:02:47 | |
"it was a sign for him to retire from the world." | 0:02:47 | 0:02:51 | |
'Well, in spite of his professed aversion to anecdotage, | 0:02:52 | 0:02:56 | |
'Sir Mortimer himself is a marvellous storyteller. | 0:02:56 | 0:02:59 | |
'He relishes the quality of greatness in others | 0:02:59 | 0:03:02 | |
'and not least the faults that he believes | 0:03:02 | 0:03:05 | |
'that no genius worthy of the name can ever be without.' | 0:03:05 | 0:03:09 | |
So, the genius can still make an infinite number of mistakes | 0:03:09 | 0:03:12 | |
and still be a genius? | 0:03:12 | 0:03:13 | |
Well, yes, well, look at Churchill. | 0:03:13 | 0:03:15 | |
There's a whole book about his mistakes - | 0:03:17 | 0:03:19 | |
Churchill: A Study In Failure. | 0:03:19 | 0:03:22 | |
It's a sensible book too, a sensible book. | 0:03:22 | 0:03:24 | |
But of course, it leaves out all that matters about Churchill. | 0:03:24 | 0:03:30 | |
What matters is what happens in between his failures. | 0:03:30 | 0:03:33 | |
And his failures themselves were stimulating. | 0:03:34 | 0:03:37 | |
It's rather a curious story. | 0:03:37 | 0:03:40 | |
If...if it bores you just put a finger up and I'll stop. | 0:03:40 | 0:03:44 | |
Perhaps. | 0:03:45 | 0:03:46 | |
It happened this way - | 0:03:50 | 0:03:52 | |
in the year 1938... | 0:03:52 | 0:03:53 | |
..I received a formidable document from the University of Bristol... | 0:03:55 | 0:03:59 | |
..inviting me to accept an honorary doctorate, you see. | 0:04:01 | 0:04:05 | |
The first time it had happened to me. | 0:04:05 | 0:04:07 | |
Of course, as you get older and go down the slope | 0:04:07 | 0:04:10 | |
these things happen as a matter of course and they just happen. | 0:04:10 | 0:04:14 | |
But this was the first. | 0:04:14 | 0:04:16 | |
And it...it so happened | 0:04:16 | 0:04:21 | |
that Winston Churchill was, at that time, | 0:04:21 | 0:04:25 | |
the Chancellor of Bristol University. | 0:04:25 | 0:04:29 | |
He had been for some years. | 0:04:29 | 0:04:31 | |
And if he took on a job of that sort he always did it. | 0:04:31 | 0:04:34 | |
He would always turn up at the great ceremonial occasions. | 0:04:34 | 0:04:38 | |
And so, when in due course I appeared in the Great Hall, | 0:04:38 | 0:04:43 | |
in the line of the stalls, you know, sitting in between... | 0:04:43 | 0:04:46 | |
This made me laugh internally, I can tell you. | 0:04:46 | 0:04:49 | |
Sitting between a future Prime Minister and | 0:04:49 | 0:04:53 | |
our greatest living poet. | 0:04:53 | 0:04:56 | |
And here was little me in between. | 0:04:56 | 0:04:58 | |
-Why? Why on earth? -That was between Churchill and who? | 0:04:58 | 0:05:01 | |
No, no. That was between, | 0:05:01 | 0:05:04 | |
um, Anthony... | 0:05:04 | 0:05:06 | |
-Anthony Eden. -Anthony Eden. | 0:05:06 | 0:05:07 | |
Between Anthony Eden, who hadn't been then Prime Minister, | 0:05:07 | 0:05:10 | |
he was going to be eventually, | 0:05:10 | 0:05:12 | |
and with T.S. Eliot. | 0:05:12 | 0:05:15 | |
There were other...a few other people to make the row up. | 0:05:15 | 0:05:18 | |
And there was I but I couldn't make out why on Earth they'd picked on me, | 0:05:18 | 0:05:21 | |
little me. | 0:05:21 | 0:05:23 | |
I was a very shy... I am by nature a very shy man, | 0:05:23 | 0:05:27 | |
as you may have discovered. | 0:05:27 | 0:05:29 | |
HE LAUGHS | 0:05:30 | 0:05:33 | |
Up on the dais sat the Chancellor, | 0:05:33 | 0:05:36 | |
in his Chancellor's robes. | 0:05:36 | 0:05:37 | |
And the one thing of course that Churchill loved above all else | 0:05:37 | 0:05:40 | |
was dressing up. | 0:05:40 | 0:05:41 | |
And in due course, we walked up the little stairs | 0:05:43 | 0:05:46 | |
and knelt on a cushion and the Chancellor threw out our hood | 0:05:46 | 0:05:50 | |
and he set it on your shoulders and you made an honest man. | 0:05:50 | 0:05:53 | |
Well, it came to my turn. | 0:05:55 | 0:05:56 | |
I went up and knelt on the cushion. | 0:05:56 | 0:05:59 | |
And I imagine that the Chancellor was intended to say something like, | 0:05:59 | 0:06:04 | |
"Bristol expects that every man will do his duty," | 0:06:04 | 0:06:07 | |
or something of that sort. | 0:06:07 | 0:06:08 | |
Instead he said, "I want to see you. Meet me afterwards in the anteroom." | 0:06:08 | 0:06:14 | |
This was in a hoarse whisper | 0:06:14 | 0:06:15 | |
while the hood settled on my shoulders. | 0:06:15 | 0:06:18 | |
And I went down. | 0:06:18 | 0:06:20 | |
Well afterwards I appeared in the anteroom. | 0:06:20 | 0:06:23 | |
"Ah, you're going back to town, yes?" "Yes," I said. | 0:06:23 | 0:06:27 | |
"Would you come with me?" | 0:06:27 | 0:06:28 | |
"Yes." HE MURMURS QUIETLY | 0:06:29 | 0:06:33 | |
"Well, OK, I've had enough of this, let's get in the car | 0:06:33 | 0:06:36 | |
"and go to the station." | 0:06:36 | 0:06:37 | |
And outside there was a Daimler car as long as a train you know, | 0:06:38 | 0:06:42 | |
waiting for him. We got in. | 0:06:42 | 0:06:43 | |
When we got to the station, this was 1938, before the war. | 0:06:44 | 0:06:48 | |
There was a great crowd. | 0:06:48 | 0:06:52 | |
Churchill always magnetised a great crowd in some sort of mysterious way. | 0:06:52 | 0:06:57 | |
And there was the Chief Constable and all the rest of it. | 0:06:57 | 0:07:00 | |
The station platform was cleared. | 0:07:00 | 0:07:02 | |
We walked across it and we got into a carriage, a whole carriage, | 0:07:02 | 0:07:06 | |
not a compartment but a carriage | 0:07:06 | 0:07:09 | |
marked - "the Right Honourable Winston Churchill". | 0:07:09 | 0:07:12 | |
I didn't, I still didn't know, I hadn't a clue what was happening, | 0:07:13 | 0:07:16 | |
what it was all about. | 0:07:16 | 0:07:17 | |
We sat down opposite each other as I'm sitting down opposite you. | 0:07:18 | 0:07:21 | |
And he produced from his pocket... | 0:07:23 | 0:07:25 | |
..a pair of eye shades with elastic. | 0:07:26 | 0:07:29 | |
And he proceeded to drape it round his massive forehead. | 0:07:30 | 0:07:33 | |
"When I travel by train, I always sleep for half an hour." | 0:07:34 | 0:07:39 | |
You see he was building up a little bit of reserve, there. | 0:07:39 | 0:07:43 | |
And he put it round his head | 0:07:43 | 0:07:46 | |
and left it up there. | 0:07:46 | 0:07:48 | |
And then he leaned over to me and said, "Now I'm going to tell you. | 0:07:49 | 0:07:52 | |
"I'm writing a history of the English speaking people. | 0:07:54 | 0:07:58 | |
"I've got the Danes, | 0:07:59 | 0:08:02 | |
"very difficult people the Danes. | 0:08:02 | 0:08:05 | |
"Let us talk about the Danes." | 0:08:05 | 0:08:08 | |
Well then, of course, the whole thing | 0:08:08 | 0:08:11 | |
was, it was clear to me that he had given me a degree | 0:08:11 | 0:08:15 | |
because I was the only archaeologist he'd heard of | 0:08:15 | 0:08:18 | |
And he wanted a bit of help. | 0:08:18 | 0:08:20 | |
Well, that was all right I could... | 0:08:20 | 0:08:22 | |
fair enough. | 0:08:22 | 0:08:23 | |
Well, we talked about the Danes and then we passed on to other... | 0:08:23 | 0:08:29 | |
to prehistoric Britain and so on. | 0:08:29 | 0:08:33 | |
And the eye shades never came down. | 0:08:33 | 0:08:36 | |
But we met the following day and behind him is a shadow, | 0:08:36 | 0:08:41 | |
very extraordinary this shadow, | 0:08:41 | 0:08:42 | |
Lindemann who afterwards became Lord Cherwell. | 0:08:42 | 0:08:46 | |
I never heard, at that time, | 0:08:46 | 0:08:48 | |
I never heard Lindemann, or Cherwell, say anything. | 0:08:48 | 0:08:52 | |
Later, he... We met on various occasions and we talked | 0:08:53 | 0:08:58 | |
but he was the shadow which gave Churchill a peace of mind. | 0:08:58 | 0:09:04 | |
Churchill had somebody to lean on | 0:09:04 | 0:09:08 | |
in some curious, psychological way. | 0:09:08 | 0:09:11 | |
Anyway, we talked together, we talked on other occasions. | 0:09:11 | 0:09:14 | |
And I remember one of the questions which Churchill asked me | 0:09:14 | 0:09:18 | |
on one occasion was, | 0:09:18 | 0:09:20 | |
"Tell me, who was the first Englishman?" | 0:09:20 | 0:09:24 | |
Well, that's a bit of a question to have fired at you. | 0:09:25 | 0:09:29 | |
And of course, in the Churchillian sense, knowing what he wanted, | 0:09:29 | 0:09:34 | |
I said, "Oh, the Piltdown Man." | 0:09:34 | 0:09:37 | |
It's a curious, monkey-like skull which had been found, | 0:09:37 | 0:09:44 | |
not very long previously, in a gravel pit at Piltdown in Sussex. | 0:09:44 | 0:09:51 | |
And this was regarded by many people at the time | 0:09:52 | 0:09:56 | |
as a very primitive type of sub-man. | 0:09:56 | 0:10:01 | |
And he made a mental note and then after all these conversations said, | 0:10:02 | 0:10:06 | |
"Would you write it down and send it to me?" | 0:10:06 | 0:10:09 | |
So I wrote these things down and sent them to him. | 0:10:09 | 0:10:13 | |
And of course, he took them and he put the Churchill into it. | 0:10:13 | 0:10:16 | |
He put the headlines into the whole thing. He brought it alive. | 0:10:16 | 0:10:20 | |
I simply just...I simply gave him a little fuel and he lit the fire. | 0:10:20 | 0:10:25 | |
Now, I'm now going to pass on. | 0:10:28 | 0:10:30 | |
There came the war, as you will very well remember. | 0:10:30 | 0:10:34 | |
Just before the...on the eve of war, | 0:10:34 | 0:10:38 | |
the proof of the first volume arrived and I saw it and corrected it | 0:10:38 | 0:10:41 | |
and sent it back. | 0:10:41 | 0:10:43 | |
Then the war. | 0:10:43 | 0:10:44 | |
And at various levels, | 0:10:44 | 0:10:46 | |
well, he and I were occupied for the following 10...15 years. | 0:10:46 | 0:10:51 | |
I remember very vividly the next occasion upon which this | 0:10:54 | 0:10:57 | |
question arose, | 0:10:57 | 0:10:58 | |
the question of the history of the English speaking people arose. | 0:10:58 | 0:11:01 | |
It was on a day in August in 1954 | 0:11:01 | 0:11:04 | |
and I was sitting in my office | 0:11:04 | 0:11:05 | |
and a letter came to me from Churchill's editor. | 0:11:05 | 0:11:09 | |
Churchill by that time was still - he was Prime Minister. | 0:11:09 | 0:11:14 | |
He was a sick man really. | 0:11:14 | 0:11:16 | |
I rather think he'd had a stroke but I'm not sure. | 0:11:16 | 0:11:19 | |
Anyway, he was a burdened man | 0:11:19 | 0:11:23 | |
with no time to look at the niceties of a proof | 0:11:23 | 0:11:27 | |
and he'd handed the whole thing over | 0:11:27 | 0:11:31 | |
for final correction to his principal subeditor. | 0:11:31 | 0:11:37 | |
And he, not knowing that I had actually drafted the original, | 0:11:38 | 0:11:41 | |
sent it to me and asked whether I would be good enough | 0:11:41 | 0:11:44 | |
to read it through and comment on it. | 0:11:44 | 0:11:46 | |
I did and opened it at the page, almost, where the Piltdown Man | 0:11:46 | 0:11:53 | |
appeared as the first Englishman, | 0:11:53 | 0:11:57 | |
with Churchillian decoration. | 0:11:57 | 0:11:59 | |
Well, since 1938, or '39, | 0:12:01 | 0:12:05 | |
when I had written the draft, | 0:12:05 | 0:12:08 | |
things had happened to the Piltdown Man. | 0:12:08 | 0:12:10 | |
In 1949, and again in 1953, | 0:12:10 | 0:12:13 | |
new chemical methods had discovered, | 0:12:13 | 0:12:17 | |
determined, that Piltdown Man was a forgery, a complete forgery. | 0:12:17 | 0:12:22 | |
Well of course this had passed over, or passed by, | 0:12:22 | 0:12:28 | |
the mind of the busy Prime Minister, | 0:12:28 | 0:12:32 | |
the ailing Prime Minister who was the author of it in its final shape. | 0:12:32 | 0:12:39 | |
And I spent that August day, I remember, with a sort of fretsaw | 0:12:39 | 0:12:44 | |
carving out all references to Piltdown Man. | 0:12:44 | 0:12:48 | |
You won't find a single reference to Piltdown Man now in Volume One. | 0:12:48 | 0:12:52 | |
But by God if it had got through! | 0:12:52 | 0:12:55 | |
The whole of that bestselling history, | 0:12:55 | 0:12:59 | |
those four volumes, | 0:12:59 | 0:13:01 | |
would have rested upon a forgery. | 0:13:01 | 0:13:04 | |
It was a near miss! | 0:13:05 | 0:13:07 | |
Subtitles by Red Bee Media Ltd | 0:13:19 | 0:13:26 |