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Dome of Home

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Want to know about British history? You better get your hands dirty.

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Don't bury your head in a guidebook, ask a brickie,

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a chippy or a roofer.

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Ever since I were a boy, I've had a passion for our past, so

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I'm going to apprentice myself to the oldest masonry company in the

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country. Mastering their crafts and

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scraping away the secrets of Blighty's poshest piles.

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From castles to cathedrals, music halls to mansions,

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palaces to public schools.

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These aren't just buildings,

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they're keys to opening up our past and bringing it back to life.

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Today I'm in the Victorian beach resort of New Brighton,

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just a ferry ride across the Mersey from Liverpool,

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to visit this impressive church, nicknamed the Dome of Home.

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What a cracking view.

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I'll be getting stuck in with the restoration work.

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Zen and the art of pointing.

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Discovering the amazing story behind the church's origins.

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He invested the money in the stock markets.

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So a priest is playing the stock market during the Depression.

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And I'm finding out what secrets lie

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beneath Liverpool's Metropolitan Cathedral.

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Father Tony, you've got an incredible basement.

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In the 19th century, Liverpool was loaded.

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It had a thriving port for trading connections across the globe.

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Merchants flocked here, and one of them, James Atherton,

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decided the region could do with an upmarket seaside resort.

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So in 1830, he purchased a section of the Merseyside coastline.

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The plan was to create a resort to emulate Brighton in the South.

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And they called it New Brighton.

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The holiday resort was hugely successful and the town expanded rapidly around it.

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Amongst all the new developments was the spectacular new church of Saints

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Peter and Paul and Saint Philomena.

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Built on top of a hill in the 1930s,

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the imposing building with its green copper dome dominates the skyline.

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And inside the interior is just as striking.

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Grand and spacious,

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it was built to seat 1,000 people and its cathedral-like dome is an

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impressive 40 feet wide.

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With stunning marble altars shipped from Italy,

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it looks like no expense was spared.

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Well, on the decor at least.

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For the fabric of the building, it's a different story.

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Built during the great Depression,

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they came up with a state-of-the-art but lower cost concrete

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superstructure clad in brick.

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But 80 years on, this beautiful church, nicknamed the Dome of Home,

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is crumbling.

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Construction firm William Adderley has the job of restoring it,

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and I'm here to meet site foreman Gary Newton.

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Ey up, Gary. Should I come up?

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Yes, just come up, Dave, it's fine.

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The current phase of works revolves around the southern end of the

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building.

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What a cracking view.

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It must be a great place to work, this.

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It is, and you can see it from miles around as well.

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You can. You've got Liverpool's iconic skyline, Liver Building,

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the Catholic Cathedral, the Anglican Cathedral.

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Anfield, and of course, this side of the Mersey,

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you've got the Dome of Home.

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-And it's a lovely building.

-It is.

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I should imagine it's quite exposed here.

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Yes. That's probably the main reason behind us doing the work on the

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building, the exposure to the elements and where it is.

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It's quite a new building to need so much restoration.

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Is it that it was shoddily built?

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No, it's not the fact it's a shoddily built building,

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it's just the materials which they used when it was built.

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They are at the end of their life.

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This is one of the world's first concrete churches.

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The building is built primarily in concrete instead of stone.

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And with that, it can have its own set of problems, can't it?

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Yes.

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Basically what happens is, once the concrete is exposed to water,

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then that is the problem because the reinforced steel will get rusty,

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the concrete starts coming away from your steel and your paintwork and

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your plasterwork blows,

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-so then you're into a load of more problems there as well.

-Yes.

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Moisture has been getting into the building,

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causing the steel and the pillars to rust and expand,

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which in turn has made the concrete

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crack and the plaster to peel off the walls.

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The whole building needs weather proofing and damage repaired.

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The budget for the project is £290,000,

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and scheduled to take around four and a half months.

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During that time, they will be fixing the porch roof,

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restoring the rose window,

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replastering and repairing the brickwork.

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But before I get stuck in with the renovations,

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I want to know more about this intriguing building.

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The construction was revolutionary, indeed a bit newfangled,

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but with its 100-foot dome, twin bell house and its marble altar,

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it's the finest example of Scouse baroque.

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But how did such a grand building end up being built on an obscure

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stretch of the Wirral?

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It was the brainchild of Father Mullins,

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an Irishman who came to New Brighton in 1909.

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The seaside resort was developing into a commuter suburb and his

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church couldn't accommodate the booming population.

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So Father Mullins made it his personal mission to build a new,

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much grander one.

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-Hello.

-Hi.

-I'm Dave.

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-How do you do?

-How are you?

-Adrian?

-Yep.

-Hi.

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Lovely to meet you. So this is it,

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this is almost like the birth certificate.

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Something like that.

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One way of looking at it.

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It's fantastic. You're the architect, what would you describe the style?

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It's Byzantine style.

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Like Westminster Cathedral.

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It is neoclassical, baroque,

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I think, is the official terminology of it.

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But I think there's a bit of a mixture of all things in there,

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within the style of the architecture,

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but broadly, it's Byzantine.

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Mullins wanted to recreate the Basilica da Estrela in Lisbon,

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a church with a giant dome,

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which he had become enamoured with whilst studying in Portugal.

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So did Father Mullins have an easy time getting the building built?

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Well, I think the Bishop didn't want a dome,

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but Father Mullins decided he wanted a basilica-like church and he told

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his architect, go ahead and do it.

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Fantastic.

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The Bishop didn't find out about the dome until it was too late.

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And when Father Mullins was asked why he'd ignored his wishes,

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he just said, well, if he hadn't,

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he would have ended up with a miserable church.

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There's one thing that fascinates me about this building,

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it was built right in the middle of a depression.

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How did he raise the money?

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He was very enigmatic,

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he was the kind of person who would stand at the back of church,

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as people went in, and as people were coming out with the plate,

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he made them put the money in.

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But it was crowded as well, the church was packed.

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And he invested the money in the stock market.

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Which, yes... It raised a few eyebrows.

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So a priest is playing the stock market during the Depression.

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-That's got courage.

-Yeah.

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Mullins' gambles paid off, and the church was completed in 1935.

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And he paid for this building, £58,000.

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It was built free of debt in 1935, which is amazing.

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It is amazing. Because that doesn't sound an awful lot of money.

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I mean, even now, translated to nowadays,

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it's only something like £4 million.

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That doesn't sound a lot. He's got a lot of building for his money.

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He has. I think part of it was the method used in building,

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using the concrete frame which was part of the innovative style of the

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church at that time, it was still quite a new building process.

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-The Empire State building was a concrete frame, at the same time.

-Yes, indeed.

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Father Mullins' faith in new technology meant he could afford

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the type of grand building he'd envisaged.

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But this listed building is long overdue some serious care and attention.

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Builders are on site repairing the roofs,

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and attending to the brickwork.

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The original cement mortar, innovative at the time,

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ended up storing problems for the future.

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It sealed in the damp, causing major damage to the interior.

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The builders are now having to remove all the cement from between

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the bricks and re-point them with a more appropriate mortar.

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I think it's time I gave them a hand.

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Right. The martial art of pointing.

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So this has all been raked out?

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This has already been raked out.

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The old mortar what was in was...

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a cement-based mortar.

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-That is wrong, isn't it?

-Wrong on a traditional, old building.

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-Right.

-It should be put back in a lime mortar.

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Why is lime mortar better?

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It helps your building to breathe, basically.

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-Right.

-So any moisture that gets into your building,

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it allows it to escape.

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-Right.

-Whereas if you use a cement-based product,

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then what happens is it holds it in to your building.

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A keeps it inside and that is bad for the building.

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-An unhealthy building.

-You get an unhealthy building.

-Yeah.

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If you think of a building as a person,

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we allow moisture to come out of us and it keeps us healthy inside.

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-Yeah, yeah.

-So it's the same with a building, really.

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If you allow the mortar to come out, your building'll be preserved and

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everything else inside.

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It's funny though, isn't it. A lot of the old ways were better.

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-Correct.

-Yeah.

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Before we put in the mortar, the wall is prepped.

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Firstly by removing any dust and then by wetting it down.

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This is to stop the joints being too dry,

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which would cause the mortar to shrink and pop out.

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And that's your mortar board.

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-And that's the mortar.

-Hence your teacher's head.

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Do you know what I mean? The mortarboard at school?

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This is a finger trowel.

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-Right.

-There's your board.

-Thank you.

-I will allow you to have a go.

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Thank you. Don't you want to do a bit first and show us?

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-Do you want me to?

-Yeah, go on.

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-Are you sure?

-Yeah, of course.

-I thought you'd done it before?

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I have done it before, but only... flat.

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No, no, I want to do it right.

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That's all right, it's not a problem.

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Basically, what we want is, we want it to be flush to the joints.

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Oh, no. You don't want like...

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pigeon stuff all over there.

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Exactly. So basically...

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That's a technical term you know?

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"Pigeon stuff". I wouldn't say stuff on the site.

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-Snots, as we like to call them.

-Snots, yes!

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It's like welding, isn't it? They say "snotty".

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"We're welding, snotty."

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Basically what you do, you get your

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pointed iron,

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-flatten the edge down...

-Yeah.

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..and what you're looking to do is fill this in one...

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one swift movement.

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One neat, tidy...

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-Tidy.

-..efficient sweep.

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-You'll get it off...

-Look at that.

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And then you'll put it in the wall.

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It's such a therapeutic job, pointing, isn't it?

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It's relaxing.

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You're away with your thoughts, on your own, nobody to bother you.

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It's all a bit Zen, isn't it?

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Yeah! Would you like to have a go?

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-Yeah, thank you.

-Away you go.

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I see you're right-handed?

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-Yeah.

-So if you can start from the right and work your way left.

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As you can see, it's not as easy as you think.

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No. It's like juggling snot.

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Oh, look at that. It's so satisfying.

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When you get a nice bit on there, like that,

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and it just fits right in the hole, you drag it across, put it in,

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mustn't mess with my snots.

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-Leave them alone.

-I know, I know.

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It's tempting, though, isn't it?

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-It is, it is.

-You know, because you want to...

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If you was working next to me, I would have told you off for that.

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Right. Right.

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Scoop, doop, push.

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It's great to be part of renovating this famous landmark but in 2008,

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its future wasn't looking so rosy.

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Lack of maintenance due to rising

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costs rendered the building unsafe and it was closed to the public.

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A campaign was launched to save it with many locals rolling up their

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sleeves to make it habitable again.

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I've come down to the rectory to meet some of the parishioners to

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find out why this building means so much to them.

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Hello, ladies and gentlemen.

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-Hello.

-Hello.

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I've just been having a look at your wonderful church.

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I mean, who remembers Father Mullins?

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-Do you remember him?

-Yes.

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Yes?

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What was Father Mullins like?

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I remember him standing after mass at the main door,

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plate in hand.

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My mother used to say,

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"Pity help anyone who walks past

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"and doesn't put something in the plate!"

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He wanted a silver collection, you see, to build this church.

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-Yes.

-Which was at least sixpence or a shilling.

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So everybody was scratching around

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for threepenny bits, which is silver.

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And he'd say, "Don't be giving me threepenny bits!

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"They won't buy the lines on the bull's eyes."

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He seemed to be such a strong man.

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I mean, to have that sense of will

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to build what's effectively a cathedral during the Depression.

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To keep everything going through the Blitz.

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They bombed here in March, April.

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-Right.

-And he wouldn't leave.

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At the height of the Blitz,

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he used to walk up and down the aisle of this church saying

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his rosary in his long johns.

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So was the church very badly damaged during the Blitz?

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-I don't think it was.

-It wasn't touched.

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They were always frightened, weren't they, Doctor, that the cross on the

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top would be hit by a stray piece of big shrapnel?

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You know, like the end cone of...

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a shell or something. But it was never hit, was it?

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The Dome of Home as the sailors called it.

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Yeah. Yeah.

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The Church picked up its nickname the Dome of Home during the battle

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of the Atlantic in World War II.

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Convoys of ships filled with vital supplies of food, weapons and fuel

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were crossing the Atlantic from the US.

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The ships came into dock on the Mersey,

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but in an effort to win the war,

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the Germans sent in U-boats to destroy them.

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Scouser Pat Moran spent some time in the Merchant Navy.

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Well, the main problem with the Mersey during the Second World War

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was mines. The U-boats used to wait for the slack water...

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..release the mines and then,

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when the tide flowed in,

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it used to carry the mines into the river and there would always be

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a number of ships anchored, waiting to go into port,

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and they would be blown up.

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The U-boats were causing havoc,

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on average sinking four ships every day in the Atlantic.

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And by March 1943, it was estimated

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the UK only had three weeks' supply of food left.

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With all looking lost, Churchill turned to Admiral Max Horton,

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who came up with high-risk tactics to search and destroy the German

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U-boats.

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One of the bravest things he did was to withdraw the escorts from

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the convoys and form them into hunter-killer groups,

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and their idea from then on -

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and this is when we started winning the Battle of the Atlantic -

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instead of defending the convoys,

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he went out hunting the U-boats and the first idea was that he would go

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ahead of the convoys,

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force the U-boats down under the water and they couldn't go fast

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enough to keep up with the convoys then.

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But then he got more ambitious and thought,

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"I'm going to kill the U-boats!"

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And he didn't half kill them.

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The crucial battle for the Atlantic had been won and Britain was saved.

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For the sailors who survived,

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the church on the top of the hill became an important symbol.

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When they came up the river and they saw that green dome and they passed

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the green dome, nicknamed the Dome of Home,

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they knew they'd finally made it home.

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And they were OK.

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It was never the intention for just one dome

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to be overlooking the Mersey.

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They were meant to have two.

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At the same time plans for the Dome of Home were drawn up,

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across the river in the city of Liverpool,

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which was still hugely wealthy from shipping,

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the Catholic Church were developing their own monumental domed building,

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designed by world-renowned architect Edwin Lutyens.

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A model housed at the Museum of Liverpool shows it with a dome

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to rival Saint Peter's in Rome.

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Work commenced in the 1930s,

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but the building finally completed 30 years later bears

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little resemblance to the plans.

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Affectionately known as the Mersey Funnel,

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the Metropolitan Cathedral has a very modern

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and evocatively designed interior.

0:18:500:18:52

But how did it end up so different

0:18:540:18:56

from what the architect intended?

0:18:560:18:59

To find out, I'm heading down to the crypt.

0:18:590:19:02

Hello, Father Tony.

0:19:050:19:06

I'm Dave, nice to meet you.

0:19:060:19:08

-Hi, welcome.

-I didn't know...

-That this was down below?

0:19:080:19:10

-No.

-This is the original Lutyens design, a famous architect.

0:19:100:19:15

It was going to be the biggest cathedral in the world,

0:19:150:19:17

with a dome of the size of Saint Peter's.

0:19:170:19:20

Why wasn't it built?

0:19:200:19:21

They started to build in 1933,

0:19:220:19:26

and then of course that led up to the Second World War,

0:19:260:19:29

then a lot of the construction workers were called up in the war

0:19:290:19:32

and then following the end of the Second World War,

0:19:320:19:35

there was really no appetite after that.

0:19:350:19:37

The materials were not available.

0:19:370:19:39

Yeah, absolutely. So really, you've got the groundworks done,

0:19:390:19:42

like the crypt and everything, of the world's biggest cathedral.

0:19:420:19:46

-That's right.

-Do you wish that the cathedral would have been built,

0:19:460:19:49

-the Lutyens one?

-No, I think what we've got is a good mix, really.

0:19:490:19:54

-Yeah.

-I think if this had been completed,

0:19:540:19:56

we have been paying for it for ever.

0:19:560:19:58

-Yeah.

-It would have been sort of hundreds of millions of pounds,

0:19:580:20:01

which probably would have crippled the local community,

0:20:010:20:04

trying to raise the funds to pay off the debt.

0:20:040:20:06

-But it's a wonderful place, really.

-It is. It's well worth coming to.

0:20:060:20:10

The thing is, if you do come, the top bit's wonderful,

0:20:100:20:13

but it's a bit of an iceberg, really.

0:20:130:20:15

You need to go downstairs and see what's going on.

0:20:150:20:17

And what an iceberg it is.

0:20:190:20:21

It would have taken a titanic effort to create these stunning vaulted

0:20:210:20:25

ceilings. This is incredible.

0:20:250:20:27

I mean, the scale of the crypt!

0:20:270:20:29

When you think this is one of the chapels below the main building,

0:20:290:20:33

you know, it just gives you an idea of the size and scale of the design.

0:20:330:20:37

There's about six million bricks here.

0:20:370:20:40

Good grief.

0:20:400:20:42

And all the other materials they used.

0:20:420:20:45

It's proper classical architecture,

0:20:450:20:47

which we've got in the Dome of Home across the Mersey.

0:20:470:20:50

Across the Mersey, yeah. Which was going to probably mirror,

0:20:500:20:52

in a smaller way, what was to be here on this side of the river.

0:20:520:20:56

-Yes.

-You had the Dome of Home on the other side.

0:20:560:20:59

Such is the power of... What a gateway to the Mersey!

0:21:000:21:03

Yes.

0:21:030:21:05

Father Tony, you've got an incredible basement!

0:21:050:21:08

Back in New Brighton, the builders have another month left on site.

0:21:240:21:28

With the vital weatherproofing works done,

0:21:300:21:32

they can now get on with repairing the cracks

0:21:320:21:34

and cosmetic damage on the inside.

0:21:340:21:37

The compromised areas have been revamped with a lime-based plaster

0:21:390:21:43

with added hemp for extra flexibility.

0:21:430:21:45

Matt Coleman is one of the plasterers.

0:21:470:21:49

This is a three-to-one lime mortar with hemp.

0:21:500:21:55

They've let the water out.

0:21:560:21:58

It'll stay dry.

0:21:580:22:00

There'll be three layers of plaster to get the perfect finish.

0:22:010:22:05

It's tried and tested.

0:22:140:22:16

You know it'll work.

0:22:170:22:19

It's going to last another few hundred years.

0:22:190:22:22

Outside, there's still the delicate job of refitting the original rose window,

0:22:260:22:31

which sits 15 metres above the porch at the front of the building.

0:22:310:22:34

The lead had taken a beating from the elements and the glass was

0:22:380:22:41

perilously close to falling out.

0:22:410:22:43

Having painstakingly removed the whole window and restored it,

0:22:450:22:49

the team now have the task of putting it all back together again.

0:22:490:22:52

-Hello, gents.

-Hi. This is Dave and Andy.

0:22:550:22:58

Hi, nice to meet you. They're the glass specialists.

0:22:580:23:00

So, that's stating the obvious, you're putting a new window in.

0:23:000:23:03

Putting a new rose window.

0:23:030:23:05

What sort of condition was the window in when you took it out?

0:23:050:23:08

Poor. The seals had gone around the leads and they'd sealed them up with

0:23:080:23:14

some sort of proprietary seal at some time in the past.

0:23:140:23:16

The glass was all basically intact, so we were able to dismantle it,

0:23:160:23:20

clean it all and reassemble it with new lead, put new cement in,

0:23:200:23:24

so effectively it's a brand-new window but using the original glass.

0:23:240:23:29

So, have you made a new frame?

0:23:290:23:31

No, this is the original frame.

0:23:310:23:33

We've taken it out, we've blast cleaned it,

0:23:330:23:36

we've re-tapped all the holes and replaced the screws with stainless steel ones.

0:23:360:23:40

Today, it's ready for the glass to go back in.

0:23:400:23:43

-Can I give you a hand?

-Yes, you certainly can.

0:23:430:23:46

Right, so we'll put this one in first, Dave.

0:23:460:23:48

-The big 'un?

-Yeah, the big 'un.

0:23:480:23:50

-You could start with a big 'un.

-Right.

0:23:500:23:52

It's the original glass, so we'd really rather you didn't drop it.

0:23:520:23:56

-Absolutely.

-So, it wants to go in that way.

0:23:560:24:00

-Yes.

-So, should we walk back over and have a go at bobbing it in?

0:24:000:24:04

-Righto.

-I'll carry it over.

-All right.

-You don't look so good on your feet.

0:24:040:24:07

-If we put it in between us.

-Yes.

0:24:070:24:09

So, it's more difficult than, like, panel pins and putty?

0:24:090:24:15

Well, it's just what it is.

0:24:150:24:18

It's not necessarily difficult but it's just a bit fiddly, really.

0:24:180:24:21

-Now, is that tape double-sided?

-Yes. That's exactly what it is.

0:24:210:24:24

-Is it very sticky?

-Sticky as sticky stuff.

0:24:240:24:28

That's it. Now, we've got it in.

0:24:280:24:30

Look at that. It's almost like you knew what you were doing.

0:24:300:24:33

The window is anchored into place using copper wires,

0:24:330:24:37

which have been pre-welded onto the leaded window.

0:24:370:24:40

So, this is what I would call a stained-glass window.

0:24:410:24:44

-Is that the right term?

-No, really this is technically a leaded light.

0:24:440:24:47

If you think about it, lots of windows are called lights.

0:24:470:24:50

You've got roof lights, fan lights, copper lights.

0:24:500:24:53

This is a leaded light and what it means is, literally,

0:24:530:24:55

it lets light into a building.

0:24:550:24:57

All this glass was cleverly coloured 80 years ago and given names like

0:24:570:25:01

Cathedral Blue, Yellow Stippolyte and Ruby Flemish.

0:25:010:25:06

We've got a stained-glass window that's been painted and fired and

0:25:060:25:09

that's just a way of putting an elaborate mask onto a piece of

0:25:090:25:13

glass, so you can get a face or whatever.

0:25:130:25:15

-Yes.

-Like you see in church windows.

0:25:150:25:16

-Yes.

-So, technically, that's a stained-glass window.

0:25:160:25:20

This is a leaded light.

0:25:200:25:22

I notice you're making me wear gloves with this.

0:25:220:25:24

Apart from the fact that I'm looking after your window, is it, like,

0:25:240:25:27

-the lead?

-Yes, you don't want to be eating lead.

0:25:270:25:29

I know you like eating things but you don't want to be eating lead.

0:25:290:25:32

-Not a lead sandwich?

-No, no, it's bad for you.

0:25:320:25:34

We've some little spring clips.

0:25:340:25:35

I'll tell you what, you can have a go at that.

0:25:350:25:37

-You'll like them.

-All right.

0:25:370:25:39

He doesn't let me do much, you know.

0:25:390:25:41

He doesn't trust me! Before he says, how are you with glass?

0:25:410:25:43

I said, I don't know, I've never done it.

0:25:430:25:45

-He went, "Oh!"

-You'll like these, nobody can put these in.

0:25:450:25:49

So, is this a bit of a swine to get in?

0:25:490:25:50

It is a swine to get in, but you'll manage.

0:25:500:25:53

-You'll manage.

-All right...

0:25:530:25:56

So that's the filler. Hang on now, if I just lend you my knife.

0:25:560:25:59

If you can just...

0:25:590:26:01

poke that under there.

0:26:010:26:03

-Yes, be careful.

-That's it.

0:26:030:26:05

-That's it, look at that.

-Is that it?

0:26:050:26:06

That's it. But look how clever that is and that's holding that in.

0:26:060:26:10

-Isn't it.

-Nice and tight. Glazing springs, they call them.

0:26:100:26:12

So, it's not your invention?

0:26:120:26:14

No, unfortunately I didn't invent that.

0:26:140:26:16

So, but it goes right back hundred years, does that sort of thing.

0:26:160:26:20

Wonderful, wonderful.

0:26:200:26:22

There are six panels with over 150 individual pieces of antique glass

0:26:230:26:28

being taped, clipped and sealed into their new resting place.

0:26:280:26:33

The final piece of the jigsaw.

0:26:330:26:35

Aye, that's it.

0:26:350:26:37

And then we just need to lift it up.

0:26:370:26:40

Bob's your auntie, Fanny's your uncle Jim.

0:26:400:26:42

So, he's doing the copper wires.

0:26:420:26:44

-Aye.

-Dave, do you get a sense of satisfaction now, you know,

0:26:440:26:48

the icing on the cake, your work is now done?

0:26:480:26:50

Yeah, it's great. You've turned something that were passed it,

0:26:500:26:53

that'd had one lifetime,

0:26:530:26:55

you've brought it back and given it another lifetime's worth of service.

0:26:550:26:59

People inside have seen it all their lives,

0:26:590:27:01

most of them can't remember when it were clean and neat and tidy,

0:27:010:27:04

so they're going to see it again.

0:27:040:27:05

It's going to be new light through old windows.

0:27:050:27:08

Fantastic. One window.

0:27:080:27:11

-Yep, sound.

-Brilliant.

0:27:110:27:13

-Well done, Dave. Congratulations.

-Thanks for coming and having a look.

0:27:130:27:16

So, what are you doing next?

0:27:160:27:18

Going home and having me tea or our lass'll kill me.

0:27:180:27:20

It won't be long before the building is finished and normal service resumed.

0:27:220:27:27

Father Mullins had an ambitious vision for his church.

0:27:290:27:33

His persistence and willingness to try new technologies allowed it to be built.

0:27:340:27:40

And now it's been restored,

0:27:410:27:43

this important landmark will remain

0:27:430:27:46

on the Wirral skyline for many years to come.

0:27:460:27:49

Next time, I'll be in Ampleforth, Yorkshire,

0:27:520:27:55

at one of the country's best boarding schools,

0:27:550:27:58

with a load of monks.

0:27:580:27:59

When you're out and about on business, would you travel in your habit?

0:27:590:28:02

I think sometimes if people see you like this it can be a bit...

0:28:020:28:05

They can get a bit freaked out.

0:28:050:28:07

I'll be restoring the Yorkshire equivalent of Hogwarts.

0:28:070:28:10

I missed.

0:28:100:28:12

And learning an extraordinary tale of mice and men.

0:28:120:28:15

-It's Mouseman's greatest work, really.

-Yeah.

-Oh, there's a mouse.

0:28:150:28:18

-There we are.

-See how many you can spot.

0:28:180:28:21

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