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Want to know about British history? You'd better get your hands dirty. | 0:00:02 | 0:00:05 | |
Don't bury your head in a guidebook, ask a brickie... | 0:00:05 | 0:00:08 | |
a chippy... | 0:00:08 | 0:00:10 | |
or a roofer. | 0:00:10 | 0:00:11 | |
Ever since I were a boy, I've had a passion for our past. | 0:00:11 | 0:00:15 | |
So... | 0:00:15 | 0:00:16 | |
I'm going to apprentice myself to the oldest masonry company in | 0:00:16 | 0:00:20 | |
the country, mastering their crafts | 0:00:20 | 0:00:23 | |
and scraping away the secrets of Blighty's poshest piles. | 0:00:23 | 0:00:27 | |
From castles to cathedrals, music halls to mansions, | 0:00:27 | 0:00:32 | |
palaces to public schools - | 0:00:32 | 0:00:34 | |
these aren't just buildings, | 0:00:34 | 0:00:36 | |
they're keys to opening up our past and bringing it back to life. | 0:00:36 | 0:00:40 | |
'Today, I'm in Ampleforth, North Yorkshire, | 0:01:01 | 0:01:04 | |
'at one of the most prestigious boarding schools in the country | 0:01:04 | 0:01:07 | |
'with its own on-site monastery. | 0:01:07 | 0:01:09 | |
'I'll be getting into the abbey habit...' | 0:01:09 | 0:01:12 | |
When you're out and about on business, | 0:01:12 | 0:01:14 | |
would you travel in your habit? | 0:01:14 | 0:01:15 | |
I think, sometimes, if people see you like this, it can be a bit... | 0:01:15 | 0:01:18 | |
They get a bit freaked out. | 0:01:18 | 0:01:20 | |
'..restoring the Yorkshire equivalent of Hogwarts...' | 0:01:20 | 0:01:23 | |
I've missed. | 0:01:24 | 0:01:25 | |
'..and learning an extraordinary tale of mice and men.' | 0:01:25 | 0:01:29 | |
-What a great place to study! -I know. | 0:01:29 | 0:01:31 | |
I think it's Mouseman's greatest work, really. | 0:01:31 | 0:01:33 | |
-Yeah. -Well, there's a mouse. -Yeah, there we are. -Yes! | 0:01:33 | 0:01:35 | |
See how many you can spot. | 0:01:35 | 0:01:37 | |
Yorkshire is known as God's own country. | 0:01:42 | 0:01:45 | |
Well, I'm here to help restore God's own school, Ampleforth College. | 0:01:45 | 0:01:49 | |
It is one of the most beguiling buildings in Britain. | 0:01:49 | 0:01:52 | |
It's full of monastic mysteries, | 0:01:52 | 0:01:55 | |
cryptic puzzles, and historic features. | 0:01:55 | 0:01:57 | |
Ampleforth Abbey was set up in 1802 by local priest Father Anselm | 0:02:01 | 0:02:06 | |
to provide refuge for monks on the run from the French Revolution. | 0:02:06 | 0:02:10 | |
The French Revolution of 1789 | 0:02:12 | 0:02:14 | |
meant out with the old ways and in with the new, | 0:02:14 | 0:02:18 | |
as well as fighting for the rights of the common man. | 0:02:18 | 0:02:20 | |
It overthrew the monarchy, established a republic, | 0:02:20 | 0:02:23 | |
and profoundly altered the course of modern history. | 0:02:23 | 0:02:26 | |
But it had a dark side. | 0:02:26 | 0:02:29 | |
The notorious Reign of Terror killed thousands who were viewed as enemies | 0:02:29 | 0:02:33 | |
of the new state, which had no place for religion. | 0:02:33 | 0:02:36 | |
Thousands of nuns, priests, and monks were killed, | 0:02:36 | 0:02:40 | |
or fled the country in droves. | 0:02:40 | 0:02:42 | |
And that's how a group of Benedictine monks | 0:02:42 | 0:02:45 | |
ended up in North Yorkshire at Ampleforth. | 0:02:45 | 0:02:47 | |
French monks often ran schools, | 0:02:51 | 0:02:54 | |
so once the monks had set up Ampleforth Abbey, | 0:02:54 | 0:02:56 | |
they opened one next door, | 0:02:56 | 0:02:58 | |
admitting 12 local lads at first, before growing to become | 0:02:58 | 0:03:02 | |
a prestigious independent boarding school. | 0:03:02 | 0:03:05 | |
The school has been girls allowed since 2005, and has 600 pupils, | 0:03:05 | 0:03:10 | |
as well as 63 monks, many of whom teach the kids. | 0:03:10 | 0:03:13 | |
As it's a boarding school, | 0:03:15 | 0:03:17 | |
Ampleforth is constantly having to update its accommodation | 0:03:17 | 0:03:21 | |
to modern standards, which is where we come in. | 0:03:21 | 0:03:24 | |
Construction firm William Anelay have just started converting | 0:03:25 | 0:03:29 | |
this Goliath of a building, Bolton House. | 0:03:29 | 0:03:32 | |
-Ah, hello, Tony. -Hiya, Dave. How you doing? -All right, yeah. | 0:03:34 | 0:03:37 | |
Well, this is shabby chic taken to a whole new level, isn't it? | 0:03:37 | 0:03:40 | |
-Absolutely. -You obviously haven't finished yet. | 0:03:40 | 0:03:42 | |
No, no, just getting going. | 0:03:42 | 0:03:44 | |
Good grief! | 0:03:44 | 0:03:45 | |
The original Art Deco building was completed in 1935. | 0:03:46 | 0:03:51 | |
But it's been derelict for years. | 0:03:51 | 0:03:53 | |
You see, as well, it's a concrete construction, | 0:03:53 | 0:03:56 | |
which must be difficult to restore. | 0:03:56 | 0:03:58 | |
It is very difficult, | 0:03:58 | 0:03:59 | |
because a lot of the products now aren't available, | 0:03:59 | 0:04:02 | |
such as the floor cassette units, the concrete ones here. | 0:04:02 | 0:04:05 | |
-They are like cassettes that are slotted in. -Correct. | 0:04:05 | 0:04:07 | |
They're just a precast concrete unit with steel reinforcement. | 0:04:07 | 0:04:11 | |
Right, crumbs. | 0:04:11 | 0:04:12 | |
So what's this building going to be used for? | 0:04:12 | 0:04:15 | |
It's going to be used mainly for accommodation | 0:04:15 | 0:04:17 | |
for monks at Ampleforth College. | 0:04:17 | 0:04:20 | |
Gosh! But everything's been done, hasn't it? | 0:04:20 | 0:04:22 | |
There's no electricity laid, | 0:04:22 | 0:04:24 | |
all the pipework's out, it's all new. | 0:04:24 | 0:04:26 | |
It's a £4 million contract. | 0:04:29 | 0:04:31 | |
50 men will be working for the next nine months | 0:04:31 | 0:04:35 | |
to restore Bolton House to its former glory. | 0:04:35 | 0:04:37 | |
Are you building up as well? | 0:04:39 | 0:04:40 | |
We are. We're putting in an additional floor | 0:04:40 | 0:04:42 | |
in four sections of the building. | 0:04:42 | 0:04:44 | |
Yeah, I've seen some buildings where it's been sea water and sea air | 0:04:44 | 0:04:47 | |
that's eroded, kind of, the reinforcing. | 0:04:47 | 0:04:49 | |
What is it that's done for these? | 0:04:49 | 0:04:51 | |
There used to be a lot of washrooms within the building, and also | 0:04:51 | 0:04:53 | |
flat roofs that used to leak quite a bit, so the water penetrates | 0:04:53 | 0:04:57 | |
-and then causes the damage. -So, sloppy monks and sloppy schoolboys? | 0:04:57 | 0:05:00 | |
-Absolutely, yeah. -Gosh, yeah. | 0:05:00 | 0:05:02 | |
Would it have been cheaper to knock it down and start again? | 0:05:02 | 0:05:04 | |
No, not really. A building this size, | 0:05:04 | 0:05:07 | |
its character is well worth keeping. | 0:05:07 | 0:05:09 | |
Like many buildings in the school grounds, | 0:05:12 | 0:05:14 | |
Bolton House was designed by the renowned architect | 0:05:14 | 0:05:17 | |
Sir Giles Gilbert Scott. | 0:05:17 | 0:05:19 | |
He was noted for his blending of Gothic tradition with modernism, | 0:05:19 | 0:05:23 | |
making what might otherwise have been boring old buildings | 0:05:23 | 0:05:26 | |
into popular landmarks. | 0:05:26 | 0:05:28 | |
He's also behind some of the country's most iconic structures... | 0:05:28 | 0:05:32 | |
..Liverpool Cathedral, Battersea Power Station, | 0:05:34 | 0:05:37 | |
the Tate Modern, and Waterloo Bridge. | 0:05:37 | 0:05:40 | |
He even designed the red telephone box. | 0:05:40 | 0:05:43 | |
But undoubtedly, his masterpiece at the school is Ampleforth Abbey, | 0:05:45 | 0:05:48 | |
designed in 1921 with the typical Scott characteristics | 0:05:48 | 0:05:52 | |
of mass, proportion, and simplicity. | 0:05:52 | 0:05:55 | |
PRAYERFUL SINGING | 0:05:58 | 0:06:00 | |
And six times a day, | 0:06:00 | 0:06:02 | |
the Benedictine monks can be seen saying their prayers. | 0:06:02 | 0:06:05 | |
There's something very soothing about them, too. | 0:06:05 | 0:06:08 | |
The monks here very rarely speak to members of the public, | 0:06:12 | 0:06:16 | |
and take a vow of silence every evening. | 0:06:16 | 0:06:18 | |
So we're in for a real treat. | 0:06:18 | 0:06:21 | |
-Hello, Father Wulstan. -Hello, Dave. Nice to meet you. | 0:06:24 | 0:06:27 | |
-Nice to meet you too. -Welcome very much to the abbey church. | 0:06:27 | 0:06:29 | |
Thank you, it was a lovely service. | 0:06:29 | 0:06:31 | |
Is it a calling that brought you here? | 0:06:31 | 0:06:33 | |
Was it something you knew you had to do? | 0:06:33 | 0:06:35 | |
Well, I first came to Ampleforth 21 years ago, | 0:06:35 | 0:06:38 | |
and that was as a teacher in the college. | 0:06:38 | 0:06:40 | |
-Uh-huh. -And it was just gradually over time that I felt myself, | 0:06:40 | 0:06:43 | |
as I got to know the monks better and understood the life here, | 0:06:43 | 0:06:46 | |
that I felt myself called to the life, | 0:06:46 | 0:06:48 | |
and that's when I asked to join the community. | 0:06:48 | 0:06:50 | |
And how long have you been a monk for, Father Wulstan? | 0:06:50 | 0:06:52 | |
I've been a monk for 17 years, | 0:06:52 | 0:06:54 | |
and I've been a full member of the community | 0:06:54 | 0:06:56 | |
for 13 of those years, | 0:06:56 | 0:06:58 | |
the first four years being a time of formation | 0:06:58 | 0:07:01 | |
before making decisions about final vows. | 0:07:01 | 0:07:03 | |
So what are the vows and commitments that you make | 0:07:03 | 0:07:05 | |
when you join the community? | 0:07:05 | 0:07:07 | |
So the first of our vows is stability, | 0:07:07 | 0:07:09 | |
and that means that we belong to a community. | 0:07:09 | 0:07:12 | |
We might sometimes go away somewhere else for work or for study, | 0:07:12 | 0:07:14 | |
but this is our home and this is where we come back to. | 0:07:14 | 0:07:17 | |
We then take a vow which we call conversatio morum. | 0:07:17 | 0:07:20 | |
It means a real and ongoing fidelity | 0:07:20 | 0:07:23 | |
to the ways of monastic living every day. | 0:07:23 | 0:07:26 | |
So for us, that includes a commitment to poverty, | 0:07:26 | 0:07:29 | |
and it involves a commitment to celibacy. | 0:07:29 | 0:07:32 | |
And then our third vow is obedience. | 0:07:32 | 0:07:34 | |
I find the whole thing fascinating. | 0:07:34 | 0:07:36 | |
I mean, is there a shortage of monks now, | 0:07:36 | 0:07:38 | |
-or are there plenty of recruits? -There's an interest. | 0:07:38 | 0:07:41 | |
I mean, obviously, it's not very many people, | 0:07:41 | 0:07:43 | |
-if you think of the size of the population. -Yeah. | 0:07:43 | 0:07:46 | |
But no, we have a steady interest of young men | 0:07:46 | 0:07:49 | |
who want to explore whether they have a vocation | 0:07:49 | 0:07:51 | |
to live the Benedictine monastic life, | 0:07:51 | 0:07:53 | |
and we're lucky that some of those, ultimately, | 0:07:53 | 0:07:56 | |
do join our community, and they take their vows and they stay. | 0:07:56 | 0:07:59 | |
So just a few weeks ago, two of our young men took their lifelong vows. | 0:07:59 | 0:08:03 | |
And back at Sir Giles Gilbert Scott's other masterpiece, | 0:08:08 | 0:08:12 | |
Bolton House, there's manual labour to be done. | 0:08:12 | 0:08:16 | |
Sir Giles had a thing about hiding utilities. | 0:08:16 | 0:08:19 | |
He liked his buildings to be neat and tidy, | 0:08:19 | 0:08:21 | |
so all pipework and cables were cleverly concealed in the walls. | 0:08:21 | 0:08:26 | |
During the renovations, they've all been taken out, | 0:08:26 | 0:08:28 | |
which means we've now got to fill them all back in. | 0:08:28 | 0:08:31 | |
-How do, Rich? -What's happened through here is we've loads of pipes | 0:08:33 | 0:08:35 | |
coming through all these walls at one stage. | 0:08:35 | 0:08:37 | |
Now what we're doing is we're making it all solid | 0:08:37 | 0:08:39 | |
-so they can plaster it again. -Yeah. -Just make everything right. | 0:08:39 | 0:08:42 | |
It's funny, isn't it? Cos it's like, the infrastructure of this building, | 0:08:42 | 0:08:45 | |
everything, all the pipework, the wiring, it's being completely | 0:08:45 | 0:08:48 | |
renewed, cos it's going to be used as a modern spec building. | 0:08:48 | 0:08:51 | |
-Yeah, that's right. -Can I have a go? -You certainly can. -It's years since I've done any bricking. | 0:08:51 | 0:08:55 | |
Nip it round. All the way around. | 0:08:55 | 0:08:57 | |
-That's the one. -Look at that! -Straight in, perfect half. | 0:08:58 | 0:09:01 | |
It's 20 years since I've done that. | 0:09:01 | 0:09:03 | |
But once you've got it, you never lose it. | 0:09:03 | 0:09:05 | |
Right, slice it in. | 0:09:05 | 0:09:07 | |
Like you're buttering a slice of bread. | 0:09:07 | 0:09:09 | |
Yeah, but I'm from the north-west. I'm frugal with my butter, | 0:09:12 | 0:09:15 | |
not like you Yorkshire folk. | 0:09:15 | 0:09:16 | |
Right. | 0:09:16 | 0:09:18 | |
I've missed. | 0:09:19 | 0:09:20 | |
'I may not be a master craftsman, but God loves a trier. | 0:09:20 | 0:09:24 | |
'I just hope the monks do.' | 0:09:24 | 0:09:27 | |
When was the last time you did the bricklaying? | 0:09:27 | 0:09:29 | |
Er... Ooh, 20 years ago. | 0:09:29 | 0:09:31 | |
Not doing so bad, then. | 0:09:31 | 0:09:32 | |
Look at that, eh? | 0:09:32 | 0:09:34 | |
It's like something Fred Flintstone's created. | 0:09:34 | 0:09:37 | |
Oh, that's all right. Snug. | 0:09:37 | 0:09:39 | |
Push down. Nice big trowel-full, off, | 0:09:42 | 0:09:44 | |
and then we can get him up like that. | 0:09:44 | 0:09:46 | |
It's literally - the bed is laid and you're just going to do that. | 0:09:46 | 0:09:49 | |
You know, I could sit watching a bricklayer for hours. | 0:09:49 | 0:09:51 | |
It's just so deft. You know, what I'm very clumsy at... | 0:09:51 | 0:09:55 | |
I know, but the apprentices are the same. | 0:09:55 | 0:09:57 | |
It's just until you get all the wrist action right. | 0:09:57 | 0:10:00 | |
It's just all in that. And the bed - laying the bricks is nothing. | 0:10:00 | 0:10:02 | |
It's getting the beds correct, I think, for me. Always has been. | 0:10:02 | 0:10:05 | |
Ampleforth College is one of the most prestigious boarding schools | 0:10:09 | 0:10:13 | |
in the world. And it should be - | 0:10:13 | 0:10:15 | |
fees are a whopping £32,000 a year. | 0:10:15 | 0:10:18 | |
And who better to tell me about what it's like | 0:10:19 | 0:10:22 | |
than head boy Louis and head girl Mary, who are following | 0:10:22 | 0:10:26 | |
in some very illustrious former pupils' footsteps. | 0:10:26 | 0:10:29 | |
I mean, do you feel huge pressure? | 0:10:31 | 0:10:33 | |
Some of your predecessors have been huge achievers. | 0:10:33 | 0:10:36 | |
You've got Lawrence Dallaglio on the rugby field, for one. | 0:10:36 | 0:10:39 | |
Rupert Everett in cinema. | 0:10:39 | 0:10:41 | |
Julian Fellowes in popular literature. | 0:10:41 | 0:10:43 | |
Do you feel there's a pressure hanging round your neck | 0:10:43 | 0:10:45 | |
to compete with them for greatness in the world? | 0:10:45 | 0:10:48 | |
I think, probably, it's something that we're proud of, | 0:10:48 | 0:10:50 | |
-rather than... -Something to look up to. -Some will aspire to. | 0:10:50 | 0:10:53 | |
I think, for the rugby players among the school, | 0:10:53 | 0:10:55 | |
it is definitely a great name to have. | 0:10:55 | 0:10:58 | |
I mean, the pitch is called the Dallaglio Match Ground. | 0:10:58 | 0:11:00 | |
But I think it does have a little bit of pressure on us, you know, | 0:11:00 | 0:11:03 | |
to try and reach those dizzy heights. | 0:11:03 | 0:11:05 | |
I mean, you've got a lot of pressure this year with your A-levels. | 0:11:05 | 0:11:08 | |
I think it's the worst year of your life, really. | 0:11:08 | 0:11:10 | |
Are you spending all your time studying? | 0:11:10 | 0:11:12 | |
-Yeah. -A lot of time spent in the library. | 0:11:12 | 0:11:14 | |
-We can go and look there if you want. -Oh, yes, I'd love to. | 0:11:14 | 0:11:17 | |
I want to see your Mouseman. | 0:11:17 | 0:11:18 | |
-Definitely. There's lots of that about. -Lots and lots of them. | 0:11:18 | 0:11:21 | |
It may have plenty of famous forebears, | 0:11:24 | 0:11:26 | |
but Ampleforth is completely infested | 0:11:26 | 0:11:30 | |
with wooden mice. | 0:11:30 | 0:11:31 | |
Pretty much everywhere there's furniture, there's a mouse, | 0:11:31 | 0:11:35 | |
all over the school. | 0:11:35 | 0:11:37 | |
The mouse was the trademark of local lad Robert "Mouseman" Thompson, | 0:11:37 | 0:11:41 | |
who made traditional handcrafted English oak furniture | 0:11:41 | 0:11:44 | |
in the '20s and the '30s. | 0:11:44 | 0:11:46 | |
-This is it. -Oh, what a great place to study. | 0:11:47 | 0:11:50 | |
-I know, it's amazing. -It's an incredible place. | 0:11:50 | 0:11:53 | |
And there's the coats of arms of all the families | 0:11:53 | 0:11:57 | |
-who were here when it was originally built. -Gosh. | 0:11:57 | 0:12:00 | |
-I think it's Mouseman's greatest work, really. -Yeah. | 0:12:00 | 0:12:02 | |
As you can see, there are mice everywhere. | 0:12:02 | 0:12:04 | |
-So Mouseman made all of this? -Mm-hm. | 0:12:04 | 0:12:06 | |
I mean, I associate him with furniture, | 0:12:06 | 0:12:08 | |
but not a library like this. | 0:12:08 | 0:12:10 | |
Yeah, it was, I think, 1920s that he did it. | 0:12:10 | 0:12:12 | |
-Oh, there's a mouse. -Yeah, there we are. | 0:12:12 | 0:12:14 | |
See how many you can spot. There's a whole load of them. | 0:12:14 | 0:12:16 | |
-Mouse. -Another one. | 0:12:16 | 0:12:18 | |
-Yeah, what a great place to study, though. -Yeah. | 0:12:18 | 0:12:20 | |
Just to lose your thoughts, or to concentrate. | 0:12:20 | 0:12:23 | |
You know, in here, it's so private. | 0:12:23 | 0:12:25 | |
-Mm-hm. -Mouse. | 0:12:25 | 0:12:26 | |
Early versions of the mouse were prone to broken legs, | 0:12:27 | 0:12:30 | |
so his mice soon got completely legless. | 0:12:30 | 0:12:33 | |
The school has the largest collection | 0:12:33 | 0:12:36 | |
of Mouseman furniture in the world. | 0:12:36 | 0:12:38 | |
Seven miles down the road, and still in family ownership, | 0:12:40 | 0:12:43 | |
Mouseman's workshop remains a hub of craftsmanship, | 0:12:43 | 0:12:47 | |
and Mouseman's great-grandson Ian is running the show. | 0:12:47 | 0:12:50 | |
The mouse trademark came about quite by accident. | 0:12:54 | 0:12:57 | |
Great-grandfather was working on a church screen one day | 0:12:57 | 0:12:59 | |
with a fellow craftsman, | 0:12:59 | 0:13:01 | |
and that craftsman happened to mention | 0:13:01 | 0:13:03 | |
he thought they were both as poor as church mice. | 0:13:03 | 0:13:05 | |
So Great-grandfather thought how alike he was, the church mouse. | 0:13:05 | 0:13:09 | |
There it was, working with its chisel-like teeth, | 0:13:09 | 0:13:11 | |
not making a song and dance about it, | 0:13:11 | 0:13:14 | |
so he thought how nice it would be to carve a mouse | 0:13:14 | 0:13:16 | |
on this particular piece. | 0:13:16 | 0:13:18 | |
So ever since that day, each piece of furniture | 0:13:18 | 0:13:21 | |
has a mouse carved on it. | 0:13:21 | 0:13:22 | |
As has been the case for 150 years, | 0:13:22 | 0:13:25 | |
each item is entirely handmade by one craftsman | 0:13:25 | 0:13:29 | |
and only naturally seasoned English oak is used. | 0:13:29 | 0:13:32 | |
But it's all about the mouse, at the end of the day. | 0:13:32 | 0:13:35 | |
I'm nearing the final stage of this mouse. | 0:13:35 | 0:13:38 | |
There's the whiskers needs to finish off, | 0:13:38 | 0:13:41 | |
and then just a general tidy-up. | 0:13:41 | 0:13:43 | |
And a good clean-up and a sand, and that's it, finished. | 0:13:43 | 0:13:47 | |
And as the furniture is known around the world | 0:13:49 | 0:13:51 | |
and seen as collectors items, expect to pay top dollar. | 0:13:51 | 0:13:55 | |
Retail cost on a bureau like this is £6,300, | 0:13:55 | 0:13:59 | |
at today's prices. | 0:13:59 | 0:14:01 | |
Everything's solid. | 0:14:07 | 0:14:09 | |
Even the back panels and the side panels and the drawer bottoms | 0:14:09 | 0:14:12 | |
will all be constructed from solid, naturally seasoned English oak. | 0:14:12 | 0:14:16 | |
We get a lot of expats that visit Yorkshire, | 0:14:16 | 0:14:20 | |
and a lot of them want to take a wee slice of Yorkshire | 0:14:20 | 0:14:25 | |
back to their corner of the world, | 0:14:25 | 0:14:27 | |
whether they live in America or Australia. | 0:14:27 | 0:14:29 | |
And that's why, I think, we are so busy today. | 0:14:29 | 0:14:33 | |
Back on site at Bolton House, | 0:14:39 | 0:14:41 | |
the boys are hard at work dismantling an old wall | 0:14:41 | 0:14:44 | |
and getting philosophical. | 0:14:44 | 0:14:47 | |
Any manual labour's exhausting. | 0:14:47 | 0:14:50 | |
When the day's over, you sort of know you've done a hard day's graft | 0:14:51 | 0:14:55 | |
and you sort of want to just go home and go to bed, like. | 0:14:55 | 0:14:58 | |
But that's how the cookie crumbles. | 0:14:58 | 0:14:59 | |
That's how you earn your bread and butter. | 0:14:59 | 0:15:01 | |
Best thing, I'd say, when you build something | 0:15:01 | 0:15:04 | |
and you can stand back and sort of say, | 0:15:04 | 0:15:06 | |
"Well, I've built that, and it's going to last | 0:15:06 | 0:15:08 | |
"for a couple of hundred, maybe a thousand years." | 0:15:08 | 0:15:11 | |
And there's not a lass in sight? | 0:15:11 | 0:15:13 | |
Probably isn't a lot of women in the building game | 0:15:13 | 0:15:15 | |
because it's a very masculine environment. | 0:15:15 | 0:15:18 | |
So, for the women, | 0:15:18 | 0:15:19 | |
I think it's easier for them to come out of school, | 0:15:19 | 0:15:22 | |
go to university. | 0:15:22 | 0:15:24 | |
You do tend to see the odd women in electricians, plumbing, | 0:15:24 | 0:15:27 | |
that sort of game. | 0:15:27 | 0:15:28 | |
Why not, if they want to have a go and do well in it? | 0:15:28 | 0:15:31 | |
But on site today is Caz, | 0:15:31 | 0:15:34 | |
who has no time for stereotypes and drives a 10-tonne truck. | 0:15:34 | 0:15:38 | |
Some of the guys say, "Good God, it's a woman." | 0:15:38 | 0:15:41 | |
And I went, "Yeah, you're right. You're very observant." | 0:15:41 | 0:15:43 | |
SHE LAUGHS | 0:15:43 | 0:15:45 | |
When I've turned up on the site, and I've reversed in, | 0:15:45 | 0:15:48 | |
I've done it in one. It's quite hard, | 0:15:48 | 0:15:50 | |
and the guys were quite impressed that I'd got it in one go. | 0:15:50 | 0:15:53 | |
So I was like, "Well, yeah! One for the girls!" | 0:15:53 | 0:15:55 | |
An access road is currently under construction | 0:15:57 | 0:16:00 | |
and a new car park is being built, whatever the weather. | 0:16:00 | 0:16:03 | |
A bit of rain never stopped building. | 0:16:03 | 0:16:06 | |
You know, we're not downhearted, are we, Luke? | 0:16:06 | 0:16:09 | |
-Not at all. -No. But, you see, you look up at a building, | 0:16:09 | 0:16:11 | |
you see everything, but it's only the tip of the iceberg. | 0:16:11 | 0:16:14 | |
But underground, the ground works are really important. | 0:16:14 | 0:16:17 | |
That's your drains, your sewers, and all those bits. | 0:16:17 | 0:16:20 | |
And that's equally important with Bolton House. | 0:16:20 | 0:16:22 | |
What have we got here, Luke? | 0:16:22 | 0:16:24 | |
This is the new storm water pipe going in that's going to pick up | 0:16:24 | 0:16:27 | |
the new downcomers that will be fitted to the building. | 0:16:27 | 0:16:30 | |
Oh, well, it's dirty work. Somebody's got to do it. Shall we? | 0:16:30 | 0:16:33 | |
Somebody's got to do it. Yeah, let's do it. | 0:16:33 | 0:16:35 | |
-I'm in. -That'll do for now. | 0:16:37 | 0:16:39 | |
That goes behind there. | 0:16:39 | 0:16:41 | |
Just stab it in the ground, about there. | 0:16:41 | 0:16:43 | |
Push it in. | 0:16:43 | 0:16:44 | |
HE STRAINS | 0:16:44 | 0:16:46 | |
'If I don't get these pipes stuck together properly, | 0:16:46 | 0:16:48 | |
'there could be a tsunami of drain water soaking the monks, | 0:16:48 | 0:16:52 | |
'and I don't want that on my conscience. | 0:16:52 | 0:16:54 | |
'At least someone thinks I'm doing well.' | 0:16:55 | 0:16:57 | |
Right, so we got the pipe in. That's straight. What's next, Luke? | 0:16:57 | 0:17:01 | |
Next job will be to, obviously, | 0:17:01 | 0:17:03 | |
-get your base ready for your new manhole. -Right. | 0:17:03 | 0:17:05 | |
So it's a case of getting everywhere level. | 0:17:05 | 0:17:08 | |
OK, that's great. | 0:17:08 | 0:17:10 | |
I'm stuck, mate. | 0:17:14 | 0:17:16 | |
HE LAUGHS | 0:17:16 | 0:17:17 | |
'The famous sinking sands of Ampleforth.' | 0:17:17 | 0:17:20 | |
And inside Bolton House, | 0:17:22 | 0:17:24 | |
the lads are hard at work restoring the broken panes | 0:17:24 | 0:17:27 | |
on another Gilbert Scott masterpiece - | 0:17:27 | 0:17:29 | |
the stained-glass windows of the chapel. | 0:17:29 | 0:17:32 | |
If you're going to do a job, best do it properly. | 0:17:32 | 0:17:35 | |
After all, this space is going to be home to some monks | 0:17:35 | 0:17:38 | |
with rather high values. | 0:17:38 | 0:17:41 | |
All the stained-glass windows need a clean off. | 0:17:41 | 0:17:44 | |
But one or two have got damage, previous damage. | 0:17:44 | 0:17:47 | |
I've taken this piece of glass out. I'm just going to give it to Leon. | 0:17:48 | 0:17:51 | |
He's going to lay it onto a piece of plastic, | 0:17:51 | 0:17:53 | |
as it was in the lead. | 0:17:53 | 0:17:56 | |
And then that's going to be taken back to the workshop | 0:17:56 | 0:18:00 | |
and recreated with a new piece of glass. | 0:18:00 | 0:18:03 | |
Bring it back, pop it back in, | 0:18:03 | 0:18:05 | |
bend the lead down, | 0:18:05 | 0:18:06 | |
seal it with leaded light cement, | 0:18:06 | 0:18:09 | |
and then it's back to its original form. | 0:18:09 | 0:18:11 | |
The Benedictine monks of Ampleforth Abbey supported themselves | 0:18:17 | 0:18:20 | |
and their charitable work by farming sheep for their wool, | 0:18:20 | 0:18:24 | |
and sheep can still be seen grazing | 0:18:24 | 0:18:26 | |
across the North Yorkshire moorland to this day. | 0:18:26 | 0:18:29 | |
The fields are still separated using traditional dry stone walls, | 0:18:30 | 0:18:34 | |
which have been there for hundreds of years. | 0:18:34 | 0:18:37 | |
So I want to find out how to build one | 0:18:37 | 0:18:39 | |
with park ranger Simon Bassindale. | 0:18:39 | 0:18:42 | |
-How do, Simon? -How do? -Hello. | 0:18:46 | 0:18:49 | |
This is one of the oldest building methods, isn't it? | 0:18:49 | 0:18:52 | |
-Dry stone walling. -It is. | 0:18:52 | 0:18:54 | |
Probably been going on for thousands of centuries, | 0:18:54 | 0:18:57 | |
but really, here in the North York Moors, | 0:18:57 | 0:19:00 | |
really kicked off 300, 400 years ago | 0:19:00 | 0:19:03 | |
with the sheep farming developing. | 0:19:03 | 0:19:06 | |
So, Simon, how do you build a wall out of rocks | 0:19:06 | 0:19:08 | |
that's going to last for a couple of hundred years? | 0:19:08 | 0:19:10 | |
Well, the principles are very simple. | 0:19:10 | 0:19:12 | |
It's just a matter of following basic building techniques | 0:19:12 | 0:19:16 | |
of putting one rock on top of two wherever you can. | 0:19:16 | 0:19:19 | |
Put the stones so the long face is running front to back. | 0:19:20 | 0:19:24 | |
And then, if you get a wobble like this one, | 0:19:26 | 0:19:29 | |
we just pin it under the back and then fill this space in | 0:19:29 | 0:19:33 | |
with little bits of rubble. | 0:19:33 | 0:19:35 | |
Where do you get the stones from? I mean, are they quarried locally? | 0:19:37 | 0:19:40 | |
Very much so. Any dry stone wall, if you look on the hillsides, | 0:19:40 | 0:19:45 | |
you'll see little depressions all along, | 0:19:45 | 0:19:48 | |
of where the stones have literally been dug out off the ground | 0:19:48 | 0:19:51 | |
there and then to build the wall. | 0:19:51 | 0:19:53 | |
There's no point carrying it there if you don't have to, | 0:19:53 | 0:19:55 | |
-if you've got good materials on site. -So it's making use | 0:19:55 | 0:19:58 | |
of the landscape and what you've been given, really. | 0:19:58 | 0:20:01 | |
Here, in this particular corner of the North York Moors National Park, | 0:20:01 | 0:20:05 | |
we've got a Jurassic landscape. | 0:20:05 | 0:20:08 | |
So this would have been beautiful, warm, | 0:20:08 | 0:20:10 | |
sunny beaches and sediment laying down. | 0:20:10 | 0:20:13 | |
We had the mist down this morning. | 0:20:13 | 0:20:14 | |
You know, it could be a bit subtropical, really. | 0:20:14 | 0:20:17 | |
'These 550 square miles of heather moorland | 0:20:20 | 0:20:23 | |
'are an incredibly rare habitat, | 0:20:23 | 0:20:25 | |
'and the rangers are in a permanent battle to preserve it.' | 0:20:25 | 0:20:29 | |
Let's get digging around the base of this. | 0:20:30 | 0:20:32 | |
I mean... | 0:20:32 | 0:20:33 | |
..is it quite a delicate ecosystem here, Simon? | 0:20:34 | 0:20:38 | |
Well, it can be, given the wrong conditions. | 0:20:38 | 0:20:42 | |
So... Hence why we're trying to manage this. | 0:20:42 | 0:20:46 | |
Cos obviously, we get lots of invertebrates, | 0:20:46 | 0:20:51 | |
lots of mini beasts, as the kids like to call them... | 0:20:51 | 0:20:54 | |
-Mini beasts! -..living in here, | 0:20:54 | 0:20:56 | |
helping to rot things down. | 0:20:56 | 0:20:58 | |
And, then, obviously, | 0:21:00 | 0:21:03 | |
you get the shrews and the voles and the mice living on them. | 0:21:03 | 0:21:07 | |
It's all a very delicate balance, isn't it? | 0:21:07 | 0:21:09 | |
If something gets out of balance, it'll go right up the chain. | 0:21:09 | 0:21:12 | |
-Right. -And then we'll have that chucked over there | 0:21:12 | 0:21:15 | |
with those other dead ones. | 0:21:15 | 0:21:16 | |
'Sometimes, you've got to be cruel to be kind. | 0:21:21 | 0:21:23 | |
'If we want to keep the moor pure, | 0:21:23 | 0:21:25 | |
'we need to cull non-native invaders like this evil Christmas tree.' | 0:21:25 | 0:21:30 | |
It's going to seem funny to a lot of people, when, you know - | 0:21:34 | 0:21:37 | |
to chop down trees, when we're educated all the time now | 0:21:37 | 0:21:40 | |
never to touch a tree. | 0:21:40 | 0:21:42 | |
Well, we're not just going through taking all the trees out - | 0:21:42 | 0:21:46 | |
it is very much selective, | 0:21:46 | 0:21:48 | |
making sure the right species are retained. | 0:21:48 | 0:21:51 | |
But the ones that we don't want, unfortunately,... | 0:21:51 | 0:21:54 | |
-They're firewood. -Yeah. | 0:21:54 | 0:21:56 | |
It's nice to know that this corner | 0:21:56 | 0:21:59 | |
will be as protected as it possibly could be. | 0:21:59 | 0:22:02 | |
'Sorry, but to protect this delicate ecosystem, | 0:22:02 | 0:22:05 | |
'these birch saplings have also got to go.' | 0:22:05 | 0:22:08 | |
What we do with some of these is, the big woody stuff at the bottom | 0:22:08 | 0:22:12 | |
we'll rack up into habitat piles, | 0:22:12 | 0:22:15 | |
which are really good for invertebrates. | 0:22:15 | 0:22:17 | |
-Right. -But some of the branchy bits at the top | 0:22:17 | 0:22:20 | |
we'll make into faggots, which are big bundles of sticks | 0:22:20 | 0:22:24 | |
that we can use when we're doing path repairs on very boggy areas. | 0:22:24 | 0:22:28 | |
-Yeah. -So that we can then put stone on top of the bundles | 0:22:28 | 0:22:33 | |
and float the stone across the top of a boggy bit of moorland. | 0:22:33 | 0:22:38 | |
Should I chop and you drag, Simon? | 0:22:38 | 0:22:40 | |
OK. | 0:22:40 | 0:22:41 | |
I like this bit. | 0:22:42 | 0:22:43 | |
# I'm a lumberjack and I'm OK! | 0:22:47 | 0:22:49 | |
# I work all night and I sleep all day! | 0:22:49 | 0:22:51 | |
# I cut down trees I skip and jump | 0:22:51 | 0:22:54 | |
# I like to press wild flowers | 0:22:54 | 0:22:55 | |
# I put on women's clothing | 0:22:56 | 0:22:59 | |
# And hang around in bars... # | 0:22:59 | 0:23:02 | |
Could be a timber moment. | 0:23:02 | 0:23:04 | |
There she goes. | 0:23:07 | 0:23:08 | |
Timber! | 0:23:08 | 0:23:09 | |
'Aah, the cool country air! | 0:23:11 | 0:23:13 | |
'And on my way back to Ampleforth, it would be rude not to check out | 0:23:13 | 0:23:16 | |
'another local highlight - the finest view in England. | 0:23:16 | 0:23:20 | |
'Ooh, what a corker!' | 0:23:20 | 0:23:22 | |
Finest view in England - think I need to clean my glasses. | 0:23:24 | 0:23:27 | |
'It's there, I promise. Underneath the fog. | 0:23:27 | 0:23:29 | |
'Away from the moors and back inside the relative warmth of Bolton House, | 0:23:31 | 0:23:35 | |
'Father Wulstan has brought his fellow monk Father Chad along | 0:23:35 | 0:23:38 | |
'to check out their future living quarters. | 0:23:38 | 0:23:41 | |
'They'll be moving in in under a year's time, all being well.' | 0:23:41 | 0:23:44 | |
-Father Chad. -Good to see you. -Hello again. | 0:23:44 | 0:23:48 | |
How long was this building shut for, Bolton House? | 0:23:48 | 0:23:51 | |
-12? -12 years. -Was it 12 years? It's a long time, yeah. | 0:23:51 | 0:23:54 | |
And you're going to be living here again, possibly, | 0:23:54 | 0:23:57 | |
and, you know, you lived here in the past. What's it like coming back? | 0:23:57 | 0:24:00 | |
I think to come back into a building that you're used to seeing, | 0:24:00 | 0:24:03 | |
obviously, furnished, it's quite strange coming back in now, | 0:24:03 | 0:24:05 | |
but you still see the same shape of it and something of the same feel. | 0:24:05 | 0:24:08 | |
As monks - I mean, I know you have a vow of poverty. | 0:24:08 | 0:24:11 | |
Do you have many possessions? | 0:24:11 | 0:24:13 | |
Well, we have a number of things which we use, | 0:24:13 | 0:24:16 | |
and which we have for our use. | 0:24:16 | 0:24:17 | |
And each year in Lent, we go through all that and we enumerate that | 0:24:17 | 0:24:21 | |
on a list called a poverty bill, | 0:24:21 | 0:24:22 | |
and we give that to the Abbot, who then inspects what we have. | 0:24:22 | 0:24:25 | |
All the library books you've forgotten to take back, | 0:24:25 | 0:24:27 | |
-that sort of thing, get returned. -Is that quite liberating? | 0:24:27 | 0:24:30 | |
Yes. I worked before I came here, | 0:24:30 | 0:24:32 | |
and it was great to come to a monastery, | 0:24:32 | 0:24:34 | |
where you didn't have to carry keys or a diary, or... | 0:24:34 | 0:24:36 | |
You know, there was a sense of just...of freedom. | 0:24:36 | 0:24:39 | |
When you're out and about on business, | 0:24:39 | 0:24:41 | |
would you travel in your habit? | 0:24:41 | 0:24:42 | |
I think, sometimes, if people see you like this, | 0:24:42 | 0:24:44 | |
it can be a bit... They can get a bit freaked out. | 0:24:44 | 0:24:47 | |
I tend to travel in just a clerical collar. | 0:24:47 | 0:24:49 | |
When I was younger monk, I went to visit a friend in London | 0:24:49 | 0:24:52 | |
and I was wearing my habit walking across Waterloo Bridge, | 0:24:52 | 0:24:55 | |
and the wind just lifted this thing up, the scapular, | 0:24:55 | 0:24:57 | |
and just smacked this businessman in the face, | 0:24:57 | 0:24:59 | |
without me moving my hands. And he didn't know what to do. | 0:24:59 | 0:25:02 | |
-Yes. -It was an unusual social situation, I think, for him. -LAUGHTER | 0:25:02 | 0:25:05 | |
You would swallow your words quickly before you said anything offensive, I'm sure. | 0:25:05 | 0:25:09 | |
Within the school activities, one thing we're learning - | 0:25:09 | 0:25:11 | |
some of the monks play rugby, as well. | 0:25:11 | 0:25:14 | |
Well, play - possibly not play. I referee. | 0:25:14 | 0:25:16 | |
Right. Do you have a sin bin? | 0:25:16 | 0:25:18 | |
I like to release people from the sin bin. | 0:25:18 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:21 | |
I see that as my special role. | 0:25:21 | 0:25:23 | |
The monks at Ampleforth may have to abstain | 0:25:26 | 0:25:28 | |
from many of life's pleasures, but that hasn't stopped them | 0:25:28 | 0:25:31 | |
from creating their own little slice of paradise. | 0:25:31 | 0:25:34 | |
This is another Ampleforth marvel - its orchard. | 0:25:38 | 0:25:41 | |
How many varieties of trees have you got here? | 0:25:41 | 0:25:43 | |
Well, we've got just over 40 varieties of apple, | 0:25:43 | 0:25:45 | |
and just over 200 trees. | 0:25:45 | 0:25:48 | |
Do you have a penchant for apples, or... Is it their produce? | 0:25:48 | 0:25:51 | |
I think it's good to have something that gradually comes to fruition | 0:25:52 | 0:25:56 | |
and takes patience, but then brings happiness to lots of people. | 0:25:56 | 0:25:59 | |
Well, I suppose it's a bit like the Garden of Eden, really, isn't it? | 0:25:59 | 0:26:02 | |
-Well, I hope not completely, but... -No. No, it's beautiful. | 0:26:02 | 0:26:06 | |
-Look at that! -You've come at the right time of year. | 0:26:06 | 0:26:09 | |
-This is a bounteous harvest. -This is the best time to be here. | 0:26:09 | 0:26:12 | |
-Can I try one? -They're called Spartan. | 0:26:12 | 0:26:14 | |
-This is a Spartan? -They might break your teeth. | 0:26:14 | 0:26:16 | |
-That's all right. They're all my own. -Good? -Mm. | 0:26:16 | 0:26:19 | |
-Crisp. -Beautiful. | 0:26:19 | 0:26:21 | |
-Mm. -Sweet. | 0:26:21 | 0:26:22 | |
So what do you do with the apples? | 0:26:22 | 0:26:24 | |
-About ten years ago, we started making apple juice and cider. -Yeah. | 0:26:24 | 0:26:27 | |
And we make an apple liqueur, as well, called Ampleforth Amber. | 0:26:27 | 0:26:30 | |
It goes back to the thing about the Benedictine monks. | 0:26:30 | 0:26:33 | |
You know, you have to make a living. | 0:26:33 | 0:26:35 | |
So are there any problems? Are you allowed to drink? | 0:26:35 | 0:26:38 | |
-In the rules, Saint Benedict says that monks shouldn't drink. -Yes. | 0:26:38 | 0:26:41 | |
But since they can't be persuaded of this, | 0:26:41 | 0:26:43 | |
-they should at least drink in moderation. -Mm-hm. | 0:26:43 | 0:26:45 | |
So, for instance, we can have a little glass of beer at lunchtime, | 0:26:45 | 0:26:48 | |
which is just nice. | 0:26:48 | 0:26:50 | |
It is, isn't it? It's civilised. | 0:26:50 | 0:26:52 | |
'Ampleforth has a great tradition of music, | 0:26:52 | 0:26:55 | |
'including bagpipers. | 0:26:55 | 0:26:57 | |
'I didn't know they were big in Yorkshire!' | 0:26:57 | 0:26:59 | |
Right. I should say, "You be Mother, | 0:27:02 | 0:27:04 | |
but it'd be Father, really. LAUGHTER | 0:27:04 | 0:27:06 | |
-Father and brother. -Right. -Right. | 0:27:06 | 0:27:08 | |
-Father Chad. -This is what you need. | 0:27:08 | 0:27:10 | |
-8.3%? -Yeah. | 0:27:11 | 0:27:14 | |
It's what we need on a day like this. | 0:27:14 | 0:27:16 | |
Thank you very much. | 0:27:16 | 0:27:17 | |
'Time for a toast.' | 0:27:17 | 0:27:19 | |
-Here's to Saint Benedict. -Cheers. | 0:27:19 | 0:27:21 | |
-But only in moderation. -In moderation. | 0:27:21 | 0:27:23 | |
-What do you think? -Ooh. That's jolly good, isn't it? | 0:27:26 | 0:27:29 | |
Do you know, I'd never thought I'd see the day. | 0:27:29 | 0:27:31 | |
It's a bit surreal that I'd find myself in an orchard in Yorkshire | 0:27:31 | 0:27:34 | |
with two monks, a piper, and a table full of cider. | 0:27:34 | 0:27:37 | |
But, you know, I'm relishing it. It's rather fine. Thank you. | 0:27:37 | 0:27:41 | |
-I'll drink to that. -Cheers. Again! | 0:27:41 | 0:27:43 | |
LAUGHTER | 0:27:43 | 0:27:44 | |
'Next time, I'll be in Leicester, helping to restore | 0:27:49 | 0:27:51 | |
'one of the Midlands' most historically important treasures, | 0:27:51 | 0:27:54 | |
'the fantastic 18th-century Friars Mill. | 0:27:54 | 0:27:58 | |
'I'll discover how it's being brought back to life...' | 0:27:58 | 0:28:01 | |
Of course, the roof would have burnt out. | 0:28:01 | 0:28:03 | |
Yes, all the roof burnt off. | 0:28:03 | 0:28:05 | |
'..I'll help clean up the lifeblood of the mill, the River Soar...' | 0:28:05 | 0:28:08 | |
Ooh, yes. I think I got a whiff of the countryside. | 0:28:08 | 0:28:11 | |
'..and an iconic feature is put back in its place.' | 0:28:11 | 0:28:15 | |
Well, that's another change on the skyline of Leicester! | 0:28:15 | 0:28:18 |