Episode 4 The Manor Reborn


Episode 4

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Everything can be sat on. Played with. And enjoyed by the visitors.

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Avebury Manor will be reborn to reflect 500 years of its history.

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But time is running out. It is taking twice as long as it should.

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The Trust is getting nervous. starting to get really quite

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anxious now. With opening day in just a month's time, can we pull it

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off. It is touch and go if that will go through the front door.

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There is an awful lot to do before we hand over.

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We have deadline and we are keeping that deadline.

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It is autumn, and with only four weeks to go before we hand the

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manor back to the Trust, it is not exactly a hive of activity in the

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house. But outside, the Trust is already

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Designer, Russell Sage, is out and about barring began hunting,

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unruffled by -- bargain hunting, unruffled by the deadline. Four

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weeks is a big deadline, we have to make sure everyone is focused.

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Russell is in is element, scouring the country for table ware and

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drink kits. We never know what we will -- drink kits. We never know

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what we will iend find. Russell hasn't got a shopping list, but he

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will know what he wants when he see it is. What about this Nothing can

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be too expensive or precious. you do �30 on it. We want visitors

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to be able to handle on it. Can you do 200 of those and those. �360 we

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are done, go on. Russell knows a thing or two about haggling. Can I

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have a receipt. We're down to �120, it is making me �15. Half price, go

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is only because it will disintegrate further. You won't

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make it back to London. Very Art This method uses a high lead

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antique look. It is much cheaper to make them than buy the real thing,

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hot in here. Hello. You must be Jo. What is the first thing you have to

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do? Picking up the blowing iron, and gech it in the water and make

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you pick up too much molten glass, can adjust slightly and cut the

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glass, it is best to get the right amount every time. I have to get

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the bubble in there as quickly as possible. Now I'm blowing quite

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gently. It's all about the turning, stopped turning everything goes off

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centre and goes wrong. I'm dropping out the stem in the middle of the

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cup. I'm ready to put the foot on. using a foot board, a hinged board,

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hinged together with some leather, kept in a bucket. That is so clever.

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That is perfect. You have got that wonderful bubblous balances trade,

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put into a kiln to slowly bring them down in temperature and stop

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making carpets for 70 years. I'm checking up on two we have

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commissioned for the house. One for our 1930s Art Deco sitting room,

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and an absolutely enormous one for our Georgian dining room.

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That is our carpet. Doesn't it look lovely. Sadly, of course, the

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dining table will be over the middle of it. We will have to move

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the dining table out occasionally to look at the carpet.

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Specially designed for Avebury, it echos the architectural detail of

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our dining room. Keeping an eye on quality control is Charlene. May I

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stand on it, to Christen it. You may. I will take my shoes off,

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I promise. 1234 Have I spotted something? And

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I haven't even got my glasses on. The next carpet to come off the

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machine, transports Avebury straight into the 20th century. It

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is inspired by Alexander Keeler, who lived at Avebury in the 1930s.

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Keeler was a rich Playboy, with a zest for life. Married four times,

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he some how found time to indulge his other great passions, fast cars,

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and archaeology. Keeler carried out his own historical makover, using

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his robust brand of archaeology, to resurrect the Avebury stones.

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He bank rolled his pursuits from the vast fortune he inherited from

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the family business, marmalade. Our striking carpet is the first

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completed commission to be installed in the manor. How

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exciting. Perfect, spot on, that is. All we

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need now is some furniture. Using Russell's zebra skin, Helen

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is upholstering the chair typical of the Art Deco period. I can't

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one before. This is slightly over the years. But never one like

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this, certainly not in a zebra skin. I think it has been shot by a

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Muscat, looking at the wounds here. That was the death shot. This is

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the creature's face just here, here is his eyes. It is surprisingly

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thick where the mane is. Wow. Then this side, you have a little

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cupboard. You can put your bottles. It is the ultimate man's chair this.

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Apart from without having the remote control!

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Back in Avebury, work is up and running again in the dining room.

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Corin and his brother Ashley, are applying 23 carat gold leaf to pick

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out the ornate Georgian mouldings. I'm pretty much using the

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traditional tools that the Georgians would have used. So the

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reason I'm covered in cold is I'm using a guilder's tip, and to get

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that little bit of static on the tip, I'm brushing it on to my

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stubble. Having a golden beard is a total fashion statement, I can't

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know I had one. So that's why men Gold started to fly everywhere, I'm

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going to get out of here, it is too much of a mess.

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Working alongside the boys are Chloe and Kevin, preparing the old

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and uneven walls for our spectacular wallpaper, coming from

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China. Because they are old walls, obviously there are cracks and old

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drips of paint, and the lining paper will give us a smoother

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surface to work on and hide a lot of it. I'm creating a straight edge

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that I will then cut and make sure it all looks nice and neat. This is

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often the problem with old houses, you don't get sort of totally true

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straight edges, the corners of buildings might have cracked over

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the years and been filled, you have wobbly lines. New houses aren't

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totally square either, but they are a lot easier to work with.

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It will be fine and look great. Russell's come to the upholsterers,

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to work out how they will cover the Queen Anne bed in silk. After the

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decision to go for precise much harder. Now we have ended up

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with a shape, which I appreciate, is absolutely beautiful, but

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virtually impossible to cover in fabric. You didn't realise it was

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going ob all this. You thought, nice easy job -- going to be all of

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this, you thought, nice easy job. There are 92 separate pieces to the

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cornice, and to emphasise the fine detail, each contoured piece has to

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be tightly covered in silk. It will be one hell of a job. That's our

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shape, we are trying to get the fabric into that corner there, it

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is quite tricky. Sample two coming up. You need to put a piece in

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there, to there, and back tape that way and that way. My faith is

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dropping, this is going to take you houses of hours, isn't T

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-- it. It is taking twice as long as it should, you know. But, it is

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a challenge. That's not the only challenge with

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the Queen Anne bed. They are worried that the dome is too big to

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fit through the manor doors. Once it gets there it will be tight.

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Try to ram it through the door. Juggle it in, I reckon. With time

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against us, they are going to have to start dressing the dome. We will

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worry about getting it into the manor later. Once it is fully

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upholstered, you can't grab hold of these, the only place would be

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its side it will make a awkward to try to get it through the doors and

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up the stairs. This is going to be our bill yard room, we are

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decorating and furnishing it in a style inspired by Edwardian sold

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yerb and champion sportsman, Lieutenant -- soldier, Lieutenant

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Colonel Genner. He lived there up until the 1980s. We wanted to

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reflect a time when upper-class men retired from dinner to the billiard

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room for manly talk, port and cigars. Restorer, Peter Ludg ate

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has started work on the rescued billiard table. To ensure the

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finest playing surface, you need Welsh slate. Originally beds of

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tables would have been made in parquet flooring. We have tried all

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sorts of different surface, like glass, but slate is the tried and

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tested way. It is heavy and stable and comparatively cheap. Brace

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yourselves, each of the four slate segments weighs more than 20 stone.

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That's it. Once the slate is in place, the

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surface is finally sanded, before the cloth is fitted.

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The thing has to be level, we have to get it absolutely spot on. It is

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like tuning an instrument, it has to be tuned to perfection. It is

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very nice, hello, I'm Paul, pleased to meet you. Have you put all this

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bit of help with the slate i thought you would help us. I have

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come at the right time! Do you know the ball runs beautifully, it

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In Northumberland, furniture makers George Smith are at work on a

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classical-style sofa for the dining room. It is likely to be one of the

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most sat on pieces of furniture, so it will need to be sturdy.

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This type of frame I would say is all me!

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It's a production line of highly- skilled craftsmen, and women.

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Obviously every aspect and process of the sofa is tricky. But to me

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the upholstery is vital because it is the finished product. Every job

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is a challenge, you don't realise material out, how it ends up, as

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the finished item. You appreciate really what you are doing.

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The Georgian-style sofa is the first piece of commissioned

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furniture to arrive on site. It is not the only piece to be delivered

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today. Our hand-painted wallpaper, which I saw being made in China has

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arrived. 25 rolls of it. This is what we have been waiting for.

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Chloe is only one of a handful of people in the country, skilled

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enough to hang this unique wallpaper. Very, very excited.

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has taken 12 artists over 600 hours to paint. Wow.

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Wow. That is amazing. Absolutely, this is really what it's all about.

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It really is. It's just such a massive badge of honour to be

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involved in this, to be working with this work. Sorry! Every step

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of the process is going to need absolute precision. Some people

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might think I'm being a bit with something of this value, I

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don't want to get it wrong. Just check the measurement again for the

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millionth time, OK, good. Just try the bottom edge as well. We have to

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quite quick. Obviously we don't want the glue drying out, and we

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don't want the paper getting too wet. Getting the position of the

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first piece right is key, it is a will determine how the scenes play

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out around the room. Gently. That's great. OK, so just let it, keep

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hold of it, keep it away from the wall. Now very gently, use the tip

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of the scissors. That's it. Very carefully, that's it, I don't know

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what the fuss was about! That's one down, only 24 to go, good luck

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Chloe. Because it is hand made and hand

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painted, there are, of course, going to be ve variations, so we

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have got to do -- to be variations, so we have to do it as best we can.

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If there is anything, there has to be a bit of an allowance, huhhhhhh.

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Camera off! That's what happens when you are talking and working at

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the same time, instead of concentrating. But it will be fine.

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That's our fault. I am very happy. I have smudged it

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here. If I didn't even notice that. Then no-one will, Chloe.

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Historian, Anna Whitelock, has arrived, with the Tudor bed spread,

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and the royal school of needle work's Peacock eyes. Dozens of

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local needle workers have joined in to help. It is Dina's job to

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organise the operation. I like that all the eyes are different sizes

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and all the hands are working on it, the Royal School hands are working

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on it and these hands here. In all, over 60 pairs of hands of all ages

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have come together to make the bed spread. I have been embroidering

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all my life, ever since the age of these young girls. It is fun coming

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in later on when it is all done and saying I did some of that.

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So authentic to be in a Tudor room and have a group of female

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embroiderers at it, stitching and chatting as they go along. Each of

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you is leaving your own little stitch on Avebury Manor, that will

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hopefully be here for years to come. There is a tonne of work to do

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schedule. Every room still needs its finishing touches to the paint

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work. For Chloe, the end is in sight. The last piece of the jigsaw

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puzzle, suddenly it will go, ping and everything will fall into place.

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That's it. All done.

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That's amazing, beautiful. I feel like I'm in the picture, I'm in

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there. In China. I feel like I'm a part of this.

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You need a big hug, come on. just three days we are due to open

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to the public, if the National Trust aproves. So work will have to

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go on around the clock. moved into the Mondayor. Sometimes

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you don't want to get out of bed. My sock says Tuesday but it is

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Wednesday. It would be better if it was Tuesday. Also on sight is

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Russell's second in commands Daniella and Cameron. We need to

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dress and stuff the mattresses. The rooms with the biggest wow factors

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are the ones that we will be working until the last minute.

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There is a delivery for the Tudor parlour, digital tapestrys of

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pieces that hang in Hampton Court. They will be hung in the paneled

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piece is hung on the right wall. This is V, that should be this wall.

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The first job is to put up batons from which to hang the taps trees,

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but as it is a grade I listed building, we are trying to use the

:26:28.:26:34.

existing holes. This is the really exciting bit, going on now, all the

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work done away from the property is Exciting, we find out if all the

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measures will fit. Extra weight is added to hang them properly, the

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creases are steamed out. Some are more stubborn than others, they

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just need a little bit more time. Ed pabt -- the parlour will be

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dressed for a Tudor meal, we need some plaipbts. As original Tudor

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pewter is rare and expensive, Russell has an idea. He is

:27:20.:27:30.
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distressing junk shop pewter. it is being done by a hammer.

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the 1915s, it consisted of a lot more lead. That is probably why

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they all died so young! Now for some radical recycling? We will

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melt it down, pour it into the mould there, let it solidify, and

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produce a solid ingate for raw material for us to work with.

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Before your very eyes, old tank cards into Tudor treasures. Back at

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the manor, the rush matting for the Tudor parlour is here. It is thick

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and very heavy. OK I have got it! Yeah, slow steps.

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Can you see where you are going, Don't put it down. Oh! (panting) no,

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no! (laughing) Ewwwww. Right then! The last job is to bind

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the mat's edges, and then give it a good drink. It is rather like

:29:28.:29:34.

having a pet in your house, you learn when it needs to be watered.

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You can hear it, it sort of crunchs With 24 hours until opening day, I

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have come to lend a hand. Dina and her crack team of

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volunteers, are finishing the Tudor bed spread, by joining you will 55

:30:04.:30:11.

Peacock eyes with a web of stitching.

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Can I have a bash. You're doing stem stitch. Can you remember?

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I will kneel down, is that allowed? We have been doing that, it is the

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only way. I do a lot of work on my hours and hours, I hope you don't

:30:29.:30:36.

need much more of me, I will be here doing this, it is lovely.

:30:36.:30:46.
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While Penelope is on her knee, some of us are humping furniture.

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Do you want me to pull it out! Sorry. The deliveries keep on

:30:55.:31:05.
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coming. The manor is filling up fast. With work continuing in every

:31:09.:31:19.
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room, we have run out-of-space. are you? Now John jee Sainsbury has

:31:20.:31:27.

arrived with a van load of Queen Anne furniture. It will have to be

:31:27.:31:32.

set out on the lawn. Russell has had them covered, so our historian,

:31:32.:31:36.

Dan Cruickshank, will get a surprise. It is the moment he's

:31:36.:31:43.

been waiting for. Ahhh. So the Queen Anne day bed. One so rarely

:31:43.:31:50.

sees day beds of that period. I have to do what I have never done

:31:50.:31:56.

before. I can throw myself, crack. Do you know what, it is comfortable.

:31:56.:32:06.
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The Queen would be very happy here. Can I turn one over. This is

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absolutely fantastic. We have one last present for you. Of course.

:32:14.:32:19.

This is what I really need, the exercise chair. This is sensational.

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I mean it is based on the original, beautifully executed. I love the

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Gothic detail. Put your hands on this bit. More slowly. Are you

:32:33.:32:42.
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feeling any healthier? I'm feeling something! I think we should leave

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it at that, don't you! Look at that. Try it. It is really comfortable.

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marble. They are so beautiful. worried about them being damaged or

:32:58.:33:07.

had them made new. Now the Trust has to protect them. They have to

:33:07.:33:17.
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be used. They will be fine, robust. Come on Dan, that's the whole point.

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Local embroiderers Nicky and Lorraine are upholstering a foot

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stool for Queen Anne. And Dale is embroidering a royal Monroe know

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gram for the ultimate throne! are mating a toilet fit for a Queen,

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posher than what I have at home. Our royal loo will be covered in

:33:44.:33:54.
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silk and velvet, how luxurious. I know what the chaps are like,

:33:54.:34:01.

they leave the lid up. I don't think it would do for today.

:34:01.:34:04.

gentleman might have to lift the lid. And be short!

:34:04.:34:08.

The manor has so many rooms from different periods, Russell's got

:34:08.:34:16.

his work cut out finding theg rates for the fireplaces. The chances of

:34:16.:34:20.

-- graits for the fireplaces. The chances of getting it historically

:34:20.:34:24.

right it is important the fireplaces look dressed. It doesn't

:34:24.:34:29.

matter it is not a specific date, it looks like the job. We are doing

:34:29.:34:34.

National Trust Disney, not anything else. I'm not sure Lucy agrees,

:34:34.:34:44.
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Russell. That is a little bit later than I was expecting. That is a hob

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grate, they don't come in until later in the century. The picture

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on the side is classical. I don't know if it's quite right, but at

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happen very quickly without planning, without reference to us.

:35:03.:35:11.

I spent six months buying things, 60 seconds stealing mirrors from

:35:11.:35:16.

the toilets back at the house. is a curtesy to let you know what

:35:16.:35:21.

is happening in the house. The other thing is cross-headed screws

:35:21.:35:27.

that were used. I don't know what and whether they are correct.

:35:27.:35:31.

tell anyone. Outside, a convoy has arrived, with

:35:31.:35:41.
:35:41.:35:42.

our two most important commissions. That is unbelievable, isn't it, it

:35:42.:35:46.

is like buses. We have the Queen Anne bed and the Tudor bed. But the

:35:46.:35:50.

problem we have got is, the dome for the Queen Anne bed. Because it

:35:50.:35:55.

is so big, is it going to get through that front door?

:35:55.:36:05.
:36:05.:36:11.

That's one door down, two more to go. This is the bit we have been

:36:11.:36:17.

waiting for. Great look at that, nice wide Tudor

:36:17.:36:22.

front door. The bedroom door is the real test,

:36:22.:36:32.
:36:32.:36:34.

it is much narrower. That is tight. By the skin of our teeth it is in!

:36:35.:36:40.

The bed is the centre piece of this room, but with 80 parts to assemble,

:36:40.:36:49.

it is a race against time to get it up. Let's hope the Tudor bed is

:36:49.:36:59.
:36:59.:37:02.

easier, this is flat-pack turn furniture, Elizabethan style! While

:37:02.:37:08.

the Queen Anne bed is flash and showy, with the crimson upholstery,

:37:08.:37:15.

and golden brocade. Our Tudor four- poster has a rustic charm all of

:37:15.:37:22.

its own. I wouldn't mind a kip in several layers of mattresses, so

:37:22.:37:27.

Anna and the team get stuffing. The middle will be hollow fibre,

:37:27.:37:33.

which we have here. This is our version of flock, which was bits of

:37:33.:37:36.

wool, bits of ration, all stuffed in there. We will get pieces out

:37:36.:37:42.

and ball it up. It would sag down a little bit. The important job was

:37:42.:37:49.

to regularly tighten the ropes on could have a good night's sleep.

:37:49.:37:55.

Night, night, sleep, tight, is the whole idea of the ropes tightly

:37:55.:38:01.

strung. Both mattresses will be stuffed with feathers. That will be

:38:01.:38:09.

lovely and soft, get it in and first time I have laid on a kitchen

:38:09.:38:14.

is lying down, the curtains are going up.

:38:14.:38:20.

You are smiling through, with flowers in your button hole. What

:38:20.:38:26.

will be, will be. It is? We cut it fine, so many people running around

:38:26.:38:30.

today, we will have a late night. I keep thinking I need a bit of time

:38:30.:38:36.

in their place. You are not nervous about it? Not at the moment, you

:38:36.:38:45.

can phone me about midnight tonight. I don't think I will. We don't want

:38:45.:38:49.

a typical Stately Home kitchen, but something that reflects the tough

:38:49.:38:54.

life below stairs during the First World War. We want to create this

:38:54.:38:58.

sense of having to prepare stuff to go upstairs. It is very much the

:38:58.:39:01.

upstairs downstairs thing. What we need to be cautious of is not

:39:01.:39:07.

making it like a museum, not having tins stacked in way you might have

:39:07.:39:14.

laid for a museum, but not for a working kitchen. It is 5.00, we are

:39:14.:39:18.

handing over to the National Trust at 8.00am. All this stuff has to go

:39:18.:39:24.

out of here, all this, the lights, the ladders. Everyone is very

:39:24.:39:30.

casual about it, I'm getting really worried about it. OK are you happy?

:39:30.:39:39.

point. We do. All right, I will crack on.

:39:39.:39:47.

Just 15 hours to go and stacks to do. I think we better pick up the

:39:47.:39:57.
:39:57.:39:58.

Put all the pieces on the desk and Russell will choose which pieces he

:39:58.:40:05.

will use. Nice to tuch, oak is always nice,

:40:05.:40:15.
:40:15.:40:16.

you get sensitive mouldings. I think there is an awful lot to do

:40:16.:40:26.
:40:26.:40:30.

before we hand over. It works, it works.

:40:30.:40:40.
:40:40.:40:40.

Oh my goodness, I absolutely hate it! Most of the heavy lifting has

:40:40.:40:46.

now been done, I think. Not quite, Hannah. There is still

:40:46.:40:56.
:40:56.:41:03.

the small matter of the large dome I don't know about you Penny, but

:41:03.:41:07.

I'm pleased to be out of there? Would you call it organised chaos.

:41:08.:41:11.

I would call it disorganised chaos. There are so many people wandering

:41:11.:41:21.
:41:21.:41:22.

all right. Everyone is saying that and nobody is really cleaning up?

:41:22.:41:27.

Someone asked me to clean and I said I wouldn't. Of course you

:41:27.:41:32.

wouldn't? I asked Russell if he needed help he said I could make a

:41:32.:41:42.

coffee? I think he needs coffee and a drink. He's coping OK. How many

:41:42.:41:48.

people are in there? 40? Right, how many man hours does that make. It

:41:48.:41:53.

will be all right on the night. Where are we going, down the pub?

:41:53.:41:59.

Yes, I think so. I think the team are in for a very

:41:59.:42:06.

long night. Russell has still got a dozen dead animals to hang before

:42:06.:42:16.
:42:16.:42:16.

he can go to bed. With all this stuff we sort out one

:42:16.:42:19.

problem and move on to the next problem.

:42:19.:42:26.

Time to lay my beautiful Ulster carpet. 1-2-3. Wow.

:42:26.:42:35.

Lovely. Working at night is bad enough, but things are about to get

:42:35.:42:43.

worse. What's happened, Tony. the power has gone. The whole

:42:44.:42:48.

building is out. With so many lights on, we have blown the

:42:48.:42:58.
:42:58.:43:00.

electrics. Working in the dark, eh! Oh dear!

:43:00.:43:10.
:43:10.:43:14.

God are you all right! Where is your light Bar? In the van! Hurray!

:43:14.:43:17.

Thank goodness, with power restored we can crack on.

:43:17.:43:27.
:43:27.:43:28.

It looks as though things are coming together. (laughing) Well,

:43:28.:43:34.

almost. I'm so sorry. Is your foot all

:43:34.:43:39.

right? The biggest challenge now is

:43:39.:43:44.

exhaustion. I'm a little bit tired, but I'm already, everywhere you

:43:44.:43:51.

turn there is something bread rolls in an apparently Victorian kitchen.

:43:51.:44:01.

OK. Final touches to all the rooms are still being made. And our

:44:01.:44:06.

embroiderers are settling in for the rest of the night. We have been

:44:06.:44:11.

working for 11 hours solid, so that it can go on show tomorrow. Today!

:44:11.:44:21.
:44:21.:44:22.

Sorry. While Grant, Corin and Mark will be painting until they drop.

:44:22.:44:32.

It is 4.00am and I'm knackered. think it's supposed to be Queen

:44:32.:44:38.

aank reclining in this room, not the -- Queen Anne who is supposed

:44:38.:44:42.

to be reclining in this room, not the work force.

:44:42.:44:52.
:44:52.:44:53.

Morning has broken, it's opening day. Well, we hope it is.

:44:53.:44:59.

Morning. Good morning Penny. end. The great reveal. The handing

:44:59.:45:03.

over. It has been a lot of blood, sweat and tears. Any tears? Yes,

:45:04.:45:10.

lots of them. Now, it was a bit chaotic last night, I think the

:45:10.:45:15.

Trust are going to be here anywhere now. I will go and find them.Ly

:45:15.:45:25.
:45:25.:45:26.

and talk to Russell. I will meet Russell. I will meet you in there.

:45:26.:45:33.

Good morning ladies, nice and early. Right, it's the big day. What are

:45:33.:45:38.

your expectations? I think we have had a lot of debate in the National

:45:38.:45:44.

Trust about Disneyfication and dumbing down, that is where we

:45:44.:45:50.

might be open to comment. What are you going to do if you don't like

:45:50.:45:57.

it? I would be surprised if we like single room. I think that would be

:45:57.:46:01.

a massive ask. But as long as people have a reaction, then I

:46:01.:46:11.
:46:11.:46:17.

think we have really achieved something. Russell? You're up there.

:46:17.:46:24.

I'm coming to get you. What is this? This was for this lamp, but I

:46:24.:46:30.

got the wrong shape, so I have to go out here. What time did you get

:46:30.:46:35.

done? I finished at 1.00am, and back at 6.00am. Have you had

:46:35.:46:40.

breakfast? I have. The National Trust is on the way, and Paul will

:46:40.:46:43.

meek them, we will start in the billiard room, I would like you

:46:43.:46:53.

Trust don't like it we can't open. Everything rides on this viewing.

:46:53.:47:03.
:47:03.:47:06.

Hello, good morning. The time has come. We'll go in, come in.

:47:06.:47:16.
:47:16.:47:17.

Dan and Anna are looking nervous. The billiard room, ladies. Where

:47:17.:47:22.

the gentleman would retire after dinner for billiards and a cigar.

:47:22.:47:29.

This looks different from when we were last here, my word. What do

:47:29.:47:37.

you think? I love the cases. All the books. I have never seen books

:47:37.:47:43.

on these bookshelves. Have you not? It is lived in now. It is

:47:43.:47:47.

astonishing, it feels like it has always been here. That went down

:47:47.:47:52.

well. Next, the Tudor parlour.

:47:52.:47:59.

We're going back to 1565. The Tudor room. The Tudor parlour. Complete

:47:59.:48:05.

with wall hangings, coats of arms, and look what you are walking on.

:48:05.:48:11.

Bull rush bath matting. Sarah what do you think visitors will make of

:48:11.:48:17.

the room when they come in, it is concerned, they will be used to

:48:17.:48:22.

seeing this amount of furniture in some of our Tudor houses. What they

:48:22.:48:27.

will not be used to seeing is furniture as new. I think that is

:48:27.:48:33.

one of the really exciting things here. That here we have got new oak

:48:33.:48:40.

furniture. But made traditionally with the traditional skills.

:48:40.:48:45.

Exactly. That was good too. What about our chaotic kitchen.

:48:45.:48:55.

This is our Avebury Manor kitchen, circa 1911. We have saved some

:48:55.:49:01.

washing up for you as well. Oh my word! It was a big dinner party!

:49:01.:49:05.

This is fantastic, the amount of Victorian, beautifully laid out,

:49:05.:49:10.

pristine kitchens we have in the Trust, you rarely get a sense of

:49:10.:49:15.

the wind of labour and meanal drujry that happens in these

:49:15.:49:25.
:49:25.:49:26.

places really give you this kind of feel. I love it. Getting exciting

:49:26.:49:30.

now. Exciting yes, but it is all going a

:49:30.:49:36.

bit too well. The Tudor bedroom, we have given it a nightime feel.

:49:36.:49:45.

go in, before you go in there, you will all need one of these. Russell.

:49:45.:49:53.

Right, so here is our intimate Tudor bedroom. Here we are.

:49:53.:50:01.

Take a look up there. I wondered about the ceiling emblems, seeing

:50:01.:50:07.

them now, particularly as they tone so well with the frieze. I think

:50:07.:50:12.

they look fantastic. Thumbs up for the painting ceiling, after all the

:50:12.:50:18.

debates and discussions. Not for me, what we did have here before, was

:50:18.:50:21.

simply white. With the spirit of the project, getting the colours

:50:21.:50:25.

together, on a really fantastic room, perhaps we can accept it.

:50:25.:50:30.

Mmmm, Lucy is obviously not converted. Now, for our most

:50:30.:50:34.

controversial room, with its vibrant colour scheme.

:50:34.:50:40.

Here we are ladies, come in, this is our Queen Anne bedroom. Wow.

:50:40.:50:48.

This is ready for her visit. Sarah, what's your gosh? Well, you know

:50:48.:50:56.

what I said when we were discussing this about marbling in bedrooms. I

:50:56.:51:05.

think you did find some. In the royal palace in the Netherlands,

:51:05.:51:15.

Queen Anne and Mary's bedrooms had marling. I'm thinking Netherlands,

:51:15.:51:20.

Avebury Manor, marbling, very aspirational!

:51:20.:51:26.

Oh dear, I think that was our first no-no. Let's hope our hand-painted

:51:26.:51:33.

Chinese wallpaper thrills them. So come in here, the governor of

:51:33.:51:40.

Jamaica's dining room. Look at our Chinese wallpaper. It is all about

:51:40.:51:44.

Georgian elagance, the trade routes are open, and everything is

:51:44.:51:49.

available. Do you know what I had in my mind's eye, it was not this.

:51:49.:51:55.

I love this. Have you seen Avebury? I have seen it, look there.

:51:55.:52:05.
:52:05.:52:09.

Oh my goodness me. I think they like it.

:52:09.:52:18.

The public are already gathering at the gate. Well it has been a great

:52:18.:52:22.

team effort, you must have seen how many people there were here

:52:22.:52:32.
:52:32.:52:32.

the amount that's been achieved in the last six months is absolutely

:52:32.:52:38.

astonishing. And Russell, thank you so much to you and all your

:52:38.:52:43.

craftmen for just the fantastic work that you have all done. To

:52:43.:52:47.

Anna and Dan, because actually the whole essence of this is the

:52:47.:52:49.

authenticity. And just being true to history.

:52:49.:52:59.
:52:59.:53:02.

Well, that's thumbs up, then. Now for our real judges.

:53:02.:53:06.

Hello everyone. Hello everyone, thank you so much for waiting, I

:53:06.:53:10.

can't start to tell you how excited I am to show you the new manor, as

:53:10.:53:20.
:53:20.:53:28.

she is truly beautiful, I hope you agree, please do come in.

:53:28.:53:38.
:53:38.:53:42.

Wonderful trapsry, they are absolutely stunning. I love the

:53:42.:53:48.

messy kitchen. I haven't been to one room I'm disappointed with.

:53:48.:53:56.

of the day. A cup of tea mother. The table is hiding the best bit.

:53:56.:54:02.

Look. Absolutely gorgeous, isn't it. With all the gold bits as well, it

:54:02.:54:09.

does look a bit Las Vegas, isn't it. Yeah, it is really nice. Is this

:54:09.:54:17.

before or after dinner. Sit back and relax. I think I would find it

:54:17.:54:22.

overwhelming. Everything is useful and tactile, thankfully, no.

:54:22.:54:32.
:54:32.:54:33.

doesn't like to go behind closed single object, in every single room,

:54:33.:54:38.

there is a story to tell. engaging with the craftsmen and the

:54:38.:54:47.

all been enriched by the process. people, tears, crying, from the

:54:47.:54:51.

National Trust, seeing the rooms, the beauty, coming back from the

:54:51.:54:56.

grave, it is like the dead rising, it is a resurrection, it is. This

:54:56.:55:06.
:55:06.:55:06.

Apology for the loss of subtitles for 151 seconds

:55:06.:57:38.

magic stuff going on, it is as I What an exhausting day? Well that's

:57:38.:57:44.

it, it's all over. Everybody's gone home. Isn't it lovely and quiet.

:57:44.:57:49.

What a day. What a day, and when you think what this room looked

:57:50.:57:56.

house. It is extraordinary. Cast your mind back six months, I can

:57:56.:58:02.

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