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In the summer of 1953, a group of amateur filmmakers captured this | 0:00:26 | 0:00:32 | |
wonderful colour footage | 0:00:32 | 0:00:34 | |
of the Queen's Coronation celebrations, | 0:00:34 | 0:00:36 | |
held in towns and villages in Northern Ireland. | 0:00:36 | 0:00:39 | |
Soon, they would have the chance to film the new queen herself, | 0:00:39 | 0:00:42 | |
as she arrived here for a three-day visit, her first stop | 0:00:42 | 0:00:46 | |
on an ambitious seven-month tour of the Commonwealth. | 0:00:46 | 0:00:48 | |
Through these evocative images and the personal memories | 0:00:49 | 0:00:53 | |
of some of those who were there, we're going to tell the story | 0:00:53 | 0:00:57 | |
of that unique royal tour, and what it meant to us. | 0:00:57 | 0:01:00 | |
So, here I am | 0:01:09 | 0:01:10 | |
in Lady Grey's sitting room in Hillsborough Castle, | 0:01:10 | 0:01:12 | |
which is the Queen's official residence | 0:01:12 | 0:01:14 | |
when she's in Northern Ireland. | 0:01:14 | 0:01:16 | |
Now, during the programme, I'm going to try and piece together | 0:01:16 | 0:01:20 | |
that quite remarkable visit back in 1953, | 0:01:20 | 0:01:23 | |
to find out where the Queen went, exactly, | 0:01:23 | 0:01:25 | |
who did she meet en route and, from my own point of view, | 0:01:25 | 0:01:28 | |
how Northern Ireland has changed since I was a young girl. | 0:01:28 | 0:01:31 | |
I was 13 at the time. | 0:01:31 | 0:01:33 | |
In fact, I have my own very special memory | 0:01:34 | 0:01:37 | |
of seeing the Queen that summer. | 0:01:37 | 0:01:39 | |
I was cycling along a country road, | 0:01:39 | 0:01:42 | |
and I had to pull in close to the hedge | 0:01:42 | 0:01:44 | |
because a cavalcade of cars drove past, | 0:01:44 | 0:01:46 | |
and there in one of the cars, I saw for myself the young Queen. | 0:01:46 | 0:01:50 | |
She was on her way here, to Hillsborough Castle. | 0:01:50 | 0:01:53 | |
It was only four weeks after her Coronation, | 0:01:53 | 0:01:56 | |
an event that captivated the nation. | 0:01:56 | 0:01:59 | |
As you can imagine, I'm really enjoying this, | 0:01:59 | 0:02:01 | |
and probably the only opportunity I'll ever have to sit on a throne. | 0:02:01 | 0:02:05 | |
But I do remember Coronation Day very, very clearly. | 0:02:05 | 0:02:08 | |
All the kids, of course, got a day off school and at home, somewhere, | 0:02:08 | 0:02:12 | |
I still have my little Coronation mug, which we all received. | 0:02:12 | 0:02:15 | |
But we didn't have a television in our house in those days, | 0:02:15 | 0:02:18 | |
and there was only one woman in our entire road | 0:02:18 | 0:02:21 | |
whom I knew did have one. She was called Mrs McCracken. | 0:02:21 | 0:02:24 | |
So I was the first in line, early on that day, to say, | 0:02:24 | 0:02:26 | |
"Please, can I come in and watch the Coronation?" | 0:02:26 | 0:02:29 | |
Thankfully, she let me in. | 0:02:29 | 0:02:31 | |
'From now, until after five o'clock this afternoon, | 0:02:34 | 0:02:37 | |
'television cameras take you into the heart of London | 0:02:37 | 0:02:39 | |
'to watch and share in each phase of this great day's events.' | 0:02:39 | 0:02:43 | |
Televisions were few and far between in the '50s. | 0:02:52 | 0:02:56 | |
Most people had to make do | 0:02:56 | 0:02:57 | |
with listening to the commentary of the Coronation | 0:02:57 | 0:02:59 | |
on the good old wireless. | 0:02:59 | 0:03:01 | |
So, when we heard that the Queen was coming to Northern Ireland, | 0:03:01 | 0:03:05 | |
and that we might actually get to see her in the flesh, | 0:03:05 | 0:03:08 | |
well, the excitement was palpable. | 0:03:08 | 0:03:10 | |
All of a sudden, you have this very young woman | 0:03:10 | 0:03:13 | |
who's going to be the new queen, and so after | 0:03:13 | 0:03:18 | |
a difficult period of world conflict and austerity, | 0:03:18 | 0:03:21 | |
you now have this new young woman coming to the throne, | 0:03:21 | 0:03:24 | |
which was quite exciting. | 0:03:24 | 0:03:25 | |
Of course, not everyone here was a fan of the monarchy, | 0:03:25 | 0:03:29 | |
but it does seem that there was | 0:03:29 | 0:03:31 | |
an overwhelming feeling of goodwill towards this visit. | 0:03:31 | 0:03:34 | |
Royal visits to Northern Ireland | 0:03:34 | 0:03:36 | |
always have the potential to be sensitive, | 0:03:36 | 0:03:39 | |
because there's always the, there is a minority | 0:03:39 | 0:03:43 | |
within the Northern Ireland population | 0:03:43 | 0:03:46 | |
who are assumed to be opposed to the visit. | 0:03:46 | 0:03:49 | |
That's not always the case. It's not a simple opposition - | 0:03:49 | 0:03:52 | |
Unionists and Protestants love the monarchy coming | 0:03:52 | 0:03:55 | |
and Nationalists and Catholics don't like the monarchy coming. | 0:03:55 | 0:03:58 | |
I mean, nothing is a simple opposition. | 0:03:58 | 0:03:59 | |
There are people who found it just as exciting | 0:03:59 | 0:04:02 | |
to have the Queen going past and lots of pomp and ceremony, | 0:04:02 | 0:04:06 | |
and people dressed up nicely and buglers bugling and so on, | 0:04:06 | 0:04:10 | |
whatever their political background, | 0:04:10 | 0:04:12 | |
because they'd been through a long war, | 0:04:12 | 0:04:14 | |
and things were quite dull and it was quite exciting. | 0:04:14 | 0:04:16 | |
When he heard the Queen was coming to Northern Ireland, | 0:04:16 | 0:04:19 | |
Harold Paterson saw an opportunity | 0:04:19 | 0:04:21 | |
to film something other than family parties and church outings. | 0:04:21 | 0:04:25 | |
But how was an amateur camera enthusiast from Lisburn | 0:04:25 | 0:04:28 | |
going to get anywhere near the Queen? | 0:04:28 | 0:04:31 | |
In those days, we knew the police in our towns, | 0:04:31 | 0:04:35 | |
and even the County Inspector. | 0:04:35 | 0:04:37 | |
He was in the shop one day and I said to him, | 0:04:37 | 0:04:39 | |
"Any chance of getting a pass | 0:04:39 | 0:04:42 | |
"to take photographs of the Royal visit?" | 0:04:42 | 0:04:45 | |
So he said, "I'll see what I can do." | 0:04:45 | 0:04:47 | |
So a few days later, I got the letter from his office, | 0:04:47 | 0:04:50 | |
authorising me to take cinema film | 0:04:50 | 0:04:55 | |
of the Queen's visit. | 0:04:55 | 0:04:57 | |
Clutching his letter of permission, | 0:04:57 | 0:04:59 | |
Harold made straight for Aldergrove, | 0:04:59 | 0:05:02 | |
where the Queen was due to land. | 0:05:02 | 0:05:04 | |
This was the camera that I had when I arrived at Aldergrove. | 0:05:04 | 0:05:07 | |
It was small, so, of course, it looked like an amateur, | 0:05:07 | 0:05:12 | |
which I was, really. | 0:05:12 | 0:05:13 | |
But then, when I arrived, they put me with the press, actually. | 0:05:13 | 0:05:16 | |
So, of course, these men all have their big cameras | 0:05:16 | 0:05:19 | |
and there's about 15 press men there, | 0:05:19 | 0:05:22 | |
and you soon learn, actually, why they're taking their photographs. | 0:05:22 | 0:05:25 | |
They want them for the paper or whatever, | 0:05:25 | 0:05:27 | |
and they're all out to get their photographs, | 0:05:27 | 0:05:29 | |
so don't worry about who's behind them. | 0:05:29 | 0:05:31 | |
So, they just stand in front of your lens. | 0:05:31 | 0:05:34 | |
But I enjoyed it, and then, as I went, | 0:05:34 | 0:05:36 | |
I always kept away from the press. | 0:05:36 | 0:05:38 | |
At the various venues, I was able to move around, I discovered that. | 0:05:38 | 0:05:43 | |
Nobody asked a question. | 0:05:43 | 0:05:45 | |
I had complete freedom to take my photographs. | 0:05:45 | 0:05:48 | |
Having got the shots he wanted, | 0:05:48 | 0:05:50 | |
Harold then jumped into his Austin 10 | 0:05:50 | 0:05:53 | |
to get ahead of the Royal party, | 0:05:53 | 0:05:55 | |
so that he could film them driving into Lisburn. | 0:05:55 | 0:05:58 | |
His film captures the excitement and enthusiasm | 0:06:00 | 0:06:03 | |
of those who lined the roads along the way. | 0:06:03 | 0:06:05 | |
One of those waiting to see the Queen at Lisburn | 0:06:07 | 0:06:10 | |
was Eileen Matchett. | 0:06:10 | 0:06:11 | |
That's my mother and these are just people that were in the crowd. | 0:06:11 | 0:06:17 | |
We had all Union Jacks, and I'm here in the corner | 0:06:17 | 0:06:22 | |
and we're waiting in Lisburn for the Queen to go through. | 0:06:22 | 0:06:25 | |
Eileen would get an even better view of the Queen | 0:06:27 | 0:06:29 | |
later that evening, back home in Hillsborough, | 0:06:29 | 0:06:32 | |
where the Queen stayed for the duration of her visit. | 0:06:32 | 0:06:35 | |
There was a big dinner on in the castle, | 0:06:37 | 0:06:40 | |
and everybody in Hillsborough was out. | 0:06:40 | 0:06:44 | |
She came out onto this balcony, sort of place, | 0:06:44 | 0:06:50 | |
and then everybody cheered and cheered | 0:06:50 | 0:06:52 | |
and God Save The Queen, you know. | 0:06:52 | 0:06:54 | |
So, on the very first night that the Queen came | 0:06:54 | 0:06:56 | |
to Hillsborough Castle, she would have had dinner in this room | 0:06:56 | 0:07:00 | |
and then she came out on these very steps to be serenaded, | 0:07:00 | 0:07:03 | |
if that's the word, by two Lambeg drummers. | 0:07:03 | 0:07:06 | |
My husband was mad keen on the Lambeg drums. | 0:07:06 | 0:07:10 | |
Any chance he ever got, he played the drums. | 0:07:10 | 0:07:15 | |
We were all there and he came over and said | 0:07:15 | 0:07:19 | |
that he had been invited into the castle, | 0:07:19 | 0:07:23 | |
inside, to play the drums, take the drums in. | 0:07:23 | 0:07:28 | |
'The Queen meets Donald Crooks and Garfield Matchett, | 0:07:28 | 0:07:31 | |
'two of a large party of Lambeg drummers, | 0:07:31 | 0:07:33 | |
'who give their own special Orangemens' welcome.' | 0:07:33 | 0:07:36 | |
He came back smiling like mad, | 0:07:36 | 0:07:38 | |
and he told us about the Queen asking him, was he married, | 0:07:38 | 0:07:42 | |
and he said yes, he was just married. | 0:07:42 | 0:07:44 | |
They got a big cheer, | 0:07:44 | 0:07:46 | |
cos they had been in seeing the Queen. | 0:07:46 | 0:07:50 | |
Very proud of them. Very proud. I thought it was great. | 0:07:50 | 0:07:53 | |
The next day was packed with royal engagements. | 0:07:59 | 0:08:02 | |
Again, Harold filmed the whole occasion. | 0:08:02 | 0:08:05 | |
At the City Hall, there was all the pomp and ceremony | 0:08:05 | 0:08:07 | |
you'd expect for such a visit, | 0:08:07 | 0:08:09 | |
with members of the Army, RAF and Royal Navy | 0:08:09 | 0:08:12 | |
lining the surrounding streets. | 0:08:12 | 0:08:14 | |
At Queens University, a problem with the flag, | 0:08:19 | 0:08:21 | |
whether a student prank or a political protest, | 0:08:21 | 0:08:24 | |
was quickly forgotten, as eager crowds | 0:08:24 | 0:08:27 | |
got their first glimpse of the Queen. | 0:08:27 | 0:08:29 | |
COMMENTATOR: The Queen, in a steel blue silk coat, very full-skirted, | 0:08:29 | 0:08:33 | |
and a small hat, quite close and her hair curling over the brim, | 0:08:33 | 0:08:36 | |
pearls and a diamond broche and bracelet, looking so lovely. | 0:08:36 | 0:08:41 | |
Her clothes and the clothes of all of those people who were | 0:08:41 | 0:08:44 | |
attending events were commented upon quite a lot. | 0:08:44 | 0:08:47 | |
And, really, the way to think about that is, first of all, | 0:08:47 | 0:08:50 | |
that she is a celebrity, | 0:08:50 | 0:08:53 | |
and we know now about celebrities who can't come out in the morning | 0:08:53 | 0:08:56 | |
without their pyjamas being talked about, | 0:08:56 | 0:08:58 | |
so you're looking at her, thinking, "What is she wearing? | 0:08:58 | 0:09:00 | |
"What colour is she wearing? And look at her handbag, | 0:09:00 | 0:09:03 | |
"and look at the ladies who are with her and what they're wearing." | 0:09:03 | 0:09:06 | |
But it's a period of big change for women, | 0:09:06 | 0:09:09 | |
so women...in Northern Ireland, particularly, | 0:09:09 | 0:09:11 | |
women have been involved in a lot of the war industries. | 0:09:11 | 0:09:14 | |
They've had rationing, they've had queuing, | 0:09:14 | 0:09:16 | |
they've had looking after children, they've had fear about, | 0:09:16 | 0:09:19 | |
you know, more bombing, and it's quite nice to think about | 0:09:19 | 0:09:23 | |
what somebody's wearing and whether you think they look nice or not. | 0:09:23 | 0:09:28 | |
Sharing your opinions about what shade her dress really was, | 0:09:28 | 0:09:31 | |
so that part of the visit isn't superficial. | 0:09:31 | 0:09:35 | |
It's an important part for people to be able to talk about | 0:09:35 | 0:09:38 | |
and to think, "Well, hasn't she turned out very smart? | 0:09:38 | 0:09:42 | |
"Isn't she lovely?" | 0:09:42 | 0:09:44 | |
The garden party at Stormont provided the perfect setting | 0:09:51 | 0:09:54 | |
for local ladies to show off their own finery. | 0:09:54 | 0:09:58 | |
Inside the Great Hall, | 0:10:01 | 0:10:02 | |
the Queen addressed the assembled politicians. | 0:10:02 | 0:10:06 | |
'As your Queen, I am now even more closely concerned | 0:10:06 | 0:10:10 | |
'with the affairs of Northern Ireland. | 0:10:10 | 0:10:13 | |
'And I assure you that I shall always strive | 0:10:13 | 0:10:15 | |
'to repay your loyalty and devotion | 0:10:15 | 0:10:18 | |
'with my steadfast service to you all. | 0:10:18 | 0:10:21 | |
'May God give you wisdom and faith in all your labours, | 0:10:21 | 0:10:25 | |
'and may the future bring peace, contentment and true happiness | 0:10:25 | 0:10:30 | |
'to the people of Northern Ireland.' | 0:10:30 | 0:10:31 | |
At a youth rally at Balmoral, | 0:10:33 | 0:10:35 | |
so many thousands of children came to see the Queen | 0:10:35 | 0:10:39 | |
that extra trains had to be laid on to bring them. | 0:10:39 | 0:10:41 | |
Alistair Simpson was one of a group of boys' brigade members | 0:10:41 | 0:10:45 | |
who made the journey from Londonderry | 0:10:45 | 0:10:47 | |
to see the Queen at Balmoral. | 0:10:47 | 0:10:50 | |
We had to go early in the morning, | 0:10:50 | 0:10:51 | |
about seven, eight o'clock in the morning. | 0:10:51 | 0:10:54 | |
We were so exuberant, getting there, and excited. | 0:10:54 | 0:10:59 | |
The whole lot of us were all around the same change age group, | 0:10:59 | 0:11:02 | |
young teenagers. | 0:11:02 | 0:11:04 | |
And we were all wondering how we were going to see her, | 0:11:04 | 0:11:06 | |
what she was going to say when she'd seen us. | 0:11:06 | 0:11:09 | |
We all thought that we were so important that she would stop | 0:11:09 | 0:11:11 | |
and have a conversation with us. | 0:11:11 | 0:11:13 | |
You imagine 24,000 children stuck in Balmoral Showgrounds | 0:11:13 | 0:11:17 | |
for six hours or seven hours, | 0:11:17 | 0:11:18 | |
and how many of them needed to find where the toilets were, | 0:11:18 | 0:11:21 | |
and somebody who got lost. | 0:11:21 | 0:11:24 | |
You can just imagine it must have been mayhem. | 0:11:24 | 0:11:27 | |
I was fairly small at that time, | 0:11:27 | 0:11:30 | |
and the small ones were always put at the front, | 0:11:30 | 0:11:32 | |
and the bigger ones were put at the back. | 0:11:32 | 0:11:34 | |
So I got a good view. | 0:11:34 | 0:11:36 | |
But it was interesting to see her. | 0:11:36 | 0:11:39 | |
She looked so small, compared to what you would think. | 0:11:39 | 0:11:43 | |
You expect these people to be maybe six foot tall. | 0:11:43 | 0:11:46 | |
Afterwards, we went to the cinema to see the whole thing, | 0:11:46 | 0:11:50 | |
and you could see faces you recognised. | 0:11:50 | 0:11:54 | |
And you'd say, "Is my face going to come up? | 0:11:54 | 0:11:56 | |
"I'm going to be famous, you know. | 0:11:56 | 0:11:58 | |
"This is great, getting up on the big screen." | 0:11:58 | 0:12:00 | |
But, that was the boyhood dream that you had at the time. | 0:12:00 | 0:12:05 | |
It had been a dream come true | 0:12:05 | 0:12:08 | |
for thousands of people who saw the Queen in Belfast. | 0:12:08 | 0:12:11 | |
But the organisers of this visit were keen to take the Queen | 0:12:11 | 0:12:14 | |
out of Belfast into the country | 0:12:14 | 0:12:16 | |
where people, who would normally never get to see her, | 0:12:16 | 0:12:19 | |
could be part of the occasion. | 0:12:19 | 0:12:21 | |
On the last day of the Queen's visit, | 0:12:21 | 0:12:23 | |
a special train was laid on to take her from Lisburn to Londonderry, | 0:12:23 | 0:12:26 | |
stopping off at places like Ballymena, Ballymoney and Coleraine. | 0:12:26 | 0:12:31 | |
I can remember where I was on the 3rd July, like yesterday. | 0:12:31 | 0:12:35 | |
Frank Dunlop was a railwayman all his working life. | 0:12:35 | 0:12:39 | |
I was doing the 12.40 to Belfast, | 0:12:39 | 0:12:42 | |
and then the 5.25 from Belfast to Londonderry. | 0:12:42 | 0:12:46 | |
And we were put up a siding in Coleraine, | 0:12:46 | 0:12:49 | |
until the royal train arrived in Coleraine. | 0:12:49 | 0:12:52 | |
And then we left Coleraine and went to Ballymoney. | 0:12:52 | 0:12:54 | |
You weren't allowed to use your engine whistle. | 0:12:54 | 0:12:58 | |
That was a distraction. | 0:12:58 | 0:13:01 | |
'This is very different from the trains I'd have travelled in, | 0:13:06 | 0:13:09 | |
'in the 50s, going from, say, Portadown to Belfast.' | 0:13:09 | 0:13:12 | |
They were steam. | 0:13:12 | 0:13:14 | |
And they were pretty dirty at times. | 0:13:14 | 0:13:16 | |
But, do you know what? I loved them, and I still have a passion for them. | 0:13:16 | 0:13:19 | |
But, naturally, the Queen wouldn't have travelled in any old train. | 0:13:19 | 0:13:22 | |
She had a rather posh one. | 0:13:22 | 0:13:24 | |
The 102 was the engine that took the royal train | 0:13:24 | 0:13:28 | |
and had been in the works getting some overhaul or repair. | 0:13:28 | 0:13:33 | |
So they decided that they'd take 102. | 0:13:33 | 0:13:37 | |
It was in the best mechanical condition after being in the works. | 0:13:37 | 0:13:41 | |
But they had a problem. | 0:13:41 | 0:13:42 | |
Because 102 had no name. | 0:13:42 | 0:13:45 | |
The name, Queen Elizabeth, was number 100. | 0:13:45 | 0:13:48 | |
It was too big a problem to overhaul number 100 for the royal train, | 0:13:48 | 0:13:53 | |
so they took the name plate off 100 and put it onto 102, | 0:13:53 | 0:13:57 | |
just for the time. | 0:13:57 | 0:14:00 | |
Once that was over, it was taken off the following week | 0:14:00 | 0:14:02 | |
and put back onto 100 again. | 0:14:02 | 0:14:05 | |
As you might imagine, | 0:14:05 | 0:14:06 | |
the press could not get enough of the royal visit. | 0:14:06 | 0:14:09 | |
I have actually a page from the Belfast Newsletter. | 0:14:09 | 0:14:13 | |
And I love the way they describe the train the Queen was travelling on. | 0:14:13 | 0:14:16 | |
It says, "The coaches are blue and cream. | 0:14:16 | 0:14:19 | |
"All shining and newly painted. | 0:14:19 | 0:14:21 | |
"Inside, Ulster linen, Ulster carpets, | 0:14:21 | 0:14:24 | |
"and dark polished mahogany have brought a new luxury | 0:14:24 | 0:14:27 | |
"to the compartments in which the Queen and the Duke will travel." | 0:14:27 | 0:14:30 | |
And then, they also show | 0:14:30 | 0:14:32 | |
a picture of this beautiful lounge on the train. | 0:14:32 | 0:14:36 | |
Very comfy chairs. Absolutely gorgeous. | 0:14:36 | 0:14:38 | |
Decked out with flowers, etc. | 0:14:38 | 0:14:40 | |
Then, on a different page in the paper, | 0:14:40 | 0:14:43 | |
it says, "No modern plastics | 0:14:43 | 0:14:47 | |
"could possibly compete with the magnificent, | 0:14:47 | 0:14:49 | |
"aged mahogany panelling. | 0:14:49 | 0:14:50 | |
"No ultra-modern design could better the simple dignity of its form. | 0:14:50 | 0:14:54 | |
"So it is, throughout the whole 100-feet-long train. | 0:14:54 | 0:14:59 | |
"And even the locomotive which will pull it | 0:14:59 | 0:15:02 | |
"was built at York Road workshops in Belfast, more than 13 years ago." | 0:15:02 | 0:15:07 | |
So the detail is fantastic. | 0:15:07 | 0:15:08 | |
And I have to say, the train looks magnificent. | 0:15:08 | 0:15:12 | |
There was some debate at the time | 0:15:12 | 0:15:15 | |
as to who should drive the royal train. | 0:15:15 | 0:15:18 | |
The reason Joe Shields was taken to drive the royal train, | 0:15:18 | 0:15:23 | |
he was the senior driver. | 0:15:23 | 0:15:25 | |
Now, there was a rumour | 0:15:25 | 0:15:28 | |
that Joe Shields shouldn't have been driving the royal train, | 0:15:28 | 0:15:32 | |
because he was over 65, and should have been retired. | 0:15:32 | 0:15:36 | |
And the reason some people told | 0:15:36 | 0:15:40 | |
was that the records were lost in The Blitz, | 0:15:40 | 0:15:43 | |
and everybody had to get a new birth certificate. | 0:15:43 | 0:15:46 | |
And he belonged to Ballymoney, | 0:15:46 | 0:15:49 | |
and Ballymoney was full of Shieldses. | 0:15:49 | 0:15:51 | |
And he got a birth certificate that wasn't his. | 0:15:51 | 0:15:55 | |
And that was how he was supposed to be under 65. | 0:15:55 | 0:15:59 | |
There was an enormous amount written | 0:15:59 | 0:16:01 | |
when Queen Elizabeth II becomes Queen about a new Elizabethan age. | 0:16:01 | 0:16:05 | |
This was a new Elizabethan age | 0:16:05 | 0:16:06 | |
with a modernity, and the modern family woman, and so on. | 0:16:06 | 0:16:10 | |
And the idea that she would be progressing through her realm, | 0:16:10 | 0:16:14 | |
and the idea that she would be doing this on a train, | 0:16:14 | 0:16:17 | |
through Northern Ireland, | 0:16:17 | 0:16:19 | |
there is something both traditional and ancient, | 0:16:19 | 0:16:22 | |
as well as trying to be very modern and forward looking. | 0:16:22 | 0:16:25 | |
So, you have all of these tensions, | 0:16:25 | 0:16:27 | |
these temporal tensions around what she's doing. | 0:16:27 | 0:16:30 | |
And I just really like this idea of advertising this | 0:16:30 | 0:16:34 | |
as this modern woman is going to come, | 0:16:34 | 0:16:36 | |
and then go on this Edwardian train. | 0:16:36 | 0:16:39 | |
People turned out in huge numbers | 0:16:39 | 0:16:41 | |
to see the Queen at all the stations along the route. | 0:16:41 | 0:16:44 | |
They stood in the fields, they hung off telegraph poles | 0:16:44 | 0:16:47 | |
and raced alongside the train in tractors, | 0:16:47 | 0:16:49 | |
in an effort to catch sight of the royal party. | 0:16:49 | 0:16:53 | |
I have to admit, | 0:16:53 | 0:16:54 | |
I find all the detail that was recorded absolutely intriguing. | 0:16:54 | 0:16:58 | |
For example, "4,000 children joined in Ballymena's welcome. | 0:16:58 | 0:17:02 | |
"For nearly two hours, before the train was due to stop at Ballymena, | 0:17:02 | 0:17:06 | |
"children had gathered at the station. | 0:17:06 | 0:17:08 | |
"Guides, very neat in their bright blue glasses and navy skirts, | 0:17:08 | 0:17:11 | |
"the brownies, scouts and cubs, with bright bird-like eyes. | 0:17:11 | 0:17:16 | |
"And everybody clutching a flag." | 0:17:16 | 0:17:17 | |
But it was down to nine-year-old Eileen Roberta Simpson, | 0:17:17 | 0:17:21 | |
who was the daughter of the town clerk. | 0:17:21 | 0:17:23 | |
And she was the one who presented the Queen with cushion covers. | 0:17:23 | 0:17:26 | |
So that was the gift of the day. | 0:17:26 | 0:17:30 | |
I do remember walking down this slope, | 0:17:31 | 0:17:35 | |
which had a red carpet. | 0:17:35 | 0:17:36 | |
And on either side, painted white borders. | 0:17:36 | 0:17:40 | |
And, behind me came a man with a hand-brush shovel, | 0:17:40 | 0:17:44 | |
brushing my footsteps, so that it would be immaculate for Her Majesty. | 0:17:44 | 0:17:49 | |
As the daughter of the town clerk, | 0:17:49 | 0:17:51 | |
Roberta Simpson was chosen to present the Queen | 0:17:51 | 0:17:53 | |
with a gift from the people of Ballymena. | 0:17:53 | 0:17:57 | |
I don't remember being nervous. | 0:17:57 | 0:17:58 | |
I think perhaps my parents were nervous, on my behalf. | 0:17:58 | 0:18:02 | |
I was concentrating on the lines which I had learnt, which were, | 0:18:02 | 0:18:05 | |
"May it please Your Majesty to receive this gift, | 0:18:05 | 0:18:09 | |
"on behalf of the people of Ballymena." | 0:18:09 | 0:18:12 | |
I'm sure I said it in my sleep every night for a few weeks beforehand. | 0:18:12 | 0:18:16 | |
I was taken to my father's office to see the box. | 0:18:16 | 0:18:21 | |
And was told to practise carrying it around his office, | 0:18:21 | 0:18:25 | |
to get the feel of it. | 0:18:25 | 0:18:27 | |
I think both my parents were very worried | 0:18:27 | 0:18:29 | |
that I would drop the box on the day. | 0:18:29 | 0:18:31 | |
But that, thank goodness, didn't happen. | 0:18:31 | 0:18:33 | |
I'm not sure whether it was my mother poking me, | 0:18:33 | 0:18:36 | |
or somebody else indicating, or my father nodding, | 0:18:36 | 0:18:39 | |
that that was the time that I was to take the box, | 0:18:39 | 0:18:41 | |
and climb those stairs, | 0:18:41 | 0:18:43 | |
and hand the box to the Queen. | 0:18:43 | 0:18:46 | |
She thanked me. | 0:18:46 | 0:18:48 | |
But the words that I do remember were the Duke of Edinburgh, | 0:18:48 | 0:18:51 | |
because he said, "Oh, what a big box you've got." | 0:18:51 | 0:18:54 | |
And that was exactly what I was thinking. | 0:18:54 | 0:18:56 | |
Another little girl at the time remembers the occasion very well. | 0:18:56 | 0:19:00 | |
My father who was a guard, | 0:19:00 | 0:19:02 | |
was the oldest member of staff in Ballymena at the time. | 0:19:02 | 0:19:06 | |
So, he had the honour of opening the door for the Queen. | 0:19:06 | 0:19:10 | |
And all the railway staff got lovely new uniforms for that day. | 0:19:10 | 0:19:18 | |
I can remember my father getting dressed up at home, | 0:19:18 | 0:19:21 | |
and practising his bow, | 0:19:21 | 0:19:23 | |
saying he was opening the door to the Queen, he had to practise. | 0:19:23 | 0:19:27 | |
But he didn't have to, but it was a bit of fun, | 0:19:27 | 0:19:30 | |
him practising his bow for the Queen coming out. | 0:19:30 | 0:19:33 | |
Kathleen Carey's father | 0:19:33 | 0:19:36 | |
got her a plum position on the station platform. | 0:19:36 | 0:19:38 | |
We were quite near. I think we were nearer than we should have been. | 0:19:38 | 0:19:42 | |
Honestly. I always remember that bit. | 0:19:42 | 0:19:45 | |
What strikes me, just looking at all the reports, | 0:19:46 | 0:19:50 | |
is just how up close people got to the Queen. | 0:19:50 | 0:19:53 | |
They were right there, face to face. | 0:19:53 | 0:19:55 | |
And you've got to remember that in those days, very few people had TVs, | 0:19:55 | 0:19:59 | |
so we had to depend on newsreel at the cinema | 0:19:59 | 0:20:01 | |
or, indeed, reading in the newspaper to have a look at the Queen. | 0:20:01 | 0:20:05 | |
So to think of all these people so close to her | 0:20:05 | 0:20:07 | |
in a small place like Ballymoney, well, it was magical. | 0:20:07 | 0:20:11 | |
The kind of excitement that people now articulate about William and Kate | 0:20:12 | 0:20:17 | |
and the new royals and how young and a new generation | 0:20:17 | 0:20:20 | |
and faith in the future | 0:20:20 | 0:20:22 | |
is kind of what was being invested in her, you know, | 0:20:22 | 0:20:24 | |
and that's a huge burden, obviously, for her to hold. | 0:20:24 | 0:20:27 | |
But it's part of that. | 0:20:27 | 0:20:29 | |
And you see in photographs of her in 1953 | 0:20:29 | 0:20:32 | |
just how young - very polished and very composed - | 0:20:32 | 0:20:35 | |
but just how young she is, you know, during this whole visit. | 0:20:35 | 0:20:39 | |
I was there because I was in charge of the St John Ambulance, | 0:20:39 | 0:20:44 | |
the cadet division, which I had started. | 0:20:44 | 0:20:49 | |
And we were all geared up. We hardly knew where we were. | 0:20:49 | 0:20:52 | |
We were so excited. | 0:20:52 | 0:20:54 | |
I think the people of Ballymoney were quite amazed | 0:20:54 | 0:20:58 | |
that Ballymoney was one of the towns selected | 0:20:58 | 0:21:00 | |
to be visited. | 0:21:00 | 0:21:03 | |
Although it was a very short visit, | 0:21:03 | 0:21:05 | |
the idea that they would come to Ballymoney | 0:21:05 | 0:21:08 | |
was not something that people really thought would happen. | 0:21:08 | 0:21:12 | |
My mother was the principal of the school, | 0:21:12 | 0:21:15 | |
and I was the assistant, | 0:21:15 | 0:21:17 | |
and she had been allocated a position in the railway station, | 0:21:17 | 0:21:22 | |
on the platform. | 0:21:22 | 0:21:23 | |
So I had the responsibility then of bringing the children down | 0:21:23 | 0:21:28 | |
from the Ballymoney playground, where they had congregated. | 0:21:28 | 0:21:32 | |
And we wended our way down, toddling down as quickly as children would go, | 0:21:32 | 0:21:38 | |
down High Street, Main Street, Seymour Street, | 0:21:38 | 0:21:42 | |
down to the station yard. | 0:21:42 | 0:21:44 | |
Oh, I still remember that day, because who would forget it? | 0:21:44 | 0:21:50 | |
I mean, the children were absolutely wonderful, they were all in line | 0:21:50 | 0:21:55 | |
and doing what they were told, and each waving their little Union Jack. | 0:21:55 | 0:21:59 | |
The schoolchildren were all in an enclosure at the front, | 0:21:59 | 0:22:02 | |
and we were all supposed to stand there, and that was our bit. | 0:22:02 | 0:22:06 | |
But when the excitement of the train came and the Queen got out, | 0:22:06 | 0:22:11 | |
the adults were so excited | 0:22:11 | 0:22:13 | |
that many of the women, for example, jumped the rope | 0:22:13 | 0:22:15 | |
and came in amongst us to get a better view. | 0:22:15 | 0:22:18 | |
And there was great excitement | 0:22:18 | 0:22:20 | |
and nearly pandemonium at one stage, I think. | 0:22:20 | 0:22:22 | |
We had a great view, | 0:22:22 | 0:22:25 | |
and everybody was just so pleased to see their queen. | 0:22:25 | 0:22:29 | |
This RAF band played the national anthem, | 0:22:29 | 0:22:32 | |
and quite spontaneously the people all sang the anthem. | 0:22:32 | 0:22:37 | |
And, of course, in the enclosed space of the station yard, | 0:22:37 | 0:22:42 | |
it sort of reverberated, and the noise was colossal. | 0:22:42 | 0:22:45 | |
I remember seeing her looking quite pale, | 0:22:45 | 0:22:48 | |
and she looked kind of nervous and kind of shaky | 0:22:48 | 0:22:52 | |
when this great noise started. | 0:22:52 | 0:22:54 | |
I don't think she spoke to very many, | 0:22:54 | 0:22:56 | |
but the Duke of Edinburgh spoke to a number of people. | 0:22:56 | 0:23:00 | |
This is the Prince speaking to me. There I am, in there, | 0:23:00 | 0:23:03 | |
my little white hat. Oh, he was lovely to talk to. | 0:23:03 | 0:23:07 | |
And, of course, being a young girl, as I was, | 0:23:07 | 0:23:11 | |
I knew he'd picked out | 0:23:11 | 0:23:12 | |
the best-looking one at the railway station! | 0:23:12 | 0:23:14 | |
I always remember a schoolboy friend of mine | 0:23:14 | 0:23:18 | |
had called with my grandmother on the evening of the royal visit, | 0:23:18 | 0:23:24 | |
and my grandmother said to him, "Well, did you see the Queen?" | 0:23:24 | 0:23:28 | |
And he said, he did. And she said, "What did you think of her?" | 0:23:28 | 0:23:32 | |
And this wee boy said, | 0:23:32 | 0:23:34 | |
"Oh, she's just like our Jean." | 0:23:34 | 0:23:36 | |
As the train moved slowly out, | 0:23:36 | 0:23:38 | |
the band again played the national anthem, | 0:23:38 | 0:23:41 | |
and everybody again sang. | 0:23:41 | 0:23:42 | |
And that was it, and it was all over in about ten minutes! | 0:23:42 | 0:23:45 | |
HE LAUGHS | 0:23:45 | 0:23:47 | |
Of course, so much has changed since 1953, but you know what? | 0:23:49 | 0:23:53 | |
Looking out at the fields and the towns, as we travel along, | 0:23:53 | 0:23:56 | |
it's not really that different to what the Queen would have seen | 0:23:56 | 0:23:59 | |
from her royal saloon on the train all those years ago. | 0:23:59 | 0:24:03 | |
After Ballymoney, | 0:24:04 | 0:24:05 | |
the royal party travelled on towards the spectacular North Antrim coast. | 0:24:05 | 0:24:10 | |
Now, this is Downhill Strand, | 0:24:11 | 0:24:13 | |
and it was actually here that the train stopped on that particular day | 0:24:13 | 0:24:17 | |
so that the royal party could enjoy the magnificent view | 0:24:17 | 0:24:20 | |
and have their lunch. | 0:24:20 | 0:24:21 | |
Now, on the menu that day there were prawns in aspic, | 0:24:21 | 0:24:24 | |
there was shoulder of mutton, or lamb, I might say, | 0:24:24 | 0:24:28 | |
and, of course, strawberries and cream. | 0:24:28 | 0:24:29 | |
Well, I'm enjoying the view tremendously, | 0:24:29 | 0:24:33 | |
and, of course, here I have | 0:24:33 | 0:24:34 | |
my prawns - not exactly in aspic jelly, but lovely - | 0:24:34 | 0:24:37 | |
I have my lamb, of course, here, and a very nice salad, | 0:24:37 | 0:24:40 | |
and I have my strawberries and cream. | 0:24:40 | 0:24:42 | |
So I can kind of re-enact that royal lunch. | 0:24:42 | 0:24:44 | |
From Downhill, the royal train travelled on | 0:24:44 | 0:24:48 | |
to the last destination of the day, | 0:24:48 | 0:24:49 | |
Londonderry. | 0:24:49 | 0:24:52 | |
Now, all along the route, people had amazing access to the Queen, | 0:24:52 | 0:24:56 | |
but that doesn't mean that security was lax, | 0:24:56 | 0:25:00 | |
and as she came nearer to Londonderry, it became even tighter. | 0:25:00 | 0:25:03 | |
The Queen going to Derry is seen as, | 0:25:03 | 0:25:05 | |
you know, the triumphal progress of her train | 0:25:05 | 0:25:07 | |
through the Northern Ireland, you know, hinterland, | 0:25:07 | 0:25:10 | |
and off she goes to Derry. | 0:25:10 | 0:25:12 | |
And a third of the RUC force had been sent to Derry, just in case. | 0:25:12 | 0:25:17 | |
Now, tucked away on this page, the headline goes, | 0:25:17 | 0:25:20 | |
"'B' Men Were Mobilised As Guards - Record Security Network By The RUC". | 0:25:20 | 0:25:25 | |
It says, "The personal safety of the Queen and Duke of Edinburgh | 0:25:25 | 0:25:29 | |
"on their journey today was ensured | 0:25:29 | 0:25:31 | |
"by the most extensive security network ever spun | 0:25:31 | 0:25:34 | |
"by the Royal Ulster Constabulary. | 0:25:34 | 0:25:36 | |
"Throughout the week, watch was kept night and day | 0:25:36 | 0:25:39 | |
"on all the 90 miles of rail track between Lisburn and Londonderry." | 0:25:39 | 0:25:43 | |
You know when they send that many police to Derry | 0:25:43 | 0:25:46 | |
that they know that, really, there's an awful lot of discontent | 0:25:46 | 0:25:50 | |
just below the surface, all the time, just below the surface, | 0:25:50 | 0:25:53 | |
and they're afraid that something will embarrass them, | 0:25:53 | 0:25:55 | |
that something will happen | 0:25:55 | 0:25:57 | |
while the cameras of the world are in Northern Ireland. | 0:25:57 | 0:26:00 | |
But the Queen had a particular reason | 0:26:00 | 0:26:02 | |
to want to go to Northern Ireland's second city, | 0:26:02 | 0:26:05 | |
for it had played a pivotal role in the war effort. | 0:26:05 | 0:26:07 | |
She probably would have wanted to go to thank those people herself. | 0:26:07 | 0:26:11 | |
I mean, she has an extraordinarily strong sense of duty | 0:26:11 | 0:26:15 | |
and of her role as monarch, | 0:26:15 | 0:26:16 | |
and she would have seen it as the right thing to do, | 0:26:16 | 0:26:19 | |
to thank people for their efforts during the war. | 0:26:19 | 0:26:22 | |
It's still very much, you know, a post-war context. | 0:26:22 | 0:26:25 | |
The Queen and Duke of Edinburgh | 0:26:26 | 0:26:28 | |
made the final leg of the journey into Londonderry by boat, | 0:26:28 | 0:26:32 | |
arriving to cheering crowds at the Guildhall. | 0:26:32 | 0:26:35 | |
Jeanette Wark had been looking forward to this moment for weeks. | 0:26:35 | 0:26:38 | |
I do remember hearing the Queen was coming. | 0:26:38 | 0:26:41 | |
I'll tell you, it was a big event in the house | 0:26:41 | 0:26:44 | |
when we found out that all the Brownies in the city at that time | 0:26:44 | 0:26:47 | |
and the uniformed organisations | 0:26:47 | 0:26:49 | |
were invited to come along and to line the route. | 0:26:49 | 0:26:53 | |
Looking forward to actually going there to stand and wait, and, | 0:26:53 | 0:26:57 | |
you know, the Queen coming, | 0:26:57 | 0:26:59 | |
it was just like a fairy tale for us, to be honest. | 0:26:59 | 0:27:02 | |
You know, and the preparation leading up to it | 0:27:02 | 0:27:04 | |
was exciting, as well. | 0:27:04 | 0:27:06 | |
Well, I do remember one way that I got ready, | 0:27:06 | 0:27:09 | |
and it was like a horror story, | 0:27:09 | 0:27:11 | |
sleeping on pipe cleaners in my hair all night. | 0:27:11 | 0:27:16 | |
And I remember, of course, that the big tin bath was brought in | 0:27:16 | 0:27:19 | |
and you were scrubbed, till you'd no skin left. | 0:27:19 | 0:27:22 | |
And, of course your hair was gleaming, | 0:27:22 | 0:27:24 | |
but twirled up in these long pipe cleaners, | 0:27:24 | 0:27:27 | |
which men used to clean out their pipes. | 0:27:27 | 0:27:29 | |
But it was a form of a curler in those days, to make your hair curly. | 0:27:29 | 0:27:33 | |
And I had very straight hair, so my mum was determined | 0:27:33 | 0:27:37 | |
that this straight hair was going to be really curly. | 0:27:37 | 0:27:40 | |
But do you know, the one thing that sticks in my mind | 0:27:40 | 0:27:43 | |
is actually seeing the huge black car, | 0:27:43 | 0:27:46 | |
and I can see the Queen, I can just see her sitting, a young girl, | 0:27:46 | 0:27:51 | |
you know, and the car so perfect. | 0:27:51 | 0:27:54 | |
As the Queen and Prince Philip flew out of Eglinton Airport, | 0:27:55 | 0:27:59 | |
I'm sure there was the most enormous sense of relief | 0:27:59 | 0:28:02 | |
on behalf of those who'd organised the visit | 0:28:02 | 0:28:04 | |
that it had all gone so well, | 0:28:04 | 0:28:05 | |
and believe me, it was a really great success. | 0:28:05 | 0:28:08 | |
Now, naturally, there have been many, many royal visits since then, | 0:28:08 | 0:28:11 | |
but I don't think there's ever been the magic or the intimacy | 0:28:11 | 0:28:16 | |
of those three fabulous sunny days in 1953. | 0:28:16 | 0:28:18 | |
And from my own point of view, | 0:28:18 | 0:28:20 | |
seeing the Queen in that open-top car | 0:28:20 | 0:28:21 | |
in the countryside not far from here | 0:28:21 | 0:28:23 | |
is certainly a sight that I personally will never forget. | 0:28:23 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:52 |