Browse content similar to Brave New World. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Imagine everything that's ever happened. | 0:00:04 | 0:00:07 | |
The whole of history. | 0:00:10 | 0:00:12 | |
Imagine you could go to any place, any time | 0:00:16 | 0:00:20 | |
and see what the people then saw, | 0:00:20 | 0:00:22 | |
understand what they thought | 0:00:22 | 0:00:24 | |
and appreciate what they felt. | 0:00:24 | 0:00:26 | |
What would that tell you about the human race? | 0:00:28 | 0:00:31 | |
And how would it make you feel about the world you live in today? | 0:00:31 | 0:00:34 | |
So much of what we know now | 0:00:38 | 0:00:40 | |
goes directly back to England's Golden Age. | 0:00:40 | 0:00:42 | |
The reign of Queen Elizabeth I. | 0:00:42 | 0:00:44 | |
A time when England embraced the whole world. | 0:00:47 | 0:00:49 | |
It's a period bursting with icons. | 0:00:51 | 0:00:53 | |
Shakespeare. The Spanish Armada. | 0:00:53 | 0:00:56 | |
The Virgin Queen herself. | 0:00:58 | 0:01:00 | |
Who wouldn't want to travel back in time and see it first-hand? | 0:01:02 | 0:01:06 | |
But if you did, what you would need most would be a visitor's handbook. | 0:01:06 | 0:01:10 | |
Who are these strange people, | 0:01:11 | 0:01:13 | |
so like us, but also so different? | 0:01:13 | 0:01:17 | |
What are their rules, their customs and attitudes? | 0:01:17 | 0:01:20 | |
I have spent years piecing these together so you don't have to. | 0:01:20 | 0:01:25 | |
Let me plunge you into a world of splendour | 0:01:25 | 0:01:27 | |
and magnificent achievements, | 0:01:27 | 0:01:29 | |
but also of uncertainty and doubt, | 0:01:29 | 0:01:32 | |
where simple survival is an art in itself. | 0:01:32 | 0:01:36 | |
A world of plague, violence and superstition. | 0:01:36 | 0:01:39 | |
But also of beauty and wisdom. | 0:01:40 | 0:01:43 | |
I'll show you this fascinating period as if it's all around you. | 0:01:45 | 0:01:48 | |
The sickness and the suffering, as well as the power and the glory. | 0:01:50 | 0:01:54 | |
Because this is Elizabethan England. | 0:01:54 | 0:01:56 | |
Tonight, I'm sending you to live amongst a section of society | 0:02:22 | 0:02:25 | |
which is definitely on the up. | 0:02:25 | 0:02:27 | |
These people are craftsmen, architects and merchants, | 0:02:29 | 0:02:32 | |
scientists, explorers and writers. | 0:02:32 | 0:02:34 | |
What they all share is a desire to better their lives. | 0:02:34 | 0:02:37 | |
And through their success, they change the world. | 0:02:37 | 0:02:40 | |
It's time to make your way in the world of the ambitious middle classes, | 0:02:41 | 0:02:45 | |
men and women who will radically alter our nation. | 0:02:45 | 0:02:48 | |
On your journey, you'll rub shoulders with some notable people, | 0:02:50 | 0:02:55 | |
get the chance to travel the world | 0:02:55 | 0:02:57 | |
and see history unfolding around you. | 0:02:57 | 0:02:59 | |
With a bit of help, you can rise up the ranks and achieve greatness. | 0:03:03 | 0:03:07 | |
You'll need to tread carefully | 0:03:09 | 0:03:11 | |
as this is also a time of danger and uncertainty. | 0:03:11 | 0:03:15 | |
But if you play your cards right, you might find yourself on a path | 0:03:15 | 0:03:18 | |
to fame, fortune and glory. | 0:03:18 | 0:03:21 | |
FAINT CHEERING AND APPLAUSE | 0:03:21 | 0:03:23 | |
Your journey begins in the provinces, | 0:03:30 | 0:03:32 | |
at the very heart of Elizabeth's England, | 0:03:32 | 0:03:34 | |
a place where the middle classes are on the rise - | 0:03:34 | 0:03:37 | |
Stratford-upon-Avon. | 0:03:37 | 0:03:38 | |
In fact, I'm going to start you off | 0:03:41 | 0:03:42 | |
in the cut and thrust world of small-town merchants. | 0:03:42 | 0:03:45 | |
A place where money is king. | 0:03:45 | 0:03:47 | |
After decades of stagnation, towns are suddenly driving social change. | 0:03:52 | 0:03:56 | |
As you walk through busy Stratford in the 1570s, | 0:04:12 | 0:04:15 | |
you'll notice there's a buzz in the air and money to be made. | 0:04:15 | 0:04:19 | |
As an ambitious trader, it's on the high street | 0:04:22 | 0:04:25 | |
that you'll set up stall six days a week. | 0:04:25 | 0:04:27 | |
You'll be surrounded by glovers, tailors, | 0:04:30 | 0:04:32 | |
butchers and many a wealthy wool merchant. | 0:04:32 | 0:04:35 | |
FAINT CHATTER | 0:04:35 | 0:04:37 | |
Towns are engines of social change. | 0:04:39 | 0:04:41 | |
The independent, self-reliant townsman | 0:04:41 | 0:04:43 | |
with a trade and the ambition to improve his lot | 0:04:43 | 0:04:46 | |
is one of the true agents of modernisation. | 0:04:46 | 0:04:49 | |
By the end of Elizabeth's reign, many such men are much better off. | 0:04:49 | 0:04:53 | |
It's from the ranks of the middling sort, in towns like Stratford, | 0:04:55 | 0:04:59 | |
that many of the great names of the age will emerge. | 0:04:59 | 0:05:02 | |
These upwardly-mobile men and women | 0:05:05 | 0:05:07 | |
will leave a lasting impact on society. | 0:05:07 | 0:05:09 | |
And while you're here in Stratford, | 0:05:12 | 0:05:14 | |
it will be useful to get to know your neighbours. | 0:05:14 | 0:05:16 | |
Here on Henley Street is the house of one John Shakespeare, | 0:05:20 | 0:05:23 | |
the father of William, of whom you might have heard. | 0:05:23 | 0:05:26 | |
The Shakespeares are just such an upwardly-mobile family. | 0:05:26 | 0:05:29 | |
John himself is a glover, | 0:05:29 | 0:05:31 | |
a prosperous man, working with leather. | 0:05:31 | 0:05:33 | |
The leather, mind you, of deer, dogs and horses, | 0:05:33 | 0:05:36 | |
not just cows and calves. | 0:05:36 | 0:05:37 | |
As you walk past, | 0:05:37 | 0:05:39 | |
you'll no doubt smell the tanyard at the back of the house. | 0:05:39 | 0:05:42 | |
John Shakespeare uses urine and faeces to process his leather. | 0:05:46 | 0:05:50 | |
All things being considered, it might be wise | 0:05:53 | 0:05:55 | |
to invite the Shakespeares over to YOUR house for dinner. | 0:05:55 | 0:05:58 | |
Unpleasant smells are just another reminder | 0:06:01 | 0:06:03 | |
of why so many people want to rise up the social ranks. | 0:06:03 | 0:06:06 | |
And there's one other unpleasantness you and your neighbours won't miss. | 0:06:09 | 0:06:13 | |
Now, for the first time, | 0:06:15 | 0:06:16 | |
the fires in your home won't constantly sting your eyes. | 0:06:16 | 0:06:20 | |
In towns like Stratford, a revolution is taking place. | 0:06:23 | 0:06:26 | |
It transforms the lives of ordinary people | 0:06:26 | 0:06:29 | |
and changes the face of every street in the land. | 0:06:29 | 0:06:32 | |
It's not a scientific discovery. | 0:06:32 | 0:06:34 | |
It's not a political development. | 0:06:34 | 0:06:35 | |
It is, in fact, the humble chimney. | 0:06:35 | 0:06:38 | |
Chimneys mean that buildings can expand upwards | 0:06:45 | 0:06:47 | |
and you can now heat every room in your home. | 0:06:47 | 0:06:50 | |
The arrival of the chimney is just the beginning of what becomes | 0:06:53 | 0:06:56 | |
a wholesale change in living standards. | 0:06:56 | 0:06:58 | |
Driving this innovation is the availability of cheap bricks. | 0:07:04 | 0:07:08 | |
Mass manufacture means they are now affordable | 0:07:09 | 0:07:11 | |
for the many, not just the few. | 0:07:11 | 0:07:14 | |
Chimneys were previously found in castles and grand houses, | 0:07:17 | 0:07:20 | |
but never in the homes of ordinary people. | 0:07:20 | 0:07:22 | |
Thanks to the humble chimney, | 0:07:25 | 0:07:26 | |
you can now live in a state-of-art two-storey townhouse, | 0:07:26 | 0:07:30 | |
not an unfashionable single-storey medieval home. | 0:07:30 | 0:07:33 | |
Essential if you want show you're on the way up. | 0:07:36 | 0:07:39 | |
And bear in mind that Elizabethan England | 0:07:44 | 0:07:47 | |
is on average two degrees colder than you're used to, | 0:07:47 | 0:07:50 | |
with very cold snaps in the 1570s and 1590s. | 0:07:50 | 0:07:53 | |
So a chimney means your stay will be a lot more comfortable, | 0:07:53 | 0:07:57 | |
especially if you want to have a bedchamber of your own, | 0:07:57 | 0:07:59 | |
rather than sleep in the hall with everyone else. | 0:07:59 | 0:08:02 | |
Across the land, medieval houses are being redeveloped. | 0:08:07 | 0:08:10 | |
Not outwards, but skywards. | 0:08:10 | 0:08:12 | |
So you see, adding value to your home | 0:08:15 | 0:08:18 | |
isn't just a 21st-century obsession. | 0:08:18 | 0:08:20 | |
In 1558, a chimney is the way to keep up with the Joneses. | 0:08:29 | 0:08:33 | |
But in 1598, it's glass that is the ultimate status symbol. | 0:08:33 | 0:08:38 | |
From now on, moderately wealthy gentlemen | 0:08:38 | 0:08:40 | |
can afford to flood their houses with natural light. | 0:08:40 | 0:08:43 | |
But it's still expensive. | 0:08:43 | 0:08:45 | |
You may have glass at the front of your house to show off | 0:08:45 | 0:08:47 | |
and still make do with shutters at the back. | 0:08:47 | 0:08:50 | |
In Stratford, old buildings are being converted | 0:08:51 | 0:08:54 | |
or demolished everywhere you look. | 0:08:54 | 0:08:56 | |
It seems as if almost everyone is moving into the town, | 0:08:58 | 0:09:00 | |
and, in fact, many are. | 0:09:00 | 0:09:02 | |
Small businessmen are flooding in. | 0:09:05 | 0:09:07 | |
Many from trades you'll recognise, and many you won't. | 0:09:07 | 0:09:10 | |
For candles, go to a wax chandler. | 0:09:12 | 0:09:15 | |
Need a legal document written up? Find a scrivener. | 0:09:15 | 0:09:18 | |
Or if you fancy a pair of fine leather shoes, | 0:09:19 | 0:09:22 | |
seek out a cordwainer. | 0:09:22 | 0:09:24 | |
As these ambitious traders flock in, | 0:09:27 | 0:09:30 | |
John Shakespeare will see his town change beyond recognition. | 0:09:30 | 0:09:33 | |
Stratford's population grows from 1,500 to over 2,000 | 0:09:35 | 0:09:39 | |
during Elizabeth's reign. | 0:09:39 | 0:09:40 | |
It's not just Stratford that's growing rapidly. | 0:09:43 | 0:09:46 | |
Over the 45 years of the Queen's reign, | 0:09:46 | 0:09:48 | |
the population of England rises from 3.2 million to 4.1 million. | 0:09:48 | 0:09:52 | |
That's more than 25 percent more people to feed, clothe and house. | 0:09:52 | 0:09:57 | |
England won't see such a high level of growth again | 0:09:57 | 0:10:00 | |
until the end of the 18th century. | 0:10:00 | 0:10:02 | |
Like the young William Shakespeare, | 0:10:07 | 0:10:09 | |
you'll find Stratford can't match your grand ambitions | 0:10:09 | 0:10:12 | |
in this rapidly changing society. | 0:10:12 | 0:10:14 | |
And once you've outgrown a town like Stratford, | 0:10:18 | 0:10:21 | |
there's only one place to head for. | 0:10:21 | 0:10:23 | |
It's the epicentre of change in Elizabeth's England | 0:10:25 | 0:10:27 | |
and it's the next rung on your ladder to fame and glory. | 0:10:27 | 0:10:31 | |
The city of London. | 0:10:32 | 0:10:34 | |
As you near the city, you'll pass a bizarre collection of people. | 0:10:44 | 0:10:49 | |
Royal messengers, sheep drovers, | 0:10:49 | 0:10:51 | |
physicians hurrying to bedsides | 0:10:51 | 0:10:54 | |
and foreign travellers in new-fangled carriages | 0:10:54 | 0:10:57 | |
all streaming in and out of the city. | 0:10:57 | 0:11:00 | |
If you travel in from the north along Watling Street, | 0:11:02 | 0:11:05 | |
the old Roman road, | 0:11:05 | 0:11:06 | |
you'll eventually come to this spot, the junction with Oxford Street. | 0:11:06 | 0:11:10 | |
This is Tyburn. The place of the notorious London gallows. | 0:11:10 | 0:11:15 | |
It acts as a stark reminder | 0:11:18 | 0:11:20 | |
that this is a place where only a minor indiscretion | 0:11:20 | 0:11:22 | |
can cost you your life. | 0:11:22 | 0:11:24 | |
Swiss visitor Thomas Platter | 0:11:26 | 0:11:28 | |
vividly describes the hangings at Tyburn in his diary. | 0:11:28 | 0:11:31 | |
Those condemned to the rope are placed on a cart | 0:11:34 | 0:11:38 | |
and the hangman drives with them to the gallows, called Tyburn. | 0:11:38 | 0:11:41 | |
There, he fastens them up one after another. | 0:11:41 | 0:11:46 | |
The criminals' friends come | 0:11:46 | 0:11:48 | |
and draw them down by their feet, that they may die all the sooner. | 0:11:48 | 0:11:52 | |
As you pass Tyburn, you may well see the lifeless bodies of thieves | 0:11:54 | 0:11:57 | |
and murderers hanging from the gallows. | 0:11:57 | 0:12:00 | |
It's quite a haunting welcome to England's capital city. | 0:12:00 | 0:12:03 | |
If the sight of dead, naked criminals at Tyburn | 0:12:14 | 0:12:17 | |
hasn't put you off London for good, | 0:12:17 | 0:12:19 | |
it's time to get to know England's capital city | 0:12:19 | 0:12:21 | |
and make yourself at home. | 0:12:21 | 0:12:22 | |
If you want to see all that London has to offer, | 0:12:27 | 0:12:29 | |
you're going to need to find somewhere to stay. | 0:12:29 | 0:12:31 | |
Elizabethan inns are one of the real pleasures of travelling. | 0:12:31 | 0:12:34 | |
And London has some of the finest places to rest your head. | 0:12:34 | 0:12:37 | |
When you arrive, a boy will unsaddle your horse, | 0:12:56 | 0:12:59 | |
your luggage will be taken and you'll be shown to the innkeeper. | 0:12:59 | 0:13:02 | |
The innkeeper will give you a candle to light your way to your bedchamber, | 0:13:05 | 0:13:08 | |
where you'll find a wooden-framed bed. | 0:13:08 | 0:13:11 | |
The bed itself is slung with ropes, on which a straw mat is placed | 0:13:11 | 0:13:14 | |
with a couple of featherbeds on top of that. | 0:13:14 | 0:13:17 | |
These are mattresses which should give you a good night's sleep, | 0:13:17 | 0:13:20 | |
as long as there are no bedbugs. | 0:13:20 | 0:13:21 | |
Foreign travellers often comment on the clean state of London's inns. | 0:13:23 | 0:13:26 | |
And you can expect freshly-laundered sheets. | 0:13:26 | 0:13:29 | |
The innkeeper is also legally responsible for keeping you safe. | 0:13:30 | 0:13:34 | |
And so he'll do what he can to stop thieves | 0:13:34 | 0:13:36 | |
and violence on his premises. | 0:13:36 | 0:13:38 | |
However, I suggest you keep your wits about you | 0:13:44 | 0:13:47 | |
as the servants at the inn may well have told some unsavoury characters | 0:13:47 | 0:13:51 | |
about your onward travel plans | 0:13:51 | 0:13:53 | |
and tipped them off about your expensive-looking belongings, | 0:13:53 | 0:13:56 | |
all for the price of a drink. | 0:13:56 | 0:13:58 | |
If, when you wake up in the morning, | 0:14:04 | 0:14:06 | |
you've not been robbed of all you possess, | 0:14:06 | 0:14:08 | |
it's time to explore the unique sights of London. | 0:14:08 | 0:14:11 | |
There are numerous must-see attractions | 0:14:20 | 0:14:22 | |
on any wealthy tourist's itinerary. | 0:14:22 | 0:14:25 | |
Firstly, the Tower of London. | 0:14:25 | 0:14:27 | |
Here you can hire a tour guide. | 0:14:27 | 0:14:29 | |
You'll see Henry VIII's armour, | 0:14:29 | 0:14:31 | |
the Royal Mint, a menagerie of exotic animals | 0:14:31 | 0:14:34 | |
and the dungeons where Catholics are tortured. | 0:14:34 | 0:14:37 | |
But tourism doesn't come cheap. | 0:14:39 | 0:14:41 | |
If you want to do the full Tower experience in Elizabeth's reign, | 0:14:41 | 0:14:45 | |
it will cost you the equivalent of 12 weeks' wages | 0:14:45 | 0:14:47 | |
for the average labourer. | 0:14:47 | 0:14:49 | |
You'll notice that London is a favourite destination | 0:14:53 | 0:14:56 | |
for wealthy foreign tourists. | 0:14:56 | 0:14:58 | |
One such visitor is the Venetian Allesandro Magno, | 0:15:01 | 0:15:04 | |
who visits London in 1562 and spends time among the urban middle class. | 0:15:04 | 0:15:09 | |
He keeps a journal of his experiences | 0:15:09 | 0:15:11 | |
and comments on the things he finds strange about England and the people he meets. | 0:15:11 | 0:15:16 | |
But the one thing you simply have to see is London Bridge. | 0:16:00 | 0:16:03 | |
It's what every visitor to the city talks about. | 0:16:03 | 0:16:06 | |
It's more than just a simple bridge. | 0:16:09 | 0:16:11 | |
It's a magnificent ancient structure of 20 arches, | 0:16:11 | 0:16:14 | |
it's 800 feet long, 60 feet high and 28 feet wide. | 0:16:14 | 0:16:19 | |
It towers above the river. | 0:16:19 | 0:16:21 | |
The bridge is covered in buildings, | 0:16:23 | 0:16:25 | |
from wealthy merchants' houses to shops and even public toilets. | 0:16:25 | 0:16:30 | |
It also has impressive gates and fortifications | 0:16:31 | 0:16:35 | |
designed to protect the city. | 0:16:35 | 0:16:37 | |
London Bridge is an imposing symbol, not only of the city's wealth, | 0:16:38 | 0:16:42 | |
but also of Royal authority. | 0:16:42 | 0:16:43 | |
The remains of more than 30 heads of executed traitors | 0:16:43 | 0:16:46 | |
are to be seen there at the end of the reign. | 0:16:46 | 0:16:49 | |
The great wealth of the city attracts all those hoping to make their fortunes, | 0:16:53 | 0:16:58 | |
but it doesn't have to be all hard work. | 0:16:58 | 0:17:00 | |
The Mermaid Tavern on Cheapside is a favourite haunt of William Shakespeare, | 0:17:07 | 0:17:11 | |
who is a friend of the landlord. | 0:17:11 | 0:17:13 | |
He and his fellow playwrights, and their drinking partners, are at the heart of this new London. | 0:17:13 | 0:17:19 | |
If you like beer, you've come to the right place. | 0:17:38 | 0:17:41 | |
For a ha'penny, you can have a pint of good English beer, | 0:17:41 | 0:17:44 | |
served in a wooden mazer, or a shiny pewter tankard. | 0:17:44 | 0:17:47 | |
The best quality is March beer, or double beer, | 0:17:47 | 0:17:50 | |
made with twice the quantity of malt and thus twice as strong. | 0:17:50 | 0:17:54 | |
But not everybody loves English beer. | 0:17:54 | 0:17:56 | |
The Venetian Allesandro Magno describes it as "healthy but sickening to taste" | 0:17:56 | 0:18:01 | |
and "cloudy like horse's urine". | 0:18:01 | 0:18:03 | |
As well as providing some suspicious tasting beer, | 0:18:04 | 0:18:07 | |
London's alehouses provide every indulgence you can imagine - | 0:18:07 | 0:18:11 | |
food, music, flirtation, and much more besides. | 0:18:11 | 0:18:15 | |
Many alehouses double up as places of prostitution, | 0:18:20 | 0:18:23 | |
with the landlord's wife, or even his daughter, taking the position of house harlot. | 0:18:23 | 0:18:28 | |
These are the harsh realities of Elizabethan life. | 0:18:28 | 0:18:30 | |
The man has to work brewing ale and serving the customers, | 0:18:30 | 0:18:33 | |
so the women of the household have to work too. | 0:18:33 | 0:18:36 | |
Now you've explored the city, | 0:18:39 | 0:18:41 | |
it's time to get down to the business of setting up and making some money. | 0:18:41 | 0:18:45 | |
In 1599, the Swiss tourist Thomas Platter remarks that, | 0:18:49 | 0:18:53 | |
"London is not in England, but England is in London." | 0:18:53 | 0:18:56 | |
An observation about crowding in echoed by almost every foreign visitor to the City. | 0:18:56 | 0:19:01 | |
London's not just the most populous place, | 0:19:01 | 0:19:04 | |
it's also the centre of government and the centre of law, | 0:19:04 | 0:19:06 | |
the centre of international trade and, of course, of culture. | 0:19:06 | 0:19:10 | |
It's also a place of wonder and horror, | 0:19:10 | 0:19:13 | |
of great wealth and abject poverty. | 0:19:13 | 0:19:15 | |
Over the 45 years of Elizabeth's reign, | 0:19:20 | 0:19:22 | |
the city's population increases from 70,000 to an astonishing 200,000 | 0:19:22 | 0:19:27 | |
as multitudes flock to the capital to seek their fortune. | 0:19:27 | 0:19:32 | |
But London's pre-eminence isn't just to be measured in numbers of people. | 0:19:32 | 0:19:36 | |
Even at the start of the period, Londoners pay ten times as much tax | 0:19:36 | 0:19:39 | |
as residents of England's second largest city, Norwich. | 0:19:39 | 0:19:43 | |
As you walk the streets of your new city, | 0:19:46 | 0:19:48 | |
you'll see hawkers selling herbs, linens and fine drinking glasses. | 0:19:48 | 0:19:52 | |
You'll smell tempting hot sausages and pies for sale. | 0:19:56 | 0:19:59 | |
And you'll hear the hammering of metalworkers, | 0:19:59 | 0:20:02 | |
the shouts of criers giving news | 0:20:02 | 0:20:04 | |
and the anguished pleas for food and pity from Newgate and Ludgate prisons. | 0:20:04 | 0:20:08 | |
The real soul of London is in the streets - | 0:20:12 | 0:20:15 | |
the tiny alleys, dark with overhanging houses. | 0:20:15 | 0:20:18 | |
Ordinary people's homes are the places for innovation, | 0:20:18 | 0:20:21 | |
of manufacturing and commerce, | 0:20:21 | 0:20:23 | |
attracting people from all over the country seeking their fortune. | 0:20:23 | 0:20:27 | |
But this growth and dynamism is not without its problems. | 0:20:27 | 0:20:30 | |
Queen Elizabeth doesn't like London encroaching on her land and palaces, | 0:20:35 | 0:20:39 | |
and so she decrees that no new building can take place | 0:20:39 | 0:20:43 | |
outside the city walls. | 0:20:43 | 0:20:45 | |
This early idea of a green-belt | 0:20:45 | 0:20:48 | |
has a significant impact on the landscape of the city. | 0:20:48 | 0:20:51 | |
In London, space is at a premium. | 0:20:54 | 0:20:56 | |
This plan shows you how closely packed together | 0:20:56 | 0:20:59 | |
all the houses are and gives you a sense of how cramped life is. | 0:20:59 | 0:21:03 | |
It also shows you all the latrines. | 0:21:03 | 0:21:05 | |
Actually this bit of London isn't too badly served for such facilities | 0:21:05 | 0:21:09 | |
due to the proximity of the River Fleet. | 0:21:09 | 0:21:12 | |
Even so, you might have to cross your legs | 0:21:12 | 0:21:14 | |
as it shows just 10 loos for the 30 properties on the map, | 0:21:14 | 0:21:18 | |
let alone all the hundreds of other houses nearby. | 0:21:18 | 0:21:21 | |
For those who come to live in the city, life is crowded, | 0:21:23 | 0:21:27 | |
cramped, unhygienic and little more than a struggle. | 0:21:27 | 0:21:30 | |
Tensions are increased by having to live so close to your neighbours. | 0:21:30 | 0:21:35 | |
The lack of space means houses are rising fast, | 0:21:43 | 0:21:46 | |
sometimes up to seven storeys high, all supported by nothing but timber beams. | 0:21:46 | 0:21:51 | |
As you make money in the city, you might choose to buy one of these new townhouses, | 0:21:53 | 0:21:58 | |
as opposed to lodging in the cramped conditions. | 0:21:58 | 0:22:00 | |
The rapid growth of London also means that sanitation suffers. | 0:22:03 | 0:22:06 | |
Without flushing toilets or effective drains, | 0:22:06 | 0:22:10 | |
the smell of Elizabethan London is going to take some getting used to. | 0:22:10 | 0:22:14 | |
Strange though it may seem, to most Londoners, the smell of sewage is the smell of progress, | 0:22:19 | 0:22:24 | |
because it's also the smell of lots of people. | 0:22:24 | 0:22:27 | |
Although the sanitation might leave a little to be desired, | 0:22:27 | 0:22:30 | |
the city is where you can better yourself and improve your lot. | 0:22:30 | 0:22:34 | |
London attracts everyone hoping to make a fortune or a name for themselves. | 0:22:34 | 0:22:38 | |
Once you've made it in London, | 0:22:41 | 0:22:43 | |
you can flaunt your new wealth through your choice of transport. | 0:22:43 | 0:22:47 | |
When visiting London, the River Thames will be your constant companion. | 0:22:49 | 0:22:53 | |
It's the lifeblood of the city | 0:22:53 | 0:22:55 | |
and for many wealthier Londoners, it is by far the best way to get about. | 0:22:55 | 0:22:59 | |
This is one of the reasons why there are so many boats on the river, | 0:22:59 | 0:23:02 | |
from the practical barges carrying everything from dung to wine, and the Queen's glass-sided barge, | 0:23:02 | 0:23:08 | |
to thousands of wherries, as waterborne taxis are known. | 0:23:08 | 0:23:11 | |
These river taxis operate in all weathers. | 0:23:12 | 0:23:15 | |
It will cost you a penny to cross from the city | 0:23:15 | 0:23:17 | |
to the many entertainments of Southwark | 0:23:17 | 0:23:19 | |
on the south bank of the river. | 0:23:19 | 0:23:21 | |
The wherries are quick, and the best way to avoid the dirty crowded streets, | 0:23:26 | 0:23:30 | |
as well as to show you're a self-respecting person of substance. | 0:23:30 | 0:23:34 | |
The River Thames also provides the city with its port | 0:23:40 | 0:23:43 | |
and it's this that makes London such a centre of international trade, | 0:23:43 | 0:23:47 | |
new ideas and opportunities to make money. | 0:23:47 | 0:23:50 | |
London's striving metropolitan elite are only too pleased to spend their new-found wealth. | 0:23:59 | 0:24:04 | |
And it's London's bustling port that satisfies the demand | 0:24:04 | 0:24:08 | |
for novelties as well as basic commodities. | 0:24:08 | 0:24:10 | |
Luxury items such as sugar, exotic spices, carpets, cakes of soap and even marmalade, | 0:24:10 | 0:24:16 | |
are imported from Europe, the Far East and the New World. | 0:24:16 | 0:24:20 | |
If it's the finer things in life you're after, | 0:24:20 | 0:24:22 | |
then London is definitely the place to be. | 0:24:22 | 0:24:25 | |
The constant movement of people and cargoes in and out of the city | 0:24:26 | 0:24:30 | |
makes it a conduit for the most terrifying thing you'll encounter in Elizabethan England - | 0:24:30 | 0:24:35 | |
the plague. | 0:24:35 | 0:24:37 | |
When planning your visit, you really must avoid 1563. | 0:24:41 | 0:24:45 | |
In that one year alone, over 17,000 Londoners die of bubonic plague. | 0:24:45 | 0:24:50 | |
But let's say you do visit during an epidemic, | 0:24:50 | 0:24:52 | |
are there any precautions you can take to avoid catching this dreaded disease? | 0:24:52 | 0:24:57 | |
You can never predict where it might strike, | 0:24:59 | 0:25:01 | |
outbreaks occur all over the country at different times. | 0:25:01 | 0:25:05 | |
But bear in mind that it is carried by rat fleas | 0:25:06 | 0:25:09 | |
and they don't travel very fast. | 0:25:09 | 0:25:11 | |
If you hear that the plague is in town, leave immediately. | 0:25:13 | 0:25:16 | |
Poor areas are more severely affected than rich ones, so avoid slums. | 0:25:18 | 0:25:22 | |
Plague can also be spread through infected garments, | 0:25:22 | 0:25:25 | |
so don't borrow or wear someone else's clothing. | 0:25:25 | 0:25:27 | |
And finally, bear in mind that plague can be spread in the breath. | 0:25:27 | 0:25:31 | |
Don't get over familiar with strangers and keep the kissing to a minimum. | 0:25:31 | 0:25:34 | |
So what should you do if you feel painful buboes on your groin and armpits, | 0:25:37 | 0:25:40 | |
and find yourself suffering from a rapid pulse, fever and headache? | 0:25:40 | 0:25:45 | |
Medicine won't help you. | 0:25:45 | 0:25:46 | |
There are supposed cures for plague, | 0:25:46 | 0:25:48 | |
but none of them will do you the slightest bit of good. | 0:25:48 | 0:25:50 | |
A physician won't even come near you. | 0:25:50 | 0:25:53 | |
I'm afraid in such circumstances, the outlook is bleak. | 0:25:53 | 0:25:57 | |
There is nothing you can do. | 0:25:57 | 0:25:59 | |
If you are unlucky enough to catch plague, | 0:26:03 | 0:26:05 | |
the ordinances enacted in 1578 mean you're subject to strict control measures. | 0:26:05 | 0:26:10 | |
You can't buy your way out of this one. | 0:26:10 | 0:26:12 | |
You'll be boarded up for a minimum of six weeks - | 0:26:15 | 0:26:17 | |
you, your family and servants, sick and healthy all in it together. | 0:26:17 | 0:26:22 | |
There are some harrowing stories about plague victims. | 0:26:27 | 0:26:30 | |
One that I find particularly moving is that of Thomas Smallbone. | 0:26:30 | 0:26:34 | |
He and his wife, his mother-in-law and his children all catch plague in the autumn. | 0:26:34 | 0:26:38 | |
One by one, the adults die | 0:26:38 | 0:26:41 | |
and then one by one, all the children die. | 0:26:41 | 0:26:44 | |
At the end, after eight months incarcerated in the house, | 0:26:44 | 0:26:48 | |
only the servants survive. | 0:26:48 | 0:26:49 | |
No matter how rich, ambitious or knowledgeable you are, | 0:26:54 | 0:26:58 | |
nothing can save you from this pestilence. | 0:26:58 | 0:27:00 | |
As well as horrific events like plague, | 0:27:06 | 0:27:08 | |
Elizabethan England also sees several positive changes that | 0:27:08 | 0:27:12 | |
make a real difference to the lives of the middling sort of people. | 0:27:12 | 0:27:15 | |
Without a doubt, the most far-reaching of all of these | 0:27:15 | 0:27:19 | |
is the publication of increasing numbers of books in English. | 0:27:19 | 0:27:22 | |
Over the course of the 16th century, | 0:27:25 | 0:27:28 | |
the proportion of books published in English increases rapidly. | 0:27:28 | 0:27:32 | |
This in turn encourages many ordinary people to read. | 0:27:32 | 0:27:35 | |
For prosperous townsmen, this is a major revelation. | 0:27:39 | 0:27:42 | |
Suddenly, they too can acquire knowledge and explore their world through literature. | 0:27:42 | 0:27:47 | |
Books are soon published on a wide range of subjects, | 0:27:49 | 0:27:52 | |
everything from cookery to medicine and even how to fire a cannon. | 0:27:52 | 0:27:56 | |
But it's the Bible, in English, which is the real bestseller of the age. | 0:27:57 | 0:28:02 | |
For the first time, people can read the word of God in their own homes | 0:28:02 | 0:28:06 | |
and consider its meanings for themselves. | 0:28:06 | 0:28:09 | |
It becomes the ultimate self-help book. | 0:28:09 | 0:28:11 | |
To read is to better yourself and move up the social ladder. | 0:28:14 | 0:28:17 | |
But as you can already read, you're at a major advantage. | 0:28:19 | 0:28:22 | |
Literacy can be your ticket to greatness in Elizabethan England. | 0:28:24 | 0:28:27 | |
At the start of the 16th century, only one in ten men can read and write, | 0:28:31 | 0:28:35 | |
but by the end of Elizabeth's reign, that has increased to one in four. | 0:28:35 | 0:28:39 | |
Even more strikingly, the proportion of women who can read and write | 0:28:39 | 0:28:43 | |
increases from 1% to 10%. | 0:28:43 | 0:28:46 | |
That's a ten-fold increase. | 0:28:46 | 0:28:48 | |
It marks a revolution. From now on, men aren't the only readers. | 0:28:48 | 0:28:52 | |
Women can read too, and they can publish. | 0:28:52 | 0:28:55 | |
One woman who fully embraces this new intellectual opportunity is Aemilia Lanyer. | 0:29:00 | 0:29:05 | |
In what is very much a man's world, | 0:29:08 | 0:29:10 | |
she challenges the status quo. | 0:29:10 | 0:29:12 | |
You'll definitely want to get to know Aemilia. | 0:29:14 | 0:29:16 | |
She's witty, educated and has a lot to say for herself. | 0:29:16 | 0:29:20 | |
In one of her most famous poems, | 0:29:22 | 0:29:24 | |
she shifts the blame for man's fall from grace in the Garden of Eden from Eve to Adam. | 0:29:24 | 0:29:30 | |
Aemilia Lanyer is one of the standard-bearers | 0:29:59 | 0:30:02 | |
of this revolution in women's literature. | 0:30:02 | 0:30:04 | |
Her work demonstrates that women too are capable of original ideas | 0:30:04 | 0:30:08 | |
and inspires others to set out on the long road to intellectual equality. | 0:30:08 | 0:30:12 | |
Ironically, although you are qualified to join this literate society, | 0:30:23 | 0:30:27 | |
the chances are you'll have very great difficulty reading anyone's handwriting. | 0:30:27 | 0:30:31 | |
This isn't because people can't write properly, | 0:30:31 | 0:30:34 | |
it's because there are many different types of script in use. | 0:30:34 | 0:30:37 | |
Most people learn to read using a typeface called 'black letter'. | 0:30:42 | 0:30:45 | |
To your eyes, black letter will look almost Gothic, | 0:30:48 | 0:30:51 | |
with numerous unfamiliar characters. | 0:30:51 | 0:30:53 | |
You'll probably find printed italic script much easier to understand. | 0:30:58 | 0:31:03 | |
It's called italic because of its Italian origin. | 0:31:04 | 0:31:08 | |
All modern typefaces are based upon it. | 0:31:08 | 0:31:10 | |
Many books are published using both italic and black letter. | 0:31:11 | 0:31:15 | |
But just to confuse matters further, | 0:31:16 | 0:31:18 | |
there's another script called Secretary Hand, | 0:31:18 | 0:31:21 | |
a style of writing which is never printed. | 0:31:21 | 0:31:24 | |
The upshot of all this is, if you're lucky enough to come across | 0:31:29 | 0:31:32 | |
the original manuscript of a Shakespeare play, | 0:31:32 | 0:31:34 | |
in all likelihood, you won't be able to read a word. | 0:31:34 | 0:31:36 | |
You'll find the printed versions much easier. | 0:31:36 | 0:31:39 | |
Numbers can also be a little bit tricky | 0:31:52 | 0:31:54 | |
as both Arabic and Roman numerals are in common use. | 0:31:54 | 0:31:58 | |
Increasingly, you'll see Arabic numerals used | 0:31:58 | 0:32:00 | |
because 1588 - one five eight eight - | 0:32:00 | 0:32:03 | |
is much easier to write than MDLXXXVIII. | 0:32:03 | 0:32:09 | |
Some educated men like William Cecil, | 0:32:12 | 0:32:14 | |
the Queen's chief advisor, simply can't think in Arabic numerals. | 0:32:14 | 0:32:18 | |
He converts dates and figures into Roman numerals | 0:32:18 | 0:32:21 | |
and then back again when formulating government policy. | 0:32:21 | 0:32:26 | |
You'll find numbers and counting much easier | 0:32:27 | 0:32:30 | |
than even the most highly educated men in the land. | 0:32:30 | 0:32:32 | |
The publishing of books in English has a major impact on literacy, | 0:32:41 | 0:32:45 | |
but for the ambitious and brightest, | 0:32:45 | 0:32:48 | |
there's another, more formal, route to education - school. | 0:32:48 | 0:32:52 | |
Traditionally, a formal education is only open to the wealthy few. | 0:32:54 | 0:33:00 | |
But increasingly, new grammar schools - | 0:33:00 | 0:33:02 | |
that is, schools that teach boys to read and write in Latin - | 0:33:02 | 0:33:05 | |
are springing up across the country. | 0:33:05 | 0:33:07 | |
Just like the one here in Stratford-upon-Avon. | 0:33:10 | 0:33:12 | |
As every responsible father knows, not to teach your son to read | 0:33:16 | 0:33:19 | |
and write is to disempower him in this fast-changing world. | 0:33:19 | 0:33:23 | |
By sending his son here to Stratford Grammar School, John Shakespeare | 0:33:23 | 0:33:26 | |
ensures that his son William isn't just restricted to a provincial trade, he's set up for life. | 0:33:26 | 0:33:32 | |
If you decide to drop in and visit a grammar school, | 0:33:34 | 0:33:37 | |
you had better prepare for a long day. | 0:33:37 | 0:33:40 | |
Lessons start at six or seven in the morning | 0:33:40 | 0:33:42 | |
and will normally carry on for at least ten hours, | 0:33:42 | 0:33:45 | |
although you might not stop until eight in the evening. | 0:33:45 | 0:33:48 | |
Teaching is generally in Latin and by rote, | 0:33:48 | 0:33:50 | |
with a school master dictating classical works from the front. | 0:33:50 | 0:33:54 | |
Discipline is brutal - so much so, that you'll be profoundly shocked. | 0:33:54 | 0:33:59 | |
Here at Stratford in the 1560s, the master John Brownsword | 0:33:59 | 0:34:05 | |
teaches all the Roman greats, including Ovid, Cicero | 0:34:05 | 0:34:09 | |
and Virgil, as well as some Greek. | 0:34:09 | 0:34:12 | |
Ben Jonson later writes that Shakespeare has "small Latin and less Greek", | 0:34:12 | 0:34:18 | |
trying to belittle his level of learning. | 0:34:18 | 0:34:21 | |
But just think about that. It's truly remarkable that | 0:34:21 | 0:34:24 | |
a provincially educated son of a glove maker has any Greek at all. | 0:34:24 | 0:34:28 | |
All across England, boys like William Shakespeare are being | 0:34:30 | 0:34:33 | |
prepared for an increasingly literate society. | 0:34:33 | 0:34:36 | |
From now on, literacy is the key to social mobility. | 0:34:36 | 0:34:39 | |
With an education, you can take advantage | 0:34:52 | 0:34:55 | |
of all the new opportunities that Elizabethan England provides. | 0:34:55 | 0:34:59 | |
Because above all else, this is a time of exploration, | 0:35:01 | 0:35:05 | |
discovery and scientific revolution. | 0:35:05 | 0:35:08 | |
But you need to understand how this brave new world operates. | 0:35:13 | 0:35:16 | |
And the first thing to bear in mind is just how intertwined religion is | 0:35:19 | 0:35:24 | |
with what YOU would consider established scientific fact. | 0:35:24 | 0:35:30 | |
One word you won't hear very often is science. Instead, | 0:35:30 | 0:35:33 | |
you'll come across the notion of Natural Philosophy, a catch-all term | 0:35:33 | 0:35:37 | |
that covers everything from mathematics to geography. | 0:35:37 | 0:35:40 | |
It also includes some very unscientific things | 0:35:40 | 0:35:43 | |
such as the interpretation of dreams, astrology and the occult. | 0:35:43 | 0:35:47 | |
One man who exemplifies this blurring of science and religion | 0:35:49 | 0:35:52 | |
is Dr John Dee, a famous astrologer and advisor of Queen Elizabeth. | 0:35:52 | 0:35:57 | |
With a favourable introduction, | 0:36:01 | 0:36:03 | |
he can open your eyes to the world of Elizabethan science. | 0:36:03 | 0:36:06 | |
If you meet Dee in 1582, you can watch as he and his friend | 0:36:10 | 0:36:13 | |
Edward Kelley try and study angels through a series of seances. | 0:36:13 | 0:36:18 | |
During their experience, an angel called Madimi instructs them | 0:36:20 | 0:36:25 | |
to share everything - including their wives. | 0:36:25 | 0:36:28 | |
Shocked, they ask Madimi if she means carnal knowledge, | 0:36:28 | 0:36:32 | |
and the angel confirms this is the case. | 0:36:32 | 0:36:35 | |
They duly comply and make love to each other's wives. | 0:36:35 | 0:36:39 | |
These men aren't charlatans or deviants, | 0:36:42 | 0:36:45 | |
they simply operate in a world where there are no scientific boundaries. | 0:36:45 | 0:36:48 | |
As God created everything, | 0:36:48 | 0:36:50 | |
every scientific discovery is a religious act. | 0:36:50 | 0:36:53 | |
In this world, religion and science are the same thing. | 0:36:53 | 0:36:56 | |
It's probably a good idea to make your excuses | 0:36:58 | 0:37:01 | |
if John Dee invites you and your husband to a seance. | 0:37:01 | 0:37:04 | |
According to the great polymath and philosopher Francis Bacon, | 0:37:13 | 0:37:16 | |
there are three things that set the Elizabethan Age | 0:37:16 | 0:37:18 | |
apart from the medieval one - | 0:37:18 | 0:37:21 | |
gunpowder, printing and the compass. | 0:37:21 | 0:37:25 | |
For centuries, it was believed that | 0:37:28 | 0:37:30 | |
the wisdom of ancient writers like Aristotle, Ptolemy and Pythagoras | 0:37:30 | 0:37:35 | |
provided an unquestionable basis for all human knowledge. | 0:37:35 | 0:37:38 | |
Any new thinkers who could see further could do so simply | 0:37:38 | 0:37:41 | |
because they were "dwarves standing on the shoulders of giants". | 0:37:41 | 0:37:45 | |
But when in 1492, Columbus discovered the Americas, | 0:37:51 | 0:37:56 | |
he proved the great minds of the ancient world | 0:37:56 | 0:37:58 | |
did not know everything. That discovery cannot be overestimated. | 0:37:58 | 0:38:02 | |
In Elizabeth's reign, the leading scientists and geographers, | 0:38:02 | 0:38:06 | |
men like Francis Bacon, | 0:38:06 | 0:38:08 | |
are themselves giants, standing on the shoulders of giants. | 0:38:08 | 0:38:11 | |
In Elizabeth's England, advances in scientific knowledge go hand in hand | 0:38:13 | 0:38:17 | |
with exploration - building on what Columbus started 50 years before. | 0:38:17 | 0:38:22 | |
But what drives this appetite for discovery? In short - money. | 0:38:25 | 0:38:30 | |
The world really is your oyster, and one of the key figures | 0:38:46 | 0:38:49 | |
in opening that oyster is the adventurer John Hawkins. | 0:38:49 | 0:38:53 | |
In the 1550s, he embarks on a revolutionary moneymaking venture. | 0:38:55 | 0:39:00 | |
He begins selling slaves from Africa | 0:39:04 | 0:39:06 | |
to the Spanish colonies in the Caribbean. | 0:39:06 | 0:39:08 | |
His voyage is such a success that Queen Elizabeth herself | 0:39:10 | 0:39:14 | |
invests in his next expedition. | 0:39:14 | 0:39:16 | |
I expect you will feel more than just a little uncomfortable | 0:39:20 | 0:39:24 | |
being part of what seems to us a completely immoral business. | 0:39:24 | 0:39:28 | |
But this immorality is not an issue for ambitious Englishmen | 0:39:28 | 0:39:32 | |
eager to exploit this new world. | 0:39:32 | 0:39:34 | |
Perhaps the most famous adventurer of them all is Sir Francis Drake. | 0:39:36 | 0:39:40 | |
He is the very embodiment of an Elizabethan self-made man. | 0:39:40 | 0:39:44 | |
From humble beginnings in Devon, he rises to become | 0:39:44 | 0:39:47 | |
one of the richest and most celebrated men in the kingdom. | 0:39:47 | 0:39:51 | |
In 1577, he sets out in command of a fleet of five ships with 200 men. | 0:39:52 | 0:39:58 | |
Three years later, having sailed round the world, he returns | 0:39:58 | 0:40:01 | |
with just one ship and 56 men, but a mountain of treasure. | 0:40:01 | 0:40:05 | |
Drake is a man whom you'll definitely want to meet. | 0:40:13 | 0:40:17 | |
He is a privateer, a state-sanctioned pirate. | 0:40:17 | 0:40:20 | |
On his voyage around the world, he extends English knowledge | 0:40:20 | 0:40:24 | |
of the Pacific Ocean and beyond. | 0:40:24 | 0:40:27 | |
He also plunders as much as he can. | 0:40:27 | 0:40:30 | |
No-one knows exactly how much he brings back from the ships and ports he attacks. | 0:40:30 | 0:40:34 | |
But the Spanish, from whom he steals most of it, | 0:40:34 | 0:40:37 | |
estimate his loot as worth £600,000 - | 0:40:37 | 0:40:40 | |
roughly twice the English government's annual revenue. | 0:40:40 | 0:40:44 | |
This lowly provincial buys himself | 0:40:47 | 0:40:49 | |
a place at the top of Elizabethan society with stolen Spanish gold. | 0:40:49 | 0:40:54 | |
You can visit Drake's famous flagship, | 0:40:57 | 0:41:00 | |
the Golden Hinde, at Greenwich. | 0:41:00 | 0:41:02 | |
It's common to break a piece off as a souvenir, | 0:41:05 | 0:41:08 | |
so visit by 1618, as after this date only the keel will be left. | 0:41:08 | 0:41:12 | |
Men like Drake use the compass and other new technologies | 0:41:15 | 0:41:18 | |
to navigate their way around the world, | 0:41:18 | 0:41:21 | |
but it's gunpowder and cannon that allow them to make their fortunes. | 0:41:21 | 0:41:25 | |
Superior firepower means that they can attack indigenous peoples with impunity | 0:41:25 | 0:41:30 | |
and plunder the ships and outposts of their Spanish rivals. | 0:41:30 | 0:41:33 | |
Drake's Golden Hinde is armed with 18 cannon. | 0:41:37 | 0:41:41 | |
14 of these are capable of sending an iron cannonball, | 0:41:41 | 0:41:44 | |
weighing some four pounds, | 0:41:44 | 0:41:46 | |
into the packed decks and sails of his enemy's ships. | 0:41:46 | 0:41:50 | |
The majority of English vessels are smaller, lower, more stable | 0:41:54 | 0:41:58 | |
and more manoeuvrable than the big Spanish galleons. | 0:41:58 | 0:42:01 | |
So, although fewer guns will defend you, an English ship | 0:42:05 | 0:42:08 | |
is probably your best bet when it comes to travelling the world. | 0:42:08 | 0:42:12 | |
Drake and his English contemporaries soon begin to challenge | 0:42:16 | 0:42:19 | |
the Spanish for mastery of the world's oceans. | 0:42:19 | 0:42:22 | |
If you are serious about voyaging into the great unknown with | 0:42:29 | 0:42:33 | |
Francis Drake or John Hawkins, there are a few things to bear in mind. | 0:42:33 | 0:42:36 | |
Life aboard an ocean-going ship is unbelievably hard. | 0:42:39 | 0:42:43 | |
As a crew member, you won't have any private space, | 0:42:43 | 0:42:46 | |
the food is atrocious | 0:42:46 | 0:42:48 | |
and it's likely you'll get scurvy on a long voyage. | 0:42:48 | 0:42:51 | |
That means you'll probably lose some teeth, your gums will start to rot, | 0:42:51 | 0:42:54 | |
and your breath will stink. | 0:42:54 | 0:42:56 | |
There are no washing facilities | 0:42:56 | 0:42:59 | |
so the smell of your body will soon overpower | 0:42:59 | 0:43:01 | |
even that of your reeking breath. You can't shave either, | 0:43:01 | 0:43:04 | |
so your beard will start to grow and insects will grow in your beard. | 0:43:04 | 0:43:08 | |
In fact, your whole body will be covered in lice and fleas. | 0:43:08 | 0:43:11 | |
And unfortunately, if you do seek out adventure, you probably won't | 0:43:12 | 0:43:16 | |
live very long - 82% of mariners are under 30, | 0:43:16 | 0:43:20 | |
because mortality rates are so high. | 0:43:20 | 0:43:22 | |
After his rampaging voyage around the globe | 0:43:28 | 0:43:30 | |
and success against the Spanish, Drake returns to England a hero. | 0:43:30 | 0:43:35 | |
You, too, can bask in his reflected glory, as all Englishmen do. | 0:43:35 | 0:43:39 | |
Drake shares his fortune with the Crown | 0:43:41 | 0:43:44 | |
and, begrudgingly, Queen Elizabeth knights him. | 0:43:44 | 0:43:48 | |
This lowly provincial becomes one of the most famous men of the age. | 0:43:48 | 0:43:51 | |
Through sheer determination and reckless courage, | 0:44:05 | 0:44:08 | |
Drake manages to steal | 0:44:08 | 0:44:10 | |
and fight his way into the upper echelons of Elizabethan society. | 0:44:10 | 0:44:14 | |
His knighthood is recognition by the Queen | 0:44:14 | 0:44:16 | |
and the establishment that men like him are the key to England's future. | 0:44:16 | 0:44:21 | |
But alongside the great advances in science, knowledge and trade, | 0:44:28 | 0:44:32 | |
exploration also awakens a darker side of human nature. | 0:44:32 | 0:44:37 | |
You may be shocked by the racism | 0:44:37 | 0:44:40 | |
and the prejudice of your fellow Englishmen. | 0:44:40 | 0:44:42 | |
Before the slaving expeditions of the 1560s, there are only | 0:44:45 | 0:44:48 | |
a handful of black men and women in England. | 0:44:48 | 0:44:51 | |
By 1596 however, their numbers have risen to such an extent | 0:44:51 | 0:44:55 | |
that the Queen orders the deportation of as many as possible, | 0:44:55 | 0:44:58 | |
on the grounds that there are too many unemployed people in the country. | 0:44:58 | 0:45:02 | |
Those that remain experience a rising tide of racism - as attitudes | 0:45:02 | 0:45:06 | |
that were once based on curiosity and ignorance turn hostile. | 0:45:06 | 0:45:10 | |
In Shakespeare's Titus Andronicus, | 0:45:13 | 0:45:16 | |
a black character is described as delighting in rape and murder. | 0:45:16 | 0:45:19 | |
And in Reginald Scott's Discovery Of Witchcraft, | 0:45:19 | 0:45:22 | |
it's even claimed that the devil himself has black skin. | 0:45:22 | 0:45:25 | |
The majority of black men and women are to be found serving in the | 0:45:28 | 0:45:32 | |
houses of the powerful and in ports, especially London and Plymouth. | 0:45:32 | 0:45:36 | |
Perhaps the most shocking aspect of Elizabethan racism | 0:45:36 | 0:45:39 | |
is the treatment of black women in these towns | 0:45:39 | 0:45:42 | |
as evidenced in the baptismal registers. | 0:45:42 | 0:45:45 | |
Such records suggest that rich men | 0:46:00 | 0:46:02 | |
are lending out their black female servants to friends and neighbours | 0:46:02 | 0:46:05 | |
for sexual novelty and experimentation. | 0:46:05 | 0:46:08 | |
You might be appalled by the actions of those around you, | 0:46:12 | 0:46:15 | |
but your moral outrage will baffle Elizabethans. | 0:46:15 | 0:46:18 | |
Having travelled the globe, English explorers and adventurers | 0:46:26 | 0:46:30 | |
bring back a mass of new discoveries that help transform | 0:46:30 | 0:46:33 | |
the understanding of the natural world. | 0:46:33 | 0:46:36 | |
Explorers from all over Europe, | 0:46:37 | 0:46:39 | |
including Englishmen such as Francis Drake and Walter Raleigh, | 0:46:39 | 0:46:42 | |
bring back plants and animals from the New World | 0:46:42 | 0:46:45 | |
with which you'll be very familiar - | 0:46:45 | 0:46:47 | |
the potato, the tomato, tobacco and the turkey. | 0:46:47 | 0:46:49 | |
These discoveries cause great excitement | 0:46:49 | 0:46:51 | |
for they support the idea that | 0:46:51 | 0:46:53 | |
when God created world, he created cures for all of mankind's diseases. | 0:46:53 | 0:46:57 | |
The result is an expansion in physic gardens, which are stocked | 0:46:59 | 0:47:03 | |
with every botanical specimen that might prove useful. | 0:47:03 | 0:47:07 | |
You might want to discuss these new discoveries with John Gerard, | 0:47:08 | 0:47:12 | |
the leading herbalist of the age. | 0:47:12 | 0:47:14 | |
Gerard compiles the most comprehensive catalogue of plants | 0:47:16 | 0:47:20 | |
yet undertaken, and the science of botany takes a huge leap forward. | 0:47:20 | 0:47:24 | |
John Gerard is keen to explore the medicinal | 0:47:32 | 0:47:35 | |
and nutritional properties of every plant he can find. | 0:47:35 | 0:47:38 | |
Of the newly discovered tomato he writes, "They yield very little | 0:47:38 | 0:47:42 | |
"nourishment to the body, and are only cultivated for their colour." | 0:47:42 | 0:47:45 | |
Prosperous Elizabethans put tomatoes and potatoes on the banquet table, | 0:47:45 | 0:47:49 | |
not to eat but for exotic decoration. | 0:47:49 | 0:47:52 | |
In short, the tomato is a status symbol. | 0:47:52 | 0:47:55 | |
Another exotic novelty you'll know well is tobacco. | 0:48:22 | 0:48:26 | |
If you're a smoker, you'll need to visit after 1573 | 0:48:26 | 0:48:29 | |
when it first becomes available. | 0:48:29 | 0:48:31 | |
However, a quarter ounce will cost you ten pence in a tavern - | 0:48:33 | 0:48:37 | |
a huge sum of money, reflecting its exotic nature. | 0:48:37 | 0:48:39 | |
Smoking polarises opinion in Elizabethan England - | 0:48:43 | 0:48:47 | |
some people will assure you that it has medicinal properties, | 0:48:47 | 0:48:51 | |
but others aren't convinced. | 0:48:51 | 0:48:53 | |
The Swiss traveller Thomas Platter notes that the English love to smoke. | 0:48:53 | 0:48:57 | |
As well as being viewed as a dangerous vice | 0:49:17 | 0:49:20 | |
and a health risk, smoking has its social detractors, too. | 0:49:20 | 0:49:23 | |
Many will tell you that tobacco makes your breath | 0:49:23 | 0:49:26 | |
smell like the "piss of a fox". | 0:49:26 | 0:49:27 | |
For you, tobacco, potatoes | 0:49:37 | 0:49:39 | |
and tomatoes are everyday items that will barely get a second glance. | 0:49:39 | 0:49:43 | |
But to those around you, these are exotic novelties | 0:49:43 | 0:49:47 | |
that prove there's a whole world out there | 0:49:47 | 0:49:49 | |
waiting to be discovered and exploited. | 0:49:49 | 0:49:52 | |
If you visit England at the start of the Queen's reign | 0:49:55 | 0:49:59 | |
and then again at the end, you'll find a profoundly different place. | 0:49:59 | 0:50:02 | |
Scientific and geographic knowledge have been transformed | 0:50:02 | 0:50:04 | |
beyond recognition, and everyday life has undergone a revolution. | 0:50:04 | 0:50:09 | |
As well as driving innovation | 0:50:10 | 0:50:12 | |
and expanding knowledge of the natural world, Elizabethan | 0:50:12 | 0:50:16 | |
merchant-adventurers also set England against powerful rivals. | 0:50:16 | 0:50:19 | |
English attempts to muscle in on the burgeoning empires of Catholic Spain | 0:50:21 | 0:50:26 | |
and Portugal in the New World are bound to lead to conflict. | 0:50:26 | 0:50:29 | |
This is even more the case after 1577, when Dr John Dee, | 0:50:29 | 0:50:33 | |
he of the wife-swapping angel seances, | 0:50:33 | 0:50:36 | |
suggests the establishment of a British Empire. | 0:50:36 | 0:50:39 | |
Empire-building in the New World, and the actions of men | 0:50:42 | 0:50:45 | |
like Francis Drake set England on a collision course with Spain. | 0:50:45 | 0:50:49 | |
And as every English schoolboy and schoolgirl knows, | 0:50:51 | 0:50:55 | |
this is what leads to the launch of the Spanish Armada, | 0:50:55 | 0:50:58 | |
arguably the defining event in Elizabeth's reign. | 0:50:58 | 0:51:03 | |
In 1588, 122 Spanish ships set sail with the intention | 0:51:06 | 0:51:10 | |
of landing an army to overthrow Elizabeth. | 0:51:10 | 0:51:14 | |
On entering the Channel, | 0:51:18 | 0:51:20 | |
they are intercepted by a larger English fleet, | 0:51:20 | 0:51:22 | |
commanded by Drake and Lord Howard. | 0:51:22 | 0:51:24 | |
The English forces chase the Armada up the Channel to Calais, | 0:51:29 | 0:51:32 | |
where they send flaming fire ships into the massed Spanish fleet. | 0:51:32 | 0:51:36 | |
The Spanish panic and take flight. | 0:51:36 | 0:51:39 | |
The British weather does the rest and many of the Armada's ships are | 0:51:43 | 0:51:47 | |
wrecked trying to sail home around the Scottish and Irish coasts. | 0:51:47 | 0:51:51 | |
In the aftermath of this famous victory, | 0:51:54 | 0:51:56 | |
the Tudor propaganda machine seeks to exploit | 0:51:56 | 0:51:59 | |
this seemingly divine affirmation of Elizabeth's England. | 0:51:59 | 0:52:02 | |
This iconic portrait of the Queen is full of triumphant symbolism. | 0:52:07 | 0:52:11 | |
Behind Elizabeth are two panels depicting key events. | 0:52:11 | 0:52:14 | |
On the left, the English fleet attacks the arriving Armada, | 0:52:14 | 0:52:18 | |
a scene bathed in glowing light. | 0:52:18 | 0:52:20 | |
On the right, the Spanish fleet is wrecked on rocks, | 0:52:20 | 0:52:23 | |
enveloped by darkness. | 0:52:23 | 0:52:26 | |
The English have no doubt as to where God's favour lies. | 0:52:26 | 0:52:29 | |
And looking to the future, the Queen's hand lies on a globe, | 0:52:29 | 0:52:33 | |
her fingers suggestively pointing to the New World. | 0:52:33 | 0:52:36 | |
The profound changes of the Elizabethan era | 0:52:51 | 0:52:53 | |
radically alter the lives of the new metropolitan classes. | 0:52:53 | 0:52:57 | |
Urbanisation, education and advances in science and knowledge | 0:52:57 | 0:53:02 | |
all feed into this notion of a changing world. | 0:53:02 | 0:53:05 | |
But there's one place you HAVE to go to round off your visit. | 0:53:12 | 0:53:16 | |
On the south bank of the Thames at Southwark, | 0:53:18 | 0:53:20 | |
you'll see something extraordinary unfolding before your eyes. | 0:53:20 | 0:53:24 | |
To many it's the pinnacle of Elizabeth's England - the theatre. | 0:53:27 | 0:53:32 | |
'To be, or not to be - that is the question.' | 0:53:36 | 0:53:39 | |
'Friends, Romans, countrymen...' | 0:53:39 | 0:53:42 | |
'..To suffer the slings and arrows of outrageous...' | 0:53:42 | 0:53:44 | |
-'Fair is foul and foul...' -'Lend me your ears...' | 0:53:44 | 0:53:47 | |
'..To take arms against a sea of troubles...' | 0:53:47 | 0:53:50 | |
'..Through the fog and filthy air...' | 0:53:50 | 0:53:53 | |
If you visit the Globe Theatre in 1599, you might just be lucky | 0:53:53 | 0:53:57 | |
enough to see the work of the man who has come to be regarded | 0:53:57 | 0:54:00 | |
as the foremost Elizabethan of them all - | 0:54:00 | 0:54:03 | |
William Shakespeare. | 0:54:03 | 0:54:04 | |
Like so many great men of the age, he prospers through sheer hard work. | 0:54:04 | 0:54:10 | |
For example, in that one year alone, 1599, | 0:54:10 | 0:54:13 | |
he writes no fewer than four plays - | 0:54:13 | 0:54:16 | |
Henry V, Julius Caesar, As You Like It, and Hamlet. | 0:54:16 | 0:54:20 | |
Here at the Globe, Shakespeare provides thought-provoking | 0:54:24 | 0:54:27 | |
entertainment that reflects his own society on stage. | 0:54:27 | 0:54:31 | |
A third of all Londoners watches a play every month. | 0:54:33 | 0:54:37 | |
You'll certainly want to join these urban theatre-goers. | 0:54:37 | 0:54:40 | |
When you arrive, you'll be one of a 2,000-strong audience | 0:54:44 | 0:54:47 | |
waiting with anticipation for the entertainment to begin. | 0:54:47 | 0:54:51 | |
Be on guard against pickpockets in the bustling audience - | 0:54:52 | 0:54:56 | |
you wouldn't want to lose some of your hard-earned cash. | 0:54:56 | 0:55:00 | |
Watching Shakespeare's masterpieces is a unique | 0:55:03 | 0:55:06 | |
and unforgettable experience. | 0:55:06 | 0:55:08 | |
You'll hear his plays performed by actors he knows - the very people | 0:55:08 | 0:55:12 | |
for whom he has written the parts. | 0:55:12 | 0:55:13 | |
'Is this a dagger which I see before me?' | 0:55:15 | 0:55:19 | |
'When shall we three meet again?' | 0:55:19 | 0:55:21 | |
'We few, we happy few, we band of brothers, | 0:55:21 | 0:55:26 | |
'for he today that sheds his blood with me shall be my brother...' | 0:55:26 | 0:55:31 | |
Ben Jonson is in no doubt about his friend's talent and legacy. | 0:55:31 | 0:55:35 | |
Shakespeare is not just an entertainer, of course. | 0:55:46 | 0:55:49 | |
In his plays, he holds up a mirror to reality, | 0:55:49 | 0:55:52 | |
reflecting a rapidly changing society. | 0:55:52 | 0:55:55 | |
In so doing, he becomes a spokesman for the emerging middle class, | 0:55:55 | 0:55:59 | |
a group that transforms the nation. | 0:55:59 | 0:56:01 | |
You could say he rides the crest of a cultural wave, | 0:56:01 | 0:56:04 | |
one which is still breaking on the shores of the world. | 0:56:04 | 0:56:07 | |
You've journeyed through the many different realities | 0:56:13 | 0:56:16 | |
that make up Elizabeth's England - | 0:56:16 | 0:56:18 | |
from the abject lives of the poor, | 0:56:18 | 0:56:21 | |
to the sumptuous homes of the rich | 0:56:21 | 0:56:24 | |
and the exciting world of the emergent middle-classes. | 0:56:24 | 0:56:28 | |
But witnessing the past is one thing, | 0:56:28 | 0:56:31 | |
understanding it is quite another. | 0:56:31 | 0:56:33 | |
Your familiarity with it will come and go like a tide. | 0:56:36 | 0:56:40 | |
You may recognise the greetings, shouts and insults in the street, | 0:56:43 | 0:56:47 | |
and understand people's feelings, tears and laughter. | 0:56:47 | 0:56:50 | |
But when you hear the baying crowd at the hanging of a young woman, | 0:56:50 | 0:56:54 | |
or see the hatred in people's faces at the arrest of a Catholic priest, | 0:56:54 | 0:56:57 | |
or witness the pitiful bears in their cramped cages at Southwark, | 0:56:57 | 0:57:01 | |
then it will seem as if the tide of familiarity has receded. | 0:57:01 | 0:57:05 | |
For the men and women of Elizabeth's reign, this isn't a golden age, | 0:57:06 | 0:57:11 | |
it is simply the world they inhabit, with all its challenges. | 0:57:11 | 0:57:14 | |
They don't know that the Spanish invasion will fail, | 0:57:16 | 0:57:18 | |
and that there is no cure for the plague. | 0:57:18 | 0:57:21 | |
And the majority of people outside London haven't even heard the name William Shakespeare. | 0:57:23 | 0:57:27 | |
The uncertainty of life, | 0:57:28 | 0:57:30 | |
and the even greater uncertainty of the future, mean their lives | 0:57:30 | 0:57:34 | |
are full of wonder and terror, pleasure and pain, tears and | 0:57:34 | 0:57:39 | |
laughter - everything that we all experience, whatever age we live in. | 0:57:39 | 0:57:43 | |
But what really sets Elizabethan England apart is the idea of change. | 0:57:46 | 0:57:51 | |
People can see the ruined monasteries for themselves, | 0:57:51 | 0:57:54 | |
they can see the ruined castles for themselves, | 0:57:54 | 0:57:57 | |
they know that an Englishman has circumnavigated the globe. | 0:57:57 | 0:58:00 | |
They can see that change is possible, and once they realise that | 0:58:00 | 0:58:03 | |
change is possible, they know that change for the better is possible. | 0:58:03 | 0:58:08 | |
This is perhaps the most important idea that mankind has ever had, | 0:58:08 | 0:58:13 | |
and it is the lasting legacy of the Elizabethan Age. | 0:58:13 | 0:58:16 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:39 |