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Good evening and welcome to Edinburgh. | :00:12. | :00:16. | |
Earlier today, people gathered here at the castle for | :00:17. | :00:20. | |
Scotland's Drumhead Ceremony - held in honour and in memory | :00:21. | :00:32. | |
some fascinating stories of Scottish men and women during the Great War. | :00:33. | :00:38. | |
But first, what does a Drumhead Ceremony involve? | :00:39. | :00:48. | |
A Drumhead service is a religious occasion to service men in the field | :00:49. | :00:54. | |
held for the purposes of ordinary Sunday worship and before going into | :00:55. | :00:59. | |
battle or to remember fallen comrades. They've been in existence | :01:00. | :01:03. | |
for centuries and Jerry the First World War and beyond they were held | :01:04. | :01:09. | |
at home as a fitting way to remember the sacrifices of the men at the | :01:10. | :01:13. | |
front. This rare film footage shows one held in a London park in 1916. | :01:14. | :01:19. | |
By then most of the towns and villages of Britain would have been | :01:20. | :01:24. | |
affected by the losses in the trenches or stop the Drumhead is a | :01:25. | :01:28. | |
neatly piled set of drums with the colours draped over them to serve as | :01:29. | :01:33. | |
a makeshift altar. Historically the drum played a crucial role as a way | :01:34. | :01:39. | |
of communicating orders jarring the chaos of battle. With such an | :01:40. | :01:51. | |
important point to play, drummers were elite soldiers and their | :01:52. | :01:54. | |
important point to play, drummers colours. Drumhead services are | :01:55. | :01:55. | |
important point to play, drummers while the drums that give them their | :01:56. | :01:58. | |
name now have a purely ceremonial role, Drumhead services are as | :01:59. | :02:02. | |
meaningful as ever and remain a fitting way to worship and to | :02:03. | :02:04. | |
remember the fallen. Today?s Drumhead ceremony began | :02:05. | :02:06. | |
at 10am. Among those who gathered here were | :02:07. | :02:07. | |
people who had travelled from every corner of Scotland and | :02:08. | :02:10. | |
from every branch of the military. It began with a march. | :02:11. | :02:23. | |
Her Majesty's Royal Marines led the naval detachment onto the Esplanade. | :02:24. | :02:30. | |
The Navy led the way because they are the senior service. Next came | :02:31. | :02:36. | |
the army, led by the Band of The Royal Regiment of Scotland laying | :02:37. | :02:40. | |
Scotland The Brave. They were followed by the Scots borderers, 1st | :02:41. | :02:45. | |
Battalion Royal Reg and of Scotland, or one SCOTS, and finally | :02:46. | :02:50. | |
the newest service, the RAAF were led on by the central staff band | :02:51. | :02:56. | |
playing the RAF March Past. The First Minister Alex Salmond and the | :02:57. | :03:00. | |
Secretary of State for Scotland Alistair Carmichael attended, as did | :03:01. | :03:05. | |
senior officers from each branch of the military. Each service was | :03:06. | :03:06. | |
represented by its own powdery. We meet in the presence of Almighty | :03:07. | :03:18. | |
God. We've come together to mark the centenary of the outbreak of war in | :03:19. | :03:23. | |
1914, to reflect on sacrifices past and to look to the future in hope. | :03:24. | :03:30. | |
This year, and throughout the following five years, people in | :03:31. | :03:36. | |
communities across Scotland will gather together and remember the | :03:37. | :03:42. | |
exceptional sacrifice made by their forebears during the conflicts. What | :03:43. | :03:50. | |
became known as the Great War. We commit ourselves today to work in | :03:51. | :03:58. | |
penitence and faith, for reconciliation between people, | :03:59. | :04:02. | |
communities and nations, that all people may live together in | :04:03. | :04:13. | |
freedom, justice and peace. The hymn O God Our Help In Ages Past. | :04:14. | :04:25. | |
# Our shelter from the stormy blast and our eternal home! | :04:26. | :05:00. | |
Drumhead altars have been set up in many theatres of war, from Flanders | :05:01. | :05:08. | |
in France to Iraq and Afghanistan. This one is being held here to mark | :05:09. | :05:13. | |
the moment 100 years ago when the garrison of this castle went off to | :05:14. | :05:18. | |
war. The colours were placed on the Drumhead in the same order of the | :05:19. | :05:22. | |
Navy, whose colour is called and Benson, then the Army... And finally | :05:23. | :05:30. | |
the air force, to form the alter. This service is all | :05:31. | :05:39. | |
about remembering Scotland?s From the very first days of the war, | :05:40. | :05:41. | |
some truly remarkable Scottish men and women were putting themselves | :05:42. | :05:45. | |
in the line of fire. It all began on Tuesday, 4th August, | :05:46. | :05:47. | |
1914, when German forces attacked Belgium, a country Britain had | :05:48. | :05:51. | |
promised to protect. At 11pm that same day, | :05:52. | :05:57. | |
Britain declared war on Germany. Just four days later, | :05:58. | :06:01. | |
a glamorous Scottish aristocrat - Lady Millicent, the Duchess of | :06:02. | :06:04. | |
Sutherland - set off for the war. Her plan was to assemble and lead a | :06:05. | :06:08. | |
medical team into war-torn Belgium. Scottish crime writer Denise Mina | :06:09. | :06:14. | |
was herself a nurse. She?s travelled to the little | :06:15. | :06:20. | |
Belgian town of Namur to uncover In the August of 1914, | :06:21. | :06:22. | |
Belgium was the last place on earth Despite these massive | :06:23. | :06:31. | |
fortifications, despite a heroic resistance, | :06:32. | :06:45. | |
the Germans crashed violently Historians would come to describe | :06:46. | :06:47. | |
it as "the rape of Belgium". They killed civilians, women, | :06:48. | :07:03. | |
children. And in the first day | :07:04. | :07:09. | |
of the invasion, we count in the whole territory | :07:10. | :07:20. | |
of Belgium 6000 civilians killed. Into this terrifying and chaotic | :07:21. | :07:27. | |
war arrived a Scottish aristocrat. Lady Millicent, | :07:28. | :07:35. | |
the Duchess of Sutherland. And she is the least likely | :07:36. | :07:40. | |
person imaginable here. She is a 46-year-old aristocrat | :07:41. | :07:43. | |
with three kids, houses in London. She's a famous socialite, | :07:44. | :07:48. | |
but she comes here to a neutral country invaded by the might | :07:49. | :07:51. | |
of the German army to do nursing Millicent hired a team | :07:52. | :07:54. | |
of eight British nurses, Together, they travelled to | :07:55. | :08:01. | |
the town of Namur, just a few miles They based themselves in the centre | :08:02. | :08:08. | |
of the town, in the convent school She kept a meticulous diary | :08:09. | :08:19. | |
of her time in Belgium. And she described | :08:20. | :08:34. | |
the precise moment when the Germans On 21st August, | :08:35. | :08:36. | |
she's in the town, having dinner with her entire team, and they look | :08:37. | :08:50. | |
up and see a German plane in the sky, dropping a bomb over the | :08:51. | :08:54. | |
city, and they know it's started. They leave everything | :08:55. | :08:58. | |
and rush back to the convent. Down here in the cellar of the old | :08:59. | :09:08. | |
convent, the children are cowering. There is the sound of constant | :09:09. | :09:13. | |
bombardment from up above. It must have been deafening | :09:14. | :09:16. | |
down here. Shored up against the walls are | :09:17. | :09:18. | |
the supplies of flour and everything they need, and | :09:19. | :09:24. | |
above us, the nurses and the Duchess are preparing for the first men to | :09:25. | :09:27. | |
come in from the battlefield. Lady Millicent finds herself | :09:28. | :09:33. | |
tending wounded men. She says in her diary that she is | :09:34. | :09:36. | |
raising dying men up to receive She saw a surgeon cutting off a | :09:37. | :09:39. | |
man's fingers because they were so mangled, and she saw one man die of | :09:40. | :09:45. | |
sheer fright, which you can imagine. She writes in her diary, | :09:46. | :09:50. | |
"Until these awful things happen, "no-one can conceive of the untold | :09:51. | :09:52. | |
value of fully trained Two days after that first bomb, | :09:53. | :09:55. | |
the Germans took control of Namur. We count 109 houses on fire, | :09:56. | :10:19. | |
and also 75 civilians shot Working in desperate conditions, | :10:20. | :10:27. | |
Millicent and her team continued to treat wounded French and Belgian | :10:28. | :10:39. | |
soldiers. To guarantee their safety, | :10:40. | :10:46. | |
she marched down into the town to confront the German | :10:47. | :10:48. | |
commanding officer. In her diary, she noted that German | :10:49. | :10:58. | |
soldiers now filled every cafe. In fact, | :10:59. | :11:06. | |
she noted that they sang very well. In his hotel, General von Below | :11:07. | :11:14. | |
assured Millicent that all the All of her patients were | :11:15. | :11:17. | |
made prisoners of war. Some of them had just had | :11:18. | :11:23. | |
operations and had not recovered. They were bundled onto trains | :11:24. | :11:26. | |
and taken back to Germany. Millicent, quite a hardened, | :11:27. | :11:30. | |
middle-aged woman, said it was On 5th September, Millicent | :11:31. | :11:32. | |
was ordered to leave Namur. After a perilous two-week journey | :11:33. | :11:47. | |
across German occupied Belgium, For me, Millicent coming here wasn't | :11:48. | :11:50. | |
just a crazy act of bravery, she just didn't get caught up | :11:51. | :11:58. | |
in the roar of indignation that She came here | :11:59. | :12:00. | |
and started her nursing career, and she carried on nursing | :12:01. | :12:04. | |
in France until the end of the war. So she took that social rupture | :12:05. | :12:09. | |
and turned it I?m joined now by two of Scotland?s | :12:10. | :12:12. | |
leading historians - Trevor Royle If we think back to Scotland of 1914 | :12:13. | :12:37. | |
when Lady Millicent arrived back home, what was happening? How did | :12:38. | :12:42. | |
news of war arrived? You're talking about a population that is very | :12:43. | :12:47. | |
reliant on the newspapers. There's no other immediate form of | :12:48. | :12:51. | |
communication. Each newspaper would publish a new addition during the | :12:52. | :12:56. | |
course of the day. These images we have of crowds forming very often | :12:57. | :13:01. | |
crowds forming to get news. If you lived in a more rural area where it | :13:02. | :13:07. | |
might be harder to get the latest edition of the newspaper, rather | :13:08. | :13:12. | |
than concrete news, you were depending on rumour. They need to | :13:13. | :13:16. | |
exchange information, the need to convert and gather in order to find | :13:17. | :13:21. | |
out what was happening becomes very, very powerful. August the 4th, | :13:22. | :13:26. | |
continuing over the fifth and sixth. The other thing to remember is that | :13:27. | :13:32. | |
this is a country which is not expecting it necessarily to be a | :13:33. | :13:37. | |
military response, but expecting a naval response. People aren't very | :13:38. | :13:41. | |
clear what their own roles will be in the war, unless they happen to be | :13:42. | :13:46. | |
in the Royal Navy. All they know is their lives are going to be thrown | :13:47. | :13:50. | |
up in the air, they will be changed forever, but they are not very sure | :13:51. | :13:54. | |
how or where they will be next month, let alone next year or the | :13:55. | :14:00. | |
next decade. Pretty soon afterwards, people did begin to be invited to | :14:01. | :14:05. | |
join up. What was the mood at that time? What was going through | :14:06. | :14:19. | |
people's heads? We know from the evidence there was a great deal of | :14:20. | :14:25. | |
excitement. Huge queues of people gathered, people lined up desperate | :14:26. | :14:29. | |
to get into the Armed Forces. And that breeds a chain reaction, | :14:30. | :14:32. | |
because there is a belief that if your body is going, you want to be | :14:33. | :14:35. | |
part of the excitement, too, and a very important thing is that if you | :14:36. | :14:38. | |
were going into the army, you would probably be going into your local | :14:39. | :14:43. | |
regiment, and this is a great element in establishing unity and | :14:44. | :14:47. | |
cohesion. Friends going off to war together. Nobody really knew with | :14:48. | :14:50. | |
any certainty what they were going off to and if you spoke to any of | :14:51. | :14:55. | |
those young men in August 1914, none of them would have any concrete idea | :14:56. | :14:59. | |
of what life in the army was going to be like, let alone fighting a | :15:00. | :15:05. | |
war. How did Britain go about building up what was at that time a | :15:06. | :15:11. | |
relatively small army? It was a very serious challenge. The base which | :15:12. | :15:17. | |
many people had expected to be the foundation of a larger army was the | :15:18. | :15:21. | |
Territorial Army. The Territorial Army had not recruited as | :15:22. | :15:25. | |
successfully as people had anticipated. It remained a big | :15:26. | :15:32. | |
component for recruiting in Scotland in 1914 and 15, bigger than the rest | :15:33. | :15:37. | |
of the UK. But the major change was to recruit what Kitchener called new | :15:38. | :15:44. | |
arms, thousands of men, and those were the ones who captured people's | :15:45. | :15:50. | |
imaginations, and it was those who provided the understanding that this | :15:51. | :15:53. | |
was going to be a long war. When you enlisted in the new armies, you | :15:54. | :15:57. | |
enlisted for three years or the duration of the war, and Kitchener | :15:58. | :16:01. | |
had turned up at the Cabinet and said, this will be a three-year war. | :16:02. | :16:06. | |
He did not explain why he thought that but this was a clear indication | :16:07. | :16:11. | |
that this war might be a big undertaking. And just briefly, | :16:12. | :16:16. | |
Trevor, they marched off with a song in their hearts? They did indeed, | :16:17. | :16:21. | |
and very cleverly, the Army decided to build on the regimental system so | :16:22. | :16:25. | |
very few new regiments were raised but regiment is like the Royal Scots | :16:26. | :16:28. | |
and the light infantry just developed large numbers of | :16:29. | :16:32. | |
battalions so they kept the badge and the sense of collection to the | :16:33. | :16:37. | |
community. And this was a great age in recruiting and raising these | :16:38. | :16:42. | |
armies. Thank you. I will come back to you later. | :16:43. | :16:48. | |
Back in 1914, it was often said that everyone knew | :16:49. | :16:50. | |
And many of these volunteers first saw action at one the major battles | :16:51. | :16:55. | |
of 1915, the Battle of Loos, in the September of that year. | :16:56. | :16:57. | |
Amongst them was a 20-year-old Scottish Officer. | :16:58. | :16:59. | |
His name was Charles Hamilton Sorley and today he's considered Scotland's | :17:00. | :17:02. | |
The Scottish novelist Andrew O'Hagan has travelled to Loos to uncover the | :17:03. | :17:05. | |
story of the battle and the young poet who would immortalise its dead. | :17:06. | :17:26. | |
Several generations of British readers got | :17:27. | :17:29. | |
their introduction to poetry at school by studying the war poets. | :17:30. | :17:33. | |
Many of these names are very familiar - | :17:34. | :17:35. | |
Charles Sorley is less well-known, which is a surprise, | :17:36. | :17:42. | |
not only because of the quality of his poetry, but because he was | :17:43. | :17:46. | |
ahead of the others in understanding how the First World War would be | :17:47. | :17:50. | |
When Charles Sorley arrived here, almost a century ago, these fields | :17:51. | :18:09. | |
and mineworks were at the very centre of the Battle of Loos. | :18:10. | :18:16. | |
For three weeks 100,000 allied soldiers attacked well-defended | :18:17. | :18:19. | |
Amidst the fear, and noise and hell of the trenches, Sorley wrote | :18:20. | :18:27. | |
This is the very spot where Charles Sorley was leading an attack | :18:28. | :18:40. | |
against the German lines and, on the 13th of October 1915, was caught | :18:41. | :18:44. | |
When they opened his kitbag after his death, | :18:45. | :18:51. | |
they discovered the manuscript of what I think is the great poem | :18:52. | :18:55. | |
of the First World War - When You See Millions of the Mouthless Dead. | :18:56. | :19:02. | |
It lacks jingoism, it lacks patriotism, it lacks | :19:03. | :19:07. | |
This is a poem about a young man facing his own death, but seeing | :19:08. | :19:17. | |
When you see millions of the mouthless dead Across | :19:18. | :19:29. | |
your dreams in pale battalions go, Say not soft things as other men | :19:30. | :19:34. | |
For, deaf, how should they know It is not | :19:35. | :19:42. | |
Their blind eyes see not your tears flow. | :19:43. | :19:51. | |
Then add thereto, "Yet many a better one has died before." | :19:52. | :20:07. | |
Then, scanning all the o'ercrowded mass, should you | :20:08. | :20:13. | |
perceive one face that you loved heretofore, it is a spook. | :20:14. | :20:22. | |
Great death has made all his for evermore. | :20:23. | :20:38. | |
the feel of the wind coming off the North Sea. | :20:39. | :20:42. | |
His father was Professor of Moral Philosophy at Aberdeen, | :20:43. | :20:49. | |
That would really be the place of his childhood. | :20:50. | :20:58. | |
He wrote this poem, Stones, when he was merely a teenager, | :20:59. | :21:01. | |
This field is almost white with stones That cumber all its thirsty | :21:02. | :21:11. | |
crust And underneath I know are bones And all around is death and | :21:12. | :21:17. | |
dust And if you love a livelier hue Or if you love the youth of year | :21:18. | :21:24. | |
When all is clean and green and new Depart There is no summer here. | :21:25. | :21:33. | |
It's hard to think of another British poet who not only foresaw | :21:34. | :21:36. | |
his own death, but the death of an entire generation. | :21:37. | :21:42. | |
Even in the earliest poems, which were written around | :21:43. | :21:44. | |
about 1912, in other words when he was still at school, even then, | :21:45. | :21:47. | |
It is that sense of scepticism towards authority, | :21:48. | :21:54. | |
whether it's divine authority, or school authority, I think, | :21:55. | :21:57. | |
that then goes on to inform his writing about the war. | :21:58. | :22:01. | |
It's very striking, though, how early Sorley was | :22:02. | :22:05. | |
in his understanding of what a terrible disaster the war could be. | :22:06. | :22:09. | |
He says in the poem, it is easy to be dead. | :22:10. | :22:12. | |
Reducing it almost to the simplest of phrases. | :22:13. | :22:19. | |
You can see in your imagination, the lines of men, | :22:20. | :22:22. | |
hands on one another's shoulder, blind, deaf, dumb, ruined by war. | :22:23. | :22:27. | |
Heading off into a death which, in Sorley's view, | :22:28. | :22:30. | |
is not off to Valhalla, it's not off to some kind of reward | :22:31. | :22:33. | |
When you see millions of the mouthless dead Across | :22:34. | :22:47. | |
your dreams in pale battalions go, Say not soft things as other men | :22:48. | :22:52. | |
One of the things that led me here is a sense of pity, not only | :22:53. | :23:03. | |
for the millions of young men who died, but for Sorley himself. | :23:04. | :23:06. | |
The way he's been slightly forgotten as a poet. | :23:07. | :23:09. | |
To me, he's right at the forefront of the poets who | :23:10. | :23:12. | |
If it was up to me, I would put his great poem, When You | :23:13. | :23:17. | |
See Millions of the Mouthless Dead, in every classroom in Scotland. | :23:18. | :23:39. | |
# Death of death, and hell's destruction | :23:40. | :24:32. | |
We give thanks to all those who have served in the name of the Crown, | :24:33. | :25:17. | |
enabling us to live in peace and security. And those who are in | :25:18. | :25:25. | |
operations around the world, on land, in sea and in air. Protect | :25:26. | :25:30. | |
them from all danger and give to them courage to meet all occasions | :25:31. | :25:36. | |
with discipline and loyalty. To the honour of your name. Lord, in your | :25:37. | :25:47. | |
mercy, hear our prayer. This hymn for those in peril on the sea pays | :25:48. | :25:51. | |
tribute to the different branches of the military. | :25:52. | :26:12. | |
During this hymn, the altar was dismantled and the colours returned. | :26:13. | :27:15. | |
By 1915, people at home in Scotland were | :27:16. | :27:17. | |
coming to realise that this war was unlike any they had known before, | :27:18. | :27:20. | |
Every town began to hear of the casualties and one city - Dundee | :27:21. | :27:25. | |
Ricky Ross has returned to his native city to uncover how | :27:26. | :27:30. | |
Dundee came to terms with the loss of so many of her young men. | :27:31. | :27:39. | |
In 1914, when the recruiting officers came to Dundee, they found | :27:40. | :27:42. | |
Both my grandfathers fought in the Great War, like | :27:43. | :27:55. | |
so many men from Dundee, but it is the 4th Battalion, The Black Watch, | :27:56. | :27:59. | |
Dundee's own, that came to symbolise the sacrifice made by the city. | :28:00. | :28:10. | |
The 4th was a territorial battalion and many men were already | :28:11. | :28:12. | |
We are currently standing outside the City of Dundee | :28:13. | :28:24. | |
This was where at the outbreak of the First World War, | :28:25. | :28:28. | |
local Territorials, men from the 4th Black Watch, men from | :28:29. | :28:31. | |
the local units of the Engineers, the Artillery, the Medical Corps, | :28:32. | :28:34. | |
The 4th Black Watch really represented Dundee society | :28:35. | :28:43. | |
So you have a good number of men from the textile jute works, | :28:44. | :28:49. | |
a good number from the engineering factories and shipyards. | :28:50. | :28:52. | |
The Officer Corps really reflect the great and good of Dundee society. | :28:53. | :28:59. | |
Was this an attractive proposition, to sign up? | :29:00. | :29:02. | |
The minute war was declared, people took the opportunity to | :29:03. | :29:10. | |
enlist, obviously in a patriotic spirit to do their bit for King and | :29:11. | :29:13. | |
This was an opportunity for men who probably had been no | :29:14. | :29:18. | |
further than Dundee to go abroad with their friends. | :29:19. | :29:28. | |
On February 23, 1915, the 4th Battalion Black Watch left | :29:29. | :29:31. | |
The farewell was a great event in the city, and families lined | :29:32. | :29:37. | |
the streets to say goodbye, not knowing whether they would ever | :29:38. | :29:40. | |
Getting news from the front became a priority for those at home. | :29:41. | :29:51. | |
In Dundee, if you need to know what's going on, it's all here | :29:52. | :29:54. | |
in the local papers, and it was exactly the same during the war. | :29:55. | :29:59. | |
This is where people came for the news from the trenches. | :30:00. | :30:04. | |
Lisa Giffen is opening the archives of publisher DC Thomson | :30:05. | :30:06. | |
to show me how the Dundee Courier reported the war. | :30:07. | :30:11. | |
It printed not just news, but also the soldiers' own letters | :30:12. | :30:14. | |
and accounts sent home from the battlefield. | :30:15. | :30:20. | |
One example of that is here, when you see this article - | :30:21. | :30:23. | |
"Dundee's own in trenches sends private letter to parents". | :30:24. | :30:29. | |
So people are actually writing to their families directly | :30:30. | :30:32. | |
from the trenches, and then the families are bringing it to the | :30:33. | :30:35. | |
Courier so that it can be published and others can read the letters. | :30:36. | :30:39. | |
And here, you see the battle of Neuve Chapelle. | :30:40. | :30:45. | |
This is Private James Forbes of the 4th Black Watch referring to | :30:46. | :30:48. | |
the battle of Neuve Chapelle as "three and a half hours' hell". | :30:49. | :30:53. | |
It's the men's direct experiences, simply being set in type | :30:54. | :30:55. | |
Almost a parallel to the modern-day bloggers. | :30:56. | :31:00. | |
By early 1915, the Courier itself had over 100 members | :31:01. | :31:05. | |
Among them was illustrator Joseph Gray. | :31:06. | :31:12. | |
He would have done small illustrations, | :31:13. | :31:20. | |
but he would write and send letters back from the front as well. | :31:21. | :31:24. | |
He took it all in and passed it on, and it certainly haunted him. | :31:25. | :31:29. | |
Gray's experiences in the war came to be reflected in his art. | :31:30. | :31:34. | |
One of his pictures still hangs in Dundee's McManus Galleries. | :31:35. | :31:41. | |
I have been in this gallery many times before | :31:42. | :31:43. | |
and I've passed this painting many times before, but today is probably | :31:44. | :31:46. | |
the first time I've realised the full significance of it. | :31:47. | :31:50. | |
It's a scene painted after the battle of Neuve Chapelle, | :31:51. | :31:53. | |
and you can see here, the officers, and on the other side, | :31:54. | :31:56. | |
This is the commanding officer, Harry Walker. | :31:57. | :32:05. | |
Who knows, perhaps at this side, one of these characters may well be | :32:06. | :32:08. | |
By the end of the year, nearly everyone in this painting was dead. | :32:09. | :32:22. | |
After Neuve Chapelle, the 4th Battalion joined | :32:23. | :32:25. | |
the 30,000 other Scotsmen who would fight at the Battle of Loos. | :32:26. | :32:31. | |
It commemorates all those who served in The Black Watch from 1914. | :32:32. | :32:39. | |
You're talking about nearly 9000 men who lost | :32:40. | :32:41. | |
What proportion of that number were at the Battle of Loos? | :32:42. | :32:49. | |
There would be quite a high proportion, actually, | :32:50. | :32:51. | |
because the Battle of Loos involved the majority of | :32:52. | :32:53. | |
The job of the City of Dundee battalion was to act as a feint | :32:54. | :33:06. | |
and to draw the German reserves away from the main battle. | :33:07. | :33:10. | |
They actually succeeded greatly and what they did. | :33:11. | :33:13. | |
Of course, that was at the city of Dundee's cost. | :33:14. | :33:17. | |
The 4th Battalion had come to embody Dundee's hopes, pride and sorrow. | :33:18. | :33:24. | |
As Joseph Gray wrote, "In the 4th, the whole city finds glory " | :33:25. | :33:27. | |
Every year on 25th September, the anniversary of the Battle | :33:28. | :33:36. | |
of Loos, a lantern is lit on top of this memorial in memory | :33:37. | :33:40. | |
of the men who lost their lives during the Great War. | :33:41. | :33:44. | |
63% of Dundee's eligible men joined the armed forces. | :33:45. | :33:47. | |
Of that number, over 4,000 were killed, one of the highest totals | :33:48. | :33:50. | |
As the Drumhead service finished, the military personnel began | :33:51. | :34:13. | |
their processional march down the Royal Mile to Holyrood Palace. | :34:14. | :34:23. | |
Massed pipes and bands included groups from the Commonwealth. Many | :34:24. | :34:32. | |
of those who attended the service also joined the parade. It was a | :34:33. | :34:37. | |
spectacle reminiscent also joined the parade. It was a | :34:38. | :34:41. | |
Scottish Greg Eden - regiment a century ago as they marched off to | :34:42. | :34:42. | |
war. There were mixed reactions | :34:43. | :34:45. | |
among those who witnessed their departure then and no doubt | :34:46. | :34:46. | |
many here felt the same today. A drum tap and the Edinburgh city | :34:47. | :35:22. | |
War Memorial. My great-great-grandfather worked in | :35:23. | :35:27. | |
the Adriatic and he was working to trap Austrian submarines with wire | :35:28. | :35:33. | |
nets. On the 15th of May 1917, they were confronted by Austrian cruisers | :35:34. | :35:38. | |
and the Austrians got a munch their drifter fleet and began to destroy | :35:39. | :35:45. | |
them all. 47 crews out there and 14 of them were sunk that day. One | :35:46. | :35:50. | |
house in Edinburgh also suffered a direct hit by a bomb dropped by a | :35:51. | :35:56. | |
German Zeppelin in April 1916. Hamish McLaren's father was a little | :35:57. | :36:02. | |
boy in the house. Everybody was in bed. There were two maids at the | :36:03. | :36:09. | |
very top, they were sheltering under the beds, but the other ones didn't | :36:10. | :36:19. | |
bother to move. My aunt, the wardrobe fell over her bed and the | :36:20. | :36:24. | |
rafters came down. Attending or watching today, it was a chance to | :36:25. | :36:29. | |
reflect and to show appreciation of what the men who marched along | :36:30. | :36:34. | |
streets like this all over Scotland 100 years ago gave to all of us who | :36:35. | :36:36. | |
came after. The second year of | :36:37. | :36:38. | |
the war didn?t go particularly well for the allies, including the Battle | :36:39. | :36:41. | |
Of Loos, where so many young Scots And the blame for that year's | :36:42. | :36:44. | |
failures was in every newspaper. They determined that Britain's brave | :36:45. | :36:51. | |
soldiers had been defeated To win the war, Britain would need | :36:52. | :36:53. | |
to dramatically increase production. The dangerous job | :36:54. | :36:58. | |
of building those shells fell Scottish actor and comedian Elaine C | :36:59. | :37:02. | |
Smith has travelled to Gretna in search of the women who risked | :37:03. | :37:08. | |
their lives to build the explosive Nine miles long and two miles wide, | :37:09. | :37:11. | |
from Eastriggs in the west, stretching past Gretna across the | :37:12. | :37:20. | |
border into Longtown in the east. This was once the biggest factory | :37:21. | :37:26. | |
in the world. This was His Majesty's Factory, | :37:27. | :37:30. | |
Gretna. Virtually all of the buildings have | :37:31. | :37:33. | |
either been removed or buried, but the footprint of the site is | :37:34. | :37:43. | |
still visible ? and is staggering. The site had to be | :37:44. | :37:52. | |
so spread out due to the dangerous It was a safety measure to ensure | :37:53. | :37:55. | |
that an explosion in one building The complex had 125 miles | :37:56. | :38:01. | |
of railway tracks, 30 miles At its peak, His Majesty's Factory, | :38:02. | :38:06. | |
Gretna, was turning out over 800 That is more than all the other | :38:07. | :38:17. | |
munitions factories put together. By the summer of 1915, | :38:18. | :38:27. | |
less than a year into the war, Britain was already desperately | :38:28. | :38:30. | |
short of artillery shells. of Munitions, David Lloyd George, | :38:31. | :38:40. | |
commissioned the factory. Two years later, | :38:41. | :38:45. | |
Gretna was at peak production. Two thirds | :38:46. | :38:49. | |
of the workers were women. I'm meeting Dr Chris Brader, | :38:50. | :38:53. | |
a historian who is currently writing So, Chris, tell me, what is it | :38:54. | :38:56. | |
that makes this place so special? I think it's true to say that | :38:57. | :39:03. | |
without this factory and the contribution it made, | :39:04. | :39:06. | |
that Britain might not have won So, Chris, this was obviously | :39:07. | :39:09. | |
a massive operation. Well, the Government issued | :39:10. | :39:17. | |
an open invitation to the women Those that answered | :39:18. | :39:25. | |
the call came from all over Scotland, from Ireland, from Wales | :39:26. | :39:28. | |
and from the north-east of England. You just said it was mainly | :39:29. | :39:32. | |
women that were here. Were they of | :39:33. | :39:35. | |
a certain age or was it all ages? A large proportion of them were | :39:36. | :39:38. | |
actually aged between 16 and 21. And we do know, actually, | :39:39. | :39:43. | |
that girls lied about their age to So there were 15-year-old | :39:44. | :39:45. | |
girls working here. Well, some | :39:46. | :39:48. | |
of it was incredibly hard and some If you worked in the sections where | :39:49. | :39:52. | |
you mixed the nitric acid with the sulphuric acid, you had to work | :39:53. | :39:57. | |
amid those fumes as well. It was also hard, | :39:58. | :40:00. | |
physical work as well. Women cut the cordite | :40:01. | :40:06. | |
into appropriate lengths. They then loaded them | :40:07. | :40:09. | |
into the trucks and pushed those trucks to the drying section, | :40:10. | :40:11. | |
which was a mile away. Sometimes, | :40:12. | :40:16. | |
in the middle of the night, in the middle of the Scottish winter, | :40:17. | :40:18. | |
with rats running around your feet. Now, that's hard physical work | :40:19. | :40:23. | |
by anyone's definition. I want to find out more | :40:24. | :40:33. | |
about the women who toiled Very nice to meet you, | :40:34. | :40:36. | |
I take it you're Jim? Three of his aunts went to work | :40:37. | :40:45. | |
in the factory in 1916. So, your aunts went to work at | :40:46. | :40:52. | |
the munitions factory, didn't they? Was it seen | :40:53. | :41:06. | |
as a good thing to work there? One aunt, my Aunt Margaret, within | :41:07. | :41:12. | |
a few months she was a supervisor. So she became one | :41:13. | :41:17. | |
of the high heid yins? This is a certificate of service, | :41:18. | :41:21. | |
given when she left employment. This is a report card I | :41:22. | :41:26. | |
would never have got. "Her conduct and efficiency during | :41:27. | :41:32. | |
the She is energetic, reliable | :41:33. | :41:35. | |
and has good control of labour." Jim's Aunt Margaret Wilkie lived | :41:36. | :41:42. | |
to the ripe old age of 91. But many munitions workers | :41:43. | :41:50. | |
were less fortunate. Across the UK it's believed there | :41:51. | :41:57. | |
were over 1,000 casualties from At the Gretna factory, seven lost | :41:58. | :41:59. | |
their lives, while many others poor health from handling the | :42:00. | :42:27. | |
hazardous chemicals, though suffered the long term impact of working | :42:28. | :42:31. | |
here has never been fully revealed. the past, when I've thought | :42:32. | :42:36. | |
about Gretna, it has conjured up images of blacksmiths and couples | :42:37. | :42:38. | |
running away to get married. Having been to this amazing place, | :42:39. | :42:41. | |
it feels almost haunted, as well. But it's made me realise that | :42:42. | :42:45. | |
a lot of sacrifice took place here, of the munitions generated here did | :42:46. | :42:49. | |
go on and kill and maim thousands of people, without them go on and | :42:50. | :42:58. | |
kill and maim thousands of people, without them the course | :42:59. | :43:02. | |
of world history would have changed Much of that is | :43:03. | :43:04. | |
down to the women and men of Much of that is down to the women and men | :43:05. | :43:07. | |
of His Majesty's Factory, Gretna. During and after the war, | :43:08. | :43:10. | |
Scottish doctors pioneered life-saving treatments | :43:11. | :43:12. | |
for injuries to the body and mind. To the south of here, Craiglockhart | :43:13. | :43:15. | |
became the world leader On Clydeside, Erskine Hospital | :43:16. | :43:17. | |
would employ shipyard engineers Less well known is the story | :43:18. | :43:20. | |
of a humble family doctor from Ayr. A man who would revolutionise | :43:21. | :43:24. | |
the way injured men were treated on the battlefield, before they had | :43:25. | :43:27. | |
even reached a doctor. And, remarkably, | :43:28. | :43:30. | |
his medical techniques and philosophies are still used | :43:31. | :43:36. | |
by modern-day battlefield medics. Rory Bremner?s great-grandfather was | :43:37. | :43:41. | |
himself a military medic, in Crimea. And Rory has set out to | :43:42. | :43:50. | |
uncover Charles McKerrow?s At the outbreak of the Great War, | :43:51. | :43:52. | |
this house in Barns Street in Ayr was the home and surgery of | :43:53. | :44:02. | |
Dr Charles McKerrow. He'd inherited the practice | :44:03. | :44:08. | |
from his father, George. In January 1915 Charles married | :44:09. | :44:11. | |
his wife Jean. and in the June | :44:12. | :44:15. | |
of that same year he enlisted The young doctor was appointed to | :44:16. | :44:17. | |
the 10th Battalion Arriving in France, | :44:18. | :44:24. | |
he began to train the medical team around him, and in | :44:25. | :44:30. | |
particular his stretcher bearers. At that time, | :44:31. | :44:36. | |
these men were selected for their strength and bravery, | :44:37. | :44:37. | |
not their medical experience. The stretcher bearers are not | :44:38. | :44:47. | |
Royal Army Medical Corps, We could equate it to scoop | :44:48. | :44:49. | |
and run ? just put a dressing on, put them on a stretcher | :44:50. | :44:57. | |
and get them out the firing line. So along comes Charles McKerrow, | :44:58. | :45:00. | |
this physician surgeon from Ayr, McKerrow wants to make sure that | :45:01. | :45:04. | |
his regimental stretcher bearers are more highly trained than is | :45:05. | :45:10. | |
normally required. He wants to make sure that they | :45:11. | :45:12. | |
can stop haemorrhage that they can splint limbs, and they can do lots | :45:13. | :45:16. | |
of other basic medical chores. Not only does this help him, | :45:17. | :45:20. | |
as the regimental medical officer, from a morale point of view the men | :45:21. | :45:23. | |
in the battalion will be more than satisfied knowing, if they are | :45:24. | :45:29. | |
wounded, the chance of them having their life saved is a lot | :45:30. | :45:33. | |
better than would normally be. So, in a sense, he's almost like | :45:34. | :45:36. | |
the father of the modern paramedic? McKerrow's strategy | :45:37. | :45:40. | |
of getting trained medics to front But, in its day, | :45:41. | :45:49. | |
it represented a new way And, today, McKerrow's techniques | :45:50. | :45:55. | |
are still taught to a new generation The first ten minutes, | :45:56. | :46:03. | |
we call it the platinum ten minutes, that's the most important time for a | :46:04. | :46:16. | |
combat medical technician to really be on the ball, get in there and | :46:17. | :46:19. | |
treat the casualty straight away. The first thing that we deal with | :46:20. | :46:22. | |
in any port of call is catastrophic haemorrhage and we've got lots | :46:23. | :46:27. | |
of different things that we can use The role played by Charles McKerrow | :46:28. | :46:30. | |
in developing these techniques is The legacy that he provided | :46:31. | :46:50. | |
certainly lives on today, and the idea of pushing medical care | :46:51. | :46:54. | |
as far forward as possible. Because we realised, as he did, | :46:55. | :46:57. | |
that theres no point in having a wonderful hospital or casualty | :46:58. | :47:00. | |
clearing station if the casualties Late | :47:01. | :47:02. | |
in 1916 Charles was posted here, to the village of Vlamertinghe, | :47:03. | :47:16. | |
a few miles West of Ypres. On the 19th | :47:17. | :47:20. | |
of December he wrote to his wife "You say that this is our longest | :47:21. | :47:23. | |
separation so far. I shall tick off each day carefully | :47:24. | :47:31. | |
in my diary when it arrives. The very next day, | :47:32. | :47:34. | |
McKerrow was here, at Maple Copse, returning from an early morning | :47:35. | :47:44. | |
tour of the front line. A shell exploded nearby and Charles | :47:45. | :47:48. | |
was gravely wounded. As a medical officer, he would have | :47:49. | :47:56. | |
known how serious his injuries were. He was taken to a local dressing | :47:57. | :48:01. | |
station and spent the rest of the day conscious, asking after | :48:02. | :48:04. | |
the state of his pulse, even asking At half past eight | :48:05. | :48:07. | |
in the evening he lost consciousness Charles McKerrow is buried here, | :48:08. | :48:12. | |
in Lijssenthoek military cemetery. In the weeks and months | :48:13. | :48:25. | |
after his death, Jean received dozens of letters | :48:26. | :48:27. | |
from men of all ranks who had known For me, the most moving was one | :48:28. | :48:31. | |
written by the Regimental Chaplain, He wrote, | :48:32. | :48:44. | |
"Your dear husband yielded up his life nobly and grandly, ministering | :48:45. | :48:47. | |
to the wounded and the dying, that mothers might have their sons | :48:48. | :48:51. | |
back, and wives their husbands." For the final part of the day, | :48:52. | :49:10. | |
people assembled in Holyrood Park, where a memorial | :49:11. | :49:12. | |
of over 1,000 headstones has been built in the powerful form | :49:13. | :49:15. | |
of a Commonwealth War Cemetery. It was erected yesterday. I think | :49:16. | :49:32. | |
visiting a Commonwealth War Graves is a profoundly emotional and moral | :49:33. | :49:37. | |
moment. It is incredibly humbling and each grave carries its own | :49:38. | :49:41. | |
story, and I rather hope this particular Memorial here will | :49:42. | :49:44. | |
stimulant people into wanting to go to France and Belgium to see the | :49:45. | :49:51. | |
graves where the scale frankly dwarfs this. I think this should | :49:52. | :49:53. | |
simply be a catalyst. I'm joined here again by | :49:54. | :50:06. | |
Trevor Royle and At the end of the war, many, many | :50:07. | :50:16. | |
did not come back but some did. What kind of Scotland did they come back | :50:17. | :50:22. | |
to? Well, they came back to a Scotland that was of course divided | :50:23. | :50:26. | |
as the rest of the country was about whether this was a victory or moment | :50:27. | :50:30. | |
of mourning and reflection, and of course it is both of those things. | :50:31. | :50:37. | |
Throughout the 1920s, those two emotions, if you like, were in | :50:38. | :50:41. | |
competition. The notion that this was all about waste and futility | :50:42. | :50:47. | |
took time to becoming drenched. I think most historians would date it | :50:48. | :50:53. | |
from the late 1920s. But in the early 1920s, people had many | :50:54. | :50:56. | |
competing responses to this war. Remember, particularly for Glasgow, | :50:57. | :51:00. | |
this has been an Iraqi industrial boom. The shipbuilding and munitions | :51:01. | :51:06. | |
facility is thrived on the back of the war. -- and industrial boom. It | :51:07. | :51:18. | |
brought people back home. In 1919, 1920, there was a lot of uncertainty | :51:19. | :51:22. | |
about which direction people were going to, just as there was | :51:23. | :51:27. | |
uncertainty at the beginning of the war. Is your place going to be in | :51:28. | :51:36. | |
Scotland or outside Scotland? Things over a much remembered about the war | :51:37. | :51:41. | |
in shorthand. Much trenches, massive loss and a portrait of the war | :51:42. | :51:47. | |
poets, of course. To what extent was that a uniform experience and to | :51:48. | :51:50. | |
what extent is it right that the shorthand should be what dominates | :51:51. | :51:56. | |
our view? We have to be very careful when we bring forward the war poets | :51:57. | :52:00. | |
and novelists as witnesses. As important as their work is, one of | :52:01. | :52:04. | |
the things that has happened because of the writing, a lot of it very | :52:05. | :52:08. | |
fine and observational, heartfelt and passionate, is that every day of | :52:09. | :52:13. | |
the war becomes the first day of the Battle of the song, with huge | :52:14. | :52:19. | |
courtesies, or every battlefield is not all around you. The war wasn't | :52:20. | :52:23. | |
like that. But it was for some people and it was in doses, so to | :52:24. | :52:28. | |
speak. But it wasn't like that all the time. But for those coming back, | :52:29. | :52:31. | |
I think the principal feeling was one en route -- of relief, because | :52:32. | :52:37. | |
we have to put it into context. These are young people who have come | :52:38. | :52:40. | |
back and they are alive and certainly reading the letters of a | :52:41. | :52:44. | |
lot of soldiers of the First World War, relief is their utmost feeling | :52:45. | :52:51. | |
in 1918, 1919. Behind the programme of commemorations that begin today | :52:52. | :52:58. | |
in Scotland, is the idea, what can we learn from this? The centenary, | :52:59. | :53:03. | |
because it is a five-year programme in Scotland, it is a real | :53:04. | :53:08. | |
educational opportunity, a wonderful opportunity. And I think it is very | :53:09. | :53:12. | |
important that we don't rush to the end, that we don't rush to | :53:13. | :53:18. | |
remembrance, rushed to commemoration. Because if we do | :53:19. | :53:22. | |
that, first of all we will reproduce what we do already. And secondly, | :53:23. | :53:29. | |
what we won't do is go through the war as they did. They were not all | :53:30. | :53:33. | |
dead at the beginning of the war and most of them were not dead at the | :53:34. | :53:38. | |
end of the war. 88% of the UK population came back and there is | :53:39. | :53:42. | |
good reason to say that applies to most Scots in the same proportion. | :53:43. | :53:48. | |
So there is time and we should use that time. Thank you very much | :53:49. | :53:49. | |
indeed to both of you. For almost 100 years since the first | :53:50. | :53:54. | |
war memorials were built, the people of Scotland have come together to | :53:55. | :53:57. | |
remember their fallen sons. This living memorial in Holyrood | :53:58. | :54:02. | |
Park is only the most recent. And it's a Scotsman who wrote some | :54:03. | :54:05. | |
of the finest songs in memory From his home town of Adelaide, | :54:06. | :54:08. | |
this is Eric Bogle. # Well, how do you do | :54:09. | :54:11. | |
Private Willie McBride? # Do you mind if I sit here | :54:12. | :54:14. | |
down by your graveside? # I wrote No Man's Land | :54:15. | :54:17. | |
after a trip to Flanders in 1975. You can read all the books you | :54:18. | :54:23. | |
like and see all the pictures you like, but to be there walking among | :54:24. | :54:29. | |
the gravestones, walking in the old battlefields, seeing the monuments - | :54:30. | :54:32. | |
that's when it really hits home, # Well, how do you do | :54:33. | :54:37. | |
Private Willie McBride? # Do you mind if I sit here | :54:38. | :54:49. | |
down by your graveside? # And I'll rest for a while | :54:50. | :54:56. | |
in the warm summer sun # Been walking all day long | :54:57. | :55:03. | |
and I'm nearly done # And I see by your gravestone | :55:04. | :55:12. | |
you're only 19 # When you joined | :55:13. | :55:19. | |
the glorious fallen in 1916 # I hope you died quick | :55:20. | :55:26. | |
and I hope you died clean # Or, Willie McBride, | :55:27. | :55:32. | |
was it slow and obscene? # Did they beat the drum slowly? | :55:33. | :55:40. | |
Did they sound the fife lowly? # Did the rifles fire o'er ye | :55:41. | :55:46. | |
as they lowered ye down? # Did the bugles sing The Last Post | :55:47. | :55:55. | |
in chorus? # Did the pipes play | :55:56. | :56:03. | |
the Flowers Of The Forest? # And I can't help but wonder | :56:04. | :56:19. | |
Willie McBride # Do all those who lie here | :56:20. | :56:25. | |
know why they died? # Did you really believe them | :56:26. | :56:32. | |
when they told you The Cause? # Did you really believe that | :56:33. | :56:39. | |
this war would end wars? # Well the suffering, the sorrow | :56:40. | :56:48. | |
The glory, the shame # The killing, the dying | :56:49. | :56:54. | |
It was all done in vain # For, Willie McBride | :56:55. | :57:01. | |
It's all happened again # And again, and again | :57:02. | :57:08. | |
And again, and again # Did they beat the drum slowly? | :57:09. | :57:15. | |
Did they sound the fife lowly? # Did the rifles fire o'er ye | :57:16. | :57:23. | |
as they lowered ye down? # Did the bugles sing The Last Post | :57:24. | :57:31. | |
in chorus? # Did the pipes play | :57:32. | :57:39. | |
the Flowers Of The Forest? # Did the bugles sing The Last Post | :57:40. | :57:48. | |
in chorus? # And did the pipes play | :57:49. | :57:55. | |
the Flowers Of The Forest? # Eric Bogle with | :57:56. | :58:09. | |
his personal tribute to one fallen soldier on a truly remarkable day | :58:10. | :58:11. | |
when we've seen tributes to tens | :58:12. | :58:16. |