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I believe that a really good way | 0:00:02 | 0:00:03 | |
to understand a culture is through its gardens. | 0:00:03 | 0:00:06 | |
This is an extraordinary journey to visit 80 inspiring gardens from all over the world. | 0:00:06 | 0:00:12 | |
Some are very well known like the Taj Mahal or the Alhambra. | 0:00:12 | 0:00:17 | |
And I'm also challenging my idea of what a garden actually is. | 0:00:17 | 0:00:22 | |
So I'm visiting gardens that float on the Amazon a strange fantasy in the jungle. | 0:00:22 | 0:00:27 | |
As well as the private homes of great designers, | 0:00:27 | 0:00:30 | |
and the desert flowering in a garden and wherever I go, | 0:00:30 | 0:00:34 | |
I shall be meeting people that share my own passion for gardens | 0:00:34 | 0:00:38 | |
on my epic quest to see the world through 80 of its most fascinating and beautiful gardens. | 0:00:38 | 0:00:44 | |
200 years ago, this was regarded as the most remote and the strangest place on the planet. | 0:00:55 | 0:01:02 | |
And I shall be taking a journey across this vast continent, | 0:01:10 | 0:01:15 | |
looking at its landscape and above all its gardens, | 0:01:15 | 0:01:17 | |
to see how it's evolved from colonisation | 0:01:17 | 0:01:21 | |
to gradual use and acceptance of the native flora, | 0:01:21 | 0:01:27 | |
to become the independent, modern society that it is today. | 0:01:27 | 0:01:31 | |
My journey begins in Sydney, where the British first settled over 200 years ago. | 0:01:35 | 0:01:40 | |
I'll then head inland to Alice Springs and a garden in the heart | 0:01:40 | 0:01:44 | |
of the continent's vast burning desert, | 0:01:44 | 0:01:47 | |
before I turn south to the garden city of Melbourne. | 0:01:47 | 0:01:50 | |
Finally, I'll cross the Tasman Sea | 0:01:50 | 0:01:53 | |
to New Zealand to look at gardens filled with their native plants. | 0:01:53 | 0:01:57 | |
By the edge of an unremarkable beach on a huge natural bay in | 0:02:01 | 0:02:05 | |
the South East of the country, is a very special plant. | 0:02:05 | 0:02:09 | |
This is a banksia, and its strangeness to British eyes | 0:02:09 | 0:02:13 | |
and its name acknowledges the beginning of Britain's colonial occupation of this continent. | 0:02:13 | 0:02:20 | |
The stone obelisk behind me marks the spot where Cook made | 0:02:20 | 0:02:25 | |
his landfall after his epic voyage. | 0:02:25 | 0:02:29 | |
And the bay that he stopped in, he called "Stingray Bay" | 0:02:29 | 0:02:34 | |
because he found so many of those fish in these waters. | 0:02:34 | 0:02:37 | |
But travelling with Cook was a young botanist called Joseph Banks, | 0:02:37 | 0:02:42 | |
who went on to be the first curators of Kew, and one of the great figures in botanical history. | 0:02:42 | 0:02:47 | |
Banks found so many new and extraordinary plant species here, | 0:02:47 | 0:02:52 | |
around the edge of the bay, that Cook renamed it in his honour and he called it Botany Bay. | 0:02:52 | 0:03:00 | |
The banksia is only one of the many thousands of spectacular native plants | 0:03:01 | 0:03:05 | |
that thrive nowhere else on earth but here. | 0:03:05 | 0:03:09 | |
It was the sheer number of unique species that made the plant's namesake, Joseph Banks, | 0:03:09 | 0:03:14 | |
realise that this was more than a new island, this was a whole new continent. | 0:03:14 | 0:03:19 | |
They went back home with news of this extraordinary discovery, | 0:03:26 | 0:03:30 | |
and 18 years later, the first fleet of settlers and convicts arrived. | 0:03:30 | 0:03:35 | |
I'm arriving on the same route today on the Manley ferry. | 0:03:35 | 0:03:40 | |
When the fleet landed in Botany Bay, where Cook had landed, | 0:03:40 | 0:03:44 | |
and then they discovered there was no water, they had to decamp and move. | 0:03:44 | 0:03:47 | |
They came up knowing there was an entrance, but they didn't know what they would find. | 0:03:47 | 0:03:51 | |
So they came in here out of the open ocean, hopefully to find a more sheltered place to land. | 0:03:51 | 0:03:59 | |
And 200 years later, we know this as Sydney. | 0:03:59 | 0:04:04 | |
HOOTER BLOWS | 0:04:04 | 0:04:06 | |
Unlike those first settlers, my boat docks in a large modern metropolis. | 0:04:17 | 0:04:23 | |
But, despite the skyscrapers, Sydney's past remains close to hand, | 0:04:23 | 0:04:29 | |
and my first Australian garden is slap in the middle of the city. | 0:04:29 | 0:04:33 | |
Behind the Opera House are the gates to the Royal Botanic Garden. | 0:04:34 | 0:04:38 | |
What I particularly like about this garden is that you have this juxtaposition of this fabulous | 0:04:45 | 0:04:52 | |
natural harbour on the one side, and then on the other side, the city right on top of the garden. | 0:04:52 | 0:04:58 | |
And its 74 acres are packed with extraordinary plants. | 0:04:58 | 0:05:02 | |
But this is not just a botanical reserve. | 0:05:05 | 0:05:09 | |
It is in one of the most spectacularly beautiful urban positions in the world | 0:05:09 | 0:05:14 | |
and has always been at the heart of Sydney's life. | 0:05:14 | 0:05:18 | |
It is constantly used by Sydney's citizens, | 0:05:18 | 0:05:21 | |
either for their rather relentless exercising or just to relax. | 0:05:21 | 0:05:27 | |
One of the reasons that I've chosen to visit the botanic gardens is not just because it is beautiful | 0:05:29 | 0:05:36 | |
and interesting, but because of its importance in the history of the entire occupation of Australia. | 0:05:36 | 0:05:42 | |
What the first settlers needed most urgently of all was fresh water. | 0:05:42 | 0:05:48 | |
They came up the coast and found a creek | 0:05:48 | 0:05:51 | |
fed by fresh water, and this pond is fed by that same stream. | 0:05:51 | 0:05:57 | |
So, famously, they created a small farm nine acres of wheat. | 0:05:57 | 0:06:02 | |
The bay out there is still called Farm Cove to this day. | 0:06:02 | 0:06:07 | |
The modern botanic garden is rich with healthy lush plants | 0:06:10 | 0:06:16 | |
of every variety, but it wasn't always so. | 0:06:16 | 0:06:19 | |
In fact, life for the original settlers was almost unimaginably hard. | 0:06:19 | 0:06:24 | |
To clear the farm land, they had to clear wood and forest and scrub. | 0:06:24 | 0:06:29 | |
It blunted their axes, they couldn't dig out or get rid of the trunks, | 0:06:29 | 0:06:33 | |
so they sowed their corn in amongst them. | 0:06:33 | 0:06:35 | |
This is a recreation of that first crop. | 0:06:35 | 0:06:40 | |
Which is really hardly a crop at all. | 0:06:40 | 0:06:42 | |
We're filming this on the 1st of December, the first day of Summer, which is near harvest. | 0:06:42 | 0:06:46 | |
This is what they would have had to feed them. | 0:06:46 | 0:06:48 | |
It doesn't really look like a crop at all but their lives depended on it. | 0:06:48 | 0:06:52 | |
And they had to sow into this very, very thin soil. | 0:06:52 | 0:06:55 | |
This has had 200 years of improvement but then it was practically pure sand. | 0:06:55 | 0:07:01 | |
But they had little choice because any convict trying to escape the colony and its struggling crops | 0:07:05 | 0:07:12 | |
faced almost certain death by starvation in the dense Australian bush, | 0:07:12 | 0:07:15 | |
which was also filled with unfamiliar and sometimes dangerous creatures. | 0:07:15 | 0:07:20 | |
The most astonishing thing for me in the botanic gardens is not a plant but the fruit bats. | 0:07:25 | 0:07:31 | |
They hang from the branches like sacks, | 0:07:31 | 0:07:37 | |
occasionally extending a vast wing or the whole tree at times | 0:07:37 | 0:07:42 | |
can be fluttering as they move to cool down in the sun. | 0:07:42 | 0:07:46 | |
It's like bellows expanding and contracting. | 0:07:46 | 0:07:49 | |
You can imagine for the first settlers | 0:07:49 | 0:07:52 | |
seeing these strange animals, either vast versions of what they saw at home, or completely different. | 0:07:52 | 0:07:59 | |
It must have been an extraordinary thing. | 0:07:59 | 0:08:02 | |
As the colony developed, the farmland became the Governor's garden, | 0:08:06 | 0:08:10 | |
and then in 1816 the Botanic Gardens were officially founded. | 0:08:10 | 0:08:14 | |
But that original settlement, by the shelter of Farm Bay, | 0:08:14 | 0:08:18 | |
is still at the heart of the garden and is the symbolic beginning of the modern Australian nation. | 0:08:18 | 0:08:24 | |
As Sydney became established, it deliberately recreated | 0:08:28 | 0:08:32 | |
the appearance and style of the homeland. | 0:08:32 | 0:08:34 | |
These mixed borders of Government House | 0:08:34 | 0:08:37 | |
could be part of any British stately home, albeit on the other side of the world. | 0:08:37 | 0:08:41 | |
This represents a kind of homesickness and it's that urge to create a reminder of home, | 0:08:42 | 0:08:47 | |
that's key to the next wave of Australian gardens further inland. | 0:08:47 | 0:08:52 | |
The first inland town took shape here, in Mittagong, in the hills south of Sydney. | 0:08:55 | 0:09:01 | |
Mittagong, means 'small mountain' and has a much cooler and wetter climate | 0:09:01 | 0:09:06 | |
which was perfect for those early homesick settlers, who started building modest pioneer homes. | 0:09:06 | 0:09:13 | |
Initially all settlements were in Sydney itself. | 0:09:13 | 0:09:18 | |
But, gradually people began to leave the city and create lives themselves in the country. | 0:09:18 | 0:09:26 | |
MUSIC: "Waltzing Matilda" | 0:09:26 | 0:09:30 | |
But nevertheless, despite the almost unimaginable hard work involved, | 0:09:35 | 0:09:40 | |
there would be time to just plant a little bit of colour. | 0:09:40 | 0:09:44 | |
Just a token bit of gardening to lift the spirits if nothing else. | 0:09:44 | 0:09:48 | |
And this modest splash of colour to relieve a brutally harsh existence | 0:09:48 | 0:09:53 | |
in the countryside, heralded a new wave of Australian gardens. | 0:09:53 | 0:09:58 | |
By the middle of the 19th-century, people in Sydney were becoming | 0:09:59 | 0:10:04 | |
wealthy enough to consider moving out of the city during the baking summer months. | 0:10:04 | 0:10:09 | |
They came south here which is much cooler | 0:10:09 | 0:10:12 | |
even on a summers day like today, it's positively chilly. | 0:10:12 | 0:10:15 | |
They were buying up the simple little shacks and enlarging them and converting them into | 0:10:15 | 0:10:21 | |
summer homes, country houses and wherever you get a country house, | 0:10:21 | 0:10:24 | |
you are gonna get a country house garden. | 0:10:24 | 0:10:27 | |
The garden at Kennerton Green began its life in a modest way in 1860, | 0:10:33 | 0:10:36 | |
but since then it has grown to spread over five well-tended acres. | 0:10:36 | 0:10:42 | |
It includes a rose garden, a tightly clipped Bay Tree Garden, a silver birch wood and, almost inevitably, | 0:10:42 | 0:10:48 | |
a "potager", all divided as a series of garden rooms, | 0:10:48 | 0:10:54 | |
centred around the original settler's cottage. | 0:10:54 | 0:10:56 | |
The thing that immediately strikes me about Kennerton, | 0:10:59 | 0:11:03 | |
is that here we are, an hour or two south of Sydney, | 0:11:03 | 0:11:07 | |
and yet this is a garden that really wouldn't feel out of place in the Home Counties in England. | 0:11:07 | 0:11:15 | |
It's an English country garden. | 0:11:15 | 0:11:18 | |
This was a deliberate thing. | 0:11:25 | 0:11:28 | |
Apparently the first settlers, once they had overcome the sort of hostility of their terrain, | 0:11:28 | 0:11:34 | |
and got to the luxury of making a garden as opposed to just surviving, | 0:11:34 | 0:11:38 | |
sent home for familiar plants. | 0:11:38 | 0:11:42 | |
Apparently violets and snowdrops, even song birds were shipped out | 0:11:42 | 0:11:48 | |
so they could recreate the gardens they were familiar with. | 0:11:48 | 0:11:52 | |
It was a distinct homesickness, a nostalgia, and they built around them spaces | 0:11:54 | 0:12:01 | |
that they could think of as home, not their new homeland, | 0:12:01 | 0:12:05 | |
but a distant home that they would probably never see again. | 0:12:05 | 0:12:09 | |
From this point of the garden, I can't see a single native plant. | 0:12:18 | 0:12:23 | |
It's worth stressing that Kennerton is not a historical recreation, | 0:12:26 | 0:12:32 | |
it is a modern garden, but it illustrates so many | 0:12:32 | 0:12:36 | |
of the tendencies of those early Australian gardens and this area, the Bay Garden, | 0:12:36 | 0:12:42 | |
shows how that with the tightly clipped bay trees, | 0:12:42 | 0:12:47 | |
it's conquering nature. | 0:12:47 | 0:12:49 | |
It reminds me of the 17th-century French and Dutch gardens | 0:12:49 | 0:12:54 | |
where you use formality and topiary | 0:12:54 | 0:12:57 | |
to show man's mastery of a hostile natural world that lay beyond the garden's edges. | 0:12:57 | 0:13:04 | |
Kennerton is a series of garden rooms | 0:13:11 | 0:13:15 | |
and as you come out of the Bay Garden, you walk into this wood. | 0:13:15 | 0:13:19 | |
It is made up just of the white trunks of birch and grass. | 0:13:19 | 0:13:26 | |
I think it is the loveliest thing in the entire garden. | 0:13:26 | 0:13:29 | |
Kennerton is undoubtedly a very beautiful garden. | 0:13:34 | 0:13:39 | |
But it is a beautiful fantasy. | 0:13:39 | 0:13:41 | |
It is an attempt to create a little piece of England in a very foreign land. | 0:13:41 | 0:13:47 | |
The reality just on the other side of the garden hedge, or at least just down the road is this. | 0:13:47 | 0:13:53 | |
This is the real Australia. | 0:13:53 | 0:13:55 | |
It is a completely different world which the early gardens turned their backs on. | 0:13:55 | 0:14:02 | |
Before I leave the Sydney area, I'm going to visit a 21st-century garden | 0:14:02 | 0:14:06 | |
that celebrates its Australian roots. | 0:14:06 | 0:14:08 | |
When I chose this garden, it was really because it was modern | 0:14:21 | 0:14:25 | |
and I'd heard about it, seen pictures of it . | 0:14:25 | 0:14:28 | |
I thought it looked really interesting. | 0:14:28 | 0:14:30 | |
When you walk in here, the first thing you notice are these | 0:14:30 | 0:14:33 | |
great jagged angles of rock pushing out at you. It's almost quite aggressive. | 0:14:33 | 0:14:39 | |
But the way that they're balanced, actually it's not hostile, it's not threatening. | 0:14:39 | 0:14:46 | |
You start to look further and see that the plants work really well with them, with that colour. | 0:14:46 | 0:14:52 | |
This tiny, private garden in Sydney's fashionable Mossman district | 0:14:52 | 0:14:57 | |
has been created for its owners by Czech designer, Vladimir Sitta. | 0:14:57 | 0:15:01 | |
'It nestles in the right angle of the building, and, with its large sliding glass doors facing onto it, | 0:15:01 | 0:15:06 | |
'is an important part of the living space. | 0:15:06 | 0:15:09 | |
'The rock, all 33 tonnes of it, was quarried in Alice Springs, the red heart of Australia. | 0:15:11 | 0:15:19 | |
'The owners commissioned the garden to display their collection of drought-resisting succulents. | 0:15:19 | 0:15:23 | |
'However, not all the plants are Australian although this magnificent | 0:15:23 | 0:15:28 | |
'ponytail palm, with its dangling water-storing roots, most certainly is.' | 0:15:28 | 0:15:34 | |
What is an Australian garden? | 0:15:34 | 0:15:37 | |
I wish to know. The garden is a culture concept to me. | 0:15:37 | 0:15:42 | |
First you have to define what the culture is. | 0:15:42 | 0:15:45 | |
I don't think there is even a demand for creating an Australian garden, | 0:15:45 | 0:15:49 | |
it's not, people think that when they stick Australian plants into some space that it's an Australian garden. | 0:15:49 | 0:15:56 | |
That's a load of rubbish. | 0:15:56 | 0:15:58 | |
-There's hardly anywhere in the world that relishes the outdoors so much. -Because you have such good weather.. | 0:15:58 | 0:16:03 | |
So you would think it was the perfect place to make gardens that could be relished all the time? | 0:16:03 | 0:16:09 | |
If you see the garden as a stage set for your hedonistic pursuits, absolutely. | 0:16:09 | 0:16:16 | |
But it doesn't have to be a hedonistic pursuit. | 0:16:16 | 0:16:18 | |
It doesn't have to be a swimming pool, tennis court, barbecue. | 0:16:18 | 0:16:21 | |
But this is what most of our gardens are here. | 0:16:21 | 0:16:24 | |
In those richer suburbs of course. | 0:16:24 | 0:16:27 | |
I think the garden ideally should touch you emotionally. | 0:16:27 | 0:16:31 | |
Unfortunately it became, in many ways, just another commodity. | 0:16:31 | 0:16:37 | |
In terms of just making your own and creating, | 0:16:37 | 0:16:42 | |
then I think we've just barely scratched the surface in Australia. | 0:16:42 | 0:16:47 | |
'Despite Vladimir's middle European gloom, | 0:16:47 | 0:16:51 | |
'I think his garden is the closest I've come so far to feeling a real spirit of Australia.' | 0:16:51 | 0:16:56 | |
These jagged angles have a tectonic energy that I like, | 0:16:56 | 0:17:00 | |
and are pointing me to that burning red heart of the continent. | 0:17:00 | 0:17:04 | |
That's where I'm going next, the outback, near Alice Springs. | 0:17:07 | 0:17:13 | |
It couldn't be less like Sydney. | 0:17:13 | 0:17:15 | |
DIDGERIDOO PLAYS | 0:17:21 | 0:17:23 | |
It is a staggeringly harsh, grand, bright orange landscape | 0:17:23 | 0:17:28 | |
but I can see echoes of Sitta's design immediately. | 0:17:28 | 0:17:31 | |
Although this vast 'Sand Country' is classed as desert, | 0:17:31 | 0:17:36 | |
it is actually full of life and empty only to the untutored eye. | 0:17:36 | 0:17:40 | |
I'm visiting a completely different type of garden. | 0:17:40 | 0:17:43 | |
Alice Springs Desert Park, which I hope will help me to understand the outback a little better. | 0:17:43 | 0:17:49 | |
The park opened in 1997, | 0:18:00 | 0:18:02 | |
and is designed to introduce people to the plants, animals and aboriginal culture of the outback | 0:18:02 | 0:18:08 | |
with spinifex grasses, dried creeks, sand country and even a large salt pan. | 0:18:08 | 0:18:15 | |
All painstakingly recreated to mimic the conditions of the outback in its true setting. | 0:18:15 | 0:18:21 | |
It is a vast site with over 100 acres of cultivated garden and over 3,000 acres in all. | 0:18:28 | 0:18:34 | |
I was shown round by Gary Dinham, the Curator of Botany, | 0:18:34 | 0:18:37 | |
and he explained to me how the spinifex, the spiky grass that grows in the sand country, | 0:18:37 | 0:18:42 | |
is perfectly adapted to the conditions. | 0:18:42 | 0:18:45 | |
It's got these very spiky leaves which in fact used to be | 0:18:45 | 0:18:48 | |
flat leaves which have rolled around to try and reduce water loss. | 0:18:48 | 0:18:53 | |
I tell you what, that is as beautiful a grass | 0:18:53 | 0:18:56 | |
as in any garden, isn't it? | 0:18:56 | 0:18:58 | |
It's fantastic. We're trying to get people to use them more in gardens | 0:18:58 | 0:19:01 | |
because it doesn't use much water and it is very easy to manage. | 0:19:01 | 0:19:05 | |
You'll find plants which are less suited to the desert often grow beside rivers. | 0:19:05 | 0:19:10 | |
So the River Red Gum, is a euycalpyt, Eucalyputus camaldulensis. | 0:19:10 | 0:19:14 | |
They're very beautiful with their bark off. | 0:19:14 | 0:19:18 | |
Look at this. This sort of clear white. | 0:19:18 | 0:19:22 | |
The desert doesn't really have rivers or at least if there are, they don't run very often do they? | 0:19:22 | 0:19:28 | |
They're ephemeral rivers - the upside down rivers of Central Australia, | 0:19:28 | 0:19:31 | |
where the sand's on top and the water flows underneath. | 0:19:31 | 0:19:34 | |
It's only after the heavy rains that you'll get the river flowing. | 0:19:34 | 0:19:39 | |
It was interesting with my children in Central Australia, | 0:19:39 | 0:19:42 | |
when they saw a river with water in it they were wondering what it was! | 0:19:42 | 0:19:46 | |
MONTY LAUGHS | 0:19:46 | 0:19:47 | |
'Away from the river, either underground or overground, | 0:19:47 | 0:19:51 | |
'the harsher environment of the red desert sands means all plants have to be highly adapted.' | 0:19:51 | 0:19:55 | |
These are only very young desert oaks. | 0:19:55 | 0:19:59 | |
They're probably 8 or 10-years-old, very, very slow growing plants. | 0:19:59 | 0:20:03 | |
You can see they actually photosynthesize through the stem. | 0:20:03 | 0:20:08 | |
That little point there is just the remnant leaf. | 0:20:08 | 0:20:11 | |
Under cultivation that is probably 6 or 7-years-old. | 0:20:11 | 0:20:14 | |
In the wild you'd see one of those would probably be 20-years-old. | 0:20:14 | 0:20:19 | |
Its root system is probably going down 10 metres. | 0:20:19 | 0:20:21 | |
-10 metres? -Yeah. -Wow! | 0:20:21 | 0:20:24 | |
So they grow a lot more under the ground than above ground. | 0:20:24 | 0:20:27 | |
Like every bit of this beautifully made garden, | 0:20:30 | 0:20:33 | |
the park's artificially created salt pan looks completely natural. | 0:20:33 | 0:20:38 | |
Do you get visitors assuming this is a natural landscape? | 0:20:38 | 0:20:42 | |
That's one of the greatest compliments to the staff when people think that | 0:20:42 | 0:20:46 | |
we are very fortunate to have all these habitats sitting in this small area. | 0:20:46 | 0:20:51 | |
We've fooled them into thinking they're in a natural environment. | 0:20:51 | 0:20:54 | |
The staff really love that. That's a great compliment to them. | 0:20:54 | 0:20:58 | |
You've created this place, there is no other word for it. | 0:20:58 | 0:21:00 | |
You've made it with your team. | 0:21:00 | 0:21:03 | |
Does that make you a gardener? | 0:21:03 | 0:21:05 | |
Well, this is a fantastic garden, it's one of the best gardens you could ever create I think. | 0:21:05 | 0:21:12 | |
Recreating the environment, is an incredible challenge. | 0:21:14 | 0:21:17 | |
It's not that easy, but I think we've managed to do that here to get it across. | 0:21:17 | 0:21:22 | |
I think you have too. | 0:21:22 | 0:21:23 | |
The aboriginal population co-habited with and used this flora | 0:21:33 | 0:21:38 | |
long, long before Europeans arrived. | 0:21:38 | 0:21:41 | |
I've met up with one of the Desert Park Rangers, Doug Taylor, | 0:21:41 | 0:21:45 | |
to learn about his people's subtle relationship with the plants of the Australian outback. | 0:21:45 | 0:21:49 | |
This is one of the most useful plants - the Mogga Tree. | 0:21:51 | 0:21:56 | |
You could obtain food from here, tools. | 0:21:56 | 0:22:00 | |
So the seed would be very small, wouldn't it, on those cones? | 0:22:00 | 0:22:04 | |
Yes, this one's lost its seed. It would've been seeding a month back, | 0:22:04 | 0:22:07 | |
but there are quite large pods and this is the seed that it produces. | 0:22:07 | 0:22:10 | |
And this could be used by ladies ground up | 0:22:10 | 0:22:13 | |
into like a flour or paste and baked into what we call Damper or bread. | 0:22:13 | 0:22:19 | |
'This tree's timber is perfect for making boomerangs too. | 0:22:19 | 0:22:22 | |
'This is a non-returning variety!' | 0:22:22 | 0:22:24 | |
Very good to bring down a medium-sized kangaroo, stop an emu with this. | 0:22:24 | 0:22:29 | |
Really? | 0:22:29 | 0:22:30 | |
One of the strangest of all desert plants | 0:22:30 | 0:22:33 | |
is the grass tree, Xanthorrhoea, which grows incredibly slowly. | 0:22:33 | 0:22:38 | |
These plants are hundreds of years old. | 0:22:38 | 0:22:40 | |
The land and the people, the traditional people were as one. | 0:22:40 | 0:22:44 | |
Where our people | 0:22:44 | 0:22:46 | |
didn't try to control the land, but live with it, and everything on the land had its place - | 0:22:46 | 0:22:51 | |
in our people's culture | 0:22:51 | 0:22:54 | |
and had a right to be there. | 0:22:54 | 0:22:56 | |
It was useful too. | 0:22:56 | 0:22:58 | |
The flower spike was used to carry a glowing ember for fire-making | 0:22:58 | 0:23:02 | |
which is fitting for a plant that will regrow after being burned. | 0:23:02 | 0:23:08 | |
Using fire to manage and regenerate the land | 0:23:08 | 0:23:11 | |
was perhaps the closest that Doug's people came to gardening. | 0:23:11 | 0:23:15 | |
It involved a highly sophisticated relationship with the land. | 0:23:16 | 0:23:20 | |
Each family group had a seasonal cycle of moving from one camp | 0:23:20 | 0:23:24 | |
to another within their territory, which they would use as a base for hunting and gathering bush tucker. | 0:23:24 | 0:23:30 | |
They would use small controlled burns to flush out game and once | 0:23:30 | 0:23:33 | |
they had hunted out one campsite, they would then move on to the next. | 0:23:33 | 0:23:37 | |
By the time they return to this site, the burn done previous which | 0:23:37 | 0:23:42 | |
may be 6-8 months' later say, but the burn would have then created regrowth and regeneration. | 0:23:42 | 0:23:48 | |
Old expression in Australia here - aborigine going walking about, | 0:23:48 | 0:23:52 | |
which was basically talking about this type of thing which is what our people used to do. | 0:23:52 | 0:23:56 | |
I like to say, "Aborigine went on controlled seasonal movement." | 0:23:56 | 0:24:01 | |
MONTY LAUGHS Sounds a lot better too! | 0:24:01 | 0:24:05 | |
Now this is the shade of a desert oak which is a good size tree, but not vast, but it is very old. | 0:24:05 | 0:24:13 | |
Oh, yeah. Very slow growing, desert oak, this one's quite mature, the one we're sitting under here. | 0:24:13 | 0:24:20 | |
Probably anything up to 400, 500 years. | 0:24:20 | 0:24:24 | |
Because these trees are so old, generations to generations of | 0:24:24 | 0:24:27 | |
people see these trees and the stories attached to them. | 0:24:27 | 0:24:30 | |
It's like looking at the old men and old women from the past. | 0:24:30 | 0:24:37 | |
You sit amongst the desert oaks, and a light breeze comes through and it's like a... | 0:24:37 | 0:24:43 | |
HE BLOWS | 0:24:43 | 0:24:44 | |
If you sit down in the quiet long enough it sounds like you can hear voices whispering. | 0:24:44 | 0:24:48 | |
That's where a lot of our people believe that the old people are still | 0:24:48 | 0:24:53 | |
with these trees, and their spirit's still there. | 0:24:53 | 0:24:56 | |
As I travel back to Alice Springs, I thought about what Doug had told me. | 0:25:00 | 0:25:04 | |
I can see just how perfectly the native people lived in | 0:25:04 | 0:25:07 | |
harmony with that seemingly wholly hostile environment. | 0:25:07 | 0:25:10 | |
It was clear that the key factor to this, for plants as well as people, was drought and how to manage it. | 0:25:10 | 0:25:16 | |
However, I am not sure I expect this to be the case in my next destination, which is Melbourne. | 0:25:20 | 0:25:26 | |
Melbourne is often referred to as Australia's Garden City | 0:25:26 | 0:25:29 | |
and it has a much wetter climate thanks to its position on the southern tip of the continent. | 0:25:29 | 0:25:35 | |
This was my first visit and I was surprised to see European plants and trees everywhere. | 0:25:35 | 0:25:40 | |
Its leafy, green avenues and flower-filled yards | 0:25:40 | 0:25:43 | |
make a dramatic contrast to the parched streets of Alice Springs. | 0:25:43 | 0:25:47 | |
Along with the skyscrapers and trams, there still survive quaint, | 0:25:47 | 0:25:52 | |
ornate and now very select, Victorian streets. | 0:25:52 | 0:25:58 | |
During the 1880s, Melbourne was the second largest city in the British Empire | 0:25:58 | 0:26:03 | |
and many of the opulent homes from that period still survive. | 0:26:03 | 0:26:07 | |
My next garden is the pinnacle of the grand Australian establishment, | 0:26:07 | 0:26:12 | |
and my host is Dame Elizabeth Murdoch. | 0:26:12 | 0:26:16 | |
Got into Melbourne when it was dark last night. | 0:26:22 | 0:26:25 | |
Driven to a hotel, went to bed, got up, and come out here first | 0:26:25 | 0:26:28 | |
thing in the morning, and I have to say it is a vast culture shock, I could be in another world. | 0:26:28 | 0:26:33 | |
Hello, Dame Elisabeth, how nice to meet you. | 0:26:39 | 0:26:42 | |
-How are you? -I'm very, very well. | 0:26:42 | 0:26:44 | |
-Good, how nice to see you. -And with your beautiful garden.. -It's looking not bad. | 0:26:44 | 0:26:48 | |
At 99, she and her garden are almost half as old as the nation. | 0:26:54 | 0:27:01 | |
She's the matriarch of Australia's great media dynasty, and the guiding | 0:27:01 | 0:27:05 | |
spirit behind Cruden Farm and its 20-acre garden, which Dame Elisabeth began in the 1920s. | 0:27:05 | 0:27:11 | |
There can be few people on this planet that have gardened | 0:27:11 | 0:27:16 | |
continuously in the same place for over 80 years. | 0:27:16 | 0:27:20 | |
That's one of my great prides, my copper beach. | 0:27:23 | 0:27:28 | |
I mean, it's fantastic to think I planted that only 52 years ago. | 0:27:28 | 0:27:33 | |
Of course far too close to the house, but never mind, we manage. | 0:27:33 | 0:27:38 | |
Are copper beach fairly unusual in Melbourne? | 0:27:38 | 0:27:41 | |
In Melbourne, yes. | 0:27:41 | 0:27:43 | |
When we were planning to put that in, | 0:27:43 | 0:27:45 | |
I said to Michael my gardener, "It's ridiculous, I'll never see this Michael really." | 0:27:45 | 0:27:51 | |
He said, "Of course you will, you're gonna live forever!" | 0:27:51 | 0:27:54 | |
But part of the pleasure of planting a tree is watching it grow. | 0:27:57 | 0:28:01 | |
-I know, wonderful. -It's not necessarily the finished article. | 0:28:01 | 0:28:05 | |
So you've created a landscape, | 0:28:05 | 0:28:08 | |
that is sort of like Capability Brown in some ways. | 0:28:08 | 0:28:11 | |
You've done it in a lifetime rather than over generations. | 0:28:11 | 0:28:16 | |
Yes, well I think you see everything grows so fast here. | 0:28:16 | 0:28:20 | |
'That's the point. In England similar trees would take a couple of centuries to grow this big.' | 0:28:20 | 0:28:24 | |
I love the purple stems - the purple touch on the stems. | 0:28:24 | 0:28:28 | |
It's lovely, isn't it? | 0:28:28 | 0:28:30 | |
I see you've got a good eye. | 0:28:30 | 0:28:32 | |
This is surreal for me, here we are looking at hostas, having 12 hours ago | 0:28:40 | 0:28:47 | |
stepped on a plane in the outback where the thought of a hosta is... | 0:28:47 | 0:28:52 | |
I know, the contrast is fabulous, isn't it? | 0:28:52 | 0:28:55 | |
-Really amazing. -It looks marvellous. | 0:28:55 | 0:28:58 | |
They are beautiful, they are beautiful hostas. I love them dearly. | 0:28:58 | 0:29:02 | |
That's quite a young denudatus, it's amazing. | 0:29:02 | 0:29:06 | |
It's very protected in there. You see the possums eat everything, so we've put an electric fence on the roof. | 0:29:06 | 0:29:13 | |
So they can't come across. | 0:29:13 | 0:29:16 | |
-Mind the bump. -Right. | 0:29:18 | 0:29:21 | |
-It's rather lovely, isn't it? -Beautiful. | 0:29:21 | 0:29:24 | |
'I have never been in a garden which has reached such maturity within the life of its owner and creator. | 0:29:36 | 0:29:42 | |
'I don't think I have ever met a gardener who has quite so much personal charm.' | 0:29:42 | 0:29:46 | |
I confess that when I walked down the drive here, | 0:29:51 | 0:29:55 | |
I thought this is so different from Alice Springs and the outback that there's no connection. | 0:29:55 | 0:30:02 | |
But actually what this garden has is a sense of place, a sense of self-confidence. | 0:30:02 | 0:30:09 | |
So you've got your rose garden, you've got your alchemillas and all the sort of English plants | 0:30:09 | 0:30:14 | |
that might seem a bit odd here in Australia, but it also has a real sense of place and identity. | 0:30:14 | 0:30:21 | |
It's grounded. | 0:30:21 | 0:30:23 | |
At heart this is a European garden, | 0:30:23 | 0:30:27 | |
but one that is very happily married to its native landscape. | 0:30:27 | 0:30:31 | |
However, that cross cultural connection is under serious threat. | 0:30:34 | 0:30:38 | |
Climate change is increasing the already serious problems of drought in Australia. | 0:30:38 | 0:30:43 | |
This means that the classic English flowers and lush greenery just won't thrive. | 0:30:43 | 0:30:49 | |
The situation can only get worse. | 0:30:49 | 0:30:52 | |
But having seen how the tough Aussie native plants thrive in the outback, | 0:30:52 | 0:30:57 | |
I wonder if they are the key to Australia's gardening future? | 0:30:57 | 0:31:02 | |
My next garden could answer that question. | 0:31:05 | 0:31:09 | |
It is the Garden Vineyard, | 0:31:09 | 0:31:10 | |
created by Di Johnson and now extended by her daughter Jenny. | 0:31:10 | 0:31:15 | |
The garden is set amongst vineyards in the gently rolling countryside south of Melbourne. | 0:31:15 | 0:31:20 | |
It began just 11 years ago, but already, it is one of | 0:31:20 | 0:31:24 | |
Australia's most exciting gardens because it is a fusion | 0:31:24 | 0:31:28 | |
of traditional English design and planting, with a contemporary use of native Australian species. | 0:31:28 | 0:31:35 | |
It's a story which started out with an attempt to make an exact copy | 0:31:35 | 0:31:39 | |
of a very English garden until Di was confronted with the inescapable realities of the climate. | 0:31:39 | 0:31:45 | |
I think that's a perfect example | 0:31:45 | 0:31:47 | |
of how one has to adapt, because I love that little geranium. | 0:31:47 | 0:31:51 | |
I've tried to grow it for three years, it looks fabulous in winter. | 0:31:51 | 0:31:54 | |
I should give up, because look how wonderful the sedum by comparison looks. | 0:31:56 | 0:32:03 | |
We went to a brick yard in North Melbourne, | 0:32:03 | 0:32:07 | |
and these are convict bricks - there's a thumb print in one. | 0:32:07 | 0:32:11 | |
Every 1,000 bricks they had to mark with a thumb print, | 0:32:11 | 0:32:14 | |
every 10,000 I think it was with two thumb prints. | 0:32:14 | 0:32:17 | |
But these bricks were all hand made by convicts. | 0:32:17 | 0:32:21 | |
-No doubt those convicts were from England. -I'm sure they were. | 0:32:21 | 0:32:24 | |
The next stage of the garden shows the true scale of Di's ambition. | 0:32:30 | 0:32:35 | |
The first thing that strikes me, these are socking great borders. | 0:32:37 | 0:32:42 | |
-It's great! -I'll probably never be able to sell it. | 0:32:42 | 0:32:45 | |
Well, that's another matter.. | 0:32:45 | 0:32:46 | |
Nobody wants this much work. | 0:32:46 | 0:32:48 | |
The giant borders mark the very first introduction of Australian natives into Di's garden. | 0:32:48 | 0:32:54 | |
Tightly clipped green pillars of the gloriously named lillypilly, | 0:32:54 | 0:32:57 | |
which she uses for structure in the border much as we might use yew at home. | 0:32:57 | 0:33:02 | |
The lilypillies came in at what stage? | 0:33:02 | 0:33:06 | |
-Pretty early on. -Not straight away. -About the second. | 0:33:06 | 0:33:10 | |
Was it your first entry into indigenous planting? | 0:33:10 | 0:33:12 | |
Yes, absolutely. I think the thing is they take the heat as well as the dryness. | 0:33:12 | 0:33:18 | |
Follow the path round the corner and there is a quantum leap away from the traditional English garden. | 0:33:18 | 0:33:24 | |
It's a composition of tightly clipped native shrubs in balls and | 0:33:24 | 0:33:30 | |
billows set around the peeling white trunks of lemon-scented eucalypts. | 0:33:30 | 0:33:35 | |
It looks fantastic. | 0:33:35 | 0:33:37 | |
It's a bit English, but it's got a lot more Australian feel about it. | 0:33:37 | 0:33:40 | |
This rhagodia is a brilliant thing. I know it is looking a little drab | 0:33:40 | 0:33:45 | |
because we have just had to severely prune it, but it comes back, and it is totally drought tolerant. | 0:33:45 | 0:33:50 | |
It grows in the sun or shade and we've used it all over the garden. | 0:33:50 | 0:33:55 | |
After that cool modernism, | 0:34:02 | 0:34:05 | |
there is a return to a European heritage with a much more formal | 0:34:05 | 0:34:09 | |
and rather grand Italianate garden, | 0:34:09 | 0:34:12 | |
using clipped coppery lillipilli lollipops - I've been dying to say that - | 0:34:12 | 0:34:17 | |
under-planted with a sea of agapanthus and heliotropes. | 0:34:17 | 0:34:20 | |
MUSIC: "The Flower Duet" by Delibes | 0:34:20 | 0:34:23 | |
Go through a gate and on down a set of steps and you arrive at the place where everything comes together. | 0:34:48 | 0:34:55 | |
This is a dramatic and brave part of the garden, made by Jenny, | 0:34:55 | 0:34:59 | |
critically with Di's support using only native plants. | 0:34:59 | 0:35:04 | |
So this is the evolution of the garden, | 0:35:04 | 0:35:09 | |
maybe the future of Australian gardening. | 0:35:09 | 0:35:11 | |
Yeah, I think it started off with not too much thought | 0:35:11 | 0:35:17 | |
behind it. It started off as a passion of mine. | 0:35:17 | 0:35:21 | |
And a bit of plonking! | 0:35:21 | 0:35:22 | |
But plonking is the secret of good gardening! | 0:35:22 | 0:35:25 | |
I tried to work with the colour and texture of plants | 0:35:25 | 0:35:30 | |
and I tried to arrange plants that were blended with each other | 0:35:30 | 0:35:34 | |
in terms of foliage, texture and colour. | 0:35:34 | 0:35:36 | |
But, I don't think that is that important now. | 0:35:36 | 0:35:39 | |
I guess being inspired by the natural bush. | 0:35:39 | 0:35:42 | |
I've always loved the natural stance of eucalypts | 0:35:42 | 0:35:45 | |
and things that aren't too fiddled with and manipulated. | 0:35:45 | 0:35:50 | |
-How do you feel about that? -Well, I have realised that Jenny | 0:35:50 | 0:35:56 | |
has been a source of great wisdom for me. | 0:35:56 | 0:35:59 | |
I'll be honest with you, when I walked in here and saw the walled English garden, | 0:36:19 | 0:36:23 | |
I thought, "Oh, no, this is beautiful. But I didn't need to cross the world to see it." | 0:36:23 | 0:36:28 | |
I've seen lots of gardens like that although not many done as well as that. | 0:36:28 | 0:36:31 | |
But as I walked round, I realised something special was happening here. | 0:36:31 | 0:36:35 | |
That a garden was evolving, not just through the process of the gardener, but through place and then, | 0:36:35 | 0:36:43 | |
really most interestingly of all, through time and generations as the children of the household grew up | 0:36:43 | 0:36:49 | |
and got interested, they were Australian and this was their background and this was their home. | 0:36:49 | 0:36:54 | |
They started to evolve a style of gardening that was truly indigenous. | 0:36:54 | 0:36:59 | |
It belongs to the place. | 0:36:59 | 0:37:00 | |
The result is something genuinely new and beautiful | 0:37:00 | 0:37:04 | |
and most importantly, sustainable in the changing Australian climate. | 0:37:04 | 0:37:08 | |
But now it's time to leave Australia | 0:37:11 | 0:37:14 | |
and move on for the second phase of my antipodean adventure. | 0:37:14 | 0:37:17 | |
I travel 1,200 hundred miles south east of Australia to New Zealand, | 0:37:17 | 0:37:21 | |
and land in its biggest city, Auckland. | 0:37:21 | 0:37:25 | |
Well, I popped on a plane, and came over her to New Zealand | 0:37:31 | 0:37:35 | |
and although it's just a three-hour journey, | 0:37:35 | 0:37:38 | |
and I'm about as far away from home as it's possible to be, it's all instantly familiar. | 0:37:38 | 0:37:44 | |
It even smells like England. | 0:37:44 | 0:37:47 | |
But although much seems to be reassuringly similar, there is a spectacular plant growing nearby | 0:37:47 | 0:37:53 | |
which reminds me that New Zealand is actually very, very different from home. | 0:37:53 | 0:37:57 | |
For all its instant familiarity, New Zealand is full of very curious things indeed. | 0:37:59 | 0:38:05 | |
This is the pohutukawa or the New Zealand Christmas tree, | 0:38:05 | 0:38:09 | |
which is just coming into flower now as we approach Christmas. | 0:38:09 | 0:38:14 | |
There is nothing that can prepare you for New Zealand | 0:38:14 | 0:38:17 | |
because it is quite unlike anywhere else in the world. | 0:38:17 | 0:38:21 | |
Before Westerners came, it was the nearest thing to an earthly paradise | 0:38:21 | 0:38:24 | |
with a very distinctive flora and fauna. | 0:38:24 | 0:38:26 | |
This means that gardens here with a little imagination and resources can also be unique. | 0:38:26 | 0:38:32 | |
This is Ayrlies, and it's the first garden I'm visiting in New Zealand, | 0:38:32 | 0:38:37 | |
simply because I have been told it's one of the very best Gardens in the whole of the Southern Hemisphere. | 0:38:37 | 0:38:43 | |
Ayrlies is a garden with a dream-like intensity. | 0:39:01 | 0:39:05 | |
It's very large, with 12 acres of dense planting and mature trees around the house surrounded by | 0:39:05 | 0:39:12 | |
another 30 acres of planted woodland and fields that run down to the sea. | 0:39:12 | 0:39:18 | |
But, magnificent as the setting is, it is the planting that overwhelms you. | 0:39:22 | 0:39:26 | |
This is a garden that submerges the visitor in plants, | 0:39:26 | 0:39:31 | |
so you wallow in their colour, texture, shape and scent. | 0:39:31 | 0:39:37 | |
Yet incredibly, I know that only 40 years ago, this was all just a series of grass paddocks. | 0:39:37 | 0:39:43 | |
The effect of the tree ferns and the sound and the general intensity of the planting, | 0:39:47 | 0:39:54 | |
makes one think of a sort of lush, | 0:39:54 | 0:39:57 | |
lush forest, but actually just a few yards from here, if you come back, | 0:39:57 | 0:40:01 | |
you come through the planting... | 0:40:03 | 0:40:06 | |
It just stops and you realise that we're back | 0:40:08 | 0:40:13 | |
to the fields that were grazed by the dairy herd 40 years ago. | 0:40:13 | 0:40:16 | |
Although all the trees you can see were planted, | 0:40:16 | 0:40:20 | |
the garden is made out of a field, | 0:40:20 | 0:40:23 | |
every little bit of it. | 0:40:23 | 0:40:25 | |
I'm shown round the garden by its creator, Bev McConnell, | 0:40:26 | 0:40:30 | |
the celebrated doyenne of New Zealand gardening. | 0:40:30 | 0:40:33 | |
This is quite dramatic here, it is quite a wow, and I shouldn't be able | 0:40:33 | 0:40:38 | |
to grow the Lewisia rose, but I do and I grow that for the hips. | 0:40:38 | 0:40:42 | |
They are absolutely complimentary colours aren't they, the red and the green? Wonderful. | 0:40:42 | 0:40:47 | |
And that one is very yellow, but it was born in the garden, so that will be Ayrlies Gold. | 0:40:47 | 0:40:52 | |
How many plants do you have named after the garden? | 0:40:52 | 0:40:54 | |
About five I think. | 0:40:54 | 0:40:56 | |
That's still five more than most people. | 0:40:56 | 0:40:58 | |
Have you not got any yet? | 0:40:58 | 0:41:02 | |
-I think... -Oh, look. You are very young! | 0:41:02 | 0:41:04 | |
-You're very sweet to say it. -It'll come, it'll come. | 0:41:04 | 0:41:07 | |
You have to be really old to have plants named after you. | 0:41:07 | 0:41:11 | |
-You don't mind me interviewing you do you? -I'm enjoying it, and you're very good at it, | 0:41:12 | 0:41:17 | |
but you can tell me about your pool, cos I can't answer that. | 0:41:17 | 0:41:20 | |
-Isn't that interesting, yes. -When did you plant the palms? | 0:41:20 | 0:41:24 | |
Oh, 15 years ago. | 0:41:24 | 0:41:26 | |
Really? As recently as that. | 0:41:26 | 0:41:28 | |
I was just astonished at the planting at Ayrlies. | 0:41:42 | 0:41:47 | |
It has the widest and most ecstatic range of plants in one garden I have ever seen. | 0:41:47 | 0:41:52 | |
So how did one person create so much in such a short time? | 0:41:52 | 0:41:58 | |
Did you come out knowing you wanted to make a garden? | 0:41:58 | 0:42:01 | |
Yes, I did, I had it on paper, the first three acres. | 0:42:01 | 0:42:04 | |
I married a man who thought big, probably it was a fault that both of us did, | 0:42:04 | 0:42:10 | |
but it had its good points too, otherwise you'd end up with really nothing. | 0:42:10 | 0:42:14 | |
Cos a lot of farmers in those days, farmers would say to their wives if | 0:42:14 | 0:42:19 | |
they wanted to build a garden, "What do you want to do that for" | 0:42:19 | 0:42:23 | |
just like that, but my husband would say, "Why not. Let's have a look at it." | 0:42:23 | 0:42:28 | |
So you planted these trees? | 0:42:28 | 0:42:30 | |
Every one, there was nothing here, it was a good dairy farmers paddock for his stock. | 0:42:30 | 0:42:38 | |
Bev's greatest ally is the climate. | 0:42:53 | 0:42:56 | |
There are 365 growing days a year here. | 0:42:56 | 0:43:00 | |
The weather is never too cold, never too hot, there is nearly | 0:43:00 | 0:43:04 | |
50 inches of rain a year, and there is much more light. | 0:43:04 | 0:43:08 | |
I think that Ayrlies is a masterpiece. | 0:43:24 | 0:43:26 | |
I have never seen such a wide range of plants together in one garden. | 0:43:26 | 0:43:30 | |
But that mixture depends on a lot of exotic and introduced plants as well as natives, | 0:43:30 | 0:43:36 | |
and in the light of my Australian experience, | 0:43:36 | 0:43:39 | |
I wonder if this best represents the past or the future of New Zealand gardens? | 0:43:39 | 0:43:44 | |
To try and answer that I need to go back in history and on with my journey. | 0:43:44 | 0:43:50 | |
I'm going to drive from Ayrlies, just outside Auckland, | 0:43:50 | 0:43:52 | |
south and west to New Plymouth, a journey which should take me | 0:43:52 | 0:43:56 | |
into New Zealand's wild green heart and give me a taste of its original human culture too. | 0:43:56 | 0:44:03 | |
But when I make my first stop out in the country to look at the landscape, | 0:44:03 | 0:44:08 | |
there's no sign of New Zealand anywhere. | 0:44:08 | 0:44:10 | |
This is a confusing country because the scenery is so like England, | 0:44:13 | 0:44:19 | |
with its green grass and buttercups and daisies | 0:44:19 | 0:44:24 | |
and trees and cows and all the flowers on the verges of the roads. | 0:44:24 | 0:44:29 | |
But, look a bit closer and then there are these oddities. | 0:44:29 | 0:44:34 | |
Like this marvellous super-charged hydrangeas that we found here, | 0:44:34 | 0:44:39 | |
and then you have to realise that everything you are looking at is introduced. | 0:44:39 | 0:44:42 | |
This is not the natural flora of the country. | 0:44:42 | 0:44:46 | |
Every single element of it is artificial. | 0:44:46 | 0:44:50 | |
That includes the grass, the trees, the flowers and the shrubs. | 0:44:50 | 0:44:54 | |
Everything you can see. | 0:44:54 | 0:44:56 | |
So back in to the van | 0:44:58 | 0:45:00 | |
and on deeper into the hills, until finally I find something native, | 0:45:00 | 0:45:04 | |
a Maori garden of phormiums, or New Zealand Flax. | 0:45:04 | 0:45:08 | |
Whereas I am familiar with them as UK garden plants, for the Maori, the native people, | 0:45:08 | 0:45:12 | |
these plants were a vital source of fibre for clothes and mats. | 0:45:12 | 0:45:16 | |
87-year-old Digger Te Kanawa, a Maori weaver, shows me how they are used. | 0:45:16 | 0:45:21 | |
-This is the stripping you have to go through. -Right. | 0:45:21 | 0:45:26 | |
You have to turn it over on the dull side, and about halfway. | 0:45:26 | 0:45:32 | |
-Now... -So you score it through but don't cut it through? | 0:45:33 | 0:45:37 | |
-No. So, I've got to split it and this is the tool. -A mussel shell? | 0:45:37 | 0:45:42 | |
A mussel shell... | 0:45:42 | 0:45:44 | |
and you get a little bit out, and make a loop like that, and then you pull. There you are... | 0:45:44 | 0:45:49 | |
-There it is. -And that's your muka. | 0:45:51 | 0:45:54 | |
And you do what you call a miro, this is a twining. | 0:45:57 | 0:46:00 | |
I see, yeah. | 0:46:00 | 0:46:02 | |
Easy, eh? | 0:46:02 | 0:46:04 | |
No, you make it look very easy, I can see it's hard. | 0:46:04 | 0:46:07 | |
Her flax threads end up as beautiful ceremonial cloaks, decorated with feathers, part of Digger's heritage | 0:46:07 | 0:46:13 | |
as a Maori, a Polynesian people who settled here more than 600 hundred years ago. | 0:46:13 | 0:46:19 | |
Up there is a photo of the collection. | 0:46:19 | 0:46:23 | |
-That's the whole family? -That's the whole family. | 0:46:23 | 0:46:25 | |
Mum's made a cloak for each of us. | 0:46:25 | 0:46:29 | |
Can I touch this, can I just feel it? | 0:46:29 | 0:46:33 | |
Because it is very soft, isn't it? | 0:46:33 | 0:46:35 | |
It's not the sort of thing you can make in a month or so, | 0:46:35 | 0:46:39 | |
because it's a mood thing, if you don't feel like it, leave it alone. | 0:46:39 | 0:46:45 | |
And are these mats we're walking on, are these all flax too? | 0:46:45 | 0:46:48 | |
Yes, now I think I'm too old to get down on the floor... | 0:46:48 | 0:46:53 | |
But I want to teach others. | 0:46:53 | 0:46:55 | |
And just on the other side of her land, we touch on Maori spiritual life, | 0:46:55 | 0:47:02 | |
because there's a sacred tree at the end of her drive. | 0:47:02 | 0:47:05 | |
When we were kids, they said it was very taboo, and you mustn't go near it and all that sort of thing. | 0:47:05 | 0:47:11 | |
They were scared stiff of it. | 0:47:11 | 0:47:14 | |
Having had a glimpse of some of the native culture, just beyond Digger's home | 0:47:14 | 0:47:19 | |
I get my first sight of New Zealand's native beauty. | 0:47:19 | 0:47:22 | |
Now things are getting stranger as we go farther away from Auckland | 0:47:26 | 0:47:29 | |
cos in amongst the tractors, the long grass, and wonderful flowers, | 0:47:29 | 0:47:33 | |
are tree ferns, this is distinctly exotic. | 0:47:33 | 0:47:38 | |
It might look exotic to my English eye, but these plants are indigenous here. | 0:47:40 | 0:47:45 | |
Yet I turn around and "Oh, there's an English meadow." | 0:47:45 | 0:47:49 | |
It's just like Alice In Wonderland, that's what it's like. It's a dream world. | 0:47:52 | 0:47:56 | |
Thanks to its mild climate and high rainfall, much of New Zealand | 0:48:00 | 0:48:04 | |
was once covered in temperate rainforest, a cooler and much | 0:48:04 | 0:48:08 | |
gentler sister of the more famous rainforests of the tropics like the Amazon, but every bit as beautiful. | 0:48:08 | 0:48:15 | |
As I continue deeper into the mountains it really feels like I've finally found what I set out to see. | 0:48:22 | 0:48:30 | |
This is primary forest and | 0:48:30 | 0:48:33 | |
almost of New Zealand would have been covered in this with these giant podocarps, | 0:48:33 | 0:48:39 | |
smothered with epiphytes and the tree ferns underneath. | 0:48:39 | 0:48:43 | |
And it's very sobering when you drive through and see mile upon mile | 0:48:43 | 0:48:48 | |
of landscape cleared and just with a monoculture of | 0:48:48 | 0:48:52 | |
grass knowing that it was this that had to be removed in order to feed a few sheep and cattle. | 0:48:52 | 0:48:58 | |
Just step a few yards into the forest and immediately you're surrounded | 0:49:16 | 0:49:20 | |
and you could be anywhere, and unlike the tropical rain forests, this temperate rain forest | 0:49:20 | 0:49:27 | |
is a cool unthreatening place | 0:49:27 | 0:49:30 | |
with this magical green sort of stained glass light filtering through. | 0:49:30 | 0:49:35 | |
It's a very benign place. | 0:49:39 | 0:49:41 | |
This is New Zealand's heart. | 0:49:45 | 0:49:47 | |
A green, cool, song-filled heaven, spilling over with beautiful plants. | 0:49:47 | 0:49:53 | |
Thank goodness a little bit of it was spared and allowed to remain for people like us to treasure. | 0:49:53 | 0:49:59 | |
But can this ancient botanical paradise be the inspiration for New Zealand's gardens of the future? | 0:49:59 | 0:50:07 | |
I finally reach New Plymouth, ready to visit the last garden of this trip, | 0:50:07 | 0:50:12 | |
and rather than turning its back on its natural heritage, | 0:50:12 | 0:50:15 | |
this is a garden famous for taking it as its inspiration. | 0:50:15 | 0:50:20 | |
This is, surprisingly, in a quiet suburb of New Plymouth, is my journey's end, | 0:50:20 | 0:50:27 | |
and I've come here because it's a garden which seems | 0:50:27 | 0:50:31 | |
pretty ordinary from the outside, | 0:50:31 | 0:50:34 | |
but which I know is comprised entirely of native New Zealand plants. | 0:50:34 | 0:50:39 | |
Te Kainga Marire, which is Maori for "peaceful encampment", | 0:50:42 | 0:50:46 | |
is one of New Zealand's very first, and best native gardens. | 0:50:46 | 0:50:49 | |
It was begun 35 ago by Valda Poletti and her husband Dave, | 0:50:49 | 0:50:53 | |
and although relatively modest in scale, is crammed with plants and features. | 0:50:53 | 0:50:58 | |
There's a tree fern alley, a distressed mountain shed, an alpine zone | 0:50:58 | 0:51:05 | |
and even a glow worm cave, | 0:51:05 | 0:51:07 | |
rather surprisingly all created by someone who's very proud of her colonial past. | 0:51:07 | 0:51:13 | |
-Your great grandparents were settlers? -Yes, they arrived here in 1842. | 0:51:13 | 0:51:21 | |
And they sailed here from Plymouth harbour from Somerset. | 0:51:21 | 0:51:24 | |
So they, Simon and Jane set up home, farm, | 0:51:24 | 0:51:29 | |
and survived the land wars | 0:51:29 | 0:51:32 | |
and great great grandmother had stood there with her children | 0:51:32 | 0:51:37 | |
behind her to find the Maori that was threatening to burn her little house down. | 0:51:37 | 0:51:43 | |
That story is a dramatic contrast to this garden which is clearly in such harmony with its native land. | 0:51:43 | 0:51:50 | |
The Muehlenbeckia complexa, the wire-netting plant, you could | 0:51:50 | 0:51:54 | |
actually jump up and down on sleep on that as a bed. | 0:51:54 | 0:51:57 | |
It's tempting to try. | 0:51:57 | 0:51:58 | |
Yeah, you can do that. | 0:51:58 | 0:52:00 | |
I can do that, I will do that. | 0:52:00 | 0:52:02 | |
Leap, lie down, have a rest. | 0:52:02 | 0:52:04 | |
You see, | 0:52:04 | 0:52:05 | |
-I'm quite squashy. -Comfortable? -I would sleep on this willingly. | 0:52:05 | 0:52:10 | |
-You would? -Yeah. one of the things I like about... | 0:52:10 | 0:52:12 | |
if you're in Australia, you would know there would be some noxious spider or snake or something in | 0:52:12 | 0:52:19 | |
here waiting to get you, whereas in New Zealand, you are pretty sure... | 0:52:19 | 0:52:23 | |
-You're safe as... -Yeah. -You could sleep sweetly and soundly. | 0:52:23 | 0:52:27 | |
This is the first garden where I've been invited to leap on the plants. | 0:52:27 | 0:52:31 | |
Yeah, leap on the plants, it's Monty proof! SHE LAUGHS | 0:52:31 | 0:52:35 | |
What's that? | 0:52:35 | 0:52:37 | |
I need my glasses for this, which I haven't got on me they are in my bag. | 0:52:37 | 0:52:41 | |
I'll go get a hand lens. | 0:52:41 | 0:52:43 | |
Monty Don, | 0:52:43 | 0:52:45 | |
I have for you the secret weapon, the hand lens. | 0:52:45 | 0:52:49 | |
Because I can't see without my glasses. | 0:52:49 | 0:52:52 | |
-You're nearly blind, now this is gardening beneath your knees. -Can I hold the lens please? | 0:52:52 | 0:52:56 | |
-You're being bossy. -I'm being bossy, I'm a control freak, you know? | 0:52:56 | 0:53:00 | |
All gardeners are control freaks, all good gardeners | 0:53:00 | 0:53:04 | |
are completely control... | 0:53:04 | 0:53:06 | |
-He said I'm a good gardener. -Well, you are. | 0:53:06 | 0:53:08 | |
Look at that. | 0:53:08 | 0:53:10 | |
This little pansea grows up in the central plateau around the fumaroles, around the sulphur vents. | 0:53:11 | 0:53:17 | |
I have never been shown around a garden via a hand lens before. | 0:53:17 | 0:53:22 | |
-Really, truly? -So within the space of a minute I have leapt on your plants and looked in minute detail. | 0:53:22 | 0:53:28 | |
And over here, just by your knees, don't get up, is our lobelia. | 0:53:28 | 0:53:33 | |
And again it is a little darling, it's got like half a flower. | 0:53:33 | 0:53:36 | |
It is lovely, I could do the whole tour like this | 0:53:36 | 0:53:40 | |
I could crawl the whole way on my hands and knees... | 0:53:40 | 0:53:43 | |
Look at this! | 0:53:43 | 0:53:44 | |
Look at this down here. | 0:53:44 | 0:53:46 | |
Look at that. | 0:53:46 | 0:53:48 | |
Look at that. | 0:53:48 | 0:53:50 | |
Do you know I've never done this before, this is fantastic. | 0:53:50 | 0:53:54 | |
-He's converted. -I am, you know. -Good, born again. | 0:53:54 | 0:53:57 | |
-I don't normally deal with intense detail. -Oh, don't you? | 0:53:57 | 0:54:00 | |
You wait, there's better to come. | 0:54:00 | 0:54:03 | |
So this is the fernery? | 0:54:11 | 0:54:12 | |
-That's right. -Some of these ferns are how old? | 0:54:12 | 0:54:15 | |
That's 30 ft... So you planted these in 1972? | 0:54:18 | 0:54:20 | |
-Some of them planted in '72. -And that is a whopper! | 0:54:20 | 0:54:24 | |
And this is the fern house here, you call it the Faanui. | 0:54:27 | 0:54:30 | |
Here we go... and this Monty is a glow-worm tunnel. | 0:54:39 | 0:54:43 | |
-Do you get glow-worms? -We do, we've got about six. | 0:54:43 | 0:54:47 | |
It's cool and cold and dark. | 0:54:47 | 0:54:49 | |
It is sort of like dying and emerging and coming out again into the light. | 0:54:49 | 0:54:53 | |
-It's a birthing ceremony. -A birthing channel - didn't want you to clock onto that. | 0:54:53 | 0:54:57 | |
You are born again... | 0:54:57 | 0:54:59 | |
and oh, look, here's a sign of new life, | 0:54:59 | 0:55:02 | |
the pattern of his unfurling crosier. | 0:55:02 | 0:55:06 | |
-And now your vegetables. I'm keen on vegetables. -So am I. | 0:55:06 | 0:55:10 | |
So there we go - vegetables... | 0:55:10 | 0:55:13 | |
-Pretty organic. -This is a real culinary... | 0:55:13 | 0:55:17 | |
This is a working vegetable garden, feeds the family, you know, it's really important. | 0:55:17 | 0:55:22 | |
Now this to an extent is what your great grandparents would have done when they came here, | 0:55:22 | 0:55:29 | |
they would've cleared some soil and planted the things they were used to growing at home. | 0:55:29 | 0:55:34 | |
Yep, the first things they did was to get a garden established because without it, the only food they had | 0:55:34 | 0:55:39 | |
were the rations off the other boats that came out like the flour. | 0:55:39 | 0:55:43 | |
And they obviously got brought stock and did animal husbandry and raised stock to slaughter. | 0:55:43 | 0:55:49 | |
But, if the crops failed then they had trouble surviving in the colonies in those early, early days. | 0:55:49 | 0:55:56 | |
After the veg garden it was time to dive down into the alpines. | 0:55:56 | 0:56:01 | |
Do you know what it's like? | 0:56:06 | 0:56:08 | |
-It's like snorkelling over a coral reef. -Mmm. | 0:56:08 | 0:56:10 | |
-That's exactly what it's like. -It is. | 0:56:10 | 0:56:13 | |
A hidden reef of flower reached through a magnifying glass! | 0:56:15 | 0:56:19 | |
Do you think that the next generation | 0:56:21 | 0:56:23 | |
of gardeners will be moving in the direction you've created? | 0:56:23 | 0:56:27 | |
I do, younger people are much, much more open to the flora. | 0:56:27 | 0:56:31 | |
They've got over the fact that gardens are flower gardens, and I think | 0:56:31 | 0:56:38 | |
there is a greater appreciation and awareness now of the flora | 0:56:38 | 0:56:42 | |
of New Zealand and the beauty of the landscapes. | 0:56:42 | 0:56:45 | |
I think it's a coming of age for New Zealand. | 0:56:45 | 0:56:49 | |
What a good and hopeful thought that is! | 0:56:50 | 0:56:53 | |
And Te Kainga Marire is a visual celebration of New Zealand's future. | 0:56:53 | 0:56:59 | |
So I've reached the end of this particular journey, sitting on the lawn | 0:57:06 | 0:57:12 | |
in a smallish garden, in a smallish suburb | 0:57:12 | 0:57:18 | |
of a smallish town in New Zealand and it seems right and proper to me, | 0:57:18 | 0:57:23 | |
having sampled the size and scale of Australia | 0:57:23 | 0:57:29 | |
and come down through the North Island of New Zealand, that | 0:57:29 | 0:57:32 | |
it should end up on this domestic level cos that's what gardens are, they're about people's back gardens. | 0:57:32 | 0:57:38 | |
But what a journey I've had, from the very first Australian garden | 0:57:40 | 0:57:44 | |
and its failing crops in Sydney, to homesick recreations and wonderful flights of fantasy. | 0:57:44 | 0:57:50 | |
I've seen a series of amazing gardens in dynamic, young countries. | 0:57:50 | 0:57:55 | |
But it's the final step that the gardens have made which I believe holds the key to the future. | 0:57:55 | 0:57:59 | |
It's all about working with the land and not about fighting it. | 0:57:59 | 0:58:04 | |
And that's a simple but powerful message that | 0:58:04 | 0:58:07 | |
the indigenous people and plants could have told us all along. | 0:58:07 | 0:58:11 | |
Join me next time as I make my first visit to India. | 0:58:21 | 0:58:25 | |
As I set off to visit some of the most sensual | 0:58:26 | 0:58:29 | |
and opulent gardens in the world. | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:49 | |
E-mail [email protected] | 0:58:49 | 0:58:52 |