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Do you dream of having your own special outdoor space? | 0:00:02 | 0:00:05 | |
A small garden that you can admire, enjoy and call your own? | 0:00:05 | 0:00:09 | |
And then you stop and think, "I have no idea how to make it." | 0:00:09 | 0:00:14 | |
Well, you're not alone. | 0:00:14 | 0:00:16 | |
Over the past year, | 0:00:16 | 0:00:18 | |
Monty Don has travelled up and down the country, | 0:00:18 | 0:00:21 | |
visiting amateur gardeners | 0:00:21 | 0:00:23 | |
and working with them to make their dreams come true. | 0:00:23 | 0:00:26 | |
He's cast a critical eye over their plans. | 0:00:26 | 0:00:29 | |
Don't be too horrified, OK, Monty. | 0:00:29 | 0:00:31 | |
-Everything's possible. -I know it seems unusual. | 0:00:31 | 0:00:34 | |
It's just PROFOUNDLY unusual. | 0:00:34 | 0:00:36 | |
And given advice. | 0:00:36 | 0:00:37 | |
Just pinch that off... | 0:00:37 | 0:00:38 | |
But they took so long to grow. | 0:00:38 | 0:00:40 | |
He's got stuck in. | 0:00:40 | 0:00:41 | |
Monty Don in my garden! | 0:00:41 | 0:00:43 | |
Oh, my goodness! | 0:00:43 | 0:00:46 | |
And everybody has worked incredibly hard. | 0:00:46 | 0:00:48 | |
Look at the size of that! | 0:00:48 | 0:00:50 | |
The results are truly exciting. | 0:00:50 | 0:00:52 | |
-It's really nice. -Ooh! | 0:00:52 | 0:00:54 | |
I do believe that everybody, however small their garden, | 0:00:56 | 0:00:59 | |
can cultivate a big dream. | 0:00:59 | 0:01:02 | |
This time, Monty is meeting two completely different amateur gardeners. | 0:01:09 | 0:01:14 | |
Both have great ambitions. | 0:01:14 | 0:01:16 | |
Yes, there are dozens of things I have on my list. | 0:01:16 | 0:01:18 | |
I want giant flowers. | 0:01:18 | 0:01:20 | |
For one, the sky is the limit. | 0:01:20 | 0:01:22 | |
-What is your budget? -5,000 to 7,000. | 0:01:22 | 0:01:24 | |
And the other wants a fantasy garden on a shoestring. | 0:01:24 | 0:01:27 | |
I don't have any money at all. | 0:01:27 | 0:01:29 | |
But neither have a green thumb. | 0:01:29 | 0:01:32 | |
I would not in a million years have done that. | 0:01:32 | 0:01:35 | |
What do I know? I don't even know what a trowel is. | 0:01:35 | 0:01:38 | |
Can Monty Don help make their dreams a reality? | 0:01:38 | 0:01:41 | |
ALL: Cheers. | 0:01:41 | 0:01:44 | |
Our first big dreamer lives in the leafy London suburb of Teddington. | 0:01:48 | 0:01:53 | |
Self-employed entrepreneur Jennifer Wood | 0:01:54 | 0:01:56 | |
works from home in an office at the end of her garden. | 0:01:56 | 0:01:59 | |
She hopes to change her shapeless, | 0:02:00 | 0:02:02 | |
muddy plot into an Italian-themed haven, perfect for working, | 0:02:02 | 0:02:07 | |
relaxing and entertaining. | 0:02:07 | 0:02:09 | |
She's enlisted the help of her sister, Jill, | 0:02:10 | 0:02:12 | |
to make this garden a family affair. | 0:02:12 | 0:02:15 | |
We are three sisters. There's another one, | 0:02:15 | 0:02:17 | |
a middle sister who lives in America. | 0:02:17 | 0:02:20 | |
Part of the reason why we can do this garden now | 0:02:20 | 0:02:23 | |
is because our mother died in January. | 0:02:23 | 0:02:27 | |
There's a bit of money that we can use | 0:02:27 | 0:02:31 | |
to do something actually really special. | 0:02:31 | 0:02:34 | |
Hopefully our sister will be over at some point. | 0:02:34 | 0:02:38 | |
It'll be almost sort of created in her memory. | 0:02:38 | 0:02:41 | |
I am hoping that, together, we can create something... | 0:02:41 | 0:02:45 | |
that will look...rather lovely. | 0:02:45 | 0:02:48 | |
Our second big dream comes from Kerensa Robertson, | 0:02:49 | 0:02:52 | |
a job-centre work coach from Billericay. | 0:02:52 | 0:02:54 | |
I want to show you the fairy at the bottom of the garden. | 0:02:54 | 0:02:56 | |
She's no expert, | 0:02:56 | 0:02:58 | |
but hopes to turn her back garden into a veritable wonderland | 0:02:58 | 0:03:01 | |
to enjoy with her daughter Delphi. | 0:03:01 | 0:03:04 | |
This part of the garden down here, I want to create a secret garden. | 0:03:04 | 0:03:09 | |
A sort of Alice In Wonderland type of theme, | 0:03:09 | 0:03:12 | |
where there are lots of teapots together, toadstools, | 0:03:12 | 0:03:15 | |
potentially a pagoda with roses, | 0:03:15 | 0:03:17 | |
and the border on that will be all different bottles, | 0:03:17 | 0:03:20 | |
but turned the other way. | 0:03:20 | 0:03:22 | |
No shortage of ideas here. | 0:03:22 | 0:03:24 | |
I wouldn't call myself an experienced gardener. | 0:03:24 | 0:03:26 | |
Just look outside my front door. There's two plastic bushes there. | 0:03:26 | 0:03:29 | |
That's about the extent of my gardening skills. | 0:03:29 | 0:03:31 | |
And she wants to do it for next to nothing. | 0:03:31 | 0:03:33 | |
The manpower is going to be my friends, you know, | 0:03:33 | 0:03:36 | |
and the little things that we need to buy, I'm sure I can negotiate. | 0:03:36 | 0:03:39 | |
I've got more cheek than probably anyone you know, | 0:03:39 | 0:03:41 | |
so I'm sure if I can't get a freebie from somewhere, | 0:03:41 | 0:03:43 | |
I don't know who can! | 0:03:43 | 0:03:46 | |
It's March, and Monty Don | 0:03:48 | 0:03:50 | |
has come to Teddington, on the outskirts of London, | 0:03:50 | 0:03:53 | |
to meet Jennifer Wood and her sister Jill. | 0:03:53 | 0:03:55 | |
It seems as though our sisters are quite keen to meet Monty. | 0:03:56 | 0:03:59 | |
I've always had... I've always had a bit of a... | 0:04:00 | 0:04:03 | |
Oh, yeah. He's absolutely on my wavelength with gardens. | 0:04:03 | 0:04:08 | |
-Hello. -Hello, Monty. | 0:04:10 | 0:04:11 | |
Nice to meet you. | 0:04:11 | 0:04:13 | |
Come, Pedro. | 0:04:13 | 0:04:14 | |
Lovely. Here we are. | 0:04:18 | 0:04:19 | |
It's a beautiful tree. | 0:04:20 | 0:04:21 | |
The question I always ask people is, what do you want from the garden? | 0:04:23 | 0:04:27 | |
Because a small garden can't give you everything. | 0:04:27 | 0:04:29 | |
I know I want an Italian, Mediterranean-inspired garden. | 0:04:29 | 0:04:33 | |
I would really like to have two separate places with different atmosphere, | 0:04:33 | 0:04:38 | |
low-maintenance. | 0:04:38 | 0:04:39 | |
-Right. -Gravel, cos it's very shady, and probably big terracotta pots. | 0:04:39 | 0:04:45 | |
And in practical terms, what's your budget? | 0:04:45 | 0:04:47 | |
It's about 5,000 to 7,000. | 0:04:47 | 0:04:50 | |
When people say that to me, I think, | 0:04:50 | 0:04:52 | |
"Forget the five," because five to seven - you're going to spend seven. | 0:04:52 | 0:04:55 | |
Whereas if you said, "Five, and it cannot be more, cos I don't have more, | 0:04:55 | 0:04:58 | |
-"it can't go..." -Yes. -..that's a different thing altogether. | 0:04:58 | 0:05:01 | |
-It should be five. -But it will be seven. | 0:05:01 | 0:05:04 | |
Jennifer certainly has a decent budget, | 0:05:04 | 0:05:07 | |
but what will Monty make of her plans? | 0:05:07 | 0:05:10 | |
-So, just to be quite clear... -Yeah. -This is the house. | 0:05:10 | 0:05:12 | |
It is. And garden office at the end. | 0:05:12 | 0:05:14 | |
-Right. -So, at the moment, we just have this strip going between the two. | 0:05:14 | 0:05:18 | |
The terrace I want to extend out further, | 0:05:18 | 0:05:23 | |
and this is where the raised barbecue section will be. | 0:05:23 | 0:05:29 | |
Jennifer wants to create a large terrace | 0:05:29 | 0:05:32 | |
for alfresco cooking and dining. | 0:05:32 | 0:05:34 | |
She envisages a sunny area for relaxing, with a water feature, | 0:05:34 | 0:05:39 | |
as well as the path leading to a screened-off area | 0:05:39 | 0:05:41 | |
around her office at the back of the garden. | 0:05:41 | 0:05:44 | |
The path, such as it is, actually goes that way, into the shade, | 0:05:44 | 0:05:49 | |
nudging past the barbecue, | 0:05:49 | 0:05:51 | |
away from all the nice smelly plants, to the office. | 0:05:51 | 0:05:55 | |
I can tell you, you'd walk like that every time. | 0:05:55 | 0:05:57 | |
I was going to say that. | 0:05:57 | 0:05:59 | |
It's the line of desire, and if it's too sinuous and you're in a hurry... | 0:05:59 | 0:06:04 | |
You'll step across. The other question is grass and grass management. | 0:06:04 | 0:06:09 | |
I know it's incredibly important | 0:06:09 | 0:06:11 | |
to keep some kind of drainage going on in the garden. | 0:06:11 | 0:06:15 | |
If we pave the whole thing, that's appalling for wildlife... | 0:06:15 | 0:06:18 | |
-Can I just stop you for a second? -Yes, you can. | 0:06:18 | 0:06:21 | |
I think that's a bit simplistic. | 0:06:21 | 0:06:24 | |
-OK. -Paving a garden need not be bad for wildlife at all. | 0:06:24 | 0:06:28 | |
In fact, it can be actively beneficial. | 0:06:28 | 0:06:30 | |
Mown grass is not actually particularly good for wildlife. | 0:06:30 | 0:06:34 | |
Long grass is. | 0:06:34 | 0:06:35 | |
-Yes. -Long grass is fantastic. | 0:06:35 | 0:06:37 | |
Different types of paving don't have to be cemented and concreted. | 0:06:37 | 0:06:41 | |
You could have plants growing in the cracks between things, or in gravel. | 0:06:41 | 0:06:45 | |
You can have perfectly good drainage. | 0:06:45 | 0:06:47 | |
Monty suggests dividing the garden into three very separate areas. | 0:06:47 | 0:06:51 | |
The lawn will be replaced with a paved area, | 0:06:53 | 0:06:55 | |
losing the meandering path. | 0:06:55 | 0:06:57 | |
He also spotted a fundamental problem with her layout. | 0:06:58 | 0:07:01 | |
This drawing, which is fine, absolutely great, it's not to scale, | 0:07:03 | 0:07:08 | |
and it's really helpful to get proportions right | 0:07:08 | 0:07:11 | |
because, otherwise, in your mind, there's a lawn and... | 0:07:11 | 0:07:15 | |
Sweeping borders. | 0:07:15 | 0:07:16 | |
Sweeping borders, and the avenue of cypresses and whatever it might be. | 0:07:16 | 0:07:20 | |
You are bound by the limitations that are there. | 0:07:20 | 0:07:23 | |
And the sooner you can work to those, | 0:07:23 | 0:07:26 | |
the better what you actually do will fit in and work. | 0:07:26 | 0:07:30 | |
I like the way that Jenny is so clear about what she wants. | 0:07:33 | 0:07:36 | |
She wants an Italian, | 0:07:36 | 0:07:38 | |
Mediterranean garden with a generous area for entertaining, | 0:07:38 | 0:07:41 | |
and a retreat from her busy life, | 0:07:41 | 0:07:43 | |
as well as having the source of that busy life, her office, | 0:07:43 | 0:07:47 | |
at the end of the garden. Until she gets that spatial awareness right, | 0:07:47 | 0:07:51 | |
I think the details of the planting are irrelevant. | 0:07:51 | 0:07:54 | |
Oh, having Monty in the garden is great. | 0:07:54 | 0:07:57 | |
Absolutely brilliant. | 0:07:57 | 0:07:59 | |
He immediately has a complete sense of, I think, | 0:07:59 | 0:08:02 | |
what I'm trying to achieve. | 0:08:02 | 0:08:04 | |
Putting visions of the Mediterranean to one side, | 0:08:14 | 0:08:17 | |
Monty heads to Billericay to meet Kerensa, | 0:08:17 | 0:08:19 | |
who's brought in a friend for support. | 0:08:19 | 0:08:21 | |
-This is Chris, this is Monty. -Hi. | 0:08:21 | 0:08:23 | |
Hello. Nice to meet you. | 0:08:23 | 0:08:24 | |
-So, is Chris going to help you? -Yes, Chris is going to help, aren't you, | 0:08:24 | 0:08:28 | |
-Chris? -I am. Yes, been roped in to help make the plans come to life. | 0:08:28 | 0:08:34 | |
So, what are your plans? | 0:08:34 | 0:08:36 | |
Well, I've always been a fan of Alice In Wonderland. | 0:08:36 | 0:08:39 | |
-Right. -I wanted to turn it into, like, a secret garden, | 0:08:39 | 0:08:42 | |
a fantasy garden, through the rabbit hole. | 0:08:42 | 0:08:44 | |
Why now? Why haven't you done it before? | 0:08:44 | 0:08:46 | |
Well, my daughter, she's turning four this year, she's starting school, | 0:08:46 | 0:08:50 | |
and it's her birthday in August. | 0:08:50 | 0:08:52 | |
-So it's got to be ready by then? -It's got to be ready by August. | 0:08:52 | 0:08:55 | |
-And what's your budget? -There really isn't a budget. | 0:08:55 | 0:08:58 | |
-The sky's the limit? -No, I don't have any money. | 0:08:58 | 0:09:00 | |
-Oh, I see, no money. -I don't have any money at all. | 0:09:00 | 0:09:03 | |
You don't have an unlimited budget, you just... | 0:09:03 | 0:09:05 | |
-I don't have any money. -And will you take over the whole garden or just | 0:09:05 | 0:09:08 | |
-part of the garden? -I'm doing the whole garden. | 0:09:08 | 0:09:10 | |
-With no money? -No money. | 0:09:10 | 0:09:12 | |
-No knowledge? -No knowledge. | 0:09:12 | 0:09:13 | |
-No experience? -No experience. | 0:09:13 | 0:09:15 | |
What the hell? | 0:09:15 | 0:09:17 | |
That's why she called me. | 0:09:17 | 0:09:19 | |
Despite claiming to have no budget, | 0:09:21 | 0:09:23 | |
Kerensa tells Monty she has £500 to spend on the project. | 0:09:23 | 0:09:27 | |
But how will her plans wash with Britain's favourite garden expert? | 0:09:27 | 0:09:31 | |
The Alice In Wonderland sort of effect, | 0:09:32 | 0:09:34 | |
we have a giant love-heart flowerbed, | 0:09:34 | 0:09:39 | |
the chessboard feature... | 0:09:39 | 0:09:41 | |
And then this is Delphi's play area, is it? | 0:09:41 | 0:09:43 | |
This is going to be all Delphi's area here. | 0:09:43 | 0:09:45 | |
Right. And then this will all be planted up, in the middle? | 0:09:45 | 0:09:48 | |
-Yes. -You've got topsy-turvy planters. -Yes. -Recycled bottles. | 0:09:48 | 0:09:51 | |
Mixed wild flowers, cornflowers, poppies. | 0:09:51 | 0:09:54 | |
Are these plants that you've always known and loved, | 0:09:54 | 0:09:56 | |
-or are you coming to them new? -I'm coming to them new. | 0:09:56 | 0:09:59 | |
Have you ever had any interest in gardening? | 0:09:59 | 0:10:01 | |
Last year, I had a tomato plant and it grew, um... | 0:10:01 | 0:10:04 | |
five... I got five tomatoes off it. | 0:10:04 | 0:10:07 | |
And I felt quite positive that, you know, this is something I can... | 0:10:07 | 0:10:10 | |
I can take forward. | 0:10:10 | 0:10:12 | |
So, Kerensa's quirky scheme includes a chessboard patio, | 0:10:14 | 0:10:19 | |
a heart-shaped lawn, and planting beds. | 0:10:19 | 0:10:22 | |
There's a path to a willow tunnel, | 0:10:22 | 0:10:24 | |
along with all manner of Alice In Wonderland-themed ornaments. | 0:10:24 | 0:10:27 | |
The one thing that strikes me about this is that you've got two things | 0:10:29 | 0:10:32 | |
going on here, and they're not mutually compatible. | 0:10:32 | 0:10:35 | |
One is a growing love of plants, an excitement about them, | 0:10:35 | 0:10:39 | |
and two is the desire to create an extraordinary and rather wonderful | 0:10:39 | 0:10:44 | |
stage set for your daughter's birthday on August the tenth. | 0:10:44 | 0:10:48 | |
You need to decide what's more important. | 0:10:48 | 0:10:50 | |
Are you making a garden for the future | 0:10:50 | 0:10:53 | |
that will get better and better and change, | 0:10:53 | 0:10:56 | |
or are you making a stage set for August the tenth? | 0:10:56 | 0:11:00 | |
-A bit of both. -I thought you might say that. | 0:11:00 | 0:11:03 | |
Have you planned the work or is it just going to happen when it happens? | 0:11:03 | 0:11:06 | |
It's going to happen. Like everything in my life, it just happens. | 0:11:06 | 0:11:09 | |
OK, you're all catered for. | 0:11:09 | 0:11:10 | |
-You don't need me. -Yes, we do. | 0:11:10 | 0:11:13 | |
Well, I will come back. | 0:11:14 | 0:11:16 | |
When you think you're ready to start planting, give me a bell. | 0:11:16 | 0:11:18 | |
-Yeah. -I'll roll my sleeves up and we'll start doing it. | 0:11:18 | 0:11:21 | |
-It's fun. -OK. Great. Can't wait. | 0:11:21 | 0:11:23 | |
I will admit some scepticism about the plans that Kerensa outlined | 0:11:28 | 0:11:35 | |
ever becoming into reality. | 0:11:35 | 0:11:36 | |
I thought, "Well, this is fine and this is fun, | 0:11:36 | 0:11:38 | |
"but it ain't going to happen." | 0:11:38 | 0:11:40 | |
But...I think - I hope - I'm wrong about that. | 0:11:40 | 0:11:44 | |
When I first told Monty about my plans, | 0:11:44 | 0:11:46 | |
he looked at me rather quizzically, but I think, yes, | 0:11:46 | 0:11:49 | |
I think I've got him on board, | 0:11:49 | 0:11:51 | |
and he seemed to enjoy the idea of the heart-shaped flowerbed | 0:11:51 | 0:11:55 | |
and the up-cycling and recycling and salvaging | 0:11:55 | 0:11:57 | |
that's all going to be part of the project. | 0:11:57 | 0:12:00 | |
And she's got a very, | 0:12:00 | 0:12:01 | |
very clear idea of how it could work in the garden. | 0:12:01 | 0:12:05 | |
Whether it'll be finished by August the tenth is very doubtful, | 0:12:05 | 0:12:09 | |
and I think that's the real issue. | 0:12:09 | 0:12:11 | |
In the weeks that follow, Kerensa gets the wheels turning, | 0:12:18 | 0:12:21 | |
enlisting some free help from Chris and another pal, Lawrence. | 0:12:21 | 0:12:25 | |
They start by carving out the garden path and patio area. | 0:12:28 | 0:12:31 | |
I struggle to mow the lawn, never mind do any digging, so, really, | 0:12:37 | 0:12:41 | |
with the boys, Chris and Lawrence, they've been tremendous. | 0:12:41 | 0:12:45 | |
But without money for a skip, | 0:12:46 | 0:12:48 | |
there's the question of what to do with the rubble. | 0:12:48 | 0:12:50 | |
So, what are we going to do with the waste? | 0:12:50 | 0:12:52 | |
That's going to be a bit of an issue, as we go on. | 0:12:52 | 0:12:55 | |
I've got no idea, Lawrence. What can we do? | 0:12:55 | 0:12:57 | |
How about we make a mound, you know, | 0:12:57 | 0:13:00 | |
to tie it in with the Alice In Wonderland thing? | 0:13:00 | 0:13:02 | |
-What do you think, Chris? -What we can then do, | 0:13:02 | 0:13:04 | |
we can build up a mound, so as you go down the garden path, | 0:13:04 | 0:13:08 | |
it's almost as though the path starts dropping down, | 0:13:08 | 0:13:10 | |
the ground comes up around you, | 0:13:10 | 0:13:12 | |
so it gives the illusion of going down underneath the rabbit hole | 0:13:12 | 0:13:15 | |
with the lawn pulled over, which will act like a hedge, | 0:13:15 | 0:13:18 | |
and with the planting along that, it will just be a grassy bank. | 0:13:18 | 0:13:22 | |
Kerensa's friends have truly entered into the spirit. | 0:13:22 | 0:13:24 | |
They could yet prove Monty wrong... | 0:13:24 | 0:13:26 | |
if they keep it up. | 0:13:26 | 0:13:28 | |
With summer rapidly approaching, | 0:13:36 | 0:13:39 | |
Monty has decided to send Jennifer and Jill to the stunning garden | 0:13:39 | 0:13:42 | |
of Iford Manor in Wiltshire. | 0:13:42 | 0:13:44 | |
-Jill. -How are you? | 0:13:44 | 0:13:45 | |
So, I gather you're in Italian-garden mode, is that right? | 0:13:45 | 0:13:48 | |
Very much so. We've come here for inspiration. | 0:13:48 | 0:13:50 | |
Well, maybe we should go and have a look at the upper terraces. | 0:13:50 | 0:13:53 | |
-Perfect. -Great. -Lovely. | 0:13:53 | 0:13:54 | |
William Cartwright-Hignett is on hand to show the sisters the garden | 0:13:57 | 0:14:02 | |
that was designed by Harold Ainsworth Peto. | 0:14:02 | 0:14:06 | |
Peto acquired Iford in 1899, | 0:14:06 | 0:14:08 | |
and based the garden design on the old Italian gardens he discovered | 0:14:08 | 0:14:12 | |
on his travels around the Mediterranean. | 0:14:12 | 0:14:14 | |
This garden is a great example of how clever division of space | 0:14:15 | 0:14:19 | |
can give one garden many different points of interest. | 0:14:19 | 0:14:22 | |
WATER BUBBLES AND TRICKLES | 0:14:22 | 0:14:25 | |
-Can you hear something? -Yes. | 0:14:25 | 0:14:26 | |
A bit of water round the corner. | 0:14:26 | 0:14:28 | |
One of Harold Peto's great design ethos - | 0:14:28 | 0:14:32 | |
never give you the whole story at once. | 0:14:32 | 0:14:34 | |
He'll have a little bit of water round the corner that you can't see, | 0:14:34 | 0:14:37 | |
so it entices you to continue up a path. | 0:14:37 | 0:14:40 | |
The sound of this fountain is really beautiful. | 0:14:45 | 0:14:48 | |
It's very deep, isn't it, the sound? | 0:14:48 | 0:14:50 | |
That's partly to do with the depth of water. | 0:14:50 | 0:14:52 | |
If you pour water from a lower height, it's much higher. | 0:14:52 | 0:14:55 | |
-Yeah. -It doesn't get the velocity. | 0:14:55 | 0:14:57 | |
And we find here that this gives this lovely deep texture to the sound. | 0:14:57 | 0:15:00 | |
It does. Really soothing. | 0:15:00 | 0:15:01 | |
What I find so inspiring about this section of garden particularly | 0:15:04 | 0:15:10 | |
-is the scale. -It is, it's very human. | 0:15:10 | 0:15:12 | |
It's actually very approachable. | 0:15:12 | 0:15:14 | |
We are, what, ten metres long from inside the loggia | 0:15:14 | 0:15:17 | |
to the end of the pond. | 0:15:17 | 0:15:19 | |
Anyone with a reasonable-sized garden can create this sort of thing. | 0:15:19 | 0:15:23 | |
It's a patio with a water element, beautiful planting, | 0:15:23 | 0:15:27 | |
which helps to soften the edges of the structure. | 0:15:27 | 0:15:29 | |
It's a perfectly sort of intimate space to sit with a cup of coffee | 0:15:29 | 0:15:33 | |
-in the morning. -It's the sort of... the total Italian experience. | 0:15:33 | 0:15:36 | |
-It is, yes. -Just what I want. -Perfect. | 0:15:36 | 0:15:39 | |
Well, it seems Monty has sent our sisters to the perfect place. | 0:15:43 | 0:15:47 | |
Every turn brings to life another aspect of the Mediterranean, | 0:15:48 | 0:15:52 | |
including beautiful stonework, topiary and potted plants. | 0:15:52 | 0:15:57 | |
Here we come to a sort of Mediterranean patio garden. | 0:15:59 | 0:16:02 | |
I love this area because, in the summer, it's a real warmth... | 0:16:02 | 0:16:05 | |
a trap for the warmth and the sun | 0:16:05 | 0:16:08 | |
and you get this use of pots. | 0:16:08 | 0:16:10 | |
We love pots at Iford because it's a way of growing what you want, | 0:16:10 | 0:16:14 | |
where you want and when you want it. | 0:16:14 | 0:16:16 | |
And it's so Italian, isn't it? | 0:16:16 | 0:16:18 | |
Yes, I'm planning to have quite a few pots around the garden because | 0:16:18 | 0:16:21 | |
there's not going to be grass. | 0:16:21 | 0:16:23 | |
I obviously want to bring foliage, colour and some green. | 0:16:23 | 0:16:26 | |
As long as it's, er... | 0:16:26 | 0:16:29 | |
I need a reasonably low-maintenance garden. | 0:16:29 | 0:16:32 | |
But low-maintenance gardening is great. | 0:16:32 | 0:16:34 | |
It is lovely. Patios like this behind us | 0:16:34 | 0:16:37 | |
is a really good example of a way to make all of the effort to bed it out | 0:16:37 | 0:16:40 | |
and then over the season | 0:16:40 | 0:16:42 | |
you give it a bit of weeding and titivating and deadheading, | 0:16:42 | 0:16:45 | |
it rewards you over and over and over. | 0:16:45 | 0:16:47 | |
Yeah, so you can just enjoy it. | 0:16:47 | 0:16:49 | |
As the day drifts away, the sisters seem reluctant to leave. | 0:17:04 | 0:17:08 | |
It is an extraordinary place to be. | 0:17:10 | 0:17:12 | |
I mean, we've been here all day | 0:17:12 | 0:17:15 | |
and I feel quite sort of saturated by beauty. | 0:17:15 | 0:17:18 | |
Every direction you look, | 0:17:18 | 0:17:20 | |
there is another expression | 0:17:20 | 0:17:23 | |
which is completely different from...each other. | 0:17:23 | 0:17:26 | |
I'm staying in this garden. | 0:17:26 | 0:17:28 | |
Yours is lovely but I think I'll stay here. | 0:17:28 | 0:17:32 | |
Before the evening sets in, | 0:17:35 | 0:17:37 | |
there is still time for William to point out | 0:17:37 | 0:17:39 | |
how Peto cleverly divided the separate spaces in the garden. | 0:17:39 | 0:17:42 | |
So often at Iford, you see a space which is kind of blocked off or... | 0:17:43 | 0:17:50 | |
interrupted, you might say, | 0:17:50 | 0:17:52 | |
and I think something which is quite counterintuitive is that it is | 0:17:52 | 0:17:55 | |
precisely that action of blocking | 0:17:55 | 0:17:58 | |
which creates the impression of space. | 0:17:58 | 0:18:01 | |
So what are the key devices that Peto used to break up the spaces? | 0:18:01 | 0:18:05 | |
When we look out here, we are interrupting the view with columns. | 0:18:05 | 0:18:10 | |
-One of the columns is interrupted itself with a rose. -Yeah. | 0:18:10 | 0:18:14 | |
Something that gives you the impression | 0:18:14 | 0:18:16 | |
of the beyond and the near without telling you both. | 0:18:16 | 0:18:18 | |
Small parts of this garden | 0:18:22 | 0:18:24 | |
can be transported into a bit of your garden. | 0:18:24 | 0:18:27 | |
Yes, they can. | 0:18:27 | 0:18:28 | |
I thought the terracotta pots were particularly inspiring. | 0:18:28 | 0:18:32 | |
The water feature. | 0:18:32 | 0:18:33 | |
Maybe there's some way that we have to... | 0:18:33 | 0:18:35 | |
Maybe our water feature doesn't become the feature | 0:18:35 | 0:18:38 | |
as you step out of the house - bang, there it is. | 0:18:38 | 0:18:40 | |
Maybe that has to be in some way slightly more hidden. | 0:18:40 | 0:18:43 | |
Inspired by the clever division of space at Iford Manor, | 0:18:47 | 0:18:51 | |
our Italian dream team get to work in Teddington. | 0:18:51 | 0:18:55 | |
What we're going to do is stake out the areas | 0:18:55 | 0:18:58 | |
where the barbecue preparation area is going to be, | 0:18:58 | 0:19:01 | |
where the water feature is going to be and where the | 0:19:01 | 0:19:04 | |
screening will go and the division into the next section. | 0:19:04 | 0:19:07 | |
We can reduce that to about... | 0:19:07 | 0:19:09 | |
-Here seems sort of obvious to have trellis for some reason. -It does. | 0:19:11 | 0:19:16 | |
Doing what Monty suggested | 0:19:16 | 0:19:18 | |
has really given me a vision of these thirds, | 0:19:18 | 0:19:21 | |
which I couldn't quite imagine before. | 0:19:21 | 0:19:24 | |
Should the planting start narrow? | 0:19:24 | 0:19:27 | |
Instead of having the big curve that you thought of. | 0:19:27 | 0:19:30 | |
-Stagger it. -Yes. | 0:19:30 | 0:19:31 | |
I think what he's done, actually, significantly, | 0:19:31 | 0:19:34 | |
is just open the whole thing out instead of it being... | 0:19:34 | 0:19:37 | |
a little bit cramped and the proportions completely wrong. | 0:19:37 | 0:19:43 | |
With the three areas marked out, | 0:19:48 | 0:19:50 | |
the next step is the ground in front of Jennifer's office. | 0:19:50 | 0:19:52 | |
This is a separate area that has to have a different atmosphere | 0:19:56 | 0:20:00 | |
to the rest of the garden. | 0:20:00 | 0:20:02 | |
It's going to be gravelled and I chose the gravel, | 0:20:02 | 0:20:06 | |
finding who delivers in bulk, | 0:20:06 | 0:20:08 | |
maybe not having the most beautiful tiny pale pebbles that I envisaged. | 0:20:08 | 0:20:13 | |
We've got actually fine, regular, standard gravel. | 0:20:13 | 0:20:18 | |
That's good. | 0:20:18 | 0:20:19 | |
It's incredible. | 0:20:19 | 0:20:21 | |
It took so little time and actually very little effort, | 0:20:21 | 0:20:25 | |
particularly on my part. | 0:20:25 | 0:20:27 | |
The whole thing is completely transformed. | 0:20:27 | 0:20:30 | |
It's absolutely remarkable. | 0:20:30 | 0:20:32 | |
Meanwhile, Monty has sent Kerensa and Chris to Waddesdon Manor | 0:20:43 | 0:20:46 | |
to see some rather spectacular raised bedding. | 0:20:46 | 0:20:49 | |
The gardens here were created by Baron Ferdinand de Rothschild | 0:20:50 | 0:20:54 | |
in the late 1800s | 0:20:54 | 0:20:55 | |
and today still retain a sense of 19th-century wonder and magic. | 0:20:55 | 0:21:00 | |
Head gardener Paul Farnell is on hand to explain more. | 0:21:00 | 0:21:04 | |
Wow, this is absolutely phenomenal. | 0:21:04 | 0:21:07 | |
I've never seen anything like this before, Paul. | 0:21:07 | 0:21:09 | |
This is what we are actually famous for. This is seasonal bedding. | 0:21:09 | 0:21:12 | |
I'll give you some tips and let you know | 0:21:12 | 0:21:14 | |
how to go about thinking about bedding. Creating a bedding scheme. | 0:21:14 | 0:21:17 | |
I think this could really work in my garden. | 0:21:17 | 0:21:20 | |
Kerensa is clearly tickled but she's going to need some more tips | 0:21:24 | 0:21:28 | |
if she stands any chance | 0:21:28 | 0:21:29 | |
of recreating bedding like this at home. | 0:21:29 | 0:21:32 | |
Oh, this is just amazing. | 0:21:33 | 0:21:35 | |
In my garden, I was thinking about a heart-shaped flowerbed | 0:21:35 | 0:21:40 | |
and I wouldn't have a clue where to start, so what can you suggest? | 0:21:40 | 0:21:42 | |
Where are you going to have your heart-shaped flowerbed? | 0:21:42 | 0:21:45 | |
Is it an established bed or is it going to be in turf? | 0:21:45 | 0:21:48 | |
I think at the moment, it would be in the turf. | 0:21:48 | 0:21:50 | |
Well, then, you've got to draw it out to start with and what I suggest is | 0:21:50 | 0:21:53 | |
marking it out in sand, because if you get it wrong, | 0:21:53 | 0:21:56 | |
you can always rub it out and then mark it out again. | 0:21:56 | 0:21:58 | |
That's a really good idea. | 0:21:58 | 0:22:00 | |
Before you start cutting the turf. | 0:22:00 | 0:22:01 | |
If I had my way, I would be plonking them in willy-nilly. | 0:22:01 | 0:22:04 | |
Is that the way you do it? | 0:22:04 | 0:22:06 | |
You've got to get a little bit of space. | 0:22:06 | 0:22:08 | |
Rule of thumb for something like a begonia | 0:22:08 | 0:22:10 | |
-is probably about three-quarters of a trowel. -A couple of inches? | 0:22:10 | 0:22:13 | |
No, we're talking about six inches. | 0:22:13 | 0:22:16 | |
-Three quarters... -What do I know? I don't even know what a trowel is. | 0:22:16 | 0:22:19 | |
So Paul gives our novice gardener a lesson about growing begonias. | 0:22:20 | 0:22:25 | |
They prefer sunny spots but will also be happy growing in shade. | 0:22:25 | 0:22:29 | |
They can be grown indoors in pots from seed. | 0:22:29 | 0:22:32 | |
This should be done in October. | 0:22:32 | 0:22:34 | |
He also suggests an alternative, pansies, | 0:22:35 | 0:22:38 | |
which like similar conditions and come in a wide range of colours. | 0:22:38 | 0:22:42 | |
So how would I maintain something like this? | 0:22:42 | 0:22:45 | |
It's fairly easy. You've just got to keep an eye on deadheading | 0:22:45 | 0:22:49 | |
because you've got to deadhead plants regularly. | 0:22:49 | 0:22:51 | |
-Deadheads, yeah. -Yeah, yeah. -Can you show me how you do that? | 0:22:51 | 0:22:54 | |
-Absolutely. It's not rocket science. -All right. It is for me. | 0:22:54 | 0:22:57 | |
You just get down and nip off the... | 0:22:57 | 0:23:01 | |
Oh, right, OK. | 0:23:01 | 0:23:04 | |
Sometimes, if you wanted to be pedantic, | 0:23:04 | 0:23:06 | |
you'd take something like that off because it's almost over. | 0:23:06 | 0:23:09 | |
And you see we've got a brand-new one underneath coming along. | 0:23:09 | 0:23:12 | |
I think I can manage that. | 0:23:12 | 0:23:13 | |
That's marvellous, then. | 0:23:13 | 0:23:15 | |
Well, you're one step closer to Wonderland, Kerensa. | 0:23:16 | 0:23:18 | |
And Waddesdon still has another treat in store | 0:23:20 | 0:23:23 | |
that takes raised bedding to the next level. | 0:23:23 | 0:23:26 | |
I've got something round the corner here that might surprise you. | 0:23:31 | 0:23:34 | |
Ooh, yeah. | 0:23:34 | 0:23:35 | |
Oh, my word. | 0:23:35 | 0:23:36 | |
Wow! | 0:23:38 | 0:23:39 | |
-That's amazing, Paul! Did you make that? -Pretty much. | 0:23:39 | 0:23:43 | |
It's based on a Victorian idea. | 0:23:43 | 0:23:44 | |
We found an image of a bird very similar on an old diascope | 0:23:44 | 0:23:49 | |
and we thought we would have a go at recreating it. | 0:23:49 | 0:23:52 | |
That's just magnificent. | 0:23:52 | 0:23:54 | |
-Has he got a name? -He's just a pheasant. | 0:23:54 | 0:23:57 | |
If you think about it as if it's a huge hanging basket, really. | 0:23:57 | 0:24:01 | |
There's a metal framework and a wire frame over that. | 0:24:01 | 0:24:04 | |
The compost is packed in between the wire framework and the metal frame | 0:24:04 | 0:24:07 | |
underneath. And then we plant into that compost through the mesh and | 0:24:07 | 0:24:11 | |
eventually the plants fill out and away it goes. | 0:24:11 | 0:24:14 | |
It's completely bonkers. | 0:24:14 | 0:24:16 | |
Isn't it? | 0:24:16 | 0:24:17 | |
My head feels like it's going to blow off my body. | 0:24:20 | 0:24:24 | |
I have seen so much, | 0:24:24 | 0:24:26 | |
I've heard so much that I just need to go and lie down | 0:24:26 | 0:24:29 | |
and let it all be absorbed. | 0:24:29 | 0:24:31 | |
And wake up tomorrow and I shall have a bit more of a clear plan | 0:24:31 | 0:24:35 | |
of what I'm going to do. | 0:24:35 | 0:24:36 | |
In the weeks after her inspiring visits to Waddesdon, | 0:24:39 | 0:24:42 | |
Kerensa has cracked on with her garden. | 0:24:42 | 0:24:46 | |
She's acquired a selection of plants and even laid a garden path. | 0:24:46 | 0:24:50 | |
Laying the path has been really, um...been hard work. | 0:24:50 | 0:24:53 | |
The first batch of concrete I made didn't work out properly | 0:24:53 | 0:24:56 | |
but I learned from that and the second batch we've got right | 0:24:56 | 0:25:00 | |
and we were able to lay the path. | 0:25:00 | 0:25:02 | |
Kerensa set out to create a chessboard patio, | 0:25:02 | 0:25:07 | |
a heart-shaped lawn and planting beds and a path | 0:25:07 | 0:25:11 | |
leading to a willow tunnel | 0:25:11 | 0:25:13 | |
along with all manner of Alice In Wonderland ornaments. | 0:25:13 | 0:25:17 | |
All on her modest budget of £500. | 0:25:17 | 0:25:19 | |
It's a good moment for Monty to come and give her a helping hand. | 0:25:21 | 0:25:24 | |
The problem I have with Kerensa is twofold. | 0:25:26 | 0:25:28 | |
One, I'm generally not sure what she wants. | 0:25:28 | 0:25:32 | |
It wants to be fantasy, | 0:25:32 | 0:25:33 | |
it wants to be wacky, but it's not really realised enough. | 0:25:33 | 0:25:36 | |
The other thing is plants don't enter into it. | 0:25:36 | 0:25:39 | |
There's nothing wrong in having your garden with no plants | 0:25:39 | 0:25:41 | |
but you've got to be clear about that. | 0:25:41 | 0:25:43 | |
In all honesty, I don't think I'm on top of the job at all. | 0:25:43 | 0:25:47 | |
We still have got a few weeks to go | 0:25:47 | 0:25:49 | |
and I'm really going to have to crack on with it. | 0:25:49 | 0:25:52 | |
-Hello, Kerensa. -Hello, Monty. | 0:25:52 | 0:25:53 | |
Hello. You've got a path in. | 0:25:53 | 0:25:55 | |
-Yes. -I can't wait to show you the path. | 0:25:55 | 0:25:57 | |
-It starts off perfect. -Right. | 0:25:59 | 0:26:01 | |
The further down the garden we get, it starts to break away into chaos. | 0:26:01 | 0:26:07 | |
Which is my favourite word, chaos. | 0:26:07 | 0:26:09 | |
You've been very generous with the cement. | 0:26:09 | 0:26:11 | |
When you get to the edges here, | 0:26:13 | 0:26:15 | |
-you won't be able to plant up to the edge of the path. -Right. | 0:26:15 | 0:26:18 | |
It seems that Monty's not as impressed as Kerensa had hoped | 0:26:19 | 0:26:23 | |
and he's struggling to get his head around her approach to gardening. | 0:26:23 | 0:26:26 | |
-Now, what I don't quite understand is, where the grass is now... -Yep. | 0:26:28 | 0:26:32 | |
..what surface is that? | 0:26:32 | 0:26:33 | |
Are these borders? | 0:26:33 | 0:26:35 | |
-I don't know! -You don't know. | 0:26:37 | 0:26:39 | |
The way that this garden has happened, | 0:26:41 | 0:26:44 | |
it's kind of been split-second decisions | 0:26:44 | 0:26:47 | |
but it seems to be working. | 0:26:47 | 0:26:49 | |
The way I'm operating this whole garden, it seems to be working. | 0:26:49 | 0:26:53 | |
Monty isn't convinced. | 0:26:53 | 0:26:55 | |
Time for a serious chat. | 0:26:55 | 0:26:57 | |
The truth is, Kerensa, | 0:26:57 | 0:26:59 | |
you are quite a chaotic person. | 0:26:59 | 0:27:01 | |
You've got that right. | 0:27:02 | 0:27:04 | |
And this has the makings of quite a chaotic garden. | 0:27:04 | 0:27:07 | |
There are two things we have to do. | 0:27:09 | 0:27:11 | |
One is steer you in such a way as it actually gets made, | 0:27:11 | 0:27:15 | |
because I could see in four months' time | 0:27:15 | 0:27:17 | |
it wouldn't look very different to this. | 0:27:17 | 0:27:20 | |
-OK. -Two... | 0:27:20 | 0:27:21 | |
..we should celebrate your chaos. | 0:27:23 | 0:27:24 | |
You wanted a fancy garden, you wanted Alice in Wonderland. | 0:27:24 | 0:27:27 | |
It should be wacky and it should be yours. | 0:27:27 | 0:27:30 | |
If we start with that mound, if I take up the turf, that's number one. | 0:27:31 | 0:27:36 | |
It's not going to be a rockery per se, because a rockery, | 0:27:36 | 0:27:40 | |
you need more stone and there's too much soil underneath it. | 0:27:40 | 0:27:44 | |
But we can have rocks in there and also it can be what you want. | 0:27:44 | 0:27:47 | |
It can be wacky, it can break every rule in the book, it doesn't matter. | 0:27:47 | 0:27:50 | |
That's what I'm good at, breaking all the rules. | 0:27:50 | 0:27:53 | |
Pep talk over, now on to the job. | 0:27:53 | 0:27:56 | |
Time to turn this mound of earth into a garden feature. | 0:27:56 | 0:28:00 | |
The next thing is to start thinking about stones and bringing them in. | 0:28:00 | 0:28:04 | |
If we get... Let's just take this one. | 0:28:04 | 0:28:06 | |
If we put that... | 0:28:09 | 0:28:10 | |
And you put another one across there. | 0:28:11 | 0:28:14 | |
Thank you, Monty. | 0:28:14 | 0:28:15 | |
Is that going to work or not? | 0:28:16 | 0:28:18 | |
Yes. | 0:28:18 | 0:28:19 | |
By placing the rocks together on the face of the mound, | 0:28:21 | 0:28:24 | |
Monty is creating pockets for planting. | 0:28:24 | 0:28:26 | |
You need to get more soil or compost, | 0:28:26 | 0:28:30 | |
pile it up in, so that we draw... | 0:28:30 | 0:28:32 | |
The rock looks like it's just been uncovered. | 0:28:32 | 0:28:35 | |
Rather than sitting on top of it. | 0:28:35 | 0:28:37 | |
-Yes. -And if you sowed a mixture of wild-flower seed, | 0:28:37 | 0:28:41 | |
because of all the rubble under there, | 0:28:41 | 0:28:43 | |
that would be quite poor soil and therefore the flowers would grow. | 0:28:43 | 0:28:46 | |
-OK? -Yes, absolutely, I love the sound of that. | 0:28:46 | 0:28:48 | |
-We're getting somewhere. -We are, finally. | 0:28:48 | 0:28:51 | |
Just needed you back at the helm of the ship. | 0:28:51 | 0:28:53 | |
Monty recommends Kerensa chooses wild flowers like poppies and | 0:28:53 | 0:28:56 | |
cornflowers, as they are an easy, low-maintenance way to add colour. | 0:28:56 | 0:29:00 | |
All she has to do is sow seeds between March and May in full sun | 0:29:01 | 0:29:05 | |
and they will flower throughout the summer. | 0:29:05 | 0:29:07 | |
In any partially shaded spot, | 0:29:07 | 0:29:10 | |
he suggests bluebells or red campion instead. | 0:29:10 | 0:29:12 | |
Kerensa has bought a selection of plants, | 0:29:15 | 0:29:18 | |
including ferns and campanulas that, as luck would have it, | 0:29:18 | 0:29:21 | |
are ideal for the new rock feature. | 0:29:21 | 0:29:22 | |
When you're planting on something like this, | 0:29:24 | 0:29:26 | |
you want to start with your biggest plants and work around them and | 0:29:26 | 0:29:29 | |
work out where they're going to be. | 0:29:29 | 0:29:31 | |
And don't plant anything until you're pretty comfortable | 0:29:31 | 0:29:33 | |
where you know it wants to be. | 0:29:33 | 0:29:35 | |
Your ferns we could put by the side here in a kind of screen. | 0:29:35 | 0:29:41 | |
This will get bigger. | 0:29:41 | 0:29:42 | |
So we could put one there and maybe another one there. | 0:29:42 | 0:29:45 | |
-OK. -I think the other really important plants | 0:29:45 | 0:29:47 | |
are these campanulas, | 0:29:47 | 0:29:49 | |
which are absolutely perfect, and they could go | 0:29:49 | 0:29:53 | |
in little pockets like this. | 0:29:53 | 0:29:54 | |
-Yes. -OK. | 0:29:54 | 0:29:57 | |
This is where your creativity comes in. | 0:29:57 | 0:30:00 | |
You could just arrange them so they look good. | 0:30:00 | 0:30:02 | |
This is my favourite bit so far. | 0:30:02 | 0:30:04 | |
Now I'm actually working with the plants and the flowers. | 0:30:04 | 0:30:06 | |
What you need to do is make a hole and stick it in. | 0:30:06 | 0:30:10 | |
And work out where I'm going to put my flowers. | 0:30:10 | 0:30:13 | |
And my little leeks in between the rockery. | 0:30:13 | 0:30:16 | |
An important feature of Kerensa's garden | 0:30:17 | 0:30:19 | |
is the patio-cum-chessboard near to the house. | 0:30:19 | 0:30:23 | |
Having already made a start, | 0:30:23 | 0:30:25 | |
she's hoping Monty can show her what to look out for when planting thyme | 0:30:25 | 0:30:28 | |
between the paving. | 0:30:28 | 0:30:30 | |
The first thing is it needs absolute full sunshine, it hates shade. | 0:30:30 | 0:30:35 | |
This is the perfect spot, then. | 0:30:35 | 0:30:37 | |
Good. The second thing it needs is very, very good drainage. | 0:30:37 | 0:30:41 | |
-OK. -And this, of course, is sand over hardcore, | 0:30:41 | 0:30:46 | |
so it should drain really well. | 0:30:46 | 0:30:49 | |
And Monty has created the perfect mix, | 0:30:49 | 0:30:51 | |
consisting of half subsoil and half sharp sand. | 0:30:51 | 0:30:55 | |
A lot of plants wouldn't grow at all well in that but thyme will. | 0:30:55 | 0:30:59 | |
We just make a bit of a hole in the middle. | 0:31:00 | 0:31:03 | |
-And just place it in. -And then with this... | 0:31:05 | 0:31:09 | |
..just grout round it so the roots have a little bit of goodness, | 0:31:11 | 0:31:16 | |
but only a little. | 0:31:16 | 0:31:18 | |
-And eventually this will expand and grow into the space. -Yes. | 0:31:18 | 0:31:24 | |
Thyme is ideal for filling gaps between pavers | 0:31:24 | 0:31:27 | |
because it doesn't mind being stepped on and it chokes out weeds. | 0:31:27 | 0:31:31 | |
Not to mention its fabulous smell. | 0:31:32 | 0:31:34 | |
'I feel better now than I did when I came this morning | 0:31:35 | 0:31:37 | |
'because, to be honest,' | 0:31:37 | 0:31:39 | |
I looked at this garden | 0:31:39 | 0:31:40 | |
and, although the path was in place and the patio | 0:31:40 | 0:31:44 | |
was going down, it was a bit chaotic. | 0:31:44 | 0:31:47 | |
Having Monty here, he is a very calming influence | 0:31:47 | 0:31:50 | |
and he has put into words what I had in my mind. | 0:31:50 | 0:31:54 | |
What matters is she is starting to see this garden | 0:31:54 | 0:31:57 | |
as a series of small projects | 0:31:57 | 0:31:59 | |
that can then come together to make the bigger garden, | 0:31:59 | 0:32:03 | |
and if she can keep that going over the next few months, she might - MIGHT - | 0:32:03 | 0:32:08 | |
arrive where she wants to be. | 0:32:08 | 0:32:10 | |
Over in Teddington, Jennifer's garden is a hive of activity. | 0:32:19 | 0:32:23 | |
She wants to create a large terrace for cooking and dining. | 0:32:24 | 0:32:28 | |
Along with a sunny area for relaxing, with a water feature | 0:32:28 | 0:32:32 | |
and a screened-off area around her office | 0:32:32 | 0:32:35 | |
at the back of the garden. | 0:32:35 | 0:32:37 | |
Things have been moving on apace. | 0:32:37 | 0:32:39 | |
We have actually scoured back the garden, | 0:32:39 | 0:32:43 | |
so it's almost ground zero and now we have got stuff coming in. | 0:32:43 | 0:32:49 | |
We haven't changed very much from his suggestions. | 0:32:49 | 0:32:52 | |
His suggestions were completely right. | 0:32:52 | 0:32:55 | |
Now the groundwork has been done, | 0:32:55 | 0:32:57 | |
Monty has come along to help with the planting. | 0:32:57 | 0:32:59 | |
When I left last time, it seemed to me | 0:32:59 | 0:33:01 | |
that the really important thing they had to deal with | 0:33:01 | 0:33:04 | |
was sorting out the different spaces within the garden | 0:33:04 | 0:33:07 | |
and how they were going to use it. | 0:33:07 | 0:33:09 | |
So I will have a look inside. | 0:33:09 | 0:33:11 | |
Big trees, big changes. | 0:33:19 | 0:33:20 | |
-You've been busy. -Yes, Jill has been very busy. | 0:33:21 | 0:33:25 | |
She has been busy clearing and digging. | 0:33:25 | 0:33:28 | |
I have been fiddling around the edges but mostly... | 0:33:28 | 0:33:32 | |
-Shopping. -Mostly shopping. | 0:33:32 | 0:33:35 | |
While I'm here today, is there anything I could do? | 0:33:35 | 0:33:38 | |
Because I'm not going to lay your stones for you. | 0:33:38 | 0:33:40 | |
But is there anything I could do now? | 0:33:40 | 0:33:43 | |
Yes, there are dozens of things I have on my list. | 0:33:43 | 0:33:46 | |
One day. | 0:33:46 | 0:33:47 | |
First on the list is potting a couple of lemon trees, | 0:33:48 | 0:33:51 | |
which require good drainage. | 0:33:51 | 0:33:53 | |
Monty starts by adding polystyrene chunks to the bottom of each pot. | 0:33:53 | 0:33:57 | |
This will also make them lighter and easier to move. | 0:33:59 | 0:34:02 | |
You start with your basic compost. | 0:34:03 | 0:34:04 | |
If you pass the bag, I'll do all-purpose peat-free compost. | 0:34:04 | 0:34:08 | |
To improve drainage, Monty adds an equal amount of sand to the compost. | 0:34:10 | 0:34:14 | |
A nice sandy mix. | 0:34:15 | 0:34:17 | |
The next one...you have brought some topsoil. | 0:34:20 | 0:34:23 | |
-Yes. -Let's have that. | 0:34:23 | 0:34:24 | |
I spend quite a lot of time in Italy | 0:34:25 | 0:34:28 | |
and all the people who grew citrus of any kind, | 0:34:28 | 0:34:31 | |
whether they were lemons, oranges, grapefruit, | 0:34:31 | 0:34:35 | |
they would never tell me their soil mix. | 0:34:35 | 0:34:37 | |
It was always a secret and they all have their own | 0:34:37 | 0:34:40 | |
but they all use loam like that. | 0:34:40 | 0:34:42 | |
Jill is keen to be Monty's assistant. | 0:34:42 | 0:34:44 | |
Jennifer prefers to watch. | 0:34:45 | 0:34:47 | |
Just lift it carefully. | 0:34:47 | 0:34:48 | |
That's about right, because we want to leave space at the bottom... | 0:34:51 | 0:34:54 | |
-Well, at the top. -Yes. | 0:34:54 | 0:34:56 | |
Because one of the things it's good to do, A, for watering - | 0:34:56 | 0:34:59 | |
you want to be able to get plenty of water on the top, | 0:34:59 | 0:35:02 | |
and, B, it's quite a good idea every spring to give it a mulch of compost. | 0:35:02 | 0:35:06 | |
Scrape away an inch or so of the topsoil, | 0:35:06 | 0:35:08 | |
remove it and top that back up with fresh garden compost. | 0:35:08 | 0:35:12 | |
We can just fill around it like this in the pot... | 0:35:12 | 0:35:16 | |
..which looks a bit odd... | 0:35:18 | 0:35:20 | |
but actually... | 0:35:20 | 0:35:21 | |
..has one or two advantages. | 0:35:23 | 0:35:24 | |
Now, if you grab one side, | 0:35:27 | 0:35:28 | |
we carefully lift it out as straight as possible, OK? | 0:35:28 | 0:35:32 | |
-The whole thing? -Yeah. Lift it gently up like that. | 0:35:32 | 0:35:35 | |
Keep going. That's it. | 0:35:35 | 0:35:37 | |
-Wow. -Now, if we take this out... | 0:35:37 | 0:35:40 | |
..like that, and just slip it in there. | 0:35:42 | 0:35:45 | |
-Beautiful. -Yeah. | 0:35:45 | 0:35:47 | |
The barrow to the pot? | 0:35:47 | 0:35:48 | |
-Yeah. -Rather than the pot to the barrow. | 0:35:48 | 0:35:50 | |
'Oh, it's brilliant, it feels like this is the beginning of doing the actual gardening.' | 0:35:50 | 0:35:55 | |
Incredible information. You know, you think it would be very simple - | 0:35:55 | 0:35:59 | |
you put a lemon tree in a terracotta pot, what is the big deal? | 0:35:59 | 0:36:03 | |
And those polystyrene bits in the bottom, I had no idea about that. | 0:36:03 | 0:36:06 | |
I thought they were completely functionally useless, | 0:36:06 | 0:36:08 | |
polystyrene had no purpose. | 0:36:08 | 0:36:11 | |
With the lemon trees potted, | 0:36:11 | 0:36:13 | |
it's time to move on to a vine | 0:36:13 | 0:36:15 | |
which Jennifer hopes to grow near to the house. | 0:36:15 | 0:36:18 | |
I can see there is a rose here that is right by the fence. | 0:36:18 | 0:36:21 | |
-Yes. -And basically, you want to get away as far as you can, | 0:36:21 | 0:36:26 | |
I would say about two or three foot, so the roots have room to move. | 0:36:26 | 0:36:30 | |
We have got the roots of the... | 0:36:31 | 0:36:33 | |
Hello. | 0:36:33 | 0:36:35 | |
A mixture of rubble and clay. | 0:36:36 | 0:36:40 | |
So it's going to get gruesome soon, I expect. | 0:36:40 | 0:36:43 | |
It's quite important to break that pan up, | 0:36:44 | 0:36:46 | |
because you've got a really solid pan of soil. | 0:36:46 | 0:36:49 | |
Vines like good drainage, that is important. | 0:36:49 | 0:36:52 | |
But it doesn't follow that they like poor soil | 0:36:53 | 0:36:56 | |
and it's important not to confuse the two. | 0:36:56 | 0:36:59 | |
So we need to break that up and maybe dig out a little bit, | 0:36:59 | 0:37:02 | |
and then put some compost in that will keep it light. | 0:37:02 | 0:37:06 | |
Vines are found all over the Mediterranean, | 0:37:07 | 0:37:10 | |
but Monty explains that they will grow happily in the UK | 0:37:10 | 0:37:12 | |
given the right conditions. | 0:37:12 | 0:37:14 | |
He recommends varieties like Pinot Noir and Chardonnay, | 0:37:14 | 0:37:18 | |
which need sheltered sunny spots with good drainage. | 0:37:18 | 0:37:21 | |
They will fruit, but need time to mature, | 0:37:23 | 0:37:25 | |
so Jennifer may need to wait a few years | 0:37:25 | 0:37:28 | |
before she can enjoy a good harvest. | 0:37:28 | 0:37:30 | |
If we've got the pot here, | 0:37:30 | 0:37:32 | |
you can see I've dug a hole that's much too deep. | 0:37:32 | 0:37:35 | |
I'm not going to plant it that deep. | 0:37:38 | 0:37:39 | |
To ensure there's good drainage, | 0:37:39 | 0:37:42 | |
I think some of your gravel in the bottom there, | 0:37:42 | 0:37:45 | |
mixed up with a little bit of manure, | 0:37:45 | 0:37:48 | |
would just give it a good start. | 0:37:48 | 0:37:50 | |
We'll add soil to that. | 0:37:50 | 0:37:52 | |
What it means is, if you have a very wet winter | 0:37:54 | 0:37:57 | |
or there's...you know, a puddle forms that runs off, | 0:37:57 | 0:38:00 | |
it's not going to be sitting in water, which is what you don't want. | 0:38:00 | 0:38:03 | |
Right. | 0:38:03 | 0:38:05 | |
Once the vine is planted, it gets a good watering-in. | 0:38:05 | 0:38:08 | |
Monty also suggests mulching the soil around the base | 0:38:08 | 0:38:11 | |
as well as adding a top layer of well-rotted manure | 0:38:11 | 0:38:13 | |
for some extra nutrients. | 0:38:13 | 0:38:15 | |
You should repeat that every spring and then that will help... | 0:38:17 | 0:38:20 | |
As it grows, that will help boost it, and that's the feed it needs. | 0:38:20 | 0:38:23 | |
Monty has just enough time to turn his attention to | 0:38:25 | 0:38:28 | |
Jennifer's mature but newly acquired olive tree. | 0:38:28 | 0:38:31 | |
It was damaged on its journey here and needs some expert TLC. | 0:38:32 | 0:38:36 | |
To be honest, | 0:38:38 | 0:38:39 | |
I'm quite daunted by this, because... | 0:38:39 | 0:38:42 | |
Wow, imagine how we feel. | 0:38:42 | 0:38:44 | |
Yeah, in the sense that... | 0:38:44 | 0:38:46 | |
of right now being able to go bang, bang, bang, bang, bang, voila. | 0:38:46 | 0:38:51 | |
Hey presto, there is a beautiful olive. | 0:38:51 | 0:38:53 | |
I think it's going to take several years for that to happen. | 0:38:53 | 0:38:57 | |
That's off there. | 0:38:59 | 0:39:01 | |
That's pretty damaged there, isn't it? | 0:39:01 | 0:39:04 | |
It's terribly hard wood. | 0:39:06 | 0:39:08 | |
-Is it? -Much harder than the citrus. | 0:39:08 | 0:39:11 | |
Olives grow very slowly, so do not require much pruning. | 0:39:11 | 0:39:15 | |
However, Monty recommends removing dead, | 0:39:16 | 0:39:18 | |
diseased or dying branches in late spring or early summer. | 0:39:18 | 0:39:22 | |
Be aware that excessive pruning prevents fruiting, | 0:39:23 | 0:39:26 | |
as olives grow on the tips of the previous year's growth. | 0:39:26 | 0:39:29 | |
Is that starting to take? | 0:39:31 | 0:39:32 | |
Yes, it's already looking better. | 0:39:32 | 0:39:34 | |
-Tell me to stop. -Stop! | 0:39:36 | 0:39:37 | |
OK. | 0:39:37 | 0:39:38 | |
I would not in a million years have done that. | 0:39:40 | 0:39:44 | |
When you finally decide where you want to put it, | 0:39:44 | 0:39:47 | |
plant it in a mix very similar to the citrus and the vine. | 0:39:47 | 0:39:50 | |
Lots of drainage. | 0:39:50 | 0:39:52 | |
Done a great deal today. | 0:39:53 | 0:39:54 | |
Monty has done most of it. | 0:39:54 | 0:39:56 | |
It feels like he's invested in this garden, doesn't it? | 0:39:56 | 0:39:59 | |
-Yes, yes. -Emotionally. | 0:39:59 | 0:40:00 | |
I feel he will be back. | 0:40:00 | 0:40:02 | |
Jen has got lovely things. | 0:40:02 | 0:40:04 | |
You know, the citrus, the various olives, the paving. | 0:40:04 | 0:40:10 | |
It's beautiful, I can't wait to see it done. | 0:40:10 | 0:40:12 | |
But it doesn't matter what components you have of your garden, | 0:40:12 | 0:40:15 | |
it's putting them together that counts. | 0:40:15 | 0:40:18 | |
As summer marches on, Kerensa's garden in Billericay is developing. | 0:40:23 | 0:40:27 | |
The chessboard-style patio has been fully laid out and planted up | 0:40:28 | 0:40:31 | |
with thyme, following Monty's advice. | 0:40:31 | 0:40:34 | |
Can you manage that? | 0:40:34 | 0:40:36 | |
-Yep. -OK. | 0:40:36 | 0:40:37 | |
Kerensa and Chris are bringing in a variety of plants | 0:40:39 | 0:40:42 | |
but, due to a lack of knowledge and poor after-care, | 0:40:42 | 0:40:45 | |
many are dying before they're even planted. | 0:40:45 | 0:40:48 | |
Haven't listened to Monty at all. | 0:40:50 | 0:40:51 | |
But, you know, when my friends see this, they'll say, "Well, | 0:40:51 | 0:40:54 | |
"that's her all over. She never listens to anybody." | 0:40:54 | 0:40:56 | |
Can those leaves be resurrected? | 0:40:56 | 0:40:58 | |
They probably won't come back. | 0:40:58 | 0:41:01 | |
Yeah, my philosophy is the best plan is no plan. | 0:41:01 | 0:41:04 | |
It seems that Kerensa's controlled chaos is turning into catastrophe. | 0:41:05 | 0:41:09 | |
Hello, Pam. | 0:41:11 | 0:41:12 | |
Luckily, she's found a local gardener | 0:41:12 | 0:41:14 | |
who has some free plants to donate. | 0:41:14 | 0:41:16 | |
To the car. | 0:41:17 | 0:41:19 | |
Not bad for a freebie. | 0:41:19 | 0:41:20 | |
Let's see. They look all right, don't they? | 0:41:25 | 0:41:27 | |
-In we go, Chris. What do you think? -No, not a bad selection. | 0:41:27 | 0:41:30 | |
In all honesty, I can't wait to get... | 0:41:30 | 0:41:32 | |
I can't wait for this all to be done | 0:41:32 | 0:41:33 | |
and then I can start with my creative flair, you know? | 0:41:33 | 0:41:36 | |
It seems since we've started it's been... | 0:41:36 | 0:41:39 | |
-Too much like hard work. -It has been a lot like hard work. | 0:41:39 | 0:41:42 | |
Keeping plants alive is one concern, | 0:41:42 | 0:41:45 | |
but Kerensa also has a problem with her chessboard patio. | 0:41:45 | 0:41:48 | |
We put this down last week. | 0:41:49 | 0:41:51 | |
It's temporarily, just to see how it looks, | 0:41:51 | 0:41:53 | |
and I've lived with it for a week, | 0:41:53 | 0:41:55 | |
and to be quite frank, it's a hazard. | 0:41:55 | 0:41:57 | |
You know, when I put the chair on I fell off the chair, | 0:41:57 | 0:42:00 | |
so I realise it's not going to be practical | 0:42:00 | 0:42:02 | |
for a dog and a four-year-old. | 0:42:02 | 0:42:04 | |
And with her August deadline approaching, | 0:42:07 | 0:42:10 | |
things have taken a difficult turn for Kerensa. | 0:42:10 | 0:42:12 | |
So can you come round later and give us a hand? | 0:42:14 | 0:42:16 | |
Not all day, definitely not even later on this afternoon. | 0:42:16 | 0:42:19 | |
That's Dawn. Let me try Kirsty. | 0:42:20 | 0:42:22 | |
After dealing with Kerensa's U-turn on the chessboard patio, | 0:42:24 | 0:42:28 | |
Chris has had to pull out of the project altogether. | 0:42:28 | 0:42:31 | |
The truth is I feel quite disappointed | 0:42:33 | 0:42:35 | |
that Chris hasn't been able to see the project through to the end. | 0:42:35 | 0:42:38 | |
I mean, we're nearly there. | 0:42:38 | 0:42:40 | |
I think there's just a couple more weeks left of work. | 0:42:40 | 0:42:42 | |
If I can call on a couple of buddies, | 0:42:42 | 0:42:44 | |
I reckon we'll be able to get it done. | 0:42:44 | 0:42:46 | |
With the clock ticking, | 0:42:46 | 0:42:48 | |
Kerensa will have to go solo to be ready for Monty's final visit | 0:42:48 | 0:42:52 | |
and Delphi's birthday. | 0:42:52 | 0:42:53 | |
Let's get your wellies... | 0:42:53 | 0:42:56 | |
and we'll get some soil. | 0:42:56 | 0:42:58 | |
It has been a struggle and I did lose a few plants, | 0:42:58 | 0:43:02 | |
but I think I didn't realise | 0:43:02 | 0:43:03 | |
that I probably should have watered them a lot more than I was. | 0:43:03 | 0:43:06 | |
But now I've realised that, I'm watering them every single day now. | 0:43:06 | 0:43:10 | |
Just a little bit on the sunflower. | 0:43:10 | 0:43:12 | |
A bit chaotic, but Kerensa carries on. | 0:43:12 | 0:43:16 | |
Drawing on her experience from Waddesdon Manor, | 0:43:16 | 0:43:18 | |
she has begun work on a heart-shaped bed of begonias. | 0:43:18 | 0:43:21 | |
Then, following head gardener Paul's advice, | 0:43:23 | 0:43:25 | |
she marks out a heart-shaped lawn in sand. | 0:43:25 | 0:43:27 | |
This needs to be absolutely pristine, | 0:43:30 | 0:43:32 | |
otherwise I won't be happy when I'm sitting there. | 0:43:32 | 0:43:34 | |
And also, this has been a long time coming, this part. | 0:43:34 | 0:43:38 | |
I've really looked forward to this so that, you know, | 0:43:38 | 0:43:40 | |
we can sit on the grass. | 0:43:40 | 0:43:42 | |
Because for such a long time we've been living on a building site, it feels like. | 0:43:42 | 0:43:46 | |
Having come to terms with going it alone, Kerensa knuckles down. | 0:43:46 | 0:43:50 | |
I'm hoping when the grass grows a little bit | 0:43:50 | 0:43:53 | |
these lines will disappear. | 0:43:53 | 0:43:55 | |
As her lawn takes shape, the question remains - | 0:43:55 | 0:43:57 | |
will it all be enough to hit her deadline and impress Monty? | 0:43:57 | 0:44:01 | |
I keep thinking there's a lot left to do. | 0:44:01 | 0:44:04 | |
But then when I look, I'm trying... I'm saying, "OK, well, | 0:44:04 | 0:44:07 | |
"it's small jobs," | 0:44:07 | 0:44:08 | |
so I'm hoping we can get it done for the party in August. | 0:44:08 | 0:44:12 | |
Yeah, we'll get it done. | 0:44:12 | 0:44:13 | |
Meanwhile in Teddington, | 0:44:18 | 0:44:20 | |
Jennifer's Italian-inspired garden is shaping up. | 0:44:20 | 0:44:23 | |
She has dipped into her budget and hired some help | 0:44:24 | 0:44:27 | |
to lay her Yorkstone patio while she puts Monty's advice into action. | 0:44:27 | 0:44:32 | |
I'm going to put in the Monty mix | 0:44:32 | 0:44:36 | |
for the...big old olive tree. | 0:44:36 | 0:44:41 | |
Lovely, thank you. | 0:44:42 | 0:44:43 | |
I'm sure Monty will thoroughly approve. | 0:44:43 | 0:44:46 | |
Solid, stone, tons of drainage. | 0:44:46 | 0:44:50 | |
With the planter prepared, | 0:44:51 | 0:44:53 | |
it's time to transfer the huge olive tree into its new home. | 0:44:53 | 0:44:56 | |
And Jennifer's good at giving the orders. | 0:44:58 | 0:45:00 | |
Stop now. | 0:45:00 | 0:45:01 | |
This way, this way. | 0:45:01 | 0:45:04 | |
Yes. Bit more. | 0:45:06 | 0:45:08 | |
Keep going. Stop, stop, stop. | 0:45:08 | 0:45:09 | |
It's got to be just right. | 0:45:10 | 0:45:13 | |
That is better. | 0:45:13 | 0:45:15 | |
I want to lift it and get some soil and grit under, | 0:45:15 | 0:45:18 | |
then push it the other way. | 0:45:18 | 0:45:19 | |
Keep lifting, lads. We'll get there in the end. | 0:45:20 | 0:45:22 | |
OK. Is this in its perfect position? | 0:45:24 | 0:45:26 | |
This is where it's going to be. | 0:45:26 | 0:45:28 | |
All sorted. | 0:45:28 | 0:45:29 | |
And that's nice. I like this little gnarled piece here. | 0:45:30 | 0:45:33 | |
That's nice and visible. | 0:45:33 | 0:45:35 | |
Over the next few weeks, the garden fills up with plants | 0:45:40 | 0:45:44 | |
waiting to be placed around Jennifer's new patio. | 0:45:44 | 0:45:47 | |
When Monty suggested getting rid of all the grass, | 0:45:48 | 0:45:50 | |
extend the whole terrace | 0:45:50 | 0:45:52 | |
to make it much more like an Italian courtyard garden, | 0:45:52 | 0:45:55 | |
-actually, it was the right thing to do. -It looks beautiful. | 0:45:55 | 0:45:58 | |
And it makes the garden look so much bigger. | 0:45:58 | 0:46:01 | |
Exactly as we did for the citrus. | 0:46:01 | 0:46:03 | |
Sister number three, Deborah, has arrived from the States | 0:46:04 | 0:46:07 | |
to help Jennifer and Jill create this garden as a tribute to their parents. | 0:46:07 | 0:46:11 | |
Shall we try rotating it? | 0:46:13 | 0:46:14 | |
Yes. | 0:46:14 | 0:46:15 | |
Just tell me what to do and I'll do it. | 0:46:16 | 0:46:19 | |
And they're filling the space with relics from their old family home. | 0:46:21 | 0:46:24 | |
Our mum died at the beginning of the year. | 0:46:25 | 0:46:27 | |
This is the first time I've been over since then. | 0:46:27 | 0:46:31 | |
And... | 0:46:31 | 0:46:32 | |
I see so much of my mum in this garden and my dad in this garden. | 0:46:32 | 0:46:38 | |
It's lovely for the first time to come back, | 0:46:38 | 0:46:42 | |
you know, without parents, but to have them here together | 0:46:42 | 0:46:45 | |
and us all working together has just been sweet. | 0:46:45 | 0:46:48 | |
Many hands make light work, | 0:46:52 | 0:46:55 | |
as the sisters fill up the garden with oleanders, | 0:46:55 | 0:46:58 | |
box balls, and verbena. | 0:46:58 | 0:47:01 | |
We're on a slightly tight timeline, aren't we? | 0:47:03 | 0:47:06 | |
Very, very tight timeline. | 0:47:06 | 0:47:08 | |
-Two weeks. -Completely confident it will all come together at the end. | 0:47:08 | 0:47:12 | |
It's August, and in Billericay it's time for a tea party. | 0:47:15 | 0:47:20 | |
But with Monty on his way, the great British summer is a wash-out. | 0:47:20 | 0:47:23 | |
Last-minute priorities would be to get a giant hairdryer | 0:47:24 | 0:47:26 | |
and dry the garden. | 0:47:26 | 0:47:28 | |
There's a couple of things I need to put on the wall, | 0:47:28 | 0:47:31 | |
need to get a tea party ready. | 0:47:31 | 0:47:33 | |
But it's a bit difficult, if everything's going to get wet. | 0:47:33 | 0:47:35 | |
The paper plates aren't really going to work, are they? | 0:47:35 | 0:47:38 | |
I hope when Monty sees it his eyes pop out of his head. | 0:47:38 | 0:47:42 | |
Because I tried to explain to him on several occasions my dream, my vision. | 0:47:42 | 0:47:47 | |
It was very difficult when I'm trying to verbally explain it. | 0:47:47 | 0:47:51 | |
I wasn't following the plans that I'd written down, | 0:47:51 | 0:47:54 | |
and it was hard for him to envisage what I was talking about. | 0:47:54 | 0:47:57 | |
Madam, put your towel on. | 0:47:57 | 0:47:59 | |
I hope when he comes here today | 0:47:59 | 0:48:01 | |
he realises that even though half the time he thought I was talking | 0:48:01 | 0:48:04 | |
nonsense, there was actually a method behind my madness. | 0:48:04 | 0:48:07 | |
This is the garden, of all of them, that I least know what to expect. | 0:48:07 | 0:48:13 | |
What was apparent from my last visit | 0:48:13 | 0:48:15 | |
was that if Kerensa was to achieve anything like her dream, | 0:48:15 | 0:48:19 | |
she needed to focus. | 0:48:19 | 0:48:21 | |
And without that focus, | 0:48:22 | 0:48:25 | |
I do fear that her fantasy garden | 0:48:25 | 0:48:28 | |
will remain just that. A fantasy. | 0:48:28 | 0:48:31 | |
Five months ago, Kerensa's garden was messy and unkempt. | 0:48:32 | 0:48:37 | |
And very far from being Wonderland. | 0:48:37 | 0:48:39 | |
Now she's transformed it into a fairy-tale space, | 0:48:44 | 0:48:48 | |
complete with a heart-shaped lawn and flowerbed... | 0:48:48 | 0:48:50 | |
..a meandering path that leads to a secret garden... | 0:48:52 | 0:48:55 | |
and all manner of quirky touches, | 0:48:55 | 0:48:58 | |
inspired by Lewis Carroll's classic book Alice In Wonderland. | 0:48:58 | 0:49:02 | |
-Kerensa, hello. -Hello, Monty. | 0:49:11 | 0:49:13 | |
-How are you? -Very well. -Nice to see you again. | 0:49:13 | 0:49:15 | |
And very nice indeed to see your garden. | 0:49:15 | 0:49:18 | |
Real. Here. | 0:49:18 | 0:49:21 | |
I'm so happy that you are impressed. | 0:49:21 | 0:49:23 | |
I am impressed and I'm delighted, | 0:49:23 | 0:49:25 | |
because my one worry was that you would have it all in your head | 0:49:25 | 0:49:29 | |
and it would never end up all in the garden. | 0:49:29 | 0:49:32 | |
And it has. At least, a lot of it has. | 0:49:32 | 0:49:34 | |
I love the heart-shaped lawn. | 0:49:34 | 0:49:36 | |
-I love it. -That's brilliant. | 0:49:36 | 0:49:38 | |
Now, talk me through what you've done since I last came. | 0:49:38 | 0:49:41 | |
In fact, this terrace was starting. | 0:49:41 | 0:49:42 | |
You were going to have thyme, weren't you? | 0:49:42 | 0:49:44 | |
-What happened with that? -Unfortunately, it wasn't practical. | 0:49:44 | 0:49:47 | |
So I had to pull it all up and do it again. | 0:49:47 | 0:49:50 | |
I did keep a bit of the creeping thyme but just in the four corners. | 0:49:50 | 0:49:54 | |
This is perfect for us now. | 0:49:54 | 0:49:56 | |
She can ride her scooter up and down and... | 0:49:56 | 0:49:58 | |
Good. Is that, I can't quite see, a heart-shaped raised bed behind it? | 0:49:58 | 0:50:02 | |
-Is that right? -Yes, begonias. | 0:50:02 | 0:50:04 | |
Has it worked out as you thought? | 0:50:04 | 0:50:05 | |
Because it's not exactly as you planned, is it? | 0:50:05 | 0:50:07 | |
This is so far removed from the original plan, | 0:50:07 | 0:50:10 | |
but this is exactly how I would have wanted it on the budget I had. | 0:50:10 | 0:50:13 | |
Remind me what your budget was. | 0:50:13 | 0:50:15 | |
£500. | 0:50:15 | 0:50:16 | |
-How much have you spent? -565. | 0:50:16 | 0:50:18 | |
-Right. So, that's all right, isn't it? -It's all right. It's fine. | 0:50:18 | 0:50:21 | |
I've got enough for, you know, a pot of tea and a cupcake. | 0:50:21 | 0:50:24 | |
One of the things that worried me was that the garden would get lost, | 0:50:24 | 0:50:27 | |
and I know that gardens have to be planned and structured, | 0:50:27 | 0:50:32 | |
and what surprises me most is that it's happened at all. | 0:50:32 | 0:50:36 | |
You've got it done. You did it. | 0:50:36 | 0:50:37 | |
You said you were going to do it. | 0:50:37 | 0:50:39 | |
You said you were going to do it by a certain time, and you have. | 0:50:39 | 0:50:42 | |
And I think that's fantastic. | 0:50:42 | 0:50:44 | |
Thank you. | 0:50:44 | 0:50:46 | |
Well, Wonderland wouldn't be Wonderland | 0:50:46 | 0:50:48 | |
without a Mad Hatter's tea party. | 0:50:48 | 0:50:49 | |
-Here you go. -That's falling down. | 0:50:53 | 0:50:55 | |
-Well done. -Thank you, Lawrence. | 0:50:57 | 0:50:59 | |
Well, I think I'd just like to acknowledge the fact that I think this is glorious | 0:50:59 | 0:51:04 | |
-and you should be proud of that fact. -I am. | 0:51:04 | 0:51:06 | |
-And what's particularly glorious is I know it's been tricky. -Hard work. | 0:51:06 | 0:51:10 | |
You've done it. You've achieved it. | 0:51:10 | 0:51:13 | |
So, I think, fantastic. | 0:51:13 | 0:51:15 | |
Well done. | 0:51:15 | 0:51:16 | |
Nothing could be nicer than a silly cake, which is good. | 0:51:16 | 0:51:20 | |
So, bless you. Well done. | 0:51:20 | 0:51:21 | |
Thank you, Monty. | 0:51:21 | 0:51:23 | |
I would clap you, but it would cause a mess. | 0:51:23 | 0:51:25 | |
It's... | 0:51:25 | 0:51:26 | |
It's taken its time. | 0:51:30 | 0:51:32 | |
Standing back and looking at it now, it looks good. | 0:51:32 | 0:51:35 | |
It's a garden, it's an evolution, and it's going to get better. | 0:51:35 | 0:51:37 | |
There was a couple of times when I thought I just wanted to give up. | 0:51:37 | 0:51:41 | |
Painful, laborious, people were letting me down... | 0:51:41 | 0:51:45 | |
..but, do you know what? I kept going. | 0:51:46 | 0:51:48 | |
It's completely transformed. | 0:51:48 | 0:51:50 | |
And it looks great. | 0:51:50 | 0:51:51 | |
-Well done. -Thanks for everything. -That's a pleasure. | 0:51:51 | 0:51:54 | |
'There's still lots to do in that garden. It's not finished. | 0:51:54 | 0:51:58 | |
'It's all part of a process | 0:51:58 | 0:52:00 | |
'that might take years to come to fruition.' | 0:52:00 | 0:52:04 | |
That doesn't matter. | 0:52:04 | 0:52:05 | |
What Kerensa has achieved with very limited resources, | 0:52:06 | 0:52:09 | |
and, when she started, almost no knowledge at all, | 0:52:09 | 0:52:12 | |
not only of gardens, or plants, or how to go about it, I think, | 0:52:12 | 0:52:17 | |
is incredible. | 0:52:17 | 0:52:18 | |
I hoped Monty would be as pleased with my creation as I was. | 0:52:18 | 0:52:24 | |
When I saw his face, he genuinely looked like he was... | 0:52:24 | 0:52:28 | |
He just couldn't believe it. | 0:52:28 | 0:52:29 | |
I think the fact that he thought that I wouldn't achieve this, | 0:52:29 | 0:52:32 | |
and I got that feeling from him, I wanted to prove him wrong. | 0:52:32 | 0:52:35 | |
I wanted to show Monty this is what I can do, and I have done it. | 0:52:35 | 0:52:39 | |
In Teddington, the sun is shining | 0:52:53 | 0:52:55 | |
and there's a party going on alfresco. | 0:52:55 | 0:52:58 | |
Well, we've worked very hard... | 0:53:00 | 0:53:02 | |
on this garden. So I really, really hope he likes it, of course, | 0:53:02 | 0:53:07 | |
but also it exceeds his expectations. | 0:53:07 | 0:53:10 | |
I hope that he thinks that we've used his ideas effectively. | 0:53:12 | 0:53:18 | |
Monty is on his way to find out if Jennifer and Jill | 0:53:18 | 0:53:20 | |
have managed to make an Italian dream a reality. | 0:53:20 | 0:53:24 | |
There is no question that Jen and Jill | 0:53:25 | 0:53:28 | |
set themselves a very ambitious task. | 0:53:28 | 0:53:31 | |
A lot to do in really quite a short time. | 0:53:31 | 0:53:34 | |
They're very competent and I'm sure they will have done most of it. | 0:53:34 | 0:53:37 | |
But the crucial thing is, | 0:53:37 | 0:53:39 | |
have they transferred the work and the efficiency | 0:53:39 | 0:53:43 | |
and the knowledge into making a personal garden, | 0:53:43 | 0:53:46 | |
a space that has meaning for them | 0:53:46 | 0:53:48 | |
and which will grow and become more established as time passes by? | 0:53:48 | 0:53:52 | |
When Monty arrived five months ago, | 0:53:55 | 0:53:58 | |
Jennifer's garden was an unused muddy strip | 0:53:58 | 0:54:00 | |
with her office at the bottom. | 0:54:00 | 0:54:02 | |
Now it has all the feeling of being in the Mediterranean. | 0:54:04 | 0:54:08 | |
From the patio, complete with a beautiful area for entertaining, | 0:54:08 | 0:54:13 | |
to a dedicated space for cooking, | 0:54:13 | 0:54:15 | |
surrounded by stunning planting including an ancient olive tree, | 0:54:15 | 0:54:20 | |
lemon trees and a healthy-looking vine. | 0:54:20 | 0:54:24 | |
There's even the soothing sound of trickling water, | 0:54:24 | 0:54:28 | |
as a final touch for this new dream garden. | 0:54:28 | 0:54:30 | |
-CHATTER AND LAUGHTER -Hoo! | 0:54:35 | 0:54:38 | |
-Hello. -Hi, Monty! | 0:54:40 | 0:54:41 | |
-Hello. I'm sorry I'm late. -Hello! -But... | 0:54:43 | 0:54:46 | |
-Well, we're delighted to see you. -Boy! | 0:54:46 | 0:54:48 | |
I'm almost speechless, | 0:54:48 | 0:54:49 | |
and that doesn't happen very often, I can tell you. | 0:54:49 | 0:54:52 | |
It's looking extraordinary. | 0:54:52 | 0:54:54 | |
Good. Well, we'd like to offer you a drink, first of all. | 0:54:54 | 0:54:56 | |
I'd love one. Thank you very much. | 0:54:56 | 0:54:58 | |
This is just how Jennifer wanted to use the garden. | 0:55:00 | 0:55:03 | |
OK. Thanks, everyone, for coming | 0:55:12 | 0:55:14 | |
and this is to Jilly and Monty for making it happen. | 0:55:14 | 0:55:17 | |
Let's begin where I left off. | 0:55:27 | 0:55:29 | |
We pruned the olive, and it looks great. | 0:55:29 | 0:55:34 | |
And it's recovered from its traumas of being moved. | 0:55:34 | 0:55:36 | |
-So have I! -But the water feature, | 0:55:36 | 0:55:40 | |
that wasn't there. We vaguely talked about it. | 0:55:40 | 0:55:43 | |
I wanted a trough and I wanted it to be elevated and I wanted to have | 0:55:43 | 0:55:47 | |
a little bubbling thing and I wanted to pour water | 0:55:47 | 0:55:50 | |
but I never expected it, actually, to come together quite so easily. | 0:55:50 | 0:55:55 | |
And is that wood it's sitting on? | 0:55:55 | 0:55:57 | |
-Because... -Yes. The wood it came from is a broken-down table. | 0:55:57 | 0:55:59 | |
Everything we've used in this garden has been inherited from our dad, | 0:55:59 | 0:56:03 | |
who just collected wood and many other things, | 0:56:03 | 0:56:06 | |
and the algae has grown so quickly. | 0:56:06 | 0:56:08 | |
Well, I was going to say, I love the green of the algae. | 0:56:08 | 0:56:11 | |
It just looks established, doesn't it? | 0:56:11 | 0:56:13 | |
-Yes. -One has to say that I have never visited a garden, ever, | 0:56:13 | 0:56:19 | |
which has been done and completed in a matter of months | 0:56:19 | 0:56:23 | |
that is so finished. | 0:56:23 | 0:56:25 | |
It is extraordinary. | 0:56:25 | 0:56:27 | |
The planting is very complete. | 0:56:27 | 0:56:29 | |
There's an element of show garden about it. | 0:56:29 | 0:56:31 | |
This would win a gold medal. | 0:56:31 | 0:56:34 | |
In lots and lots of flower shows. | 0:56:34 | 0:56:36 | |
That's what we've been waiting for! | 0:56:36 | 0:56:39 | |
This is a gold-medal garden. | 0:56:39 | 0:56:42 | |
Well, that's really saying something coming from Monty. | 0:56:42 | 0:56:45 | |
But it has come with a hefty price tag. | 0:56:45 | 0:56:48 | |
Jennifer has ended up exceeding her budget of 5,000-7,000, | 0:56:48 | 0:56:53 | |
having spent almost £10,000. | 0:56:53 | 0:56:56 | |
But it's all worth it. | 0:56:56 | 0:56:59 | |
The more I look at this garden and the more I talk to you two, | 0:56:59 | 0:57:02 | |
what really touches me is the fact that it has meaning. | 0:57:02 | 0:57:06 | |
It's about your life. It's about your father, it's about your mother, | 0:57:06 | 0:57:09 | |
it's about your home, it's about your sisters. | 0:57:09 | 0:57:11 | |
And that's what makes gardens come alive. | 0:57:11 | 0:57:13 | |
Definitely. And that's evolved as we've been doing it more and more. | 0:57:13 | 0:57:17 | |
You know, lots of people inherit different things. | 0:57:17 | 0:57:20 | |
We inherited buckets, and watering cans, and secateurs, and weathervanes, | 0:57:20 | 0:57:25 | |
and a lot of old wood, which I'm so happy to have actually made use of. | 0:57:25 | 0:57:32 | |
It's been quite hard work. | 0:57:32 | 0:57:34 | |
I mean, it's not so much hard work because it's not a... | 0:57:34 | 0:57:37 | |
it doesn't feel like work. | 0:57:37 | 0:57:39 | |
-It's been very time-consuming. -Time-consuming, absolutely. | 0:57:39 | 0:57:42 | |
-But... -It's so rewarding. | 0:57:42 | 0:57:44 | |
Immensely rewarding. | 0:57:44 | 0:57:46 | |
And I would absolutely recommend it to anyone, because you're creating | 0:57:46 | 0:57:49 | |
something that is very, very long-term. | 0:57:49 | 0:57:52 | |
-Something for the future. -Yes. | 0:57:52 | 0:57:54 | |
Jill and Jenny have made an amazingly assured garden. | 0:57:56 | 0:58:00 | |
They've done it in double-quick time. | 0:58:01 | 0:58:04 | |
The results would undoubtedly win a gold medal at most flower shows. | 0:58:04 | 0:58:08 | |
It's a lovely space, good for entertaining and relaxing and gardening in. | 0:58:08 | 0:58:13 | |
But it's not that that I like most about it. | 0:58:13 | 0:58:16 | |
What I really like is that it is a celebration of sisterhood, | 0:58:16 | 0:58:22 | |
that they've made something out of their past, their present | 0:58:22 | 0:58:27 | |
and their future. | 0:58:27 | 0:58:28 |