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Over the years, Britain's Empty Homes has been on a mission | 0:00:02 | 0:00:05 | |
to show what can be done to revitalise and transform | 0:00:05 | 0:00:08 | |
some of UK's estimated 1 million empty properties. | 0:00:08 | 0:00:12 | |
Nice to see you again, David. Hannah, how are you? | 0:00:12 | 0:00:15 | |
In this series, I'll catch up with some people who took the plunge | 0:00:15 | 0:00:19 | |
and staked everything on turning unloved houses | 0:00:19 | 0:00:22 | |
into bespoke family homes. | 0:00:22 | 0:00:23 | |
Today we'll be catching up with a couple from an earlier series | 0:00:28 | 0:00:31 | |
who snapped up a bargain - | 0:00:31 | 0:00:32 | |
a derelict church which they hoped to turn into a family home. | 0:00:32 | 0:00:35 | |
Goodness. This is beyond belief. | 0:00:38 | 0:00:40 | |
We'll also be following the Empty Property Officers | 0:00:40 | 0:00:43 | |
who track down the owners of forgotten houses | 0:00:43 | 0:00:45 | |
and help breathe new life back into communities blighted by them. | 0:00:45 | 0:00:49 | |
-There you go. -Wow. This is just lovely. | 0:00:49 | 0:00:52 | |
And last year, we learned about deserted homes | 0:00:52 | 0:00:54 | |
at a decommissioned RAF base. | 0:00:54 | 0:00:56 | |
Today, we go back to hear about the exciting regeneration plans. | 0:00:56 | 0:01:00 | |
A year ago, I met Christina and Karl Yau, | 0:01:02 | 0:01:04 | |
who bought a disused church in the commuter village of Hartley Witney. | 0:01:04 | 0:01:07 | |
Now, of course, buying a disused church and turning it into a home | 0:01:07 | 0:01:10 | |
is no mean feat, but Christina and Karl were full of passion | 0:01:10 | 0:01:14 | |
for the project and couldn't wait to get started. | 0:01:14 | 0:01:16 | |
Karl and Christina had spent years looking for a family home | 0:01:20 | 0:01:24 | |
in the picturesque village of Hartley Wintney in Hampshire. | 0:01:24 | 0:01:28 | |
We've been looking for a plot of land or a project | 0:01:28 | 0:01:31 | |
for quite a long time. | 0:01:31 | 0:01:32 | |
We've viewed a couple of different properties in the area | 0:01:32 | 0:01:36 | |
and we just absolutely fell in love with this. | 0:01:36 | 0:01:38 | |
Everything seemed to point towards it being a dream house in the village where I grew up | 0:01:38 | 0:01:43 | |
so we just decided to go for it. | 0:01:43 | 0:01:45 | |
Karl and Christina planned to transform this dilapidated church | 0:01:45 | 0:01:49 | |
into a two-bedroom home | 0:01:49 | 0:01:51 | |
with a living room, study and a second floor. | 0:01:51 | 0:01:54 | |
I really love the idea of starting with a blank canvas, | 0:01:54 | 0:01:56 | |
put walls were you want to have walls, | 0:01:56 | 0:01:59 | |
and just make rooms what you want them to be, rather than actually have to work around. | 0:01:59 | 0:02:03 | |
The church had everything they were after, | 0:02:06 | 0:02:09 | |
apart from one crucial element - | 0:02:09 | 0:02:11 | |
there was no planning permission. | 0:02:11 | 0:02:13 | |
We were told when we first found the church that we'd never get | 0:02:13 | 0:02:17 | |
residential planning permission for it, | 0:02:17 | 0:02:19 | |
it was going to be commercial viability. | 0:02:19 | 0:02:22 | |
Undeterred, the Yaus took a leap of faith and went ahead, | 0:02:22 | 0:02:25 | |
buying the building for £170,000. | 0:02:25 | 0:02:29 | |
Their bold move paid off when two years later, | 0:02:31 | 0:02:34 | |
planning permission was finally granted, and Karl and Christina | 0:02:34 | 0:02:37 | |
could begin the delicate process of creating their dream home. | 0:02:37 | 0:02:41 | |
We want our children to grow up | 0:02:41 | 0:02:42 | |
and have the same experiences in the village that I had when I grew up. | 0:02:42 | 0:02:46 | |
That's really important. The space has to work for all of us. | 0:02:46 | 0:02:50 | |
When I first met up with Karl and Christina, | 0:02:51 | 0:02:53 | |
I was keen to find out exactly what their plans were. | 0:02:53 | 0:02:56 | |
-Hello, guys, I'm Joe. -Hi, Joe, I'm Christina. -Christina. | 0:02:58 | 0:03:01 | |
-I'm Karl, good to meet you. -Karl. And this is All Souls Church. | 0:03:01 | 0:03:04 | |
-How did you find it? -I found it on the internet two years ago now. | 0:03:04 | 0:03:08 | |
We fell in love with it. The area is absolutely fantastic. | 0:03:08 | 0:03:11 | |
The beauty of it, I mean, you look at it on a sunny day like today, absolutely perfect. | 0:03:11 | 0:03:16 | |
I've always known this church | 0:03:16 | 0:03:17 | |
but we never thought we'd ever own it or it would come up for sale. | 0:03:17 | 0:03:20 | |
What's the benefit for you guys of buying an empty property like this? | 0:03:20 | 0:03:25 | |
Having the church and buying it without planning permission | 0:03:25 | 0:03:28 | |
meant that we got it at a reasonable price | 0:03:28 | 0:03:30 | |
and means we can afford to stay in the village in a property | 0:03:30 | 0:03:33 | |
that is way over the price we'd ever be able to afford. | 0:03:33 | 0:03:36 | |
I'm really excited to see inside, so are you happy to show me? | 0:03:36 | 0:03:39 | |
Sure, follow me. | 0:03:39 | 0:03:40 | |
Wow! | 0:03:46 | 0:03:47 | |
What an unusual space, this is fantastic. | 0:03:48 | 0:03:51 | |
It is very much still in its church formation, | 0:03:51 | 0:03:53 | |
it's just a big open space, isn't it? What are the plans? | 0:03:53 | 0:03:56 | |
We plan to put a second floor in. | 0:03:56 | 0:03:58 | |
We'll have two main bedrooms, one at either end | 0:03:58 | 0:04:01 | |
-with these massive feature windows that we've got. -Beautiful. | 0:04:01 | 0:04:04 | |
When you talk about having two levels, that's what's going to | 0:04:04 | 0:04:08 | |
-give you a light feel at the top? -One in each of the bedrooms. | 0:04:08 | 0:04:11 | |
Do you have to take the floor down to get two levels in? | 0:04:11 | 0:04:13 | |
Yes, yes. We're lowering the floor slightly but underneath this | 0:04:13 | 0:04:17 | |
is actually quite low anyway, it's a floating wooden floor, | 0:04:17 | 0:04:20 | |
so as you jump around, it's like a trampoline at the moment. | 0:04:20 | 0:04:23 | |
I can feel a slight bounce to it. I bet the kids love that. | 0:04:23 | 0:04:26 | |
-Don't bounce too hard! -You may fall through. | 0:04:26 | 0:04:28 | |
Stay calm, health and safety at all times. | 0:04:28 | 0:04:31 | |
One of the great things about buying a property with this kind of history | 0:04:31 | 0:04:34 | |
is that you get some quirky features. | 0:04:34 | 0:04:36 | |
You can't miss the big old organ as you walk in. | 0:04:36 | 0:04:39 | |
Is this going to be staying? | 0:04:39 | 0:04:41 | |
Unfortunately not, it's taking up too much space. | 0:04:41 | 0:04:45 | |
There's a lovely stained-glass window behind there | 0:04:45 | 0:04:48 | |
that you can't see, so the light's gone. | 0:04:48 | 0:04:50 | |
But we do plan to re-use as much as possible. | 0:04:50 | 0:04:53 | |
We are going to re-use these knobs. | 0:04:53 | 0:04:55 | |
We're going to make coat hooks out of them. | 0:04:55 | 0:04:57 | |
We're going to make the children toy boxes out of the carcass and the wood from the organ. | 0:04:57 | 0:05:02 | |
So there's a lot of potential to re-use some of the features | 0:05:02 | 0:05:05 | |
-and incorporate... -We will use whatever we possibly can | 0:05:05 | 0:05:08 | |
in the whole building. We absolutely love it. | 0:05:08 | 0:05:10 | |
Although they were eventually granted permission to convert the church, | 0:05:10 | 0:05:14 | |
it came with strict design limitations. | 0:05:14 | 0:05:17 | |
So, the Yaus had to be clever with the space. | 0:05:17 | 0:05:20 | |
Where are the stairs? | 0:05:20 | 0:05:21 | |
The stairs are over there by the door, | 0:05:21 | 0:05:23 | |
and they'll come in and then go up in an L-shape up into the first floor. | 0:05:23 | 0:05:27 | |
OK. Well, I think we've got to grips with the space in here. | 0:05:27 | 0:05:30 | |
Let's pop outside and have a look at the full glory | 0:05:30 | 0:05:33 | |
-of God's building from the outside, shall we? -Definitely. | 0:05:33 | 0:05:36 | |
'This was an amazing property, | 0:05:37 | 0:05:39 | |
'but it was only when I saw it from the outside that | 0:05:39 | 0:05:42 | |
'I realised quite what a challenge this renovation was going to be.' | 0:05:42 | 0:05:45 | |
So, that's the inside. Plenty ahead of you there. | 0:05:47 | 0:05:50 | |
What about the building itself? I've seen a few holes. How is it? | 0:05:50 | 0:05:54 | |
Erm, we have no idea, really. We're going to actually have to take everything off, | 0:05:54 | 0:05:59 | |
so all the cladding is going to come off, all the tiles are going to come off, | 0:05:59 | 0:06:02 | |
and then all the structural wood inside will be assessed. | 0:06:02 | 0:06:05 | |
What about the structure itself? | 0:06:05 | 0:06:06 | |
We had a survey done recently, and they reckon within the next | 0:06:06 | 0:06:09 | |
few years, it will actually be falling down. | 0:06:09 | 0:06:13 | |
-Ah. Is that to do with the foundations, or...? -Lack of. -Lack of? | 0:06:13 | 0:06:16 | |
Yeah, there is very, very old foundations that aren't up to much. | 0:06:16 | 0:06:21 | |
There is a wooden plate that it rests on that has rotted. | 0:06:21 | 0:06:24 | |
So, what do you have to do? Underpinning? | 0:06:24 | 0:06:27 | |
Underpinning. We're doing a special toe underpin | 0:06:27 | 0:06:29 | |
so then we can put a concrete floor in, | 0:06:29 | 0:06:31 | |
and it's very steel reinforced, loads of steel mesh going in there. | 0:06:31 | 0:06:35 | |
And what is the budget? | 0:06:35 | 0:06:37 | |
About 160, 180,000 we'd like to complete it for. | 0:06:37 | 0:06:40 | |
Yeah, yeah. | 0:06:40 | 0:06:42 | |
OK. It's your first renovation. It's a biggie. It's a massive project. | 0:06:42 | 0:06:47 | |
But yeah, I'm sure if you do arm yourselves with enough | 0:06:47 | 0:06:50 | |
information as you have been doing, I'm sure you can make it a success. | 0:06:50 | 0:06:53 | |
-See you. -See you later. | 0:06:53 | 0:06:55 | |
'Later we'll see what happened when we took Christina | 0:06:55 | 0:06:57 | |
'and Karl to meet another couple who also took on a unique | 0:06:57 | 0:07:01 | |
'but completely dilapidated building.' | 0:07:01 | 0:07:03 | |
It's really important to get the right people to help you, of course. | 0:07:03 | 0:07:06 | |
We had a fantastic architect, our builder was utterly brilliant. | 0:07:06 | 0:07:09 | |
Get the right people, and that makes the difference. | 0:07:09 | 0:07:12 | |
Throughout the country, it's not just private buyers rising | 0:07:12 | 0:07:14 | |
to the challenge of turning deserted properties into functioning homes. | 0:07:14 | 0:07:18 | |
Local council empty property officers work tirelessly | 0:07:18 | 0:07:21 | |
to track down the owners of abandoned homes | 0:07:21 | 0:07:24 | |
and use their powers to bring these properties back into use. | 0:07:24 | 0:07:28 | |
Back in 2009, Paul Palmer went to visit a vacant building | 0:07:30 | 0:07:33 | |
in central London that was under new ownership. | 0:07:33 | 0:07:36 | |
I'm off to a property in Soho. | 0:07:39 | 0:07:41 | |
It's been recently acquired by a local housing association. | 0:07:41 | 0:07:45 | |
They've just got hold of the keys, so it's a good chance for me | 0:07:45 | 0:07:48 | |
to get in, have a look at the property, meet the guys, | 0:07:48 | 0:07:50 | |
and see what their plans are for it. | 0:07:50 | 0:07:52 | |
The building had been designated residential, | 0:07:58 | 0:08:00 | |
but had been used illegally for commercial purposes | 0:08:00 | 0:08:03 | |
before the housing association bought the place. | 0:08:03 | 0:08:06 | |
Oh, right. It's almost like a little self-contained studio. | 0:08:11 | 0:08:15 | |
It's exactly what it lends itself to, isn't it? | 0:08:15 | 0:08:17 | |
But, of course, you've got the office-type lighting. | 0:08:17 | 0:08:19 | |
And clearly they weren't being used for the purpose | 0:08:19 | 0:08:22 | |
for which they were meant to be used, which was, you know, good quality... | 0:08:22 | 0:08:25 | |
-Residential. -..residential accommodation. | 0:08:25 | 0:08:27 | |
There's a little kitchenette. | 0:08:27 | 0:08:29 | |
Yeah. Typical office blinds on the window, as well. | 0:08:29 | 0:08:35 | |
The plan is each floor will have a three- or four-bedroom flat, | 0:08:35 | 0:08:39 | |
so that would give us four really nice flats. | 0:08:39 | 0:08:42 | |
It's good for us that we've got you on board as a partner, | 0:08:42 | 0:08:44 | |
because of your skill and expertise in the area, | 0:08:44 | 0:08:46 | |
it guarantees that we know that there's going to be | 0:08:46 | 0:08:49 | |
a successful outcome for this property as well, which is good. | 0:08:49 | 0:08:53 | |
I'm very pleased with my visit. | 0:08:55 | 0:08:57 | |
Things do look very positive for that building. | 0:08:57 | 0:09:00 | |
We spent a lot of time working with different parts of the council | 0:09:00 | 0:09:04 | |
to bring about the change in ownership. | 0:09:04 | 0:09:06 | |
It's really quite exciting, and I was pleased I was able to | 0:09:06 | 0:09:08 | |
get in at this early stage and look to the future with some optimism. | 0:09:08 | 0:09:12 | |
Today, three years on, Paul Palmer, | 0:09:20 | 0:09:22 | |
now a freelance empty property consultant, was keen to come | 0:09:22 | 0:09:25 | |
and see the finished results of this ambitious social housing project. | 0:09:25 | 0:09:29 | |
He'd been working with Rick Bryan of Soho Housing | 0:09:29 | 0:09:32 | |
to rescue the building and put it to good use. | 0:09:32 | 0:09:35 | |
-Rick. -Paul. -Nice to see you. How are you? -I'm good, thank you. | 0:09:36 | 0:09:39 | |
-Three years when fast, didn't they? -Yeah, just seems like yesterday. | 0:09:39 | 0:09:42 | |
-This is fantastic. -It's absolutely great. | 0:09:42 | 0:09:45 | |
-Last time we were here... -Such a change. | 0:09:45 | 0:09:47 | |
It's fantastic. It's a real brightening up the whole building. | 0:09:47 | 0:09:50 | |
If you stand back a bit and look up, | 0:09:50 | 0:09:53 | |
you'll see just how much we did to the facade. | 0:09:53 | 0:09:57 | |
We recast all the window ledges, | 0:09:57 | 0:09:59 | |
-we put back some of the ironwork, we've repointed. -Wow! | 0:09:59 | 0:10:02 | |
All done with specialist contractors to really bring it back | 0:10:02 | 0:10:06 | |
to its original look. | 0:10:06 | 0:10:08 | |
Very nice. I can't wait to see inside. | 0:10:09 | 0:10:11 | |
Let's go and have a look. | 0:10:11 | 0:10:14 | |
The building work took a year to complete, | 0:10:14 | 0:10:16 | |
and provides much-needed flats | 0:10:16 | 0:10:17 | |
for families on the housing waiting list. | 0:10:17 | 0:10:20 | |
-There you go. -Wow. Now, this is nice. | 0:10:20 | 0:10:23 | |
I love what they've done. | 0:10:24 | 0:10:26 | |
It's lovely, isn't it? Lovely en-suite kitchen, | 0:10:26 | 0:10:29 | |
and if you remember what it was like before, | 0:10:29 | 0:10:31 | |
this space was just lost space, lost to offices, illegal, | 0:10:31 | 0:10:35 | |
no planning permission for it, and now what we've got | 0:10:35 | 0:10:38 | |
is a fantastic three-bedroom flat in the heart of Soho. | 0:10:38 | 0:10:41 | |
Can I have a look at the rest? | 0:10:41 | 0:10:43 | |
Yeah, let's have a look. | 0:10:43 | 0:10:44 | |
The building's interior has been completely remodelled. | 0:10:46 | 0:10:49 | |
Each of the five flats have family bathrooms, | 0:10:49 | 0:10:52 | |
fully equipped kitchens, | 0:10:52 | 0:10:54 | |
and two or three double bedrooms. | 0:10:54 | 0:10:58 | |
What impresses me overall about this whole project is that you've | 0:10:58 | 0:11:01 | |
-taken something that had a completely illegal use... -Absolutely. | 0:11:01 | 0:11:05 | |
-..you've thoroughly modernised it. -It's all very nice, isn't it? | 0:11:05 | 0:11:08 | |
And the fact that we've got a family living here | 0:11:08 | 0:11:10 | |
-in the heart of Soho is really, really nice to see, isn't it? -Yeah. | 0:11:10 | 0:11:14 | |
Years ago when I saw that building it was in illegal use, | 0:11:14 | 0:11:19 | |
it wasn't going anywhere. | 0:11:19 | 0:11:20 | |
To come back today and to see families starting off a new life | 0:11:20 | 0:11:24 | |
in a building like that, it's just a wonderful experience, | 0:11:24 | 0:11:28 | |
and it's why I enjoy doing my job so much. | 0:11:28 | 0:11:31 | |
-Thanks again. Bye-bye. -See you. | 0:11:31 | 0:11:33 | |
Transforming an empty property has its rewards, | 0:11:35 | 0:11:38 | |
but it's never going to be easy. | 0:11:38 | 0:11:40 | |
However, when you speak to people who've been through it, | 0:11:40 | 0:11:42 | |
they will tell you the hard work, the stress, | 0:11:42 | 0:11:45 | |
the sacrifices are all worth it in the end. | 0:11:45 | 0:11:48 | |
It took Judith Brook plenty of courage to take | 0:11:49 | 0:11:52 | |
a chance on these derelict agricultural buildings in Rotherham, | 0:11:52 | 0:11:55 | |
South Yorkshire in early 2010, even though she found them close to home. | 0:11:55 | 0:12:00 | |
From probably being about 18, | 0:12:00 | 0:12:02 | |
I used to keep a horse in this building, and I used to | 0:12:02 | 0:12:06 | |
look at it and visualise it as a house. We always referred to it | 0:12:06 | 0:12:10 | |
as the tractor shed, and it was where my dad stored his tractor. | 0:12:10 | 0:12:14 | |
Judith was in the fortunate position that these buildings | 0:12:14 | 0:12:17 | |
were part of her father's farm. | 0:12:17 | 0:12:19 | |
They had been out of use for 15 years before she started work | 0:12:19 | 0:12:22 | |
on transforming them into a family home. | 0:12:22 | 0:12:25 | |
I worked here every day to make this affordable for us. | 0:12:26 | 0:12:30 | |
when deliveries came, I'd help with unloading them. | 0:12:30 | 0:12:33 | |
I dug out in the trenches, did any kind of labouring that was required. | 0:12:33 | 0:12:37 | |
But the renovation wasn't without its challenges. | 0:12:40 | 0:12:43 | |
Planning were not looking at it favourably. | 0:12:43 | 0:12:46 | |
And so I asked the planning officer, | 0:12:46 | 0:12:48 | |
the conservation officers, to come out and have a meeting and just say, | 0:12:48 | 0:12:52 | |
"Look, what can we have and what do we have to do to achieve that?" | 0:12:52 | 0:12:55 | |
And they were great. They came out, had the meeting, | 0:12:55 | 0:12:58 | |
and just said what they would allow, what they wouldn't allow. | 0:12:58 | 0:13:02 | |
Working closely with an architect and a local builder, | 0:13:02 | 0:13:05 | |
Judith spent ten months on the renovation, and £300,000. | 0:13:05 | 0:13:10 | |
At the end of 2010, the house was complete. | 0:13:10 | 0:13:13 | |
The build process wasn't stressful at all, | 0:13:13 | 0:13:15 | |
I enjoyed it from the first day to the last day. | 0:13:15 | 0:13:18 | |
But that is largely down to the good relationship that I had with the builder. | 0:13:18 | 0:13:23 | |
It's a great lifestyle living here. | 0:13:28 | 0:13:30 | |
I'm really pleased that my children will get the same opportunities | 0:13:33 | 0:13:36 | |
that I got of growing up in such a lovely environment. | 0:13:36 | 0:13:39 | |
My advice to anybody doing this project, | 0:13:45 | 0:13:47 | |
I'm sure that everybody that does it wants to do it | 0:13:47 | 0:13:50 | |
and is enthusiastic about it, but enjoy it, it's a great journey. | 0:13:50 | 0:13:53 | |
Earlier in the programme, we met Christina and Karl Yau. | 0:13:54 | 0:13:58 | |
Their prayers were answered | 0:13:58 | 0:14:00 | |
when they found the perfect empty property to turn into | 0:14:00 | 0:14:02 | |
a family home - a disused church in Hartley Wintney in Hampshire. | 0:14:02 | 0:14:07 | |
But the couple certainly had a big renovation job on their hands. | 0:14:07 | 0:14:10 | |
'Everything seemed to point towards it being | 0:14:10 | 0:14:13 | |
'a dream house in the village where I grew up,' | 0:14:13 | 0:14:16 | |
so we decided to go for it. | 0:14:16 | 0:14:17 | |
To help Christina and Karl, I arranged for them | 0:14:17 | 0:14:20 | |
to meet the Naismiths, a couple who bought a dilapidated barn | 0:14:20 | 0:14:23 | |
and transformed it into a bright, modern, four-bedroom house. | 0:14:23 | 0:14:28 | |
When we first saw the barn, it was in a terrible state. | 0:14:28 | 0:14:31 | |
It was complete the derelict, it had trees growing inside, | 0:14:31 | 0:14:34 | |
dirt floors, no roof. | 0:14:34 | 0:14:37 | |
It was actually pretty difficult to picture what we were going to do. | 0:14:37 | 0:14:41 | |
And anybody who came to see it, all our friends thought we were | 0:14:41 | 0:14:44 | |
completely mad that we paid all this money for... | 0:14:44 | 0:14:47 | |
-A pile of sticks. -..a pile of sticks. | 0:14:47 | 0:14:49 | |
Despite the many structural issues, | 0:14:50 | 0:14:52 | |
Janine and Roy were smitten with the place. | 0:14:52 | 0:14:55 | |
After 18 months of challenging building work, the Naismiths finally realised their dream. | 0:14:57 | 0:15:02 | |
From the wreck of an old barn, Roy and Janine have created a vast, | 0:15:06 | 0:15:10 | |
open-plan kitchen and living areas, | 0:15:10 | 0:15:13 | |
and found room for four bedrooms, too. | 0:15:13 | 0:15:15 | |
Although this barn renovation was on a much larger scale than | 0:15:18 | 0:15:21 | |
Christina and Karl Yau's church, the principles remain the same, | 0:15:21 | 0:15:25 | |
and I hope they'll be able to glean some valuable practical advice. | 0:15:25 | 0:15:29 | |
This is the kind of look I'm really after, you know, the old meets new. | 0:15:30 | 0:15:34 | |
All the contemporary-ness. | 0:15:34 | 0:15:37 | |
With an open plan look, how does it work with a family? | 0:15:37 | 0:15:40 | |
Because, you know, it looks absolutely fantastic, | 0:15:40 | 0:15:42 | |
it looks contemporary, but we've got a nine-year-old, a four-year-old | 0:15:42 | 0:15:45 | |
and a 13-year-old, so noise could be interesting. | 0:15:45 | 0:15:49 | |
You do have to have that space to separate. | 0:15:49 | 0:15:52 | |
So we've made what we refer to as the media room. | 0:15:52 | 0:15:56 | |
Double wall thickness, soundproofed, door closed, | 0:15:56 | 0:15:58 | |
they can be in there and we can't hear them, | 0:15:58 | 0:16:00 | |
even with the PlayStation and the sound system, | 0:16:00 | 0:16:02 | |
and we get on with our lives here if we've got guests in. | 0:16:02 | 0:16:05 | |
With regards to the actual curves and the design, | 0:16:05 | 0:16:09 | |
did you get a lot of help with this? | 0:16:09 | 0:16:11 | |
Because it's fantastic the way it fits in. | 0:16:11 | 0:16:13 | |
It's really important to get the right people to help you, of course. | 0:16:13 | 0:16:16 | |
We had a fantastic architect. Our builder was utterly brilliant, | 0:16:16 | 0:16:19 | |
and kitchen design had an impact on how the whole place looked. | 0:16:19 | 0:16:21 | |
Get the right people and that makes the difference. | 0:16:21 | 0:16:24 | |
Shall we have a look at the rest of the house? | 0:16:24 | 0:16:26 | |
That would be fantastic. | 0:16:26 | 0:16:27 | |
So, this is our master bedroom. | 0:16:29 | 0:16:32 | |
I think the space... It's really great actually seeing it, | 0:16:34 | 0:16:38 | |
because I've always assumed we'd have to have our bed here | 0:16:38 | 0:16:41 | |
where you're stood, but I actually think it would work... | 0:16:41 | 0:16:45 | |
It works fine, yeah. This will be very close to our bedroom. | 0:16:45 | 0:16:50 | |
Seeing the Naismiths' home was certainly an eye-opener for Christina and Karl, | 0:16:50 | 0:16:55 | |
and later we'll find out how the visit influenced their own renovation. | 0:16:55 | 0:16:59 | |
Across Britain, it's not just residential streets | 0:17:03 | 0:17:06 | |
that can be blighted by derelict houses. | 0:17:06 | 0:17:09 | |
Over a year ago, I was at RAF Heyford, | 0:17:09 | 0:17:11 | |
where a community project was trying to revive the old housing there. | 0:17:11 | 0:17:15 | |
Upper Heyford played a vital role during the two world wars | 0:17:18 | 0:17:21 | |
as a training base, | 0:17:21 | 0:17:23 | |
and in the years that followed, it was home to around 15,000 | 0:17:23 | 0:17:27 | |
American servicemen who lived and worked on the 1,250-acre site. | 0:17:27 | 0:17:32 | |
With the end of the Cold War, the site was decommissioned, | 0:17:33 | 0:17:36 | |
leaving behind hundreds of bungalows. | 0:17:36 | 0:17:39 | |
I met with developer Paul Silver, | 0:17:39 | 0:17:41 | |
who was planning a large-scale renovation. | 0:17:41 | 0:17:44 | |
We've got 315 houses on the estate which are let, | 0:17:44 | 0:17:49 | |
and really what we want to do is a phased refurbishment programme. | 0:17:49 | 0:17:52 | |
We have now consent to build 800 new houses that fit in amongst it. | 0:17:52 | 0:17:55 | |
And when it's all finished, how many homes will be here? | 0:17:55 | 0:17:59 | |
Overall there will be 1,100 homes on site. | 0:17:59 | 0:18:02 | |
Such a unique chance to actually take on these buildings, | 0:18:02 | 0:18:05 | |
use them, not knock them down, but actually bring them back to life. | 0:18:05 | 0:18:09 | |
We've had to take on board the legacy of the place and make sure we do it right, | 0:18:09 | 0:18:13 | |
because whatever we leave here will last for future generations. | 0:18:13 | 0:18:16 | |
-I'd love to have a look in one. Can we? -Yeah, sure. Please. | 0:18:16 | 0:18:18 | |
-Please, come through. -It's quite big, isn't it? | 0:18:23 | 0:18:27 | |
This is the main living space? | 0:18:27 | 0:18:28 | |
Yeah, it's a lovely, open area, | 0:18:28 | 0:18:30 | |
there's a lot of American, '50s facets to it. | 0:18:30 | 0:18:33 | |
The wooden doors on the intercom between the kitchen | 0:18:33 | 0:18:35 | |
-and the dining area. -Oh, yeah. | 0:18:35 | 0:18:37 | |
-And you get a back garden with these as well. -That's the key thing. | 0:18:37 | 0:18:40 | |
A lot of the locals really love the space standards | 0:18:40 | 0:18:43 | |
and the private amenity space. | 0:18:43 | 0:18:45 | |
'The bungalows originally had two or three bedrooms | 0:18:46 | 0:18:49 | |
'and spacious family bathrooms. | 0:18:49 | 0:18:51 | |
'I was keen to see how they looked when redeveloped.' | 0:18:51 | 0:18:55 | |
-There we are. -Wow! | 0:18:55 | 0:18:58 | |
That's incredible. What a transformation. | 0:19:00 | 0:19:03 | |
-It's certainly a bit different from the one you've just come from. -Yeah. | 0:19:03 | 0:19:07 | |
It shows what a bit of imagination can do. | 0:19:07 | 0:19:10 | |
Yeah, and it feels so big and airy and light. | 0:19:10 | 0:19:15 | |
'The former airman's family quarters had been | 0:19:15 | 0:19:17 | |
'transformed into a modern family home. | 0:19:17 | 0:19:20 | |
'The hope was to renovate 250 others. | 0:19:20 | 0:19:23 | |
'The current planning laws would make it impossible to build | 0:19:23 | 0:19:26 | |
'this many new homes in the Oxfordshire countryside.' | 0:19:26 | 0:19:30 | |
How sure can you be that this collection of buildings will | 0:19:30 | 0:19:33 | |
actually form a warm and friendly community? | 0:19:33 | 0:19:35 | |
Well, I think the key thing here is the space | 0:19:35 | 0:19:37 | |
they have, the living areas and the light impression they have | 0:19:37 | 0:19:40 | |
in their living environments, | 0:19:40 | 0:19:42 | |
and actually, a community is formation of people, | 0:19:42 | 0:19:44 | |
not a formation of buildings, at the end of the day. | 0:19:44 | 0:19:47 | |
It just takes a bit of vision | 0:19:47 | 0:19:48 | |
to think about how you can go about those things. | 0:19:48 | 0:19:50 | |
Today, 15 months on from our last visit to Upper Heyford, | 0:19:53 | 0:19:56 | |
Paul Silver is back on site | 0:19:56 | 0:19:58 | |
and has good news for the future of the development. | 0:19:58 | 0:20:01 | |
Since 2011, we've been able to show the demonstrator bungalows to | 0:20:03 | 0:20:08 | |
the planners and the wider community and get their feedback. | 0:20:08 | 0:20:11 | |
And I'm pleased to report, that exercise has been very successful. | 0:20:11 | 0:20:15 | |
Paul has now been granted planning permission to refurbish | 0:20:15 | 0:20:18 | |
all 250 bungalows and 70 two-storey houses on the site. | 0:20:18 | 0:20:23 | |
Back in 2011, this was really just a vision and a dream on a piece of | 0:20:23 | 0:20:29 | |
paper, I guess, that we could be able to refurbish all of these houses. | 0:20:29 | 0:20:33 | |
And now, since we've got our planning consent, we are in a position | 0:20:33 | 0:20:36 | |
where we can roll up our sleeves and get on with the project. So we are really excited. | 0:20:36 | 0:20:41 | |
It is expected building work will start in the next few months. | 0:20:41 | 0:20:44 | |
And in the spirit of creating a community for future | 0:20:44 | 0:20:47 | |
generations, the developers are also planning to turn | 0:20:47 | 0:20:50 | |
the Grade II listed officers' mess into a new school. | 0:20:50 | 0:20:53 | |
Head teacher David Castle is already on board and it's hoped doors will open in September 2012. | 0:20:55 | 0:21:02 | |
It's a fantastic building | 0:21:02 | 0:21:05 | |
which has been used as an RAF and US Air Force officers' mess building | 0:21:05 | 0:21:09 | |
and has got some incredible spaces in it which will be amazing | 0:21:09 | 0:21:14 | |
to bring into use for teaching and learning as libraries, as assembly halls. | 0:21:14 | 0:21:19 | |
But also with the potential to create exciting classroom | 0:21:19 | 0:21:22 | |
spaces as well. | 0:21:22 | 0:21:25 | |
The facilities we're going to develop in this building and the sports | 0:21:25 | 0:21:30 | |
and creative centre will be used by the wider community | 0:21:30 | 0:21:34 | |
and bring real benefits. | 0:21:34 | 0:21:35 | |
Earlier in the programme, we met Christina and Karl Yau, | 0:21:38 | 0:21:41 | |
a couple who'd found a simply heavenly derelict building | 0:21:41 | 0:21:45 | |
they hoped one day they'd call home. | 0:21:45 | 0:21:48 | |
They started off full of hope | 0:21:48 | 0:21:50 | |
but the scale of the renovation was surely enough to test anyone's faith. | 0:21:50 | 0:21:54 | |
Here I am back in Hampshire to see how Christina | 0:21:57 | 0:21:59 | |
and Karl have been getting on. | 0:21:59 | 0:22:00 | |
From the outside, it looks absolutely beautiful, very smart. | 0:22:00 | 0:22:04 | |
Chapels and churches, they don't convert to homes easily so I'm | 0:22:04 | 0:22:08 | |
really curious to see inside and see how they've tackled this challenge. | 0:22:08 | 0:22:12 | |
KNOCK AT DOOR | 0:22:19 | 0:22:21 | |
Hello. Good to see you again, Christina. How are you? | 0:22:24 | 0:22:27 | |
-I'm very well. Thank you. -Karl, good to see you. | 0:22:27 | 0:22:30 | |
This looks incredible from the outside. | 0:22:30 | 0:22:32 | |
-I'm so excited to see what's changed inside. Can we have a look? -Certainly can. | 0:22:32 | 0:22:37 | |
This is the kitchen. | 0:22:41 | 0:22:42 | |
This is beyond belief. | 0:22:47 | 0:22:48 | |
This is a world away from that big wooden shed you bought. | 0:22:48 | 0:22:53 | |
This is your main living area, your open plan for the kitchen diner | 0:22:56 | 0:23:00 | |
it's good ceiling height. Did you have to dig down in the floor? | 0:23:00 | 0:23:03 | |
When we actually took the floor out, we realised there was | 0:23:03 | 0:23:07 | |
a lot of space underneath so there was nearly half a metre of space. | 0:23:07 | 0:23:10 | |
So as we dug down, | 0:23:10 | 0:23:11 | |
we just didn't bring it up massively, we just dug deeper. | 0:23:11 | 0:23:15 | |
The organ was here before. | 0:23:15 | 0:23:16 | |
It was quite spectacular, but it couldn't stay. | 0:23:16 | 0:23:18 | |
It just took up too much space. | 0:23:18 | 0:23:20 | |
But you did have an intention to kind of recycle as much of it | 0:23:20 | 0:23:23 | |
-as possible. Did that happen? -Yeah. | 0:23:23 | 0:23:24 | |
We've recycled quite a lot of that, haven't we? | 0:23:24 | 0:23:26 | |
Yeah, we've used as much as we can. | 0:23:26 | 0:23:29 | |
So the organ itself, | 0:23:29 | 0:23:30 | |
we couldn't make any use of the pipes in general terms, | 0:23:30 | 0:23:34 | |
so we donated those to a local artist, | 0:23:34 | 0:23:36 | |
who's come up with a really interesting design on them. | 0:23:36 | 0:23:40 | |
He's given us one as a present, | 0:23:40 | 0:23:41 | |
but he's actually got them showing in Sotheby's soon, | 0:23:41 | 0:23:44 | |
so that's really interesting, | 0:23:44 | 0:23:46 | |
-and we love the fact that's part of our church. -Fantastic. | 0:23:46 | 0:23:49 | |
So you been incredibly resourceful, | 0:23:49 | 0:23:50 | |
using as much of the original material here as possible. | 0:23:50 | 0:23:53 | |
There is, of course, one big new feature that catches my eye, | 0:23:53 | 0:23:56 | |
and that's the stairs. Tell me about them. | 0:23:56 | 0:23:59 | |
-They were our extravagance, really, weren't they? -Yeah. | 0:23:59 | 0:24:02 | |
I kind of fell in love with a solid oak one. | 0:24:02 | 0:24:05 | |
We decided we couldn't afford it. | 0:24:05 | 0:24:07 | |
And then I found this one, | 0:24:07 | 0:24:09 | |
which kind of worked really well with the windows, | 0:24:09 | 0:24:12 | |
because there's the black and the little monkey-tail features | 0:24:12 | 0:24:15 | |
and stuff on the windows, | 0:24:15 | 0:24:16 | |
and it kind of just seemed to blend in with the log burner, | 0:24:16 | 0:24:19 | |
and it was slightly cheaper - | 0:24:19 | 0:24:21 | |
not a lot, but that's how I justified it to Karl. | 0:24:21 | 0:24:24 | |
Well, the clever bit here, | 0:24:24 | 0:24:25 | |
the very new part to this building is upstairs, isn't it? | 0:24:25 | 0:24:28 | |
-Can we go and have a look? -Yes, we certainly can. | 0:24:28 | 0:24:30 | |
Great. Up your lovely staircase. | 0:24:30 | 0:24:33 | |
So this is your master bedroom. It's lovely. | 0:24:38 | 0:24:40 | |
It is en suite, you've got the curved wall, | 0:24:40 | 0:24:42 | |
and the floors, these look like old timbers. Are these recycled again? | 0:24:42 | 0:24:46 | |
Yeah, this was the downstairs floor. It was all downstairs. | 0:24:46 | 0:24:48 | |
So we did two of the bedrooms with it, | 0:24:48 | 0:24:51 | |
with anything that was actually worth using. | 0:24:51 | 0:24:53 | |
Tell me about how you laid everything out. | 0:24:53 | 0:24:55 | |
It's so hard to visualise a space that's thin air, just doesn't exist. | 0:24:55 | 0:24:58 | |
We've got this at this end, with the en suite. | 0:24:58 | 0:25:01 | |
We've got a family bathroom. | 0:25:01 | 0:25:03 | |
We have a room which is above the utility room, | 0:25:03 | 0:25:05 | |
that was never going to be there. | 0:25:05 | 0:25:07 | |
It's not really big enough to be a bedroom, although our tiny, | 0:25:07 | 0:25:10 | |
little five-year-old manages to fit in it at the moment. | 0:25:10 | 0:25:13 | |
So we have got rooms for each of the children, | 0:25:13 | 0:25:15 | |
which we never thought we were going to have. | 0:25:15 | 0:25:17 | |
What problems did you come up against? What was most difficult? | 0:25:17 | 0:25:20 | |
Because you didn't know what was ahead of you. | 0:25:20 | 0:25:22 | |
You were about to strip the building back and you didn't know | 0:25:22 | 0:25:25 | |
-whether it would be rotten or what you would find. -We had dry rot, | 0:25:25 | 0:25:28 | |
wet rot, woodworm, and then most of the roof needed replacing, | 0:25:28 | 0:25:31 | |
in hindsight. We started just expecting to replace little bits, | 0:25:31 | 0:25:35 | |
and ended up having to replace nearly everything. | 0:25:35 | 0:25:38 | |
Christina and Karl bought the church for £170,000, | 0:25:38 | 0:25:43 | |
and had an initial renovation budget of 180,000. | 0:25:43 | 0:25:47 | |
That had spiralled by another £70,000, | 0:25:47 | 0:25:51 | |
bringing it to a total of 420. | 0:25:51 | 0:25:54 | |
But was it money well spent? | 0:25:54 | 0:25:55 | |
We ended up getting a valuation a couple of weeks ago, | 0:25:56 | 0:26:00 | |
and they've said it's worth around 750,000. | 0:26:00 | 0:26:03 | |
So spending that extra money actually puts it in that price bracket. | 0:26:03 | 0:26:08 | |
Crikey. Well, look. What a success story. It's phenomenal. | 0:26:08 | 0:26:11 | |
Because you had the bravery, because you wanted to do it really well, | 0:26:11 | 0:26:14 | |
because you planned it so carefully, but an incredible outcome. | 0:26:14 | 0:26:18 | |
-Really well done, guys. It's a very special home. -Thank you. -Thank you. | 0:26:18 | 0:26:22 | |
This really is quite a home to behold. | 0:26:25 | 0:26:27 | |
I mean, this was a derelict church. It was rotting. | 0:26:27 | 0:26:30 | |
Who knows how many more years it would have stood here | 0:26:30 | 0:26:33 | |
until Christina and Karl took it on. And they have done a brilliant job. | 0:26:33 | 0:26:37 | |
It is so hard to carry out a renovation like this, | 0:26:37 | 0:26:40 | |
to make a home, but also keep the original character of the building, | 0:26:40 | 0:26:44 | |
of the chapel. But that's what they've done. | 0:26:44 | 0:26:46 | |
It is spectacular, | 0:26:46 | 0:26:48 | |
and it's going to be a wonderful family home for many years to come. | 0:26:48 | 0:26:52 | |
Subtitles by Red Bee Media Ltd | 0:27:13 | 0:27:16 |