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'Over the years, Britain's Empty Homes has been on a mission to show what can be done | 0:00:02 | 0:00:06 | |
'to revitalise and transform some of the UK's estimated | 0:00:06 | 0:00:10 | |
'one million empty properties.' | 0:00:10 | 0:00:12 | |
Nice to see you again, David. Hannah, how are you? | 0:00:12 | 0:00:15 | |
'In this series, I'll be catching up with some of the people who took the plunge | 0:00:15 | 0:00:19 | |
'and staked everything on turning unloved houses into bespoke family homes. | 0:00:19 | 0:00:23 | |
'Today we'll be catching up with a 22-year-old tackling | 0:00:28 | 0:00:31 | |
'a complete renovation project all by himself.' | 0:00:31 | 0:00:34 | |
This room is virtually all my handiwork. | 0:00:34 | 0:00:36 | |
'We'll be with some dedicated empty property officers, | 0:00:36 | 0:00:39 | |
'whose job it is to turn abandoned buildings back into homes again.' | 0:00:39 | 0:00:42 | |
Wow. | 0:00:42 | 0:00:43 | |
'And we'll be in Stoke-On-Trent discovering how they're | 0:00:45 | 0:00:47 | |
'breathing life back into their empty streets. | 0:00:47 | 0:00:50 | |
15 months ago, I met Michael Hims, a student from Birmingham, | 0:00:53 | 0:00:56 | |
who'd taken on his first home, | 0:00:56 | 0:00:58 | |
and with it his first renovation project. | 0:00:58 | 0:01:01 | |
And guess what? He planned to do all the work himself. | 0:01:01 | 0:01:05 | |
Back in November 2011, 21-year-old Michael was renovating this | 0:01:07 | 0:01:11 | |
previously empty 1930s semi-detached house. | 0:01:11 | 0:01:14 | |
When I got the house, the house had been vacant for about two years. | 0:01:14 | 0:01:18 | |
It just generally needed to be completely redone from scratch, really. | 0:01:18 | 0:01:21 | |
I'm more than happy to put the work in, | 0:01:21 | 0:01:24 | |
so it seemed a good investment for me to buy it, really. | 0:01:24 | 0:01:27 | |
The house had cost £107,000 | 0:01:27 | 0:01:30 | |
and Michael bought it with the help of his mum Fiona, | 0:01:30 | 0:01:33 | |
who was acting as his financial guarantor. | 0:01:33 | 0:01:35 | |
I helped Michael with the deposit, | 0:01:35 | 0:01:37 | |
so I put the deposit up for him to apply for the mortgage. | 0:01:37 | 0:01:41 | |
Everything else since has been funded by Michael. | 0:01:41 | 0:01:44 | |
Michael was studying to be an electrical engineer | 0:01:44 | 0:01:46 | |
and planned to do the majority of the works himself, | 0:01:46 | 0:01:49 | |
despite having no renovation experience. | 0:01:49 | 0:01:52 | |
I think I'm ambitious with what I'm trying to do. It's a full renovation. | 0:01:52 | 0:01:56 | |
Rewire, new plumbing, new drainage, all that sort of stuff. | 0:01:56 | 0:02:00 | |
Michael had big ambitions, | 0:02:00 | 0:02:01 | |
but a relatively small renovation budget of 15 grand. | 0:02:01 | 0:02:05 | |
He'd already spent 12,000 of that, | 0:02:05 | 0:02:07 | |
but was still determined to make a hi-tech home his priority. | 0:02:07 | 0:02:11 | |
I'm looking to do, like, | 0:02:11 | 0:02:13 | |
an integrated audiovisual kind of system and have speakers | 0:02:13 | 0:02:16 | |
throughout the house and the sound will follow you from room to room | 0:02:16 | 0:02:18 | |
and make the house react to what you're doing, what your daily routine is. | 0:02:18 | 0:02:23 | |
Michael saw this as a long-term project, so had moved | 0:02:23 | 0:02:26 | |
back in with his mum while tackling the construction work. | 0:02:26 | 0:02:29 | |
I haven't got a move-in date as such. | 0:02:29 | 0:02:31 | |
I don't see that it's something worth having | 0:02:31 | 0:02:33 | |
cos when it's ready it's ready. | 0:02:33 | 0:02:35 | |
There's no point trying to aim for a certain date. | 0:02:35 | 0:02:39 | |
Well, that's interesting! I thought we were working towards June 2012. | 0:02:39 | 0:02:43 | |
Um, but I appreciate Michael, | 0:02:43 | 0:02:46 | |
um...can have as much time as he needs. | 0:02:46 | 0:02:49 | |
He can't! He's got to be out of my house by June! | 0:02:49 | 0:02:53 | |
'I was concerned that Michael had taken on an awful lot | 0:02:53 | 0:02:56 | |
'and that his budget didn't match his ambitions for the place. | 0:02:56 | 0:03:00 | |
'When I first met up with him, I was keen to find out more.' | 0:03:00 | 0:03:02 | |
-Hi, there, I'm Joe. -Hello, nice to see you. -Nice to meet you. | 0:03:02 | 0:03:05 | |
Hi, Mike, how are you doing? So this is the place? | 0:03:05 | 0:03:08 | |
-It is, yeah. -You're an interested investor? -Yes. | 0:03:08 | 0:03:10 | |
So you're going to see how your investment's coming along. | 0:03:10 | 0:03:13 | |
-Absolutely, yes. -Excellent. Shall we go inside and have a look? -Yeah. -OK. | 0:03:13 | 0:03:17 | |
Wow! | 0:03:22 | 0:03:23 | |
This is very much a building site. | 0:03:23 | 0:03:25 | |
-Is this your handiwork? -Yes. | 0:03:25 | 0:03:27 | |
I'm looking to do as much of the work as possible. | 0:03:27 | 0:03:29 | |
All the electrics, all the pluming. | 0:03:29 | 0:03:31 | |
The only thing I'm not sure about is the plastering, but I'll see how that goes. | 0:03:31 | 0:03:34 | |
What happens when you come across something you don't know how to do? How do you learn it? | 0:03:34 | 0:03:38 | |
There's plenty of people you can ask. | 0:03:38 | 0:03:40 | |
All the manufacturers give out guidance. | 0:03:40 | 0:03:42 | |
If not there's online forums you can go with. | 0:03:42 | 0:03:45 | |
What is the budget for renovating, well, it's a whole house like this? | 0:03:45 | 0:03:50 | |
-Yeah, the budget originally - well, still is - is £15,000. -OK. | 0:03:50 | 0:03:54 | |
And to date there's probably about £3,000 left over. | 0:03:54 | 0:03:58 | |
And how much more do you have to buy just in terms of materials? | 0:03:58 | 0:04:01 | |
Materials-wise we're pretty much there. All the electrics are ordered. | 0:04:01 | 0:04:05 | |
All the plumbing and plasterboard. It's just pretty much the kitchen. | 0:04:05 | 0:04:08 | |
You said a minute ago, "I don't know if I can plaster." | 0:04:08 | 0:04:11 | |
From what I've seen of other properties, that is | 0:04:11 | 0:04:14 | |
quite a skill, and not something you can just pick up overnight. | 0:04:14 | 0:04:17 | |
Is there room in the budget to bring in a specialist | 0:04:17 | 0:04:19 | |
contractor like a plasterer? | 0:04:19 | 0:04:20 | |
There will be room if there needs to be room. | 0:04:20 | 0:04:23 | |
But the amount of work I'm doing anyway, I'm happy to do it. | 0:04:23 | 0:04:25 | |
So I just kind of see it as another step, really. | 0:04:25 | 0:04:29 | |
Tell me about the electrics. What's your vision for the house? What do you want to do with it? | 0:04:29 | 0:04:33 | |
Yeah, well, I'm looking to have a centralised audiovisual kind of install | 0:04:33 | 0:04:37 | |
and kind of automate the heating and lighting systems, | 0:04:37 | 0:04:40 | |
even remotely for the heating, logging on the internet | 0:04:40 | 0:04:42 | |
and control different aspects. | 0:04:42 | 0:04:44 | |
A little bit of audiovisual has already gone in, is that fair to say? | 0:04:44 | 0:04:47 | |
Yeah, I've already fitted out a home cinema screen. | 0:04:47 | 0:04:49 | |
That had to go in at this stage | 0:04:49 | 0:04:51 | |
because of the structural changes that had to be made to accommodate it. | 0:04:51 | 0:04:54 | |
Yeah, it had to, Fiona! It had to go in. | 0:04:54 | 0:04:56 | |
Firstly, you don't need plasterboard... | 0:04:56 | 0:04:59 | |
-It's priorities! -..you need a 100-inch TV screen. | 0:04:59 | 0:05:01 | |
-Can I see it in operation? -Yeah, sure, there's a remote here. | 0:05:01 | 0:05:05 | |
-It's actually up there... -Yeah, it's actually within the ceiling now. | 0:05:05 | 0:05:08 | |
So when it's plastered over you won't be able to see it. | 0:05:08 | 0:05:11 | |
These joists would have gone all the way across, but you've stopped them doing that. | 0:05:11 | 0:05:14 | |
You've put in an extra one at the end, | 0:05:14 | 0:05:17 | |
-so they don't go all the way across, so you can fit this in. -Yeah. | 0:05:17 | 0:05:19 | |
You restructured the whole floor... | 0:05:19 | 0:05:21 | |
Yeah, the whole floor was redone just to put the screen in. | 0:05:21 | 0:05:24 | |
That's mind-boggling. | 0:05:24 | 0:05:26 | |
'But what about the rest of the house?' | 0:05:26 | 0:05:28 | |
-So clearly this would be the kitchen, is that right? -Yep. | 0:05:28 | 0:05:31 | |
21 is very young to take on and renovate your own house | 0:05:32 | 0:05:35 | |
with no experience, but, as Mike's showing, there isn't much to fear | 0:05:35 | 0:05:38 | |
if you can get the right advice and consult the right people. | 0:05:38 | 0:05:41 | |
It's pretty admirable, isn't it? | 0:05:41 | 0:05:43 | |
I mean, I'm hugely impressed. | 0:05:43 | 0:05:45 | |
I think he's showing a dedication to something he believes in and | 0:05:45 | 0:05:48 | |
when he gets stuck he'll ask for information. | 0:05:48 | 0:05:52 | |
But he's got a drive and a vision that hasn't wavered, | 0:05:52 | 0:05:54 | |
really, from the outset, and I think that's a huge credit to him. | 0:05:54 | 0:05:57 | |
Later we'll see what happened | 0:05:57 | 0:05:59 | |
when I took Michael to meet Wayne and Elaine Kelly, | 0:05:59 | 0:06:02 | |
who'd bought a dated semi-detached house | 0:06:02 | 0:06:04 | |
and used their know-how to realise its potential. | 0:06:04 | 0:06:07 | |
Across the country, there are many buildings like Michael's | 0:06:09 | 0:06:11 | |
just waiting to be discovered and renovated. | 0:06:11 | 0:06:14 | |
Local council empty property officers carry out detective work | 0:06:14 | 0:06:17 | |
round the clock to reclaim abandoned homes and make them habitable again. | 0:06:17 | 0:06:23 | |
Jason Hall's beat is Richmond-Upon-Thames | 0:06:23 | 0:06:26 | |
Richmond's an affluent area, | 0:06:26 | 0:06:28 | |
where houses tend to fetch between £500,000 and ten million pounds, | 0:06:28 | 0:06:32 | |
so it's not a place where you might expect to find many | 0:06:32 | 0:06:35 | |
vacant properties. | 0:06:35 | 0:06:37 | |
But at present Jason has over 125 empties on his books. | 0:06:37 | 0:06:41 | |
It seems crazy that people would leave the properties empty | 0:06:42 | 0:06:45 | |
and run the risk of having squatters break into them | 0:06:45 | 0:06:48 | |
or damage done to the property and lose value on them. | 0:06:48 | 0:06:51 | |
It never ceases to amaze me. | 0:06:51 | 0:06:52 | |
Just over a year ago, Jason was visiting a building | 0:06:53 | 0:06:56 | |
he'd been campaigning to save for three years. | 0:06:56 | 0:06:59 | |
Built in the late 1800s, this huge house | 0:07:00 | 0:07:03 | |
and industrial unit had been empty for over 20 years. | 0:07:03 | 0:07:06 | |
The plot itself was potentially worth as much as £1 million. | 0:07:07 | 0:07:12 | |
The previous owner kept it primarily to house two classic cars. | 0:07:12 | 0:07:16 | |
The owner had left it to get into a really poor condition | 0:07:16 | 0:07:19 | |
and due to the fact that all the different problems | 0:07:19 | 0:07:22 | |
that we'd come across, we were looking to take possession. | 0:07:22 | 0:07:25 | |
For a long time, Jason struggled to find the owner and inevitably, | 0:07:25 | 0:07:29 | |
the building became of concern to the community. | 0:07:29 | 0:07:32 | |
In recent years, it's quite serious. | 0:07:32 | 0:07:35 | |
We've had squatters on a number of occasions. | 0:07:35 | 0:07:37 | |
Basically, it was just overrun and wild. | 0:07:37 | 0:07:41 | |
Eventually, after much pressure from Jason, | 0:07:41 | 0:07:44 | |
the place was sold to a local developer | 0:07:44 | 0:07:46 | |
who was converting it into two large houses. | 0:07:46 | 0:07:48 | |
-Are we good? -Nice to see you. | 0:07:48 | 0:07:50 | |
Jason met with the developer and the council planning officer | 0:07:51 | 0:07:54 | |
to see how the works were progressing. | 0:07:54 | 0:07:56 | |
-We're going to retain the original house which is this part here. -Mm-hm. | 0:07:59 | 0:08:02 | |
And the extension which is added on much later, | 0:08:02 | 0:08:05 | |
we're going to extend the roof across and turn into a completely separate dwelling | 0:08:05 | 0:08:08 | |
which will be a three-bedroom house but we'll preserve | 0:08:08 | 0:08:11 | |
the character of the old house on the front facade and at the rear, | 0:08:11 | 0:08:15 | |
we're obviously going to change it somewhat to bring it up | 0:08:15 | 0:08:18 | |
to more like today's requirements. | 0:08:18 | 0:08:21 | |
So it's going to be a modern, contemporary house on the inside... | 0:08:21 | 0:08:24 | |
-Yeah. -..but the original features on the outside. | 0:08:24 | 0:08:27 | |
While the building wasn't listed, it was located | 0:08:27 | 0:08:30 | |
in a conservation area so the council were keen to retain | 0:08:30 | 0:08:33 | |
its original character. | 0:08:33 | 0:08:35 | |
It's like it's one house as opposed to two | 0:08:36 | 0:08:38 | |
so it looks like it was all the original building as opposed to | 0:08:38 | 0:08:41 | |
the printworks off the side at the moment which looks like an addition. | 0:08:41 | 0:08:44 | |
Preserving all the original features with the wooden windows and the | 0:08:44 | 0:08:47 | |
railings back to the outside, it's going to look stunning building. | 0:08:47 | 0:08:50 | |
Really impressive. | 0:08:50 | 0:08:51 | |
So after 25 years, | 0:08:51 | 0:08:53 | |
the future for this beautiful house was looking much brighter. | 0:08:53 | 0:08:57 | |
-Thanks very much. Nice to see you. -Thank you, take care. -Cheers, bye. -Bye-bye. | 0:08:57 | 0:09:00 | |
'Without Jason chasing around some of these empty properties, | 0:09:00 | 0:09:03 | |
'they would sit and become more and more derelict | 0:09:03 | 0:09:06 | |
'for years and years and years. | 0:09:06 | 0:09:07 | |
'It's not for lack of people trying to track down the owners,' | 0:09:07 | 0:09:11 | |
it's their reluctance to actually sell these properties. | 0:09:11 | 0:09:13 | |
Today, Jason is back in Richmond to see the near-completed project. | 0:09:15 | 0:09:19 | |
The first impressions of the building, | 0:09:22 | 0:09:24 | |
it looks absolutely amazing. | 0:09:24 | 0:09:26 | |
It's absolutely nothing like what it was before. | 0:09:26 | 0:09:28 | |
I just can't wait to see inside it. | 0:09:28 | 0:09:30 | |
He's arranged to meet the new owner, Clifford Hamilton, | 0:09:30 | 0:09:33 | |
on-site for a guided tour. | 0:09:33 | 0:09:34 | |
Cliff. Hi, Jason. How are you doing, all right? | 0:09:34 | 0:09:36 | |
-Very good. -What do you think, starting to look a bit better? | 0:09:36 | 0:09:39 | |
Looks amazing, doesn't it? From a few months back, | 0:09:39 | 0:09:41 | |
-would never have thought it'd look anything like this. -It's a massive transformation. | 0:09:41 | 0:09:45 | |
As you know, all the Crittall windows, we've taken out, | 0:09:45 | 0:09:48 | |
we took out the doors from the garage | 0:09:48 | 0:09:50 | |
and obviously we put a roof on and blended it in. | 0:09:50 | 0:09:53 | |
-Would you like to have a look inside? -Absolutely, yeah. | 0:09:53 | 0:09:55 | |
-Come round and have a look. -OK, lead the way. | 0:09:55 | 0:09:58 | |
Clifford has transformed this once-crumbling edifice in this | 0:09:58 | 0:10:02 | |
prominent location into two impressive family abodes. | 0:10:02 | 0:10:06 | |
Wow. | 0:10:08 | 0:10:10 | |
You see, this is how all empty properties I have an involvement in | 0:10:10 | 0:10:13 | |
should look afterwards when they're brought back into use. | 0:10:13 | 0:10:16 | |
We're very pleased with how it's turned out. | 0:10:16 | 0:10:19 | |
Clearly, no expense was spared on this refurbishment. | 0:10:19 | 0:10:22 | |
We put this huge skylight in which lets in a lot of light. | 0:10:23 | 0:10:27 | |
It's really good. The media system's just going in at the moment. | 0:10:27 | 0:10:30 | |
It's not quite finished but by the time it's finished, | 0:10:30 | 0:10:32 | |
we'll have a small cabinet down below | 0:10:32 | 0:10:35 | |
and you'll be able to sit and lounge in... | 0:10:35 | 0:10:37 | |
It's a kitchen/family room, really. | 0:10:37 | 0:10:40 | |
This house's homely renaissance has taken over a year | 0:10:40 | 0:10:43 | |
and provided a few nerve-racking moments. | 0:10:43 | 0:10:46 | |
During the excavation of the concrete floor in that area | 0:10:46 | 0:10:49 | |
over there were two World War I bombs which caused | 0:10:49 | 0:10:51 | |
a bit of excitement, we had the bomb squad down here, | 0:10:51 | 0:10:54 | |
we shut the road off for a few hours | 0:10:54 | 0:10:56 | |
and had to move on but fortuitously, we haven't found anything since. | 0:10:56 | 0:11:00 | |
We should be safe, then. I'll tread carefully! | 0:11:00 | 0:11:03 | |
This five-bedroom, three-bathroom family house | 0:11:03 | 0:11:06 | |
has been renovated to a high standard | 0:11:06 | 0:11:08 | |
and will carry a hefty price tag | 0:11:08 | 0:11:10 | |
when it goes on the market in a few weeks. | 0:11:10 | 0:11:13 | |
We received loads of complaints about this place leading up to it | 0:11:13 | 0:11:17 | |
being sold and you buying it. | 0:11:17 | 0:11:19 | |
Is everybody happy in the area now that...? | 0:11:19 | 0:11:21 | |
Is the feedback good from the work you carried out? | 0:11:21 | 0:11:24 | |
I think most of the residents have stopped and shaken my hand | 0:11:24 | 0:11:26 | |
as they've gone by. They really are pleased with the way | 0:11:26 | 0:11:29 | |
the corner's lifted. | 0:11:29 | 0:11:30 | |
Clifford was determined to restore this grand Victorian home | 0:11:30 | 0:11:33 | |
rather than knocking it down and building flat which had been | 0:11:33 | 0:11:36 | |
the intention of the many other prospective buyers. | 0:11:36 | 0:11:39 | |
The old saying "old is gold" is very true. | 0:11:39 | 0:11:41 | |
It's a wonderful-looking building, | 0:11:41 | 0:11:43 | |
it's brought back to live for another 100 years. | 0:11:43 | 0:11:46 | |
-Old on the outside, then looks like this. -New on the inside. | 0:11:46 | 0:11:48 | |
The reason this property's so exciting for me | 0:11:51 | 0:11:53 | |
is that it's been empty for so long, looked really, really bad. | 0:11:53 | 0:11:56 | |
It was an absolute eyesore in the whole neighbourhood. | 0:11:56 | 0:11:58 | |
It's in such a prominent position | 0:11:58 | 0:12:00 | |
and now to see it returned to use, to me, | 0:12:00 | 0:12:02 | |
that's an absolutely fantastic success. | 0:12:02 | 0:12:04 | |
Finding somewhere in the right location at the right price | 0:12:07 | 0:12:10 | |
can be just the beginning of a long and arduous journey. | 0:12:10 | 0:12:13 | |
But with imagination - not to mention quite a lot of hard graft - | 0:12:13 | 0:12:16 | |
really, anything is possible. | 0:12:16 | 0:12:18 | |
Six years ago, Tim and Lindsay Keyes bought this abandoned former chapel | 0:12:25 | 0:12:28 | |
in Flintshire with plans to turn it into a luxurious family home. | 0:12:28 | 0:12:32 | |
-It was derelict. -Empty shell. Nothing in it at all. | 0:12:36 | 0:12:39 | |
No floors, nothing, basically. | 0:12:39 | 0:12:42 | |
We have to try and imagine putting the floors in, dividing the rooms up. | 0:12:43 | 0:12:50 | |
It was a black canvas, you could do with it whatever you want. | 0:12:50 | 0:12:53 | |
Built in 1865, this Gothic building was attached to the nearby convent. | 0:12:57 | 0:13:01 | |
It was used as an orphanage until it closed its doors in 1977 | 0:13:02 | 0:13:07 | |
and has laid empty ever since. | 0:13:07 | 0:13:08 | |
The Keyes paid £160,000 for the church | 0:13:14 | 0:13:17 | |
and had the same amount again for renovations. | 0:13:17 | 0:13:20 | |
But a build that was supposed to take six months ran behind schedule, | 0:13:20 | 0:13:24 | |
and ended up taking 11 months to complete. | 0:13:24 | 0:13:27 | |
You expect to see progress every time you come | 0:13:27 | 0:13:30 | |
and it can get you down, it can be disappointing. | 0:13:30 | 0:13:35 | |
There are times when you just think, "What am I doing this for?" | 0:13:35 | 0:13:38 | |
You know, "What have I let myself in for? We're nowhere near finished." | 0:13:38 | 0:13:43 | |
But there are also times where it makes massive strides. | 0:13:44 | 0:13:48 | |
The creative vision is all down to Tim and Lindsay. | 0:13:50 | 0:13:53 | |
They only called in an architect | 0:13:53 | 0:13:55 | |
once it was time to draw up the final plans. | 0:13:55 | 0:13:58 | |
The couple installed a second floor | 0:13:58 | 0:14:00 | |
to create a more intimate space upstairs, | 0:14:00 | 0:14:02 | |
but decided to leave the ground floor open | 0:14:02 | 0:14:05 | |
to show off the building's Gothic grandeur. | 0:14:05 | 0:14:07 | |
-It's difficult to get the balance between old and new. -New. | 0:14:11 | 0:14:16 | |
We kept downstairs old more, didn't we? | 0:14:16 | 0:14:18 | |
And the upstairs a bit more up to date. | 0:14:18 | 0:14:21 | |
This is a fabulous place to live, fantastic place. | 0:14:21 | 0:14:24 | |
Earlier in the programme, I met first-time renovator Michael Hims | 0:14:29 | 0:14:32 | |
who, with the help of his mum, had bought an empty 1930s house. | 0:14:32 | 0:14:37 | |
He wanted to renovate the property all by himself, | 0:14:37 | 0:14:39 | |
stamping his own individual style on his new home. | 0:14:39 | 0:14:42 | |
To help Michael, I took him to see Wayne and Elaine Kelly | 0:14:44 | 0:14:47 | |
who'd bought a dated semi-detached house | 0:14:47 | 0:14:49 | |
and used their know-how to bring it back to its modern best. | 0:14:49 | 0:14:52 | |
Wayne and Elaine bought the three-bed semi | 0:14:54 | 0:14:56 | |
with a view to renovating it. | 0:14:56 | 0:14:58 | |
Built in 1938, the house had only ever had one owner before them. | 0:14:58 | 0:15:02 | |
The previous occupant had passed away | 0:15:02 | 0:15:05 | |
and the house was left empty for over two years | 0:15:05 | 0:15:07 | |
and was in serious need of renovation when they took it on. | 0:15:07 | 0:15:11 | |
It needed completely rewiring. | 0:15:11 | 0:15:13 | |
We knew it needed completely replastering. | 0:15:13 | 0:15:16 | |
We could see the potential for a kitchen extension on the back. | 0:15:16 | 0:15:21 | |
Wayne, a builder, | 0:15:21 | 0:15:22 | |
had tackled the majority of the work himself, just as Michael intended. | 0:15:22 | 0:15:27 | |
But even with Wayne's experience, | 0:15:27 | 0:15:29 | |
juggling their jobs alongside their own renovation was tough. | 0:15:29 | 0:15:32 | |
-Trying to work all day and then you have to come here at night. -Yeah. | 0:15:32 | 0:15:37 | |
Work the weekends. It is very stressful. | 0:15:37 | 0:15:42 | |
And Wayne's professional experience had certainly helped the budget. | 0:15:42 | 0:15:46 | |
The benefits - the renovation with Wayne being a builder - | 0:15:46 | 0:15:50 | |
was just a massive help. | 0:15:50 | 0:15:51 | |
I would say that we've probably saved over £40,000 in labour charges | 0:15:51 | 0:15:57 | |
by renovating the house ourselves. | 0:15:57 | 0:16:00 | |
'Even though this project was on a bigger scale than Michael's, | 0:16:00 | 0:16:03 | |
'I'd hoped that he and Fiona | 0:16:03 | 0:16:05 | |
'would be able to glean some useful advice from his visit.' | 0:16:05 | 0:16:08 | |
Guys, this is lovely. | 0:16:08 | 0:16:09 | |
So, you have a bit of experience in doing this kind of renovation. | 0:16:09 | 0:16:13 | |
-Is that fair? -Yeah. | 0:16:13 | 0:16:15 | |
I am in the building trade and this is our third renovation. | 0:16:15 | 0:16:19 | |
How much of the work does that mean you can do yourself | 0:16:19 | 0:16:22 | |
when you take on a project like this? | 0:16:22 | 0:16:24 | |
-We could probably do about 90% of the work ourselves. -Right. | 0:16:24 | 0:16:29 | |
Mike's been incredibly brave and done everything himself. | 0:16:29 | 0:16:32 | |
Brave or stupid, it's one of the two! | 0:16:32 | 0:16:33 | |
Yeah, brave/stupid, we'll weigh it up! | 0:16:33 | 0:16:36 | |
In a place like this, you look at the walls | 0:16:36 | 0:16:38 | |
and you almost take it for granted how straight and smooth | 0:16:38 | 0:16:41 | |
everything is, but how important is it to get that exactly write? | 0:16:41 | 0:16:45 | |
I think it's very important because when you apply the paint, | 0:16:45 | 0:16:49 | |
if the finish isn't just right, any lights | 0:16:49 | 0:16:52 | |
will show up any imperfections | 0:16:52 | 0:16:55 | |
on the walls, so it does pay to have a professional do the job for you. | 0:16:55 | 0:17:02 | |
It's a similar sized house, | 0:17:02 | 0:17:04 | |
what does it cost to get a plasterer in for a house like this? | 0:17:04 | 0:17:08 | |
OK, this size of house, if Mike was boarding it himself, | 0:17:08 | 0:17:13 | |
-I would say approximately £1,500. -That's nothing too shocking. | 0:17:13 | 0:17:17 | |
-I could still afford it if I had to. -Yeah. "If you HAD to." | 0:17:17 | 0:17:20 | |
You're still contemplating giving it a go. | 0:17:20 | 0:17:23 | |
I'm giving everything else a go, so it makes sense for me | 0:17:23 | 0:17:26 | |
to see it all the way through, as it were. | 0:17:26 | 0:17:28 | |
-If the quality's not up to scratch, then I'll happily get someone else in to do it. -Yeah. | 0:17:28 | 0:17:32 | |
'I was keen for Michael and Fiona to see more | 0:17:33 | 0:17:35 | |
'and to talk further about the reality of renovation budgets.' | 0:17:35 | 0:17:39 | |
-So here we are. This is the master bedroom? -Yes, that's right. | 0:17:41 | 0:17:45 | |
I know it took you about 18 months to do the renovation in total. | 0:17:45 | 0:17:48 | |
What did you THINK it was going to cost you, | 0:17:48 | 0:17:51 | |
and then what did it ACTUALLY cost you? | 0:17:51 | 0:17:53 | |
-Well, we thought it would cost about £30,000... -Right. | 0:17:53 | 0:17:57 | |
..to completely renovate the house. | 0:17:57 | 0:17:59 | |
But it probably cost more like £40,000. | 0:17:59 | 0:18:03 | |
It was mainly the fixtures and fittings. | 0:18:03 | 0:18:06 | |
How do you feel about money, listening to that? | 0:18:06 | 0:18:08 | |
So far, because I'm still on budget, | 0:18:08 | 0:18:11 | |
I guess I'm not that yet concerned that I'm going to be over. | 0:18:11 | 0:18:15 | |
Yeah, but if we break it down, you've got £3,000 left. | 0:18:15 | 0:18:19 | |
Ha! Yeah. | 0:18:19 | 0:18:20 | |
-And at least half of that's going to a plasterer. -Potentially! | 0:18:20 | 0:18:24 | |
-Potentially! -Yeah. -So there's going to be a bit of a squeeze. You don't have to be... | 0:18:24 | 0:18:29 | |
-We'll see what it comes to. If it goes over, it goes over. -Yeah. | 0:18:29 | 0:18:33 | |
'Later in the programme, we'll catch up with Michael to see | 0:18:33 | 0:18:36 | |
'if he did tackle every task on his build and if his budget stretched.' | 0:18:36 | 0:18:40 | |
The UK is facing a housing crisis and for every two families | 0:18:45 | 0:18:49 | |
that need a place to live, there's a property lying empty. | 0:18:49 | 0:18:52 | |
There are nearly a million vacant homes across the UK | 0:18:52 | 0:18:56 | |
and almost 300,000 of these have been abandoned | 0:18:56 | 0:18:58 | |
for six months or more. | 0:18:58 | 0:19:00 | |
Some empty properties stand alone, they're complete one-offs, | 0:19:02 | 0:19:05 | |
while in other cases, whole areas have fallen into decline leaving | 0:19:05 | 0:19:08 | |
large numbers of derelict dwellings. | 0:19:08 | 0:19:11 | |
In these situations, it's really difficult for individuals | 0:19:11 | 0:19:14 | |
or developers to really make a difference | 0:19:14 | 0:19:16 | |
and that's why the Government have created a scheme to help | 0:19:16 | 0:19:19 | |
turn around these abandoned streets. | 0:19:19 | 0:19:22 | |
'Last year, we learned that the Government were going to | 0:19:22 | 0:19:25 | |
'allocate funding of £50 million to bring clusters of empty homes | 0:19:25 | 0:19:29 | |
'back into use. | 0:19:29 | 0:19:30 | |
'I met up with David Ireland from the Empty Homes Agency to see what sort | 0:19:31 | 0:19:35 | |
'of impact he thought this project would have on our housing problem.' | 0:19:35 | 0:19:39 | |
How does this fund differ from funds that have previously | 0:19:39 | 0:19:41 | |
been made available by the Government? | 0:19:41 | 0:19:43 | |
This is about groups of empty properties so whereas previous funds | 0:19:43 | 0:19:47 | |
are about getting individual properties back into use | 0:19:47 | 0:19:49 | |
and getting them into affordable housing, this is about dealing | 0:19:49 | 0:19:52 | |
with whole blocks of empty properties like the ones we've got behind us. | 0:19:52 | 0:19:55 | |
There'd be little point in doing just one of those houses, | 0:19:55 | 0:19:58 | |
because who'd want to live in amongst all that dereliction? | 0:19:58 | 0:20:00 | |
What you need to do is deal with all of them at once. | 0:20:00 | 0:20:03 | |
And that costs a lot of money | 0:20:03 | 0:20:04 | |
and that's why there is a need for a fund. | 0:20:04 | 0:20:06 | |
So, this really could make a huge difference to whole neighbourhoods? | 0:20:06 | 0:20:10 | |
There are areas of the country where there are huge amounts of empty | 0:20:10 | 0:20:13 | |
properties and before, it's been very difficult to bring all those back into use at once | 0:20:13 | 0:20:17 | |
so I think this will help in bringing probably a fairly small number of | 0:20:17 | 0:20:21 | |
neighbourhoods but bringing...doing a lot of good in that small number. | 0:20:21 | 0:20:25 | |
Today, less than one year later, Stoke-on-Trent have been | 0:20:26 | 0:20:29 | |
awarded £1.5 million from the cluster fund which has been | 0:20:29 | 0:20:33 | |
matched by the council to regenerate the depressed area. | 0:20:33 | 0:20:37 | |
Over the last decade, the Cobridge area of Stoke has become | 0:20:39 | 0:20:42 | |
blighted with abandoned properties | 0:20:42 | 0:20:44 | |
and there's real concern for the future of the community here. | 0:20:44 | 0:20:48 | |
David Ireland is encouraged by the innovative way | 0:20:48 | 0:20:50 | |
that Stoke Council intends to use their awarded fund. | 0:20:50 | 0:20:54 | |
The scheme here is what's called homesteading, | 0:20:54 | 0:20:57 | |
the council will sell these properties for £1, | 0:20:57 | 0:20:59 | |
which sounds like a fantastic bargain, but what it does mean | 0:20:59 | 0:21:02 | |
is that people will need to do the properties up themselves | 0:21:02 | 0:21:05 | |
and they'll get a loan from the council to enable them to do so. | 0:21:05 | 0:21:08 | |
The new owners will be able to borrow up to | 0:21:08 | 0:21:10 | |
£30,000 at a reduced interest rate to spend on renovating their homes | 0:21:10 | 0:21:15 | |
and it's hoped this incentive will draw people back to these streets. | 0:21:15 | 0:21:20 | |
The cluster fund is going to pay for the loans which enable people | 0:21:20 | 0:21:24 | |
to bring these properties back into use so it's actually | 0:21:24 | 0:21:27 | |
the cluster funds which made this scheme possible | 0:21:27 | 0:21:29 | |
in the way that it's being done. | 0:21:29 | 0:21:31 | |
The thinking here has been that nobody wants to live in these areas. | 0:21:31 | 0:21:34 | |
And I think that thinking was wrong. | 0:21:34 | 0:21:37 | |
What the truth was is that nobody could afford to | 0:21:37 | 0:21:39 | |
live in here at the prices that were being asked. | 0:21:39 | 0:21:42 | |
By changing the prices | 0:21:42 | 0:21:43 | |
and making it very, very affordable, | 0:21:43 | 0:21:45 | |
you actually find there's a lot of demand | 0:21:45 | 0:21:47 | |
and the interest which has already been shown | 0:21:47 | 0:21:49 | |
in these has been absolutely enormous. | 0:21:49 | 0:21:51 | |
That's very encouraging because it shows lots of people | 0:21:51 | 0:21:53 | |
want to come here and get these houses back into use | 0:21:53 | 0:21:56 | |
and that's got to be a very, very good thing for the future. | 0:21:56 | 0:21:59 | |
The council have already had success with a similar scheme less | 0:21:59 | 0:22:02 | |
than a mile away in Middleport. | 0:22:02 | 0:22:04 | |
The houses that we saw in Cobridge are exactly the same structure | 0:22:04 | 0:22:08 | |
as these and in fact, a year or so ago, | 0:22:08 | 0:22:11 | |
these ones looked exactly the same. | 0:22:11 | 0:22:13 | |
So, this proves what can be done and what can happen. | 0:22:13 | 0:22:16 | |
And hopefully in a few months' time, | 0:22:16 | 0:22:18 | |
we'll see the streets in Cobridge looking the same as this. | 0:22:18 | 0:22:21 | |
When I first met novice DIY renovator, Michael, | 0:22:22 | 0:22:25 | |
he'd bought a three-bedroom house in Birmingham. | 0:22:25 | 0:22:28 | |
I'm looking to do an integrated audiovisual system, make | 0:22:28 | 0:22:31 | |
the house react towards what you're doing and what your daily routine is, as it were. | 0:22:31 | 0:22:35 | |
Although he'd just started his renovation, | 0:22:35 | 0:22:37 | |
he'd already spent 12,000 of his £15,000 budget. | 0:22:37 | 0:22:41 | |
I'm back in Birmingham to catch up with Mike. | 0:22:42 | 0:22:45 | |
This isn't a property that was ever going to change | 0:22:45 | 0:22:47 | |
hugely from the outside and, to be honest, it hasn't, really. | 0:22:47 | 0:22:50 | |
But I'm very intrigued to see inside | 0:22:50 | 0:22:52 | |
to find out how he's been getting on. | 0:22:52 | 0:22:54 | |
'Michael had planned to turn this standard 1930s semi-detached | 0:22:55 | 0:22:59 | |
'house into a hi-tech bachelor pad.' | 0:22:59 | 0:23:01 | |
Hey, Mike, how are you doing? | 0:23:01 | 0:23:03 | |
Can I come and have a look? | 0:23:04 | 0:23:06 | |
'And with his mum acting as a financial guarantor, it was | 0:23:06 | 0:23:09 | |
'in everybody's interest to complete the renovation on schedule.' | 0:23:09 | 0:23:13 | |
This has definitely come on. Some big changes here. | 0:23:13 | 0:23:15 | |
Last time, they were joists all exposed, you'd stripped | 0:23:15 | 0:23:17 | |
everything back and you say you put lots of cables through. | 0:23:17 | 0:23:21 | |
-So, is your vision of a hi-tech home still on course? -Yes, definitely. | 0:23:21 | 0:23:25 | |
-The screen's still in, it's still staying where it is. -Good. | 0:23:25 | 0:23:29 | |
And everything's still going to plan. | 0:23:29 | 0:23:30 | |
We talked a lot about plastering, | 0:23:30 | 0:23:32 | |
whether you were going to do it yourself. What happened, did you get someone in? | 0:23:32 | 0:23:35 | |
Yeah, I had one in. His handiwork is what you see today, really. | 0:23:35 | 0:23:38 | |
It's a lot better now than what was before | 0:23:38 | 0:23:41 | |
and I'm much happier with it. | 0:23:41 | 0:23:42 | |
'Clearly, the house still has a long way to go | 0:23:42 | 0:23:45 | |
'but when you're doing the majority of the work yourself | 0:23:45 | 0:23:48 | |
'and you're on a tight budget, it's an uphill struggle.' | 0:23:48 | 0:23:51 | |
So you're fitting in your job, uni and working on the house. | 0:23:51 | 0:23:54 | |
What time are you getting up every day? | 0:23:54 | 0:23:56 | |
I get up at four o'clock in the morning now. | 0:23:56 | 0:23:58 | |
If you have time, you come back to the house? | 0:23:58 | 0:24:00 | |
Yeah, and obviously got weekends as well, | 0:24:00 | 0:24:02 | |
I do it between work and house as well. | 0:24:02 | 0:24:04 | |
But it's still going ahead, albeit a bit slower than it was before. | 0:24:04 | 0:24:08 | |
That shows just how dedicated you have to be. | 0:24:08 | 0:24:11 | |
That's really impressive. | 0:24:11 | 0:24:12 | |
'And this ambitious project hasn't been helped by an opportunist | 0:24:12 | 0:24:15 | |
'who took a shine to Michael's lead roof.' | 0:24:15 | 0:24:17 | |
The bay window at the front, that was a lead roof, that got pinched. | 0:24:17 | 0:24:20 | |
-Somebody actually nicked your roof?! -I had to put a new fibreglass roof on there, | 0:24:20 | 0:24:24 | |
and that has to comply with regulations as well. | 0:24:24 | 0:24:26 | |
Because it was completely exposed. It wasn't watertight. | 0:24:26 | 0:24:29 | |
-Oh, God. You can't plan for that, can you? -No. | 0:24:29 | 0:24:32 | |
'Against the odds, this 22-year-old has managed to do almost | 0:24:32 | 0:24:36 | |
'everything himself, including the electrics and the plumbing. | 0:24:36 | 0:24:40 | |
'And his masterplan of creating a hi-tech digital house | 0:24:40 | 0:24:44 | |
'is still on course.' | 0:24:44 | 0:24:45 | |
Is this a plan of what you'll be doing? | 0:24:47 | 0:24:49 | |
Yeah, here it is. You can see the television in the middle | 0:24:49 | 0:24:51 | |
and then the alcove either side with a large bench thing | 0:24:51 | 0:24:54 | |
-you can see behind me. -That's already in, OK. | 0:24:54 | 0:24:56 | |
And then the idea is the speakers pop out of there | 0:24:56 | 0:24:59 | |
-for the home cinema system. -The speakers pop out? -Yeah. | 0:24:59 | 0:25:01 | |
So, you press a button and the speakers rise up out of that unit? | 0:25:01 | 0:25:04 | |
The screen comes down from the ceiling | 0:25:04 | 0:25:06 | |
and the speakers then come up as well so then everything | 0:25:06 | 0:25:09 | |
changes from a normal living room to an absolute home cinema. | 0:25:09 | 0:25:12 | |
To a home cinema. I like the vision. What do you make of that, Fiona? | 0:25:12 | 0:25:15 | |
-This is good, isn't it? -It's fantastic. | 0:25:15 | 0:25:17 | |
We've been looking at this for quite a few times over the last few months | 0:25:17 | 0:25:20 | |
-and I'm very proud of him. Looks great. -Yeah. -Really good. | 0:25:20 | 0:25:23 | |
'Upstairs, Michael is justifiably proud of the bathroom he's | 0:25:29 | 0:25:32 | |
'created single-handedly, and the other rooms are taking shape too.' | 0:25:32 | 0:25:37 | |
Well, this is looking good. This is very nearly finished. | 0:25:37 | 0:25:40 | |
Yeah, this room's virtually all my own handiwork. | 0:25:40 | 0:25:42 | |
These tiles can be pretty tricky because you get them | 0:25:42 | 0:25:45 | |
slightly out, you really notice it. How have you found it? | 0:25:45 | 0:25:48 | |
Yeah, cos I put the walls in as well, | 0:25:48 | 0:25:50 | |
I had to make sure the walls were perfectly square. | 0:25:50 | 0:25:52 | |
It was a challenge at first, getting the hang of it, | 0:25:52 | 0:25:54 | |
-but it's gone quite well overall. Quite happy with it. -Yeah. | 0:25:54 | 0:25:57 | |
You've done some of the plumbing as well? | 0:25:57 | 0:25:59 | |
All the plumbing, I've done myself. | 0:25:59 | 0:26:00 | |
It must be a tremendous satisfaction thinking, "I've built this room." | 0:26:00 | 0:26:04 | |
-That must feel great. -Yeah, there definitely is. | 0:26:04 | 0:26:06 | |
Fiona, last time, you did happen to mention on camera that you would... | 0:26:06 | 0:26:11 | |
or you EXPECTED Mike might move out by June 2012. | 0:26:11 | 0:26:15 | |
Did that happen? | 0:26:15 | 0:26:16 | |
He did move out when he said | 0:26:16 | 0:26:20 | |
-and now he's moved back in! -But it sounds like you're close to finally... | 0:26:20 | 0:26:24 | |
-We're close to him moving out permanently. -Yeah. | 0:26:24 | 0:26:26 | |
So I think we're saying, what, a couple of weeks? | 0:26:26 | 0:26:28 | |
-Yeah, couple of weeks. -Couple of weeks. -We've said it on camera! | 0:26:28 | 0:26:31 | |
-So it must happen. -Would that be a good thing? Bit more space? | 0:26:31 | 0:26:35 | |
-Bit more space, definitely, yes. -Very good. -So, yes, that'll all work out, hopefully. | 0:26:35 | 0:26:40 | |
Well, I'm incredibly impressed with everything you've done. Fitting so much in. | 0:26:40 | 0:26:43 | |
It doesn't seem like you're that far off. | 0:26:43 | 0:26:46 | |
-So, impressive, good luck with it. -Thank you. | 0:26:46 | 0:26:48 | |
-Hope you get there very soon. -Cheers. | 0:26:48 | 0:26:51 | |
I'm impressed with everything Michael's done. | 0:26:51 | 0:26:53 | |
OK, he hasn't been able to keep up with the pace of that early progress | 0:26:53 | 0:26:56 | |
but even so, things are definitely happening | 0:26:56 | 0:26:58 | |
and also what I really like is he stuck to his ideals, | 0:26:58 | 0:27:01 | |
that he really wanted this hi-tech home. | 0:27:01 | 0:27:04 | |
Reality hasn't weighed in, hasn't changed any of that, | 0:27:04 | 0:27:06 | |
that's exactly what he's going to have. | 0:27:06 | 0:27:09 | |
And isn't he going to have a swish gadget pad? All the best to him. | 0:27:09 | 0:27:13 | |
Subtitles by Red Bee Media Ltd | 0:27:32 | 0:27:34 |