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Over the years, Britain's Empty Homes has been a mission to show | 0:00:02 | 0:00:05 | |
what can be done to revitalise and transform | 0:00:05 | 0:00:08 | |
some of the UK's estimated one million empty properties. | 0:00:08 | 0:00:11 | |
-Hi, there. I'm Joe. -Hi, nice to see you. -Nice to meet you. | 0:00:11 | 0:00:15 | |
In this series, I'll be catching up with some of the people who took the plunge | 0:00:15 | 0:00:19 | |
and staked everything on turning unloved houses into bespoke family homes. | 0:00:19 | 0:00:24 | |
Today, I'll be catching up with a couple from an earlier series | 0:00:28 | 0:00:32 | |
who were inspired to take on an abandoned property after we showed them some of Britain's empty homes. | 0:00:32 | 0:00:37 | |
This is a brilliant space. So much light coming through. | 0:00:37 | 0:00:40 | |
We'll also catch up with the empty property officers, who dedicate themselves | 0:00:42 | 0:00:45 | |
to turning abandoned properties back into usable homes. | 0:00:45 | 0:00:48 | |
The property looks absolutely brilliant. | 0:00:48 | 0:00:51 | |
A complete transformation. | 0:00:51 | 0:00:53 | |
And we'll be tracking one community's last-gasp attempt | 0:00:53 | 0:00:56 | |
to save swathes of Victorian terraced housing from demolition. | 0:00:56 | 0:01:00 | |
There is a commitment from the council and housing associations | 0:01:00 | 0:01:03 | |
to retain these houses in these streets, which is fantastic news. | 0:01:03 | 0:01:06 | |
Back in 2009, we met Martin and Louise Worsley, | 0:01:06 | 0:01:10 | |
who were looking to trade their London flat | 0:01:10 | 0:01:12 | |
for a characterful period house in the country. | 0:01:12 | 0:01:15 | |
Martin and Louise had been renting a two-bed flat in south-west London, | 0:01:18 | 0:01:22 | |
and were looking to buy their first place together. | 0:01:22 | 0:01:25 | |
We've been officially going out for about 18 months, | 0:01:25 | 0:01:29 | |
but we've known each other from nearer eight years. | 0:01:29 | 0:01:33 | |
I've been a firm believer in charity cases, supporting the needy, | 0:01:33 | 0:01:37 | |
and looking after Lou is one of those opportunities | 0:01:37 | 0:01:40 | |
to give back to society. | 0:01:40 | 0:01:42 | |
When love blossomed, Louise had moved from the country | 0:01:42 | 0:01:45 | |
with her dog Meg into Martin's bachelor pad. | 0:01:45 | 0:01:47 | |
Which is absolutely gorgeous, | 0:01:47 | 0:01:50 | |
but it's underneath the flight path, which makes it a little bit noisy. | 0:01:50 | 0:01:54 | |
4.30 in the morning they start. Nnng! | 0:01:54 | 0:01:56 | |
Louise was working from home, but Martin works in the City | 0:01:56 | 0:02:00 | |
so they needed to be close to London, | 0:02:00 | 0:02:03 | |
putting them in that expensive commuter belt territory. | 0:02:03 | 0:02:06 | |
Not that that lowered their sights. | 0:02:06 | 0:02:09 | |
I've always been a fan of Victorian and Georgian houses, | 0:02:09 | 0:02:12 | |
similar to the ones you find in Pride And Prejudice, | 0:02:12 | 0:02:14 | |
something that really has a lot of character and history about it. | 0:02:14 | 0:02:18 | |
The main thing is space. We both love big, open-plan houses, | 0:02:18 | 0:02:22 | |
and either have a big garden or have a small garden but access into fields. | 0:02:22 | 0:02:26 | |
Jules Hudson met up with Martin and Louise to show them | 0:02:27 | 0:02:31 | |
a rather dilapidated, empty Victorian property that might fit the bill, | 0:02:31 | 0:02:35 | |
in the heart of the idyllic village of Grayshott in Hampshire, | 0:02:35 | 0:02:38 | |
and at just under an hour from London by train, | 0:02:38 | 0:02:41 | |
perfectly suited for Martin's commute. | 0:02:41 | 0:02:44 | |
This place is one of the oldest buildings in the village, about 200 years old. | 0:02:44 | 0:02:48 | |
That aside, it hasn't really been touched since the '30s, | 0:02:48 | 0:02:52 | |
so there are loads and loads of beautiful original features in here. | 0:02:52 | 0:02:56 | |
The previous occupant was a protected tenant who had lived there all their life, | 0:02:56 | 0:03:02 | |
but when we visited, it had been standing empty for seven months | 0:03:02 | 0:03:05 | |
and was on the market for £300,000, | 0:03:05 | 0:03:09 | |
exactly half of Martin and Louise's £600,000 budget. | 0:03:09 | 0:03:12 | |
I like it. I like the features, in particular the fireplace. | 0:03:14 | 0:03:19 | |
It's bigger than it looked from the outside | 0:03:19 | 0:03:21 | |
and it's great seeing the natural light coming in, so high ceilings... | 0:03:21 | 0:03:25 | |
-On the right tracks. -On the right tracks? Brilliant. | 0:03:25 | 0:03:28 | |
Well, there's lots more to explore. Come and have a look through here. | 0:03:28 | 0:03:32 | |
Come into here, Louise, because I'm thinking this would be the kitchen. | 0:03:32 | 0:03:36 | |
You've got lovely brickwork reveals around the doorway. | 0:03:36 | 0:03:39 | |
Over the years, this place has been all kinds of things. | 0:03:39 | 0:03:41 | |
It's been a laundry, it's been a cafe, it's been a B&B. | 0:03:41 | 0:03:45 | |
This goes through to a kind of utility area. Look at this. | 0:03:45 | 0:03:49 | |
I do like the features, but if you could knock through this wall, make it larger, | 0:03:49 | 0:03:53 | |
it makes it very interesting. | 0:03:53 | 0:03:55 | |
The upstairs was split into two entirely separate areas. | 0:03:55 | 0:03:59 | |
The main section, reached by the stairs in the hallway, | 0:03:59 | 0:04:02 | |
led up to three bedrooms. And then there were more stairs at the back. | 0:04:02 | 0:04:07 | |
I've got a few plans here which will help us | 0:04:07 | 0:04:10 | |
make sense of this weird geography. Come and have a look up here. | 0:04:10 | 0:04:13 | |
At the top of the back stairs was a second area, which contained a loo, a bathroom and this... | 0:04:13 | 0:04:19 | |
-Wow. -This is enormous, isn't it? -Yeah. | 0:04:19 | 0:04:22 | |
-It just goes on and on and on. Still interesting? -Yes. -Definitely. | 0:04:22 | 0:04:27 | |
-OK, good. -A challenge. -Well, you're going to be in London paying for it all. | 0:04:27 | 0:04:31 | |
You're going to be here working, though, and we've got a perfect little office space for you. | 0:04:31 | 0:04:35 | |
Come with me. Come and have a look outside. | 0:04:35 | 0:04:38 | |
OK. In fairness to you, Louise, | 0:04:42 | 0:04:44 | |
it's not the acres that you perhaps might have dreamt of, | 0:04:44 | 0:04:48 | |
but I did bring you out here to promise you somewhere to work, and what I'm suggesting is this. | 0:04:48 | 0:04:53 | |
It's an old laundry. | 0:04:53 | 0:04:54 | |
-But it would offer you somewhere to actually go to work. -My commute. | 0:04:54 | 0:04:59 | |
Yeah. Well, let's do the commute. Come on, follow me through here. | 0:04:59 | 0:05:03 | |
-I think this is quite a useful little space, really. -Yeah. | 0:05:03 | 0:05:08 | |
-It would be a really cosy place to work. -Yeah. | 0:05:08 | 0:05:11 | |
Obviously, it needs a new roof and a few other bits and pieces, | 0:05:11 | 0:05:16 | |
probably a damp course, and at least you've got it separate from home. | 0:05:16 | 0:05:19 | |
-Interesting? -Yeah. -Very much so. -Good. Worth coming? -Definitely. -Excellent. | 0:05:19 | 0:05:25 | |
So, things were off to a good start. | 0:05:25 | 0:05:28 | |
Later, we'll see what Martin and Louise thought of the second property | 0:05:28 | 0:05:32 | |
they were shown around - an empty three-bedroom semi-detached cottage | 0:05:32 | 0:05:35 | |
in a beautiful rural setting. | 0:05:35 | 0:05:37 | |
Throughout Britain, it's not just private buyers like Martin and Louise | 0:05:37 | 0:05:41 | |
working to turn deserted properties into functioning family homes. | 0:05:41 | 0:05:44 | |
Local council empty property officers work tirelessly | 0:05:44 | 0:05:47 | |
to track down the owners of abandoned houses | 0:05:47 | 0:05:50 | |
and get these places back into circulation. | 0:05:50 | 0:05:53 | |
A year ago, we caught up with empty property officer | 0:05:53 | 0:05:56 | |
Jason Hall in Waveney, north-east Suffolk, | 0:05:56 | 0:06:00 | |
on his way to check up on a house he was well acquainted with. | 0:06:00 | 0:06:03 | |
After sitting vacant for eight years, it had finally been bought | 0:06:03 | 0:06:07 | |
by a local developer with a £10,000 grant from the council. | 0:06:07 | 0:06:12 | |
Today, I'm going along to have a look at progress, | 0:06:12 | 0:06:15 | |
so we can get some people moved into the property. | 0:06:15 | 0:06:18 | |
Jason was meeting the developer to see how the plans were progressing | 0:06:18 | 0:06:22 | |
and to find out when new tenants would be able to move in. | 0:06:22 | 0:06:26 | |
-Hi, Philip. How are you? -All right. You'll be pleasantly surprised. | 0:06:26 | 0:06:30 | |
Much of the house was not only uninhabitable, | 0:06:30 | 0:06:34 | |
but it was also unsafe. | 0:06:34 | 0:06:35 | |
While there was still plenty to do, | 0:06:37 | 0:06:39 | |
things had clearly moved on since Jason's previous visit. | 0:06:39 | 0:06:42 | |
OK, it looks a lot different out here now. | 0:06:44 | 0:06:47 | |
I take it that's a new addition. What have you done in the roof? | 0:06:47 | 0:06:50 | |
We've re-roofed it, we've re-insulated the roof, | 0:06:50 | 0:06:54 | |
-put a new dormer on. -What's in the dormer? | 0:06:54 | 0:06:56 | |
-That'll be a shower room. -OK. -The windows are being replaced. | 0:06:56 | 0:07:00 | |
-I mean, this room, from memory, this was the old kitchen, was it? -Yeah. | 0:07:00 | 0:07:03 | |
Obviously, you've taken the whole lot down. What's it going to be? | 0:07:03 | 0:07:07 | |
-This'll be kitchen, small utility room, bathroom. -Yeah. | 0:07:07 | 0:07:11 | |
There's lots going on. Have you come across any problems? | 0:07:11 | 0:07:14 | |
-The main problem is, this entire house is built on filled land. -OK. | 0:07:14 | 0:07:17 | |
So, we had to go down six feet to hit it sand and soil to put the foundations in, | 0:07:17 | 0:07:22 | |
but we've got past that stage now. | 0:07:22 | 0:07:24 | |
And along with those changes, new foundations had been laid, | 0:07:27 | 0:07:31 | |
and also, a new staircase to allow for safe access to the top floor of the property. | 0:07:31 | 0:07:36 | |
Wow. This one is a lot different to when I came last, as well. | 0:07:36 | 0:07:41 | |
That section was all timber falling in, broken, wasn't it? | 0:07:41 | 0:07:45 | |
-That's where the pigeons were getting in. -Yeah, I remember it. | 0:07:45 | 0:07:48 | |
-The skirting is to match the character of the house. -Yes. | 0:07:48 | 0:07:51 | |
-So the taller ones. -Yes, the taller skirtings. | 0:07:51 | 0:07:54 | |
Big question now is, when is it going to be finished? | 0:07:54 | 0:07:57 | |
The extension goes up next week, so six weeks, | 0:07:57 | 0:08:00 | |
two months at the outside. | 0:08:00 | 0:08:01 | |
-Not too long to wait now, then. -No. -Excellent. Well, I mean, | 0:08:01 | 0:08:04 | |
you can see from now the way it is and the way it's coming together, | 0:08:04 | 0:08:07 | |
it's going to make a fantastic family home | 0:08:07 | 0:08:09 | |
and we can't wait to get some people in it. | 0:08:09 | 0:08:11 | |
Excellent. Thank you. | 0:08:11 | 0:08:13 | |
A year later, Jason's come back to meet Philip | 0:08:19 | 0:08:22 | |
-and see how the building has progressed. -Morning, Philip. | 0:08:22 | 0:08:24 | |
-Good to see you. -Morning. | 0:08:24 | 0:08:26 | |
The property looks absolutely brilliant. | 0:08:26 | 0:08:28 | |
A complete transformation from last time I came here. | 0:08:28 | 0:08:30 | |
I mean, it looks like you've done so much. | 0:08:30 | 0:08:32 | |
-This is how the property would have looked originally. -Yeah. | 0:08:32 | 0:08:35 | |
We've had the brickwork cleaned up. | 0:08:35 | 0:08:36 | |
-Because it was really dark, wasn't it, before? -Yeah. | 0:08:36 | 0:08:39 | |
-Repointed it, tidied one or two of the arches up. New windows. -Yeah. | 0:08:39 | 0:08:43 | |
-New front door. -It looks really, really good. | 0:08:43 | 0:08:46 | |
-Do you want to have a look inside? -Yeah. -Excellent. | 0:08:46 | 0:08:49 | |
This property is one of many in Waveney which has been | 0:08:49 | 0:08:52 | |
brought back to life thanks to the council's drive | 0:08:52 | 0:08:54 | |
to create social housing using their developers' grant system. | 0:08:54 | 0:08:58 | |
Wow. Again, the same as outside - what a transformation. | 0:09:02 | 0:09:05 | |
It looks absolutely amazing. Like I said, the quality | 0:09:05 | 0:09:08 | |
and the standard that you've done it to in here | 0:09:08 | 0:09:10 | |
looks really, really good. I mean, last time I came, no heating, | 0:09:10 | 0:09:13 | |
there was nothing in here, was there? It was a complete mess. | 0:09:13 | 0:09:17 | |
And it looks really modern and really good. | 0:09:17 | 0:09:19 | |
Basically, we've done what we would like to do. | 0:09:19 | 0:09:22 | |
You know, what we thought was right for the house. | 0:09:22 | 0:09:25 | |
It probably cost us about £40,000 in the end | 0:09:25 | 0:09:27 | |
-to get all this work done. -Yeah. | 0:09:27 | 0:09:29 | |
£18,000 of the renovation budget went on building a rear extension, | 0:09:29 | 0:09:33 | |
which houses the kitchen and the bathroom. | 0:09:33 | 0:09:36 | |
This, again, is all very different to last time. | 0:09:38 | 0:09:40 | |
Last time we'd have been stood in the back garden here, wouldn't we? | 0:09:40 | 0:09:43 | |
And the only thing I can remember being there | 0:09:43 | 0:09:46 | |
last time was just a single door. | 0:09:46 | 0:09:48 | |
You've put in a nice family bathroom down here, | 0:09:49 | 0:09:51 | |
cos there wasn't a bathroom in the whole place before, | 0:09:51 | 0:09:54 | |
so it's nice to see there's one been put on the back here | 0:09:54 | 0:09:57 | |
which looks really good. | 0:09:57 | 0:09:59 | |
Not only have we done that bathroom, | 0:09:59 | 0:10:00 | |
we've also put another bathroom in upstairs, | 0:10:00 | 0:10:03 | |
which is extra space, and I'll show you. | 0:10:03 | 0:10:05 | |
Excellent. | 0:10:05 | 0:10:07 | |
Upstairs there are three finished bedrooms, | 0:10:08 | 0:10:10 | |
and at the very top of the house, | 0:10:10 | 0:10:12 | |
Philip has squeezed in a shower room. | 0:10:12 | 0:10:13 | |
Once we got the new staircase in, | 0:10:15 | 0:10:16 | |
we managed to form a bedroom at the front | 0:10:16 | 0:10:19 | |
and a second bathroom up here by creating the dormer window. | 0:10:19 | 0:10:23 | |
Excellent. Thanks for showing me around. | 0:10:23 | 0:10:25 | |
It's been really, really good. | 0:10:25 | 0:10:27 | |
When this house was taken on, it had been empty for at least eight years. | 0:10:28 | 0:10:32 | |
Now it's been turned into a comfortable home for a family | 0:10:32 | 0:10:35 | |
who were previously on the council waiting list. | 0:10:35 | 0:10:38 | |
The property was in a really poor condition beforehand | 0:10:38 | 0:10:41 | |
and now it's been completely changed around. | 0:10:41 | 0:10:43 | |
It's had the extension put on the back, | 0:10:43 | 0:10:45 | |
and for the council, it ticks so many boxes. | 0:10:45 | 0:10:47 | |
It brings an empty property back into use, | 0:10:47 | 0:10:50 | |
it creates a decent home, | 0:10:50 | 0:10:51 | |
and it brings somebody off the temporary accommodation waiting list | 0:10:51 | 0:10:55 | |
into permanent accommodation. I'm really pleased with what | 0:10:55 | 0:10:58 | |
we've seen today. | 0:10:58 | 0:11:00 | |
Throughout the country, there are some spectacular homes | 0:11:02 | 0:11:04 | |
slowly crumbling into ruins, but in ruins, | 0:11:04 | 0:11:07 | |
there's always potential, and it can be truly inspiring | 0:11:07 | 0:11:10 | |
to meet people who have invested their time, their money, | 0:11:10 | 0:11:13 | |
their energy, rescuing once majestic family homes. | 0:11:13 | 0:11:17 | |
In Powys, mid Wales, | 0:11:23 | 0:11:24 | |
architectural woodworker John Nethercott and his wife Annie | 0:11:24 | 0:11:27 | |
turned an abandoned 16th-century manor house | 0:11:27 | 0:11:30 | |
into a spectacular family home. | 0:11:30 | 0:11:32 | |
We drove into the yard and it was winter. | 0:11:34 | 0:11:37 | |
It was gloomy, it was wet, it was really horrible, | 0:11:37 | 0:11:41 | |
and the whole house was clad in concrete because I think they were | 0:11:41 | 0:11:43 | |
trying to keep the weather out, | 0:11:43 | 0:11:45 | |
and there was this extraordinary lump on the front of the house | 0:11:45 | 0:11:47 | |
which John said, "Ah, that's an oriel window." | 0:11:47 | 0:11:50 | |
So we set to because of John's enthusiasm and knowledge | 0:11:50 | 0:11:53 | |
as much as anything. | 0:11:53 | 0:11:55 | |
And basically because of John's understanding of the genre, | 0:11:57 | 0:12:02 | |
I suppose, you listened to the house, really, didn't you, | 0:12:02 | 0:12:05 | |
I think is what it boils down to, and let the house speak. | 0:12:05 | 0:12:08 | |
This property had been empty for over a year and a half. | 0:12:09 | 0:12:13 | |
It was in quite a state when John and Annie discovered it. | 0:12:13 | 0:12:17 | |
The real trouble starts with these things when you start | 0:12:25 | 0:12:28 | |
taking out the stuff that you know doesn't belong | 0:12:28 | 0:12:30 | |
to the original fabric. | 0:12:30 | 0:12:32 | |
And we were very fortunate here for the house not to be listed, | 0:12:32 | 0:12:36 | |
so we carried on letting the house speak to us - | 0:12:36 | 0:12:39 | |
where the walls should or shouldn't be, | 0:12:39 | 0:12:41 | |
where the windows should or shouldn't be. | 0:12:41 | 0:12:43 | |
And it wasn't rocket science, to be quite honest. | 0:12:43 | 0:12:45 | |
The house told us what to do next. | 0:12:45 | 0:12:47 | |
We just decided to go for it, | 0:12:51 | 0:12:54 | |
and I think if we'd thought about the amount of work | 0:12:54 | 0:12:56 | |
and the amount of time and the amount of money | 0:12:56 | 0:12:58 | |
it actually cost, it would have scared us, but having said that, | 0:12:58 | 0:13:02 | |
I didn't regret a single minute of it. | 0:13:02 | 0:13:05 | |
The couple snapped up this incredible place | 0:13:05 | 0:13:08 | |
for the bargain price of £45,000. | 0:13:08 | 0:13:11 | |
It took them 25 years to restore and cost them around £425,000. | 0:13:11 | 0:13:18 | |
All of John and Annie's careful work paid off, though. | 0:13:20 | 0:13:23 | |
Their home was valued at over £1 million. | 0:13:23 | 0:13:26 | |
And as an extra bonus, | 0:13:28 | 0:13:30 | |
the manor was reinstated as a Grade II listed property. | 0:13:30 | 0:13:33 | |
I feel really proud that we've re-presented it to the world, | 0:13:36 | 0:13:40 | |
because the person who built it in the first instance | 0:13:40 | 0:13:42 | |
was a very fine craftsman, and to be able to re-establish it | 0:13:42 | 0:13:45 | |
as a beautiful place is, I think... | 0:13:45 | 0:13:48 | |
you know, I'm proud of it and I think it's a privilege, | 0:13:48 | 0:13:51 | |
-really, that we were able to do it. -Yes. | 0:13:51 | 0:13:53 | |
Earlier, we saw Martin and Louise Worsley explore | 0:13:55 | 0:13:58 | |
an enormous 200-year-old house, untouched since the 1930s. | 0:13:58 | 0:14:02 | |
But to give them perspective, we also took them | 0:14:02 | 0:14:05 | |
to see a property couched in an acre of Hampshire woodland. | 0:14:05 | 0:14:08 | |
'Six miles from a mainline station, | 0:14:10 | 0:14:12 | |
'this three-bedroom cottage was handy | 0:14:12 | 0:14:14 | |
'for Martin's commute to London. | 0:14:14 | 0:14:16 | |
'It had only been empty for a month, so it was in far better | 0:14:16 | 0:14:20 | |
'condition than the first property we showed them. | 0:14:20 | 0:14:23 | |
'It was also well within their £600,000 budget.' | 0:14:23 | 0:14:26 | |
-This is on the market for £475,000. -Wow. -The setting is stunning. | 0:14:26 | 0:14:32 | |
Right in the middle of the woods. Very rural. | 0:14:32 | 0:14:35 | |
And unlike our earlier property, | 0:14:35 | 0:14:37 | |
-this one you could actually kind of move into. -Oh, right. | 0:14:37 | 0:14:40 | |
And you do get an awful lot with it. Come with me. | 0:14:40 | 0:14:44 | |
'Larger neighbouring properties were valued at well over £700,000, | 0:14:44 | 0:14:48 | |
'so at £475,000, this was a bit of a bargain. | 0:14:48 | 0:14:53 | |
'Built in 1850, then extended in the 1950s, | 0:14:53 | 0:14:56 | |
'this semi-detached cottage was a little on the small side, | 0:14:56 | 0:14:59 | |
'but there was plenty of room for expansion.' | 0:14:59 | 0:15:02 | |
It's very airy. It's very light. | 0:15:02 | 0:15:05 | |
There's lots of bright light coming in, which is great. | 0:15:05 | 0:15:07 | |
Once again, ceilings are surprisingly tall. | 0:15:07 | 0:15:09 | |
What we're standing in now is effectively a 1950s extension, | 0:15:09 | 0:15:13 | |
hence the greater proportions. | 0:15:13 | 0:15:16 | |
As we go through, the old bit, well, it's all there too. | 0:15:16 | 0:15:19 | |
Come and have a look at this. | 0:15:19 | 0:15:21 | |
You can see by the height of the ceilings that this is the old | 0:15:21 | 0:15:24 | |
cottage-y bit. Here's your diner bit, and in there you've got... | 0:15:24 | 0:15:28 | |
Not a badly appointed galley kitchen. | 0:15:28 | 0:15:31 | |
Certainly you could walk in and just get on with it if you wanted to. | 0:15:31 | 0:15:34 | |
It's a nice, once again, light, airy space. | 0:15:34 | 0:15:37 | |
I like the idea that we can just walk straight | 0:15:37 | 0:15:39 | |
out into the garden, having a little back door there. | 0:15:39 | 0:15:42 | |
'Upstairs, there was a new bathroom...' | 0:15:45 | 0:15:48 | |
'Three good-sized bedrooms...' | 0:15:49 | 0:15:51 | |
'And a shower room.' | 0:15:52 | 0:15:54 | |
'But it was the garden that was the real | 0:15:54 | 0:15:56 | |
'jewel in the crown of this property.' | 0:15:56 | 0:15:58 | |
So as you can see, it is technically a semi-detached. | 0:15:59 | 0:16:03 | |
Your bit is the white bit, the neighbours are the cream bit. | 0:16:03 | 0:16:08 | |
But you also get an acre with it... | 0:16:08 | 0:16:12 | |
..of that woodland. OK? | 0:16:14 | 0:16:16 | |
So you've got a garden with quite an interesting kind of topology | 0:16:16 | 0:16:20 | |
to it, and geography. So it's not all flat. | 0:16:20 | 0:16:22 | |
You do get an acre of fun for Meg, a bit of garden for you | 0:16:22 | 0:16:27 | |
and a very, very quiet spot. | 0:16:27 | 0:16:29 | |
Absolutely amazing, especially the acre of woodland put onto this. | 0:16:29 | 0:16:33 | |
It is just huge, and very exciting with such a great garden. | 0:16:33 | 0:16:36 | |
It's quite a difficult fit, getting people that want to be | 0:16:36 | 0:16:39 | |
so close to the capital, for obvious reasons, | 0:16:39 | 0:16:41 | |
because essentially, we're up against commuter belt territory. | 0:16:41 | 0:16:45 | |
But because it's empty, because it needs a bit doing to it, | 0:16:45 | 0:16:47 | |
you know, you're well within budget, and all this land. | 0:16:47 | 0:16:52 | |
And the woodland. | 0:16:52 | 0:16:53 | |
'Later we'll find out what Louise and Martin decided to do | 0:16:53 | 0:16:57 | |
'and whether they dared take the plunge.' | 0:16:57 | 0:17:00 | |
Over a year ago, I was in Granby, Liverpool, | 0:17:00 | 0:17:02 | |
where a phenomenal amount of houses lay boarded up and empty, | 0:17:02 | 0:17:06 | |
making ghost streets out of once thriving communities. | 0:17:06 | 0:17:10 | |
'Row after row of increasingly dilapidated Victorian terraces | 0:17:12 | 0:17:16 | |
'faced an uncertain future, | 0:17:16 | 0:17:18 | |
'and despite local residents wanting them | 0:17:18 | 0:17:21 | |
'to be brought back into use, | 0:17:21 | 0:17:22 | |
'the reality was that the majority were earmarked by the council | 0:17:22 | 0:17:26 | |
'for demolition to be replaced by new builds. | 0:17:26 | 0:17:29 | |
'But the council's plans have been caught up in red tape | 0:17:29 | 0:17:32 | |
'and bureaucracy, leaving hundreds of houses boarded up. | 0:17:32 | 0:17:36 | |
'I went to meet Jonathan Brown, a town planner and member | 0:17:38 | 0:17:41 | |
'of the Liverpool Civic Society, | 0:17:41 | 0:17:42 | |
'who'd been campaigning to save these streets.' | 0:17:42 | 0:17:45 | |
Help me make sense of this. When we're looking round here, | 0:17:45 | 0:17:47 | |
we're not talking about a few houses that are boarded up, | 0:17:47 | 0:17:50 | |
we're talking about streets and streets. | 0:17:50 | 0:17:51 | |
Why have they been boarded up for so long? | 0:17:51 | 0:17:54 | |
You have to track back probably ten years or more, really, to understand | 0:17:54 | 0:17:58 | |
that there's a policy to knock down over 20,000 houses | 0:17:58 | 0:18:01 | |
across Merseyside because there were seen to be too many | 0:18:01 | 0:18:04 | |
for the population that has, of course, shrunk | 0:18:04 | 0:18:06 | |
since its height before the war. | 0:18:06 | 0:18:09 | |
It's just such a waste of building resources, but also money. | 0:18:09 | 0:18:12 | |
There must be a lot of money tied up in these places, | 0:18:12 | 0:18:15 | |
-public money as well. -Absolutely. | 0:18:15 | 0:18:17 | |
Hundreds of millions has been spent in Liverpool alone | 0:18:17 | 0:18:19 | |
just to buy up, board up and potentially bulldoze, | 0:18:19 | 0:18:22 | |
although thankfully they have not yet been bulldozed. | 0:18:22 | 0:18:25 | |
And now we're left in this limbo land, | 0:18:25 | 0:18:27 | |
so the important thing is, where do we go from here? | 0:18:27 | 0:18:29 | |
So how much hope is there | 0:18:29 | 0:18:31 | |
that many of these can be saved from the bulldozer? | 0:18:31 | 0:18:33 | |
As we can see, they're still in pretty fair condition, | 0:18:33 | 0:18:36 | |
given the neglect that they've had. | 0:18:36 | 0:18:37 | |
There's still the prospect, | 0:18:37 | 0:18:39 | |
I think, of putting people to work on them, to learn skills. | 0:18:39 | 0:18:41 | |
For example, people who are unemployed | 0:18:41 | 0:18:43 | |
and looking for a job could work and train in these houses. | 0:18:43 | 0:18:46 | |
We know that there are investors lined up, | 0:18:46 | 0:18:48 | |
keen to get stuck in if they can get hold of the properties. | 0:18:48 | 0:18:51 | |
I think, while they still stand, there is hope, | 0:18:51 | 0:18:53 | |
but something needs to change, clearly. | 0:18:53 | 0:18:56 | |
We would call on the government to sit down with the council | 0:18:56 | 0:18:59 | |
and take a new approach, really, | 0:18:59 | 0:19:00 | |
and try and work with local residents to get this sorted out. | 0:19:00 | 0:19:04 | |
It really is shocking to see buildings sitting here in this state. | 0:19:09 | 0:19:13 | |
And it's not just a few of them. Street after street, | 0:19:13 | 0:19:15 | |
whole neighbourhoods, that are now ghost towns. | 0:19:15 | 0:19:19 | |
But there are still a few residents around here, | 0:19:19 | 0:19:21 | |
and they're determined to keep the community sprit alive. | 0:19:21 | 0:19:25 | |
'In the street where Eleanor Lee and Carole Foulder live, | 0:19:25 | 0:19:29 | |
'only eight out of the 60 houses were actually occupied. | 0:19:29 | 0:19:32 | |
'These two were doing their best to keep their community alive | 0:19:32 | 0:19:35 | |
'and the bulldozers at bay. | 0:19:35 | 0:19:37 | |
'Alongside their long-running campaign, | 0:19:38 | 0:19:41 | |
'Eleanor and Carol had made it their mission to brighten up the street.' | 0:19:41 | 0:19:45 | |
In a sense, this community felt like it got forgotten. | 0:19:45 | 0:19:48 | |
People moved out, the buildings more or less boarded up. | 0:19:48 | 0:19:51 | |
But you've taken it on and you've done your best to try | 0:19:51 | 0:19:55 | |
and keep life here. How have you done that? | 0:19:55 | 0:19:57 | |
Talk me through some of the little touches that you've done | 0:19:57 | 0:20:00 | |
to reclaim control of the streets. | 0:20:00 | 0:20:02 | |
We started connecting to each house that was lived in. | 0:20:02 | 0:20:06 | |
So we started green links and then we started painting | 0:20:06 | 0:20:10 | |
and then we just expanded, so that we'd done.... | 0:20:10 | 0:20:14 | |
Oh, it's over 50 houses now. | 0:20:14 | 0:20:16 | |
And it's quite a nice feeling when you think, | 0:20:16 | 0:20:19 | |
"I'll do the house next door. That looks quite nice. | 0:20:19 | 0:20:22 | |
"Put a few more plants in that one down there." | 0:20:22 | 0:20:25 | |
And that's how it took off. | 0:20:25 | 0:20:26 | |
There are some plans for development now. | 0:20:26 | 0:20:29 | |
What are they? What's in store? | 0:20:29 | 0:20:31 | |
The city council in our four streets, they own 130 properties, | 0:20:31 | 0:20:36 | |
and they've put those as a block out to tender to a developer. | 0:20:36 | 0:20:41 | |
There'll be some demolitions, I imagine, | 0:20:41 | 0:20:43 | |
but the focus of it is refurbishment. | 0:20:43 | 0:20:45 | |
On the face of it, that seems like good news. | 0:20:45 | 0:20:48 | |
But what would YOU like to see happen here? | 0:20:48 | 0:20:50 | |
At the moment, it's like one size fits all. | 0:20:50 | 0:20:52 | |
It's like it moves as a block, | 0:20:52 | 0:20:55 | |
and no individuals can buy into it, | 0:20:55 | 0:20:57 | |
So our preferred option would have been | 0:20:57 | 0:21:00 | |
to allow members...individuals | 0:21:00 | 0:21:03 | |
to buy cheap | 0:21:03 | 0:21:05 | |
and do them up at their own rate. | 0:21:05 | 0:21:09 | |
There is still hope, so I wish you all the best with that. | 0:21:09 | 0:21:11 | |
-Oh, there's a lot of hope. -Onward, onward! -Onward! | 0:21:11 | 0:21:14 | |
That's exactly it. | 0:21:14 | 0:21:17 | |
'Today, 18 months on, and we've returned | 0:21:17 | 0:21:20 | |
'to Granby in Liverpool. | 0:21:20 | 0:21:22 | |
'The houses in these streets are now safe | 0:21:22 | 0:21:25 | |
'from the bulldozer. | 0:21:25 | 0:21:27 | |
'The local council have vowed to regenerate the houses in the area | 0:21:27 | 0:21:31 | |
'and are keen to work with local residents like Carol and Eleanor | 0:21:31 | 0:21:34 | |
'so that together they can save these homes and at long last breathe life | 0:21:34 | 0:21:37 | |
'back into Granby.' | 0:21:37 | 0:21:40 | |
The idea of demolition was a terrible thing. | 0:21:40 | 0:21:44 | |
Because we literally lived in limbo for easily 20 years. | 0:21:44 | 0:21:48 | |
We didn't know whether to put a new roof on our house... | 0:21:48 | 0:21:52 | |
what to do. | 0:21:52 | 0:21:54 | |
And now, | 0:21:54 | 0:21:56 | |
that has definitely been lifted. | 0:21:56 | 0:21:58 | |
Liverpool City Council have also been awarded £30 million | 0:21:58 | 0:22:02 | |
to regenerate their housing stock. | 0:22:02 | 0:22:04 | |
Jonathan Brown hopes previous renovations in nearby streets | 0:22:04 | 0:22:07 | |
will now be rolled out across Granby. | 0:22:07 | 0:22:10 | |
We can see from our houses on the right here | 0:22:10 | 0:22:12 | |
where these were renovated at the end of the '90s | 0:22:12 | 0:22:15 | |
and we'd like to see this happen on Cairns Street. | 0:22:15 | 0:22:18 | |
Not rocket science, as they say. Simple renovations. | 0:22:18 | 0:22:20 | |
Roll it across these empty streets | 0:22:20 | 0:22:23 | |
and allow people to do some of that work themselves, too. | 0:22:23 | 0:22:25 | |
Keeping their community together has been a long battle | 0:22:25 | 0:22:28 | |
for Eleanor and Carol, | 0:22:28 | 0:22:30 | |
but finally it's beginning to look like there is some light | 0:22:30 | 0:22:33 | |
at the end of the tunnel. | 0:22:33 | 0:22:34 | |
There is now a commitment from the council and the housing associations | 0:22:34 | 0:22:37 | |
to retain these houses in these streets, which is fantastic news. | 0:22:37 | 0:22:40 | |
That's a tribute to the residents, | 0:22:40 | 0:22:42 | |
who've campaigned for a long time to save these streets. | 0:22:42 | 0:22:46 | |
Back in 2009, we met Martin and Louise Worsley, | 0:22:49 | 0:22:52 | |
They were looking for a house with character, with space, | 0:22:52 | 0:22:55 | |
with bags of potential. | 0:22:55 | 0:22:57 | |
They were very impressed with the two properties we showed them. | 0:22:57 | 0:23:00 | |
So I've come back to meet them and find out what | 0:23:00 | 0:23:03 | |
they did next. | 0:23:03 | 0:23:05 | |
'In the end, Martin and Louise decided they weren't quite ready | 0:23:05 | 0:23:09 | |
to leave London just yet, | 0:23:09 | 0:23:10 | |
'but thanks to their time on Britain's Empty Homes, | 0:23:10 | 0:23:13 | |
'they caught the bug for taking on an empty property. | 0:23:13 | 0:23:16 | |
'And they found one of their own, in Southfields, near Wimbledon. | 0:23:16 | 0:23:20 | |
'This three-bedroomed terrace cost £585,000. | 0:23:20 | 0:23:24 | |
'It had previously been rented out as three separate rooms | 0:23:24 | 0:23:27 | |
'and was very dated, | 0:23:27 | 0:23:29 | |
'complete with an outside toilet that housed the boiler.' | 0:23:29 | 0:23:32 | |
-Good morning, how are you doing? -Very well. | 0:23:32 | 0:23:34 | |
Louise, nice to meet you. Martin. Who's this little fella? | 0:23:34 | 0:23:38 | |
This is Toby. | 0:23:38 | 0:23:39 | |
That's been a big change since we saw you last. | 0:23:39 | 0:23:41 | |
Very big change. | 0:23:41 | 0:23:43 | |
-How old's Toby now? -Seven months old. -Fantastic. | 0:23:43 | 0:23:46 | |
When we saw you 3½ years ago, | 0:23:46 | 0:23:49 | |
you looked at these two properties. What happened next? | 0:23:49 | 0:23:51 | |
We thought long and hard about it and came to the conclusion | 0:23:51 | 0:23:55 | |
that being a little closer into London | 0:23:55 | 0:23:57 | |
is probably what we needed at the moment. | 0:23:57 | 0:23:59 | |
So we spent some time looking around, | 0:23:59 | 0:24:02 | |
and we had some really good friends in the area, | 0:24:02 | 0:24:04 | |
so we settled in Southfields. | 0:24:04 | 0:24:05 | |
-Let's look inside and see what you've achieved with your hard work. -OK. | 0:24:05 | 0:24:09 | |
A brilliant space! so much light coming through. | 0:24:16 | 0:24:19 | |
Tell me what it was like down here and what you did. | 0:24:19 | 0:24:21 | |
The wall used to be literally across here and the back door. | 0:24:21 | 0:24:24 | |
The kitchen was in this area now, | 0:24:24 | 0:24:26 | |
where we have the downstairs loo. | 0:24:26 | 0:24:29 | |
So all of this bit is brand-new | 0:24:29 | 0:24:31 | |
and it's worked so well for us. | 0:24:31 | 0:24:34 | |
You open the bi-fold doors in the summer, | 0:24:34 | 0:24:37 | |
you can have lots of people round. | 0:24:37 | 0:24:39 | |
Amazing, yeah, it's a really good space. | 0:24:39 | 0:24:41 | |
You've pushed three or four metres into the garden | 0:24:41 | 0:24:43 | |
but you still have a garden, which is crucial. | 0:24:43 | 0:24:45 | |
This was about having not just a property with character, but space. | 0:24:45 | 0:24:48 | |
Where you're standing now, on the other side was a staircase | 0:24:52 | 0:24:56 | |
that went all the way up, double the size of the width here. | 0:24:56 | 0:24:59 | |
That's hard to get your head round. You're saying these stairs | 0:24:59 | 0:25:01 | |
-came up, turned and carried on going up here? -Yes. | 0:25:01 | 0:25:05 | |
And you've got rid of those so you can extend | 0:25:05 | 0:25:07 | |
-the front bedroom? -Yeah. | 0:25:07 | 0:25:08 | |
'Moving those stairs also allowed them to rip out | 0:25:08 | 0:25:11 | |
'the old bathroom and create this beautiful, bright new one. | 0:25:11 | 0:25:15 | |
'But it did come at a price as the overall renovation budget | 0:25:15 | 0:25:18 | |
'went from an estimated £70,000 to £100,000.' | 0:25:18 | 0:25:23 | |
What sorts of problems did you have, cos there's always problems | 0:25:23 | 0:25:26 | |
in a build this size? | 0:25:26 | 0:25:28 | |
We decided to do everything in one year - get married, | 0:25:28 | 0:25:30 | |
do the house. | 0:25:30 | 0:25:32 | |
We thought we'd get it all done in 3½ months or so, | 0:25:32 | 0:25:35 | |
so when we came back from honeymoon, | 0:25:35 | 0:25:37 | |
there were some bits done but still a lot of work to be done. | 0:25:37 | 0:25:40 | |
A bit of a shock, | 0:25:40 | 0:25:42 | |
to say we needed double the amount of time to get the house done. | 0:25:42 | 0:25:45 | |
The cost did start to go up. We managed to keep costs | 0:25:45 | 0:25:47 | |
as much under control as possible, | 0:25:47 | 0:25:49 | |
but the old adage of adding an extra 20%-30% on top | 0:25:49 | 0:25:52 | |
of what you imagined - absolutely. | 0:25:52 | 0:25:54 | |
This has turned out brilliantly. | 0:25:54 | 0:25:56 | |
You have great space, | 0:25:56 | 0:25:58 | |
lovely-proportioned rooms. You must be very happy with this now? | 0:25:58 | 0:26:01 | |
Very happy. | 0:26:01 | 0:26:02 | |
'It may have cost them more than they estimated in both time and money, | 0:26:02 | 0:26:05 | |
'but in the end, Martin and Louise got EXACTLY what they wanted.' | 0:26:05 | 0:26:08 | |
It's been quite a journey. You got married had a baby, | 0:26:08 | 0:26:12 | |
there's even another dog, I think they've multiplied | 0:26:12 | 0:26:15 | |
since you were last on the programme! | 0:26:15 | 0:26:17 | |
We'd love to go into the country when it fits the lifestyle we want, | 0:26:17 | 0:26:20 | |
but for now London works really well, on the outskirts, | 0:26:20 | 0:26:23 | |
but we would definitely look for another empty home at some point. | 0:26:23 | 0:26:27 | |
And that next property will be an empty property, | 0:26:27 | 0:26:29 | |
so you've caught the bug? | 0:26:29 | 0:26:30 | |
Yeah, we love being able to stamp your own mark on it | 0:26:30 | 0:26:33 | |
and renovate, so we'll definitely look for another property to do up. | 0:26:33 | 0:26:36 | |
Amazing. It's really good to hear. | 0:26:36 | 0:26:38 | |
It's a wonderful home. I'm pleased it's turned out so well. | 0:26:38 | 0:26:41 | |
Hopefully it was worth the six months of extra grey hairs. | 0:26:41 | 0:26:44 | |
-SHE LAUGHS -Definitely. | 0:26:44 | 0:26:46 | |
-It sounds like it was, so many congratulations. -Thank you. | 0:26:46 | 0:26:49 | |
It's great everything's turned out so well for Martin and Louise. | 0:26:56 | 0:26:59 | |
This is a really lovely home. | 0:26:59 | 0:27:00 | |
And lovely to see they've reaped the rewards | 0:27:00 | 0:27:03 | |
and all the benefits of taking on an empty property. | 0:27:03 | 0:27:06 | |
So much so, I would say they're now hooked | 0:27:06 | 0:27:08 | |
so when they eventually grow out of this place, | 0:27:08 | 0:27:10 | |
I suspect they'll look to take on another of Britain's empty homes. | 0:27:10 | 0:27:14 | |
Subtitles by Red Bee Media Ltd | 0:27:33 | 0:27:36 |