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Over the years, Britain's Empty Homes has been on a mission to show | 0:00:02 | 0:00:06 | |
what can be down to revitalise and transform | 0:00:06 | 0:00:08 | |
some of the UK's estimated one million empty properties. | 0:00:08 | 0:00:12 | |
Here I find you, ankle deep in snow! | 0:00:12 | 0:00:15 | |
In this series, I'll be catching up with some of the people who took the plunge, | 0:00:15 | 0:00:19 | |
and staked everything on turning unloved houses | 0:00:19 | 0:00:22 | |
into bespoke family homes. | 0:00:22 | 0:00:24 | |
Today I'll be catching up with a lady from an earlier series, | 0:00:28 | 0:00:31 | |
who bought a slice of country life in the Cotswolds, | 0:00:31 | 0:00:34 | |
and I'll be seeing how she's getting on. | 0:00:34 | 0:00:37 | |
That is amazing! It's beautiful and you've kept all the original features! | 0:00:37 | 0:00:41 | |
And we'll see how the project to restore Britain's oldest concrete home is going. | 0:00:41 | 0:00:46 | |
It's wonderful that we can celebrate a piece of high technology from 1871. | 0:00:46 | 0:00:52 | |
We'll also be visiting some of the derelict dwellings | 0:00:52 | 0:00:55 | |
our property detectives have been working hard to save. | 0:00:55 | 0:00:58 | |
-You've made a great start here, haven't you? -Yeah. | 0:00:58 | 0:01:01 | |
13 months ago, I came to meet Camilla Hanchett at her chocolate box cottage in the Cotswolds. | 0:01:05 | 0:01:09 | |
Camilla had been looking for a new village to call home | 0:01:09 | 0:01:13 | |
and a new property to match. She promptly fell in love with this thatched cottage | 0:01:13 | 0:01:17 | |
which had be lying empty for some time. | 0:01:17 | 0:01:20 | |
Can I go in? | 0:01:20 | 0:01:21 | |
Camilla became the proud owner of the 300 year old building following a turbulent period in her life. | 0:01:21 | 0:01:26 | |
I had what you could call a life-changing accident. | 0:01:26 | 0:01:29 | |
I slipped and fell, broke my right arm, upper arm into four pieces. | 0:01:29 | 0:01:34 | |
I was also burgled twice in the house that I lived in. | 0:01:34 | 0:01:39 | |
And then I had a car crash. | 0:01:39 | 0:01:40 | |
So I thought, "I'm going to do something completely different." | 0:01:40 | 0:01:43 | |
I remember saying to my colleagues, "I fancy moving somewhere beautiful." | 0:01:43 | 0:01:47 | |
After 25 years of living in Berkshire, Camilla decided to move closer to some of her family | 0:01:47 | 0:01:52 | |
who lived in the picturesque village of Churchill, in the Cotswolds. | 0:01:52 | 0:01:59 | |
I've taken on a cottage that I felt very much, when I saw it, needed some love, some TLC. | 0:01:59 | 0:02:06 | |
Camilla paid £215,000 for the empty property, which needed major modernisation. | 0:02:06 | 0:02:11 | |
With help from her brother, David, Camilla rolled up her sleeves | 0:02:11 | 0:02:14 | |
and prepared to turn the cottage into the dream home where she could start her new life. | 0:02:14 | 0:02:18 | |
I want to restore it and make it beautiful again. | 0:02:20 | 0:02:22 | |
When I first met up with Camilla, I was keen to hear about her plans for this exciting new project. | 0:02:24 | 0:02:30 | |
-Hello there, I'm Joe. -Hi, I'm Camilla. -Camilla, nice to meet you. | 0:02:34 | 0:02:37 | |
My brother David. | 0:02:37 | 0:02:38 | |
-Hi. -Hello, David, how are you? It's a beautiful place. | 0:02:38 | 0:02:41 | |
What do you know about it? How long has it been empty? | 0:02:41 | 0:02:43 | |
I believe it has been empty for about three years | 0:02:43 | 0:02:45 | |
and nothing had been done to it for a very long time either. | 0:02:45 | 0:02:48 | |
-It's Grade II listed. -Intriguing. | 0:02:48 | 0:02:51 | |
About 300 years old and it had just been neglected for a long time. | 0:02:51 | 0:02:54 | |
What was your reaction when you found out your sister had bought this? | 0:02:54 | 0:02:58 | |
Pretty brave, to be honest. | 0:02:58 | 0:03:00 | |
It's not something I'm sure I'm ready to do, but fantastic. | 0:03:00 | 0:03:03 | |
Well, let's find out just how brave, shall we, | 0:03:03 | 0:03:06 | |
and pop inside and explore? | 0:03:06 | 0:03:09 | |
Wow, look at this. | 0:03:11 | 0:03:13 | |
The builders had started work on the property three weeks earlier, gutting and stripping the inside, | 0:03:13 | 0:03:20 | |
which left Camilla to figure out just how she could renovate and preserve this beautiful cottage. | 0:03:20 | 0:03:25 | |
-This will be the sitting room. -So you come straight into the sitting room. | 0:03:25 | 0:03:29 | |
What will you do with the walls, are you going to plaster? | 0:03:29 | 0:03:33 | |
We'll have all the inside of the inglenook exposed and the rest of the walls will be plastered. | 0:03:33 | 0:03:37 | |
-That is great. You've really got a lovely feature here to work with. And it's stunning, isn't it? -Yes. | 0:03:37 | 0:03:41 | |
-It is the sort of focal point of the room. -It's quirky and I like it. | 0:03:41 | 0:03:43 | |
It's got some interesting little features. | 0:03:43 | 0:03:46 | |
There's a little seat in there which the builder only uncovered last week. | 0:03:46 | 0:03:50 | |
-Possibly somewhere the homeowner would have sat to keep warm in the winter. -To keep warm. | 0:03:50 | 0:03:53 | |
-It's a lovely idea, isn't it, going back 300 years? -Yeah. -Mmm. | 0:03:53 | 0:03:57 | |
And then there's this little cupboard which, I've been told, | 0:03:57 | 0:04:00 | |
would have been used to store salt. | 0:04:00 | 0:04:03 | |
-Salt? -To keep it dry. | 0:04:03 | 0:04:05 | |
David, you saw this property when Camilla first bought it, | 0:04:05 | 0:04:08 | |
how's it looking, you know, because of the changes? | 0:04:08 | 0:04:10 | |
It's incredible. It's a complete transformation, it feels a lot bigger, a lot roomier. | 0:04:10 | 0:04:14 | |
-I know Camilla will make it into a beautiful home. -Yeah. | 0:04:14 | 0:04:16 | |
Next door to the living room was a small dining area, | 0:04:18 | 0:04:22 | |
leading into the kitchen, which Camilla has stripped back | 0:04:22 | 0:04:26 | |
to the original stonework and planned to turn into a modern country kitchen. | 0:04:26 | 0:04:30 | |
Upstairs, she intended to keep the layout the same with two bedrooms to the left of the property | 0:04:30 | 0:04:36 | |
and a sizeable bathroom to the right. | 0:04:36 | 0:04:39 | |
This is going to be the bathroom. | 0:04:39 | 0:04:41 | |
There's some great head height in there, that's very nice. | 0:04:41 | 0:04:44 | |
I know, I love that high ceiling. | 0:04:44 | 0:04:46 | |
-So presumably this is going to be your bedroom? -It is, yes. | 0:04:47 | 0:04:50 | |
It almost feels like the bottom of a boat, dare I say? | 0:04:50 | 0:04:55 | |
So what is going on here? | 0:04:55 | 0:04:56 | |
Well, I've been told by the neighbours, | 0:04:56 | 0:04:58 | |
about 25 years ago whoever owned the house decided to make it open plan downstairs | 0:04:58 | 0:05:02 | |
and took out this main supporting wall. | 0:05:02 | 0:05:04 | |
The roof then started to dip, like so, | 0:05:04 | 0:05:07 | |
and they very quickly had to reinstate a wall which they've done. | 0:05:07 | 0:05:10 | |
It's block work wall, right the way up. | 0:05:10 | 0:05:13 | |
You can see it goes up into the roof space. | 0:05:13 | 0:05:16 | |
So it did move but I've had a structural engineer sign it off. It's all OK. | 0:05:16 | 0:05:19 | |
It's stopped moving now. | 0:05:19 | 0:05:20 | |
I love all this bowing and this quirkiness. | 0:05:20 | 0:05:24 | |
It's all fine now. | 0:05:24 | 0:05:25 | |
That's the point with empty properties. You do have a chance to strip it right back. | 0:05:25 | 0:05:29 | |
This is the first time you have taken on a renovation like this, | 0:05:29 | 0:05:32 | |
what are your fears, what are the big challenges that come with this? | 0:05:32 | 0:05:37 | |
Dealing with the fact it's a listed building, although I don't want to modernise it too much. | 0:05:37 | 0:05:42 | |
I want it to be in keeping with the style of the property. | 0:05:42 | 0:05:45 | |
Do you know where you go with that? | 0:05:45 | 0:05:47 | |
Do you know what sort of style you aim for? | 0:05:47 | 0:05:50 | |
I'm uncertain, I've got a rough idea. | 0:05:50 | 0:05:53 | |
Standing out here it just looks beautiful, doesn't it? The stone is great | 0:05:55 | 0:05:58 | |
But the thatch, what a striking feature of the house. | 0:05:58 | 0:06:01 | |
-Is it the first time you've lived in a thatched cottage? -Yes, it is. | 0:06:01 | 0:06:04 | |
I'm looking forward to it. | 0:06:04 | 0:06:06 | |
Later we'll see what happened when I took Camilla to meet Lynn and Dean, | 0:06:08 | 0:06:11 | |
who had taken on a renovation project of a 200-year-old | 0:06:11 | 0:06:14 | |
thatched cottage very similar to Camilla's. | 0:06:14 | 0:06:17 | |
It is making me feel quite excited again, | 0:06:17 | 0:06:20 | |
it is such a shell at the moment. | 0:06:20 | 0:06:22 | |
Across Britain there are many buildings like Camilla's | 0:06:22 | 0:06:24 | |
just waiting to be discovered and renovated. | 0:06:24 | 0:06:27 | |
In every part of the country, | 0:06:27 | 0:06:29 | |
there is a team of empty property officers whose job it is to | 0:06:29 | 0:06:32 | |
spot these buildings and get people living in them again. | 0:06:32 | 0:06:35 | |
Birmingham empty property officer Matthew Smith leads a team | 0:06:41 | 0:06:44 | |
handling more than 2,000 cases. | 0:06:44 | 0:06:46 | |
When we caught up with him just over three years ago | 0:06:46 | 0:06:50 | |
he was on his way to a house that he had been dealing with for some time. | 0:06:50 | 0:06:53 | |
It is a really sad tale, this one, | 0:06:55 | 0:06:57 | |
the owner, who has been living in the property until the last | 0:06:57 | 0:07:00 | |
two or three months, has now been taken into residential care. | 0:07:00 | 0:07:04 | |
You will see from the look of the property that it is as bad as it gets, basically. | 0:07:04 | 0:07:08 | |
The owner was an elderly man who had struggled to care for the property. | 0:07:10 | 0:07:14 | |
It had been subject to break-ins and vandalism and the police | 0:07:14 | 0:07:17 | |
have called Matthew in to make sure that the house is secure. | 0:07:17 | 0:07:22 | |
You can see from the window frames, they are as rotten as rotten can be. | 0:07:22 | 0:07:26 | |
Broken glazing up top, curtains, basically the whole house is falling to pieces. | 0:07:26 | 0:07:31 | |
Matthew was concerned, not just for the state of this place, | 0:07:31 | 0:07:34 | |
but for the knock-on effect it would have on the whole street. | 0:07:34 | 0:07:37 | |
Properties like this will always devalue the whole neighbourhood, | 0:07:37 | 0:07:40 | |
although it is a very sensitive case, | 0:07:40 | 0:07:42 | |
in reality it is still lowering the cost of the neighbouring properties. | 0:07:42 | 0:07:46 | |
It may devalue them by 20%. | 0:07:46 | 0:07:47 | |
The house was open at the back | 0:07:48 | 0:07:50 | |
so Matthew needed to stop any further damage occurring. | 0:07:50 | 0:07:53 | |
The property always runs the risk of being set on fire, | 0:07:55 | 0:07:58 | |
antisocial behaviour, people breaking in, drug taking, all sorts of goings on. | 0:07:58 | 0:08:03 | |
Local builders were called in to make the house secure. | 0:08:03 | 0:08:07 | |
They had a quick look inside and then, | 0:08:07 | 0:08:09 | |
certain that no one was there, the building team boarded up the house. | 0:08:09 | 0:08:13 | |
Over the coming months the property will be placed in the hands of | 0:08:13 | 0:08:17 | |
a solicitor who will put the property up for sale. | 0:08:17 | 0:08:20 | |
At the end of the sad tale, hopefully there is a silver lining, | 0:08:20 | 0:08:23 | |
the owner is in residential care now being looked after. | 0:08:23 | 0:08:26 | |
From the neighbour's point of view the property will be sold, | 0:08:26 | 0:08:28 | |
repaired and done up and hopefully they will not have to live next door | 0:08:28 | 0:08:31 | |
to such a problematic property from now on. | 0:08:31 | 0:08:34 | |
Today, over three years later, Matthew is back to see | 0:08:38 | 0:08:41 | |
the property and find out if it has changed for the better. | 0:08:41 | 0:08:44 | |
It was only sold two months ago | 0:08:44 | 0:08:46 | |
but the renovation is already well under way. | 0:08:46 | 0:08:49 | |
Matthew Smith, Birmingham City Council, nice to see you. | 0:08:49 | 0:08:52 | |
The new owner, Amjad Ali, was keen to start the work as soon as possible. | 0:08:52 | 0:08:57 | |
-I'm sure the neighbours are happy already, aren't they? -I hope so. | 0:08:57 | 0:09:01 | |
There is a tree gone, last time I was here there was a tree there. | 0:09:01 | 0:09:04 | |
The first thing he did was to chop down the huge branches that | 0:09:04 | 0:09:07 | |
-overshadowed the building. -You have made a good start on the windows. | 0:09:07 | 0:09:12 | |
Yeah. | 0:09:12 | 0:09:13 | |
Double glazing. The last time I was here the woodwork was falling out. | 0:09:13 | 0:09:17 | |
I remember pressing the windows and it was coming away in my hands. | 0:09:17 | 0:09:21 | |
-Good, sturdy door, yeah. And again, the door was actually falling down. Can we have a look inside? -Yes. | 0:09:21 | 0:09:25 | |
After you. | 0:09:25 | 0:09:27 | |
You have made a difference in here. The walls are looking good. | 0:09:32 | 0:09:37 | |
It is so much lighter than before, with that tree outside it was | 0:09:37 | 0:09:40 | |
all dark when I was in here three years ago. Put new floorboards down, as well. | 0:09:40 | 0:09:46 | |
Do you want to show me upstairs? | 0:09:46 | 0:09:48 | |
The structural work is well underway, there is a new roof, | 0:09:48 | 0:09:52 | |
the house is being rewired and all the walls have been replastered. | 0:09:52 | 0:09:56 | |
-It looks better than since I was last here. Are you pleased? -Yeah. | 0:09:56 | 0:09:59 | |
Thanks for showing me around. Cheers. | 0:09:59 | 0:10:01 | |
It has been a fabulous meeting with the owner, half hour, | 0:10:05 | 0:10:08 | |
it is superb to see the property now finally being restored | 0:10:08 | 0:10:12 | |
into its former glory. | 0:10:12 | 0:10:14 | |
The neighbours will be happy, Birmingham City Council is already happy, the house looks superb | 0:10:14 | 0:10:18 | |
so I will move onto the next one. | 0:10:18 | 0:10:20 | |
Seeing the houses seems to have put a spring in Matthew's step, | 0:10:22 | 0:10:26 | |
it is a derelict wreck, but potentially a comfortable family home. | 0:10:26 | 0:10:31 | |
Transforming an empty property has its rewards | 0:10:31 | 0:10:34 | |
but it is never going to be easy. | 0:10:34 | 0:10:35 | |
However, when you speak to people who have been through it, they will tell you that the hard work, | 0:10:35 | 0:10:39 | |
the stress, the sacrifices are all worth it in the end. | 0:10:39 | 0:10:43 | |
Three years ago, Michael Cullinane and his family decided to take on | 0:10:43 | 0:10:48 | |
one half of a former prep school in Dorchester. | 0:10:48 | 0:10:51 | |
They certainly needed plenty of vision. | 0:10:51 | 0:10:54 | |
The main thing about the property that really appealed to us | 0:10:55 | 0:10:58 | |
was the size. From the road looking at it, it was four storeys, | 0:10:58 | 0:11:01 | |
so the sheer scale of the property really appealed to us. | 0:11:01 | 0:11:05 | |
The family spent almost two years working on this large end-of-terrace | 0:11:05 | 0:11:09 | |
house and now have a four-bedroom, three bathroom family home with a vast 70 metre rear garden. | 0:11:09 | 0:11:16 | |
When we first walked into this house it was vacant for two years | 0:11:18 | 0:11:21 | |
so it was incredibly damp, there was water running down the walls. | 0:11:21 | 0:11:24 | |
Without us getting it at the price we did and doing the work ourselves | 0:11:24 | 0:11:28 | |
it was impossible for us to afford such a thing. | 0:11:28 | 0:11:31 | |
They renovated one room at a time | 0:11:31 | 0:11:33 | |
with the whole family getting involved. | 0:11:33 | 0:11:35 | |
We bought the property for £265,000 and so far, to date, | 0:11:35 | 0:11:42 | |
we have spent between 85 and £90,000 doing it up. | 0:11:42 | 0:11:45 | |
As an estimate, it is probably worth about £500,000 at the moment. | 0:11:45 | 0:11:51 | |
By taking on this abandoned old school Michael and his family have | 0:11:51 | 0:11:56 | |
ended up with a home they simply couldn't have otherwise afforded. | 0:11:56 | 0:12:00 | |
One of my favourite bits in the house is the hallway floor, that leads nicely to the original staircase, | 0:12:01 | 0:12:06 | |
the original staircase is just stunning. | 0:12:06 | 0:12:09 | |
Also we have always wanted a kitchen diner and when we have parties | 0:12:09 | 0:12:13 | |
and dinner parties everyone is in the kitchen, it is the hub of the house, really. | 0:12:13 | 0:12:17 | |
This house has improved our family life completely, | 0:12:19 | 0:12:24 | |
it has given us the room to expand so I can see us being here, | 0:12:24 | 0:12:28 | |
forever really, it is a bit of a forever house. | 0:12:28 | 0:12:30 | |
Earlier in the programme I met novice renovator Camilla who had spent | 0:12:33 | 0:12:37 | |
£215,000 on a Grade II listed thatched cottage. | 0:12:37 | 0:12:41 | |
She has taken on a mammoth task | 0:12:41 | 0:12:43 | |
and had big plans to modernise the whole site. | 0:12:43 | 0:12:46 | |
So I took Camilla and her brother, David, to meet a couple who had undertaken a very similar project. | 0:12:47 | 0:12:52 | |
Lynn and her builder husband Dean bought a three-bedroom thatched cottage in Oxfordshire | 0:12:53 | 0:12:59 | |
that had stood empty for two years. | 0:12:59 | 0:13:01 | |
It was a one up, one down cottage, | 0:13:01 | 0:13:04 | |
an old traditional cottage with an old washroom at the back, no bathroom. | 0:13:04 | 0:13:08 | |
I was bowled over by it. | 0:13:10 | 0:13:13 | |
Despite the amount of work the building required to make it habitable, | 0:13:13 | 0:13:16 | |
Lynn and Dean were determined to fulfil its potential. | 0:13:16 | 0:13:19 | |
We've tried to keep the property as traditional as possible | 0:13:19 | 0:13:25 | |
and the way we've done that is by sourcing local materials. | 0:13:25 | 0:13:28 | |
We just tried to be sympathetic to the cottage. | 0:13:28 | 0:13:32 | |
Guys, thank you for having us in the cottage. The first thing I'm struck by is the similarity, actually, | 0:13:33 | 0:13:37 | |
as we walk straight in here to a really cosy room, exactly like you have. | 0:13:37 | 0:13:42 | |
Here we have a wood-burning stove. Was this always here, or something that you had to put in? | 0:13:42 | 0:13:45 | |
Actually, that wall was plastered up. | 0:13:45 | 0:13:48 | |
We decided that we'd just put a little French stove sticking out into the main room | 0:13:48 | 0:13:52 | |
and then you drilled a hole through the wall, didn't you? | 0:13:52 | 0:13:56 | |
-Yeah. -And said, "Have a look in there." | 0:13:56 | 0:13:59 | |
It's exciting when you uncover things like that. | 0:13:59 | 0:14:02 | |
Yeah, definitely but that's what these places are all about, I think. | 0:14:02 | 0:14:05 | |
How tricky is it putting this in | 0:14:05 | 0:14:07 | |
and having an active chimney when you've got a thatched roof? | 0:14:07 | 0:14:09 | |
Basically, you have to have the chimney lined | 0:14:09 | 0:14:13 | |
and, on top of the chimney pot, | 0:14:13 | 0:14:16 | |
you have to have what's called a spark arrester. | 0:14:16 | 0:14:18 | |
Once the fire is on, it's great, yeah. | 0:14:18 | 0:14:22 | |
Is this how you picture it, in terms of the snugness of your room? | 0:14:22 | 0:14:25 | |
-It's so similar to mine. -Is it? -Yes. | 0:14:25 | 0:14:27 | |
It's making me feel quite excited again, | 0:14:27 | 0:14:29 | |
it's such a shell at the moment. | 0:14:29 | 0:14:31 | |
Yeah. | 0:14:31 | 0:14:34 | |
Lynn and Dean paid £295,000 for their cottage | 0:14:34 | 0:14:37 | |
and spent £50,000 on renovations, adding underfloor heating, | 0:14:37 | 0:14:41 | |
opened up the kitchen, to make room for an Aga, | 0:14:41 | 0:14:45 | |
and turned the extension into their main living space. | 0:14:45 | 0:14:48 | |
Upstairs featured three bedrooms and two bathrooms | 0:14:48 | 0:14:51 | |
that have been lovingly restored to make the most of the period features. | 0:14:51 | 0:14:55 | |
Oh, that's lovely. | 0:14:58 | 0:15:00 | |
Instantly the exposed stone catches your eye. | 0:15:00 | 0:15:03 | |
Is that something that you would consider, Camilla? | 0:15:03 | 0:15:05 | |
Definitely, I'm really liking this mixture of exposed stone and plaster. | 0:15:05 | 0:15:11 | |
Yeah. Really nice on an end wall. | 0:15:11 | 0:15:15 | |
How is it to actually be in here, does it cause any problems? | 0:15:15 | 0:15:18 | |
It's lovely, but it does get very dusty. | 0:15:18 | 0:15:21 | |
So you have to Hoover the wall? | 0:15:21 | 0:15:23 | |
Outside, Lynn and Dean have nurtured a picturesque garden | 0:15:27 | 0:15:30 | |
which is complemented by the rustic thatched roof. | 0:15:30 | 0:15:33 | |
These type of roofs need regular care and upkeep | 0:15:33 | 0:15:36 | |
and, having lived in the cottage for some time, | 0:15:36 | 0:15:38 | |
they understand exactly what the maintenance involves. | 0:15:38 | 0:15:42 | |
Well, this is great, I have to say. | 0:15:43 | 0:15:45 | |
I love it out here and, for the first time, | 0:15:45 | 0:15:48 | |
we can really clearly see the roof. Let's start there, | 0:15:48 | 0:15:51 | |
have you had to do any work to the thatch since you moved in? | 0:15:51 | 0:15:54 | |
About six months ago we had the ridge redone. | 0:15:54 | 0:15:58 | |
The ridge gets the main part of the rain. | 0:15:58 | 0:16:01 | |
So that ridge will stop it seeping into the top | 0:16:01 | 0:16:05 | |
which is going to be the most vulnerable part of the roof. | 0:16:05 | 0:16:08 | |
Of course, with thatch you don't have gutters, or any of that rigmarole. | 0:16:08 | 0:16:13 | |
The water what, just drips off? | 0:16:13 | 0:16:14 | |
Yes, it just literally pours off the roof. | 0:16:14 | 0:16:18 | |
So you have to definitely have a good bit of drainage, on the ground, so that it runs away. | 0:16:20 | 0:16:26 | |
As well as renovating the cottage, Lynn and Dean have also converted their outhouse, | 0:16:27 | 0:16:31 | |
joining it to the main building with a conservatory, | 0:16:31 | 0:16:34 | |
an alteration which Camilla hoped to undertake at her property. | 0:16:34 | 0:16:38 | |
It's nicely linked up, your downstairs area here, and, Camilla, | 0:16:40 | 0:16:43 | |
if planning permission could be granted, | 0:16:43 | 0:16:44 | |
it's something you could consider to link up your outside | 0:16:44 | 0:16:47 | |
with a conservatory or a glass corridor. | 0:16:47 | 0:16:50 | |
The man who lives next door said that he had an idea of putting glass between the two | 0:16:50 | 0:16:54 | |
so you could link them with the conservatory definitely, like this. | 0:16:54 | 0:16:57 | |
Yeah. Very good. | 0:16:57 | 0:16:59 | |
Is there a certain amount of satisfaction, bringing something back to life, | 0:16:59 | 0:17:02 | |
something that wasn't used and can be used again in the future? | 0:17:02 | 0:17:05 | |
Yeah, definitely, you've saved a little part of history, really. | 0:17:05 | 0:17:10 | |
It's like having an antique, isn't it, you've got to look after? | 0:17:10 | 0:17:13 | |
Yeah, definitely. | 0:17:13 | 0:17:16 | |
Later on, I will be catching up with Camilla to see | 0:17:16 | 0:17:18 | |
if this visit helped her with her vision for her own thatched cottage. | 0:17:18 | 0:17:22 | |
Over a year ago I went to see a project to save | 0:17:25 | 0:17:27 | |
and restore Britain's oldest standing concrete building, | 0:17:27 | 0:17:31 | |
dating back to the 1870s in Southwark, London. | 0:17:31 | 0:17:35 | |
Concrete House was built in one of South London's most desirable | 0:17:37 | 0:17:40 | |
residential areas, but the iconic 100-year-old building had | 0:17:40 | 0:17:44 | |
become completely derelict and had been the focus of a long campaign | 0:17:44 | 0:17:48 | |
by local empty property officers to bring it back to its former glory. | 0:17:48 | 0:17:52 | |
It was built by the architect Charles Drake, | 0:17:53 | 0:17:56 | |
the era's most enthusiastic promoter of a revolutionary, | 0:17:56 | 0:17:59 | |
and back then, expensive building material, concrete. | 0:17:59 | 0:18:03 | |
The fascinating restoration project was being overseen | 0:18:03 | 0:18:07 | |
by architect Paul Latham. | 0:18:07 | 0:18:10 | |
Hello, Paul, how's it going? | 0:18:10 | 0:18:11 | |
-Hello, very good thanks. -Good to see you. | 0:18:11 | 0:18:14 | |
First of all, it has been years, hasn't it, | 0:18:14 | 0:18:16 | |
-to get inside this. -13 years. | 0:18:16 | 0:18:18 | |
13 years of campaigning and dedication, | 0:18:18 | 0:18:21 | |
but I have got to see inside now that we are allowed in. After you. | 0:18:21 | 0:18:24 | |
-Wow! There is no ceiling and no floors. -Exactly. | 0:18:26 | 0:18:30 | |
-It is a total wreck, isn't it? -It's amazing. | 0:18:30 | 0:18:34 | |
I know there are no floors here, can we go upstairs? | 0:18:34 | 0:18:37 | |
We can go upstairs, yes. | 0:18:37 | 0:18:38 | |
When fully renovated the building was intended to be put to good use as affordable housing. | 0:18:38 | 0:18:45 | |
We have one flat down there, one flat here, | 0:18:45 | 0:18:47 | |
the same on the other side and the top floor will be the fifth up there. | 0:18:47 | 0:18:51 | |
Exactly. | 0:18:51 | 0:18:52 | |
The material you are celebrating is concrete but it's also, I assume, the bane of your life. | 0:18:52 | 0:18:56 | |
That is why it is such a difficult project and that is why it will cost so much money. | 0:18:56 | 0:19:01 | |
Indeed, it is why the building is still surviving, | 0:19:01 | 0:19:04 | |
because a brick building without the floors would have collapsed. | 0:19:04 | 0:19:08 | |
This is special because of the unique stage in the development | 0:19:08 | 0:19:12 | |
of the material of concrete. | 0:19:12 | 0:19:14 | |
This is using steel plates as the first system, | 0:19:14 | 0:19:18 | |
now we build tower blocks with this same system | 0:19:18 | 0:19:21 | |
so it is a very important building from that point of view. | 0:19:21 | 0:19:24 | |
Part of the project is that from the outside it will look absolutely | 0:19:24 | 0:19:27 | |
correct that it would have done in 1873 when Drake finished this | 0:19:27 | 0:19:32 | |
building which, incidentally, took no more than 10 days to build. | 0:19:32 | 0:19:36 | |
-10 days! That is phenomenal. -Exactly. | 0:19:36 | 0:19:39 | |
In Victorian times it took much longer to build a typical | 0:19:39 | 0:19:43 | |
house made of bricks, but the architect Charles Drake | 0:19:43 | 0:19:46 | |
had a dream of building housing quickly by using concrete. | 0:19:46 | 0:19:50 | |
But his plans had one central flaw. | 0:19:52 | 0:19:55 | |
Unfortunately he did not understand the small detail that is | 0:19:55 | 0:20:00 | |
you need reinforcing rods otherwise the building is not strong enough. | 0:20:00 | 0:20:04 | |
To conclude, this is going to be a project that will provide | 0:20:04 | 0:20:08 | |
affordable housing but so much more, it is an homage to Drake | 0:20:08 | 0:20:13 | |
the first constructor in concrete, | 0:20:13 | 0:20:15 | |
who pioneered many of the principles we still build by today. | 0:20:15 | 0:20:20 | |
Absolutely, yes. That is a very fair comment. | 0:20:20 | 0:20:23 | |
Today, one year later, | 0:20:25 | 0:20:27 | |
Paul Latham is back to check on how the renovation is coming along. | 0:20:27 | 0:20:31 | |
We have done 90% of the underpinning, | 0:20:31 | 0:20:33 | |
the building is safe. We can concentrate on the internal. | 0:20:33 | 0:20:37 | |
It has been a painstaking process | 0:20:37 | 0:20:39 | |
but they have managed to save most of the original fabric. | 0:20:39 | 0:20:44 | |
Here we have some of the original pieces of the building that we | 0:20:44 | 0:20:47 | |
have dug up, we are pinning them | 0:20:47 | 0:20:50 | |
back on to the building in the same position that they were originally. | 0:20:50 | 0:20:54 | |
Where we are missing some of the parts we have got some | 0:20:54 | 0:20:58 | |
craftsmen to actually create new mouldings to match. | 0:20:58 | 0:21:01 | |
It is quite skilled work and it has taken us six months to get this far. | 0:21:01 | 0:21:05 | |
I think Mr Drake could be horrified. I don't think he would be too impressed. | 0:21:05 | 0:21:09 | |
Inside, Paul's designs are slowly coming to life, | 0:21:09 | 0:21:13 | |
there are many challenges to deal with before the work could even begin. | 0:21:13 | 0:21:18 | |
It has come quite close to being demolished | 0:21:18 | 0:21:20 | |
and it has come very close to falling down. | 0:21:20 | 0:21:23 | |
We had big mature trees around it and the roots had gone under the building. | 0:21:23 | 0:21:27 | |
There were major cracks so as well as underpinning the building | 0:21:32 | 0:21:35 | |
we have had to put metal stitches to tie across the cracks | 0:21:35 | 0:21:39 | |
like sticking plaster to make the building stable. | 0:21:39 | 0:21:42 | |
The floors had all gone, the roof had nearly gone so we really have | 0:21:42 | 0:21:49 | |
just grabbed it in the nick of time to save it from being lost forever. | 0:21:49 | 0:21:53 | |
This Grade II listed building will soon become | 0:21:55 | 0:21:57 | |
home to five housing association flats. | 0:21:57 | 0:22:01 | |
It is wonderful that we can celebrate a piece of high technology | 0:22:01 | 0:22:05 | |
from 1871 and also deliver affordable homes for people to live in. | 0:22:05 | 0:22:12 | |
Mr Drake would be very pleased to see it coming | 0:22:12 | 0:22:15 | |
back into use as houses, he would really like that. | 0:22:15 | 0:22:18 | |
13 months ago I met Camilla Hanchett | 0:22:18 | 0:22:22 | |
at her 300-year-old cottage in the Cotswolds. | 0:22:22 | 0:22:26 | |
She was hoping to turn the empty house into a comfortable home | 0:22:26 | 0:22:29 | |
whilst retaining its original period features. | 0:22:29 | 0:22:32 | |
I have come back to Churchill in the Cotswolds to see how Camilla | 0:22:36 | 0:22:39 | |
has been getting on. | 0:22:39 | 0:22:40 | |
The last time I saw this cottage it was just a shell | 0:22:40 | 0:22:43 | |
but now, standing here from the outside, it looks picture perfect. | 0:22:43 | 0:22:47 | |
There is even smoke coming from the chimney. | 0:22:47 | 0:22:50 | |
It looks like the fire is lit, I better go and say hello. | 0:22:50 | 0:22:53 | |
Camilla wanted to give this pretty cottage a complete facelift | 0:22:54 | 0:22:58 | |
without losing any of the character. | 0:22:58 | 0:22:59 | |
Potentially a rather tricky balancing act. | 0:22:59 | 0:23:03 | |
-Camilla, good to see you. How are you? -You too, very well, how are you? | 0:23:07 | 0:23:11 | |
Very well. This looks incredible. Just a bit different, isn't it? | 0:23:11 | 0:23:14 | |
-Slightly, yes. -It looks so neat and clean and beautiful. | 0:23:14 | 0:23:18 | |
-Can I have a look inside? -You can, come in. | 0:23:18 | 0:23:20 | |
Hey, look at this. That is amazing. | 0:23:23 | 0:23:28 | |
It is beautiful, | 0:23:28 | 0:23:29 | |
and you have really kept all of the original features, haven't you? | 0:23:29 | 0:23:34 | |
Yes, I think the beams were black when you last saw this. | 0:23:34 | 0:23:39 | |
We shot-blasted all the way through, all the beams including this one. | 0:23:39 | 0:23:43 | |
So you get this lovely very, sort of quite light wood traditional feel. | 0:23:43 | 0:23:47 | |
I love the colour of them. It goes well with the stone which | 0:23:47 | 0:23:51 | |
I have also had shot blasted in this area here because behind the | 0:23:51 | 0:23:54 | |
wood burner was all black and sooted up from many years of an open fire. | 0:23:54 | 0:24:00 | |
I don't think there was a floor in last time and you have gone for flagstones, which look brilliant. | 0:24:00 | 0:24:04 | |
I have replaced what was here. | 0:24:04 | 0:24:06 | |
The colour is crucial here, because everything you have done | 0:24:06 | 0:24:09 | |
has kept it a very warm feeling | 0:24:09 | 0:24:11 | |
because of the colour of the wood and flagstones and the stone. | 0:24:11 | 0:24:14 | |
How difficult has that balance been? Before you were talking about modernising in that you want to live | 0:24:14 | 0:24:19 | |
in a modern home and not the 300-year-old cold | 0:24:19 | 0:24:22 | |
draughty home, but you also wanted to keep that traditional feel. | 0:24:22 | 0:24:25 | |
We have kept the original features but I have put in a new kitchen, | 0:24:25 | 0:24:28 | |
new bathroom, central heating, it has been rewired, replumbed. | 0:24:28 | 0:24:31 | |
-Wow, the whole works. -But I haven't actually changed the character of it. -Yeah. | 0:24:31 | 0:24:35 | |
You decided not to keep too much stone on show, | 0:24:35 | 0:24:38 | |
because you make this a real feature by just having the stone revealed here. | 0:24:38 | 0:24:43 | |
That's right, and there is also some stone in there but that is new Cotswold stone, | 0:24:43 | 0:24:47 | |
the back of the fireplace is original but the front was a bit damaged. | 0:24:47 | 0:24:51 | |
This had been empty for three years as you remember. | 0:24:51 | 0:24:54 | |
-No one had touched it for years anyway. -It works so well. | 0:24:54 | 0:24:57 | |
Shall we see some more? | 0:24:57 | 0:24:59 | |
Yes, of course, follow me. | 0:24:59 | 0:25:00 | |
Now I remember this ceiling, and what a great bedroom! | 0:25:03 | 0:25:08 | |
This has worked out really well, it's so hard to visualise this, | 0:25:08 | 0:25:11 | |
when you are just dealing with rafters and stripped back walls. | 0:25:11 | 0:25:14 | |
-It's pretty much what I had in my head, I haven't done a huge amount in here apart from decorating. -Yeah? | 0:25:14 | 0:25:19 | |
It's really good. I do like this, I know it wasn't originally supposed to be like that | 0:25:19 | 0:25:24 | |
hundreds of years ago, but things move and wood bends and bows | 0:25:24 | 0:25:27 | |
and I think it gives it really good character, doesn't it? | 0:25:27 | 0:25:30 | |
It is, I love the character. | 0:25:30 | 0:25:32 | |
-Shall we go outside? We can go and see what's happened, shall we? -Yes. | 0:25:32 | 0:25:35 | |
It's a really nice sized garden, isn't it? And it's turned out so well! | 0:25:40 | 0:25:44 | |
It looks absolutely fantastic. you come out and you think, "This is the garden and that's the garden wall." | 0:25:44 | 0:25:50 | |
But it's not, that's a sort of false fence, that's not on your boundary, is it? | 0:25:50 | 0:25:54 | |
No, the boundary is just beyond so that is a gravel path and the fence is there to disguise the oil tank. | 0:25:54 | 0:25:59 | |
-And the bins. -Clever. | 0:25:59 | 0:26:01 | |
-I have also got an external boiler, which is in that cupboard there. -Oh, OK. | 0:26:01 | 0:26:06 | |
And the thatched roof, it's the first time you've lived in a thatched cottage, | 0:26:06 | 0:26:10 | |
-has it caused any problems? -No. Not at all. | 0:26:10 | 0:26:12 | |
It's like having a duvet over the top of the house. It's very cosy and when it rains you don't hear the rain. | 0:26:12 | 0:26:19 | |
-It just drops off the edge. -The building is just looking glorious. | 0:26:19 | 0:26:22 | |
So, I'm so pleased it's worked out so well and you've got planning permission | 0:26:22 | 0:26:26 | |
to develop the rest of it whenever you want, | 0:26:26 | 0:26:29 | |
-congratulations! -Thank you. -Job well done! | 0:26:29 | 0:26:30 | |
Hasn't it worked out well? | 0:26:34 | 0:26:35 | |
It is not always simple to balance the needs of a modern home with a traditional | 0:26:35 | 0:26:39 | |
look at feel, and yet, Camilla here has made it look easy. | 0:26:39 | 0:26:43 | |
And to think this place was abandoned for three years, | 0:26:43 | 0:26:46 | |
it just goes to show how things can be turned around. | 0:26:46 | 0:26:49 | |
And now, Camilla has her perfect home. | 0:26:49 | 0:26:52 | |
Subtitles by Red Bee Media Ltd | 0:27:09 | 0:27:13 |