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Over the years, Britain's Empty Homes has been on a mission to show | 0:00:02 | 0:00:05 | |
what can be done to revitalise and transform some of the UK's | 0:00:05 | 0:00:09 | |
estimated one million empty properties. | 0:00:09 | 0:00:12 | |
-Hi, I'm Joe. -Hi, Joe. Nice to meet you. -Nice to meet you too. | 0:00:12 | 0:00:15 | |
In this series, I will be catching up with some of the people who | 0:00:15 | 0:00:17 | |
took the plunge and staked everything on turning unloved | 0:00:17 | 0:00:20 | |
houses into bespoke family homes. | 0:00:20 | 0:00:23 | |
Today I will be catching up with a couple from an earlier series | 0:00:28 | 0:00:31 | |
who bought a dated bungalow in the hope of turning it | 0:00:31 | 0:00:33 | |
into a place they could call home during their retirement years. | 0:00:33 | 0:00:37 | |
It is lovely to be here. We love living here. | 0:00:37 | 0:00:40 | |
We will also be catching up with the Empty Property Officers, | 0:00:40 | 0:00:44 | |
whose hard work and tenacity keep turning forgotten abodes | 0:00:44 | 0:00:48 | |
back into functioning homes. | 0:00:48 | 0:00:50 | |
It is clear, looking round the whole house, | 0:00:50 | 0:00:52 | |
what an absolutely brilliant job you have made. | 0:00:52 | 0:00:55 | |
And we will see how the Every Street rejuvenation project in Pendle | 0:00:55 | 0:00:58 | |
is coming along. | 0:00:58 | 0:01:00 | |
Nine months ago, I met John and Sue Derham, | 0:01:01 | 0:01:04 | |
who hadn't taken on a big building project for 25 years | 0:01:04 | 0:01:07 | |
but had just bought a bungalow that needed a total renovation. | 0:01:07 | 0:01:11 | |
And they couldn't wait to transform it into a dream | 0:01:11 | 0:01:15 | |
home for their twilight years. | 0:01:15 | 0:01:17 | |
Having retired, | 0:01:22 | 0:01:24 | |
John and Sue Derham were on the lookout for a property | 0:01:24 | 0:01:27 | |
that would fulfil their dreams of moving to Somerset | 0:01:27 | 0:01:29 | |
and custom-renovating a home. | 0:01:29 | 0:01:31 | |
And they found just the place. | 0:01:34 | 0:01:35 | |
This move is the last move we're going to do. | 0:01:37 | 0:01:40 | |
-I hope. -We hope, yes. | 0:01:40 | 0:01:42 | |
So we were thinking practically that we need to be ground floor. | 0:01:42 | 0:01:47 | |
The classic 1960s bungalow lay in a sleepy village. | 0:01:48 | 0:01:51 | |
From the outside, it was an attractive proposition, | 0:01:51 | 0:01:55 | |
but inside it required modernisation | 0:01:55 | 0:01:56 | |
and didn't quite suit the Derhams' needs. | 0:01:56 | 0:01:59 | |
We're at a time in our lives when we're trying to cut down | 0:01:59 | 0:02:01 | |
on bills and things like that, | 0:02:01 | 0:02:03 | |
so we need to make the building work for us. | 0:02:03 | 0:02:06 | |
We're absolutely considering reconfiguring the whole footprint, | 0:02:06 | 0:02:09 | |
the whole plan. | 0:02:09 | 0:02:10 | |
We just need to reshape it so that we've got proper rooms, | 0:02:10 | 0:02:15 | |
rather than going out of one door, along a corridor and into another. | 0:02:15 | 0:02:19 | |
The layout clearly didn't quite work for the couple, | 0:02:20 | 0:02:24 | |
and they were anxious to get changes right at the first attempt. | 0:02:24 | 0:02:27 | |
Always like to look at new ideas | 0:02:28 | 0:02:30 | |
and see the things that we might have missed. | 0:02:30 | 0:02:35 | |
We can put our own mark on it, do exactly what we want to with it, | 0:02:38 | 0:02:41 | |
and make it a comfortable place for us to live in. | 0:02:41 | 0:02:45 | |
When I first met John and Sue at their new bungalow, | 0:02:48 | 0:02:51 | |
I wanted to hear about | 0:02:51 | 0:02:53 | |
their next step in the process. | 0:02:53 | 0:02:54 | |
-Hello, guys. -Hello, Joe. | 0:02:54 | 0:02:55 | |
-Nice to meet you. -Pleased to meet you. | 0:02:55 | 0:02:57 | |
-How are you doing? -Fine, thanks. -Congratulations. -Thank you. -Yes! | 0:02:57 | 0:03:00 | |
I understand you've just literally, a few days ago, got this place. | 0:03:00 | 0:03:03 | |
That's right. Yes, we have. | 0:03:03 | 0:03:05 | |
-How does that feel? -We're very pleased. | 0:03:05 | 0:03:07 | |
Now, what state's it in? | 0:03:07 | 0:03:08 | |
Does it need a bit of work? Are you keen to do something to it? | 0:03:08 | 0:03:11 | |
Lots of work. | 0:03:11 | 0:03:12 | |
It needs dragging into the 21st century. | 0:03:12 | 0:03:15 | |
I think we should go and have a look. | 0:03:15 | 0:03:17 | |
-Yeah. -All right, lead the way. | 0:03:17 | 0:03:18 | |
The Derhams had recently sold their five-bedroom house in Oxfordshire | 0:03:19 | 0:03:23 | |
to fund the project, | 0:03:23 | 0:03:24 | |
and they were already brimming with ideas and plans. | 0:03:24 | 0:03:27 | |
Right. So. | 0:03:27 | 0:03:29 | |
Take me through the layout, then. We're standing in... | 0:03:29 | 0:03:32 | |
From what I can see here, it would be a master bedroom, would it? | 0:03:32 | 0:03:34 | |
-That's right. -Absolutely. | 0:03:34 | 0:03:36 | |
Yes, this part was extended, which has made a very big room. | 0:03:36 | 0:03:39 | |
Yeah, it has. Really huge. | 0:03:39 | 0:03:41 | |
It's got en suite as well. | 0:03:41 | 0:03:42 | |
-Yes. -A big en suite, yes. | 0:03:42 | 0:03:44 | |
We feel it'd actually make a very good kitchen-diner, this area. | 0:03:44 | 0:03:47 | |
Right! | 0:03:47 | 0:03:48 | |
So if this wasn't your master bedroom, where would that be? | 0:03:48 | 0:03:51 | |
-At the back. -Where the kitchen is now. | 0:03:51 | 0:03:53 | |
OK, so it's like a diagonal swap? | 0:03:53 | 0:03:54 | |
-Yes. -So where would everything go, roughly? | 0:03:54 | 0:03:57 | |
-Haven't got a clue! -Right, OK. -No idea. | 0:03:57 | 0:03:59 | |
But we've got a good architect on board, | 0:03:59 | 0:04:02 | |
and we're hoping he's going to come up with some really good ideas. | 0:04:02 | 0:04:05 | |
We obviously don't want to be railroaded into his ideas. | 0:04:05 | 0:04:08 | |
It's our house, and we need it to remain our house. | 0:04:08 | 0:04:11 | |
And we may put the hallway through in that part. | 0:04:11 | 0:04:14 | |
Well, if you move the hall, what would happen to the staircase? | 0:04:14 | 0:04:18 | |
-It'd probably take up part of what is now the kitchen, I think. -Yes. | 0:04:18 | 0:04:22 | |
Which is going to be one of your bedrooms. | 0:04:22 | 0:04:24 | |
We have lots of thoughts, | 0:04:24 | 0:04:25 | |
it's just how we convert that into the final product now. | 0:04:25 | 0:04:29 | |
And within the constraints of the budget. | 0:04:29 | 0:04:31 | |
Very, very good. OK. Well, look, | 0:04:31 | 0:04:34 | |
if we go to where the kitchen is now, which will be swapped, | 0:04:34 | 0:04:36 | |
we'll look at that, shall we? | 0:04:36 | 0:04:37 | |
-BOTH: OK. -Great, after you. | 0:04:37 | 0:04:39 | |
It was clear the couple were planning | 0:04:39 | 0:04:41 | |
to completely reconfigure the downstairs layout, | 0:04:41 | 0:04:43 | |
and while they weren't novices, | 0:04:43 | 0:04:45 | |
it had been 25 years since they took on a big project like this. | 0:04:45 | 0:04:49 | |
And this is the kitchen. | 0:04:49 | 0:04:51 | |
Ah, OK. So, the existing kitchen. | 0:04:51 | 0:04:53 | |
BOTH: Yeah. | 0:04:53 | 0:04:54 | |
So this now goes over there, where there's more space, | 0:04:54 | 0:04:57 | |
and this becomes a bedroom. | 0:04:57 | 0:04:58 | |
-Partly bedroom, partly study, I think. -OK. | 0:04:58 | 0:05:01 | |
So, a big project. How much is it going to cost? | 0:05:01 | 0:05:05 | |
How much do you budget for something like this? | 0:05:05 | 0:05:08 | |
Our initial thinking is | 0:05:08 | 0:05:10 | |
it'll be somewhere between £80,000 and £100,000. | 0:05:10 | 0:05:13 | |
All up. That's everything. | 0:05:13 | 0:05:16 | |
We have done it before, so we've got some idea, | 0:05:16 | 0:05:19 | |
but, of course, costs have changed a lot | 0:05:19 | 0:05:21 | |
in 25 years since we last built. | 0:05:21 | 0:05:23 | |
-Yeah. -So we are hoping that that's going to be enough. | 0:05:23 | 0:05:27 | |
And a contingency fund hopefully in there as well? | 0:05:27 | 0:05:30 | |
A little contingency, we hope, yes. | 0:05:30 | 0:05:33 | |
Later we'll see what happened | 0:05:33 | 0:05:34 | |
when I took Sue and John to meet Carolynne Kortzeenietz | 0:05:34 | 0:05:37 | |
who'd bought a dilapidated villa-style bungalow | 0:05:37 | 0:05:40 | |
and spent seven years doing it up. | 0:05:40 | 0:05:42 | |
Throughout Britain it is not just private buyers rising to | 0:05:42 | 0:05:45 | |
the challenge of turning deserted properties into functional | 0:05:45 | 0:05:48 | |
family homes. | 0:05:48 | 0:05:49 | |
Local council Empty Property Officers work tirelessly to | 0:05:49 | 0:05:53 | |
track down owners of abandoned homes | 0:05:53 | 0:05:55 | |
and use their powers to bring them back into circulation. | 0:05:55 | 0:05:59 | |
Back in 2009 we met Empty Property Officer, Matthew Smith, | 0:06:01 | 0:06:06 | |
in Birmingham. | 0:06:06 | 0:06:07 | |
He was checking up on the owner of a rundown house whose planned | 0:06:07 | 0:06:10 | |
renovation had ground to a halt. | 0:06:10 | 0:06:13 | |
I think maybe he has overstretched himself, if I am being honest. | 0:06:13 | 0:06:16 | |
It is still in a bad condition, | 0:06:16 | 0:06:17 | |
which I need to have a serious word with him about. | 0:06:17 | 0:06:20 | |
I think some of the windows have been broken. | 0:06:20 | 0:06:22 | |
Stan Hodges had bought this property as an investment. | 0:06:22 | 0:06:25 | |
But midway through the renovation, Stan's money had run dry. | 0:06:25 | 0:06:30 | |
Left empty, it was attracting antisocial behaviour. | 0:06:31 | 0:06:35 | |
-Hello? -Hello! | 0:06:35 | 0:06:37 | |
How is it going? What are you up to? | 0:06:38 | 0:06:40 | |
It is a bit of a struggle at the moment, Matthew. | 0:06:40 | 0:06:42 | |
The finances are a bit tight. The credit crunch is going on. | 0:06:42 | 0:06:48 | |
You've done a lot already. | 0:06:48 | 0:06:49 | |
There's a fair bit of work being done on it, yes. | 0:06:49 | 0:06:52 | |
Just trying to give you that final push, I reckon. | 0:06:52 | 0:06:54 | |
The further you can take it away from people thinking the property is empty | 0:06:54 | 0:06:57 | |
while you are working on it, that is going to be ideal, isn't it? | 0:06:57 | 0:07:00 | |
-Yes, I agree, yes. -Get that balance right, yes? OK. | 0:07:00 | 0:07:02 | |
Matthew had left Stan to sort out his finances with a view to | 0:07:02 | 0:07:06 | |
bringing the property back into use. | 0:07:06 | 0:07:08 | |
Today, almost four years on, Matthew has come back to see Stan | 0:07:11 | 0:07:15 | |
and the large house that he was struggling to take care of. | 0:07:15 | 0:07:19 | |
The visit today is probably the reason why I do this job. | 0:07:19 | 0:07:21 | |
A property that had been empty for three years before, derelict, | 0:07:21 | 0:07:24 | |
a building site, now, for the first time, | 0:07:24 | 0:07:27 | |
I am going to see it in all its glory. | 0:07:27 | 0:07:30 | |
New tenants, new story, a wonderful feel-good factor about this property. | 0:07:30 | 0:07:33 | |
So, really excited to go into the house now. | 0:07:33 | 0:07:35 | |
-Hello, Matthew. -Hi, Stan, nice to see you. -Nice to meet you again. | 0:07:43 | 0:07:46 | |
And you. Wow, what a difference. | 0:07:46 | 0:07:49 | |
Having survived the credit crunch, Stan got back on his feet | 0:07:49 | 0:07:53 | |
and back to work on this sizeable semi-detached house. | 0:07:53 | 0:07:57 | |
Just trying to remember what this was like. So would those... | 0:07:57 | 0:08:01 | |
I presume there was a window there? | 0:08:01 | 0:08:02 | |
Yes, there was a window and a brick wall there. | 0:08:02 | 0:08:06 | |
Because it has been tenanted to disabled clients, | 0:08:06 | 0:08:08 | |
it was prudent to actually put French windows in | 0:08:08 | 0:08:12 | |
so that they could gain access to the garden. | 0:08:12 | 0:08:15 | |
Matthew helped Stan establish a relationship | 0:08:15 | 0:08:18 | |
with the charity Mencap. | 0:08:18 | 0:08:19 | |
And as a result, Stan tailored the property | 0:08:19 | 0:08:21 | |
to the needs of disabled tenants. | 0:08:21 | 0:08:23 | |
It is just incredible to think that this is the same house that | 0:08:23 | 0:08:27 | |
was here before. It is so much brighter, isn't it? | 0:08:27 | 0:08:30 | |
I didn't walk through these doors, did I? | 0:08:30 | 0:08:32 | |
No, you walked through a door underneath the stairs. | 0:08:32 | 0:08:34 | |
Do you want to show us? | 0:08:34 | 0:08:35 | |
Because it is quite funny to see how it is all changed round. | 0:08:35 | 0:08:38 | |
OK, so this is where I walked in the last time. | 0:08:41 | 0:08:43 | |
That was the front door, Matthew, yes. | 0:08:43 | 0:08:45 | |
So you have managed to get a full bathroom. | 0:08:45 | 0:08:47 | |
So, what was your thinking there? | 0:08:47 | 0:08:49 | |
The tenant could not actually climb the stairs, | 0:08:49 | 0:08:51 | |
just going to use the bedroom next door. | 0:08:51 | 0:08:54 | |
So you designed for the specific needs of...? | 0:08:54 | 0:08:56 | |
-That's right, disabled requirements. -Pretty good work. Well done. | 0:08:56 | 0:09:00 | |
With accessible bedrooms and bathrooms both downstairs | 0:09:00 | 0:09:04 | |
and upstairs, Stan has taken care to make this house | 0:09:04 | 0:09:07 | |
suitable for all potential tenants. | 0:09:07 | 0:09:09 | |
OK, so, brilliant, I mean, again, another fabulous change to the room. | 0:09:12 | 0:09:16 | |
What have you done in here that is...? | 0:09:16 | 0:09:20 | |
It is a low-level access shower | 0:09:20 | 0:09:21 | |
because the tenants' needs are most important to myself. | 0:09:21 | 0:09:24 | |
It's clear, just looking around the whole house, just finishing | 0:09:24 | 0:09:28 | |
off in here, what an absolutely brilliant job you have made. | 0:09:28 | 0:09:32 | |
It's been absolutely great today, | 0:09:37 | 0:09:39 | |
coming to the property after seeing it a couple of years ago | 0:09:39 | 0:09:42 | |
as a disused house, problematic, | 0:09:42 | 0:09:44 | |
and now to see the finished article, wonderful. | 0:09:44 | 0:09:47 | |
The fact is the house looks absolutely superb as well. | 0:09:47 | 0:09:49 | |
So it is a win for everybody. | 0:09:49 | 0:09:51 | |
My early fears were that Stan may have taken up too much to do, | 0:09:51 | 0:09:54 | |
but I have to say, looking at the property now, | 0:09:54 | 0:09:56 | |
all my fears were unfounded. | 0:09:56 | 0:09:58 | |
It has been an absolute joy today looking around the property. | 0:09:58 | 0:10:01 | |
-Hopefully it won't be the last time we see you. -OK. -See you. -Goodbye. | 0:10:01 | 0:10:05 | |
Breathing new life back into an empty property can be | 0:10:08 | 0:10:11 | |
a difficult and delicate balancing act. | 0:10:11 | 0:10:13 | |
Particularly if you are squeezing a renovation around the demands | 0:10:13 | 0:10:16 | |
of work and family life. | 0:10:16 | 0:10:18 | |
But when you speak to people who have come through it to create | 0:10:18 | 0:10:21 | |
the perfect home, then suddenly all that effort makes perfect sense. | 0:10:21 | 0:10:26 | |
In Northumberland, Mary Almond had always dreamt of renovating | 0:10:28 | 0:10:32 | |
a seriously derelict house in a remote location. | 0:10:32 | 0:10:35 | |
When we first came to see the farm | 0:10:36 | 0:10:39 | |
we were just driving along with the farmer. | 0:10:39 | 0:10:42 | |
I said, "That property over there, is that part of the farm?" | 0:10:42 | 0:10:45 | |
And he said, "Yes, but it is a separate lot." | 0:10:45 | 0:10:48 | |
And I said to my partner, "I really don't want to buy the farm | 0:10:48 | 0:10:52 | |
"if I can't buy that property | 0:10:52 | 0:10:54 | |
"because that's what I've always wanted to do." | 0:10:54 | 0:10:56 | |
It hadn't been lived in since about the 1930s. | 0:10:56 | 0:11:01 | |
The roof of the barn had fallen down. It was very derelict. | 0:11:01 | 0:11:05 | |
Before Mary could start renovating this house | 0:11:05 | 0:11:08 | |
she had to find a way of actually accessing it. | 0:11:08 | 0:11:11 | |
When we first came to see the farm, | 0:11:11 | 0:11:13 | |
the only way you could get to this house was on a quad bike. | 0:11:13 | 0:11:17 | |
It was only once they had built the mile-long access road | 0:11:17 | 0:11:20 | |
that they could bring in and basic utilities. | 0:11:20 | 0:11:23 | |
We had to get water from the nearby farm, from a borehole. | 0:11:23 | 0:11:28 | |
It was prohibitively expensive to get electricity here. | 0:11:28 | 0:11:33 | |
So what we have is a wind turbine, in combination with a generator. | 0:11:33 | 0:11:37 | |
Renovating a house in such a remote spot | 0:11:38 | 0:11:41 | |
also made it hard to get builders. | 0:11:41 | 0:11:43 | |
You will actually find, if you want to do | 0:11:43 | 0:11:45 | |
a property in the middle of nowhere, a lot of builders | 0:11:45 | 0:11:48 | |
would not even consider this property because it is too far out. | 0:11:48 | 0:11:52 | |
During the year-long build, | 0:11:52 | 0:11:54 | |
Mary lived in a mobile home, on site. | 0:11:54 | 0:11:57 | |
We bought a caravan, and we thought the project was not going to | 0:11:57 | 0:12:01 | |
take very long, so we did not spend a lot of money on the caravan. | 0:12:01 | 0:12:05 | |
When it got to winter, the caravan started leaking. | 0:12:05 | 0:12:10 | |
And when the television blew up, I said, | 0:12:10 | 0:12:12 | |
"I have got to move into a house!" | 0:12:12 | 0:12:15 | |
In total, Mary spent around £180,000, | 0:12:16 | 0:12:19 | |
doing up this old farmhouse. But, for her, it was worth every penny. | 0:12:19 | 0:12:25 | |
When the weather is very windy, you come in from outside, | 0:12:25 | 0:12:29 | |
you have got your coal in, your logs in, it is lovely and warm, | 0:12:29 | 0:12:33 | |
and you just batten down the hatches. | 0:12:33 | 0:12:35 | |
Those are the moments that I love being in here. | 0:12:35 | 0:12:38 | |
I was meant to build this house. I was meant to rescue it. | 0:12:39 | 0:12:43 | |
It is my legacy, I suppose, I feel that I have saved this house. | 0:12:43 | 0:12:48 | |
Every time I drive over the hill and see it on the skyline, | 0:12:49 | 0:12:53 | |
I think, "Yes, that's special." | 0:12:53 | 0:12:55 | |
Earlier in the programme, we met John and Sue Derham. | 0:12:57 | 0:13:00 | |
They had bought a 1960s bungalow | 0:13:00 | 0:13:02 | |
and were planning to completely reconfigure it. | 0:13:02 | 0:13:05 | |
To help Sue and John, | 0:13:05 | 0:13:06 | |
I took them to meet Carolynne Kortzeenietz, who had taken on | 0:13:06 | 0:13:10 | |
a dilapidated villa-style bungalow and spent seven years doing it up. | 0:13:10 | 0:13:14 | |
Right, guys. This is the place I want you to see. | 0:13:18 | 0:13:21 | |
As you can see, it's a bungalow, a bit later than yours, 1970s, | 0:13:21 | 0:13:23 | |
really good one for you to look at, cos it laid empty for 18 months. | 0:13:23 | 0:13:27 | |
Needed a complete renovation, new windows, new doors, everything. | 0:13:27 | 0:13:30 | |
It's quite big, maybe a touch bigger than yours, | 0:13:30 | 0:13:32 | |
but I think you'll like the layout. | 0:13:32 | 0:13:34 | |
It's quite different, how they've used the space. | 0:13:34 | 0:13:36 | |
Retired restaurateurs Carolynne Kortzeenietz and Karl Heinz | 0:13:36 | 0:13:41 | |
bought this dilapidated villa-style bungalow in 2004 | 0:13:41 | 0:13:45 | |
and set out on a renovation | 0:13:45 | 0:13:47 | |
that would take them seven years to fully complete. | 0:13:47 | 0:13:50 | |
The property itself was in a sad and neglected state | 0:13:51 | 0:13:54 | |
when we first saw it. | 0:13:54 | 0:13:55 | |
It just looked unloved, uncared for and neglected, and dirty, | 0:13:55 | 0:14:01 | |
but you can see by the wonderful garden | 0:14:01 | 0:14:05 | |
and by the beautiful view that it had such potential, | 0:14:05 | 0:14:08 | |
we just fell in love with it. | 0:14:08 | 0:14:10 | |
The location was undeniably a huge draw | 0:14:13 | 0:14:16 | |
for the couple, who have maximised the available light and view | 0:14:16 | 0:14:19 | |
to create a bright open-plan three-bedroom home. | 0:14:19 | 0:14:23 | |
We did do quite a lot of work with the conservatory area, | 0:14:24 | 0:14:28 | |
because that at the beginning was just a lean-to conservatory, | 0:14:28 | 0:14:32 | |
so that had to come down, | 0:14:32 | 0:14:33 | |
and there was a great deal of thought spent on that, | 0:14:33 | 0:14:36 | |
and the rest of it was pretty much left as it was by room, | 0:14:36 | 0:14:41 | |
but just decorated and the bathrooms and the kitchen were put in new. | 0:14:41 | 0:14:45 | |
When I think back to how the property was, | 0:14:48 | 0:14:51 | |
now, it's absolutely amazing. | 0:14:51 | 0:14:54 | |
We just love living here. It's absolutely fantastic. | 0:14:54 | 0:14:57 | |
Oh, wow. Oh, that's beautiful. | 0:15:01 | 0:15:03 | |
-Oh, look at the view. -Yes! | 0:15:03 | 0:15:05 | |
So much lovely, natural light, and a feeling of space. Beautiful. | 0:15:06 | 0:15:11 | |
Fantastic. How is it you get so much light? | 0:15:11 | 0:15:13 | |
Obviously, you've got a lot of glass here, | 0:15:13 | 0:15:15 | |
but how do you keep bringing it through? | 0:15:15 | 0:15:17 | |
What tips do you have there? | 0:15:17 | 0:15:19 | |
Well, yes, obviously we've got this huge conservatory | 0:15:19 | 0:15:21 | |
with this big, high roof, | 0:15:21 | 0:15:22 | |
which brings in a lot of light. A lot of light furniture. | 0:15:22 | 0:15:25 | |
-Sort of painted a lot of furniture as well, actually. -Oh, right. | 0:15:25 | 0:15:29 | |
Yes, to make it light. Kept playing around with it all the time. | 0:15:29 | 0:15:32 | |
-Yes, I was just wondering whether we should go open-plan. -Oh, right! | 0:15:32 | 0:15:36 | |
-It's a big change. -Another wall gone. | 0:15:37 | 0:15:39 | |
Were you going through the process | 0:15:39 | 0:15:41 | |
these guys are going through now, where you think one day, | 0:15:41 | 0:15:43 | |
"OK, we'll do that there | 0:15:43 | 0:15:44 | |
"and have that there," and then you come back to it, | 0:15:44 | 0:15:47 | |
"No, actually, that's got to go back there"? | 0:15:47 | 0:15:49 | |
-Oh, yeah, absolutely. -Constantly. -Absolutely. | 0:15:49 | 0:15:51 | |
We would discuss and think and change all the time. | 0:15:51 | 0:15:54 | |
-I mean, you have to throw ideas at one another, don't you? -Yes, yes. | 0:15:54 | 0:15:57 | |
And bounce off one another about what you're going to do, | 0:15:57 | 0:15:59 | |
what you think is right, and what he thinks is right. | 0:15:59 | 0:16:02 | |
-Yes. -You're not going to agree all the time, are you? -No. | 0:16:02 | 0:16:04 | |
-And the point here really is a point of considering all the options. -Yes. | 0:16:04 | 0:16:09 | |
We need to spend time there and look at the plans | 0:16:09 | 0:16:12 | |
and walk through the plans and make sure they are going to work. | 0:16:12 | 0:16:15 | |
-Lovely. Well, I think we should see some more, shall we? -OK, yes. | 0:16:15 | 0:16:18 | |
-Do you want to lead us through, Carolynne? -Yes. | 0:16:18 | 0:16:21 | |
-Oh, this is lovely. -This is nice, isn't it? | 0:16:26 | 0:16:28 | |
-So, this is the master bedroom? -Yes. -It's lovely. | 0:16:28 | 0:16:31 | |
It's a really nice feel, isn't it? | 0:16:31 | 0:16:33 | |
And if you've got this nice bedroom to come to, | 0:16:33 | 0:16:36 | |
-then you've got your private space as well. -Other options. | 0:16:36 | 0:16:39 | |
It just shows even with open-plan, you can divvy up | 0:16:39 | 0:16:42 | |
and have more private, cosy corners to rooms. | 0:16:42 | 0:16:44 | |
-Yeah. -So let's talk about budget. It was a very big project. -Yes. | 0:16:44 | 0:16:49 | |
-Took a long time. -Yes. | 0:16:49 | 0:16:50 | |
Did you have any idea of what it would cost? | 0:16:50 | 0:16:52 | |
-What did it end up costing? -I think around 80,000 | 0:16:52 | 0:16:54 | |
in the end, really, the majority of which went on the windows | 0:16:54 | 0:16:57 | |
and the conservatory, obviously. | 0:16:57 | 0:16:59 | |
-And the kitchen and the two bathrooms. -That gives me | 0:16:59 | 0:17:02 | |
-some hope, then, I think. -Well, it certainly is within the ballpark | 0:17:02 | 0:17:05 | |
-you were talking about, isn't it? -It's good. | 0:17:05 | 0:17:07 | |
When it comes to bringing an empty building back to life | 0:17:07 | 0:17:10 | |
and working with what you have, | 0:17:10 | 0:17:12 | |
and I suppose, to some extent, being flexible, | 0:17:12 | 0:17:15 | |
what is it they have to bear in mind? Is it perseverance? | 0:17:15 | 0:17:18 | |
Is it just trying to stay very buoyant and positive | 0:17:18 | 0:17:20 | |
even though it can be a long project? | 0:17:20 | 0:17:22 | |
Yeah, positive. Yes, yeah. | 0:17:22 | 0:17:23 | |
Enjoying every day and being pleased with what you've done that day, | 0:17:23 | 0:17:27 | |
and if things don't go quite right, well, it doesn't really matter, | 0:17:27 | 0:17:30 | |
-does it? -No. -I always say don't worry about it, | 0:17:30 | 0:17:32 | |
you can always put it right. | 0:17:32 | 0:17:33 | |
-It's not life-threatening. -Exactly. -Yeah. -Yeah. | 0:17:33 | 0:17:36 | |
Later on, I will catch up with John and Sue, | 0:17:36 | 0:17:38 | |
to see if everything they learned helped them | 0:17:38 | 0:17:41 | |
put the plans for their dream home into action. | 0:17:41 | 0:17:43 | |
There are different scales of renovation project, | 0:17:46 | 0:17:48 | |
from needing just a lick of paint to a complete rebuild. | 0:17:48 | 0:17:52 | |
Over a year ago, I visited Pendle in Lancashire where | 0:17:52 | 0:17:55 | |
I met a Regeneration Officer who was spearheading a project to | 0:17:55 | 0:17:59 | |
bring rows of empty residential houses back to life, | 0:17:59 | 0:18:02 | |
to rejuvenate an entire community. | 0:18:02 | 0:18:05 | |
Many of the houses in the area didn't actually meet modern | 0:18:08 | 0:18:11 | |
living standards and were deemed unsuitable for tenants. | 0:18:11 | 0:18:15 | |
Thankfully, the local council had stepped in | 0:18:16 | 0:18:19 | |
and started to revive the area. | 0:18:19 | 0:18:21 | |
Back at the beginning of the project, | 0:18:21 | 0:18:24 | |
I met Senior Regeneration Officer, Iftekhar Bokhari, | 0:18:24 | 0:18:27 | |
to hear all about it. | 0:18:27 | 0:18:28 | |
You had a real problem here | 0:18:29 | 0:18:30 | |
with derelict and empty properties, what's happened? | 0:18:30 | 0:18:33 | |
The properties in this area are predominantly two-bedroom terrace houses. | 0:18:33 | 0:18:37 | |
The housing that was built in 1880 is not actually | 0:18:37 | 0:18:40 | |
suitable for modern-day living today. | 0:18:40 | 0:18:42 | |
Now here we have Every Street, and that seemed to be the focal point of your development. | 0:18:42 | 0:18:46 | |
Why there? Why start with that? | 0:18:46 | 0:18:49 | |
Well, the whole block was completely derelict, | 0:18:49 | 0:18:51 | |
and we felt that the fact that we needed to concentrate on that block | 0:18:51 | 0:18:55 | |
-and bring that block up to standard. -So what did you do? | 0:18:55 | 0:18:58 | |
What solution did you come up with? | 0:18:58 | 0:19:00 | |
The solution that we came up with was that we were going to retain | 0:19:00 | 0:19:03 | |
the properties and bring them up to heritage standards. | 0:19:03 | 0:19:07 | |
Secondly, we were going to create a variety to make sure that the | 0:19:07 | 0:19:10 | |
housing reflected the needs of the community. | 0:19:10 | 0:19:12 | |
We were going to go for "two into ones", | 0:19:12 | 0:19:14 | |
so creating two-bedroom, four-bedroom, six-bedroom houses | 0:19:14 | 0:19:17 | |
in an area that was actually predominantly two-bedroom houses. | 0:19:17 | 0:19:21 | |
And here, this street is a really good example, isn't it? | 0:19:21 | 0:19:24 | |
This is what you are dealing with before. | 0:19:24 | 0:19:26 | |
This is exactly what we were dealing with. | 0:19:26 | 0:19:28 | |
You've just got the row of derelict and then these are just finished. | 0:19:28 | 0:19:32 | |
-Shall we look inside one? -Yes, why not? | 0:19:32 | 0:19:34 | |
Oh, wow. It's very smart. | 0:19:40 | 0:19:43 | |
So, you've got a front room there, this is a kitchen | 0:19:43 | 0:19:46 | |
and also a big dining room that's been knocked through. | 0:19:46 | 0:19:49 | |
And then that would be one property originally, | 0:19:49 | 0:19:51 | |
but you've knocked through to make it two properties. | 0:19:51 | 0:19:54 | |
-That's right, yes. -And upstairs you've got four bedrooms. -And a family bathroom. | 0:19:54 | 0:19:57 | |
My goodness and this is on the market for how much? | 0:19:57 | 0:20:00 | |
-It's on the market for 135. -Wow. OK. | 0:20:00 | 0:20:03 | |
And in terms of money, you would say you spent far more | 0:20:03 | 0:20:05 | |
than 135 renovating this and bringing it up to scratch? | 0:20:05 | 0:20:09 | |
Yes, so the idea is that we're putting the investment in now, | 0:20:09 | 0:20:11 | |
but for the next 30, 40, 50 years, | 0:20:11 | 0:20:13 | |
we have a sustainable community making full use | 0:20:13 | 0:20:16 | |
of these houses, and as their circumstances change, | 0:20:16 | 0:20:20 | |
the houses are flexible enough to accommodate for that. | 0:20:20 | 0:20:23 | |
The council had high hopes of bringing 200 boarded-up houses back | 0:20:23 | 0:20:27 | |
into use with the aim of eradicating these ghost streets for good. | 0:20:27 | 0:20:31 | |
Today, one year on in Pendle and things are looking up. | 0:20:34 | 0:20:38 | |
Last time you are here, you saw all the scaffolding up | 0:20:39 | 0:20:43 | |
and all the building work going on. | 0:20:43 | 0:20:46 | |
Now the actual building work is now complete | 0:20:46 | 0:20:48 | |
and these houses will be on the market for sale in the next couple of weeks. | 0:20:48 | 0:20:54 | |
When we were first here, just seven houses had been completed. | 0:20:54 | 0:20:58 | |
Now that figure stands at 70 and the first tenants have already moved in. | 0:20:58 | 0:21:03 | |
And as hoped for, the improvement to the houses has had a | 0:21:03 | 0:21:06 | |
far-reaching effect. | 0:21:06 | 0:21:07 | |
I think it's improved the area | 0:21:07 | 0:21:10 | |
and it's sort of brought the local community together as well. | 0:21:10 | 0:21:13 | |
The regeneration of the houses around here has made a real | 0:21:13 | 0:21:16 | |
difference to the community. | 0:21:16 | 0:21:18 | |
It's brought new families in | 0:21:18 | 0:21:20 | |
and we've all gelled together really well. | 0:21:20 | 0:21:24 | |
Of course, a real community doesn't just need houses. | 0:21:24 | 0:21:27 | |
We're working in partnership with Lancashire County Council who are building a new school here | 0:21:27 | 0:21:31 | |
and there building this new 300-place school | 0:21:31 | 0:21:34 | |
because they see that the area is coming up | 0:21:34 | 0:21:36 | |
and there's a young population and a growing population in the area | 0:21:36 | 0:21:40 | |
and the school will cater for future provision of that. | 0:21:40 | 0:21:43 | |
With the council investing in future generations, | 0:21:43 | 0:21:46 | |
this project really is a success story. | 0:21:46 | 0:21:48 | |
If we can ensure that the housing that we put here | 0:21:48 | 0:21:51 | |
meets the needs of the community and it makes them | 0:21:51 | 0:21:54 | |
stay in the area for the long-term, it makes the whole development | 0:21:54 | 0:21:58 | |
sustainable and we can more or less guarantee that | 0:21:58 | 0:22:01 | |
if you come back in another 120 years, you will still have people living in the area. | 0:22:01 | 0:22:05 | |
When I first met John and Sue Derham, | 0:22:07 | 0:22:09 | |
they had just caught they had just bought this 1960s detached bungalow | 0:22:09 | 0:22:12 | |
and they have some exciting ideas about how | 0:22:12 | 0:22:14 | |
they could can transform it into the perfect home to enjoy retired life. | 0:22:14 | 0:22:18 | |
We have lots of thoughts, | 0:22:19 | 0:22:21 | |
it's just how we convert that into the final product. | 0:22:21 | 0:22:25 | |
Well, here I am, I'm back in Somerset to see John and Sue | 0:22:27 | 0:22:30 | |
and, honestly, if I didn't have the address and I wasn't sure | 0:22:30 | 0:22:34 | |
I was standing in the correct place, I would have passed it by, | 0:22:34 | 0:22:37 | |
I wouldn't have realised this was their house. | 0:22:37 | 0:22:40 | |
It has changed completely. Everything seems to have altered. | 0:22:40 | 0:22:44 | |
It's amazing and it's only been nine months. | 0:22:44 | 0:22:47 | |
-Hey, Sue, how are you doing? -Hello, lovely to see you again, Joe. | 0:22:56 | 0:23:00 | |
-John, how are you? -Joe. -This is almost literally unbelievable. | 0:23:00 | 0:23:04 | |
-Yes, very different. -What a transformation. | 0:23:04 | 0:23:08 | |
-Are you happy with where you've got to? -So far, yes. -And you're living in? | 0:23:08 | 0:23:14 | |
-Yes. -I've got to come and have a look. | 0:23:14 | 0:23:16 | |
Do come in. | 0:23:16 | 0:23:17 | |
'Sue and John had planned to completely reconfigure | 0:23:17 | 0:23:20 | |
'the layout of the house, so I'm excited to see the results.' | 0:23:20 | 0:23:24 | |
Hey, look at that, that's worked out well. | 0:23:25 | 0:23:28 | |
'It's hard to believe that what once was a dated bedroom is now | 0:23:28 | 0:23:32 | |
'this modern kitchen.' | 0:23:32 | 0:23:33 | |
Really nice, really spacious, really light and very modern. | 0:23:34 | 0:23:39 | |
When we met last time, you had just taken place on, | 0:23:39 | 0:23:42 | |
you didn't really know what you wanted to do with it. | 0:23:42 | 0:23:44 | |
It was the perfect time to get inspiration. | 0:23:44 | 0:23:46 | |
You were toying with the idea of going open plan, | 0:23:46 | 0:23:49 | |
so how did you end up with this? Talk me through your decision. | 0:23:49 | 0:23:52 | |
Well, we decided that this was going to be the kitchen. It made sense. | 0:23:52 | 0:23:57 | |
We decided that we wanted to be shut off, we didn't want to be | 0:23:57 | 0:24:01 | |
on display when we were eating breakfast in our night clothes! | 0:24:01 | 0:24:04 | |
Sue, now you're in, how does it? | 0:24:04 | 0:24:06 | |
-Are you feeling pretty smug? -It's lovely to be in. | 0:24:06 | 0:24:09 | |
It's lovely. We love living here, we like the village, it's just lovely. | 0:24:09 | 0:24:14 | |
This is great, but there's obviously much more to see. Shall we continue? | 0:24:14 | 0:24:18 | |
-Yes. -Lead the way. | 0:24:18 | 0:24:20 | |
Now this is really impressive. | 0:24:21 | 0:24:23 | |
The kitchen is lovely, but this is a kind of a "wow" room, isn't it? | 0:24:23 | 0:24:26 | |
It's because of this height and this light. | 0:24:26 | 0:24:29 | |
How did you end up with it? Is this the same wall that was here before? | 0:24:29 | 0:24:33 | |
-Yes. -The same frame, yes, we just took out the ceiling. | 0:24:33 | 0:24:35 | |
Oh, that is an incredible difference. | 0:24:35 | 0:24:39 | |
I imagined the roof was sloping down, it felt a lot darker | 0:24:39 | 0:24:42 | |
and enclosed before. | 0:24:42 | 0:24:44 | |
We gain every bit of light and sun, we gain in here, | 0:24:44 | 0:24:48 | |
and it really warms the room up and it's just lovely to sit here. | 0:24:48 | 0:24:54 | |
We've got solar panels on the roof which generate the electricity | 0:24:54 | 0:24:57 | |
powering the under-floor heating. | 0:24:57 | 0:25:00 | |
So the under-floor heating is all powered off the solar panels? | 0:25:00 | 0:25:03 | |
-Yes. -That's the plan, does it actually work like that? | 0:25:03 | 0:25:06 | |
-Well we hope so! -Early days yet. | 0:25:06 | 0:25:09 | |
And that's what's important because this is a home for you guys to enjoy your retirement in | 0:25:09 | 0:25:13 | |
and you don't want to be surprised by big bills. | 0:25:13 | 0:25:15 | |
And you've built that into your planning. | 0:25:15 | 0:25:18 | |
It's not just about windows and walls, it's about money and streams of revenue. | 0:25:18 | 0:25:22 | |
It is, yes, because we're retired now we are on a pension | 0:25:22 | 0:25:24 | |
-so we need to make sure that we've covered those angles. -Perfect. | 0:25:24 | 0:25:29 | |
No nasty surprises when we're in our dotage. | 0:25:29 | 0:25:32 | |
'On the other side of the house, this airy bedroom is a world | 0:25:32 | 0:25:35 | |
'away from the beige kitchen originally in this space.' | 0:25:35 | 0:25:38 | |
-This is your master bedroom, yes? And it's en-suite? -Yes. | 0:25:39 | 0:25:44 | |
And the whole point, is it's all flat all ground level. | 0:25:44 | 0:25:48 | |
-Yes, walk-in shower. -Walk-in shower, no stairs anywhere and it's quiet, | 0:25:48 | 0:25:52 | |
-which is what you wanted. -Yes, just the church bells on Sunday morning. | 0:25:52 | 0:25:57 | |
Now, remind me what you hoped to complete | 0:25:57 | 0:25:59 | |
the project for in terms of budget originally? | 0:25:59 | 0:26:02 | |
We started off thinking that we wanted to spend no more | 0:26:02 | 0:26:04 | |
than 100,000. | 0:26:04 | 0:26:06 | |
When we worked it out with the renewable energy side of it, | 0:26:06 | 0:26:10 | |
it was probably about 120,000 in total. | 0:26:10 | 0:26:14 | |
So not much over your 10% contingency? | 0:26:14 | 0:26:16 | |
Is not disastrous, it's something you were comfortable with | 0:26:16 | 0:26:19 | |
-but you wanted to do it properly. -We wanted to do it right. | 0:26:19 | 0:26:22 | |
Yes and we've got exactly what we want. | 0:26:22 | 0:26:24 | |
Apart from the fact we still have the garden to do. | 0:26:24 | 0:26:27 | |
-That's another ongoing project. -Yes, that will come. | 0:26:27 | 0:26:31 | |
Guys, I'm really pleased it's worked out so well. Congratulations. | 0:26:31 | 0:26:35 | |
This is your ideal home now for many, many years to come. | 0:26:35 | 0:26:37 | |
-I hope so, yes. -No stairs and very few bills. -Yes. | 0:26:37 | 0:26:41 | |
It doesn't seem this could have worked out any better for Sue and John. | 0:26:46 | 0:26:49 | |
They are absolutely chuffed with their new home. | 0:26:49 | 0:26:52 | |
I think it all comes down to planning in the end. | 0:26:52 | 0:26:54 | |
They were clear about what they wanted | 0:26:54 | 0:26:56 | |
and how the house would suit their lifestyle, | 0:26:56 | 0:26:58 | |
particularly in their retirement years, | 0:26:58 | 0:27:00 | |
and they stuck to their plans. | 0:27:00 | 0:27:02 | |
And now they couldn't be happier with their new home | 0:27:02 | 0:27:04 | |
and they've done a brilliant job so I'm delighted for them. | 0:27:04 | 0:27:08 | |
Subtitles by Red Bee Media Ltd | 0:27:16 | 0:27:19 |