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Over the years, Britain's Empty Homes has been on a mission to show what can be done | 0:00:02 | 0:00:06 | |
to revitalise and transform some of the UK's estimated one million | 0:00:06 | 0:00:10 | |
empty properties. | 0:00:10 | 0:00:12 | |
-Jeremy. -Good to see you again. -Karen. | 0:00:12 | 0:00:14 | |
In this series I'll be catching up with some of the people who took | 0:00:14 | 0:00:17 | |
the plunge, and staked everything on turning unloved houses | 0:00:17 | 0:00:21 | |
into bespoke family homes. | 0:00:21 | 0:00:22 | |
Today I'll be catching up with a lady from an earlier series | 0:00:28 | 0:00:32 | |
who made a brave decision to take on one of Britain's empty properties. | 0:00:32 | 0:00:36 | |
You imagine family Christmases here and going for walks on the Downs. | 0:00:36 | 0:00:40 | |
-It somehow gives it a sense of purpose. -Fantastic. | 0:00:40 | 0:00:43 | |
I'll be seeing just how far she's got with creating her dream home. | 0:00:43 | 0:00:48 | |
We'll also be visiting some of the derelict dwellings | 0:00:51 | 0:00:53 | |
our property detectives have been working hard to save, | 0:00:53 | 0:00:56 | |
to prevent their owners from leaving them as a blot on the landscape. | 0:00:56 | 0:01:00 | |
It's incredible. | 0:01:00 | 0:01:01 | |
It was in quite a bad state the last time I saw it | 0:01:01 | 0:01:03 | |
but it's been done up really, really well. | 0:01:03 | 0:01:06 | |
And we'll be seeing how Housing Trust is trying to revitalise | 0:01:06 | 0:01:09 | |
swathes of derelict housing that's been a blight on London's | 0:01:09 | 0:01:12 | |
North Circular for almost 50 years. | 0:01:12 | 0:01:15 | |
Over 14 months ago, I met theatre director Alison Grant, | 0:01:20 | 0:01:23 | |
who had recently returned to the UK with her heart set on a quaint | 0:01:23 | 0:01:27 | |
English cottage. And what do you know? | 0:01:27 | 0:01:29 | |
She found one right here on the Sussex coast. | 0:01:29 | 0:01:33 | |
But as with most empty properties, | 0:01:33 | 0:01:35 | |
she soon discovered some unexpected issues. | 0:01:35 | 0:01:38 | |
Alison had a big job ahead of her. | 0:01:38 | 0:01:40 | |
Alison spent 25 years in the USA. | 0:01:45 | 0:01:47 | |
She returned to these shores after separating from her husband. | 0:01:47 | 0:01:50 | |
Soon after her return, she bought this abandoned ranger's cottage | 0:01:52 | 0:01:55 | |
in Cuckmere Haven, East Sussex, paying £300,000 at auction. | 0:01:55 | 0:02:00 | |
But the joy of winning the bidding war was soon tempered | 0:02:01 | 0:02:04 | |
by the reality of what she had actually purchased. | 0:02:04 | 0:02:08 | |
Everybody dropped out of the bidding at a certain point, | 0:02:08 | 0:02:11 | |
and it was between me and one other lady, | 0:02:11 | 0:02:13 | |
and we were obviously both emotional bidders, not investors. | 0:02:13 | 0:02:17 | |
So, we bid each other up | 0:02:17 | 0:02:19 | |
and I finally came to the point where I went, | 0:02:19 | 0:02:22 | |
"I mustn't bid any more," and she didn't bid anything. | 0:02:22 | 0:02:26 | |
I longed for all sorts of things that England has that America doesn't have | 0:02:26 | 0:02:30 | |
and a lot of that is history. | 0:02:30 | 0:02:31 | |
What I want is the idyllic English dream, a cottage | 0:02:31 | 0:02:36 | |
with chickens in the garden and a dog and a cat. | 0:02:36 | 0:02:39 | |
But Alison's romantic vision was given a tough reality check | 0:02:39 | 0:02:43 | |
when she had a closer look at what she'd actually bought. | 0:02:43 | 0:02:46 | |
I was very pleased to find that it was structurally sound | 0:02:46 | 0:02:49 | |
and it had a solid roof, it didn't leak. | 0:02:49 | 0:02:52 | |
What it did have was an infestation of death watch beetle, | 0:02:52 | 0:02:56 | |
which apparently nests in old oak only. | 0:02:56 | 0:02:59 | |
Death watch beetles attack old timbers, and over time can cause | 0:02:59 | 0:03:03 | |
some serious damage. | 0:03:03 | 0:03:04 | |
But with the correct treatment, it is possible to eradicate them. | 0:03:04 | 0:03:08 | |
There have been times over the last year | 0:03:08 | 0:03:11 | |
where I've wondered about my sanity. | 0:03:11 | 0:03:13 | |
There are times when I have woken up in the night and gone, | 0:03:13 | 0:03:17 | |
"What have I done?" | 0:03:17 | 0:03:18 | |
'When I met Alison, she was full of enthusiasm and ideas | 0:03:18 | 0:03:21 | |
'for how she would transform this empty property.' | 0:03:21 | 0:03:24 | |
Hello, Alison. I'm Joe. | 0:03:24 | 0:03:25 | |
-Hi, Joe, nice to meet you. -Nice to meet you, too. | 0:03:25 | 0:03:28 | |
This is it. What an incredible property in a stunning area. | 0:03:28 | 0:03:32 | |
Yes, that's why I bought it, obviously. | 0:03:32 | 0:03:35 | |
It had been empty for two-and-a-half years, | 0:03:35 | 0:03:37 | |
it was covered, you couldn't see the view because it was so overgrown. | 0:03:37 | 0:03:41 | |
It was pretty... it was pretty dire. | 0:03:41 | 0:03:43 | |
-Let's have a look, you can show me around. -OK. | 0:03:43 | 0:03:45 | |
Crikey, look at this, it's all opened up. | 0:03:54 | 0:03:57 | |
It is, indeed. | 0:03:57 | 0:03:58 | |
What was it like before, when you first walked through that door? | 0:03:58 | 0:04:02 | |
Very closed, very dark, | 0:04:02 | 0:04:04 | |
which is why I'm going down the route of opening it up | 0:04:04 | 0:04:08 | |
and we've raised ceilings | 0:04:08 | 0:04:09 | |
to try and make it a bit more bearable to walk around in. | 0:04:09 | 0:04:12 | |
-You've raised the ceilings for the ground floor? -Yes. | 0:04:12 | 0:04:15 | |
We were able to do it because upstairs it's got a sloped ceiling, | 0:04:15 | 0:04:18 | |
so there's more headroom. | 0:04:18 | 0:04:20 | |
We had to make the decision whether to go down | 0:04:20 | 0:04:22 | |
or to take the ceilings up. | 0:04:22 | 0:04:24 | |
We decided we would take the ceilings up | 0:04:24 | 0:04:26 | |
because you get into a whole mess of problems if you try to go down, | 0:04:26 | 0:04:29 | |
I understand, with damp and so on. | 0:04:29 | 0:04:31 | |
It feels the right height, it feels natural. | 0:04:31 | 0:04:34 | |
-It's still quite low but it's... for a cottage, it's OK. -Yes. | 0:04:34 | 0:04:38 | |
What is this behind you? It looks incredible. | 0:04:38 | 0:04:40 | |
Ah, this was entirely concealed. | 0:04:40 | 0:04:42 | |
It's too high for a fireplace, is it some sort of oven? | 0:04:42 | 0:04:45 | |
Yes, it is a bread brick oven, is what it is. | 0:04:45 | 0:04:47 | |
A bread oven. | 0:04:47 | 0:04:49 | |
It looks as if it's in working order, I haven't fired it up, | 0:04:49 | 0:04:51 | |
but Jamie Oliver cooks with one all the time. | 0:04:51 | 0:04:54 | |
'I was keen to see what plans Alison had for the upstairs.' | 0:04:54 | 0:04:57 | |
-So, this is going to be the master bedroom. -OK. | 0:04:57 | 0:05:00 | |
The fireplace is going to be raised up, | 0:05:00 | 0:05:03 | |
-so that it's a see-through fireplace with a fire on both sides. -Ah. | 0:05:03 | 0:05:06 | |
Then through there, there's going to be a whirlpool, spa bath. | 0:05:06 | 0:05:11 | |
Which is why we've had reinforcements underneath, | 0:05:11 | 0:05:14 | |
to bear the weight of that. And built-in closets. | 0:05:14 | 0:05:16 | |
So, it's going to be this one magnificent... | 0:05:16 | 0:05:19 | |
So, a sweeping bedroom, all the way along the front of the house. | 0:05:19 | 0:05:22 | |
With the views, yes. | 0:05:22 | 0:05:23 | |
You look out there, and there is such a view. | 0:05:23 | 0:05:25 | |
-It is, it's iconic. -It's just breathtaking. | 0:05:25 | 0:05:28 | |
Yes, OK, you had to take out some of the woodwork | 0:05:30 | 0:05:32 | |
because of beetles and that kind of stuff, | 0:05:32 | 0:05:35 | |
but great that you've got these chimneys and the bread oven | 0:05:35 | 0:05:40 | |
-and a couple of fireplaces. Plenty to work with there. -Oh, yes. | 0:05:40 | 0:05:43 | |
Looking ahead, now, at the project, is the greatest worry money? | 0:05:43 | 0:05:47 | |
Yes, I would say the greatest worry is money, | 0:05:47 | 0:05:50 | |
not where the money is coming from eventually, | 0:05:50 | 0:05:53 | |
but how to utilise the money that I've got at the moment, | 0:05:53 | 0:05:56 | |
to make it work in the best possible way. | 0:05:56 | 0:05:59 | |
Later, we'll see what happened when I took Alison to meet a couple | 0:05:59 | 0:06:03 | |
who overcame the structural problems of a run-down barn | 0:06:03 | 0:06:06 | |
to create a spectacular new home. | 0:06:06 | 0:06:08 | |
Across Britain, there are many gems like Alison's just waiting | 0:06:12 | 0:06:15 | |
to be discovered and taken on. | 0:06:15 | 0:06:17 | |
And local councils' empty property offices are constantly carrying out | 0:06:17 | 0:06:21 | |
detective work to find abandoned homes and bring them back to life. | 0:06:21 | 0:06:25 | |
In Cardiff alone, | 0:06:26 | 0:06:27 | |
there's 2,000 properties on the long-term vacant list. | 0:06:27 | 0:06:31 | |
18 months ago, empty property officer Steve Reid was on his way | 0:06:32 | 0:06:35 | |
to visit a house in the city which he was already well acquainted with. | 0:06:35 | 0:06:40 | |
The property I'm visiting today is one that | 0:06:40 | 0:06:42 | |
I have been dealing with for three or four years. | 0:06:42 | 0:06:45 | |
Work has started on the property but we still need to keep | 0:06:45 | 0:06:49 | |
monitoring it to make sure that work keeps progressing. | 0:06:49 | 0:06:52 | |
Morning, Mr Khan. Steven Reid from Cardiff City Council. | 0:06:55 | 0:06:58 | |
Wow, what a difference. | 0:07:02 | 0:07:04 | |
I remember the problems that this property caused over the years. | 0:07:04 | 0:07:08 | |
There was two joists that had been broken in the middle up there, | 0:07:08 | 0:07:12 | |
and it was totally... The house was like that. | 0:07:12 | 0:07:15 | |
So I had to take that old joist out and put steel in there. | 0:07:15 | 0:07:19 | |
There was a big hole next door as well, all rotting away. | 0:07:19 | 0:07:22 | |
Can we go have a look at that? | 0:07:22 | 0:07:24 | |
The difference in here as well from the last time I saw it. | 0:07:27 | 0:07:30 | |
There was no floor over there at all. | 0:07:30 | 0:07:32 | |
And there was a hole in the ceiling, I had to pitch the new ceiling in. | 0:07:32 | 0:07:36 | |
You're a very brave man taking on such a big project. | 0:07:36 | 0:07:39 | |
Today, nearly 18 months later, Steve's returning to the property | 0:07:41 | 0:07:45 | |
to see the success story for himself. | 0:07:45 | 0:07:47 | |
The work's been completed, the house has been rented | 0:07:47 | 0:07:50 | |
and is now home to a local family. | 0:07:50 | 0:07:53 | |
Steve's keen to take another look inside | 0:07:53 | 0:07:55 | |
and finally tick this property off his list. | 0:07:55 | 0:07:58 | |
When I first came here four years ago, there were no windows. | 0:07:58 | 0:08:02 | |
Part of the roof line had collapsed. | 0:08:02 | 0:08:04 | |
The sills on the top two windows had collapsed where the bay had dropped. | 0:08:04 | 0:08:09 | |
There's a massive difference. | 0:08:09 | 0:08:10 | |
-Hiya, Zahr. -Hi, Steve, all right? Come on in. -Thank you. | 0:08:13 | 0:08:17 | |
The new tenants were delighted to find a family home in this | 0:08:17 | 0:08:20 | |
part of town. | 0:08:20 | 0:08:22 | |
Wow, this has changed so much. | 0:08:22 | 0:08:24 | |
It's incredible. It was in quite a bad state the last time I saw it. | 0:08:26 | 0:08:30 | |
But it's been done up really, really well. | 0:08:30 | 0:08:32 | |
-Yeah, it's nice, isn't it? -Yes. | 0:08:32 | 0:08:34 | |
Is there any particular reason why you chose this area? | 0:08:34 | 0:08:37 | |
It's close to my family, my parents. | 0:08:37 | 0:08:40 | |
And it's close to the city centre. | 0:08:40 | 0:08:42 | |
-It's very convenient. -Yeah? Do you mind if I have a little look around? | 0:08:42 | 0:08:46 | |
-No, carry on. -Thanks. | 0:08:46 | 0:08:48 | |
Originally, when we came here about four years ago, | 0:08:52 | 0:08:55 | |
all the floorboards were loose. | 0:08:55 | 0:08:57 | |
There was a huge hole on the floor there, where a lot of the beams | 0:08:57 | 0:09:00 | |
had rotted and the floor had collapsed. | 0:09:00 | 0:09:03 | |
There was a huge hole in the ceiling. | 0:09:03 | 0:09:05 | |
And obviously they've replaced some of the joists up there, | 0:09:05 | 0:09:09 | |
put this laminate flooring down, plastered the walls. | 0:09:09 | 0:09:13 | |
A bit of paint and it just looks like a family lounge, | 0:09:13 | 0:09:17 | |
part of a bigger family house. | 0:09:17 | 0:09:20 | |
Which is great. | 0:09:20 | 0:09:21 | |
Steve has seen this property through all the different stages | 0:09:22 | 0:09:25 | |
of its development, | 0:09:25 | 0:09:27 | |
from abandoned wreck to building site, | 0:09:27 | 0:09:30 | |
to comfortable family home. | 0:09:30 | 0:09:32 | |
Knowing it from four years ago, the condition it was in, | 0:09:32 | 0:09:36 | |
virtually derelict and literally falling down. | 0:09:36 | 0:09:39 | |
And then coming back, seeing it now completely renovated, | 0:09:39 | 0:09:42 | |
and to see a young couple with their kids living in there, | 0:09:42 | 0:09:46 | |
it's just fantastic. It's exactly what our remit is. | 0:09:46 | 0:09:50 | |
So it's a good job all round. | 0:09:50 | 0:09:52 | |
Bringing an empty property back to life may be a worthwhile pursuit, | 0:09:55 | 0:09:59 | |
but let's face it, it's never going to be easy. | 0:09:59 | 0:10:02 | |
However, when you speak to people who have been through it, | 0:10:02 | 0:10:05 | |
they'll tell you the hard slog, the long hours, | 0:10:05 | 0:10:07 | |
the late nights are all worth it in the end. | 0:10:07 | 0:10:10 | |
Searching for the right vacant house to turn into a dream home | 0:10:11 | 0:10:15 | |
can be a long and arduous process, | 0:10:15 | 0:10:17 | |
but sometimes the perfect property can be found right under our noses. | 0:10:17 | 0:10:21 | |
Ian and Deborah Tanner's local church had a special connection | 0:10:22 | 0:10:26 | |
to the couple. It sat right at the end of their garden in Devon. | 0:10:26 | 0:10:29 | |
Little did they know that one day they would end up living in it. | 0:10:29 | 0:10:33 | |
We've lived here for 25 years. | 0:10:33 | 0:10:36 | |
Plus, our children used to go to playschool | 0:10:36 | 0:10:39 | |
when it was in what was the Sunday School in the church hall, | 0:10:39 | 0:10:42 | |
so we've known the place for a long time. | 0:10:42 | 0:10:44 | |
It closed a couple of years before we bought it. | 0:10:44 | 0:10:47 | |
There was dry rot, wet rot, woodworm here that we've had treated | 0:10:47 | 0:10:51 | |
and I'm sure another 12 or 18 months and it would have been | 0:10:51 | 0:10:55 | |
in real trouble and probably too much for us to have taken on. | 0:10:55 | 0:10:57 | |
Hymn books were still on the pews and the organ was intact when | 0:10:57 | 0:11:01 | |
the couple took a leap of faith and bought the church at auction | 0:11:01 | 0:11:04 | |
for £125,000. | 0:11:04 | 0:11:06 | |
I used to say it would make a really nice home. | 0:11:08 | 0:11:10 | |
It's just a beautiful building to maintain as well, | 0:11:10 | 0:11:13 | |
rather than it go to rack and ruin. We were up for a challenge | 0:11:13 | 0:11:15 | |
and it was a good time in our life to do something. | 0:11:15 | 0:11:19 | |
The Tanners made every effort to honour the style | 0:11:19 | 0:11:22 | |
and history of this prominent local church. | 0:11:22 | 0:11:24 | |
All the window shapes have stayed the same, | 0:11:24 | 0:11:27 | |
the doors have stayed the same. | 0:11:27 | 0:11:28 | |
Even the paint colour is pretty similar outside to what it was before. | 0:11:28 | 0:11:32 | |
And the renovation also presented Deborah with the chance to gain | 0:11:32 | 0:11:35 | |
some new skills. | 0:11:35 | 0:11:37 | |
We really enjoyed looking into all the different aspects | 0:11:37 | 0:11:40 | |
of the building and, because I had all these windows | 0:11:40 | 0:11:44 | |
that I knew I would need to do, I've done the City & Guilds | 0:11:44 | 0:11:46 | |
stained-glass window making course, | 0:11:46 | 0:11:48 | |
so I've just put the first window in, which has given me a lot of pleasure. | 0:11:48 | 0:11:52 | |
It's like an extra hobby that I've discovered. | 0:11:52 | 0:11:54 | |
Of course, the couple enjoy the entire house, | 0:11:58 | 0:12:00 | |
but they do have their favourite features. | 0:12:00 | 0:12:03 | |
The stairs and the lounge are the best bits, for me. | 0:12:04 | 0:12:07 | |
It's a bit of a decision. | 0:12:07 | 0:12:09 | |
Do you chop it up, do you go for a big open-plan space? | 0:12:09 | 0:12:11 | |
And we've gone for an open-plan space. | 0:12:11 | 0:12:13 | |
I think we both really love it. | 0:12:13 | 0:12:15 | |
I especially like the woodwork that we had sandblasted. | 0:12:15 | 0:12:20 | |
It was all painted black and it has come up really nice. | 0:12:20 | 0:12:23 | |
We've used the pulpit of the church in the corner as a bar, | 0:12:24 | 0:12:28 | |
and we've turned some pews into the dinner table. | 0:12:28 | 0:12:32 | |
As with many renovations of this size, | 0:12:32 | 0:12:34 | |
budgets and timescales can often spiral, but the Tanners managed | 0:12:34 | 0:12:38 | |
to stick to a 20-week schedule, | 0:12:38 | 0:12:41 | |
spending £250,000 on the process. | 0:12:41 | 0:12:44 | |
We have spent more money than we thought | 0:12:44 | 0:12:46 | |
we wanted to spend at the start, but it's not about the money. | 0:12:46 | 0:12:50 | |
It's about having what we've ended up with. | 0:12:50 | 0:12:53 | |
It's a great place to live in and if you want something badly | 0:12:53 | 0:12:56 | |
enough, you will just carry on and do it. | 0:12:56 | 0:12:59 | |
I'm really proud of the house and I'm really proud | 0:12:59 | 0:13:01 | |
of what we've achieved. | 0:13:01 | 0:13:03 | |
We've managed to get through it all without any kind of... | 0:13:03 | 0:13:06 | |
We haven't had any domestics | 0:13:06 | 0:13:08 | |
and it is a joy every night to come home and see it all. | 0:13:08 | 0:13:12 | |
And it takes over your life, to a certain extent. | 0:13:12 | 0:13:15 | |
But it's a great place to live in and we're both really proud of it. | 0:13:15 | 0:13:19 | |
Earlier in the programme, we met the intrepid Alison Grant, | 0:13:23 | 0:13:27 | |
whose determination to realise the home of her dreams | 0:13:27 | 0:13:30 | |
led her to buying in this derelict ranger's cottage in East Sussex. | 0:13:30 | 0:13:34 | |
There have been times over the last year | 0:13:34 | 0:13:36 | |
where I have wondered about my sanity. | 0:13:36 | 0:13:39 | |
There are times when I have woken up in the night and gone, | 0:13:39 | 0:13:43 | |
"What have I done?" | 0:13:43 | 0:13:45 | |
Alison was starting to feel a bit overwhelmed | 0:13:45 | 0:13:47 | |
and was falling behind schedule. | 0:13:47 | 0:13:49 | |
So I thought it'd help to meet someone else who had tackled | 0:13:49 | 0:13:52 | |
a similar renovation project. | 0:13:52 | 0:13:54 | |
To inspire Alison, I took her to meet a couple who successfully | 0:13:54 | 0:13:57 | |
married the old with the new, | 0:13:57 | 0:13:59 | |
and turned a run-down barn into a spectacular home. | 0:13:59 | 0:14:03 | |
When Ian and Jan Law first spotted this derelict barn | 0:14:04 | 0:14:09 | |
in Sedlescombe, East Sussex, it was love at first sight. | 0:14:09 | 0:14:13 | |
We were going down to Hastings for the morning, and saw it | 0:14:13 | 0:14:16 | |
advertised in the estate agents' window, liked it that much that we | 0:14:16 | 0:14:20 | |
rang the agents again the following morning and came in and had a look. | 0:14:20 | 0:14:24 | |
It was then that they told us it was also going up for auction. | 0:14:24 | 0:14:29 | |
Ian and Jan were given a six-week deadline to | 0:14:29 | 0:14:32 | |
get their finances in place or the barn would definitely go to auction. | 0:14:32 | 0:14:36 | |
Just in time, the Laws got the money sorted. | 0:14:36 | 0:14:39 | |
And then realised the full extent of what they had taken on. | 0:14:39 | 0:14:42 | |
It was looking sorry for itself, | 0:14:42 | 0:14:44 | |
but you could see that there were a nice lot of beams inside. | 0:14:44 | 0:14:48 | |
You know, it had a nice lot of potential. | 0:14:48 | 0:14:51 | |
The actual ridge of the thatched roof, the straw, had all gone, | 0:14:51 | 0:14:54 | |
so it was leaking inside. | 0:14:54 | 0:14:56 | |
Every weekend Jan would be working with us. | 0:14:56 | 0:14:59 | |
You know, we'd be humping beams about on blocks and tackles. | 0:14:59 | 0:15:02 | |
A digger was sat in here holding beams up while we were trying to jiggle them in. | 0:15:02 | 0:15:06 | |
This was Ian and Jan's second barn renovation | 0:15:06 | 0:15:09 | |
but it wasn't all smooth running - | 0:15:09 | 0:15:10 | |
they came up against some unexpected challenges. | 0:15:10 | 0:15:13 | |
What we hadn't budgeted for was the costings on the thatch. | 0:15:13 | 0:15:17 | |
We ended up spending a lot of money on the bespoke windows and joinery. | 0:15:17 | 0:15:22 | |
But the windows and joinery were the least of their worries. | 0:15:22 | 0:15:25 | |
They spent a whole year and a half without mains electricity. | 0:15:25 | 0:15:30 | |
And that was a nightmare! | 0:15:30 | 0:15:32 | |
The barn was nearly finished before we got electric supply connected. | 0:15:32 | 0:15:37 | |
Despite all these challenges, Ian and Jan created a spectacular home. | 0:15:37 | 0:15:41 | |
We've actually said now, | 0:15:41 | 0:15:43 | |
it's something we ought to have done years ago. | 0:15:43 | 0:15:45 | |
Although this build was on a different scale to Alison's, | 0:15:45 | 0:15:49 | |
there were many similarities, | 0:15:49 | 0:15:51 | |
and I was hopeful she'd glean some useful tips and advice. | 0:15:51 | 0:15:54 | |
-Hello, Ian. -Hi, guys. | 0:15:54 | 0:15:55 | |
-Hi, can we come in? -Yeah. | 0:15:55 | 0:15:57 | |
Great, thank you. | 0:15:57 | 0:15:58 | |
'As soon as we arrived, it was clear - | 0:16:00 | 0:16:03 | |
'this was a huge restoration project.' | 0:16:03 | 0:16:06 | |
So was this just one, big open barn? | 0:16:06 | 0:16:08 | |
Yes. | 0:16:08 | 0:16:09 | |
-There were no levels in it at all? -No levels in it at all. | 0:16:09 | 0:16:12 | |
Just the open space with the lower levels on the outside, | 0:16:12 | 0:16:16 | |
which were cow pens and animal runs. | 0:16:16 | 0:16:20 | |
So, where you have got the kitchen, that was another outbuilding? | 0:16:20 | 0:16:24 | |
Yes, just like a lean-to on the side, which was animal pens. | 0:16:24 | 0:16:28 | |
I see you've got some wonderful beams | 0:16:28 | 0:16:30 | |
that look like they've had some sort of infestation in them? | 0:16:30 | 0:16:33 | |
Can you tell me a bit about that, because I have that problem. | 0:16:33 | 0:16:36 | |
Yes, we had them all treated. We had them all sandblasted. | 0:16:36 | 0:16:40 | |
They come in and put a treatment on all the timber, the old and the new, | 0:16:40 | 0:16:43 | |
because you are importing more bugs in, in the new timber. | 0:16:43 | 0:16:47 | |
You bring your new timber in, you put it up alongside your old timber, | 0:16:47 | 0:16:51 | |
and then you just treat the whole place? | 0:16:51 | 0:16:53 | |
I know some of your wood had to be taken out, | 0:16:53 | 0:16:55 | |
but there's definitely hope for what's left, | 0:16:55 | 0:16:57 | |
that you can treat it and it'll be fine. | 0:16:57 | 0:17:00 | |
Yeah, and I would really love to save as much as I possibly can. | 0:17:00 | 0:17:03 | |
One, for the look, but also for the authenticity of the building. | 0:17:03 | 0:17:07 | |
So, it's really good to hear that I might be able to say some of it. | 0:17:07 | 0:17:10 | |
Shall we have a look up in one of the bedrooms? | 0:17:10 | 0:17:12 | |
-That one's probably the biggest one. -OK. | 0:17:12 | 0:17:14 | |
-So, this is very much the master bedroom, right? -Yeah. | 0:17:23 | 0:17:26 | |
Great head height, there's a lot to play with here. | 0:17:26 | 0:17:29 | |
To bring it all back down to earth, | 0:17:29 | 0:17:31 | |
how much did it cost, and did you have to go over budget? | 0:17:31 | 0:17:34 | |
We thought we could do it for around about 100, 110, | 0:17:34 | 0:17:37 | |
and it ended up at 160. | 0:17:37 | 0:17:38 | |
-Wow. That's half as much again, on the budget. -A little over! | 0:17:38 | 0:17:42 | |
Were there any sacrifices you had to make | 0:17:42 | 0:17:46 | |
to allow your budget to go that little bit further? | 0:17:46 | 0:17:49 | |
Kitchen units, just bits and pieces | 0:17:49 | 0:17:51 | |
where we haven't quite spent the quality in there | 0:17:51 | 0:17:54 | |
that you would have liked to have done. | 0:17:54 | 0:17:57 | |
But the budget forces you into those little areas, | 0:17:57 | 0:18:00 | |
and it still looks nice | 0:18:00 | 0:18:02 | |
but not quite how you would have done it the first time round, | 0:18:02 | 0:18:04 | |
but it's something you can always alter at a later stage. | 0:18:04 | 0:18:07 | |
I think the key example is just over my shoulder, | 0:18:07 | 0:18:10 | |
you put a chimney and flue in. | 0:18:10 | 0:18:11 | |
There's no wood burner at the moment. | 0:18:11 | 0:18:13 | |
But it's there for when you want it and you can afford it in the future. | 0:18:13 | 0:18:17 | |
That's it, once we have saved the pennies we can pop it in. | 0:18:17 | 0:18:20 | |
I don't want to do something that's got to be redone, | 0:18:20 | 0:18:23 | |
but upgrading, I think, is a really good way to save money in the moment. | 0:18:23 | 0:18:27 | |
It's been wonderful to look round your home, thank you for letting us. | 0:18:27 | 0:18:31 | |
Yes, thank you. | 0:18:31 | 0:18:32 | |
And, I trust, it's been the right balance of inspiration | 0:18:32 | 0:18:36 | |
but also some good advice coming across. | 0:18:36 | 0:18:38 | |
Yes, it's really helpful to me, | 0:18:38 | 0:18:39 | |
because I do tend to lose sight of where I'm going | 0:18:39 | 0:18:42 | |
because it is such a construction site at the moment. | 0:18:42 | 0:18:46 | |
So, to see the end result and to see the marriage of the old | 0:18:46 | 0:18:49 | |
and the authentic with the new is very exciting to me, | 0:18:49 | 0:18:52 | |
so it has been inspirational. | 0:18:52 | 0:18:53 | |
Plus, you've told me a few things that I will definitely use, | 0:18:53 | 0:18:56 | |
so, thank you. | 0:18:56 | 0:18:57 | |
-Oh, my pleasure. -Thank you very much. | 0:18:57 | 0:18:59 | |
How are you feeling about your project, | 0:19:02 | 0:19:05 | |
is it encouraging to see this? | 0:19:05 | 0:19:06 | |
I think it's been incredibly useful, | 0:19:06 | 0:19:09 | |
so to actually see that old wood can be used again | 0:19:09 | 0:19:13 | |
and more old wood brought in, | 0:19:13 | 0:19:15 | |
and actually get the look that I want, has been quite inspirational. | 0:19:15 | 0:19:20 | |
Just reminding me of what I... to keep the vision. | 0:19:20 | 0:19:23 | |
Later in the programme we'll be catching up with Alison again, | 0:19:23 | 0:19:26 | |
and we'll find out if she's managed to stay true to her vision | 0:19:26 | 0:19:30 | |
and realise her ambitious plans. | 0:19:30 | 0:19:32 | |
There are many reasons why properties become derelict | 0:19:34 | 0:19:37 | |
and fall into disuse. | 0:19:37 | 0:19:39 | |
Last year, I visited an area of north London that had fallen foul | 0:19:39 | 0:19:43 | |
of a road-wide new scheme back in the '60s that never materialised, | 0:19:43 | 0:19:47 | |
leaving hundreds of homes falling into disrepair. | 0:19:47 | 0:19:50 | |
The area around the North Circular here in Enfield has suffered | 0:19:51 | 0:19:55 | |
decades of neglect. Years of problems with fly tipping, | 0:19:55 | 0:19:58 | |
squatting, arson and vermin have made places uninhabitable. | 0:19:58 | 0:20:03 | |
But with 75,000 people on London's waiting list, | 0:20:03 | 0:20:06 | |
these homes are resources that need to be used. | 0:20:06 | 0:20:09 | |
More than 40 years after the failed scheme, | 0:20:10 | 0:20:13 | |
plans were finally put in place to regenerate the area. | 0:20:13 | 0:20:17 | |
I went to meet Ken Barnett, the project manager | 0:20:17 | 0:20:20 | |
for Notting Hill Housing Trust, to find out more. | 0:20:20 | 0:20:23 | |
So, Ken, remind me. | 0:20:23 | 0:20:25 | |
How did we get to a situation where so many properties along | 0:20:25 | 0:20:28 | |
this A406, the North Circular, were just sitting empty for years. | 0:20:28 | 0:20:32 | |
It started back in the 1960s when the Department Of Transport were | 0:20:32 | 0:20:35 | |
starting to buy up properties, | 0:20:35 | 0:20:37 | |
planning to make the road into a dual carriageway. | 0:20:37 | 0:20:40 | |
That decision was subsequently shelved but in the meantime, | 0:20:40 | 0:20:43 | |
total uncertainty and total blight of the area. | 0:20:43 | 0:20:46 | |
The Housing Trust had purchased the buildings from Transport For London, | 0:20:46 | 0:20:50 | |
and they were in the process of bringing them back into use. | 0:20:50 | 0:20:53 | |
What's the cost of doing this? What sort of money is involved? | 0:20:53 | 0:20:56 | |
We're spending just in excess of £10 million on refurbishment costs | 0:20:56 | 0:21:00 | |
on that, and that includes the clean up of the gardens | 0:21:00 | 0:21:03 | |
and everything where they were squatted. | 0:21:03 | 0:21:05 | |
In terms of the works we're doing, we're doing broadly new roofs, | 0:21:05 | 0:21:09 | |
new kitchens, new bathrooms. | 0:21:09 | 0:21:11 | |
We're reconfiguring some of the properties, just to make them | 0:21:11 | 0:21:14 | |
more usable, bringing them up to modern-day standards. | 0:21:14 | 0:21:17 | |
And finally, what difference does this make? How important is it? | 0:21:17 | 0:21:21 | |
I think the community is getting back on its feet following the blight | 0:21:21 | 0:21:25 | |
and uncertainty, which has gone on for a long, long time. | 0:21:25 | 0:21:28 | |
For so many years, when you drove down this road you just see | 0:21:31 | 0:21:34 | |
boarded-up house after boarded-up house. | 0:21:34 | 0:21:37 | |
But now finally the area is being brought back to life. | 0:21:37 | 0:21:40 | |
Today, a year later, we've come back to the North Circular | 0:21:43 | 0:21:46 | |
where the regeneration programme is almost finished. | 0:21:46 | 0:21:49 | |
250 houses that were once squatted | 0:21:49 | 0:21:52 | |
and derelict have been refurbished and families have started moving in. | 0:21:52 | 0:21:56 | |
Danielle Lennon, one of Ken Barnett's colleagues, | 0:21:57 | 0:22:00 | |
has come to talk to new residents about the impact the scheme | 0:22:00 | 0:22:03 | |
has had on their lives. | 0:22:03 | 0:22:05 | |
You've been here less than a month. | 0:22:05 | 0:22:07 | |
How long were you actually waiting for a three-bedroom house? | 0:22:07 | 0:22:10 | |
-I've been waiting for nine years. -Nine years for a three-bedroom house? | 0:22:10 | 0:22:15 | |
I think the existing residents here and then the new residents are | 0:22:15 | 0:22:19 | |
really integrating with each other and becoming friends, | 0:22:19 | 0:22:22 | |
joining up, visiting each other, helping each other out, | 0:22:22 | 0:22:26 | |
which is really nice to see and really nice to hear. | 0:22:26 | 0:22:29 | |
One of the new residents is Grace, | 0:22:29 | 0:22:31 | |
who moved in with her family last summer. | 0:22:31 | 0:22:34 | |
I know my neighbours, three of them, we just moved at the same time. | 0:22:34 | 0:22:38 | |
Our kids like playing together, especially at summertime. | 0:22:38 | 0:22:42 | |
We're taking each other's parcels | 0:22:42 | 0:22:44 | |
and they are definitely good neighbours. | 0:22:44 | 0:22:46 | |
Regenerating the area around the North Circular has brought | 0:22:46 | 0:22:49 | |
a new lease of life, not just to the homes but also to the community. | 0:22:49 | 0:22:53 | |
Just over here ago, I met theatre director Alison Grant, | 0:22:58 | 0:23:02 | |
who had bought an abandoned cottage at auction. | 0:23:02 | 0:23:05 | |
She was hoping to turn this derelict building | 0:23:05 | 0:23:08 | |
into a picture-postcard retreat. | 0:23:08 | 0:23:10 | |
Well, 14 months after our first meeting, | 0:23:13 | 0:23:15 | |
I'm excited to be back on the rolling downs of East Sussex | 0:23:15 | 0:23:18 | |
to see how Alison has been getting on with her ambitious project. | 0:23:18 | 0:23:22 | |
From outside, there are signs of progress. | 0:23:23 | 0:23:26 | |
But is Alison's 300-year-old cottage anywhere near being completed? | 0:23:26 | 0:23:31 | |
I'd love to tell you that all the work's finished | 0:23:31 | 0:23:33 | |
as she's moved into her dream home. | 0:23:33 | 0:23:35 | |
But it's immediately obvious things haven't moved as quickly | 0:23:35 | 0:23:39 | |
as Alison hoped. | 0:23:39 | 0:23:40 | |
-Alison, hello, how are you? -Good, thank you. | 0:23:40 | 0:23:43 | |
Really good to see you. | 0:23:43 | 0:23:44 | |
-It's lovely to be back in this stunning part of the world. -Amazing. | 0:23:44 | 0:23:48 | |
How has it all been going? | 0:23:48 | 0:23:50 | |
-Well, that's an interesting question. -My eye is drawn to the skip. | 0:23:50 | 0:23:54 | |
-Yes, stuff is still coming out. -OK. | 0:23:54 | 0:23:56 | |
-Shall we go inside and see what has changed? -Let's do. -OK. After you. | 0:23:56 | 0:24:00 | |
Ah, wow. | 0:24:05 | 0:24:07 | |
-So that's the first thing. A staircase. -Yes. | 0:24:07 | 0:24:10 | |
That definitely wasn't here last time. | 0:24:10 | 0:24:12 | |
We had ladders going up here, didn't we? How long has that been in for? | 0:24:12 | 0:24:16 | |
This has been in... This was one of the first things that went in | 0:24:16 | 0:24:19 | |
so it's probably been in about nine months now. | 0:24:19 | 0:24:22 | |
And what you can't see is that this is all open up to the skylights. | 0:24:22 | 0:24:25 | |
And there's going to be a curved banister going round | 0:24:25 | 0:24:28 | |
-here for a mezzanine. -Ah. | 0:24:28 | 0:24:30 | |
-Is it all safe to go up there? -Yes, indeed. | 0:24:30 | 0:24:32 | |
-And we can have a look at your skylights. -Lovely. -After you. | 0:24:32 | 0:24:35 | |
-We can try out your new staircase. -Let's go. -Excellent. | 0:24:35 | 0:24:39 | |
Oh, wow. | 0:24:42 | 0:24:44 | |
-And these are new, this is how you're bringing the light in? -Yes. | 0:24:44 | 0:24:47 | |
The whole purpose of bringing the light in and having this | 0:24:47 | 0:24:50 | |
really open entryway is because I didn't want a dark, cottage-y feel. | 0:24:50 | 0:24:55 | |
-I like cosy but I also wanted light and bright. -Brilliant. | 0:24:55 | 0:24:58 | |
-It's going to be lovely. -Really does work. | 0:24:58 | 0:25:00 | |
Yes, and the vision is to have a great big fan hanging down here, | 0:25:00 | 0:25:03 | |
one of those old, opulent fans, and then maybe a chandelier. | 0:25:03 | 0:25:08 | |
I don't know. | 0:25:08 | 0:25:09 | |
-This is the bit you get really excited about? -Yes. | 0:25:09 | 0:25:12 | |
That's when I'll really come into my own, | 0:25:12 | 0:25:14 | |
is when I'm actually trying to get the feel that I want. | 0:25:14 | 0:25:17 | |
-That flair. -The gypsy feel or the Moroccan feel or whatever. | 0:25:17 | 0:25:21 | |
Do you imagine you might do that? | 0:25:21 | 0:25:22 | |
-You'll have different themes in different rooms? -Yes. | 0:25:22 | 0:25:26 | |
The big master bedroom, I'm going to have a whole Moroccan theme in there | 0:25:26 | 0:25:30 | |
with all sorts of deep reds and lovely Oriental pillows. | 0:25:30 | 0:25:35 | |
It's going to be a Moroccan boudoir. | 0:25:35 | 0:25:37 | |
Ooh. Very nice. Yes. Can I poke my head round the corner? | 0:25:37 | 0:25:41 | |
Have there been any unexpected setbacks at all? | 0:25:42 | 0:25:45 | |
One of the ones was the fact that the walls were slightly spreading. | 0:25:45 | 0:25:49 | |
Once we'd taken all the interior walls out, | 0:25:49 | 0:25:51 | |
it was not as stable as it could have been | 0:25:51 | 0:25:54 | |
and so we've had to do a lot of framing in order to anchor the whole, | 0:25:54 | 0:25:58 | |
to keep it in a square, to keep it all boxed so the roof didn't fall in. | 0:25:58 | 0:26:02 | |
-So extra money, extra time, extra effort. -Yes. | 0:26:02 | 0:26:05 | |
It would've been lovely to have the right amount of cash | 0:26:05 | 0:26:08 | |
at the beginning and just do it. That's the ideal way. | 0:26:08 | 0:26:11 | |
But this is piecemeal and so, by its very essence, | 0:26:11 | 0:26:14 | |
it's slightly frustrating, I have to say. | 0:26:14 | 0:26:17 | |
I know the project probably hasn't gone as quickly as you'd wanted | 0:26:20 | 0:26:24 | |
it to, but I guess, on the plus side, | 0:26:24 | 0:26:26 | |
-your feel for the place increases. -Yeah. | 0:26:26 | 0:26:29 | |
I think that's exactly right. | 0:26:29 | 0:26:31 | |
-Since I saw you last, I've now got a gorgeous little grandson. -Oh, wow. | 0:26:31 | 0:26:35 | |
-Who was born in April. Tyler. -Congratulations. -Yes. | 0:26:35 | 0:26:39 | |
So, in a way, that's me becoming a grandmother and has made me | 0:26:39 | 0:26:43 | |
want to create a home base and a space for the whole family. | 0:26:43 | 0:26:46 | |
-That's lovely news. -It somehow gives it a sense of purpose. | 0:26:46 | 0:26:49 | |
It's so interesting to be back here to see Alison | 0:26:51 | 0:26:53 | |
and see how she's getting on with her cottage. | 0:26:53 | 0:26:56 | |
This is a really good example of the reality of taking on | 0:26:56 | 0:26:58 | |
a big project. Unless you've got loads of cash and, let's face it, | 0:26:58 | 0:27:02 | |
most of us don't, it is going to be slow, it is going to be frustrating. | 0:27:02 | 0:27:06 | |
And it's probably going to cost more than we thought. | 0:27:06 | 0:27:08 | |
But it's going to be great, | 0:27:08 | 0:27:09 | |
and before long she really will have the most fantastic home for her, | 0:27:09 | 0:27:13 | |
her children and, importantly, that new grandson. | 0:27:13 | 0:27:17 | |
Subtitles by Red Bee Media Ltd | 0:27:31 | 0:27:34 |