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Across the United Kingdom, there are nearly a million homes | 0:00:02 | 0:00:04 | |
lying unloved and unlived in, ready for someone to come along and give them a bright new future. | 0:00:04 | 0:00:09 | |
So whether it's a tired semi or a rambling mansion, | 0:00:09 | 0:00:12 | |
we're on a mission to rescue Britain's empty homes. | 0:00:12 | 0:00:17 | |
Empty properties come in all sorts of shapes and sizes, | 0:00:25 | 0:00:29 | |
but the one thing they all have in common is the potential | 0:00:29 | 0:00:32 | |
to inspire creatively minded buyers, | 0:00:32 | 0:00:35 | |
people who can see through dilapidation to create their own dream home... | 0:00:35 | 0:00:40 | |
Hi, Steve! '..which is just what happened to today's couple, | 0:00:40 | 0:00:44 | |
'who fell so in love with an old Lincolnshire barn they leapt at the chance to buy it. | 0:00:44 | 0:00:49 | |
'With a big project ahead of them, I'm going to give them the benefit of my renovation experience | 0:00:49 | 0:00:54 | |
'to advise them as they consider the initial plans for their dream home.' | 0:00:54 | 0:00:58 | |
I mean, to many people, this is a classic black hole. | 0:00:58 | 0:01:02 | |
'I'll also be introducing them to other people | 0:01:02 | 0:01:05 | |
'who've taken on ambitious rebuilds to hear what they've learnt.' | 0:01:05 | 0:01:08 | |
The biggest thing we've learnt is to count to ten before you lose it. | 0:01:08 | 0:01:12 | |
And we'll be joining an empty-property officer, | 0:01:12 | 0:01:15 | |
whose job is to save vacant buildings and get them occupied again. | 0:01:15 | 0:01:20 | |
Good grief! | 0:01:20 | 0:01:21 | |
What a mess! | 0:01:22 | 0:01:24 | |
Sometimes an empty property can just tug at your heartstrings | 0:01:24 | 0:01:29 | |
and refuses to let you ignore its plight, | 0:01:29 | 0:01:31 | |
even though the task of rescuing it would mean | 0:01:31 | 0:01:34 | |
taking a leap into the complete unknown. | 0:01:34 | 0:01:37 | |
And that's exactly what former car salesman Steve Jones, | 0:01:38 | 0:01:42 | |
wife Tracey and son Luke have done, | 0:01:42 | 0:01:44 | |
staking everything they own on a derelict barn in rural Lincolnshire. | 0:01:44 | 0:01:48 | |
When we first saw the barns, it was just literally, "Wow!" | 0:01:49 | 0:01:53 | |
It was love at first sight. I had to have it. | 0:01:53 | 0:01:55 | |
The reason we bought the barn was a complete lifestyle change - | 0:01:55 | 0:02:00 | |
more peaceful, just the semi-rural quietness. | 0:02:00 | 0:02:03 | |
It's just a nicer environment to bring our son up in. | 0:02:03 | 0:02:07 | |
They bought the property for £145,000. | 0:02:08 | 0:02:12 | |
It stands in a two-acre plot and comes with full planning permission | 0:02:12 | 0:02:16 | |
to turn it and the outbuildings into a five-bedroom house. | 0:02:16 | 0:02:20 | |
And from the bedroom, glass balcony. | 0:02:20 | 0:02:23 | |
There are also some old plans for conversion, | 0:02:23 | 0:02:26 | |
which Steve and Tracey are using as a template for their own ideas. | 0:02:26 | 0:02:30 | |
-But this is all uncharted territory. -We've got no experience in this. | 0:02:30 | 0:02:36 | |
We've got project managers to help us, | 0:02:36 | 0:02:39 | |
but a lot of the work's going to have to be done ourselves, | 0:02:39 | 0:02:43 | |
because of budget constraints. | 0:02:43 | 0:02:45 | |
I've given up my job for hopefully about six months. | 0:02:45 | 0:02:49 | |
My plans are to be there every day labouring | 0:02:49 | 0:02:54 | |
and helping out where I can and doing what I can. | 0:02:54 | 0:02:56 | |
Taking on this project is not only a huge financial commitment for the family, | 0:02:56 | 0:03:01 | |
it also means they have to live in a caravan for as long as it takes. | 0:03:01 | 0:03:05 | |
-Are you going to choose your bedroom? -'I am terrified.' | 0:03:05 | 0:03:10 | |
-I mean, nothing's going to go smoothly. -It scares me to death. | 0:03:10 | 0:03:14 | |
But if I don't do it... It's an opportunity. | 0:03:14 | 0:03:18 | |
In ten years' time, I'll look back and think I should have done it. | 0:03:18 | 0:03:20 | |
A project like this is a major challenge for a professional developer, | 0:03:20 | 0:03:25 | |
let alone a couple with limited experience and a modest budget of £110,000, | 0:03:25 | 0:03:31 | |
so I want them to be sure they're making the right decisions from the very start. | 0:03:31 | 0:03:35 | |
-Hi, Steve! -Hi, Jules! -Nice to see you. | 0:03:35 | 0:03:37 | |
-Tracey, nice to meet you! -You too. | 0:03:37 | 0:03:40 | |
Well, this is quite something! | 0:03:40 | 0:03:42 | |
-You've jumped in with both feet here. -Haven't we just! | 0:03:42 | 0:03:45 | |
Haven't you just! How long were you looking at this place before you bought it? | 0:03:45 | 0:03:50 | |
Honestly? Once. | 0:03:50 | 0:03:53 | |
JULES LAUGHS | 0:03:53 | 0:03:55 | |
-Is this a moment of madness, Tracey? -It certainly is, yeah. | 0:03:55 | 0:03:58 | |
Now you've got the fun bit of trying to figure out | 0:03:58 | 0:04:01 | |
how you're going to turn this into your dream home. | 0:04:01 | 0:04:03 | |
-Absolutely. -Yes. -So, you've never done it before? | 0:04:03 | 0:04:07 | |
I've done slight renovations - nothing to this scale, | 0:04:07 | 0:04:10 | |
but I've done a couple of little things up in the past. | 0:04:10 | 0:04:13 | |
But what can you do? | 0:04:13 | 0:04:15 | |
-Are you a plasterer, a bricklayer, a plumber, an electrician? -No. | 0:04:15 | 0:04:19 | |
We've got family. Family and friends. | 0:04:19 | 0:04:21 | |
I mean, to many people, this is a classic black hole. | 0:04:21 | 0:04:25 | |
-Yeah. -Yeah. | 0:04:25 | 0:04:26 | |
If you're not careful on how you budget and plan this, | 0:04:26 | 0:04:29 | |
you could find yourselves in a world of trouble. | 0:04:29 | 0:04:32 | |
Yeah. | 0:04:32 | 0:04:33 | |
I'm concerned the conversion could quickly overwhelm them, so I'm eager | 0:04:33 | 0:04:37 | |
to help them spot potential pitfalls and avoid any costly mistakes. | 0:04:37 | 0:04:42 | |
They plan to spend 90,000 of their budget on stage one of the build. | 0:04:42 | 0:04:46 | |
-Here you go! So, this is the main entrance. -Oh, my goodness! | 0:04:47 | 0:04:52 | |
-So this is phase one, then? -This is going to be home for phase one, yes. | 0:04:52 | 0:04:57 | |
The original idea is all the ground will be open-plan, | 0:04:57 | 0:05:01 | |
we'll have the kitchen over the back, | 0:05:01 | 0:05:04 | |
a dining area looking out through the views. | 0:05:04 | 0:05:07 | |
-And you're going to keep it vaulted like that? -Yes. | 0:05:07 | 0:05:10 | |
That's part of the character of the building. | 0:05:10 | 0:05:12 | |
-You know, you do need to see it. -Yes, it's going to be very bright. | 0:05:12 | 0:05:16 | |
We're going to have lovely white walls, a lovely big wood burner. | 0:05:16 | 0:05:20 | |
-What are you going to do with the floors? Wooden floors? -Yes. -Good. So, this is phase one. | 0:05:20 | 0:05:25 | |
-Let's have a look at phases two and possibly three. -Yeah, sure. -After you, mate. | 0:05:25 | 0:05:29 | |
-Thank you. -I love it. | 0:05:29 | 0:05:31 | |
This is a lot of work, though. | 0:05:31 | 0:05:33 | |
Steve and Tracey then plan to live in the completed barn | 0:05:35 | 0:05:38 | |
and remortgage it to finance stage two, | 0:05:38 | 0:05:41 | |
which is to convert the courtyard of animal shelters into more living accommodation. | 0:05:41 | 0:05:46 | |
But I think there's a more viable way of doing this from the start. | 0:05:46 | 0:05:50 | |
You're right to stage it. | 0:05:50 | 0:05:52 | |
But actually, your £90,000, which is cash, effectively, | 0:05:52 | 0:05:57 | |
isn't it, at this stage? | 0:05:57 | 0:05:58 | |
I would stretch that out around as much of the building | 0:05:58 | 0:06:01 | |
as possible while still getting it habitable. | 0:06:01 | 0:06:04 | |
-Right. -There are key points to any staging. | 0:06:04 | 0:06:06 | |
The first one is to make it dry and waterproof, so it's the roofs | 0:06:06 | 0:06:09 | |
that need sorting out. | 0:06:09 | 0:06:11 | |
The next thing is going to be damp and floors. | 0:06:11 | 0:06:15 | |
So we're talking damp courses, concrete, membranes, all that kind of stuff. | 0:06:15 | 0:06:19 | |
Once you've got to there, you're almost in business. | 0:06:19 | 0:06:21 | |
And actually, if you are talking about something that's going to | 0:06:21 | 0:06:25 | |
get remortgaged, there's more to remortgage. | 0:06:25 | 0:06:27 | |
It's more viable. Can you sort of take it all in? | 0:06:27 | 0:06:30 | |
-It's quite a thing, isn't it? -Yes, it is, but it makes sense. | 0:06:30 | 0:06:34 | |
'Now, whichever way you look at it, this is a big project. | 0:06:35 | 0:06:38 | |
'But for Steve and Tracey.' | 0:06:38 | 0:06:40 | |
who've never taken on anything at this scale before... | 0:06:40 | 0:06:42 | |
Well, to be honest, it's monumental. | 0:06:42 | 0:06:45 | |
But they are sort of at the fun stage, the inventive stage, | 0:06:45 | 0:06:48 | |
but also the most crucial, because this is the planning stage. | 0:06:48 | 0:06:52 | |
Getting that right is absolutely essential to making this project come together. | 0:06:52 | 0:06:57 | |
As this could easily get the better of them, | 0:06:58 | 0:07:00 | |
I want them to be aware just how quickly that can happen. | 0:07:00 | 0:07:04 | |
So I'm going to introduce Steve and Tracey to some other | 0:07:04 | 0:07:08 | |
gung-ho renovators who are grappling with a similar scale of build. | 0:07:08 | 0:07:12 | |
Taking on a complete wreck is a major lifestyle decision, | 0:07:12 | 0:07:15 | |
so you have to be prepared to be in it for the long haul, | 0:07:15 | 0:07:19 | |
which is just what Carol and Brian Reece-Dylan braced themselves for | 0:07:19 | 0:07:23 | |
when they spotted this traditional Snowdonian cottage back in 2008. | 0:07:23 | 0:07:27 | |
When we saw this place, it was obvious it was what we wanted. | 0:07:27 | 0:07:31 | |
It was a little bit of seclusion, a view of the mountains | 0:07:31 | 0:07:34 | |
and a house that really hadn't been touched and hadn't been renovated, | 0:07:34 | 0:07:38 | |
and all the things that were here originally | 0:07:38 | 0:07:42 | |
were nearly all still here. We didn't notice the bad things. | 0:07:42 | 0:07:45 | |
It's only by looking at the photographs that we took | 0:07:45 | 0:07:48 | |
after we'd gone home we realised what a bad state it was in, really, | 0:07:48 | 0:07:52 | |
and the fact that it's surrounded by reeds meant that it was sopping wet. | 0:07:52 | 0:07:56 | |
Fifty years of abandonment meant that while the cottage had retained | 0:07:56 | 0:07:59 | |
its charm and original features, it was in desperate need of rescue. | 0:07:59 | 0:08:04 | |
In parts of the house there was gypsum plasterboard, which clearly | 0:08:04 | 0:08:07 | |
had just soaked up the damp, and it was just falling off the walls. | 0:08:07 | 0:08:12 | |
One of the first jobs we had to do was to take out | 0:08:12 | 0:08:14 | |
all of the cement, render and pointing from outside | 0:08:14 | 0:08:17 | |
and replace that with lime render and lime pointing. | 0:08:17 | 0:08:22 | |
I love windows, and I hate bad, awful PVC windows, | 0:08:22 | 0:08:26 | |
so that was my project with the house, really, | 0:08:26 | 0:08:29 | |
was trying to get the windows that would suit the house. | 0:08:29 | 0:08:32 | |
That was a big journey, and eventually we decided | 0:08:32 | 0:08:35 | |
what we wanted, and we had a joinery company make the windows for us. | 0:08:35 | 0:08:39 | |
We have had to replace wood panelling because it was rotten, | 0:08:43 | 0:08:46 | |
and we've painted the new wood, but we've left the old wood intact, | 0:08:46 | 0:08:50 | |
as it was, with the original paintwork on it. | 0:08:50 | 0:08:54 | |
I didn't want a new, shiny house, really. | 0:08:54 | 0:08:56 | |
I quite like the fact that it looks at least a little bit as it was. | 0:08:56 | 0:09:01 | |
A clever mix of traditional | 0:09:02 | 0:09:04 | |
and modern renovation has retained the integrity of the cottage | 0:09:04 | 0:09:07 | |
while giving Carol and Brian a very modern home. | 0:09:07 | 0:09:11 | |
It is a very cosy place to be on a cold, wet winter's day. | 0:09:11 | 0:09:14 | |
Now, if you want to report a property that you think has been abandoned, | 0:09:22 | 0:09:26 | |
contact your local empty-property officer. | 0:09:26 | 0:09:29 | |
Across the country, these committed teams are on a mission | 0:09:29 | 0:09:33 | |
to get dilapidated buildings back into use. | 0:09:33 | 0:09:36 | |
In Cardiff, waging war on its estimated 3,000 vacant homes | 0:09:37 | 0:09:41 | |
is empty-property officer Steve Reid. | 0:09:41 | 0:09:43 | |
He's on the front line, dealing with around 1,200 active cases at any one time. | 0:09:43 | 0:09:48 | |
He's on his way to a house that's been empty for a year | 0:09:50 | 0:09:53 | |
following the death of its owner, whose attempts to rebuild and remodel the house | 0:09:53 | 0:09:57 | |
over time have left it structurally unsound and in a terrible mess. | 0:09:57 | 0:10:01 | |
With family members unable to take the house on in this condition, | 0:10:01 | 0:10:05 | |
the council have taken responsibility for it | 0:10:05 | 0:10:08 | |
and now plan to sell it at auction on the family's behalf. | 0:10:08 | 0:10:12 | |
Today, they have to go in and clear it, and they have a big job on their hands. | 0:10:12 | 0:10:16 | |
He started at the back, working towards the front, | 0:10:16 | 0:10:19 | |
got halfway through and just left it, basically. | 0:10:19 | 0:10:23 | |
He seems to have sort of built the new house around the old house. | 0:10:23 | 0:10:29 | |
Once he'd finished a bit, he'd take the original wall away. | 0:10:29 | 0:10:32 | |
At the front of the house, he's taken away most of the side walls | 0:10:32 | 0:10:36 | |
and just replaced them with timber hoarding. | 0:10:36 | 0:10:39 | |
The front door is still there, | 0:10:39 | 0:10:42 | |
but he's bricked up with new brick around it. | 0:10:42 | 0:10:45 | |
Right, so that's one room cleared. | 0:10:49 | 0:10:51 | |
Still a long way to go. | 0:10:58 | 0:11:00 | |
This back bit of the house is obviously the bit | 0:11:03 | 0:11:07 | |
that he's actually built himself, | 0:11:07 | 0:11:09 | |
and he was working his way forward. | 0:11:09 | 0:11:12 | |
Everything's mouldy and damp. | 0:11:12 | 0:11:15 | |
It's all going to have to just go straight in the skip. | 0:11:16 | 0:11:19 | |
Steve is on hand to make sure nothing important is thrown away, | 0:11:23 | 0:11:27 | |
but it's a heartbreaking process. | 0:11:27 | 0:11:29 | |
We try and keep as much of this as we think is relevant. | 0:11:29 | 0:11:33 | |
It's quite sad, really, because, you know, this is someone's life, really. | 0:11:33 | 0:11:39 | |
With the house now up for auction, Steve's hoping it'll sell to | 0:11:40 | 0:11:44 | |
a developer who can turn it into someone's home again. | 0:11:44 | 0:11:46 | |
There's that little glimmer of hope there now for us as the council | 0:11:46 | 0:11:50 | |
and for the neighbours that within a year there could be someone | 0:11:50 | 0:11:56 | |
actually living in there | 0:11:56 | 0:11:57 | |
and the blight on the neighbourhood will be gone. | 0:11:57 | 0:12:01 | |
Often, buying an empty property is a bit like unwrapping a gift. | 0:12:07 | 0:12:11 | |
You're never quite sure what you're going to get. | 0:12:11 | 0:12:14 | |
Any renovation can reveal a whole host of surprises, | 0:12:14 | 0:12:17 | |
so it's as well to get as much advice and support as you can before you start. | 0:12:17 | 0:12:21 | |
Now, key to it is a good and reliable builder. | 0:12:21 | 0:12:24 | |
Often, the best way to find them is word of mouth, | 0:12:24 | 0:12:27 | |
but you can also check with trade bodies, like the Federation of Master Builders. | 0:12:27 | 0:12:31 | |
And if in doubt, ask around and get some references. | 0:12:31 | 0:12:34 | |
Steve and Tracey Jones are on the verge of taking on | 0:12:34 | 0:12:38 | |
one of the biggest challenges of their lives. | 0:12:38 | 0:12:40 | |
On the spur of the moment, | 0:12:40 | 0:12:43 | |
they bought a dilapidated barn in Lincolnshire | 0:12:43 | 0:12:45 | |
-and staked their all on turning it into a dream home. -Cow sheds! | 0:12:45 | 0:12:49 | |
With a hands-on approach but little renovation experience | 0:12:49 | 0:12:52 | |
and a tight budget, they need to know their limitations | 0:12:52 | 0:12:55 | |
and learn how to proceed with caution. | 0:12:55 | 0:12:58 | |
So I'm going to introduce them to a couple of novice home restorers | 0:12:58 | 0:13:01 | |
who, like them, have jumped in at the deep end | 0:13:01 | 0:13:04 | |
and have found themselves up to their necks in bricks and rubble. | 0:13:04 | 0:13:08 | |
Right, guys. Well, now we are going to show you a renovation that is very much in progress | 0:13:08 | 0:13:13 | |
and I think has some real parallels to what you are letting yourselves in for. | 0:13:13 | 0:13:17 | |
When Carolyn and her partner Pete first saw their 150-year-old farmhouse, | 0:13:19 | 0:13:25 | |
it was in a bad state, having been empty for two years. | 0:13:25 | 0:13:29 | |
When we looked inside we were a bit horrified at | 0:13:29 | 0:13:32 | |
how bad it actually was, but it had potential, so it was... | 0:13:32 | 0:13:35 | |
Even if the floors had collapsed. | 0:13:35 | 0:13:38 | |
They bought the building for £120,000, | 0:13:38 | 0:13:40 | |
planning to do all the work themselves. | 0:13:40 | 0:13:43 | |
We saw the potential to make something | 0:13:43 | 0:13:46 | |
that looked really quite nasty and uncared-for quite fabulous. | 0:13:46 | 0:13:53 | |
Pete and Carolyn had never done a renovation before, | 0:13:53 | 0:13:56 | |
and soon discovered that it's not until work starts on a house | 0:13:56 | 0:13:59 | |
that it can reveal its not-so-welcome structural secrets. | 0:13:59 | 0:14:03 | |
Since we started the project about two months ago, everything seems to have been a disaster. | 0:14:03 | 0:14:09 | |
We were quite close to... | 0:14:09 | 0:14:12 | |
-Giving up. -That's about the closest we have ever come to splitting up, isn't it? | 0:14:12 | 0:14:16 | |
Right, come and meet the two people at the centre of this chaos. | 0:14:16 | 0:14:20 | |
-Hi. Hi, I'm Tracey. -Hello, Pete, I'm Steve. Hi, Carolyn. | 0:14:20 | 0:14:25 | |
So, what do you think, then? | 0:14:25 | 0:14:28 | |
This is a building site. This is great. | 0:14:28 | 0:14:31 | |
You've clearly knocked something down here, what was here before? | 0:14:31 | 0:14:35 | |
Some old outbuildings here, which all the floors had subsided, so we had to knock them all down. | 0:14:35 | 0:14:41 | |
I think what's interesting about this build is it's structurally | 0:14:41 | 0:14:44 | |
very similar in some respects to what these guys are looking at. | 0:14:44 | 0:14:47 | |
-And what experience have you got at doing this? -None. | 0:14:47 | 0:14:50 | |
You see, you're in very good company here, Steve. | 0:14:52 | 0:14:55 | |
That's why we brought you here. | 0:14:55 | 0:14:57 | |
And into the dining room. | 0:15:00 | 0:15:01 | |
This is the dining room, or will be the dining room. | 0:15:01 | 0:15:04 | |
You've gone down to the bones. You have dug up all the floors here. | 0:15:04 | 0:15:07 | |
I mean, you've got a long way to go, damp course has got to go in, concrete. | 0:15:07 | 0:15:12 | |
There was an original wooden floor in here, but all the joists had collapsed. | 0:15:12 | 0:15:16 | |
And when we took it up there was a four-foot gap underneath here. | 0:15:16 | 0:15:21 | |
Were you aware of any structural issues when you bought it? | 0:15:21 | 0:15:24 | |
We knew there'd be some problems with it, just through the age of the building, | 0:15:24 | 0:15:29 | |
but we didn't expect quite as many sort of problems once we started taking plaster off. | 0:15:29 | 0:15:34 | |
It has been very stressful. | 0:15:34 | 0:15:36 | |
I think the biggest thing we've learned is to count to ten before you lose it. | 0:15:36 | 0:15:40 | |
OK. So this going to be your main living area? | 0:15:41 | 0:15:44 | |
This is going to be the lounge. It's not too bad. | 0:15:44 | 0:15:48 | |
A few little problems with damp on the inner walls and another one of the fireplaces | 0:15:48 | 0:15:52 | |
which actually all collapsed when we took the old one out. | 0:15:52 | 0:15:56 | |
There must be some moments when you just thought, "Why did we bother?" | 0:15:56 | 0:16:02 | |
Yeah, but I think we go back to our initial vision of what we can achieve, | 0:16:02 | 0:16:06 | |
what the end result is, what the end goal is. | 0:16:06 | 0:16:09 | |
-What are you thinking? -I'm just thinking... | 0:16:09 | 0:16:12 | |
-Are you feeling daunted? -I am, extremely, yeah. | 0:16:12 | 0:16:16 | |
-But it's not putting you off, but it's perhaps, maybe, bringing it home a bit? -Yes. Yeah. | 0:16:16 | 0:16:20 | |
'To show Steve and Tracey how a caravan on a building site can be made cosy, | 0:16:20 | 0:16:26 | |
'they get a quick tour of the place Pete and Carolyn currently call home.' | 0:16:26 | 0:16:30 | |
And here's the mini palace. | 0:16:30 | 0:16:32 | |
Oh, wow! This is lovely. | 0:16:32 | 0:16:37 | |
You know, we often say that renovation is not for the faint-hearted, | 0:16:37 | 0:16:41 | |
and this one is an absolute classic. | 0:16:41 | 0:16:43 | |
Pete and Carolyn are living on site, surrounded, as you can see, | 0:16:43 | 0:16:46 | |
by rubble and mess, but they are determined to see it through | 0:16:46 | 0:16:50 | |
despite the fact that almost everything that could go wrong has gone wrong. | 0:16:50 | 0:16:54 | |
But their vision and, importantly, their sense of humour remains intact. | 0:16:54 | 0:16:58 | |
This is a perfect project for Steve and Tracey to have a good look at, | 0:16:58 | 0:17:02 | |
and I'm pretty sure it's opened their eyes even wider. | 0:17:02 | 0:17:05 | |
In a moment I'll be introducing them to some really experienced renovators, | 0:17:05 | 0:17:10 | |
who successfully project-managed the extraordinary rebuilding of their home. | 0:17:10 | 0:17:15 | |
But first, back in Cardiff, Empty Property Officer Steve Reid | 0:17:16 | 0:17:20 | |
is responding to a call from a neighbour who is concerned | 0:17:20 | 0:17:23 | |
that there may be rats in the empty house next door. | 0:17:23 | 0:17:25 | |
With lots of the empty properties that we go and visit, you get problems with pests. | 0:17:25 | 0:17:31 | |
Normally the house gets left with food still left in it, | 0:17:31 | 0:17:36 | |
and obviously that can attract rats. | 0:17:36 | 0:17:39 | |
This is the actual property, behind the rather large hedge. | 0:17:42 | 0:17:45 | |
If we can get in... | 0:17:48 | 0:17:49 | |
Oh. Right, it's a little overgrown at the front. | 0:17:51 | 0:17:56 | |
Just to make sure there's no-one in before we go mucking around. | 0:17:57 | 0:18:01 | |
It's a bit of a mess in there, actually. | 0:18:06 | 0:18:08 | |
Letters, bags full of rubbish. | 0:18:08 | 0:18:13 | |
It's definitely... Definitely vacant. | 0:18:13 | 0:18:17 | |
So I'll call on the neighbour now and see if we can get a bit more information. | 0:18:17 | 0:18:20 | |
Hi, there, Miss Andrews. Steve Reid here from Cardiff County Council. | 0:18:20 | 0:18:24 | |
Lovely, yes. | 0:18:24 | 0:18:25 | |
-About the problems with next door? -Right, OK. | 0:18:25 | 0:18:28 | |
I've had a little look out the front, any chance I can come out the back | 0:18:28 | 0:18:31 | |
-and have a little look at that? -Yeah, sure, come and have a look. -Thanks very much. | 0:18:31 | 0:18:35 | |
Right. Let's have a look, then. | 0:18:35 | 0:18:37 | |
-So does anyone come back and forward to the property at all? -Nobody. | 0:18:37 | 0:18:41 | |
-Nothing at all? -No, no. | 0:18:41 | 0:18:43 | |
-All right to go on the wall? -Yeah. Watch you don't fall. -Try not to. | 0:18:43 | 0:18:47 | |
It's really overgrown, isn't it? The shed as well. | 0:18:49 | 0:18:51 | |
The shed is hanging, isn't it? | 0:18:51 | 0:18:53 | |
We'll have to is get pest control in to put some test bait down | 0:18:53 | 0:18:56 | |
-to see whether any of it's taken. -Uh-huh. | 0:18:56 | 0:18:59 | |
Steve, is it? Hi. Pleased to meet you. | 0:19:06 | 0:19:09 | |
What we can do is test bait along the actual fence line here. | 0:19:11 | 0:19:16 | |
The bait is simply oatmeal, used to lure vermin, | 0:19:16 | 0:19:20 | |
whose bite marks are then left on the bag. | 0:19:20 | 0:19:23 | |
Kevin will come back in a week, have a look, and he will let me know | 0:19:25 | 0:19:28 | |
whether it's positive or not, and then if it is, we'll come along, we'll serve a notice on the owner. | 0:19:28 | 0:19:35 | |
If they get it cleared, great, if they don't, we'll get contractors in and clear it on their behalf | 0:19:35 | 0:19:41 | |
-and then send them the bill. -OK, that's lovely. -And sort it out. | 0:19:41 | 0:19:44 | |
Next it's back to the office, check the Land Registry, | 0:19:45 | 0:19:49 | |
check the council tax, track down the owner, | 0:19:49 | 0:19:52 | |
find out exactly what they want to do with the property | 0:19:52 | 0:19:55 | |
and get somebody back in there. | 0:19:55 | 0:19:57 | |
Tracey and Steve Jones have bought an old barn in Lincolnshire, | 0:20:02 | 0:20:06 | |
and despite no experience, plan to live on site | 0:20:06 | 0:20:09 | |
and renovate it mostly by themselves, | 0:20:09 | 0:20:11 | |
drawing on additional help from family and friends. | 0:20:11 | 0:20:15 | |
For a taste of things to come, I introduced them to | 0:20:15 | 0:20:17 | |
a couple of fellow renovation novices who had just launched themselves into the great unknown. | 0:20:17 | 0:20:23 | |
While Steve and Tracey plan to tackle much of their renovation themselves, | 0:20:24 | 0:20:28 | |
they'll also need to employ professional help, | 0:20:28 | 0:20:30 | |
so I want them to meet another pair of homeowners who did just that | 0:20:30 | 0:20:33 | |
when they transformed a virtual ruin into a stunning home. | 0:20:33 | 0:20:37 | |
-There you are. -Wow. | 0:20:39 | 0:20:41 | |
-Have a look at that. -That is fabulous. -Superb. | 0:20:41 | 0:20:44 | |
This is what the owners found at the back. | 0:20:44 | 0:20:47 | |
-Oh, my God! -Oh, no! -Oh, dear! -Good grief! | 0:20:47 | 0:20:50 | |
Yeah. It just goes to show what you can do. | 0:20:50 | 0:20:53 | |
When Richard and Janine Johnson first saw what remained of | 0:20:55 | 0:20:58 | |
this former 22-room Georgian country house, | 0:20:58 | 0:21:01 | |
they knew even though it was on the brink of collapse | 0:21:01 | 0:21:04 | |
that it was destined to be their next home. | 0:21:04 | 0:21:06 | |
This house represents everything I've ever wanted in a house. | 0:21:06 | 0:21:10 | |
When I first saw the house I just knew that Richard would be able to turn it into something beautiful. | 0:21:10 | 0:21:15 | |
In the early 1800s they really did get their proportions absolutely spot on, in my opinion. | 0:21:15 | 0:21:20 | |
And so restoring something like that is a dream for me. | 0:21:20 | 0:21:23 | |
Empty since the 1960s and then slowly dismantled, | 0:21:25 | 0:21:28 | |
it was stripped of bricks for use on the estate farm. | 0:21:28 | 0:21:32 | |
Richard and Janine were able to buy what was left of it | 0:21:32 | 0:21:34 | |
for £220,000 back in 2002. | 0:21:34 | 0:21:38 | |
And it's come a long way since then. | 0:21:39 | 0:21:42 | |
-Hi, Richard! -Hi. -Nice to see you, how are you? -Nice to see you. | 0:21:44 | 0:21:48 | |
-Hi, Janine. Let me introduce you to Steve and Tracey. -Hello. Pleased to meet you. | 0:21:48 | 0:21:52 | |
-Hi. -Hi, Richard, nice to meet you. | 0:21:52 | 0:21:55 | |
We've just been marvelling at the extraordinary transformation that this building has undergone. | 0:21:55 | 0:22:00 | |
I mean, this place looks amazing, | 0:22:00 | 0:22:02 | |
it just shows if you can put your heart and soul into it, | 0:22:02 | 0:22:06 | |
look at what you can have. | 0:22:06 | 0:22:07 | |
Wow! This is beautiful! | 0:22:11 | 0:22:14 | |
This is stunning. | 0:22:14 | 0:22:16 | |
-This is a hallway with a real statement about it. -It is, yeah. | 0:22:16 | 0:22:19 | |
-What do you think of that, Tracey? -Isn't that beautiful? -Yeah? | 0:22:19 | 0:22:23 | |
-Love the colours. -Again, when we first looked through the front door, this... | 0:22:23 | 0:22:28 | |
There wasn't a floorboard and all you could see was down into the cellar. | 0:22:28 | 0:22:31 | |
The story goes that in the '50s it was used as a motorcycle repair shop, this side of the house. | 0:22:31 | 0:22:37 | |
-Can you imagine this? -Can we continue through here? | 0:22:37 | 0:22:40 | |
Is this... I'm going to say, I don't know, a snug? What would you call it? | 0:22:40 | 0:22:45 | |
It's a snug in the winter time and sometimes we use it as a dining room. | 0:22:45 | 0:22:49 | |
I really like not just that it is high-ceilinged, | 0:22:49 | 0:22:52 | |
but that you have been able to retain these huge doors, which make a massive difference. | 0:22:52 | 0:22:56 | |
I mean, if I were going to take one thing away from this for your build, | 0:22:56 | 0:22:59 | |
I would think about, you know, making the doors that bit bigger | 0:22:59 | 0:23:03 | |
-to allow things to flow between it. -Sure. | 0:23:03 | 0:23:06 | |
As they set about the restoration, Richard and Janine knew that | 0:23:06 | 0:23:10 | |
what was left of the original building was listed, | 0:23:10 | 0:23:12 | |
so they had to preserve what they could. | 0:23:12 | 0:23:15 | |
With no record to draw on as to how the interior of the house would have looked originally, | 0:23:15 | 0:23:20 | |
they relied on historical research and have imaginatively recreated it as it might have looked. | 0:23:20 | 0:23:25 | |
One of my primary concerns is I'm going to be doing a lot of the work myself. | 0:23:26 | 0:23:30 | |
Well, I'm somebody who gets his hands dirty, but I recognise that I have limitations. | 0:23:30 | 0:23:35 | |
And my view is that if I can employ somebody who will do it better than I can, then I will employ them. | 0:23:35 | 0:23:40 | |
And we found an enormously beneficial group of people who really worked together well. | 0:23:40 | 0:23:46 | |
If they know each other, they won't let each other down, | 0:23:46 | 0:23:49 | |
and that is how it works best, from my point of view. | 0:23:49 | 0:23:51 | |
They spent £750,000 on careful reconstruction, | 0:23:51 | 0:23:56 | |
and the property now has an estimated value of £1.4 million. | 0:23:56 | 0:24:00 | |
-Oh, this is lovely. -This is stunning, absolutely beautiful. | 0:24:02 | 0:24:05 | |
Now, on the picture that we saw of this place | 0:24:05 | 0:24:09 | |
before you had so lovingly restored it, this is just an empty space. | 0:24:09 | 0:24:14 | |
We just basically took the perimeter wall and rebuilt it, | 0:24:14 | 0:24:18 | |
but we didn't mimic the internal structure, | 0:24:18 | 0:24:21 | |
because we felt that seven or eight little rooms was not what we wanted, | 0:24:21 | 0:24:25 | |
so we just made it an open... an open canvas, really. | 0:24:25 | 0:24:28 | |
We often sit out there, pinch ourselves and wonder how the heck we managed to do it. | 0:24:30 | 0:24:35 | |
And it can be tough, but there are some fun times in it as well. | 0:24:35 | 0:24:38 | |
And you have proved admirably that it can be done. | 0:24:38 | 0:24:42 | |
Congratulations, guys. Well done. | 0:24:42 | 0:24:44 | |
And although this is certainly a more expensive project | 0:24:45 | 0:24:48 | |
than the one that Steve and Tracey are about to take on, | 0:24:48 | 0:24:51 | |
the principles involved are exactly the same. | 0:24:51 | 0:24:54 | |
-It's been a great day, we have really enjoyed it. -We really have. | 0:24:54 | 0:24:57 | |
And it's given us some good pointers on what we need to focus on and what's really important. | 0:24:57 | 0:25:03 | |
Now having seen our two projects today, Steve, you are very keen, | 0:25:03 | 0:25:07 | |
I know, to do pretty much all of it. Has that changed your thoughts? | 0:25:07 | 0:25:13 | |
Yes. I mean, I think I've got to be realistic in what I'm physically capable of. | 0:25:13 | 0:25:18 | |
Again, it's going to be a learning curve along the way, | 0:25:18 | 0:25:21 | |
and I may not be good at plastering when I start, | 0:25:21 | 0:25:23 | |
but I think by the end of it I'll be able to plaster quite well. | 0:25:23 | 0:25:26 | |
Well, you never know. You chucked in your job to do this build, | 0:25:26 | 0:25:29 | |
you could come out of this with a whole new career ahead of you, | 0:25:29 | 0:25:32 | |
you could become a master builder yourself! | 0:25:32 | 0:25:34 | |
Um, that's probably not one of my great plans... | 0:25:34 | 0:25:38 | |
-But you never know. -You don't, no. | 0:25:38 | 0:25:41 | |
Now, Tracey, when we first met, for all the excitement that this new project offers you, | 0:25:41 | 0:25:45 | |
I did sense a certain anxiety about what the future may hold. | 0:25:45 | 0:25:49 | |
Now you've met our two couples today, do you feel a bit more confident? | 0:25:49 | 0:25:53 | |
-I do, yes, definitely, yes. -One of my work colleagues | 0:25:53 | 0:25:57 | |
did tell me, he said, "Look, just go for it, you know? | 0:25:57 | 0:26:00 | |
"Everybody else is telling you you're mad, but you know you can do it, you know? You will do it." | 0:26:00 | 0:26:05 | |
-So, yeah. -Just be very careful about how you go forward | 0:26:05 | 0:26:09 | |
in spending the money you do have, | 0:26:09 | 0:26:11 | |
and just, you know, take your time and really think about it. | 0:26:11 | 0:26:15 | |
Well, I have to say that I have absolutely no doubt | 0:26:16 | 0:26:19 | |
that Steve and Tracey are going to make a fantastic job of that glorious old barn complex. | 0:26:19 | 0:26:25 | |
But what about the other couples we've met today? | 0:26:25 | 0:26:28 | |
Pete and Carolyn still up to their necks in their renovation, | 0:26:28 | 0:26:31 | |
Richard and Janine enjoying the sunlight at the end of the tunnel. | 0:26:31 | 0:26:35 | |
But if there is one message that I really want Steve and Tracey to take away from today, | 0:26:35 | 0:26:39 | |
it's this - don't rush it. It's a renovation, not a race. | 0:26:39 | 0:26:45 | |
Subtitles by Red Bee Media Ltd | 0:26:58 | 0:27:01 | |
E-mail [email protected] | 0:27:01 | 0:27:04 |