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Across the United Kingdom, there are nearly a million homes lying unloved and unlived in, | 0:00:02 | 0:00:05 | |
ready for someone to come along and give them a bright new future. | 0:00:05 | 0:00:10 | |
From crumbling cottages to derelict mansions, | 0:00:10 | 0:00:13 | |
tumbledown terraces to forgotten farm buildings, | 0:00:13 | 0:00:16 | |
most of Britain's empty properties have one thing in common - | 0:00:16 | 0:00:19 | |
there is somebody out there for whom they could become their next dream home. | 0:00:19 | 0:00:22 | |
Today, I'm going to pass on my experience | 0:00:32 | 0:00:35 | |
of transforming an abandoned building to help a couple work out | 0:00:35 | 0:00:38 | |
if renovating an empty home is right for them. | 0:00:38 | 0:00:42 | |
It's really stretching the imagination, isn't it? | 0:00:42 | 0:00:45 | |
We follow an empty property officer rescuing wrecks from rack and ruin. | 0:00:45 | 0:00:48 | |
Look at this! You can just walk straight in! | 0:00:48 | 0:00:51 | |
And we'll meet those brave enough | 0:00:51 | 0:00:53 | |
to tackle renovation projects themselves. | 0:00:53 | 0:00:56 | |
There wasn't any doors, there wasn't any locks, there wasn't any keys. | 0:00:56 | 0:01:00 | |
I had a vision and so did my wife, that we could make a family home. | 0:01:00 | 0:01:04 | |
When you're looking for a new home, | 0:01:04 | 0:01:06 | |
sometimes it pays not to follow the pack. | 0:01:06 | 0:01:08 | |
To look at empty buildings that, perhaps, no-one else wants. | 0:01:08 | 0:01:11 | |
With a bit of imagination, if you can spot the potential, | 0:01:11 | 0:01:14 | |
you could very well bag yourself a bargain. | 0:01:14 | 0:01:16 | |
Admin Manager Hannah Overton | 0:01:18 | 0:01:20 | |
and her lorry driver husband Michael from Yule in Surrey think | 0:01:20 | 0:01:23 | |
an empty property could be the key to their dream home. | 0:01:23 | 0:01:26 | |
We thought that if we looked at an empty property, | 0:01:26 | 0:01:29 | |
we'd really have a shell and it would be a blank canvas | 0:01:29 | 0:01:32 | |
and we could really work on it as we wanted. | 0:01:32 | 0:01:34 | |
They want to swap suburban for country life and have a budget | 0:01:34 | 0:01:37 | |
of £500,000 to find and renovate their perfect rural retreat. | 0:01:37 | 0:01:41 | |
We've always lived in London. I want to move out of it | 0:01:41 | 0:01:44 | |
and have more wildlife round me and countryside. | 0:01:44 | 0:01:47 | |
Just to actually grow our own veg, | 0:01:47 | 0:01:49 | |
to maybe have chickens and a few eggs. | 0:01:49 | 0:01:51 | |
I want a lot of land, really. | 0:01:51 | 0:01:53 | |
-That's my main concern. -I want a donkey. | 0:01:53 | 0:01:56 | |
-My own space. I don't know if we'll have a donkey. -We want a donkey. | 0:01:56 | 0:01:59 | |
Having done minor projects like fitting a new kitchen and bathroom in the past, | 0:01:59 | 0:02:04 | |
they want more of a challenge. | 0:02:04 | 0:02:06 | |
We have to live in a caravan while we're doing the place up. | 0:02:06 | 0:02:08 | |
Hopefully, this will be our forever home | 0:02:08 | 0:02:11 | |
so we'll be carried out feet first, won't we? | 0:02:11 | 0:02:13 | |
-That's right, yes. -Probably sooner rather than later! | 0:02:13 | 0:02:16 | |
It seems Hannah and Michael hanker after the good life | 0:02:16 | 0:02:19 | |
and I think everything they want, the land, | 0:02:19 | 0:02:22 | |
the chickens and even the donkey, could all be theirs | 0:02:22 | 0:02:25 | |
if they go down the empty property route. | 0:02:25 | 0:02:29 | |
Taking on an empty property is not for the faint-hearted, | 0:02:29 | 0:02:33 | |
so I've sent Michael and Hannah to have a look at a classic example of | 0:02:33 | 0:02:36 | |
the sort of derelict empty property that the countryside has to offer | 0:02:36 | 0:02:40 | |
to try to get some idea of the sort of project that they might be up for. | 0:02:40 | 0:02:45 | |
And it's here in the village of Worting near Basingstoke. | 0:02:47 | 0:02:51 | |
Is at a barn or something? I can't work out what it is. | 0:02:51 | 0:02:54 | |
'Well, it's a 19th century stable block and former coach house | 0:02:54 | 0:02:58 | |
'on the market for £350,000, and it's a developer's dream.' | 0:02:58 | 0:03:02 | |
-Lovely setting. -'With planning permission to convert it into a two-bed residence, | 0:03:02 | 0:03:07 | |
'this place has serious potential but needs everything. | 0:03:07 | 0:03:11 | |
'Walls, floors, plumbing, electrics - the lot.' | 0:03:11 | 0:03:14 | |
You can see a hole right through the side there. | 0:03:14 | 0:03:17 | |
-You can see how far it goes back. -Bit more than a bathroom and a kitchen. | 0:03:17 | 0:03:20 | |
Armed with a budget of £500,000, | 0:03:20 | 0:03:23 | |
Hannah and Michael would have 150 grand | 0:03:23 | 0:03:25 | |
left over to make the stables a well-appointed rural idyll. | 0:03:25 | 0:03:29 | |
But will they be able to see that this derelict old nag | 0:03:29 | 0:03:33 | |
could be transformed into a racing thoroughbred? | 0:03:33 | 0:03:35 | |
Well, this is something else, isn't it? What used to hang from that, look. | 0:03:35 | 0:03:41 | |
-It's the old tech room, isn't it? -Either that or a kind of torture chamber. | 0:03:41 | 0:03:44 | |
Some very strange things in here, aren't there? | 0:03:44 | 0:03:47 | |
I hope the thought of tackling a place like this isn't too tortuous. | 0:03:47 | 0:03:51 | |
Will you go first or would you like me to? | 0:03:51 | 0:03:53 | |
I think you test the stairs, make sure they're OK. | 0:03:53 | 0:03:56 | |
'Up on the first floor, it's hard hat territory | 0:03:56 | 0:03:59 | |
-'where there's ample scope for two bedrooms.' -Needs repapering? | 0:03:59 | 0:04:02 | |
Yeah, the decor leaves a little bit to be desired. | 0:04:02 | 0:04:05 | |
All this would go. You'd have everything taken out. | 0:04:05 | 0:04:07 | |
'Michael seems to be spotting opportunities here, but Hannah just isn't seeing it.' | 0:04:07 | 0:04:11 | |
It's really stretching the imagination, isn't it? | 0:04:11 | 0:04:15 | |
It is a stable. It really is a stable, no-one's ever lived in here. | 0:04:15 | 0:04:20 | |
Apart from a few horses. | 0:04:21 | 0:04:24 | |
'Outside, it's a little overgrown.' | 0:04:24 | 0:04:27 | |
-You all right coming through here? -You go first. | 0:04:27 | 0:04:31 | |
'But there is half an acre of land here, | 0:04:31 | 0:04:33 | |
'giving them all the space they're after.' | 0:04:33 | 0:04:37 | |
It's not exactly the English country garden I quite imagined, to be honest with you. | 0:04:37 | 0:04:42 | |
-No, it's not really the country. -It isn't, it's wildlife. | 0:04:42 | 0:04:45 | |
I thought we were going to have a paddock or something. | 0:04:45 | 0:04:47 | |
I really can't see where the donkey's going to fit. | 0:04:47 | 0:04:51 | |
-It is a bit overgrown, hen. -Yeah, a bit. | 0:04:51 | 0:04:53 | |
-It's part of the project. -You're talking about 50K to get this cleared properly, | 0:04:53 | 0:04:57 | |
professionally. I think so, really do. | 0:04:57 | 0:05:01 | |
'50,000 for a skip and a chainsaw? | 0:05:01 | 0:05:04 | |
'You must be joking. | 0:05:04 | 0:05:06 | |
'If they're prepared to do some of the donkey work themselves, | 0:05:06 | 0:05:09 | |
-'they could clear the grounds here pretty cheaply.' -That's all green and yucky. | 0:05:09 | 0:05:13 | |
'It seems country living doesn't come naturally to Hannah, | 0:05:13 | 0:05:16 | |
'but she'll have to get used to it if she wants to take on an empty property outside the city.' | 0:05:16 | 0:05:21 | |
-You could certainly do something with this, hen. -Knock it down, maybe. | 0:05:21 | 0:05:25 | |
This is an all-or-nothing before it's even habitable. | 0:05:25 | 0:05:28 | |
-I don't even know where you'd put your caravan, Michael. -It would go here. | 0:05:28 | 0:05:31 | |
-I was just thinking about that. -All right, OK. | 0:05:31 | 0:05:34 | |
Work on that end of the house first. | 0:05:34 | 0:05:36 | |
'So much for your forever home, Hannah. I can see | 0:05:36 | 0:05:38 | |
'it's going to be tough to convince these two | 0:05:38 | 0:05:41 | |
'that a vacant place in a green space could be the route to their ideal home.' | 0:05:41 | 0:05:45 | |
Good morning. | 0:05:45 | 0:05:47 | |
'It's time to catch up with them and find out | 0:05:47 | 0:05:50 | |
'just what they are prepared to do to get their rural dream.' | 0:05:50 | 0:05:52 | |
Well, you two. We send you off to have a look at what | 0:05:52 | 0:05:56 | |
I think is a really interesting building. | 0:05:56 | 0:05:58 | |
This old Victorian stable block. I can see loads of potential here. | 0:05:58 | 0:06:02 | |
I get the feeling though that this is a bit of a challenge, Hannah? | 0:06:02 | 0:06:06 | |
It wasn't really what we anticipated. | 0:06:06 | 0:06:08 | |
We like traditional period, maybe Georgian, | 0:06:08 | 0:06:12 | |
Edwardian, Victoriana, | 0:06:12 | 0:06:14 | |
that type of thing rather than stables. | 0:06:14 | 0:06:18 | |
Michael, I got the feeling you were quite excited by it. | 0:06:18 | 0:06:22 | |
I could see the potential with it but it is a lot of work. | 0:06:22 | 0:06:26 | |
It's more than I expected. | 0:06:26 | 0:06:28 | |
OK, what is it about a renovation that interests you, | 0:06:28 | 0:06:32 | |
because I'm concerned that we may be talking about two different things | 0:06:32 | 0:06:36 | |
in terms of what "renovation" actually means. | 0:06:36 | 0:06:39 | |
Maybe what we've done before is not this scale. | 0:06:39 | 0:06:42 | |
We've done modernisations rather than renovations. | 0:06:42 | 0:06:44 | |
-New bathroom, new kitchen. -That's right, redecorating. | 0:06:44 | 0:06:47 | |
It's very much been internal. | 0:06:47 | 0:06:49 | |
How handy are you, Michael, in terms of DIY? | 0:06:49 | 0:06:52 | |
I can do a lot of the internal work when it comes to tiling, probably help on the flooring. | 0:06:52 | 0:06:57 | |
My sense is that we've really pushed you with this one. | 0:06:57 | 0:07:00 | |
We've seen a limit, perhaps, of what it is you're prepared to take on board. | 0:07:00 | 0:07:04 | |
I hope we haven't frightened you. The purpose of today really is to show you a couple of properties | 0:07:04 | 0:07:11 | |
that which go to the heart of the sort of things you need to tackle in taking on a building like this one, | 0:07:11 | 0:07:16 | |
because, yes, it is a bit of a hurdle to get over | 0:07:16 | 0:07:19 | |
taking on a property like this, but once you've done it, | 0:07:19 | 0:07:22 | |
you will end up with something that really is yours. | 0:07:22 | 0:07:24 | |
I'm going to introduce Michael and Hannah to homeowners | 0:07:24 | 0:07:27 | |
who've taken a gamble on other rural properties in similarly poor condition with fantastic results. | 0:07:27 | 0:07:34 | |
To succeed, they'll need the ability to spot a diamond in the rough, | 0:07:36 | 0:07:39 | |
a skill Peter Smith showed when he took on farm wrecks | 0:07:39 | 0:07:42 | |
in Kinloss near Inverness in the early 1990s. | 0:07:42 | 0:07:45 | |
I spotted this place and thought, wow, that has got some potential. | 0:07:46 | 0:07:49 | |
There wasn't any doors, there wasn't any locks, there wasn't any keys. | 0:07:49 | 0:07:54 | |
The residents that were here prior to us | 0:07:54 | 0:07:56 | |
were the mice and rats and pigeons. | 0:07:56 | 0:08:00 | |
I had the vision and so did my wife that we could make a family home, | 0:08:00 | 0:08:03 | |
and it's been a family home even in the days | 0:08:03 | 0:08:06 | |
of when we were all sat round the table sat on bags of cement. | 0:08:06 | 0:08:10 | |
Although they'd never been lived in and were derelict, | 0:08:10 | 0:08:14 | |
Peter snapped up the properties, known as "steadings", for £50,000. | 0:08:14 | 0:08:18 | |
We knew that the first thing we had to do was create something | 0:08:18 | 0:08:21 | |
that would earn some money, so we took what was classed as the buffet. | 0:08:21 | 0:08:25 | |
We built that, we had the luxury of living in it | 0:08:25 | 0:08:28 | |
for three months before we eventually sold it | 0:08:28 | 0:08:31 | |
so as we could then start work on our own property. | 0:08:31 | 0:08:35 | |
With money tight, Peter had to be inventive and resourceful when carrying out the renovation work. | 0:08:35 | 0:08:42 | |
In this house, 99% of the material is reclaimed. | 0:08:42 | 0:08:45 | |
We created the garage out of the stone | 0:08:47 | 0:08:50 | |
and windows that came from the old school. | 0:08:50 | 0:08:53 | |
We didn't want a shiny, new-type house. | 0:08:53 | 0:08:56 | |
We liked the older styles and finer things. | 0:08:56 | 0:08:59 | |
But having the bravery to buy an abandoned place that would have most people running for the hills | 0:08:59 | 0:09:05 | |
has paid off handsomely for Peter. | 0:09:05 | 0:09:07 | |
On the current market today, | 0:09:07 | 0:09:09 | |
I would be expecting something in the region of about 350,000 for this property. | 0:09:09 | 0:09:14 | |
It's such a beautiful place. I wouldn't want to live anywhere else. | 0:09:14 | 0:09:19 | |
It certainly proves that you shouldn't judge a book by its cover. | 0:09:19 | 0:09:22 | |
Don't be scared of anything. | 0:09:22 | 0:09:25 | |
There's a lot of things that look daunting | 0:09:25 | 0:09:28 | |
but when you really get down to the nitty-gritty, | 0:09:28 | 0:09:31 | |
they're not as bad as what they seem. | 0:09:31 | 0:09:34 | |
Many of Britain's streets are littered with empty properties decaying, | 0:09:34 | 0:09:39 | |
simply because nobody wants to call them home. | 0:09:39 | 0:09:42 | |
In some areas, the problem has become so acute | 0:09:42 | 0:09:45 | |
that local councils have appointed dedicated individuals | 0:09:45 | 0:09:48 | |
whose job it is to try and get them back into use again. | 0:09:48 | 0:09:51 | |
The nation's empty property officers are the unsung heroes | 0:09:51 | 0:09:54 | |
of the property market, but their job isn't always easy. | 0:09:54 | 0:09:59 | |
In Amber Valley in Derbyshire, its Sue Lee who is charged with | 0:10:00 | 0:10:03 | |
managing the council's 900 long-term empty properties. | 0:10:03 | 0:10:07 | |
In the last year, she's found new owners for more than 100 problem buildings. | 0:10:07 | 0:10:11 | |
It's great when you see a property that's been looking unloved | 0:10:11 | 0:10:14 | |
and you're able to help make it somebody's family home. | 0:10:14 | 0:10:18 | |
Concerned neighbours have called Sue out to investigate a house they say is a blight on the community. | 0:10:18 | 0:10:23 | |
Today I'm off to look at a house where residents have complained | 0:10:23 | 0:10:27 | |
about the appearance of the property | 0:10:27 | 0:10:30 | |
and also the presence of rats... | 0:10:30 | 0:10:34 | |
so I'm going to go and see if their complaint's justified | 0:10:34 | 0:10:37 | |
and see if there's anything I can do to help them. | 0:10:37 | 0:10:39 | |
This semi-detached is believed to be empty | 0:10:39 | 0:10:41 | |
and is in stark contrast to the well-kept property next door. | 0:10:41 | 0:10:45 | |
Sue needs to find out for certain if anyone's living here. | 0:10:45 | 0:10:50 | |
The garden looks overgrown certainly. There's debris left here. | 0:10:51 | 0:10:55 | |
Carpets, bricks. | 0:10:55 | 0:10:57 | |
Seems to be quite a build-up of post visible through the front door, | 0:10:57 | 0:11:01 | |
so I suspect somebody doesn't come back very often, | 0:11:01 | 0:11:03 | |
and I can't see anything through the front windows because the curtains are closed. | 0:11:03 | 0:11:09 | |
Reports of rats in the back garden mean that Sue needs to gain access | 0:11:09 | 0:11:12 | |
to the rear via the neighbours. | 0:11:12 | 0:11:14 | |
-Come on through, duck. Quite a trek but nevertheless... -SHE CHUCKLES | 0:11:14 | 0:11:19 | |
I'll take you up here. | 0:11:19 | 0:11:20 | |
You'll have to climb through these bushes to have a look, if that's all right. | 0:11:20 | 0:11:25 | |
-OK. -This is where the rats are coming from. | 0:11:25 | 0:11:27 | |
So they're coming into your garden? | 0:11:27 | 0:11:29 | |
They're coming into my garden from next door. | 0:11:29 | 0:11:32 | |
My Jack Russells have been bringing them in. | 0:11:32 | 0:11:34 | |
-Oh, I can see what you mean. It's completely overgrown. -Overgrown, isn't it? | 0:11:34 | 0:11:39 | |
-There's washing machines, all sorts of debris. -There is. | 0:11:39 | 0:11:43 | |
-The shed is absolutely full from top to bottom. -OK. | 0:11:43 | 0:11:46 | |
All the side of it is all broken down, that's where the rats are coming in. | 0:11:46 | 0:11:50 | |
They come in through my vent kit of my tumble dryer, they've eaten through the pipes. | 0:11:50 | 0:11:55 | |
It's clear the problem with the rodents has rattled the neighbour. In the garden, | 0:11:55 | 0:11:59 | |
Sue quickly spots why the rats are likely to have set up home here. | 0:11:59 | 0:12:03 | |
This shed contains materials that rats or mice might like. | 0:12:03 | 0:12:09 | |
And this lean-to, again... SHE GASPS | 0:12:09 | 0:12:12 | |
Look at this. You can just walk straight in. | 0:12:12 | 0:12:16 | |
That's awful. Right, that is the first job, really. To get the property secure. | 0:12:16 | 0:12:23 | |
Sue needs to find evidence of anyone living here or work out | 0:12:23 | 0:12:27 | |
how long it's been empty and years of experience of dealing with places | 0:12:27 | 0:12:30 | |
like this tell her exactly what clues to look for. | 0:12:30 | 0:12:33 | |
2010. Again, that's 2010. | 0:12:34 | 0:12:40 | |
Again, 2010. | 0:12:40 | 0:12:42 | |
So it's possible then that somebody comes back | 0:12:42 | 0:12:48 | |
to check the mail, which is good for me because if I can't find them, | 0:12:48 | 0:12:52 | |
at least I can correspond at this address and hope that it prompts them | 0:12:52 | 0:12:56 | |
to get back in touch with me. | 0:12:56 | 0:12:58 | |
The next step for Sue is to secure the house and contact her colleagues | 0:12:58 | 0:13:02 | |
in Environmental Health to deal with the rat issue. | 0:13:02 | 0:13:05 | |
She'll also work on tracking down the owner of the property | 0:13:05 | 0:13:08 | |
with the aim of getting them to bring it back to a liveable standard. | 0:13:08 | 0:13:11 | |
It's a shame, it's a good-sized family property that's not lived in yet, | 0:13:11 | 0:13:15 | |
but that's what I'm about, and what I'm here to do. | 0:13:15 | 0:13:18 | |
I'm here to transform it into a family home. | 0:13:18 | 0:13:21 | |
Now, if you fancy taking on an empty property, | 0:13:21 | 0:13:24 | |
rural or otherwise, there are a number of websites that | 0:13:24 | 0:13:27 | |
contain some very useful addresses of properties that are desperate | 0:13:27 | 0:13:31 | |
for a bit of TLC or indeed, lists of barns that are ripe for conversion. | 0:13:31 | 0:13:35 | |
Also, why not contact a local estate agent who may have a list of vacant properties on their books? | 0:13:37 | 0:13:42 | |
But remember though, getting finance can be tricky. | 0:13:42 | 0:13:45 | |
There are mortgage lenders willing to help but your options may be limited. | 0:13:45 | 0:13:49 | |
Hannah and Michael Overton have done a bit of modernising | 0:13:53 | 0:13:57 | |
in previous properties and are looking to take things | 0:13:57 | 0:14:00 | |
to the next level, taking on a rural wreck. | 0:14:00 | 0:14:02 | |
Eurgh! | 0:14:02 | 0:14:03 | |
But there's a big difference of opinion as to what amount of work they're prepared to do. | 0:14:03 | 0:14:08 | |
-You could do something with this. -Like knock it down! | 0:14:08 | 0:14:11 | |
I want to walk them through what a full renovation really entails, | 0:14:11 | 0:14:15 | |
to help them work out how much they're willing to tackle, | 0:14:15 | 0:14:18 | |
'so I'm taking them to meet someone who's doing a project right now.' | 0:14:18 | 0:14:22 | |
-This is it. Look at that. -Ooh, OK. | 0:14:22 | 0:14:25 | |
So what we're looking at is this intriguing octagonal structure. | 0:14:25 | 0:14:29 | |
-It's an old dairy building. -Wow, it's a beautiful structure, isn't it? | 0:14:29 | 0:14:33 | |
-It's really... That is... -It's got all the character. -I really like that. | 0:14:33 | 0:14:37 | |
Bruce Stevenson and his wife Melanie | 0:14:38 | 0:14:41 | |
have done three renovations before but this is their most ambitious. | 0:14:41 | 0:14:45 | |
Although they bought it eight months ago, lengthy consultation | 0:14:45 | 0:14:48 | |
with the planners and National Trust means they've only just started work. | 0:14:48 | 0:14:52 | |
Since we saw it we realised, right, we really need to snap this up. | 0:14:52 | 0:14:56 | |
There is a lot of work we could do to make it a really nice property. | 0:14:56 | 0:15:00 | |
Our goal was always to be in within a year. We should just make that. | 0:15:00 | 0:15:04 | |
The single storey property was originally built in | 0:15:04 | 0:15:07 | |
the 19th century as a farm building, with an extension added | 0:15:07 | 0:15:10 | |
in the 1960s. | 0:15:10 | 0:15:12 | |
Hello, mate, nice to see you. | 0:15:12 | 0:15:14 | |
I'm keen for Hannah and Michael to learn from Bruce's | 0:15:14 | 0:15:16 | |
experience, even though the builders have only been on site for a week. | 0:15:16 | 0:15:20 | |
How long before you can move in? | 0:15:20 | 0:15:23 | |
Well, we programmed the project to roughly 14 weeks. | 0:15:23 | 0:15:26 | |
14 weeks? That's quick. | 0:15:26 | 0:15:28 | |
It is pretty quick, and they have come back with a 12 week programme. | 0:15:28 | 0:15:32 | |
Wow, so we are a week in, so in 11 weeks time, potentially, | 0:15:32 | 0:15:35 | |
-you could be out here having a glass of wine and a barbecue. -Exactly. -Yeah, great. | 0:15:35 | 0:15:39 | |
So how did you actually locate the builders you've got? | 0:15:39 | 0:15:42 | |
Word of mouth is often the best way. | 0:15:42 | 0:15:44 | |
The next best is, obviously references. | 0:15:44 | 0:15:47 | |
Phoning up people in the last six months who have had work done | 0:15:47 | 0:15:50 | |
by the contractor. | 0:15:50 | 0:15:51 | |
But in this instance, we went to about five contractors, actually. | 0:15:51 | 0:15:55 | |
-Did you put it out to tender? -I did, yes. -Oh, OK. | 0:15:55 | 0:15:58 | |
When it comes to paying for building work, | 0:15:58 | 0:16:01 | |
you shouldn't pay all up front. | 0:16:01 | 0:16:02 | |
It is advisable to agree a payment plan with your builder, | 0:16:02 | 0:16:06 | |
where you can pay as and when specific jobs are completed. | 0:16:06 | 0:16:09 | |
I went for a small works contract and it has stage payments in it. | 0:16:09 | 0:16:13 | |
The contract details are stage payments which you agree in advance | 0:16:13 | 0:16:17 | |
and the last thing you want to be doing is holding your contractor up | 0:16:17 | 0:16:20 | |
with payments, because guys like the bricklayers, if they're not paid, | 0:16:20 | 0:16:24 | |
they will not come to site. | 0:16:24 | 0:16:25 | |
-It is something I would recommend. -Would you live on site? | 0:16:25 | 0:16:29 | |
We have done it before. We would never do it again. | 0:16:29 | 0:16:31 | |
-LAUGHTER -There will be times when you have no kitchen, no bathroom. | 0:16:31 | 0:16:35 | |
I think if you are gutting a house and re-doing it from scratch, | 0:16:35 | 0:16:39 | |
it is unadvisable. | 0:16:39 | 0:16:40 | |
This place is not so different in character from the old stable block | 0:16:40 | 0:16:44 | |
they saw earlier and within a few months, it will be a stunning home. | 0:16:44 | 0:16:48 | |
I suppose the difference with this | 0:16:48 | 0:16:50 | |
and the stable block is some of the infrastructure is actually here. | 0:16:50 | 0:16:54 | |
Like, you have radiators, you have electricity. | 0:16:54 | 0:16:57 | |
You are making the classic mistake, though. | 0:16:57 | 0:17:00 | |
All of this stuff is moveable. | 0:17:00 | 0:17:02 | |
The wiring, plumbing, everything is going to be relocated. | 0:17:02 | 0:17:05 | |
This is what I was saying about the other project, Hannah. | 0:17:05 | 0:17:08 | |
It all goes in for brand-new, exactly where you want it. | 0:17:08 | 0:17:11 | |
The builder hasn't got to chop and change to get round it. | 0:17:11 | 0:17:13 | |
It goes in straight away before the floors and ceilings are in. | 0:17:13 | 0:17:16 | |
I hope this is allaying some of Hannah's fears, | 0:17:16 | 0:17:19 | |
because I want to convince these two, that a project like this is | 0:17:19 | 0:17:23 | |
something they could embark on, provided they don't | 0:17:23 | 0:17:26 | |
become daunted at the amount of work they'd need to do. | 0:17:26 | 0:17:29 | |
This is the interior of that octagonal building on the outside. | 0:17:29 | 0:17:33 | |
This was the old dairy. There are one or two bits which are quite interesting. | 0:17:33 | 0:17:37 | |
-Can you see the floor, the mosaic floor? -Is that original? | 0:17:37 | 0:17:39 | |
That is original. This ceiling isn't which is now going to come out. | 0:17:39 | 0:17:43 | |
Can you see these little corbels poking themselves | 0:17:43 | 0:17:46 | |
out from the bottom? They support a fantastic vaulted ceiling. | 0:17:46 | 0:17:49 | |
-Have a look up there through that hatch. -Oh, wow. | 0:17:49 | 0:17:54 | |
These lovely little iron flowers and colourful details and so forth. | 0:17:54 | 0:17:58 | |
It's a really peaceful room. It's lovely. | 0:17:58 | 0:18:01 | |
-Would you take this on, this one? -Yes, I would, I would. Totally. | 0:18:01 | 0:18:04 | |
-What I've seen of this so far, I would have bought this. -Would you? | 0:18:04 | 0:18:07 | |
-Yeah. -The views and just open farmland and hills, it's great. | 0:18:07 | 0:18:12 | |
So, I'm opening Hannah and Michael's eyes to the possibilities available, but there's a long way to go. | 0:18:12 | 0:18:17 | |
Later I'll be showing them | 0:18:17 | 0:18:20 | |
a finished project completed by someone | 0:18:20 | 0:18:22 | |
who was a renovation novice like they are, | 0:18:22 | 0:18:24 | |
that I think will knock their socks off. | 0:18:24 | 0:18:27 | |
Back in Amber Valley, empty property officer Sue Lee, | 0:18:30 | 0:18:33 | |
is on her way to one of her success stories. | 0:18:33 | 0:18:35 | |
I'm here today to have a look at two flats, | 0:18:35 | 0:18:38 | |
that has been bought by a housing association that we work with. | 0:18:38 | 0:18:41 | |
These two flats in the same building were the subject of probate | 0:18:41 | 0:18:46 | |
and have been left empty for years. | 0:18:46 | 0:18:48 | |
Sue was eventually able to find a buyer | 0:18:48 | 0:18:50 | |
who has completely modernised them. | 0:18:50 | 0:18:52 | |
-Hi, Sue. -Hi, Christine. Nice to see you. | 0:18:52 | 0:18:55 | |
Sue is meeting Christine from the housing association who has been overseeing the work. | 0:18:55 | 0:18:59 | |
A very old, dangerous fireplace that we had to rip out | 0:18:59 | 0:19:02 | |
and put a far more modern fireplace in. | 0:19:02 | 0:19:06 | |
At the same time, we did a full redecoration | 0:19:06 | 0:19:08 | |
and we have ended up with this. | 0:19:08 | 0:19:10 | |
-A nice, bright, airy room. -It looks wonderful. | 0:19:10 | 0:19:13 | |
Now, the kitchen was full of very old units. | 0:19:13 | 0:19:18 | |
Nice new kitchen cabinets and we've got a good-size, nice, spacious | 0:19:18 | 0:19:22 | |
kitchen, that can fit a table in | 0:19:22 | 0:19:24 | |
so a family can sit down and have their meal here. | 0:19:24 | 0:19:27 | |
-It's great. -And we have got a small vestibule area, with a cupboard, for storage - | 0:19:27 | 0:19:31 | |
there is more storage capacity - into a new fitted bathroom. | 0:19:31 | 0:19:35 | |
I think it has given the property a nice, new, fresh, airy feel. | 0:19:35 | 0:19:40 | |
-It looks wonderful, Christine. -Good. -It'll be great. | 0:19:40 | 0:19:44 | |
It up to a good standard, it's light, it's spacious, | 0:19:44 | 0:19:47 | |
it's a blank canvas for somebody. It will make a wonderful family home. | 0:19:47 | 0:19:52 | |
-Lovely. I'm really pleased you are happy with it. -Yes. -Great. | 0:19:52 | 0:19:55 | |
Now it's been transformed to a high standard, | 0:19:55 | 0:19:58 | |
this flat will become a much-needed home for people on the council's waiting list. | 0:19:58 | 0:20:02 | |
And the couple who have just moved | 0:20:02 | 0:20:04 | |
into the one upstairs couldn't be happier. | 0:20:04 | 0:20:07 | |
It's a brilliant location. And it is a nice house. | 0:20:07 | 0:20:10 | |
We've still got to get a few more things put up like wallpaper, | 0:20:10 | 0:20:14 | |
mirrors, but very happy. | 0:20:14 | 0:20:16 | |
We've got a home together with my lovely partner. | 0:20:16 | 0:20:18 | |
It is really satisfying to see that already, | 0:20:18 | 0:20:22 | |
somebody is moving into one of the flats and the other one is | 0:20:22 | 0:20:26 | |
just now ready for somebody else to move into and make it their home. | 0:20:26 | 0:20:31 | |
So, that is two more properties off Sue's roster | 0:20:31 | 0:20:34 | |
of abandoned buildings. | 0:20:34 | 0:20:36 | |
Hannah and Michael Overton would love to take on a disused building | 0:20:38 | 0:20:42 | |
and make it their own, but nearly fell at the first hurdle when they looked at a derelict stable block. | 0:20:42 | 0:20:47 | |
To persuade them that it's worth seeing past the cobwebs, | 0:20:47 | 0:20:50 | |
I took them to see someone doing a major renovation. | 0:20:50 | 0:20:53 | |
I want to prove once and for all to Hannah and Michael, | 0:20:53 | 0:20:56 | |
that breathing life back into a total wreck, really is worthwhile. | 0:20:56 | 0:21:00 | |
I brought them to another place I think shows what's possible when you put your mind to it. | 0:21:00 | 0:21:04 | |
There we are. What do you think of that one? | 0:21:04 | 0:21:08 | |
All that's missing are the roses climbing up. | 0:21:08 | 0:21:10 | |
Just give it time. There's a big rosebush there. | 0:21:10 | 0:21:13 | |
It's lovely, lovely setting as well, actually, isn't it? | 0:21:13 | 0:21:17 | |
Yes, a terrific setting. This building has had many stages in its evolution, | 0:21:17 | 0:21:21 | |
but believe it or not, it started off as a single-storey stable block. | 0:21:21 | 0:21:25 | |
-Sound familiar? -Yes, definitely! | 0:21:25 | 0:21:27 | |
In 2006, Olivia Boon bought this detached house | 0:21:30 | 0:21:32 | |
near Aylesbury for just over £450,000. | 0:21:32 | 0:21:36 | |
It had been empty for three years, | 0:21:36 | 0:21:38 | |
before Olivia came along with the vision of making it her family home. | 0:21:38 | 0:21:43 | |
It was something that we'd always wanted to do | 0:21:43 | 0:21:45 | |
and decided to take on the challenge when we finally saw it because | 0:21:45 | 0:21:49 | |
it was a lovely proportioned house and we saw | 0:21:49 | 0:21:51 | |
what could be done to it if it had some love and care. | 0:21:51 | 0:21:53 | |
Having originally started out life as a single story stable block, | 0:21:53 | 0:21:59 | |
at a later date, a previous owner added the first floor, making it a house. | 0:21:59 | 0:22:03 | |
Olivia's eight-month renovation has created a gorgeous five-bed | 0:22:03 | 0:22:07 | |
family home with an amazing open-plan kitchen diner, | 0:22:07 | 0:22:09 | |
all set in more than two acres of land including an orchard. | 0:22:09 | 0:22:12 | |
Olivia, nice to see you. Let me introduce you to Michael and Hannah. | 0:22:14 | 0:22:18 | |
-Hello. -We are all, not surprisingly, | 0:22:18 | 0:22:21 | |
very impressed with what you have done to the house. | 0:22:21 | 0:22:23 | |
What attracted you to it in the first place? | 0:22:23 | 0:22:26 | |
Well, when we first saw it, it was a big shock. | 0:22:26 | 0:22:29 | |
It was disgusting, dirty, foul, damp, unliveable in really, | 0:22:29 | 0:22:33 | |
and it took a weekend of talking | 0:22:33 | 0:22:34 | |
but we were getting really excited about it by the Sunday night, | 0:22:34 | 0:22:38 | |
and what the potential was for both the house and the land. | 0:22:38 | 0:22:42 | |
Yes. We have been to see a stable block. | 0:22:42 | 0:22:45 | |
It was dirty, it was damp, it was filthy, | 0:22:45 | 0:22:48 | |
then we walked round the back and it was like walking into the magic forest. | 0:22:48 | 0:22:52 | |
It was thick, it was dense, it was overgrown. | 0:22:52 | 0:22:55 | |
It sounds very similar to when we first saw the property. | 0:22:55 | 0:22:58 | |
It was quite a shock. | 0:22:58 | 0:23:00 | |
There were trees, nettles, brambles, right up to the windows. | 0:23:00 | 0:23:03 | |
I didn't have an open mind at first. | 0:23:03 | 0:23:05 | |
But, clearing, we found quite an extensive orchard with apples, | 0:23:05 | 0:23:09 | |
pears and plums in it. | 0:23:09 | 0:23:10 | |
You've got a wonderful spot here, now. Look at that, guys. | 0:23:10 | 0:23:13 | |
-2.2 acres... -About that. -Stretching off there. | 0:23:13 | 0:23:17 | |
We did do a lot of the work ourselves. | 0:23:17 | 0:23:19 | |
That cut down significantly on some of the costs | 0:23:19 | 0:23:21 | |
so I laid the majority of the patio myself. | 0:23:21 | 0:23:24 | |
-Wow, that is pretty good! -I had arms like Popeye by the end of it! | 0:23:24 | 0:23:29 | |
So, do you have any tips and advice | 0:23:29 | 0:23:32 | |
for our two budding renovators here? | 0:23:32 | 0:23:34 | |
I think it is keeping an open mind when you first go to the project. | 0:23:34 | 0:23:37 | |
And look at the space for what the space is, not for how it is now, | 0:23:37 | 0:23:41 | |
however dirty, disgusting and horrible a project might be. | 0:23:41 | 0:23:45 | |
And keeping an open mind was something that is quite hard to do, | 0:23:45 | 0:23:49 | |
when you are sort of up to elbows in plasterboard. | 0:23:49 | 0:23:52 | |
But as you start to personalise the house, | 0:23:52 | 0:23:55 | |
you start to understand the potential of it. | 0:23:55 | 0:23:57 | |
Inside, they have made great use of the available light | 0:23:57 | 0:24:01 | |
and I hope the fabulous finish will finally prove to Hannah that places | 0:24:01 | 0:24:05 | |
like the stable block they saw earlier, can be outstanding homes. | 0:24:05 | 0:24:10 | |
I mean, this is probably the original width of the stable block. | 0:24:10 | 0:24:13 | |
-Sure, yes. -Probably not far off what you have looked at. | 0:24:13 | 0:24:16 | |
I mean, putting in the bay windows makes a big difference. | 0:24:16 | 0:24:19 | |
That is what is really attractive, | 0:24:19 | 0:24:21 | |
is it's this very light, airy property, windows all round. | 0:24:21 | 0:24:25 | |
There is natural light coming in which really makes a difference. | 0:24:25 | 0:24:28 | |
That is the great thing about taking on a building like this. You can put all that sort of thing in. | 0:24:28 | 0:24:34 | |
This is the kitchen diner. | 0:24:34 | 0:24:35 | |
Look at this, Hannah. | 0:24:35 | 0:24:37 | |
Oh, yes! Really nice. Very, very nice. I love the wall. | 0:24:37 | 0:24:43 | |
-This is the old external wall. -Of course. Nice, yes, very nice. | 0:24:43 | 0:24:48 | |
Do you think you could go about it | 0:24:48 | 0:24:50 | |
with the passion and determination that will be required to actually see this | 0:24:50 | 0:24:55 | |
through to completion? | 0:24:55 | 0:24:56 | |
Well, after seeing something like this, | 0:24:56 | 0:24:58 | |
and realising what you can do, makes you realise that these things | 0:24:58 | 0:25:02 | |
are within your grasp and you can go out and get them. | 0:25:02 | 0:25:05 | |
That's the spirit. | 0:25:05 | 0:25:07 | |
The real lesson for Hannah and Michael to take | 0:25:07 | 0:25:10 | |
from Olivia's experience of renovating, | 0:25:10 | 0:25:12 | |
is not to allow the appearance of a property to put them off. | 0:25:12 | 0:25:15 | |
If they look beyond the dereliction and dirt, | 0:25:15 | 0:25:18 | |
I know they'll see their perfect country home, | 0:25:18 | 0:25:21 | |
provided they put in the work. | 0:25:21 | 0:25:22 | |
So, what have you learnt from this process, do you think? | 0:25:23 | 0:25:27 | |
Have we persuaded you, I wonder, if an empty, derelict, unloved property is for you? | 0:25:27 | 0:25:31 | |
What are the key things that you will take away from this experience? | 0:25:31 | 0:25:35 | |
I've learnt about the builders, the contract | 0:25:35 | 0:25:37 | |
and paying them in instalments which was a concern of mine. | 0:25:37 | 0:25:40 | |
So tenders, stage payments, that sort of thing? | 0:25:40 | 0:25:44 | |
That's always been a concern of mine. Now I am more in the light of what to do. | 0:25:44 | 0:25:48 | |
Now, when I met to you earlier, and we discussed the stable block, | 0:25:48 | 0:25:52 | |
it was quite a big renovation, that, | 0:25:52 | 0:25:54 | |
and I think you were a little bit daunted by what was involved. | 0:25:54 | 0:25:57 | |
We have shown the two properties which have gone through | 0:25:57 | 0:26:00 | |
the same process of transformation, | 0:26:00 | 0:26:03 | |
do you feel a bit more confident about taking on such a big build? | 0:26:03 | 0:26:06 | |
Yes, I think actually I do, genuinely. | 0:26:06 | 0:26:09 | |
Of course, I have been inspired today. | 0:26:09 | 0:26:11 | |
It has opened my eyes a lot, made me see I can do a lot more than | 0:26:11 | 0:26:14 | |
I could do before, or what I thought I could do before. | 0:26:14 | 0:26:18 | |
Now, by looking at it at a different angle, I can see the package come together. | 0:26:18 | 0:26:21 | |
Good. Well, guys, it has been a real pleasure showing you around. | 0:26:21 | 0:26:25 | |
I hope you are now better equipped to go out and find an empty property | 0:26:25 | 0:26:28 | |
that you can turn into your own dream home of the future. | 0:26:28 | 0:26:31 | |
-Who knows? -Thanks, it has been a pleasure. -Thank you very much. | 0:26:31 | 0:26:34 | |
As we have seen, turning a wreck into a home, can often be | 0:26:36 | 0:26:39 | |
a stressful, painstaking and time-consuming business. | 0:26:39 | 0:26:43 | |
But for the brave few who are prepared to take on the gamble, | 0:26:43 | 0:26:46 | |
the rewards are priceless. | 0:26:46 | 0:26:48 | |
A terrific sense of achievement, and of course, | 0:26:48 | 0:26:51 | |
a beautiful home thrown into the bargain. | 0:26:51 | 0:26:54 | |
Subtitles by Red Bee Media Ltd | 0:27:16 | 0:27:18 | |
E-Subtitles by Red Bee Media Ltd | 0:27:18 | 0:27:20 |