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Across the United Kingdom there are nearly a million homes lying unloved | 0:00:02 | 0:00:05 | |
and unlived in, ready for someone to come along | 0:00:05 | 0:00:07 | |
and give them a bright new future. | 0:00:07 | 0:00:09 | |
So, whether its a tired semi or a rambling mansion | 0:00:09 | 0:00:12 | |
we're on a mission to rescue Britain's empty homes. | 0:00:12 | 0:00:15 | |
Even in the midst of a national housing shortage, | 0:00:25 | 0:00:29 | |
empty homes continue to languish in our towns | 0:00:29 | 0:00:32 | |
and cities slipping further and further into decline. | 0:00:32 | 0:00:35 | |
But, every now and then, somebody spots one, steps in, | 0:00:35 | 0:00:38 | |
and changes its fate forever. | 0:00:38 | 0:00:42 | |
Today, I'll be passing on my experience of renovating | 0:00:42 | 0:00:44 | |
an empty house, advising an intrepid first-time buyer who has | 0:00:44 | 0:00:48 | |
already taken the plunge and bought a wreck. | 0:00:48 | 0:00:50 | |
That's very damp. | 0:00:50 | 0:00:51 | |
And I'll be introducing her to experienced renovators | 0:00:51 | 0:00:54 | |
who've done it all before. | 0:00:54 | 0:00:55 | |
You made this yourself? | 0:00:55 | 0:00:57 | |
-I did, yeah. -You're so clever. -Thanks! | 0:00:57 | 0:01:01 | |
Look at how big it is. | 0:01:02 | 0:01:04 | |
We'll also be hitting the streets with an empty property officer, | 0:01:04 | 0:01:07 | |
on their mission to bring run-down buildings back into use. | 0:01:07 | 0:01:11 | |
This would be the point of entry, I imagine. | 0:01:11 | 0:01:14 | |
Units like this, these double glazed units can be taken out | 0:01:14 | 0:01:17 | |
in their entirety and just put to one side. | 0:01:17 | 0:01:19 | |
Buying your first home is a huge step | 0:01:19 | 0:01:22 | |
so you want to get it right from the start. | 0:01:22 | 0:01:25 | |
Spotting the possibilities in an empty house | 0:01:25 | 0:01:27 | |
and then maximising their potential, | 0:01:27 | 0:01:29 | |
can not only deliver a dream home for a fraction | 0:01:29 | 0:01:32 | |
of its final worth, but can also propel you up the property ladder. | 0:01:32 | 0:01:37 | |
That's exactly what maths teacher, Rekah Patel, wanted to take | 0:01:38 | 0:01:41 | |
advantage of when she decided it was time to move out of the family home | 0:01:41 | 0:01:45 | |
and buy her first house. | 0:01:45 | 0:01:47 | |
At the beginning, I wasn't really sure what I wanted. | 0:01:47 | 0:01:50 | |
I've looked at terraces, detached, | 0:01:50 | 0:01:53 | |
modern, old, and I just kept going back to the ones with character. | 0:01:53 | 0:01:58 | |
To be honest, I didn't think I'd find a character home | 0:01:58 | 0:02:01 | |
that I could afford, but I finally found the one. | 0:02:01 | 0:02:05 | |
With high hopes, but a low budget of £160,000, | 0:02:07 | 0:02:09 | |
Rekah figured buying an empty house in need of work would be | 0:02:09 | 0:02:12 | |
an affordable way to get her perfect place. | 0:02:12 | 0:02:15 | |
I'm a little bit scared about the renovation process. | 0:02:15 | 0:02:19 | |
I mean, I am quite a practical person. | 0:02:19 | 0:02:22 | |
I've done a lot of DIY with my dad and my brother. | 0:02:22 | 0:02:25 | |
I am willing to learn very quickly as well, | 0:02:27 | 0:02:30 | |
so I am looking forward to this. | 0:02:30 | 0:02:32 | |
What Rekah eventually found was this Grade II listed Georgian cottage | 0:02:34 | 0:02:38 | |
in the pretty village of Simmondley on the edge of the Peak District. | 0:02:38 | 0:02:42 | |
The stone built, double fronted property has two bedrooms, | 0:02:42 | 0:02:45 | |
two reception rooms and a private walled garden. | 0:02:45 | 0:02:48 | |
-Hi, Rekah. -Hi, Jules. Nice to meet you. -Nice to meet you too. | 0:02:48 | 0:02:52 | |
-So this is what you've jumped into with both feet. -It is, yes. | 0:02:52 | 0:02:55 | |
It's beautiful. | 0:02:55 | 0:02:57 | |
Now, let's just be clear, | 0:02:57 | 0:02:58 | |
you're at the stage where your offer has been accepted. | 0:02:58 | 0:03:00 | |
Yes, my offer's been accepted. I've done my survey. | 0:03:00 | 0:03:04 | |
-So how much did it set you back? -It set me back £162,500. -OK. | 0:03:04 | 0:03:10 | |
Well, that's on the face of it not too bad, | 0:03:10 | 0:03:12 | |
but I can see, just looking at the line of the guttering there | 0:03:12 | 0:03:15 | |
and so forth, there's a bit of woodwork that's gone amiss. | 0:03:15 | 0:03:18 | |
But otherwise you think it's kind of sound. | 0:03:18 | 0:03:21 | |
It is quite sound. | 0:03:21 | 0:03:22 | |
It does need a lot of work, it does need a lot of work, but I'm willing | 0:03:22 | 0:03:26 | |
-to put that work into it. -Now how much have you got to spend then in cash? | 0:03:26 | 0:03:30 | |
-About £15,000. -To do it up a bit? -To do it up, to start with. -Yeah. | 0:03:30 | 0:03:36 | |
And then I'll save up as I go. | 0:03:36 | 0:03:38 | |
Because I'm on my own, it's not a bother. | 0:03:38 | 0:03:41 | |
So, this is going to be quite a long-term labour of love, isn't it? | 0:03:41 | 0:03:43 | |
Oh, it is, yes. | 0:03:43 | 0:03:44 | |
But we've got £15,000 to really get it to a state where you feel | 0:03:44 | 0:03:48 | |
-you can move in comfortably and get on with it. -Yeah. -OK. | 0:03:48 | 0:03:52 | |
So, Rekah has found a great house in a great location, | 0:03:52 | 0:03:55 | |
but with no renovation experience to transform it into her dream home, | 0:03:55 | 0:03:58 | |
I want to help her decide on the scale of work | 0:03:58 | 0:04:01 | |
she's prepared to take on and where she's going to need skilled labour. | 0:04:01 | 0:04:05 | |
-Wow. Look at this old thing. -I know. | 0:04:05 | 0:04:08 | |
-That's going to go, presumably, is it? -Yes. Definitely. | 0:04:08 | 0:04:12 | |
What are you going to do in here, then? What's this going to be? | 0:04:12 | 0:04:15 | |
Well, I'm hoping to have a kitchen/diner | 0:04:15 | 0:04:17 | |
because my kitchen's through here, so this wall here is hoping to go. | 0:04:17 | 0:04:21 | |
OK. And then it's going to open up through here into... | 0:04:21 | 0:04:25 | |
This tiny kitchen. | 0:04:25 | 0:04:26 | |
THEY LAUGH | 0:04:26 | 0:04:28 | |
-Yes. -Even for me. -Even for you this is very small. | 0:04:28 | 0:04:32 | |
But taking this out is going to be quite a number. | 0:04:32 | 0:04:34 | |
Have you spoken to your friendly conservation officer about this wall? | 0:04:34 | 0:04:38 | |
Yes, I have. She's seen the kitchen and she's seen how small it is | 0:04:38 | 0:04:42 | |
and she does understand that this wall needs to be taken down, | 0:04:42 | 0:04:45 | |
but she said you still need to apply for it. | 0:04:45 | 0:04:48 | |
Again, this is one of the tricks of taking on a listed building, | 0:04:48 | 0:04:51 | |
isn't it? You've got to absolutely dot all the Is and cross all the Ts | 0:04:51 | 0:04:55 | |
because if you upset them and you do something that they don't | 0:04:55 | 0:04:58 | |
-think is appropriate, you could find yourself in quite a bit of trouble. -Yeah. | 0:04:58 | 0:05:02 | |
Rekah's done well finding this place | 0:05:02 | 0:05:04 | |
and I want to give her some ideas of what she can do to it. | 0:05:04 | 0:05:07 | |
-Now, this is the living room. -Very generous actually in space. | 0:05:07 | 0:05:11 | |
I can see why this place has really captured your imagination. | 0:05:11 | 0:05:15 | |
-Yes, I can imagine a log burning stove there. -What's in here then? | 0:05:15 | 0:05:20 | |
-Any ideas? -No. I don't know. | 0:05:20 | 0:05:21 | |
REKAH LAUGHS | 0:05:21 | 0:05:23 | |
Do you know what? I think that's a salt cellar. | 0:05:23 | 0:05:25 | |
Why would you have it in here though? | 0:05:25 | 0:05:27 | |
-Traditionally that's where they were. Kept it nice and dry the fire would have been going... -Right. | 0:05:27 | 0:05:32 | |
-This is interesting, though. Ah. -Ah. | 0:05:32 | 0:05:34 | |
-That goes through to your kitchen. -Right. | 0:05:34 | 0:05:37 | |
-So you could have another door here into your kitchen. -Right, OK. | 0:05:37 | 0:05:41 | |
Again, you need to clear that with the conservation guys. | 0:05:41 | 0:05:44 | |
But if you could, that could make the whole thing flow in a nice circular way. | 0:05:44 | 0:05:48 | |
-Right. It's exciting, isn't it? -It's really exciting! | 0:05:48 | 0:05:51 | |
I really like it, actually. | 0:05:51 | 0:05:53 | |
-This is my master bedroom. -Wow. | 0:05:53 | 0:05:56 | |
-Isn't it amazing? -It's huge. You've clearly got a bit of an issue here. | 0:05:56 | 0:06:01 | |
-Yes. -That's very damp. -Yes. | 0:06:01 | 0:06:02 | |
It may be that the gutters simply aren't functioning properly. | 0:06:02 | 0:06:06 | |
But you're obviously well aware of some of the obvious | 0:06:06 | 0:06:09 | |
pitfalls that this place has. It probably needs rewiring completely. | 0:06:09 | 0:06:13 | |
-It does need rewiring. -The central heating. | 0:06:13 | 0:06:15 | |
The damp, I suspect, is going to be the biggest headache for you. | 0:06:15 | 0:06:20 | |
Because, until you get that right, there's no point pouring time | 0:06:20 | 0:06:24 | |
and money into even basics like repainting, re-wallpapering, | 0:06:24 | 0:06:29 | |
because it simply won't last. | 0:06:29 | 0:06:30 | |
You've got to get the damp done. Both damp issues up here | 0:06:30 | 0:06:35 | |
and stuff that's coming up from down below. | 0:06:35 | 0:06:37 | |
I think the best thing we can do now is get | 0:06:37 | 0:06:39 | |
you into a couple of properties where the owners have also gone | 0:06:39 | 0:06:42 | |
through the process that you are about to embark upon. | 0:06:42 | 0:06:45 | |
Figure out how they did it, learn from them and hopefully come back | 0:06:45 | 0:06:48 | |
with a more detailed and focused plan for you to take on this place. | 0:06:48 | 0:06:52 | |
OK. Let's go. | 0:06:52 | 0:06:54 | |
Rekah's property is clearly an enticing proposition for anyone, | 0:06:57 | 0:07:01 | |
let alone a first time buyer like her. But therein lies the problem, | 0:07:01 | 0:07:04 | |
she hasn't got tens of thousands of pounds to throw at this straight away. | 0:07:04 | 0:07:08 | |
It's going to require careful and meticulous planning | 0:07:08 | 0:07:11 | |
to finally turn it round. But the good news is | 0:07:11 | 0:07:13 | |
that whatever she lacks in cash, she more than makes up for in enthusiasm. | 0:07:13 | 0:07:18 | |
Later, I'll be introducing Rekah to accomplished renovators who've | 0:07:19 | 0:07:24 | |
taken on daunting projects, | 0:07:24 | 0:07:25 | |
to show her how great things can be achieved once you have the know how. | 0:07:25 | 0:07:29 | |
Taking on a renovation of any size | 0:07:29 | 0:07:31 | |
is a big challenge, especially if you've never done it before. | 0:07:31 | 0:07:34 | |
That's just what Catherine Cantin found when she bought this | 0:07:37 | 0:07:40 | |
three-storey end terrace in North London in 2008. | 0:07:40 | 0:07:43 | |
When I got the keys, that was probably the most exciting moment, | 0:07:43 | 0:07:46 | |
walking in, in whatever shape the house was in. But just | 0:07:46 | 0:07:50 | |
knowing that it was mine and knowing what I could possibly do to it. | 0:07:50 | 0:07:54 | |
The house had been | 0:07:55 | 0:07:56 | |
empty for six months | 0:07:56 | 0:07:57 | |
when Catherine paid £825,000 for it. | 0:07:57 | 0:08:00 | |
She then found an architect she trusted | 0:08:01 | 0:08:03 | |
and set out on a renovation lasting ten months. | 0:08:03 | 0:08:05 | |
I couldn't have done this without an architect. | 0:08:06 | 0:08:09 | |
I don't have the foresight or the vision. | 0:08:09 | 0:08:13 | |
And he walked in and his enthusiasm was very contagious | 0:08:13 | 0:08:17 | |
because he could see exactly what he wanted to do | 0:08:17 | 0:08:20 | |
and what he could do. | 0:08:20 | 0:08:21 | |
I knew that wherever I lived it had to be liked | 0:08:21 | 0:08:25 | |
and the architect has done some fantastic things. | 0:08:25 | 0:08:29 | |
The first idea he had, which completely made sense to me | 0:08:29 | 0:08:32 | |
and it was very simple, is to have a skylight at the top of the first | 0:08:32 | 0:08:36 | |
set of stairs. So when you open the door, you're looking up into light. | 0:08:36 | 0:08:41 | |
The top floor, where we have a butterfly roof and it's fabulous. | 0:08:41 | 0:08:44 | |
So, normally in a Victorian house, it gets darker the higher up you go, | 0:08:44 | 0:08:48 | |
it just seems to get lighter and lighter. | 0:08:48 | 0:08:52 | |
Very greedily, we managed to get one in the kitchen and the extension | 0:08:52 | 0:08:55 | |
of the kitchen and that's fantastic because the sun comes in there. | 0:08:55 | 0:08:59 | |
Life resolves around food. | 0:08:59 | 0:09:01 | |
I love eating. I love company, socialising and now I love having a garden. | 0:09:01 | 0:09:05 | |
And the kitchen that is a living area and an eating area | 0:09:07 | 0:09:11 | |
and just a hanging out in area and that I can open these doors | 0:09:11 | 0:09:15 | |
and the kitchen becomes the outside, the garden comes into the kitchen. | 0:09:15 | 0:09:20 | |
Having the nerve to take on a vacant property means Catherine has | 0:09:20 | 0:09:24 | |
been able to tailor the house completely to her needs. | 0:09:24 | 0:09:27 | |
At a cost of just under £600,000 for the transformation. | 0:09:27 | 0:09:31 | |
I think I'll probably stop just right here. It's fabulous. | 0:09:34 | 0:09:38 | |
It's everything I could have dreamed for, really. | 0:09:38 | 0:09:40 | |
Even as we speak, there's probably an empty property | 0:09:45 | 0:09:48 | |
in your town that's being investigated by a dedicated band | 0:09:48 | 0:09:51 | |
of empty property officers. Trying to figure out why it's | 0:09:51 | 0:09:54 | |
been abandoned and what can be done to get it back into use again. | 0:09:54 | 0:09:58 | |
Andrew Vickers is the Empty Property Officer at Nottingham City Council. | 0:10:01 | 0:10:05 | |
A former policeman with 30 years experience pounding | 0:10:05 | 0:10:08 | |
the beat in the city, over the last two years alone | 0:10:08 | 0:10:10 | |
he's found new owners for over 350 abandoned buildings. | 0:10:10 | 0:10:14 | |
I particularly enjoy tracking empty home-owners down. | 0:10:14 | 0:10:18 | |
I pride myself on having a fairly high success rate in finding them. | 0:10:18 | 0:10:22 | |
I would say it is around about the 99% mark. | 0:10:22 | 0:10:24 | |
Andrew gets around 20 new cases a month. | 0:10:26 | 0:10:29 | |
But today he's dealing with one of his longest running ones. | 0:10:29 | 0:10:32 | |
This morning, I'm going to visit a property that I've been invited | 0:10:32 | 0:10:35 | |
back to look at which has been empty for about 20 years. | 0:10:35 | 0:10:38 | |
A taxi office with three domestic properties above | 0:10:38 | 0:10:41 | |
in a city centre location. | 0:10:41 | 0:10:43 | |
Originally owned by a co-operative, the taxi firm was wound up | 0:10:43 | 0:10:46 | |
in 1986 and the Victorian property has been empty ever since. | 0:10:46 | 0:10:50 | |
-Hello, Sean, nice to see you again. -How are you doing, Andrew? | 0:10:50 | 0:10:55 | |
You all right? Come in. | 0:10:55 | 0:10:56 | |
You've really done well with this. | 0:10:56 | 0:10:59 | |
This was the taxi office and it was all falling apart. | 0:10:59 | 0:11:03 | |
Complete mess, really. | 0:11:03 | 0:11:04 | |
The building has been bought by two brothers whose father had been part | 0:11:04 | 0:11:08 | |
of the co-operative who originally owned it. | 0:11:08 | 0:11:10 | |
Now it's back in the family, their plan is to renovate | 0:11:10 | 0:11:13 | |
the commercial part on the ground floor and the three flats above. | 0:11:13 | 0:11:16 | |
There was an out house there with the steps coming down, | 0:11:16 | 0:11:19 | |
-so that's all gone. -It was a kitchen and a bit of a bedroom. | 0:11:19 | 0:11:22 | |
My dad roughly worked here from 1965 as a taxi driver. | 0:11:22 | 0:11:25 | |
So we've got a bond with this building. | 0:11:25 | 0:11:28 | |
My brother and I have always come here as children | 0:11:28 | 0:11:31 | |
and been took to and fro and we feel | 0:11:31 | 0:11:33 | |
like we want to put it back into its former glory if you like. | 0:11:33 | 0:11:36 | |
We're feeling proud that we have done it. | 0:11:36 | 0:11:39 | |
It's just a family moment, you know, | 0:11:39 | 0:11:41 | |
that we can put this back into our family and say, | 0:11:41 | 0:11:44 | |
"Yes, we had it and we lost it and we've got it back again." | 0:11:44 | 0:11:46 | |
Got some original features here. The original cast-iron fireplace. | 0:11:46 | 0:11:50 | |
Yeah, that's right, that would have been with the coal fires. | 0:11:50 | 0:11:53 | |
Many buildings in Nottingham | 0:11:53 | 0:11:55 | |
are built on sandstone in which caves were often dug | 0:11:55 | 0:11:58 | |
and used for a variety of purposes. | 0:11:58 | 0:11:59 | |
And the builders have uncovered some at the rear of the old taxi office. | 0:11:59 | 0:12:03 | |
So this would be a coal cellar with the black soot, the chute there. | 0:12:03 | 0:12:08 | |
That's cut into the rock. | 0:12:08 | 0:12:10 | |
Yeah, it would've been some kind of old cave. | 0:12:10 | 0:12:13 | |
It's fascinating because you've exposed the bedrock again here. | 0:12:13 | 0:12:18 | |
This is all Nottingham sandstone again and all the footings are laid | 0:12:18 | 0:12:23 | |
upon this in probably the early 1800s. | 0:12:23 | 0:12:26 | |
This has stood like this for 150 years. So presumably it's a good, solid base. | 0:12:26 | 0:12:31 | |
Yeah, I would've thought so. | 0:12:31 | 0:12:33 | |
Andrew's the main instigation here. | 0:12:33 | 0:12:35 | |
The council have been great as well, | 0:12:35 | 0:12:36 | |
but he's been a real help on getting this project back on track. | 0:12:36 | 0:12:39 | |
I mean, it was one of his top priorities to get this | 0:12:39 | 0:12:41 | |
property off the council's listings as bad properties in Nottingham. | 0:12:41 | 0:12:46 | |
I'm really happy that this property is coming back into use. | 0:12:49 | 0:12:52 | |
Since getting ownership, | 0:12:52 | 0:12:54 | |
Sean and Damien have wasted no time at all in gutting this property. | 0:12:54 | 0:12:59 | |
Starting work, they mean business. | 0:12:59 | 0:13:01 | |
It was a mess and they're going to bring it back to life. | 0:13:01 | 0:13:04 | |
I'm really happy with the progress they've made so far. | 0:13:04 | 0:13:06 | |
For Andrew, it's been a long process, but ultimately worthwhile. | 0:13:06 | 0:13:10 | |
After being left unused for more than 20 years, | 0:13:10 | 0:13:12 | |
within the next six months this place will provide three | 0:13:12 | 0:13:16 | |
much-needed homes and business premises. | 0:13:16 | 0:13:18 | |
Now if you've ever wandered past an empty property | 0:13:20 | 0:13:23 | |
and wondered what it's like on the inside, | 0:13:23 | 0:13:25 | |
there are one or two tell-tale things that you can look for. | 0:13:25 | 0:13:29 | |
Broken or damaged guttering could indicate that rainwater is getting | 0:13:29 | 0:13:32 | |
into the walls and causing damp. | 0:13:32 | 0:13:34 | |
Cracked walls could indicate subsidence | 0:13:34 | 0:13:36 | |
and also have a look for cracked or broken roof tiles, | 0:13:36 | 0:13:39 | |
that also could add to a whole host of problems with rotten timberwork. | 0:13:39 | 0:13:43 | |
But for the experienced renovator, this sort of thing | 0:13:43 | 0:13:46 | |
wouldn't really put them off because they'll know very well that | 0:13:46 | 0:13:49 | |
such a thing could be bought for a bargain of a price. | 0:13:49 | 0:13:52 | |
Rekah Patel has just bought her first house | 0:13:57 | 0:14:00 | |
and is ready to leave her family home. | 0:14:00 | 0:14:02 | |
She isn't shy of a challenge, which is lucky, | 0:14:02 | 0:14:04 | |
as the empty Georgian cottage she's bought requires a lot of work. | 0:14:04 | 0:14:07 | |
The damp, I suspect, is going to be the biggest headache for you. | 0:14:07 | 0:14:13 | |
Being a renovation novice, Rekah | 0:14:13 | 0:14:15 | |
needs the know how to tackle her Grade II listed house. | 0:14:15 | 0:14:18 | |
So I'm going to introduce her to a couple who are part way through a major renovation, | 0:14:18 | 0:14:23 | |
who can offer advice on the best way to approach a project. | 0:14:23 | 0:14:25 | |
-What do you think of that? -That is amazing. Absolutely fantastic. | 0:14:25 | 0:14:30 | |
-Now, this was completely derelict. -No way. -Yes. | 0:14:30 | 0:14:34 | |
It had been so for at least five years before these guys took it on | 0:14:34 | 0:14:39 | |
and they have had to do absolutely everything. | 0:14:39 | 0:14:42 | |
So it's a much bigger project than yours, | 0:14:42 | 0:14:45 | |
but a lot of the principles involved here are the same. | 0:14:45 | 0:14:49 | |
Simon and Sharon Stanton bought the old mill ten years ago. | 0:14:49 | 0:14:53 | |
It dates back to the 1600s and additions built on in the 1820s | 0:14:53 | 0:14:57 | |
make up the bulk of the current home, which had stood empty for five years. | 0:14:57 | 0:15:01 | |
I used to live on a very busy main road with trucks going past | 0:15:01 | 0:15:05 | |
and cars and people banging on the doors. | 0:15:05 | 0:15:07 | |
I dreamed of somewhere quiet and this was the ideal spot, really. | 0:15:07 | 0:15:12 | |
When Simon showed me the house, | 0:15:12 | 0:15:14 | |
I was like, "Oh, it's just awful". I couldn't see the bigger picture. | 0:15:14 | 0:15:18 | |
-I said, "Would you like to live here?" -And I said, "absolutely not"! | 0:15:21 | 0:15:25 | |
Still very much a work in progress, | 0:15:25 | 0:15:28 | |
this renovation has been a gradual process over the past ten years | 0:15:28 | 0:15:32 | |
with the work being done by builder, Simon. | 0:15:32 | 0:15:34 | |
-OK, so as you can see this is the kitchen. -Oh, lovely. | 0:15:34 | 0:15:38 | |
Look at the range! | 0:15:38 | 0:15:40 | |
THEY LAUGH | 0:15:40 | 0:15:42 | |
-You are dying for a range in your new kitchen, aren't you? -Oh, wow. | 0:15:42 | 0:15:45 | |
Just give us a real sense, a picture of what this place was like | 0:15:45 | 0:15:48 | |
when you found it, what, ten years ago? | 0:15:48 | 0:15:51 | |
Oh, it was... All the windows were blocked up. | 0:15:51 | 0:15:53 | |
It had holes in the roof. No floors. Vandalised. | 0:15:53 | 0:15:58 | |
It's been hard work, but worth it. | 0:15:59 | 0:16:01 | |
The other thing, I suppose, to look at is the walls and the lime plaster | 0:16:01 | 0:16:06 | |
that you've got on there because this is a great remedy for damp, isn't it? | 0:16:06 | 0:16:10 | |
That's correct, yeah. It breathes, you see. | 0:16:10 | 0:16:12 | |
Whereas traditional plaster doesn't breathe. | 0:16:12 | 0:16:15 | |
It keeps the moisture in, whereas lime plaster lets it breathe. | 0:16:15 | 0:16:19 | |
-Right. Because I've had my survey. -Oh right. And they said to damp-proof? | 0:16:19 | 0:16:23 | |
-Yeah. -It's definitely the way to do it in an old house. | 0:16:23 | 0:16:25 | |
-You shouldn't put damp-proofing in old houses. -Right, OK. | 0:16:25 | 0:16:29 | |
-So, there you go. -First bit of advice. | 0:16:29 | 0:16:31 | |
First bit of advice. | 0:16:31 | 0:16:33 | |
-Ah, Rekah, look at this. Wow! Come on in. -Look at that. Look at that fireplace. | 0:16:34 | 0:16:40 | |
I'm hoping to find one underneath that awful chimney breast. | 0:16:40 | 0:16:44 | |
I mean, keeping the cost down is going to be a key thing here | 0:16:44 | 0:16:48 | |
because you have effectively got 15,000 or so to make a start | 0:16:48 | 0:16:52 | |
and it is really about priorities. | 0:16:52 | 0:16:55 | |
Where you would start? Where did you start with this one? | 0:16:55 | 0:16:58 | |
The roof. I got the roof sorted first. That's the major thing. | 0:16:58 | 0:17:02 | |
Get a lid on it and just work your way down then. | 0:17:02 | 0:17:05 | |
Sharon and Simon have also added an extension | 0:17:05 | 0:17:07 | |
to the side of the old mill. | 0:17:07 | 0:17:10 | |
Wow. This is amazing! | 0:17:10 | 0:17:13 | |
-This is going to be quite a statement, this room, isn't it? -Yes. | 0:17:13 | 0:17:16 | |
It was a mill here originally which I knocked down | 0:17:16 | 0:17:20 | |
and put planning in to rebuild it as an extension as part of the house. | 0:17:20 | 0:17:24 | |
-Look at that fireplace. -But this is not original to the building, is it? | 0:17:24 | 0:17:30 | |
-No. No. -Is it not? -No. No. I made it. -You made this yourself? | 0:17:30 | 0:17:34 | |
-I did, yes. -You're so clever. -Thanks. -Look at how big it is! | 0:17:34 | 0:17:40 | |
But with this, I mean, you are creating an enormous space, | 0:17:42 | 0:17:46 | |
Sharon, what's going to happen up there? | 0:17:46 | 0:17:48 | |
We could make probably eight more rooms upstairs, | 0:17:48 | 0:17:51 | |
but I think there's going to be possibly four. | 0:17:51 | 0:17:53 | |
But you are you are doing it to live in, not develop and sell. | 0:17:53 | 0:17:56 | |
No, definitely to live in. It's the family home. | 0:17:56 | 0:17:58 | |
So from all your experience, what would be your top tips? | 0:17:58 | 0:18:03 | |
Definitely to prioritise what is a necessity in your home. | 0:18:03 | 0:18:08 | |
You know, make sure you've got your working kitchen. | 0:18:08 | 0:18:11 | |
I would say that would be my first thing to do | 0:18:11 | 0:18:13 | |
and just not to cut corners. | 0:18:13 | 0:18:15 | |
-Save up and do it properly. -Thanks for that. -Make sense? -Yes. It does. | 0:18:15 | 0:18:21 | |
-Excited still? -I'm excited, but a little bit scared. | 0:18:21 | 0:18:24 | |
A little bit scared. Hopefully we haven't put you off. | 0:18:24 | 0:18:27 | |
The key thing is we're trying, really, to kind of open your eyes | 0:18:27 | 0:18:31 | |
to what the reality of taking on any renovation is all about. | 0:18:31 | 0:18:33 | |
Yeah, definitely. | 0:18:33 | 0:18:35 | |
You know, we often use the term a labour of love | 0:18:37 | 0:18:39 | |
when talking about renovations, but this really is the real thing. | 0:18:39 | 0:18:43 | |
Ten years on, Simon and Sharon are still plugging away, | 0:18:43 | 0:18:46 | |
creating a home that, by their own admission, | 0:18:46 | 0:18:49 | |
they would never ordinarily have been able to afford. | 0:18:49 | 0:18:52 | |
And as for Rekah, her insatiable enthusiasm remains undaunted | 0:18:52 | 0:18:57 | |
and lots of good ideas for her to take away for her own project. | 0:18:57 | 0:19:01 | |
Later, I'll be taking her to see a finished project which | 0:19:01 | 0:19:05 | |
I hope will show her that you don't have to have | 0:19:05 | 0:19:07 | |
experience in renovations to turn a wreck into a wonderful home. | 0:19:07 | 0:19:11 | |
But first, back in Nottingham, empty-property officer | 0:19:11 | 0:19:15 | |
Andrew Vickers is dealing with a typical problem case. | 0:19:15 | 0:19:17 | |
Today, he's en route to a property which is | 0:19:17 | 0:19:20 | |
a cause for concern for its neighbour. | 0:19:20 | 0:19:22 | |
I'm going to check up on a house that was reported to me last week, | 0:19:22 | 0:19:25 | |
which had been broken into. | 0:19:25 | 0:19:27 | |
The lady next door has reported it. | 0:19:27 | 0:19:30 | |
She actually caught some youths coming out of the property. | 0:19:30 | 0:19:33 | |
She's concerned for her own safety and that of her house. | 0:19:33 | 0:19:36 | |
This end terrace has been empty for more than a year. | 0:19:38 | 0:19:41 | |
It was the subject of a repossession order | 0:19:41 | 0:19:43 | |
and a new owner bought it in April 2010. | 0:19:43 | 0:19:46 | |
For the neighbour next door, it's been a real worry. | 0:19:46 | 0:19:48 | |
Living next to the empty property, at times, has been very frightening. | 0:19:48 | 0:19:53 | |
Broken windows, doors open, very threatening at times. | 0:19:53 | 0:19:58 | |
Properties like this, that are left empty, often attract | 0:19:58 | 0:20:02 | |
anti-social behaviour and, in fact, this one has been broken into recently. | 0:20:02 | 0:20:06 | |
Andrew's already contacted the new owner about carrying out work to | 0:20:06 | 0:20:09 | |
secure the house and today he wants to check that this has been done. | 0:20:09 | 0:20:13 | |
This window's obviously been hastily repaired. | 0:20:13 | 0:20:16 | |
This would be the point of entry, I imagine. | 0:20:16 | 0:20:20 | |
Units like this, these double-glazed units can be taken out | 0:20:20 | 0:20:23 | |
in their entirety and just put to one side. | 0:20:23 | 0:20:25 | |
It looks like this one's been repaired by the owner | 0:20:25 | 0:20:28 | |
and put back in. | 0:20:28 | 0:20:29 | |
Not every empty home-owner acts as promptly as that. | 0:20:29 | 0:20:32 | |
It's quite pleasing to see that somebody is taking a bit of trouble | 0:20:32 | 0:20:35 | |
over their property and responding to my requests. | 0:20:35 | 0:20:40 | |
Andrew now wants to reassure the neighbour about what he's found. | 0:20:40 | 0:20:43 | |
It looks like the new owner will renovate it and let it out. | 0:20:43 | 0:20:46 | |
-Let's hope that happens sooner rather than later. -Hopefully. Hopefully. | 0:20:46 | 0:20:51 | |
-Thank you. -Bye. -Bye-bye. | 0:20:51 | 0:20:53 | |
When it looks empty it goes into a spiral of decline quite rapidly | 0:20:53 | 0:20:56 | |
and to nip it in the bud like this is a good thing. | 0:20:56 | 0:20:58 | |
It's good that the owner has acted promptly and got it repaired. | 0:20:58 | 0:21:03 | |
It looks as if it'll be back into use imminently. | 0:21:04 | 0:21:07 | |
In the coming months, once the house is renovated, it will become | 0:21:08 | 0:21:11 | |
a home again and be one more case closed for Andrew. | 0:21:11 | 0:21:14 | |
But he will be monitoring its progress closely. | 0:21:14 | 0:21:17 | |
Rekah Patel has just bought her first home. | 0:21:22 | 0:21:24 | |
She fell in love with this beautiful stone-built Georgian property | 0:21:24 | 0:21:28 | |
and was undeterred by the worn-out decor. | 0:21:28 | 0:21:29 | |
She's been introduced to Simon and Sharon | 0:21:31 | 0:21:33 | |
who are in the process of an exciting renovation | 0:21:33 | 0:21:35 | |
on an old sandstone property built in the 1820s. | 0:21:35 | 0:21:38 | |
And now I want to show Rekah a finished project to prove to her | 0:21:38 | 0:21:41 | |
just how much can be achieved | 0:21:41 | 0:21:43 | |
when you breathe life back into a period place. | 0:21:43 | 0:21:47 | |
-Wow! -What do you think? -It's amazing. Look at that wheel. -Yeah. | 0:21:47 | 0:21:51 | |
-It's an old mill. 1716 this was built. -Right. | 0:21:51 | 0:21:56 | |
If you take nothing away from this particular building, hopefully | 0:21:56 | 0:21:59 | |
its exquisite design and presentation will be things that will stick | 0:21:59 | 0:22:04 | |
in your mind and you can take some of those ideas into your own build. | 0:22:04 | 0:22:07 | |
Let's have a look. Let's get out of the rain. | 0:22:07 | 0:22:10 | |
When Margaret Nathaniel set eyes on this graceful old water mill | 0:22:10 | 0:22:14 | |
back in the 1990s, she instantly fell in love with it and was determined to | 0:22:14 | 0:22:17 | |
make it her home even though she had never renovated a property before. | 0:22:17 | 0:22:21 | |
-Let me introduce you to Rekah. -Nice to meet you. -Hi, Rekah. -Nice to see you. | 0:22:21 | 0:22:24 | |
Built in 1716, it was known as the Shovel Mill | 0:22:24 | 0:22:27 | |
because workmen's tools were made here. | 0:22:27 | 0:22:29 | |
A village landmark for centuries, after an 11-month renovation, | 0:22:29 | 0:22:32 | |
it was turned into a unique family home, | 0:22:32 | 0:22:35 | |
successfully combining contemporary taste with past traditions. | 0:22:35 | 0:22:39 | |
-Wow. This is beautiful. -What do you think of the open-plan style? | 0:22:39 | 0:22:43 | |
I really like it. I really love it. Especially the A-frames. | 0:22:43 | 0:22:46 | |
We've seen two properties with A-frames now. | 0:22:46 | 0:22:50 | |
It sort of makes me want to knock my ceiling through. | 0:22:50 | 0:22:54 | |
-Now what do you reckon to the floor? -I think it's beautiful. | 0:22:54 | 0:22:57 | |
It is the original floor, but from the floor below. | 0:22:57 | 0:23:01 | |
I asked could the floor be used and the builder said it could. | 0:23:01 | 0:23:05 | |
But they took the roof off and it was in inches of water | 0:23:05 | 0:23:10 | |
and I was really worried. | 0:23:10 | 0:23:12 | |
I thought, well, it's not going to be able to be used, but it was | 0:23:12 | 0:23:15 | |
and there are a few holes here and there, but I think that adds to it really. | 0:23:15 | 0:23:19 | |
Yeah, it is all part of the flavour, isn't it? | 0:23:19 | 0:23:22 | |
Going to the heart of reclaiming materials that may be in, | 0:23:22 | 0:23:25 | |
the building. So that's something you should really keep an eye out for, | 0:23:25 | 0:23:29 | |
but it's an absolute triumph. I think this is a lovely conversion. | 0:23:29 | 0:23:33 | |
In a way it is a bit upside-down, isn't it? | 0:23:33 | 0:23:36 | |
Yes, the bedrooms are underneath. They're on the floor below. | 0:23:36 | 0:23:40 | |
But I just think this room is so lovely to have the open aspect | 0:23:40 | 0:23:45 | |
and be able to look at the river and the wildlife. | 0:23:45 | 0:23:48 | |
The changing seasons, it's just fantastic. | 0:23:48 | 0:23:51 | |
-Ah, this is gorgeous, isn't it? -Very nice. | 0:23:53 | 0:23:56 | |
Now this, we should add at this point, | 0:23:56 | 0:23:58 | |
is a whole new extension, isn't it? | 0:23:58 | 0:24:01 | |
Yes, the mill was taken down and rebuilt | 0:24:01 | 0:24:03 | |
and then this was added on as extra. | 0:24:03 | 0:24:06 | |
So were you able to use a lot of the stone that came | 0:24:06 | 0:24:09 | |
out of the original mill structure to face all of this extension? | 0:24:09 | 0:24:13 | |
-Yes. -This is great. | 0:24:13 | 0:24:14 | |
I think this is the sort of style that would really suit your place, Rekah. | 0:24:14 | 0:24:18 | |
Yeah. | 0:24:18 | 0:24:19 | |
Things that I'm picking up on - the tongue-and-groove on the wall, | 0:24:19 | 0:24:23 | |
it's a really lovely device to give something a bit more texture | 0:24:23 | 0:24:26 | |
and character and the colours you've picked, I love them. | 0:24:26 | 0:24:29 | |
It's easy to paint yourself as well. | 0:24:30 | 0:24:32 | |
So if you're intending saving money that way... | 0:24:32 | 0:24:35 | |
I really like this multi-colour thing going on well, it's very nice. | 0:24:35 | 0:24:39 | |
It's kind of texture, isn't it? I think. | 0:24:39 | 0:24:43 | |
And then you can use the colours that are in something like that | 0:24:43 | 0:24:47 | |
in other places, then. | 0:24:47 | 0:24:48 | |
So what would be your final tips then? | 0:24:48 | 0:24:51 | |
I think, because of the age of the property, | 0:24:51 | 0:24:55 | |
to buy good quality things to go in it, don't cut corners | 0:24:55 | 0:25:00 | |
because in the end you end up paying more in things like the granite worktops, | 0:25:00 | 0:25:05 | |
the beech wood worktops, they don't cost an awful lot of money, | 0:25:05 | 0:25:10 | |
but I think if you get good quality things, they last longer. | 0:25:10 | 0:25:15 | |
-Well, that's a theme that's emerging from today, is quality. -Yes. | 0:25:15 | 0:25:19 | |
I definitely will be taking that advice on board. | 0:25:19 | 0:25:22 | |
Margaret's renovation is a much bigger project | 0:25:24 | 0:25:26 | |
than Rekah will be doing at her house. But I hope it has given her | 0:25:26 | 0:25:29 | |
the inspiration to tackle hers with confidence. | 0:25:29 | 0:25:32 | |
Now then, Rekah, we've packed in a huge amount today. | 0:25:32 | 0:25:36 | |
It all started with you giving me a tour of your new home. | 0:25:36 | 0:25:39 | |
Now, have you had any more thoughts as to what you are going to do with it, | 0:25:39 | 0:25:43 | |
since we've had had our little tour of renovations? | 0:25:43 | 0:25:46 | |
Yes. | 0:25:46 | 0:25:48 | |
I think the main thing is the thing about quality | 0:25:48 | 0:25:51 | |
all the way through, from the builders to the materials that you buy. | 0:25:51 | 0:25:56 | |
So I think it is save and then do, save and do. | 0:25:56 | 0:26:01 | |
You see that's really important, I think, | 0:26:01 | 0:26:03 | |
because as you can see from Simon and Sharon's job, | 0:26:03 | 0:26:06 | |
I mean, they've been at it ten years and that's exactly what they've done, | 0:26:06 | 0:26:10 | |
saved a bit, built a bit, saved a bit, built a bit. | 0:26:10 | 0:26:12 | |
That's really going to be the pattern of your life | 0:26:12 | 0:26:14 | |
for the next two or three years, I suspect. | 0:26:14 | 0:26:16 | |
I think so, definitely, but I'm looking forward to it. | 0:26:16 | 0:26:19 | |
Very best of luck with it, Rekah. And enjoy it, have fun. | 0:26:19 | 0:26:23 | |
It shouldn't be a toil. | 0:26:23 | 0:26:25 | |
It should be something you find enormously rewarding, | 0:26:25 | 0:26:28 | |
-which I'm sure you will. -Yeah, I think I will. | 0:26:28 | 0:26:30 | |
-Brilliant, well look, here's to you. Best of luck. -Cheers. -Cheers. | 0:26:30 | 0:26:34 | |
You know, in meeting Rekah, I have rarely come across anybody | 0:26:34 | 0:26:37 | |
who's so excited about the idea of taking on a renovation. | 0:26:37 | 0:26:41 | |
Not least, of course, because it's her first home, but in taking on | 0:26:41 | 0:26:44 | |
an empty property, she's going to get exactly what she wants. | 0:26:44 | 0:26:48 | |
Now, of course, she can't do it all at once. | 0:26:48 | 0:26:50 | |
It's going to be a very measured approach, | 0:26:50 | 0:26:52 | |
but, step by step, I think she'll get there and what a place it'll be. | 0:26:52 | 0:26:56 | |
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