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Across the UK there are nearly a million homes lying unloved and unlived in, | 0:00:02 | 0:00:05 | |
ready for someone to come along and give them a bright new future. | 0:00:05 | 0:00:09 | |
So whether it's a tired semi or a rambling mansion, | 0:00:10 | 0:00:13 | |
we're on a mission to rescue Britain's Empty Homes. | 0:00:13 | 0:00:16 | |
Now, the ever-rising cost of buying a house today | 0:00:26 | 0:00:28 | |
is making it increasingly difficult to move up | 0:00:28 | 0:00:31 | |
the property ladder, but if you're clever | 0:00:31 | 0:00:34 | |
there is an affordable way of getting onto the next rung - | 0:00:34 | 0:00:37 | |
buy yourself an empty property. | 0:00:37 | 0:00:39 | |
On today's show, I'll be passing on my renovation experience | 0:00:39 | 0:00:43 | |
to a couple who are very close to buying their dream home. | 0:00:43 | 0:00:47 | |
This is the sitting room and really this is probably the room that | 0:00:47 | 0:00:50 | |
we're not too sure what to do with. | 0:00:50 | 0:00:52 | |
I'll introduce them to other homeowners who have tackled similar projects. | 0:00:52 | 0:00:56 | |
What a fabulous kitchen! | 0:00:56 | 0:01:00 | |
And we'll be joining an empty property officer, working hard to bring disused houses back to life. | 0:01:00 | 0:01:05 | |
I thought we'd be kind of finished. | 0:01:05 | 0:01:07 | |
Well, we're nearly there, not quite. | 0:01:07 | 0:01:09 | |
It's human nature to want things that are just that little bit out of reach. | 0:01:09 | 0:01:14 | |
Often our dream home is thousands of pounds over budget, | 0:01:14 | 0:01:17 | |
but if you're prepared to take a risk on a property that | 0:01:17 | 0:01:20 | |
nobody else wants, it's surprising what you can affordably get your hands on. | 0:01:20 | 0:01:25 | |
And that's exactly what Martin and Rebecca Kaye thought | 0:01:25 | 0:01:28 | |
when they spotted this empty former pub in the Buckinghamshire village of Tingwick. | 0:01:28 | 0:01:32 | |
Getting an empty property and having the ability to put your own stamp on it gives us | 0:01:32 | 0:01:37 | |
that financial viability for the project, which we wouldn't have if we were buying a house already done up. | 0:01:37 | 0:01:42 | |
It costs so much money to move doesn't it, Martin? | 0:01:42 | 0:01:45 | |
I think really we want to make this house our forever home, | 0:01:45 | 0:01:49 | |
it's going to be our dream home. | 0:01:49 | 0:01:51 | |
The Kayes have had their offer of £475,000 accepted on the place | 0:01:51 | 0:01:56 | |
and plan to renovate it within a strict budget of £160,000. | 0:01:56 | 0:02:01 | |
As it was once a pub, it is going to need quite a lot of work doing to it | 0:02:01 | 0:02:06 | |
to turn it into a cosy home and on a tight budget, that's not going to be easy. | 0:02:06 | 0:02:11 | |
-Hello, Martin. -Hello. -It's nice to see you. Hi, Rebecca. | 0:02:11 | 0:02:14 | |
So I'm going to help advise Rebecca and Martin on the best way to go about any transformation. | 0:02:14 | 0:02:19 | |
Well, this is our potential house. | 0:02:21 | 0:02:23 | |
Well, there's a lot needs doing though, guys. I mean, the windows at the front clearly are all gone. | 0:02:23 | 0:02:28 | |
-This is clearly going to have to happen in stages. -Yes. | 0:02:28 | 0:02:31 | |
We're hoping to do a lot of work ourselves. That's how it's going to have to be. | 0:02:31 | 0:02:35 | |
-I suspect you're going to have to. -We are, definitely. | 0:02:35 | 0:02:39 | |
Well, show me around, let's see what you are going to do. After you. | 0:02:39 | 0:02:42 | |
Empty for three years, what this place lacks in kerb appeal | 0:02:42 | 0:02:46 | |
it more than makes up for in space with seven bedrooms, | 0:02:46 | 0:02:49 | |
outbuildings, and a three-acre paddock. | 0:02:49 | 0:02:52 | |
-Come in. -A lot of junk mail, isn't there? Crikey! | 0:02:54 | 0:02:58 | |
This is the sitting room. You come straight into the sitting room area, | 0:02:58 | 0:03:02 | |
and really this is probably the room that we're not too sure | 0:03:02 | 0:03:05 | |
what to do with, isn't it, Martin? | 0:03:05 | 0:03:07 | |
Yes, essentially the beams, the staircase, it makes the room feel | 0:03:07 | 0:03:12 | |
like it was two rooms and we'd like to make it into one room. | 0:03:12 | 0:03:15 | |
-Yeah. Presumably, as a pub, it was divided up? -Possibly. | 0:03:15 | 0:03:18 | |
The other problem is the fact that the door is there, | 0:03:18 | 0:03:21 | |
which really interrupts the flow of the room. | 0:03:21 | 0:03:23 | |
Yes, that's why this room is so difficult. | 0:03:23 | 0:03:25 | |
I've contemplated all sorts - should the door be in the centre of the house? | 0:03:25 | 0:03:29 | |
Out the front it doesn't look symmetrical, so should the door be moved? | 0:03:29 | 0:03:33 | |
But you're at that exciting stage now where it's all ideas. | 0:03:33 | 0:03:35 | |
It is, yes. We've got many thoughts and we keep changing our plans | 0:03:35 | 0:03:40 | |
for the rest of it. | 0:03:40 | 0:03:41 | |
Although they're uncertain of what to do with the sitting room, | 0:03:41 | 0:03:45 | |
they are clear on their plans for the kitchen. | 0:03:45 | 0:03:47 | |
-What we're thinking of doing is the lean-to there... -Oh, just that little glass thing through there. | 0:03:47 | 0:03:52 | |
That will go and an extension put for the full width of the house. | 0:03:52 | 0:03:58 | |
-Push that whole wall out? -Push it all out. | 0:03:58 | 0:04:00 | |
There's a huge amount of space. As much again, almost, from here to there. | 0:04:00 | 0:04:04 | |
-It is, yes, almost doubles it. -That's pretty bold but I think a nice idea, because it's not... | 0:04:04 | 0:04:08 | |
the huge kitchen that you really want at the moment, is it? | 0:04:08 | 0:04:12 | |
And it gets rid of that damp under there, look. | 0:04:12 | 0:04:14 | |
Upstairs on the first floor are five bedrooms and two very dated bathrooms. | 0:04:14 | 0:04:20 | |
You're not missing anything by taking those out, are you, really? | 0:04:20 | 0:04:24 | |
-No. -What was is about green bathrooms? | 0:04:24 | 0:04:26 | |
-Goodness me. There's a huge amount of work here. -There is, yes. | 0:04:26 | 0:04:31 | |
-There's no two ways about it. -We're excited about it though. | 0:04:31 | 0:04:34 | |
Be excited, but I am slightly anxious about your £160,000. | 0:04:34 | 0:04:38 | |
And there's still a lot more renovation work for that budget to have to cover. | 0:04:38 | 0:04:42 | |
On the second floor there are two further bedrooms | 0:04:42 | 0:04:45 | |
and outside, there's even more development potential. | 0:04:45 | 0:04:49 | |
Ah, the barn. That's a project in its own right, guys. | 0:04:50 | 0:04:54 | |
-It is huge. -It's a big, big barn. | 0:04:54 | 0:04:55 | |
Here we've got the back of the house. This is the old lean-to thing | 0:04:55 | 0:04:58 | |
-that's going to become your extension footprint? -Yes. | 0:04:58 | 0:05:01 | |
Yes, that will go and just extension across the back of the house. | 0:05:01 | 0:05:04 | |
And what are you going to do on the roof? Slate roof or... | 0:05:04 | 0:05:08 | |
Probably slate to keep it in line, or I'd have a look at glass, a nice conservatory style. | 0:05:08 | 0:05:12 | |
But we'd have to think, see what the money can stretch to. | 0:05:12 | 0:05:15 | |
Your 160 grand, mate... | 0:05:15 | 0:05:17 | |
We are definitely talking phases because to be perfectly honest, | 0:05:19 | 0:05:22 | |
£160,000 could go on that tomorrow. | 0:05:22 | 0:05:24 | |
I do think that when approaching a big project like this, | 0:05:24 | 0:05:27 | |
staging it one phase at a time is the only sensible way for Rebecca and Martin to proceed. | 0:05:27 | 0:05:32 | |
Crucially, they need to be aware of their own limitations. | 0:05:32 | 0:05:35 | |
What are your big worries, have you done this before? | 0:05:35 | 0:05:39 | |
No. | 0:05:39 | 0:05:40 | |
I've done a little project, I've not done anything as large as this. | 0:05:40 | 0:05:44 | |
I think what would be helpful is if we show you a couple of projects, | 0:05:44 | 0:05:48 | |
one of which is halfway through its renovation, | 0:05:48 | 0:05:50 | |
one of which is finished. | 0:05:50 | 0:05:51 | |
We'll meet the owners, listen to their stories and hopefully, | 0:05:51 | 0:05:55 | |
you'll come back to this one with your eyes wide open | 0:05:55 | 0:05:58 | |
knowing what you have indeed let yourselves in for. | 0:05:58 | 0:06:01 | |
-Excellent. -Fantastic. | 0:06:01 | 0:06:03 | |
In order to give Rebecca and Martin a good idea of how phased renovations can work, | 0:06:03 | 0:06:07 | |
I'll be introducing them to some homeowners | 0:06:07 | 0:06:09 | |
who are successfully tackling their own build in this way. | 0:06:09 | 0:06:13 | |
Unconventional empty buildings can make great homes, | 0:06:15 | 0:06:18 | |
but often it's the existing architecture | 0:06:18 | 0:06:19 | |
that will determine the scale and shape of that conversion. | 0:06:19 | 0:06:23 | |
This is something Maria Dench and her husband carefully worked out | 0:06:26 | 0:06:29 | |
when they put in a tender to convert this old West Sussex schoolhouse | 0:06:29 | 0:06:34 | |
into their dream home. | 0:06:34 | 0:06:35 | |
It was a bright sunny day, we saw the building and we had | 0:06:35 | 0:06:39 | |
a walk around it and we just got this gut feeling of excitement. | 0:06:39 | 0:06:43 | |
Having been a school from 1876 right up until 2007, | 0:06:43 | 0:06:47 | |
the interior was mainly a large open structure | 0:06:47 | 0:06:50 | |
that needed dramatic reconstruction | 0:06:50 | 0:06:52 | |
in order to create the comfortable five-bedroom home they wanted. | 0:06:52 | 0:06:56 | |
We bought the school because of the beautiful architecture, and we made | 0:06:56 | 0:07:01 | |
a decision very early on to build a home that was sympathetic to that. | 0:07:01 | 0:07:06 | |
The windows were a huge challenge because not one of them was consistent. | 0:07:06 | 0:07:11 | |
The first floor was actually put in in line with the windows, so that from the outside you couldn't see | 0:07:11 | 0:07:16 | |
a floating floor, you couldn't see a floor at all. | 0:07:16 | 0:07:19 | |
I wanted a porch but also I wanted something that was imposing, | 0:07:21 | 0:07:24 | |
because the building is imposing, it's very high. So we built a porch | 0:07:24 | 0:07:29 | |
and that goes from the ground right up to the apex, | 0:07:29 | 0:07:31 | |
and I think that just sets off the house in its entirety. | 0:07:31 | 0:07:35 | |
The most difficult part of the project was actually obtaining the financing for it. | 0:07:35 | 0:07:40 | |
We had a decision in principle before we even bought the property and then with the market crash, | 0:07:40 | 0:07:45 | |
the mortgage company tried to withdraw the funds from us and that really was a very scary time. | 0:07:45 | 0:07:51 | |
But despite the worry and uncertainty, Maria was able to keep the project on track. | 0:07:51 | 0:07:57 | |
I'm certainly not an architect, I'm certainly not a builder, but what I have got | 0:07:57 | 0:08:01 | |
is excellent project management skills and that's what I did on this job. | 0:08:01 | 0:08:05 | |
I pulled the experts together, I learned to ask the right questions because I didn't know | 0:08:05 | 0:08:10 | |
what the solutions were, but at the end of the day the buck stopped with me. | 0:08:10 | 0:08:14 | |
When I sit on my bed and I look out of that magnificent window | 0:08:14 | 0:08:18 | |
and I look out at the trees and I see the countryside beyond, and every day | 0:08:18 | 0:08:23 | |
I try and take five minutes out just to look at that because that has made it all worthwhile. | 0:08:23 | 0:08:28 | |
The complete renovation has taken two years, | 0:08:28 | 0:08:32 | |
but Maria now has a beautiful family home. | 0:08:32 | 0:08:34 | |
I've sworn to my husband that I will not be leaving here, but if something really special, | 0:08:34 | 0:08:39 | |
and it would have to be something very special, came up, | 0:08:39 | 0:08:43 | |
then I would do it again. | 0:08:43 | 0:08:45 | |
Houses that become abandoned can attract the attention of squatters, | 0:08:45 | 0:08:49 | |
vandals, and other sorts of antisocial behaviour | 0:08:49 | 0:08:52 | |
but it's the job of somebody called an empty property officer to prevent | 0:08:52 | 0:08:56 | |
these buildings becoming a nuisance to neighbours, | 0:08:56 | 0:08:59 | |
and with any luck, to get them back into use again. | 0:08:59 | 0:09:02 | |
In the London Borough of Southwark, | 0:09:04 | 0:09:07 | |
there are an estimated 3,500 properties lying empty. | 0:09:07 | 0:09:10 | |
The challenge of turning them into homes again is down to officers Celia Esimaje | 0:09:10 | 0:09:15 | |
and Michelle Williams who between them tackle an active caseload | 0:09:15 | 0:09:18 | |
of around 900 long-term empties. | 0:09:18 | 0:09:21 | |
My job is to bring back as many privately owned empty properties back into use as possible. | 0:09:21 | 0:09:28 | |
Today, they're paying a visit to a property in Peckham. | 0:09:28 | 0:09:31 | |
We're going to see a property that's been empty for ten years now, | 0:09:31 | 0:09:35 | |
one of the longest on my books, | 0:09:35 | 0:09:37 | |
and I just want to see how the owner's getting on. | 0:09:37 | 0:09:40 | |
There have been a few problems, I just want to make sure that | 0:09:40 | 0:09:44 | |
he's been able to iron them out and see what he's doing. | 0:09:44 | 0:09:47 | |
The house is in a street that has benefited from Southwark's regeneration scheme | 0:09:47 | 0:09:51 | |
to spruce up the area and, until recently, | 0:09:51 | 0:09:54 | |
the house lay abandoned and neglected | 0:09:54 | 0:09:56 | |
in this row of otherwise loved and cared for homes. | 0:09:56 | 0:10:00 | |
Over the years, it descended into dereliction but in 2008, | 0:10:00 | 0:10:04 | |
it was sold at auction to its new owner, developer Chris Worth. | 0:10:04 | 0:10:08 | |
There was subsidence on the whole of the property with actually cracks | 0:10:08 | 0:10:12 | |
that you could put your hand through, and inside it was completely derelict | 0:10:12 | 0:10:15 | |
with nothing, just rotten wood, rotten floorboards. Pretty ghastly state, to be honest with you. | 0:10:15 | 0:10:20 | |
And now the whole of the property has been rebuilt and we're starting | 0:10:20 | 0:10:23 | |
the interior of the property, so it's probably 60-70% of the way through the project. | 0:10:23 | 0:10:29 | |
Chris bought the house for £285,000 and is spending £350,000 converting it into three flats. | 0:10:29 | 0:10:35 | |
Because the building was in such a derelict state, | 0:10:36 | 0:10:40 | |
he's been given a grant of £45,000 to help towards its reconstruction. | 0:10:40 | 0:10:44 | |
-Hi, Chris. Thanks for meeting us. -Hi, Celia. | 0:10:44 | 0:10:47 | |
But the build is behind schedule, so Celia and Michelle need to find out what's causing the hold-up. | 0:10:47 | 0:10:53 | |
-So this is the ground floor flat. -This is the ground floor flat. | 0:10:53 | 0:10:56 | |
You're looking at one bedroom here, | 0:10:56 | 0:10:58 | |
one bedroom in the back there with the bathroom in the middle. | 0:10:58 | 0:11:01 | |
And then down here, this brings us into the kitchen | 0:11:01 | 0:11:04 | |
and the living area of the flat downstairs. | 0:11:04 | 0:11:08 | |
That at the end leads out, it's covered in plastic at the moment, | 0:11:08 | 0:11:11 | |
double doors that will go out there onto the garden area of this flat. | 0:11:11 | 0:11:15 | |
Obviously because of the extent of the repair here, I know that | 0:11:15 | 0:11:20 | |
we'd programmed that it would finish a bit earlier than it has, | 0:11:20 | 0:11:23 | |
but we've had to extend that programme. | 0:11:23 | 0:11:25 | |
Unfortunately we had to rebuild. Basically, all the walls in the house have been rebuilt. | 0:11:25 | 0:11:30 | |
Each section with taken down, new foundations put down and then rebuilt up section by section. | 0:11:30 | 0:11:36 | |
And Chris has taken great care to keep and restore many original features. | 0:11:36 | 0:11:41 | |
I notice you've used the original London stock brick. | 0:11:41 | 0:11:44 | |
When we took the walls down, we reclaimed as many of the originals as we could. | 0:11:44 | 0:11:48 | |
We cleaned them all off, took all the pointing off, | 0:11:48 | 0:11:50 | |
and reused as much of the original ones as we could, | 0:11:50 | 0:11:53 | |
which is, of course, very time and labour intensive doing something like that. | 0:11:53 | 0:11:57 | |
We've done all the other regeneration work on this street, | 0:11:57 | 0:12:00 | |
so it matches in perfectly with that. | 0:12:00 | 0:12:02 | |
It's looking really good, you know. Well done for getting to this stage. | 0:12:02 | 0:12:07 | |
But it's not only Celia that's happy, the neighbours are too. | 0:12:07 | 0:12:11 | |
It's pleasing because it means, from a slightly selfish point of view, | 0:12:11 | 0:12:15 | |
the whole street looks better for it. | 0:12:15 | 0:12:17 | |
It's nice to see that the developer has actually taken on board | 0:12:17 | 0:12:20 | |
restoring it to its original style using the old mouldings, | 0:12:20 | 0:12:23 | |
which from his point of view is probably a more expensive option, | 0:12:23 | 0:12:27 | |
but it's nice that they've done that. | 0:12:27 | 0:12:29 | |
It's good to see it come so far along. | 0:12:29 | 0:12:33 | |
I know it's been an extra lot of work for the owner, | 0:12:33 | 0:12:35 | |
because often what you find with buildings like this, | 0:12:35 | 0:12:39 | |
works that you didn't anticipate to do, | 0:12:39 | 0:12:41 | |
like having to take down walls, but he's made up for it, he's making quite good time. | 0:12:41 | 0:12:45 | |
But there's still the little matter of completion. | 0:12:45 | 0:12:48 | |
The pressure is now on Chris to meet a deadline. | 0:12:48 | 0:12:51 | |
On top of this, the council must also approve the finished work | 0:12:51 | 0:12:54 | |
before they release any of the grant money. | 0:12:54 | 0:12:56 | |
With the clock ticking, we'll discover later if Chris was able to hit his target. | 0:12:56 | 0:13:01 | |
Martin and Rebecca Kaye are hoping to transform | 0:13:03 | 0:13:06 | |
an old Buckinghamshire village pub into their ideal home. | 0:13:06 | 0:13:09 | |
That whole thing will go and just extension right the way across the back of the house. | 0:13:09 | 0:13:13 | |
They have ambitious plans but don't have the cash to do all of their renovation at once, | 0:13:13 | 0:13:18 | |
so I want to show them what other homeowners have achieved by doing the work in stages. | 0:13:18 | 0:13:23 | |
Come and feast your eyes on this. | 0:13:23 | 0:13:26 | |
Oh, it looks beautiful. | 0:13:26 | 0:13:29 | |
-Wow. -Wow! | 0:13:29 | 0:13:31 | |
-That's gorgeous, isn't it? -Isn't it? | 0:13:31 | 0:13:32 | |
It's a big project this one, make no mistake, but I think the parallels | 0:13:32 | 0:13:36 | |
with what you're trying to achieve and what the owners here are trying to achieve are very similar, | 0:13:36 | 0:13:41 | |
in that it's something that's going to have to be staged. | 0:13:41 | 0:13:44 | |
In an earlier episode of Britain's Empty Homes, | 0:13:44 | 0:13:47 | |
we featured this 15th century manor with its adjacent coach house. | 0:13:47 | 0:13:51 | |
Overall, the renovation process has been a lengthy one, | 0:13:51 | 0:13:54 | |
but from the very start, owners Pippa and Scott Peyton | 0:13:54 | 0:13:57 | |
approached it in carefully planned stages. | 0:13:57 | 0:14:00 | |
I didn't really want to be living in the main house | 0:14:01 | 0:14:06 | |
while we were doing that up, | 0:14:06 | 0:14:08 | |
and we have two young children as well, so I felt it was better to do | 0:14:08 | 0:14:13 | |
the coach house up first and actually live in it | 0:14:13 | 0:14:16 | |
while we tackle the manor house. | 0:14:16 | 0:14:18 | |
A year on, Pippa and Scott have completed stage one | 0:14:18 | 0:14:21 | |
and moved into the next phase of their project, the main house. | 0:14:21 | 0:14:25 | |
-Hi, guys. -Nice to meet you. | 0:14:25 | 0:14:28 | |
I think they've just fallen in love with your house. | 0:14:28 | 0:14:31 | |
-We have. -Great. | 0:14:31 | 0:14:32 | |
Give us a broad outline of the stages that you've gone through with this one, Scott. | 0:14:32 | 0:14:37 | |
Well, we started with what we call phase one, | 0:14:37 | 0:14:40 | |
which is the coach house which we've turned into a cottage, and then | 0:14:40 | 0:14:43 | |
with the main house we've divided it into two pieces, literally divided the house in half. | 0:14:43 | 0:14:48 | |
A huge project. | 0:14:48 | 0:14:50 | |
It is a huge project but taken in those bite-sized chunks, | 0:14:50 | 0:14:54 | |
it has become more manageable. | 0:14:54 | 0:14:56 | |
Pippa and Scott have taken time themselves to peel back the years | 0:14:56 | 0:15:00 | |
and expose many of the manor's original features. | 0:15:00 | 0:15:03 | |
So this is how the house was when we found it. | 0:15:03 | 0:15:06 | |
-This is lovely, look at that. -Look at that beautiful fireplace. | 0:15:06 | 0:15:09 | |
-Yeah, no wonder you fell in love with it. -An amazing find. | 0:15:09 | 0:15:11 | |
We found doorways where we didn't think there were doorways, | 0:15:11 | 0:15:15 | |
which we've now incorporated into the plan. We found a well in our boot room. | 0:15:15 | 0:15:18 | |
Once we found these things, we wanted to expose them | 0:15:18 | 0:15:21 | |
so that you can see what it would have originally been like. | 0:15:21 | 0:15:24 | |
It's really important to take those bits slowly, | 0:15:24 | 0:15:28 | |
not just race into it and have it all in a skip in five minutes. | 0:15:28 | 0:15:31 | |
That's a good point that you've made there, Scott. | 0:15:31 | 0:15:33 | |
You just need to find the bare bones and see what you're up against. | 0:15:33 | 0:15:37 | |
I hadn't thought about that, the idea of going in yourself and just taking time out | 0:15:37 | 0:15:41 | |
of just of dismantling the interior and finding it, rather than saying, "Right, builders, in you get." | 0:15:41 | 0:15:47 | |
Otherwise, it's plastered over before you've blinked, you know, it just happens. | 0:15:47 | 0:15:52 | |
Upstairs is a great example of how staging a build can work really well. | 0:15:52 | 0:15:56 | |
-This is staging writ large, isn't it? -Yes. | 0:15:56 | 0:16:00 | |
Tell us about this panel. | 0:16:00 | 0:16:01 | |
This is a temporary insulated wall that allows us to separate | 0:16:01 | 0:16:06 | |
the piece we've been doing from the piece we have to do. | 0:16:06 | 0:16:09 | |
We can basically live in the house and feel like it's done even though there's another half to do. | 0:16:09 | 0:16:13 | |
In the other half of the house where the work is nearly finished, | 0:16:13 | 0:16:16 | |
they've pulled off a fantastic transformation. | 0:16:16 | 0:16:19 | |
This is the bit that we've almost finished, not quite. | 0:16:19 | 0:16:24 | |
Wow, what a fabulous kitchen. | 0:16:24 | 0:16:27 | |
Now this is actually something like we want to do with our kitchen. | 0:16:27 | 0:16:31 | |
-Is it? -Yes, we want to open up the back, put windows in so that it's really nice and light. | 0:16:31 | 0:16:37 | |
In fact doors exactly like that was what we were planning. | 0:16:37 | 0:16:40 | |
I have to say I love that, I think that's a really interesting solution to getting light in here. | 0:16:40 | 0:16:46 | |
I think that's fantastic because from the outside you have no idea it's there. | 0:16:46 | 0:16:49 | |
You've got that lovely glass area giving you the airiness, | 0:16:49 | 0:16:53 | |
but from the outside I didn't even know that was there. | 0:16:53 | 0:16:56 | |
And Rebecca is clearly inspired with Pippa and Scott's approach to the build. | 0:16:56 | 0:17:00 | |
I think the whole project, | 0:17:00 | 0:17:03 | |
seeing the old part to it at that stage and the exciting part, | 0:17:03 | 0:17:07 | |
finding things out and what's behind walls. | 0:17:07 | 0:17:10 | |
It's all about making the right decision for the house, and if that means | 0:17:10 | 0:17:14 | |
we have to stage it or do something slowly or we have to wait, | 0:17:14 | 0:17:17 | |
getting it right is more important. | 0:17:17 | 0:17:20 | |
I think our view is the same that essentially we've got the budget | 0:17:20 | 0:17:24 | |
to get us a good start and if we don't get the outbuilding done yet, so be it. | 0:17:24 | 0:17:29 | |
But the main thing is we've got a good fund to get going with. | 0:17:29 | 0:17:32 | |
I'm really pleased that Martin is seeing the sense in staging the renovation project, | 0:17:32 | 0:17:36 | |
and whatever your budget, there are always ways of saving money. | 0:17:36 | 0:17:39 | |
Well, there's no doubt that Martin and Rebecca have been rightly inspired by this | 0:17:39 | 0:17:44 | |
extraordinary renovation, it is a fantastic building. | 0:17:44 | 0:17:47 | |
And this lot is what Scott likes to call his own reclamation yard, | 0:17:47 | 0:17:51 | |
making good use of materials you find is often a really important | 0:17:51 | 0:17:55 | |
and money-saving way of getting the best out of your chosen project. | 0:17:55 | 0:18:00 | |
As you can see, there's a long way to go. | 0:18:00 | 0:18:02 | |
Later I'll be taking them to see a finished project | 0:18:02 | 0:18:05 | |
to give them a taste of why all this hard work is well worthwhile. | 0:18:05 | 0:18:09 | |
Back in Southwark, where under the watchful eye | 0:18:12 | 0:18:15 | |
of empty property officer Celia Esimaje, | 0:18:15 | 0:18:17 | |
the pressure is on developer Chris Worth to meet | 0:18:17 | 0:18:19 | |
a deadline to turn a previously derelict house into three flats. | 0:18:19 | 0:18:24 | |
The renovation project has been aided by a government grant | 0:18:25 | 0:18:29 | |
of £45,000, which was a big motivating factor for Chris. | 0:18:29 | 0:18:35 | |
The grant was definitely an incentive | 0:18:35 | 0:18:37 | |
to taking on the project. | 0:18:37 | 0:18:38 | |
We wouldn't have taken it on otherwise. | 0:18:38 | 0:18:40 | |
But he won't see any of the money unless the renovation meets stringent council standards. | 0:18:40 | 0:18:45 | |
It's two years since Chris first took the place on | 0:18:46 | 0:18:49 | |
and Celia is anxious for it to be ready to house people again soon. | 0:18:49 | 0:18:53 | |
She's brought along council surveyor Roger, | 0:18:53 | 0:18:56 | |
who will be responsible for signing off the work. | 0:18:56 | 0:19:00 | |
How are you getting on, I thought we'd be kind of finished? | 0:19:00 | 0:19:02 | |
We're nearly there. Not quite, as always, but yes, it's nearly finished. | 0:19:02 | 0:19:06 | |
-Shall we go in and have a look? -Yes. | 0:19:06 | 0:19:08 | |
This is a ground floor flat, which is pretty well complete. | 0:19:08 | 0:19:11 | |
There's the bathroom there which all the pipework's in, | 0:19:11 | 0:19:14 | |
none of the fittings yet and there's no electricity in there. | 0:19:14 | 0:19:18 | |
This is coming down into the main living area of the property here. | 0:19:18 | 0:19:22 | |
-Still quite a bit to do, isn't there? -Quite a bit, yes. | 0:19:24 | 0:19:28 | |
But on the first floor, things are looking a little more finished. | 0:19:28 | 0:19:32 | |
The third flat is also nearly completed. | 0:19:35 | 0:19:37 | |
This is the smallest of the flats. | 0:19:37 | 0:19:40 | |
There's still lots to finish off. | 0:19:40 | 0:19:43 | |
Yes, the appliances are coming next week. | 0:19:43 | 0:19:46 | |
-Some mastic, are you going to box in this? -Yes, we'll fill it in, yes. | 0:19:46 | 0:19:52 | |
Nothing is left unexamined, and things get tense as Roger inspects the quality of the roof. | 0:19:54 | 0:20:01 | |
I need to talk to you about the roofing material. | 0:20:01 | 0:20:04 | |
-Yes. -As to who the manufacturer is to ensure | 0:20:04 | 0:20:09 | |
-that it's been fitted in compliance with the manufacturer's recommendations. -OK. | 0:20:09 | 0:20:13 | |
If you can let the contractor know that I need those. | 0:20:13 | 0:20:16 | |
-But while there's still work to do... -There's still some grouting. | 0:20:16 | 0:20:20 | |
Celia can see that the attention to detail indicates that this is a considered renovation. | 0:20:20 | 0:20:26 | |
I like the little detail on the door, this little routing detail. | 0:20:26 | 0:20:30 | |
Yes, it just takes the plainness off the doors and it's on the skirting as well. | 0:20:30 | 0:20:34 | |
Yes, it follows through here. | 0:20:34 | 0:20:37 | |
And while the work can't be signed off today, | 0:20:37 | 0:20:40 | |
Roger seems happy with the standard so far. | 0:20:40 | 0:20:43 | |
The million-dollar question, when will you complete? | 0:20:43 | 0:20:46 | |
We're hoping to complete at the end of the month, | 0:20:46 | 0:20:49 | |
there's the obvious things to do downstairs, the kitchen, | 0:20:49 | 0:20:54 | |
the bathroom, and the tiling to put in. | 0:20:54 | 0:20:56 | |
-Right, so hopefully in a month's time it needs to be completely finished. -Yes. | 0:20:56 | 0:21:00 | |
We'll do our final inspection and we say up to 21 days for payment. | 0:21:00 | 0:21:04 | |
OK, that's fine. | 0:21:04 | 0:21:05 | |
Thank you, very nice to meet you. | 0:21:05 | 0:21:08 | |
We're 95% there, the devil's always in the detail, so I'd like to think | 0:21:08 | 0:21:11 | |
that in a months time, we'll be able to sign this off and the owner can get his grant. | 0:21:11 | 0:21:16 | |
It's great to see it taking shape, we've got three flats there | 0:21:16 | 0:21:19 | |
for residents in Southwark. | 0:21:19 | 0:21:21 | |
So we be back here in a month and we'll sign off, owner gets his money, job done. | 0:21:21 | 0:21:25 | |
Well, a month later and the work has finished. | 0:21:25 | 0:21:29 | |
Chris has already got tenants in all three flats. | 0:21:29 | 0:21:31 | |
Martin and Rebecca Kay have set their hearts | 0:21:37 | 0:21:40 | |
on a seven-bedroom tumbledown former pub in need of | 0:21:40 | 0:21:43 | |
major work, but they don't quite have all the funds | 0:21:43 | 0:21:47 | |
to carry out a complete renovation all in one go. | 0:21:47 | 0:21:50 | |
I've already taken them to meet experienced homeowners | 0:21:50 | 0:21:53 | |
who have shown them how a big project can be done in stages. | 0:21:53 | 0:21:57 | |
We want to open up the back and put windows in, so it's really nice and light. | 0:21:57 | 0:22:00 | |
Now I want them to see why all that hard work is worth it. | 0:22:00 | 0:22:04 | |
Right, what do you think? | 0:22:04 | 0:22:06 | |
-It looks lovely. -Isn't it just? | 0:22:06 | 0:22:09 | |
It's only just been done, but it started out looking like that. | 0:22:09 | 0:22:13 | |
Wow. | 0:22:13 | 0:22:15 | |
-How long ago? -Five years ago. | 0:22:15 | 0:22:18 | |
When Ben Gristwood bought this old barn in the Oxfordshire village | 0:22:18 | 0:22:23 | |
of Pusey in 2005 for £343,000, | 0:22:23 | 0:22:27 | |
he thought it would be a fairly straightforward conversion. | 0:22:27 | 0:22:30 | |
Instead, it turned into an epic rollercoaster ride after disaster struck. | 0:22:30 | 0:22:35 | |
It took me about a year and three months to build it | 0:22:35 | 0:22:38 | |
and then it caught on fire, which was devastating, | 0:22:38 | 0:22:42 | |
it completely burned down to the ground, it did. | 0:22:42 | 0:22:45 | |
With nothing left of his grand project, Ben was forced to start | 0:22:45 | 0:22:48 | |
from the ground up again and completely rebuild it. | 0:22:48 | 0:22:51 | |
You never have two chances to build your dream house | 0:22:51 | 0:22:54 | |
so I built it the first time, it was a nice house then. | 0:22:54 | 0:22:57 | |
There was a few little odd mistakes so the next time I just wanted | 0:22:57 | 0:23:01 | |
to make sure it was perfect second time round. | 0:23:01 | 0:23:03 | |
In his quest for perfection, Ben enlisted his mum to help with inspiration. | 0:23:03 | 0:23:09 | |
My mum, she went out buying the tiles, the doors, the wall colours. | 0:23:09 | 0:23:14 | |
My mum was down nearly every single day making sure everything was spot on. | 0:23:14 | 0:23:18 | |
She did a real good job, my mum did. | 0:23:18 | 0:23:20 | |
I love the open space, you've got the kitchen | 0:23:20 | 0:23:23 | |
and living room and dining room just all in one, it's really nice. | 0:23:23 | 0:23:27 | |
-Hello, good to see you. -Hello. -Hello there. | 0:23:27 | 0:23:30 | |
This is Rebecca, this is Martin. | 0:23:30 | 0:23:32 | |
-Hello. -Come on then, show us around and let's see what you've done. | 0:23:32 | 0:23:35 | |
Downstairs, Ben's conversion consists of a vast open plan kitchen living area. | 0:23:35 | 0:23:41 | |
-Oh, wow, this is beautiful. Lovely. -It's gorgeous, isn't it? -It is. | 0:23:41 | 0:23:46 | |
-It's lovely, -I showed you guys the picture of the original barn. | 0:23:46 | 0:23:50 | |
My mum kept telling me I should have kept the crosses on. | 0:23:50 | 0:23:53 | |
Oh, the wall supports, because they're not on the new build. | 0:23:53 | 0:23:56 | |
This is a beautiful barn and I can see why you fell in love with it and wanted to do it. | 0:23:56 | 0:24:02 | |
It's a fantastic spot, beautiful views. | 0:24:02 | 0:24:05 | |
It feels like the middle of nowhere, but it's close to everything. | 0:24:05 | 0:24:08 | |
It's just so nice and peaceful. | 0:24:08 | 0:24:10 | |
Yes, it is brilliant. | 0:24:10 | 0:24:12 | |
Off the open plan area is a wooden butterfly staircase | 0:24:12 | 0:24:16 | |
leading to four luxury double bedrooms upstairs, | 0:24:16 | 0:24:19 | |
all but one of which are en suite. | 0:24:22 | 0:24:25 | |
-But Ben still has more he wants to achieve. -It looks like you're not finished. | 0:24:25 | 0:24:29 | |
-I've still got a garden room to build. -A garden room? | 0:24:29 | 0:24:32 | |
Well, I've built some of it but with funds getting a bit tight, | 0:24:32 | 0:24:36 | |
you know, that room is going to be brilliant. | 0:24:36 | 0:24:39 | |
-What kind of, is it going to be slate? -Oak trusses | 0:24:39 | 0:24:42 | |
so when you're looking up it's going to be really nice, it's all... | 0:24:42 | 0:24:47 | |
that's why I can't afford to build it. | 0:24:47 | 0:24:50 | |
This is a really good point for Rebecca and Martin to take away, | 0:24:50 | 0:24:53 | |
that a renovation really is something you have to be into for the long haul. | 0:24:53 | 0:24:59 | |
If you had one parting tip, what would it be? | 0:24:59 | 0:25:01 | |
Just to don't rush into anything, just spend so much time | 0:25:01 | 0:25:06 | |
looking through the plans, just design it so right. | 0:25:06 | 0:25:09 | |
It's all tying up with what Scott said at the previous house, | 0:25:09 | 0:25:13 | |
which is live in the place, | 0:25:13 | 0:25:15 | |
learn how you think the space might want to be before you get stuck into doing it. | 0:25:15 | 0:25:20 | |
I think you'd agree, guys, it's a gorgeous renovation this, I think lots of ideas for you to take away. | 0:25:20 | 0:25:25 | |
I'm hoping that both of our projects | 0:25:25 | 0:25:27 | |
have given Rebecca and Martin the insight to confidently | 0:25:27 | 0:25:31 | |
proceed with the transformation of the pub they want to make into their next home. | 0:25:31 | 0:25:35 | |
I suppose the key thing here really is staging. | 0:25:35 | 0:25:38 | |
-Yes. -The extraordinary manor that had been split into two | 0:25:38 | 0:25:44 | |
for the sake of getting the work done, | 0:25:44 | 0:25:46 | |
I think that's what that first property particularly illustrates. | 0:25:46 | 0:25:49 | |
It's funny because actually in driving round today, | 0:25:49 | 0:25:52 | |
I've thought about that idea they had about blocking it off | 0:25:52 | 0:25:55 | |
and making part of the house liveable in. | 0:25:55 | 0:25:58 | |
Do you think you've come away from today with a sense that | 0:25:58 | 0:26:01 | |
-it's going to require far more planning than you thought? -Yes. | 0:26:01 | 0:26:05 | |
Definitely. | 0:26:05 | 0:26:06 | |
I think in both cases, the thing that came across is the thought | 0:26:06 | 0:26:09 | |
you need to put up front, not only for the broad ideas but into the detail. | 0:26:09 | 0:26:12 | |
That's things you're not going to find out until you've been in the house for a little while. | 0:26:12 | 0:26:17 | |
I enjoyed seeing your project. | 0:26:17 | 0:26:19 | |
I think we would like to actually find out what's there, | 0:26:19 | 0:26:23 | |
rather than a builder knocking it all down, I want to find out what's behind those fireplaces. | 0:26:23 | 0:26:29 | |
I'd love to come and see it when you've finished, | 0:26:29 | 0:26:32 | |
because it will be a really beautiful home. | 0:26:32 | 0:26:34 | |
-Yes. -So good luck and here's to plastering and knocking things down, and learning new skills. | 0:26:34 | 0:26:40 | |
-Cheers. -Thank you. | 0:26:40 | 0:26:43 | |
You know we tend not to give out medals for renovations, | 0:26:43 | 0:26:46 | |
but I'm pretty sure that both of today's properties | 0:26:46 | 0:26:49 | |
that I've shown Martin and Rebecca most certainly qualify for them, but what are the key lessons? | 0:26:49 | 0:26:55 | |
Well, I think it's one of pace, to be honest with you. | 0:26:55 | 0:26:58 | |
Plan it well, don't rush it, and above all else enjoy it, | 0:26:58 | 0:27:02 | |
because, unlike Ben, we don't all want to have to do it twice. | 0:27:02 | 0:27:06 | |
Subtitles by Red Bee Media Ltd | 0:27:20 | 0:27:23 | |
E-mail [email protected] | 0:27:27 | 0:27:31 |