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There are nearly a million homes abandoned in the UK, | 0:00:02 | 0:00:05 | |
waiting for someone to come along and breathe life back into them. | 0:00:05 | 0:00:09 | |
So whether it's a tired semi or a rambling mansion, | 0:00:09 | 0:00:12 | |
we're on a mission to rescue Britain's empty homes. | 0:00:12 | 0:00:15 | |
The tell-tale signs of an empty property are easy enough to spot. | 0:00:25 | 0:00:29 | |
Peeling paint, boarded-up windows, overgrown front gardens, | 0:00:29 | 0:00:33 | |
junk mail sticking out the front of the letter box. | 0:00:33 | 0:00:36 | |
But next time you go past a property like that, consider this - | 0:00:36 | 0:00:39 | |
it could make somebody, maybe even you, a fantastic new home. | 0:00:39 | 0:00:44 | |
Today, I'm helping a novice house hunter learn the ropes of renovation | 0:00:44 | 0:00:48 | |
to give her the confidence to take on an empty home. | 0:00:48 | 0:00:51 | |
-Oh, this is interesting! -Bigger than you think, isn't it? | 0:00:51 | 0:00:54 | |
Along the way, I'll be introducing her to other homeowners who have tackled major projects. | 0:00:54 | 0:01:00 | |
It's a labour of love but it's so worth it. | 0:01:00 | 0:01:02 | |
And we'll be hitting the streets with an empty-property officer, | 0:01:02 | 0:01:06 | |
whose job is to find abandoned buildings and get them turned back into homes again. | 0:01:06 | 0:01:10 | |
You can see where the whole roof has just collapsed. Completely rotten. | 0:01:10 | 0:01:14 | |
Beautifully decorated and furnished houses often fly out of the estate agent's window | 0:01:14 | 0:01:20 | |
but they don't necessarily offer you the best value for money. | 0:01:20 | 0:01:23 | |
If you want to buy clever, buy an empty property. | 0:01:23 | 0:01:26 | |
You'll often get it for a bargain and you can use the money you save to turn it into your perfect home. | 0:01:26 | 0:01:31 | |
Which is just what freelance marketing consultant Ali Marsh dreams of doing. | 0:01:32 | 0:01:38 | |
I'm really looking for a rural location. | 0:01:38 | 0:01:40 | |
I really like the peace and quiet and tranquillity. | 0:01:40 | 0:01:43 | |
Character is very important to me and something with a bit more space, really. | 0:01:43 | 0:01:47 | |
Armed with a budget of £300,000 | 0:01:47 | 0:01:51 | |
but with little renovation experience, | 0:01:51 | 0:01:53 | |
Ali's been combing the estate agent windows of Leicestershire | 0:01:53 | 0:01:56 | |
for an empty stone cottage to transform into her dream home. | 0:01:56 | 0:02:00 | |
I am looking for a property with potential, definitely. | 0:02:00 | 0:02:04 | |
It doesn't frighten me to actually start from scratch, rip everything out. | 0:02:04 | 0:02:10 | |
I'm more than happy to try and put my own mark on something. | 0:02:10 | 0:02:13 | |
I might be mad, but it doesn't frighten me at the moment. | 0:02:13 | 0:02:17 | |
Full of enthusiasm, but with absolutely no experience, | 0:02:17 | 0:02:21 | |
what first timer Ali needs now is a little friendly advice to help her on her way. | 0:02:21 | 0:02:24 | |
Hi, Ali! | 0:02:25 | 0:02:26 | |
'I'm meeting Ali, along with her best friend, Max, | 0:02:26 | 0:02:29 | |
'who's helping her with search, to see if I can assist.' | 0:02:29 | 0:02:32 | |
In many respects, I think you are typical of many people taking on an empty property, | 0:02:32 | 0:02:36 | |
-in that you're prepared to get your hands dirty on the things that you know you can do... -Yes. | 0:02:36 | 0:02:41 | |
I expect, at the end of the day, in will be a builder/contractor job, | 0:02:41 | 0:02:44 | |
which you'll project manage. | 0:02:44 | 0:02:46 | |
Yes, that would be the ideal, someone who really knows what they're doing. | 0:02:46 | 0:02:49 | |
But, er, small little things, such as the painting and anything like that, | 0:02:49 | 0:02:53 | |
I'm more than happy to have a go. | 0:02:53 | 0:02:55 | |
And, Max, are you going to get roped into this redecorating? | 0:02:55 | 0:02:58 | |
Oh, no doubt, no doubt. | 0:02:58 | 0:03:00 | |
I'll make the tea and bring the wine in, things like that. | 0:03:00 | 0:03:04 | |
Even a relatively small property, it does become all-consuming. | 0:03:04 | 0:03:08 | |
-Are you prepared for that? -Er, yes, I am. I think so. | 0:03:08 | 0:03:11 | |
I'm at this stage where I can put more time into something. | 0:03:11 | 0:03:13 | |
So I'm more than... | 0:03:13 | 0:03:15 | |
I want a really good home | 0:03:15 | 0:03:16 | |
and something that I can see the end result. | 0:03:16 | 0:03:20 | |
Are you feeling daunted by the idea, or excited? | 0:03:20 | 0:03:22 | |
No, I'm actually... Maybe it's because I don't know what's ahead... | 0:03:22 | 0:03:26 | |
-Ignorance is bliss. -Ignorance is... Definitely ignorant, yes... | 0:03:26 | 0:03:30 | |
Later, I'm going to be introducing Ali to a couple of very different types of renovations, | 0:03:30 | 0:03:35 | |
that I hope will give her an idea of the range of possibilities that an empty building can offer. | 0:03:35 | 0:03:41 | |
But first, I want to set Ali and friend Max something of a challenge. | 0:03:41 | 0:03:45 | |
I want see if Ali can spot the potential in a property | 0:03:45 | 0:03:48 | |
that's currently been rejected by other homeowners and left sitting on the market. | 0:03:48 | 0:03:52 | |
So, without me there to guide her, I've sent her and Max off to have a look at an example of a place that, | 0:03:52 | 0:03:58 | |
with a bit of imagination, could really suit her needs. | 0:03:58 | 0:04:01 | |
Ali's looking for a three-bedroom stone character cottage with space, | 0:04:03 | 0:04:06 | |
something cottages are usually pretty short on. | 0:04:06 | 0:04:09 | |
So I'm hoping she'll see the hidden potential for expansion in this vacant blacksmith's cottage. | 0:04:09 | 0:04:16 | |
It's in the pretty Leicestershire village of Sewstern. | 0:04:16 | 0:04:19 | |
Formerly a rental property, it's been empty for a year now | 0:04:19 | 0:04:22 | |
and it's on the market at just under £200,000, | 0:04:22 | 0:04:26 | |
which would leave Ali 100,000 for renovation. | 0:04:26 | 0:04:29 | |
-There's a good feel to it. -Yeah, I wonder how far back it goes. | 0:04:31 | 0:04:34 | |
With its original workshop and outbuildings, | 0:04:34 | 0:04:37 | |
I think this place could be spectacularly transformed to create Ali's ideal home, | 0:04:37 | 0:04:42 | |
but how obvious will this be to her and Max? | 0:04:42 | 0:04:45 | |
Interesting size room. | 0:04:47 | 0:04:49 | |
It's quite a nice size room. | 0:04:49 | 0:04:51 | |
Viewing empty properties is all about the visualising what could be done to improve the existing layout. | 0:04:51 | 0:04:56 | |
-The kitchen... -It's a bit small. -It is, isn't it? | 0:04:56 | 0:05:00 | |
Very, erm...compact, I think. | 0:05:00 | 0:05:03 | |
-You wouldn't want to eat in here. -Won't get four around that for dinner. | 0:05:03 | 0:05:07 | |
-No. -Could be a bit disappointing. -Barbecues on the lawn. | 0:05:07 | 0:05:11 | |
The kitchen may be small, but what about knocking through the wall to create a roomy kitchen-diner? | 0:05:11 | 0:05:16 | |
I don't see the potential. I think these walls are too thick. | 0:05:16 | 0:05:20 | |
I don't think you could knock through there. | 0:05:20 | 0:05:22 | |
It'll make it hard to make the room work. | 0:05:22 | 0:05:24 | |
The size it is now, I'm not sure that it would work as well. | 0:05:24 | 0:05:28 | |
Come on guys, it's all about letting your imagination run riot at this stage. | 0:05:28 | 0:05:32 | |
Don't dismiss anything out of hand without consulting a builder. | 0:05:32 | 0:05:35 | |
There's a lot of space up here, probably wasted space in a lot of ways. | 0:05:35 | 0:05:40 | |
Yeah, you really want the size in the bedrooms, don't you, rather than here. | 0:05:40 | 0:05:43 | |
-Very small... -Oh, dear. -Gosh! | 0:05:45 | 0:05:48 | |
That's just not going to work, is it? | 0:05:48 | 0:05:50 | |
-You really haven't got any potential in here at all. -No. | 0:05:50 | 0:05:53 | |
I think the obvious solution to expand this room | 0:05:53 | 0:05:56 | |
would be to knock down the wall and use the wasted space on the landing. | 0:05:56 | 0:06:00 | |
Well, let's see what the bathroom's like. | 0:06:00 | 0:06:02 | |
Gosh, that looks very blue. | 0:06:02 | 0:06:04 | |
Oh, dear, this is awful, sorry. | 0:06:04 | 0:06:06 | |
I don't know where you'd start. | 0:06:06 | 0:06:09 | |
Hard to know what to do with this one. | 0:06:09 | 0:06:12 | |
Don't be put off by decor. | 0:06:12 | 0:06:14 | |
It's one of the easiest transformations to make to an empty property. | 0:06:14 | 0:06:17 | |
The trick is to see past it and imagine your own impeccable taste there, instead. | 0:06:17 | 0:06:23 | |
But it's outside where the real possibilities lie. | 0:06:23 | 0:06:27 | |
The roofless old workshop could transform into a stunning extension | 0:06:27 | 0:06:31 | |
and could be the key to creating the space Ali craves. | 0:06:31 | 0:06:34 | |
Actually, if you cleared it out, you would have a bit more room here, wouldn't you? | 0:06:34 | 0:06:39 | |
It would really work if you were able to use this area and build out here as well. | 0:06:39 | 0:06:45 | |
You're getting the hang of it. | 0:06:45 | 0:06:47 | |
It depends what you're allowed to do, doesn't it, and that is what we need to check. | 0:06:47 | 0:06:51 | |
And checking things out needn't be difficult, once you've learnt what to look for and who to ask. | 0:06:51 | 0:06:56 | |
I met up with them later to assess how they got on. | 0:06:56 | 0:07:00 | |
Well, guys, you had a look at that little cottage, what did you make of it? | 0:07:00 | 0:07:04 | |
It was interesting, a lot of work to be done on it... | 0:07:04 | 0:07:06 | |
-Yep. -But the initial bit, when we walked in, was sort of, | 0:07:06 | 0:07:10 | |
"Oh, fairly small rooms." | 0:07:10 | 0:07:11 | |
But when you saw the outside of it, definitely potential, wasn't there? | 0:07:11 | 0:07:16 | |
I thought that was the exciting part of the building actually, that outbuilding, | 0:07:16 | 0:07:20 | |
I mean, that's really what's going to make that property work in terms of space. | 0:07:20 | 0:07:25 | |
-Upstairs, there was a bit of wasted space on the landing, there. -Yeah. -Yes. | 0:07:25 | 0:07:28 | |
So you could have made that secondary bedroom a lot bigger. | 0:07:28 | 0:07:31 | |
And we've have had a builder look over it. | 0:07:31 | 0:07:33 | |
Any idea of costs to move that wall and make it a bit bigger? | 0:07:33 | 0:07:36 | |
No, I wouldn't know one that one. | 0:07:36 | 0:07:39 | |
-About £2,000. -Is that all? | 0:07:39 | 0:07:41 | |
-Yep. It's surprising isn't it? -Yes. -Yes. | 0:07:41 | 0:07:43 | |
Now, the kitchen perhaps wasn't the big farmhouse kitchen you were dreaming of | 0:07:43 | 0:07:47 | |
but the wall, you did say, "Oh, maybe that wall's so big, we can't move it." | 0:07:47 | 0:07:53 | |
-We did wonder. -It's all possible and I think the key thing is | 0:07:53 | 0:07:56 | |
that you have to look at these properties and think, "What would be the ideal?" | 0:07:56 | 0:07:59 | |
Then you work with a project manager, an architect, a builder, to see what you can achieve. | 0:07:59 | 0:08:04 | |
I think the key thing now is to get you into a couple of examples, | 0:08:04 | 0:08:07 | |
one that's half-built and one that is finished. | 0:08:07 | 0:08:10 | |
You can meet the owners and pick their brains as to what is really involved. Come on. | 0:08:10 | 0:08:15 | |
'Novices like Ali all have to start somewhere | 0:08:15 | 0:08:17 | |
'in order to become experienced renovators | 0:08:17 | 0:08:19 | |
'and even then, it isn't always straightforward.' | 0:08:19 | 0:08:22 | |
When seasoned renovator Mike Westfell | 0:08:24 | 0:08:26 | |
took on what he thought was a Victorian copy of a traditional hall house in Penshurst, Kent, | 0:08:26 | 0:08:32 | |
he knew he had something special | 0:08:32 | 0:08:33 | |
but quite how special was yet to be revealed. | 0:08:33 | 0:08:37 | |
It was such a gem of a house, but in such terrible condition. | 0:08:37 | 0:08:41 | |
In fact, more of a gem than I realised | 0:08:41 | 0:08:43 | |
because underneath this rather shabby exterior was a 13th-Century cottage. | 0:08:43 | 0:08:49 | |
This actually was a traditional hall house | 0:08:49 | 0:08:52 | |
but beyond saving, frankly. | 0:08:52 | 0:08:55 | |
And we've rebuilt it like a traditional hall house. | 0:08:55 | 0:08:58 | |
Hall houses were the homes of minor landowners in medieval times | 0:08:58 | 0:09:02 | |
and Kent would have had a high percentage of these timber-framed buildings | 0:09:02 | 0:09:06 | |
a few of which have survived. | 0:09:06 | 0:09:08 | |
After a six-year battle to get planning permission, | 0:09:08 | 0:09:11 | |
Mike had to take apart the old building and start afresh. | 0:09:11 | 0:09:14 | |
Using the footprint of the original hall house, he rebuilt the property | 0:09:14 | 0:09:18 | |
using a mixture of new timber from his nearby woodland and some reclaimed from the original house. | 0:09:18 | 0:09:23 | |
We managed to rescue a lot of timber from it, | 0:09:23 | 0:09:25 | |
even though most of the building was pretty dilapidated | 0:09:25 | 0:09:29 | |
and some of the timbers were the original 13th-Century timber. | 0:09:29 | 0:09:33 | |
So it's not as if it's a completely new house, it is really the same house remodelled. | 0:09:33 | 0:09:38 | |
As the house was effectively rebuilt from scratch, | 0:09:39 | 0:09:42 | |
Mike was able to stay faithful to their original look of the house, | 0:09:42 | 0:09:45 | |
but also include some modern touches. | 0:09:45 | 0:09:48 | |
Well, the advantage you get when building virtually from new is that | 0:09:48 | 0:09:52 | |
you can include insulation under the floor, | 0:09:52 | 0:09:55 | |
you can include heating under the floor. | 0:09:55 | 0:09:57 | |
I mean, this place has centralised vacuum cleaning. | 0:09:57 | 0:10:00 | |
It's got an efficient, modern heating system, | 0:10:00 | 0:10:02 | |
so the great thing is, you get that chance to rebuild. | 0:10:02 | 0:10:06 | |
If you build to modern standards, it will last forever. | 0:10:06 | 0:10:08 | |
So after years of patience and hard work, | 0:10:08 | 0:10:12 | |
Mike has ended up with a beautiful - and fairly profitable - family home. | 0:10:12 | 0:10:15 | |
Well, the house in '91 was valued at 117,000. | 0:10:15 | 0:10:18 | |
When I renovated it, we spent about a quarter of a mil'. | 0:10:18 | 0:10:23 | |
It's about a million and a half now, so... | 0:10:23 | 0:10:26 | |
it's an improvement, definitely an improvement. | 0:10:26 | 0:10:28 | |
There is definitely a huge chasm in the middle of the UK property market. | 0:10:33 | 0:10:36 | |
On one hand, there are thousands of people struggling to find affordable homes to suit their needs | 0:10:36 | 0:10:41 | |
and on the other, well, hundreds of thousands of empty properties lying empty, | 0:10:41 | 0:10:46 | |
whose owners have either disappeared or simply neglected them and left them to rot. | 0:10:46 | 0:10:50 | |
It is a huge problem, but many local councils now employ empty property officers, | 0:10:50 | 0:10:55 | |
desperately trying to find a solution. | 0:10:55 | 0:10:58 | |
And one of those empty property officers is Dave Carter, | 0:10:59 | 0:11:02 | |
whose beat is Enfield in north London. | 0:11:02 | 0:11:04 | |
At any one time, Dave has around 200 vacant properties on his books that he's trying to get reoccupied. | 0:11:04 | 0:11:11 | |
Today, he's heard from neighbours of an empty terraced house with unfinished building work | 0:11:11 | 0:11:16 | |
that is causing their own property structural problems. | 0:11:16 | 0:11:19 | |
It looks like the owner of the empty property has started works, | 0:11:19 | 0:11:24 | |
but never quite finished them | 0:11:24 | 0:11:25 | |
and that's why there's a problem with water getting into the house every time it rains. | 0:11:25 | 0:11:29 | |
As a result of the recession, reports of abandoned building work is on the increase. | 0:11:29 | 0:11:35 | |
Well, bit of a messy job, by the look of it. Um... | 0:11:37 | 0:11:40 | |
It's difficult to tell what's been going on here. | 0:11:40 | 0:11:43 | |
It just looks like a bit of a bodge job all round | 0:11:43 | 0:11:46 | |
and the fact that everything's just been left, allegedly, for 18 months, | 0:11:46 | 0:11:51 | |
or for maybe even longer, does indicate that there may have been money problems. | 0:11:51 | 0:11:58 | |
With no-one in at the property, Dave has a bit of sleuthing to do. | 0:11:58 | 0:12:02 | |
It can take years to locate an owner and initial inquiries begin with the neighbours. | 0:12:02 | 0:12:07 | |
-Hello there. -Hello. -I'm Dave Carter. I am from Enfield council. -Oh, right. | 0:12:07 | 0:12:11 | |
I've come to find out what I can do about the house there. | 0:12:11 | 0:12:13 | |
Do you know about the owner? | 0:12:13 | 0:12:15 | |
The owner? Yeah, he's got a restaurant up the hill. | 0:12:15 | 0:12:18 | |
-OK. When did you last see him? -He stopped living there some time back. | 0:12:18 | 0:12:22 | |
Oh, he was living there himself at one point? | 0:12:22 | 0:12:24 | |
Yeah, he lived there and he also took in lodgers, I believe. | 0:12:24 | 0:12:28 | |
When did you last see him, roughly? | 0:12:28 | 0:12:30 | |
I actually saw him, saw him this week. | 0:12:30 | 0:12:33 | |
OK. When did you actually see him at the house? | 0:12:33 | 0:12:37 | |
Not...No, he's not been living there for ages. | 0:12:37 | 0:12:41 | |
I'll pop to the restaurant and try to catch him there. | 0:12:41 | 0:12:43 | |
Be a good idea, yeah. | 0:12:43 | 0:12:45 | |
All right, nice to meet you. I'll do what I can to help you. | 0:12:45 | 0:12:48 | |
Right. Thanks. Thanks a lot. | 0:12:48 | 0:12:50 | |
It's a stroke of luck that Dave's got an immediate lead, | 0:12:50 | 0:12:53 | |
so he pays a visit to the restaurant on the off-chance that the owner might be there. | 0:12:53 | 0:12:57 | |
Unfortunately, he wasn't, but Dave was able to get his phone number and gave him a call. | 0:12:58 | 0:13:03 | |
I had a very quick chat with him. | 0:13:05 | 0:13:06 | |
We agreed that we'd meet again tomorrow at the house. | 0:13:06 | 0:13:10 | |
Hopefully, tomorrow, we'll start by at least getting an explanation about why he's left the property empty, | 0:13:10 | 0:13:16 | |
why he's causing a nuisance to the neighbourhood, um... | 0:13:16 | 0:13:20 | |
and then we can start talking about solutions. | 0:13:20 | 0:13:23 | |
Dave has since had the meeting and the owner has now recommenced the building work. | 0:13:23 | 0:13:29 | |
Over the next weeks and months, he'll keep an eye on progress until it's satisfactorily completed. | 0:13:29 | 0:13:35 | |
If you're considering buying an empty property, | 0:13:35 | 0:13:38 | |
the chances are you'll need a builder to help you transform it into your dream home. | 0:13:38 | 0:13:42 | |
Finding the right contractor can be tricky | 0:13:42 | 0:13:45 | |
but there are a few golden rules. | 0:13:45 | 0:13:47 | |
Ask to see examples of completed work that they've done | 0:13:47 | 0:13:50 | |
and make sure you talk to the people they've worked for. | 0:13:50 | 0:13:53 | |
On anything other than the smallest jobs, hire an architect to help come up with the best design. | 0:13:53 | 0:13:58 | |
And give the builder clear instructions on how to implement it. | 0:13:58 | 0:14:01 | |
Finally, whatever you do, make sure that all the detailed work as to what you're going to do | 0:14:01 | 0:14:06 | |
is laid out in black and white on paper before you start. | 0:14:06 | 0:14:09 | |
It could well save you an awful lot of confusion later on. | 0:14:09 | 0:14:12 | |
Marketing consultant Ali Marsh has set her sights on finding an empty property to fully restore, | 0:14:16 | 0:14:23 | |
but, as a newcomer to the renovation game, she's struggling to see past her first impressions. | 0:14:23 | 0:14:28 | |
The size it is now, it's going to make it hard to make the room work, isn't it? | 0:14:28 | 0:14:31 | |
So I'm taking Ali and her best friend Max to meet a couple of experienced renovators | 0:14:31 | 0:14:36 | |
who took on what looked like a rather unpromising place and turned it into a stunning home. | 0:14:36 | 0:14:41 | |
I hope it'll help Ali and Max see what a little vision can do. | 0:14:41 | 0:14:45 | |
That is the subject of our first visit. Any idea of what it used to be? | 0:14:45 | 0:14:49 | |
-Erm, textiles I would guess? -Absolutely spot-on. | 0:14:49 | 0:14:53 | |
It was a knitwear factory. | 0:14:53 | 0:14:54 | |
This is what it used to look like, before the current owners bought it. | 0:14:54 | 0:14:58 | |
-Good grief! -Wow! What a blank canvas. | 0:14:58 | 0:15:01 | |
When Antony Matters and Rosemary Fitton first saw their home, it wasn't a home at all. | 0:15:01 | 0:15:07 | |
The building, in the old industrial heart of Leicester, used to be an 1920s knitting factory. | 0:15:07 | 0:15:13 | |
The couple fell for this empty shell and have spent the last nine years | 0:15:13 | 0:15:16 | |
painstakingly turning it into a contemporary home and workspace. | 0:15:16 | 0:15:22 | |
We weren't looking for anywhere like this originally and we didn't like the building we'd gone to, | 0:15:22 | 0:15:27 | |
so we just had a walk around the area and we came across this building and just thought | 0:15:27 | 0:15:33 | |
"Wow! That would be so exciting." | 0:15:33 | 0:15:36 | |
We could never afford to buy this kind of thing finished | 0:15:36 | 0:15:39 | |
because we haven't got a lot of money and we've been doing it on a kind of a shoestring budget over the years. | 0:15:39 | 0:15:45 | |
You know, we love living here, we love the atmosphere and the character of the building, | 0:15:45 | 0:15:50 | |
you know, we had to buy it in the state it was in. | 0:15:50 | 0:15:53 | |
The project is a genuine labour of love for Antony and Rosemary and although they are far from finished, | 0:15:53 | 0:15:59 | |
the results to date are really impressive. | 0:15:59 | 0:16:01 | |
What a transformation! | 0:16:01 | 0:16:03 | |
I can't believe it! | 0:16:03 | 0:16:05 | |
Were you not expecting that? | 0:16:05 | 0:16:07 | |
Not at all, but it's fantastic what you've done. | 0:16:07 | 0:16:10 | |
It has a lovely, warm feel to it, it really does. | 0:16:10 | 0:16:13 | |
We just didn't want it to look like a box, just plasterboard everywhere and painted. | 0:16:13 | 0:16:18 | |
We would have lost the character of the building and that's what drew us to this building. | 0:16:18 | 0:16:23 | |
Years of meticulous renovation have transformed this former shop floor | 0:16:23 | 0:16:27 | |
into a large open plan living and work area | 0:16:27 | 0:16:30 | |
with a stylish, contemporary kitchen and there are also three bedrooms | 0:16:30 | 0:16:34 | |
and a couple of bathrooms in varying states of completion. | 0:16:34 | 0:16:38 | |
Nine years of experience means they've got some important insight to offer Ali. | 0:16:38 | 0:16:43 | |
I would say don't be afraid to have a go. | 0:16:43 | 0:16:45 | |
Although we work as designers, we'd never really done anything hands-on | 0:16:45 | 0:16:50 | |
and actually now I can look around and I've done most of what you see, | 0:16:50 | 0:16:53 | |
so I've made the window frames, Rosemary's tiled the bathroom, | 0:16:53 | 0:16:56 | |
I've laid the concrete floor. | 0:16:56 | 0:16:58 | |
I would say if you are willing to have a go and get your hands dirty | 0:16:58 | 0:17:01 | |
and maybe make a few mistakes, anyone can do pretty much anything. | 0:17:01 | 0:17:06 | |
I think you're prepared to have a go. You said you were prepared to knock things down | 0:17:06 | 0:17:10 | |
and clear things out and so forth. | 0:17:10 | 0:17:11 | |
You've got Max to muck in and help, who I'm sure might have a go at plastering, you never know. | 0:17:11 | 0:17:16 | |
But I think on a serious note, that is the point. | 0:17:16 | 0:17:19 | |
Have a go, what's the worst that can happen? | 0:17:19 | 0:17:22 | |
It's a labour of love, but it's so worth it to get an unusual building | 0:17:22 | 0:17:25 | |
that you can dictate how you're going to live in it. | 0:17:25 | 0:17:28 | |
And Antony's and Rosemary's plans for their perfect home don't stop here. | 0:17:28 | 0:17:33 | |
Upstairs, they aim to create a whole new floor | 0:17:33 | 0:17:36 | |
along with what I can already see is an impressive roof terrace. | 0:17:36 | 0:17:40 | |
What we want to do is build on another floor, but have an open courtyard garden in the middle. | 0:17:40 | 0:17:45 | |
-Yes. -So with all glass walls surrounding it... -Sliding glass... | 0:17:45 | 0:17:48 | |
Aww... I mean, it just goes on, doesn't it? | 0:17:48 | 0:17:50 | |
-Yeah. -How long is that going to take? -I was just going to say... -Phase two, yes. | 0:17:50 | 0:17:54 | |
I think it's wonderful. I can certainly see why you were attracted to this. Do you kind of get it now? | 0:17:54 | 0:17:59 | |
I do, I do get it, I do. Honestly. | 0:17:59 | 0:18:01 | |
I think what you've done is opened my mind up | 0:18:01 | 0:18:03 | |
to the potential of the properties that I have been looking at, so it's great to see that. | 0:18:03 | 0:18:09 | |
I might need your help, though. | 0:18:09 | 0:18:11 | |
THEY ALL LAUGH | 0:18:11 | 0:18:13 | |
For me, the obvious pleasure that Antony and Rosemary have taken from rescuing this building | 0:18:14 | 0:18:19 | |
is infectious, a building that does literally contain their entire life | 0:18:19 | 0:18:23 | |
and while sometimes it is hard to quantify inspiration, | 0:18:23 | 0:18:27 | |
this building and what they've done here, to me, gets to the heart of it. | 0:18:27 | 0:18:30 | |
Inspiration, I hope, has now rubbed off on Max and, importantly, on Ali. | 0:18:30 | 0:18:35 | |
Later, I'll be showing Ali a finished product, | 0:18:38 | 0:18:40 | |
which I suspect will be very close to the house of her dreams. | 0:18:40 | 0:18:44 | |
But first, back in the north London borough of Enfield, | 0:18:44 | 0:18:48 | |
empty property officer Dave Carter is following up one of his ongoing cases. | 0:18:48 | 0:18:53 | |
It's a 1930s semi that was at the centre of an unresolved inheritance issue. | 0:18:53 | 0:18:58 | |
Empty since 2005, the house has deteriorated badly | 0:18:58 | 0:19:02 | |
and the council have placed a compulsory purchase order on it. | 0:19:02 | 0:19:06 | |
The owners couldn't resolve the problems, the council stepped in, saying, | 0:19:06 | 0:19:10 | |
"Sort it out or we will." | 0:19:10 | 0:19:11 | |
In the end, they said, | 0:19:11 | 0:19:13 | |
"We'll never sort out our problems, | 0:19:13 | 0:19:14 | |
"we're never going to be able to get this property back into use, you may as well do it for us." | 0:19:14 | 0:19:19 | |
Having rescued it from dereliction, the council will temporarily own the house | 0:19:19 | 0:19:24 | |
until they can sell it at auction. | 0:19:24 | 0:19:26 | |
Neighbours are concerned about squatters moving in | 0:19:26 | 0:19:29 | |
and it's Dave's responsibility to ensure that the property is secure against break-ins. | 0:19:29 | 0:19:34 | |
Like any old house it's very vulnerable to people breaking in, the locks are very old, | 0:19:34 | 0:19:41 | |
the frames are wooden and rotten and the glass is not always most secure. | 0:19:41 | 0:19:47 | |
It only takes five minutes for someone to break in. | 0:19:47 | 0:19:50 | |
Dave also needs to check the actual structure of the house to ensure it's not a hazard to passers-by. | 0:19:50 | 0:19:56 | |
You can see where the whole roof has just collapsed, completely rotten. | 0:19:56 | 0:20:00 | |
I don't think it's in any immediate danger unless somebody was to go in, | 0:20:00 | 0:20:04 | |
which is unlikely, but my main concern is this a bit round here. | 0:20:04 | 0:20:08 | |
It seems, um... | 0:20:16 | 0:20:18 | |
stable enough but I think we'll get someone down here to check it. | 0:20:18 | 0:20:22 | |
Satisfied that it's secure, the next call is to update the neighbour on how things are progressing. | 0:20:22 | 0:20:27 | |
-Good morning. I'm fine, thank you, how are you? -Not too bad. -Good. | 0:20:27 | 0:20:30 | |
-So, um, house next door. -Yes. | 0:20:30 | 0:20:33 | |
I've been made aware by, sort of, police and other people | 0:20:33 | 0:20:38 | |
-that they had concerns about squatters. -That's right, yeah. | 0:20:38 | 0:20:41 | |
Any house like this is vulnerable. | 0:20:41 | 0:20:44 | |
-So I would advise you and all your neighbours just to be vigilant. -OK. | 0:20:44 | 0:20:48 | |
Because from a selfish point of view, in the not too distant future, it is going to belong to the council, | 0:20:48 | 0:20:54 | |
albeit hopefully for a short period and we don't want the trouble of having to evict squatters as well. | 0:20:54 | 0:20:59 | |
-From your point of view, you don't want... -No, I don't want squatters. | 0:20:59 | 0:21:03 | |
-That's the last thing I want. -You don't want them as neighbours. | 0:21:03 | 0:21:06 | |
Sharing a party wall with an empty property can mean sharing structural problems, too. | 0:21:06 | 0:21:11 | |
-When I first met you, I think there was a tank that had burst? -Correct. | 0:21:11 | 0:21:14 | |
Probably pipes too and your house was a state. | 0:21:14 | 0:21:16 | |
-It was. -Have you managed to get that sorted out? -I have. | 0:21:16 | 0:21:19 | |
The insurance have now dealt with it but I did have a big battle because, | 0:21:19 | 0:21:23 | |
unfortunately, the gentleman that owns the house did not have insurance | 0:21:23 | 0:21:27 | |
-so, I had to claim on my own insurance. -Oh, God. | 0:21:27 | 0:21:30 | |
And they're not that happy about insuring my property being next door to an empty property. | 0:21:30 | 0:21:35 | |
I suppose your premiums have... | 0:21:35 | 0:21:37 | |
My premiums have gone up and I have to a report every quarter to them on the state of the house. | 0:21:37 | 0:21:42 | |
Hopefully, we can, I can see light at the end of the tunnel, anyway. | 0:21:42 | 0:21:46 | |
Once the house is the council's, they'll put it up for auction. | 0:21:46 | 0:21:49 | |
Whenever the auction is in the next few months, | 0:21:49 | 0:21:52 | |
we're hoping that it will go to someone who is going to take care of it, love it | 0:21:52 | 0:21:57 | |
and it might be that it'll be a lovely family home for somebody | 0:21:57 | 0:22:00 | |
and the neighbours will hopefully have a nice, new neighbour to deal with. | 0:22:00 | 0:22:05 | |
Ali Marsh wants to throw herself head-first into a major renovation project. | 0:22:08 | 0:22:12 | |
With best friend Max in tow, she's already seen a run-down, empty cottage | 0:22:12 | 0:22:17 | |
that had all the potential to be a perfect rural village home. | 0:22:17 | 0:22:20 | |
It would really work if you were able to build out here as well. | 0:22:20 | 0:22:24 | |
But with no experience in the game, | 0:22:24 | 0:22:27 | |
I've been introducing her to seasoned renovators who can offer her advice. | 0:22:27 | 0:22:32 | |
Now I want to show her a project that I think will really inspire her. | 0:22:32 | 0:22:35 | |
This is the sort of environment that you really want to be in, isn't it? | 0:22:35 | 0:22:39 | |
-Definitely. It's beautiful. -I have got the house for you. | 0:22:39 | 0:22:42 | |
Sadly, it's not for sale but, hopefully, it will give you a few ideas. | 0:22:42 | 0:22:47 | |
When Jean Denya first saw this 300-year-old stone cottage in Rutland | 0:22:47 | 0:22:51 | |
back in 1974, she dreamt that one day it would be hers. | 0:22:51 | 0:22:56 | |
34 years later, when she heard it was up for sale | 0:22:56 | 0:22:59 | |
after lying empty for two years, all she had to do was persuade husband Terry to take it on. | 0:22:59 | 0:23:04 | |
We decided that, although it was a cottage that you could live in, | 0:23:04 | 0:23:08 | |
it wasn't big enough, so we've put an extension to make it into more of a family home. | 0:23:08 | 0:23:14 | |
By extending it, they've increased the size of the cottage by a third, creating a light and airy home. | 0:23:14 | 0:23:22 | |
I still come home and can't believe that I actually live here. | 0:23:22 | 0:23:27 | |
And it's a compliment that people in the village have said to us, | 0:23:27 | 0:23:32 | |
how pleased they are about the work we've done. | 0:23:32 | 0:23:36 | |
Now this is what I want you to feast your eyes on, | 0:23:36 | 0:23:39 | |
because I think this is what you're after. | 0:23:39 | 0:23:41 | |
It's absolutely gorgeous, yeah, it is very, very nice. | 0:23:41 | 0:23:44 | |
I think it's stunning. And the teapot, I want that teapot. | 0:23:44 | 0:23:48 | |
So, we might all get a cup of tea later on, then, if we play our cards right. | 0:23:51 | 0:23:55 | |
-Sounds good. -Now, in many respects I think, guys, | 0:23:55 | 0:23:58 | |
your gorgeous cottage here is very similar to one that we showed Ali some time ago, | 0:23:58 | 0:24:03 | |
which is completely empty and in dire need of restoration, but it is quite similar, isn't it? | 0:24:03 | 0:24:09 | |
Very much, the main bit is really the same size and there is an area to the side | 0:24:09 | 0:24:13 | |
that could be added to and would very much give the size of house that we're looking at now. | 0:24:13 | 0:24:18 | |
But that one isn't listed, this one, of course, is. | 0:24:18 | 0:24:22 | |
To be honest, I don't think it's affected what you've been able to do, has it? | 0:24:22 | 0:24:26 | |
No, no it hasn't. | 0:24:26 | 0:24:28 | |
There are certain restrictions of that they put on it when you're doing the work, | 0:24:28 | 0:24:31 | |
but if you talk to them first, you can find out what you can do, what you can't do. | 0:24:31 | 0:24:36 | |
And you work together to blend it all in and get the end result that we've got, | 0:24:36 | 0:24:40 | |
-which is exactly what we wanted. -It's beautiful. | 0:24:40 | 0:24:42 | |
The extension has enabled them to create a charming farmhouse kitchen | 0:24:42 | 0:24:47 | |
along with a double bedroom and en suite upstairs. | 0:24:47 | 0:24:51 | |
Ah, look at this. | 0:24:51 | 0:24:53 | |
-Fabulous. This is... -Now, this is an extension. This is fantastic. | 0:24:53 | 0:24:57 | |
This is what you could do with the other place, isn't it? | 0:24:57 | 0:25:00 | |
Precisely. And the size of this is pretty much what you'd get. | 0:25:00 | 0:25:04 | |
-Yes. -I think some of the key things here are you talked to the planners before you bought it. | 0:25:04 | 0:25:08 | |
-Yes. -That's a top tip. | 0:25:08 | 0:25:10 | |
Any others you can think of that will help Ali go forward? | 0:25:10 | 0:25:14 | |
Be very clear on your tender that you send out to builders | 0:25:14 | 0:25:18 | |
and definitely get more than one quote, | 0:25:18 | 0:25:21 | |
about what you want them to do and in what time frame, | 0:25:21 | 0:25:25 | |
so that the expectations are very clear before you take a builder on. | 0:25:25 | 0:25:29 | |
Having bought the house for £313,000, | 0:25:30 | 0:25:34 | |
Jean and Terry spent a further 120,000 transforming it into their dream home. | 0:25:34 | 0:25:39 | |
But has their experience convinced Ali that a similar project is for her? | 0:25:40 | 0:25:45 | |
Well, guys, this is the end of our little foray into empty properties and how to renovate them. | 0:25:47 | 0:25:52 | |
Are you feeling inspired? | 0:25:52 | 0:25:54 | |
I am. They've given me some very good insights. | 0:25:54 | 0:25:56 | |
I mean, like, the planners, to go and sit down and talk to them. | 0:25:56 | 0:25:59 | |
Definitely key to get the right builder and hone in on actually what the brief is. | 0:25:59 | 0:26:04 | |
And in terms of that earlier property that you saw, seriously now, would you reconsider it? | 0:26:04 | 0:26:09 | |
I can see more the potential now, erm... | 0:26:09 | 0:26:12 | |
and, yes, you could lift everything here and put it on that extension. | 0:26:12 | 0:26:17 | |
My only reservation is the parking. | 0:26:17 | 0:26:19 | |
And, in fact, if there was a little bit more room for parking, | 0:26:19 | 0:26:22 | |
um, but otherwise, you're absolutely right, this could be exactly what I could do there. | 0:26:22 | 0:26:25 | |
-So the search goes on? -Hmm. | 0:26:25 | 0:26:28 | |
-Will you still go for an empty property, is my final question? -Yeah, I would do. | 0:26:28 | 0:26:32 | |
Yes, I'd love to find an empty property, definitely. | 0:26:32 | 0:26:35 | |
Brilliant. For the budget and what you're after, it's the way to go and you'll get what you want. | 0:26:35 | 0:26:41 | |
-Best of luck with what happens in the future and keep on looking. -Thank you. | 0:26:41 | 0:26:45 | |
You know, whatever kind of property Ali ends up buying, | 0:26:45 | 0:26:48 | |
whether it's a derelict cottage, | 0:26:48 | 0:26:50 | |
an old barn or even an old factory complex, | 0:26:50 | 0:26:53 | |
the rules and tips that she's picked up today do, I think, | 0:26:53 | 0:26:56 | |
remain pretty much the same. | 0:26:56 | 0:26:57 | |
A good eye, plenty of imagination, and lots of hard work | 0:26:57 | 0:27:01 | |
mean that pretty much any space can | 0:27:01 | 0:27:03 | |
be turned into a fantastic family home. | 0:27:03 | 0:27:05 | |
Subtitles by Red Bee Media Ltd | 0:27:23 | 0:27:27 | |
Email [email protected] | 0:27:27 | 0:27:30 |