Browse content similar to Laura and Clive Cuss. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
There are nearly a million homes lying lost and abandoned in the UK, | 0:00:02 | 0:00:05 | |
just waiting for someone to come along and breathe life back into them, | 0:00:05 | 0:00:09 | |
so whether it's a tired semi or a rambling mansion, | 0:00:09 | 0:00:13 | |
we're on a mission to rescue Britain's empty homes. | 0:00:13 | 0:00:15 | |
It's well known that moving house is one of the most stressful things | 0:00:25 | 0:00:29 | |
we can do in life, | 0:00:29 | 0:00:30 | |
but imagine how much more nerve-wracking it would be | 0:00:30 | 0:00:33 | |
if you took on something that was abandoned and is in a state of disrepair. | 0:00:33 | 0:00:36 | |
It takes a lot of courage to renovate an empty property | 0:00:36 | 0:00:39 | |
but when it comes to houses, fortune favours the brave. | 0:00:39 | 0:00:43 | |
Today I'm drawing on my renovation experience | 0:00:43 | 0:00:46 | |
to help a couple learn the ropes of the renovation game. | 0:00:46 | 0:00:49 | |
Take this wall down, somehow. I don't know how, yet! | 0:00:49 | 0:00:52 | |
We'll meet homeowners who've taken on vacant places, | 0:00:52 | 0:00:56 | |
in the hope that they'll be able to offer some valuable advice. | 0:00:56 | 0:00:59 | |
Although it's traditional, you can make it modern. It will appeal to people. Just be a bit brave! | 0:00:59 | 0:01:05 | |
And we'll also be joining an empty property officer, | 0:01:05 | 0:01:08 | |
battling to save deserted dwellings from decay. | 0:01:08 | 0:01:10 | |
Right, it looks like someone's broken in. | 0:01:10 | 0:01:14 | |
Old empty properties with their overgrown gardens, | 0:01:14 | 0:01:17 | |
rotten windows and crumbling roofs can be an eyesore for those who live around them. | 0:01:17 | 0:01:21 | |
But for those with a canny eye, these vacant properties can hold untold promise. | 0:01:21 | 0:01:25 | |
Bought cheaply and then transformed with the money saved, not only do buyers get their dream home | 0:01:25 | 0:01:30 | |
but they provide a welcome addition to the neighbourhood as well. | 0:01:30 | 0:01:34 | |
Clive Jones and his girlfriend Laura Carson have moved around a lot due to their jobs, | 0:01:36 | 0:01:41 | |
but are now setting their sights on finding a home of their own. | 0:01:41 | 0:01:44 | |
They're hoping to find what they're looking for close to the picturesque town of St Ives in Cambridgeshire. | 0:01:44 | 0:01:49 | |
I think, in this move, we're looking for a home of the right size, | 0:01:49 | 0:01:54 | |
that we can call a family home, make our base where we'd expect to be for at least five years. | 0:01:54 | 0:02:00 | |
With an estimated budget of £400,000, | 0:02:00 | 0:02:03 | |
they're hoping an empty house will provide them with the bare bones they need | 0:02:03 | 0:02:07 | |
to remodel it into the perfect family home. | 0:02:07 | 0:02:10 | |
The size of the renovation project we'd like to do | 0:02:10 | 0:02:13 | |
is anything ranging from fairly small DIY | 0:02:13 | 0:02:16 | |
to a fairly large-scale renovation in terms of extensions. | 0:02:16 | 0:02:21 | |
We've got some experience with smaller-scale renovations but we just need to scale up a little bit more. | 0:02:21 | 0:02:26 | |
-Hi, Laura, how are you? -Hiya. | 0:02:26 | 0:02:28 | |
-Nice to see you. Hi, Clive. -Hello. -Come on in, guys. | 0:02:28 | 0:02:30 | |
'I'm meeting up with them to find out just what level of renovation project they're after.' | 0:02:30 | 0:02:35 | |
Well, guys, this is all quite exciting, isn't it? | 0:02:35 | 0:02:37 | |
Now, what kind of property are you kind of dreaming about? | 0:02:37 | 0:02:41 | |
I think older. | 0:02:41 | 0:02:43 | |
We've definitely said we want something that is probably at least Victorian, | 0:02:43 | 0:02:47 | |
if not older, and I suppose take it back a little bit to what it was | 0:02:47 | 0:02:52 | |
but still keep areas modern. | 0:02:52 | 0:02:54 | |
Technically, how proficient are you? What kind of things have you undertaken? | 0:02:54 | 0:02:58 | |
We've renovated a one-bedroom flat - | 0:02:58 | 0:03:01 | |
we've done all the electrics, plumbing, new bathroom, kitchen, flooring. | 0:03:01 | 0:03:05 | |
We haven't done any building work, structural work, et cetera. | 0:03:05 | 0:03:09 | |
That's the thing we're a bit unsure of and we may need professional help for that. | 0:03:09 | 0:03:13 | |
Well, it sounds like you're in a pretty good position. You've got, I think, a realistic budget | 0:03:13 | 0:03:18 | |
and you've clearly developed some of the skills needed to actually fulfil this dream | 0:03:18 | 0:03:23 | |
and actually carry through a successful renovation. | 0:03:23 | 0:03:25 | |
I think the key thing is to, er, | 0:03:25 | 0:03:27 | |
-see if we can find you a property that might whet your appetite. -Yes! | 0:03:27 | 0:03:31 | |
Definitely. | 0:03:31 | 0:03:32 | |
To help Laura and Clive stride confidently into the world of renovation, | 0:03:33 | 0:03:38 | |
I'll be introducing them to some homeowners who've already taken the plunge. | 0:03:38 | 0:03:42 | |
But first I'm setting them a challenge. | 0:03:42 | 0:03:45 | |
I want to see how Laura and Clive cope when they come face to face with a good example | 0:03:45 | 0:03:50 | |
of the sort of empty property they could buy, | 0:03:50 | 0:03:52 | |
to see if they've got the vision to spot the potential in the perfect renovation. | 0:03:52 | 0:03:57 | |
I'm sending Clive and Laura to look around this four-bedroom Victorian detached house | 0:03:59 | 0:04:03 | |
just a couple of miles from St Ives. | 0:04:03 | 0:04:06 | |
Oh, wow, that's really nice! | 0:04:06 | 0:04:08 | |
That looks very nice, actually, to be honest! | 0:04:08 | 0:04:10 | |
Formerly a rental property for farm workers, | 0:04:10 | 0:04:13 | |
it's now on the market having been empty for several months. It has three reception rooms, | 0:04:13 | 0:04:19 | |
a master bedroom with an en suite, | 0:04:19 | 0:04:22 | |
a family bathroom and three further good-size bedrooms. | 0:04:22 | 0:04:25 | |
Outside is a pretty wall garden and garage. | 0:04:25 | 0:04:28 | |
The house is on the market for £250,000, so it's well within Clive and Laura's budget | 0:04:28 | 0:04:34 | |
and would leave them plenty of cash left over for renovation work. | 0:04:34 | 0:04:38 | |
Now let's see if they can spot its potential. | 0:04:38 | 0:04:41 | |
-This must be the lounge, presumably. -Lounge, yeah. -Quite nice size. | 0:04:41 | 0:04:45 | |
Yeah. It's got the old fireplace. | 0:04:45 | 0:04:47 | |
-That's marble, isn't it? -It's very nice. | 0:04:47 | 0:04:51 | |
And the kitchen. | 0:04:51 | 0:04:53 | |
It's not a bad size, is it? You might want to reorganise it. | 0:04:53 | 0:04:57 | |
-Good size, lots of units. -You've got a patio area out there, | 0:04:57 | 0:05:00 | |
so you could actually do sort of a dining opening out into the patio, couldn't you? | 0:05:00 | 0:05:05 | |
-Some big patio doors or something. -Yeah. | 0:05:05 | 0:05:08 | |
Planning permission allowing, this patio area could become an extension to the kitchen-diner. | 0:05:08 | 0:05:14 | |
Big glass roof coming straight down here like an indoor conservatory, | 0:05:14 | 0:05:18 | |
take this wall down, somehow. I don't know how, yet! | 0:05:18 | 0:05:21 | |
Take this wall down, | 0:05:21 | 0:05:23 | |
I think, and it all becomes completely open-plan. | 0:05:23 | 0:05:26 | |
And I suppose it's then what would these rooms become? Cos this is currently... | 0:05:26 | 0:05:31 | |
This would become a formal dining room. | 0:05:31 | 0:05:33 | |
-Yes. -Rather than the kitchen, the large kitchen-diner that we'll have out there, | 0:05:33 | 0:05:38 | |
this'd become our entertaining room. | 0:05:38 | 0:05:40 | |
They've got clear ideas as to how they change the layout on the ground floor, | 0:05:40 | 0:05:44 | |
but what will they make of upstairs? | 0:05:44 | 0:05:46 | |
So this is a big room. | 0:05:46 | 0:05:49 | |
With...nice fireplace. | 0:05:49 | 0:05:51 | |
Again, fireplace again, all the features throughout... | 0:05:51 | 0:05:54 | |
with a bathroom as well. | 0:05:54 | 0:05:56 | |
-En suite. -En suite. | 0:05:56 | 0:05:57 | |
And we've got a small walk-in wardrobe. | 0:05:57 | 0:06:01 | |
Awesome! I'm seeing all my clothes hanging in there. | 0:06:01 | 0:06:03 | |
I don't know where yours are going! | 0:06:03 | 0:06:06 | |
I think this is, then, probably the smallest room, | 0:06:06 | 0:06:10 | |
-but it's a decent size. -It's still a fair size. | 0:06:10 | 0:06:12 | |
Still get a double bed and a wardrobe in. It's still a double room, isn't it? Or a study. | 0:06:12 | 0:06:17 | |
And sofa-bed, sort of thing. | 0:06:17 | 0:06:19 | |
And outside, Laura and Clive can see room for improvement in the garden, too. | 0:06:19 | 0:06:24 | |
A path all the way outside and extending round the front, preserving the original tiles. | 0:06:24 | 0:06:28 | |
-Yeah. -Maybe extend this wall to make it a little bit more secluded and a bit quiet. | 0:06:28 | 0:06:32 | |
-Yeah. -I think it'd finish off the place really well. -Yeah. No, I think it's lovely. | 0:06:32 | 0:06:36 | |
I think it looks smashing! | 0:06:36 | 0:06:38 | |
'Now they've thoroughly examined the house, I'm meeting up with them to discuss their findings.' | 0:06:38 | 0:06:43 | |
Well, guys, a very interesting property. What are your thoughts? | 0:06:43 | 0:06:47 | |
What do you think? We, we really like the property 0- | 0:06:47 | 0:06:50 | |
you know, the sort of layout, the features that are there, | 0:06:50 | 0:06:53 | |
and also the sort of potential to expand as well. | 0:06:53 | 0:06:56 | |
I think what we have got the idea of doing is to use the patio, which is basically... | 0:06:56 | 0:07:01 | |
There's no sun that falls on it so use that, put a big, glass roof in, make a massive kitchen-diner. | 0:07:01 | 0:07:06 | |
How much do you think you'd have to spend to turn it around? | 0:07:06 | 0:07:10 | |
-I think we were saying maybe around £60,000, wasn't it? -More than 60. | 0:07:10 | 0:07:14 | |
Well, we had a builder look at it and his ideas were very similar to yours, which is good news - | 0:07:14 | 0:07:18 | |
great minds think alike and all that. He reckoned you could do it for about £40,000, | 0:07:18 | 0:07:23 | |
which would mean 290 would be your overall spend, or thereabouts. | 0:07:23 | 0:07:26 | |
'But sadly, Laura and Clive weren't the only people to spot this gem. | 0:07:26 | 0:07:30 | |
'Since their viewing, an offer has been accepted on it.' | 0:07:30 | 0:07:34 | |
-If it came back on the market, would you make an offer? -We'd definitely consider it. | 0:07:34 | 0:07:38 | |
We're doing a bit more market research and with what you said - | 0:07:38 | 0:07:41 | |
a builder had quoted 40, so 20 grand less than we thought - then definitely would consider it. | 0:07:41 | 0:07:46 | |
So, disappointing, but that's the way the market goes. But we're still trying to equip you with everything | 0:07:46 | 0:07:51 | |
you need to take on a major renovation. | 0:07:51 | 0:07:53 | |
We've got two properties to show you, one of which is halfway through its build, one of which is finished. | 0:07:53 | 0:07:58 | |
Grill the owners on what they've been through because they have done a lot of things | 0:07:58 | 0:08:02 | |
you haven't yet done - structural issues, major budgets, that sort of thing - | 0:08:02 | 0:08:06 | |
and hopefully we can fill in the gaps | 0:08:06 | 0:08:08 | |
and get you ready to go on your new project. | 0:08:08 | 0:08:11 | |
-And hopefully, that house will come back on the market. -Ha-ha! | 0:08:11 | 0:08:14 | |
Finding the ideal empty house to turn into your home can be a long journey. | 0:08:14 | 0:08:19 | |
But when it does finally appear, you'll know it's the one for you. | 0:08:19 | 0:08:23 | |
When Kevin and Sarah Sparks discovered this former coaching inn back in 2008, | 0:08:23 | 0:08:27 | |
they knew immediately that it had the promise to be a fantastic home. | 0:08:27 | 0:08:32 | |
It hadn't been lived in for a year and it was good, | 0:08:32 | 0:08:36 | |
because it meant to us we could just completely rip out everything that was in here. | 0:08:36 | 0:08:40 | |
Albeit we had to be careful cos it's a listed, | 0:08:40 | 0:08:42 | |
but we could just rip out everything in here and have it as we wanted it. | 0:08:42 | 0:08:46 | |
Buying it for £440,000 was just the beginning. | 0:08:46 | 0:08:50 | |
They then set about planning how to convert it to suit their needs, | 0:08:50 | 0:08:54 | |
whilst preserving the original features, | 0:08:54 | 0:08:56 | |
which required five months of liaison with the conservation authorities. | 0:08:56 | 0:08:59 | |
Anything interesting we decided to keep. | 0:08:59 | 0:09:02 | |
So, certainly as much of the timber as possible without being overbearing | 0:09:02 | 0:09:05 | |
and just make sure that the stuff that's nice is very much visible and part of the feature of the house. | 0:09:05 | 0:09:10 | |
Things like the kitchen floor - you know, the tiles aren't pristine, | 0:09:10 | 0:09:15 | |
they've got lots of cracks, but actually I quite like them and we thought, "We'll leave them - | 0:09:15 | 0:09:20 | |
"they're part of the house. We're not going to start ripping those up. | 0:09:20 | 0:09:23 | |
Once they got the go-ahead, Kevin quit his job to project manage the transformation, | 0:09:23 | 0:09:29 | |
something he and his workforce achieved in a remarkable 20 weeks, | 0:09:29 | 0:09:32 | |
and now they have a family home they love. | 0:09:32 | 0:09:36 | |
I do love the house. It has worked out really well. Everyone's got their own little space. | 0:09:36 | 0:09:41 | |
The kitchen has just ended up being the complete heart of the home. | 0:09:41 | 0:09:45 | |
I thought it was going to be the worst room cos it was so dark | 0:09:45 | 0:09:49 | |
and horrible when we first came round, but it is a lovely room. | 0:09:49 | 0:09:54 | |
They spent £260,000 achieving their dream | 0:09:54 | 0:09:58 | |
and recently had the place valued for an estimated £850,000. | 0:09:58 | 0:10:01 | |
So, I think, actually, the message really is, | 0:10:01 | 0:10:05 | |
"You can still make money if you're prepared to roll your sleeves up and put in the hard work." | 0:10:05 | 0:10:10 | |
-But we're not selling. -No! -We're not moving. | 0:10:10 | 0:10:13 | |
No, not for a while! | 0:10:13 | 0:10:16 | |
In some areas, the problem of empty buildings being left to decay | 0:10:16 | 0:10:20 | |
has become so acute that local councils have taken to policing their streets | 0:10:20 | 0:10:23 | |
with empty property officers, who are tasked with the job of tracking down errant owners | 0:10:23 | 0:10:28 | |
and, with any luck, getting their properties back into use again. | 0:10:28 | 0:10:32 | |
And in Bristol, that man is Henry Dawson. | 0:10:32 | 0:10:35 | |
His patch contains an estimated 1,500 empties. | 0:10:35 | 0:10:38 | |
And with around 900 active cases on his books at any one time, | 0:10:38 | 0:10:43 | |
Henry has a busy job - but it can be a very rewarding one. | 0:10:43 | 0:10:46 | |
There's not a lot of professions where you can go home at the end of the day and see, you know, | 0:10:47 | 0:10:52 | |
something that you drive past day in and day out has been brought back into use because of you. | 0:10:52 | 0:10:56 | |
Today, Henry has a new case to investigate. | 0:10:56 | 0:10:59 | |
This large detached house was brought to the council's attention by concerned neighbours, | 0:10:59 | 0:11:03 | |
who were worried about the state of the place and the possibility | 0:11:03 | 0:11:07 | |
that foxes and vermin might move into the overgrown garden. | 0:11:07 | 0:11:10 | |
I have arranged a meeting with pest control. | 0:11:10 | 0:11:14 | |
Quite often, we'll bring them in if we suspect that there might be | 0:11:14 | 0:11:20 | |
enough overgrowth there to start harbouring rats and mice. | 0:11:20 | 0:11:23 | |
Henry checks the house for any signs of occupancy while he awaits the pest controller. | 0:11:26 | 0:11:31 | |
Absolutely no sign of occupation at the moment. | 0:11:31 | 0:11:34 | |
Totally unfurnished. These cobwebs - all the way around the door. | 0:11:34 | 0:11:39 | |
It looks like it's been a while since someone's been through here. | 0:11:39 | 0:11:43 | |
Right, it looks like someone's broken in. | 0:11:43 | 0:11:46 | |
First thing would be to contact the owner and get them to secure it. | 0:11:46 | 0:11:50 | |
Having given the house the once-over, the garden is next - | 0:11:50 | 0:11:54 | |
and the pest controller knows exactly where to look for any potential rats' nests. | 0:11:54 | 0:11:59 | |
This is the place they're likely to be if they're anywhere - | 0:11:59 | 0:12:02 | |
under stuff like this corrugated metal. | 0:12:02 | 0:12:05 | |
For rats, they eat all these snails, as well. If you ever find a big pile of snail shells | 0:12:05 | 0:12:09 | |
with all the backs of them ripped out, rats will do that as well. | 0:12:09 | 0:12:13 | |
'He puts down some test bait in places where other animals won't eat it.' | 0:12:13 | 0:12:17 | |
Nice and safe. | 0:12:17 | 0:12:18 | |
If that lot of bait gets eaten, I'll know if it is rats by the way it's been eaten. | 0:12:18 | 0:12:23 | |
And if that goes, I will come back and put twice as much down next time and we'll keep coming back | 0:12:23 | 0:12:27 | |
until it's not been eaten any more, then I'll take all the bait away and leave it as we found it. | 0:12:27 | 0:12:32 | |
They'll find out pretty quickly if there is any evidence of rats at the property. | 0:12:32 | 0:12:37 | |
Meanwhile, Henry turns his attention back to the house. | 0:12:37 | 0:12:40 | |
The next step will be to make first contact with the owner and to try and | 0:12:40 | 0:12:44 | |
find out what exactly is stopping it from being brought back into use. | 0:12:44 | 0:12:47 | |
The owner has since been served a formal notice from the council to make the house secure. | 0:12:47 | 0:12:53 | |
Henry will continue to monitor the problems until they are resolved. | 0:12:53 | 0:12:58 | |
If you are interested in buying an empty property, | 0:12:58 | 0:13:00 | |
a little bit of detective work could put you ahead of the pack. | 0:13:00 | 0:13:03 | |
Drive around to the area of your choice, look for those tell-tale signs | 0:13:03 | 0:13:07 | |
of overgrown gardens and boarded-up windows, check the Land Registry, | 0:13:07 | 0:13:11 | |
knock on a few doors, talk to the neighbours, even chat to your local empty property officer. | 0:13:11 | 0:13:15 | |
And who knows? You may even track down the owner, who may be interested in selling. | 0:13:15 | 0:13:20 | |
Laura and Clive are looking for a house they can put their own stamp on and turn into a family home. | 0:13:25 | 0:13:30 | |
They've been inspired by the potential in a Victorian country house. | 0:13:30 | 0:13:35 | |
A big glass roof coming straight down here like an indoor conservatory. | 0:13:35 | 0:13:38 | |
They're enthusiastic, but relatively inexperienced, DIY-ers | 0:13:38 | 0:13:43 | |
so I'm going to introduce them to some homeowners | 0:13:43 | 0:13:45 | |
who've just started an ambitious renovation project on a large period property | 0:13:45 | 0:13:50 | |
that's not dissimilar to the house they looked at earlier. | 0:13:50 | 0:13:53 | |
There we go - that's what I want you to look at. Does the scale of that worry you at all? | 0:13:53 | 0:13:57 | |
It's intimidating, but it could be exciting. | 0:13:57 | 0:14:00 | |
It's really exciting. What that plastic hides is an extraordinary redevelopment. | 0:14:00 | 0:14:05 | |
Rebecca and Stephen Cripps had been searching for four years | 0:14:05 | 0:14:09 | |
to find an empty house to transform into their ideal home, | 0:14:09 | 0:14:13 | |
but they knew they had finally found it when this large Victorian semi | 0:14:13 | 0:14:17 | |
in Beckenham, Kent came on the market for £410,000 in July 2010. | 0:14:17 | 0:14:23 | |
It was exactly the size that we were looking for. | 0:14:23 | 0:14:26 | |
The property's period was ideal, the state of it was perfect | 0:14:26 | 0:14:30 | |
and it really needed to be injected with a personal touch and to be re-loved again. | 0:14:30 | 0:14:35 | |
Having sat empty for over three years, it was in a terrible state and needed completely gutting. | 0:14:35 | 0:14:41 | |
But having planned for years, Rebecca and Stephen knew exactly what they wanted. | 0:14:41 | 0:14:46 | |
So armed with their budget of £300,000, they set to work. | 0:14:46 | 0:14:49 | |
I feel so fortunate that we've come across it. | 0:14:49 | 0:14:52 | |
It's something we've waited a long time to get. | 0:14:52 | 0:14:55 | |
And to be able to both inject our own designs | 0:14:55 | 0:14:57 | |
and details and ideas into a property that we're both living in. | 0:14:57 | 0:15:02 | |
Now then, this is quite an ambitious project. | 0:15:02 | 0:15:05 | |
-To say the least! -Yeah, it is! | 0:15:05 | 0:15:07 | |
This is very much the sort of thing, Clive, in terms of scale, | 0:15:07 | 0:15:11 | |
that you're looking for for your new family home. | 0:15:11 | 0:15:13 | |
I think, definitely. It's slightly intimidating on the structural side. | 0:15:13 | 0:15:18 | |
But this is the kind of project we're looking for. | 0:15:18 | 0:15:21 | |
Let's have a look inside. | 0:15:21 | 0:15:22 | |
Let's go in and see what these guys are up to. | 0:15:22 | 0:15:25 | |
-Yeah, yeah. -Wow! | 0:15:25 | 0:15:26 | |
So what's come down, so far? | 0:15:26 | 0:15:28 | |
Was that a wall? | 0:15:28 | 0:15:30 | |
No, that was already taken down. So this was just one big open space at the time. | 0:15:30 | 0:15:35 | |
This doorway was blocked in, so we kind of reopened that up | 0:15:35 | 0:15:38 | |
and blocked the one that was open, because we want to create a TV/living space over there. | 0:15:38 | 0:15:43 | |
We opened this one up because we're creating a study in there. | 0:15:43 | 0:15:47 | |
You've re-thought the whole ground plan. | 0:15:47 | 0:15:49 | |
Yeah. We've configured it to suit our needs and what we require. | 0:15:49 | 0:15:53 | |
Outside, Rebecca and Steve are planning to build a large kitchen extension. | 0:15:55 | 0:15:59 | |
On the first floor, their most ambitious plans are paying off. | 0:15:59 | 0:16:03 | |
This is the master bedroom. | 0:16:03 | 0:16:05 | |
Wow! So this is just the bedroom area? | 0:16:05 | 0:16:08 | |
-This is just the bedroom area. -And through here? | 0:16:08 | 0:16:10 | |
This leads straight onto the dressing room, | 0:16:10 | 0:16:13 | |
which will be a walk-through wardrobe, dressing room. | 0:16:13 | 0:16:16 | |
Wow, a lot of clothes! | 0:16:16 | 0:16:18 | |
So what was this originally? Was this...bedrooms, or... | 0:16:18 | 0:16:22 | |
Yeah. There were three bedrooms up here, and we've kind of turned it into just... | 0:16:22 | 0:16:26 | |
-a master en-suite floor, basically. -So this is just for you? | 0:16:26 | 0:16:30 | |
-Yes, just the two of us. -The whole floor. | 0:16:30 | 0:16:32 | |
-Nice! -Which is perfect. -And then in here we've got this fabulous, fabulous bathroom. | 0:16:32 | 0:16:39 | |
-Oh, wow! -This is quite a bathtub! | 0:16:39 | 0:16:42 | |
It certainly is! | 0:16:42 | 0:16:44 | |
What's happening here? Is this a skylight? | 0:16:44 | 0:16:46 | |
Yes, so when you're actually lying the bath, | 0:16:46 | 0:16:49 | |
once it's all finished, you can look up straight into the blue sky, | 0:16:49 | 0:16:53 | |
see the stars, perfect! | 0:16:53 | 0:16:54 | |
-It's a nice design trick, isn't it? -Very good! I really like the idea, | 0:16:54 | 0:16:58 | |
you've taken a whole floor and turned it into one living space, | 0:16:58 | 0:17:02 | |
basically, the bedrooms, massive rooms as well! It's fantastic. | 0:17:02 | 0:17:06 | |
Now, this is going to be your master floor. | 0:17:06 | 0:17:09 | |
You're going to go for two other bedrooms up there, where there is no roof. | 0:17:09 | 0:17:14 | |
I'm going to leave you to go and explore that, | 0:17:14 | 0:17:16 | |
in their capable hands, and I'll catch up with you later. | 0:17:16 | 0:17:19 | |
-Off you go! -Right, guys. -Go away and be inspired. | 0:17:19 | 0:17:22 | |
Steve and Rebecca's enthusiasm for this project is infectious. | 0:17:24 | 0:17:28 | |
They love it, and where people would have seen limitations, | 0:17:28 | 0:17:32 | |
they've just seen golden opportunities. | 0:17:32 | 0:17:34 | |
It's a wonderful example of how you can rescue an old property | 0:17:34 | 0:17:38 | |
that has been left to its own devices. | 0:17:38 | 0:17:40 | |
It's a really inspiring project. | 0:17:40 | 0:17:42 | |
Later on, they'll see a finished renovation | 0:17:42 | 0:17:45 | |
which I hope will show them that despite the journey, | 0:17:45 | 0:17:47 | |
it can be very worthwhile in the end. | 0:17:47 | 0:17:50 | |
But first, back in Bristol, Empty Property Officer, Henry Dawson, | 0:17:53 | 0:17:56 | |
is on his way to a case that's been on his books for some time. | 0:17:56 | 0:17:59 | |
It's a shop with a flat above that was bought at auction six years ago by a developer. | 0:17:59 | 0:18:04 | |
His intention was to refurbish the place fast, and rent it out, | 0:18:04 | 0:18:09 | |
but structural faults and problems with planning permission | 0:18:09 | 0:18:12 | |
resulted in the premises being left empty and in a bad state of repair. | 0:18:12 | 0:18:17 | |
We have been trying to persuade him and offer assistance | 0:18:17 | 0:18:21 | |
to get the property back into use for quite some time now. | 0:18:21 | 0:18:24 | |
That hasn't been too successful, and so we have had to resort to | 0:18:24 | 0:18:29 | |
pressing a compulsory purchase order to bring the property back into use because it looks so bad. | 0:18:29 | 0:18:34 | |
So with a bit of luck, that will have got him going on with the works again. | 0:18:34 | 0:18:38 | |
Compulsory Purchase Orders are no empty threat, | 0:18:38 | 0:18:41 | |
as they effectively allow a council to take control of a property. | 0:18:41 | 0:18:45 | |
And now to check on progress. | 0:18:45 | 0:18:48 | |
Henry is meeting with Asaf Ahmed, | 0:18:48 | 0:18:50 | |
who manages the premises on behalf of his father. | 0:18:50 | 0:18:53 | |
Wow! It looks like you've done a hell of a lot since I was last here! | 0:18:53 | 0:18:57 | |
-Yeah! We've obviously put in a new floor and all the foundations. -Yeah. | 0:18:57 | 0:19:02 | |
Also, as you can see, we've put in the steel frame, | 0:19:02 | 0:19:04 | |
we've put in all the joists and the flooring down for the first floor. | 0:19:04 | 0:19:09 | |
When you first got this property, | 0:19:09 | 0:19:10 | |
it was just going to be a refurbishment. What happened? | 0:19:10 | 0:19:14 | |
Well, how do we start! Basically, there were a lot of problems | 0:19:14 | 0:19:17 | |
with the structure of the property. | 0:19:17 | 0:19:19 | |
The whole place just effectively needed gutting, | 0:19:19 | 0:19:22 | |
-cos nothing would comply with building regs. -It's a rebuild from scratch? | 0:19:22 | 0:19:26 | |
Yeah. We've obviously had to change it and do it all up | 0:19:26 | 0:19:29 | |
to Building Control, building regs and everything. | 0:19:29 | 0:19:32 | |
Is there any chance we can look on the upper floors? | 0:19:32 | 0:19:35 | |
-Yeah, no problem. -Smashing! | 0:19:35 | 0:19:37 | |
The structure for the flat above is in its initial stages. | 0:19:37 | 0:19:40 | |
But the plan is to create a two bedroom maisonette. | 0:19:40 | 0:19:43 | |
As you can see, we're just waiting for the roof to go on now, really, and we're just putting in | 0:19:43 | 0:19:48 | |
another planning application to make this into two bedrooms at the top. | 0:19:48 | 0:19:52 | |
There's has been delay in the work but it's all... | 0:19:52 | 0:19:55 | |
we're having the architects design it at the moment. | 0:19:55 | 0:19:58 | |
From where we're concerned, we're really pleased with what is happening here. | 0:19:58 | 0:20:03 | |
If you have any further struggles with planning or anything like that, | 0:20:03 | 0:20:07 | |
-do let us know if there is anything we can do. -OK. | 0:20:07 | 0:20:09 | |
But as is, we'll just take a step back. | 0:20:09 | 0:20:12 | |
-You seem to be getting on with it just smashing. -Great! | 0:20:12 | 0:20:15 | |
When we purchased the property, we didn't anticipate any of this. | 0:20:15 | 0:20:19 | |
It has dragged on for three or four years now. I would say | 0:20:19 | 0:20:23 | |
within five months, I would like to have tenants in, the case closed, | 0:20:23 | 0:20:27 | |
start actually earning some rent from it. | 0:20:27 | 0:20:30 | |
-Have a good day. -See you. | 0:20:30 | 0:20:31 | |
Definitely a successful visit. | 0:20:31 | 0:20:33 | |
It looks like the owners had quite a lot of trouble | 0:20:33 | 0:20:37 | |
bringing the property into a condition where it can be inhabited again, | 0:20:37 | 0:20:41 | |
but it looks like he's well on the way with that. | 0:20:41 | 0:20:44 | |
He sounds like he's planning to get it completed in a pretty sensible timeframe. | 0:20:44 | 0:20:50 | |
I'm feeling very good about this, | 0:20:50 | 0:20:52 | |
and it will also be a good one to tick off and put the case to bed. | 0:20:52 | 0:20:55 | |
Having moved from pillar to post because of their jobs, | 0:20:57 | 0:21:00 | |
Laura Carson and Clive Jones are now ready to settle down. | 0:21:00 | 0:21:04 | |
They've seen an empty home they thought had potential for transformation. | 0:21:04 | 0:21:08 | |
Take this wall down, and it all becomes completely open plan. | 0:21:08 | 0:21:12 | |
They're renovation novices, so I introduced them | 0:21:12 | 0:21:14 | |
to other homeowners with experience in the field. | 0:21:14 | 0:21:17 | |
We configured it to suit our needs and what we require for us. | 0:21:17 | 0:21:21 | |
I want them to see why all the hard graft can be worthwhile. | 0:21:21 | 0:21:25 | |
Now then, how about taking on something like that? | 0:21:25 | 0:21:29 | |
Hmm, OK! THEY LAUGH | 0:21:31 | 0:21:33 | |
Now, lots of Victorian terraces around here. | 0:21:33 | 0:21:35 | |
One thing many of them would have had, both in London and elsewhere, | 0:21:35 | 0:21:39 | |
-were mews...stables to you or me. -OK. | 0:21:39 | 0:21:42 | |
And what we've got here is an old stable block. | 0:21:42 | 0:21:45 | |
That's what it used to look like. This is what it looks like now. | 0:21:45 | 0:21:48 | |
-Oh, wow! That's a lot different! -Isn't it? -Fantastic! | 0:21:48 | 0:21:51 | |
It is a lot different! | 0:21:51 | 0:21:52 | |
When Dominic Wheel and Kirsten Jack spotted these dilapidated stables back in 2007, | 0:21:52 | 0:21:58 | |
they had been virtually untouched since they were built in 1870. | 0:21:58 | 0:22:02 | |
When we first saw the place, you could see all the boarding | 0:22:02 | 0:22:06 | |
from the old stables, the mezzanine where the stable boy had slept. | 0:22:06 | 0:22:09 | |
Upstairs was the hay loft, so you could really read the history of the place. | 0:22:09 | 0:22:13 | |
It seemed like a fantastically logical step for us to come in here | 0:22:13 | 0:22:17 | |
and make it a combination of a home and a studio space. | 0:22:17 | 0:22:20 | |
Having bought the stables for £180,000, they spent a further 160 | 0:22:20 | 0:22:25 | |
turning them into an ultra-modern but sympathetic conversion. | 0:22:25 | 0:22:29 | |
We couldn't have found anything like this. | 0:22:29 | 0:22:32 | |
The site is unique, the final product is unique. | 0:22:32 | 0:22:36 | |
The only way that we could achieve this was by doing it ourselves. | 0:22:36 | 0:22:41 | |
Welcome to our house! Come into the kitchen. | 0:22:42 | 0:22:46 | |
In you go. Wow! | 0:22:46 | 0:22:48 | |
-This is interesting, isn't it? What do you reckon? -Lovely. | 0:22:48 | 0:22:51 | |
A really nice space. | 0:22:51 | 0:22:52 | |
They've got the mix of the...kind of old brickwork. | 0:22:52 | 0:22:56 | |
It's still got that feel of being a stable, | 0:22:56 | 0:22:59 | |
but it's got the mod cons and the modern feel as well. | 0:22:59 | 0:23:03 | |
Some things aren't finished, and some things are but don't look it! | 0:23:03 | 0:23:07 | |
We're keeping that, because | 0:23:07 | 0:23:09 | |
it's a nice way of recognising all the things that happened here. | 0:23:09 | 0:23:12 | |
But it's nice the way you've pushed through that doorway, | 0:23:12 | 0:23:15 | |
and given yourselves an extra metre or so with the doors there. | 0:23:15 | 0:23:19 | |
It was a very expensive piece of work to do actually, that extension. | 0:23:19 | 0:23:23 | |
It's not even that it adds space, it's that it completely changes the way this room works. | 0:23:23 | 0:23:27 | |
It's got a much stronger connection to the outside. | 0:23:27 | 0:23:31 | |
Throughout the house, the old mixes seamlessly with the new. | 0:23:31 | 0:23:35 | |
They have retained original features alongside smart architectural detail. | 0:23:35 | 0:23:40 | |
This is great, isn't it? Look at that, no hands! | 0:23:43 | 0:23:47 | |
The floor is gorgeous. Are these boards that you reclaimed from this building? | 0:23:48 | 0:23:52 | |
They are reclaimed, but they're from a mill. | 0:23:52 | 0:23:55 | |
-But they're absolutely perfect for this. -It's fantastic. | 0:23:55 | 0:23:58 | |
I love, again, the mix of the old. You've got some wood, wooden floor, | 0:23:58 | 0:24:02 | |
but very, very simple furnishings as well, and loads of light. | 0:24:02 | 0:24:07 | |
-I really like it. -Laura, in terms of what you are going to create | 0:24:07 | 0:24:12 | |
in your final project, | 0:24:12 | 0:24:14 | |
is this approaching it? | 0:24:14 | 0:24:16 | |
Yeah, I think there's some excellent ideas that we could steal. | 0:24:16 | 0:24:19 | |
And I suppose it's, you know, when we find that property, | 0:24:19 | 0:24:23 | |
it's seeing what will fit as well. | 0:24:23 | 0:24:25 | |
Because some things apply to certain places and not quite so to others. | 0:24:25 | 0:24:29 | |
-There's some good ideas. -Although it's a traditional building, | 0:24:29 | 0:24:33 | |
you can make it modern, and it will appeal to people. | 0:24:33 | 0:24:36 | |
Just be a bit brave about some things. | 0:24:36 | 0:24:39 | |
We've all enjoyed looking around this. | 0:24:39 | 0:24:41 | |
It really is a credit to the pair of you. | 0:24:41 | 0:24:44 | |
What would be your parting words of advice for Clive and Laura? | 0:24:44 | 0:24:48 | |
Take your time, as much as you possibly can. | 0:24:48 | 0:24:51 | |
If you have to live in the house, shut yourselves off in a bit, | 0:24:51 | 0:24:55 | |
make that bit nice enough that you can live there for as long as you have to. | 0:24:55 | 0:24:59 | |
In terms of money, make sure you have a contingency. | 0:24:59 | 0:25:02 | |
We split our roles and it worked very well in the sense that | 0:25:02 | 0:25:05 | |
Dominic made sure that he designed, the attention stayed there. | 0:25:05 | 0:25:09 | |
I kept an eye on the money. | 0:25:09 | 0:25:11 | |
So we had a couple of set-ups whereby Dom would come to me with these beautiful lights, | 0:25:11 | 0:25:15 | |
and go "I have the perfect lights!" | 0:25:15 | 0:25:17 | |
"You can have them if they cost half as much." | 0:25:17 | 0:25:20 | |
Yeah, you kind of argue a little bit, but not in a way that's unresolvable. | 0:25:20 | 0:25:25 | |
I hope that in their search for their perfect property, | 0:25:25 | 0:25:28 | |
we've inspired Laura and Clive with what we've shown them so far. | 0:25:28 | 0:25:33 | |
Well, Clive, when we started out on this, | 0:25:33 | 0:25:35 | |
you said you were confident with some aspects of DIY and renovation, | 0:25:35 | 0:25:39 | |
but you weren't sure about the structural side of things. | 0:25:39 | 0:25:42 | |
How do you feel now that we've shown you the two properties that we have? | 0:25:42 | 0:25:46 | |
I think a little bit less daunted, but still maybe apprehensive. | 0:25:46 | 0:25:50 | |
Looking at the half-renovated property, | 0:25:50 | 0:25:53 | |
it's not insurmountable, what they're doing, so I think | 0:25:53 | 0:25:56 | |
I'm a bit more confident, to be honest. | 0:25:56 | 0:25:58 | |
Good! Laura, what are your thoughts now on finding a suitable property to take forward? | 0:25:58 | 0:26:02 | |
Whereas before I suppose we were just looking for something | 0:26:02 | 0:26:06 | |
that was structurally sound, now probably | 0:26:06 | 0:26:09 | |
wouldn't be quite so nervous about taking it on. | 0:26:09 | 0:26:12 | |
What would be the key lessons that you'd take away from today? | 0:26:12 | 0:26:15 | |
The key lesson that I'll take away is about planning. | 0:26:15 | 0:26:18 | |
I think the amount of preparation that you need to do | 0:26:18 | 0:26:21 | |
before the build phase to maximise the use of the labourers, the costs etc. | 0:26:21 | 0:26:26 | |
I think the point is that it's all doable. | 0:26:26 | 0:26:28 | |
If you can, as you say, plan it properly, | 0:26:28 | 0:26:31 | |
and have the right sort of vision to create the home that you want. | 0:26:31 | 0:26:35 | |
Best of luck, guys. Keep looking. | 0:26:35 | 0:26:37 | |
Your dream property is out there, and buy some new tools! | 0:26:37 | 0:26:41 | |
Well, I am delighted that we've had the chance | 0:26:43 | 0:26:45 | |
to show Clive and Laura two fantastic renovations, | 0:26:45 | 0:26:49 | |
both of them different in terms of style and scope, but both of them | 0:26:49 | 0:26:53 | |
illustrating perfectly one of the key tools in successful renovation...planning. | 0:26:53 | 0:26:58 | |
Plan it once, plan it twice, plan it as much as you can | 0:26:58 | 0:27:01 | |
because then, you'll enjoy it. | 0:27:01 | 0:27:03 | |
After all, it is supposed to be fun. | 0:27:03 | 0:27:05 | |
You are trying to create your dream home. | 0:27:05 | 0:27:08 | |
Subtitles by Red Bee Media Ltd | 0:27:21 | 0:27:23 | |
E-mail [email protected] | 0:27:23 | 0:27:25 |