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There are nearly one million homes lying lost and abandoned in the UK, | 0:00:02 | 0:00:07 | |
waiting for someone to put life back into them. | 0:00:07 | 0:00:10 | |
So whether it's a tired semi, or a rambling mansion, | 0:00:10 | 0:00:12 | |
we're on a mission to rescue Britain's Empty Homes. | 0:00:12 | 0:00:16 | |
It's many a person's dream to escape from the rat race and find | 0:00:26 | 0:00:31 | |
a derelict cottage or a rundown barn that they can turn back into a stunning family home. | 0:00:31 | 0:00:35 | |
But often the reality of renovation is far away from the romantic idyll. | 0:00:35 | 0:00:40 | |
'Today, I'm going to share my knowledge of renovating a wreck | 0:00:40 | 0:00:44 | |
'to help a couple work out how big a project | 0:00:44 | 0:00:47 | |
'they're prepared to take on.' | 0:00:47 | 0:00:49 | |
We know when we are out of our depth. We are pretty close to being out of our depth! | 0:00:49 | 0:00:53 | |
'I'll introduce them to other homeowners who have taken on ambitious rebuilds | 0:00:53 | 0:00:58 | |
'so they can learn from their experiences.' | 0:00:58 | 0:01:00 | |
I've loved seeing how you have made this so crisp and sharp and modern but it works | 0:01:00 | 0:01:05 | |
so well with the old bits. | 0:01:05 | 0:01:06 | |
'Plus, we follow an empty property officer, charged with | 0:01:06 | 0:01:09 | |
'finding residents for rundown residences.' | 0:01:09 | 0:01:12 | |
Cobwebs, all the way up, it's never been opened in a long time. | 0:01:12 | 0:01:16 | |
Buying a house is far and away the biggest purchase that any of us | 0:01:16 | 0:01:20 | |
will ever make. | 0:01:20 | 0:01:21 | |
But the idea of spending hundreds of thousands of pounds on a building | 0:01:21 | 0:01:25 | |
that's tired, derelict and pretty dated may seem like a bit of a gamble. | 0:01:25 | 0:01:29 | |
But, provided you're prepared to put in a bit of hard work, | 0:01:29 | 0:01:32 | |
it's a leap of faith well worth taking. | 0:01:32 | 0:01:34 | |
Nick and Laura Tipper are both engineers in the aerospace industry. | 0:01:36 | 0:01:40 | |
They tied the knot three years ago and now they want to find a house in the countryside near Preston | 0:01:40 | 0:01:45 | |
to turn into their very own marital mansion. | 0:01:45 | 0:01:47 | |
We're passionate about properties that we can put our mark on. | 0:01:47 | 0:01:52 | |
The period properties that we've been looking at have not been | 0:01:52 | 0:01:55 | |
cared for and need help, just need someone to take care of them. | 0:01:55 | 0:01:59 | |
They're not afraid to get stuck in and get their hands dirty. | 0:01:59 | 0:02:03 | |
Laura did a plastering course | 0:02:03 | 0:02:05 | |
when she couldn't get a plasterer one weekend. | 0:02:05 | 0:02:08 | |
She got cross and went off and did a plastering course. | 0:02:08 | 0:02:10 | |
And then plastered out the utility room when she got back! | 0:02:10 | 0:02:14 | |
Nick did a tiling course. He's already tiled the whole bathroom! | 0:02:14 | 0:02:17 | |
They have £500,000 to buy and do somewhere up. | 0:02:17 | 0:02:21 | |
But there's one small flaw in the plan. | 0:02:21 | 0:02:24 | |
You look at some properties and you think, "We could do this in here." | 0:02:24 | 0:02:27 | |
We've looked at some others | 0:02:27 | 0:02:30 | |
and you think, "I haven't got a clue where we would begin in this house | 0:02:30 | 0:02:34 | |
"to make it work as a 21st-century home." | 0:02:34 | 0:02:37 | |
Hi, Nick, nice to see you. Hi, Laura. | 0:02:37 | 0:02:41 | |
'I'm here to equip them with some know-how and confidence to help tackle their renovation.' | 0:02:41 | 0:02:45 | |
It's really nice to see you here up in Yorkshire. | 0:02:45 | 0:02:49 | |
Quite an endeavour that you're thinking of undertaking. | 0:02:49 | 0:02:52 | |
Give me a sense of how you've got to this point. | 0:02:52 | 0:02:55 | |
Well, about three years ago, | 0:02:55 | 0:02:57 | |
we bought ourselves a Victorian semi-detached house and we have | 0:02:57 | 0:03:01 | |
knocked some walls down, put new kitchens in and new bathrooms, and we've enjoyed that. | 0:03:01 | 0:03:06 | |
We're keen now to do something a bit bigger. | 0:03:06 | 0:03:09 | |
Give me a sense of the sort of building that would be of interest to you. | 0:03:09 | 0:03:12 | |
We're in a town now, and it's a nice town, | 0:03:12 | 0:03:16 | |
but we'd like something with a bit more space and land. | 0:03:16 | 0:03:19 | |
The bigger the better, the more interesting the better. As long as we can do it with the budget. | 0:03:19 | 0:03:24 | |
I get the sense that it's the scale of the project that will sell it to you. | 0:03:24 | 0:03:28 | |
Whichever building you fall in love with, it's going to have to be a real whopper. | 0:03:28 | 0:03:33 | |
Yeah, we don't want another decorating, | 0:03:33 | 0:03:36 | |
get a new kitchen and bathroom and it's done project. We've done that. | 0:03:36 | 0:03:41 | |
On the face of it, this sounds very doable for the pair of you. Quite gung ho, if I might say so. | 0:03:41 | 0:03:46 | |
There must be some real concerns underneath it? | 0:03:46 | 0:03:48 | |
The real underlying worry is that there is some aspects that we haven't thought about. | 0:03:48 | 0:03:53 | |
The schedule gets blown apart and consequently so does the budget | 0:03:53 | 0:03:57 | |
because you come across something that you didn't envisage. | 0:03:57 | 0:04:00 | |
-The can of worms scenario is the big headache? -Yes. | 0:04:00 | 0:04:04 | |
We can give you a few tips and tricks, you've come to the right place. | 0:04:04 | 0:04:08 | |
-That's great. -Fantastic. | 0:04:08 | 0:04:10 | |
'I'll be introducing them to couples who have taken on projects similar | 0:04:10 | 0:04:15 | |
'to the one they're planning.' | 0:04:15 | 0:04:17 | |
Nick and Laura seem to have the enthusiasm to tackle | 0:04:17 | 0:04:21 | |
an empty property, but I'm keen to see if they have a real eye for it. | 0:04:21 | 0:04:24 | |
Without me there to guide them, I'm sending them off to have a look at | 0:04:24 | 0:04:28 | |
a fantastic if daunting example of the sort of thing they could take on. | 0:04:28 | 0:04:32 | |
The question is, will they fall in love with it, or will they run a mile? | 0:04:32 | 0:04:36 | |
Oh, look at that. Look at that! | 0:04:41 | 0:04:44 | |
-Oh, my God. -It's in the hillside. | 0:04:44 | 0:04:47 | |
This fantastic Victorian pump house building is in Cranshaw Booth. | 0:04:47 | 0:04:51 | |
It's covered in plants and ivy. | 0:04:51 | 0:04:53 | |
Completely shrouded by woodland and a cloak of nettles, | 0:04:53 | 0:04:57 | |
the building sits in the grounds of a local manor house. | 0:04:57 | 0:05:01 | |
-This is amazing! -It's got tonnes of windows. One, two, three, four... | 0:05:01 | 0:05:05 | |
Seven doors, windows? | 0:05:05 | 0:05:07 | |
Yes, there may be plenty of windows, but for £299,000, | 0:05:07 | 0:05:12 | |
-there's no electricity, no gas and no running water. -Oh, my. | 0:05:12 | 0:05:17 | |
Unless you count the damp running down the back wall. | 0:05:17 | 0:05:20 | |
There's stuff coming down from up there! | 0:05:20 | 0:05:22 | |
Look, it's like an arched tunnel! Has it been like a drain? | 0:05:22 | 0:05:26 | |
Some sort of washing type thing? | 0:05:26 | 0:05:28 | |
There's a lot of sort of heavy plumbing round here. | 0:05:28 | 0:05:31 | |
Were they storage pits for things... | 0:05:31 | 0:05:34 | |
OK, given we don't know what it is, what do we do with it? | 0:05:34 | 0:05:39 | |
What could you do? We have these columns. It's one big space. | 0:05:39 | 0:05:44 | |
Blast these columns, and make them... They're all rusted. | 0:05:44 | 0:05:48 | |
How does it become a living area? | 0:05:48 | 0:05:50 | |
Crucially, there is planning permission to convert it into a four or five-bedroom house. | 0:05:50 | 0:05:55 | |
But can Laura and Nick spot the untapped potential? | 0:05:55 | 0:05:58 | |
I am blown away by the building. It could be something really special. | 0:05:59 | 0:06:04 | |
I'm struggling to kind of make that leap as to how you do it well. | 0:06:04 | 0:06:09 | |
-It is a bit overwhelming. -It is absolutely vast. | 0:06:09 | 0:06:13 | |
If you put a sofa in here, it would be lost! | 0:06:13 | 0:06:16 | |
You're trying to think how you make it into a four-bedroom house | 0:06:16 | 0:06:19 | |
without turning it into a bunch of boxes. | 0:06:19 | 0:06:22 | |
I can see these two were slightly overwhelmed by the pump house and are struggling to see it could be | 0:06:22 | 0:06:27 | |
a truly remarkable home, | 0:06:27 | 0:06:28 | |
but I'm hoping they won't be put off just yet. | 0:06:28 | 0:06:31 | |
Lots of questions to be answered. Definitely, one to pursue? | 0:06:31 | 0:06:36 | |
Yes, definitely something to pursue. | 0:06:36 | 0:06:39 | |
Very excited about it, the more I think about it. | 0:06:39 | 0:06:42 | |
The renovation required here would be a major challenge | 0:06:42 | 0:06:46 | |
even for an experienced developer, let alone complete novices, | 0:06:46 | 0:06:50 | |
so I want to make sure that these two are not getting in over their heads. | 0:06:50 | 0:06:54 | |
Now, you said you wanted a big, monumental project, | 0:06:54 | 0:06:58 | |
so we sent you off to have a look at that old pump house. | 0:06:58 | 0:07:01 | |
Quite a number. What did you reckon? | 0:07:01 | 0:07:04 | |
It was a bit of a shock when we first saw it. | 0:07:04 | 0:07:07 | |
You still have in your head that it will be an empty home, | 0:07:07 | 0:07:11 | |
not just an empty structure that was never a home. | 0:07:11 | 0:07:15 | |
But it grows on you pretty quickly. | 0:07:15 | 0:07:17 | |
I get the sense that this building isn't just of interest, | 0:07:17 | 0:07:20 | |
-this is a real goer? -Definitely. We're very excited about it. | 0:07:20 | 0:07:24 | |
As soon as we had done looking at it, we looked at the planning permission | 0:07:24 | 0:07:28 | |
and we tried to figure out what we could and couldn't do. | 0:07:28 | 0:07:31 | |
I mean, this will take some vision | 0:07:31 | 0:07:34 | |
to turn this into something that will fulfil a family home? | 0:07:34 | 0:07:38 | |
We know when we're out of depth and are pretty close to being there! LAUGHTER | 0:07:38 | 0:07:43 | |
Yeah, we want the challenge, we want the risk, but this is pushing the boundaries a little bit. | 0:07:43 | 0:07:49 | |
Let's get you off to see a couple of projects at various stages of renovation. | 0:07:49 | 0:07:53 | |
One very much at the beginning, one at the end. | 0:07:53 | 0:07:56 | |
We can meet the owners and, hopefully, it will arm you | 0:07:56 | 0:07:59 | |
with a few things that you will need to take this one on. | 0:07:59 | 0:08:02 | |
It's a really exciting project. | 0:08:02 | 0:08:04 | |
'Taking on a complete wreck is a major undertaking and Nick | 0:08:04 | 0:08:07 | |
'and Laura will have to be prepared to be in it for the long haul.' | 0:08:07 | 0:08:11 | |
Just as Roy Gaskill found | 0:08:11 | 0:08:13 | |
when he bought Westwood Lodge near Manchester back in 1995. | 0:08:13 | 0:08:17 | |
When we found it, it was actually all overgrown so you couldn't see | 0:08:17 | 0:08:21 | |
as much of the property as you can now. | 0:08:21 | 0:08:23 | |
Immediately, I thought this is the place | 0:08:23 | 0:08:25 | |
for me to buy. It was what I wanted all my life. | 0:08:25 | 0:08:29 | |
He may have paid a reasonable £90,000 for the lodge, | 0:08:29 | 0:08:33 | |
but there was one major stumbling block. | 0:08:33 | 0:08:36 | |
The hardest part with the property was getting the planning permissions. | 0:08:36 | 0:08:40 | |
-The red tape. -That is the hardest part of it. | 0:08:40 | 0:08:43 | |
It took five years to get permission to carry out the renovation. | 0:08:43 | 0:08:49 | |
He and wife Yvonne have carried out an extensive renovation on what | 0:08:49 | 0:08:52 | |
was a semi-derelict building. | 0:08:52 | 0:08:56 | |
It was just really like living in a cave. | 0:08:56 | 0:09:00 | |
There was no paint on the walls. | 0:09:00 | 0:09:03 | |
Obviously, the floors had been lifted. | 0:09:03 | 0:09:05 | |
It was just horrendous, you know. | 0:09:05 | 0:09:08 | |
Even just to be able to make it habitable | 0:09:08 | 0:09:11 | |
took a matter of quite a few weeks of hard work. | 0:09:11 | 0:09:14 | |
Following a £100,000 spend on the transformation, | 0:09:14 | 0:09:18 | |
Roy and Yvonne now have a home worth more than £600,000. | 0:09:18 | 0:09:21 | |
It's nice to know that it's got that value in it, but in one respect | 0:09:21 | 0:09:26 | |
it doesn't mean a lot, cos it's our home and we're going to stay here. | 0:09:26 | 0:09:31 | |
We have put so much into it, it would be very hard to move on. | 0:09:31 | 0:09:36 | |
The kitchen is my favourite room. | 0:09:36 | 0:09:39 | |
I find it wonderful, to just sit there and look round and think, | 0:09:39 | 0:09:43 | |
"Gosh, from what it was, to what it is now, it is like a palace." | 0:09:43 | 0:09:47 | |
It used to be derelict. Now it's a home, and it's our home. | 0:09:47 | 0:09:51 | |
It's a really nice place to come home to. | 0:09:51 | 0:09:54 | |
I would do another property again. | 0:09:54 | 0:09:56 | |
I don't think you have that much time left! | 0:09:56 | 0:09:59 | |
-That is the problem! -The mind is willing but the body has gone. | 0:09:59 | 0:10:04 | |
I'm now 59 and I think if I was looking to spend | 0:10:04 | 0:10:07 | |
another 15 years on a property, it would take me past my sell-by date! | 0:10:07 | 0:10:11 | |
Often houses sit empty and decaying | 0:10:13 | 0:10:16 | |
because nobody actually knows who owns them. | 0:10:16 | 0:10:19 | |
In many parts of the country, it's the job of a person called an empty property officer | 0:10:19 | 0:10:23 | |
to find out whose name is on the title deeds, to try and track them down | 0:10:23 | 0:10:27 | |
and, with any luck, get the building back into use again. | 0:10:27 | 0:10:30 | |
In Nottingham, the man on the hunt for new owners | 0:10:32 | 0:10:35 | |
for disused buildings is Andrew Vickers. | 0:10:35 | 0:10:38 | |
It's very satisfying seeing derelict properties returned | 0:10:38 | 0:10:43 | |
back into use as family homes. That's the goal. | 0:10:43 | 0:10:45 | |
After 30 years in the police force, | 0:10:45 | 0:10:48 | |
he joined up with the city's housing department | 0:10:48 | 0:10:52 | |
where he's managed to bring 350 properties back from the brink. | 0:10:52 | 0:10:56 | |
I particularly enjoy tracking people down, | 0:10:56 | 0:10:58 | |
tracking empty home owners down. | 0:10:58 | 0:11:00 | |
I pride myself on having a high success rate in finding them. | 0:11:00 | 0:11:03 | |
I would say it's roundabout the 99% mark. | 0:11:03 | 0:11:06 | |
It's an impressive track record and today he's been called | 0:11:06 | 0:11:09 | |
to another empty house by a concerned neighbour. | 0:11:09 | 0:11:12 | |
I want to see the complainant and see what the situation is with the garden. | 0:11:12 | 0:11:17 | |
This detached house is on a quiet residential street | 0:11:17 | 0:11:20 | |
and, as yet, Andrew has no idea who owns it. | 0:11:20 | 0:11:24 | |
Drawing on his years of experience as a policeman, | 0:11:24 | 0:11:26 | |
Andrew needs to look for any lead that could provide a clue | 0:11:26 | 0:11:30 | |
-as to who the owner is. -No... | 0:11:30 | 0:11:33 | |
Cobwebs all the way up it. It's never been opened in a long time. | 0:11:33 | 0:11:37 | |
Lean-to outhouse full of jam jars. Perhaps she liked making jam. | 0:11:37 | 0:11:41 | |
This is the garden that's causing the problem. | 0:11:41 | 0:11:45 | |
It's got brambles and obviously it's had years of neglect. | 0:11:45 | 0:11:49 | |
True to form, probably home to foxes. | 0:11:49 | 0:11:52 | |
Andrew has found the house empty, so goes next door | 0:11:54 | 0:11:56 | |
to meet the neighbour who made the complaint. | 0:11:56 | 0:11:59 | |
-Where are the foxes getting through? -They come from that side and they have created a hole down there. | 0:11:59 | 0:12:05 | |
Every time I block it up, they move the bricks. | 0:12:05 | 0:12:08 | |
They will, they are powerful diggers. | 0:12:08 | 0:12:11 | |
They dig away at the ground and they will move those. | 0:12:11 | 0:12:14 | |
There's a shed on the other side | 0:12:14 | 0:12:15 | |
and I bet they have an earth underneath the shed. | 0:12:15 | 0:12:20 | |
Dense brambles on the other side. | 0:12:21 | 0:12:24 | |
Is there anything that the city council can help me with this problem? | 0:12:24 | 0:12:27 | |
We treat the foxes as wild animals and try to deter them | 0:12:27 | 0:12:31 | |
rather than exterminate them. | 0:12:31 | 0:12:33 | |
What we need to do is trace the owner to get that garden sorted out, | 0:12:33 | 0:12:38 | |
to get the shed and the fox earth sorted out, get it blocked up, to deter them and drive them away. | 0:12:38 | 0:12:44 | |
The overall thing is to get to the bottom of the ownership of this house. | 0:12:44 | 0:12:50 | |
He's got a problem with foxes, you can see where they have been digging. | 0:12:51 | 0:12:56 | |
The garden is densely overgrown with brambles. It's a mess. | 0:12:56 | 0:12:59 | |
It has newspapers piling up at the door. | 0:12:59 | 0:13:02 | |
Andrew is no nearer to discovering the identity of the house's owner. | 0:13:02 | 0:13:06 | |
But he prides himself on hunting people down. | 0:13:06 | 0:13:08 | |
With his track record to uphold, we'll catch up with him later to see how his investigation is going. | 0:13:08 | 0:13:14 | |
If the idea of taking on a wreck without a roof or windows | 0:13:17 | 0:13:20 | |
floats your boat, there are a couple of places where you can start your search. | 0:13:20 | 0:13:24 | |
Local estates and auction houses are a good place to start. | 0:13:24 | 0:13:28 | |
You can also try some of the charities, like Save Britain's Heritage, | 0:13:28 | 0:13:31 | |
or the Society for the Protection of Ancient Buildings. | 0:13:31 | 0:13:34 | |
Both of them carry lists of properties crying out for a bit of renovation. | 0:13:34 | 0:13:38 | |
Nick and Laura Tipper are after a project. | 0:13:43 | 0:13:46 | |
They've seen an old Victorian pump house they think | 0:13:46 | 0:13:49 | |
could be turned into their perfect home. | 0:13:49 | 0:13:51 | |
I am blown away by the building. It could be really special. | 0:13:51 | 0:13:55 | |
'But their lack of major renovation experience could be | 0:13:55 | 0:13:58 | |
'holding them back and they aren't sure whether to go for it.' | 0:13:58 | 0:14:02 | |
Come on through. 'So I'm going to introduce them | 0:14:02 | 0:14:05 | |
'to a couple who have done this sort of thing before in the hope that | 0:14:05 | 0:14:10 | |
-'their experiences will inform and inspire.' -Pleased to meet you. | 0:14:10 | 0:14:14 | |
As far as wrecks go, they don't come much more ruined | 0:14:14 | 0:14:17 | |
than this agricultural building near Skipton, North Yorkshire. | 0:14:17 | 0:14:20 | |
David and Karen Shuttleworth, are farmers | 0:14:20 | 0:14:23 | |
and have had the property for years. | 0:14:23 | 0:14:25 | |
But until recently, they had never given it a moment's notice. | 0:14:25 | 0:14:29 | |
We hadn't used the sheep pens for seven years and they were derelict. | 0:14:29 | 0:14:33 | |
There was a lot of nettles and thistles around it. It was a mess. | 0:14:33 | 0:14:38 | |
Everything was to do to it. | 0:14:38 | 0:14:39 | |
This place will be lived in by their extended family. | 0:14:39 | 0:14:44 | |
It's a long way from completion, but should give Nick and Laura a sense | 0:14:44 | 0:14:48 | |
of the scale they're contemplating taking on. | 0:14:48 | 0:14:51 | |
I love it. | 0:14:51 | 0:14:52 | |
The stone windows, the reveals, the sills. | 0:14:52 | 0:14:55 | |
Have you designed this yourselves? | 0:14:55 | 0:14:57 | |
The windows and the sills, they all came | 0:14:57 | 0:15:00 | |
and I had a look at them, and I said, "I don't like them," | 0:15:00 | 0:15:04 | |
so we sent them back to the stonemason | 0:15:04 | 0:15:06 | |
and he chamfered the edges off a bit more. | 0:15:06 | 0:15:10 | |
We want to make it look good, cos we're looking at it every day. | 0:15:10 | 0:15:14 | |
As it's never been used as a dwelling before, | 0:15:14 | 0:15:17 | |
Karen and David have started from scratch. | 0:15:17 | 0:15:20 | |
When you build a house in the middle of nowhere, getting mains gas, | 0:15:20 | 0:15:23 | |
electricity and water is a big consideration | 0:15:23 | 0:15:26 | |
and needs to be planned to avoid any unexpected problems. | 0:15:26 | 0:15:30 | |
Did you have to bring utilities in? | 0:15:30 | 0:15:32 | |
They're not on site, but there was a development going on down the field. | 0:15:32 | 0:15:36 | |
They've got electric, so we have sorted out with them, | 0:15:36 | 0:15:40 | |
which would have cost us £20,000 if we hadn't had that opportunity | 0:15:40 | 0:15:44 | |
to get the electricity to there. | 0:15:44 | 0:15:47 | |
Now it will cost us just over £1,000. | 0:15:47 | 0:15:50 | |
The guys were worried about opening the proverbial can of worms. | 0:15:50 | 0:15:54 | |
A bill for £20,000 is exactly that. | 0:15:54 | 0:15:57 | |
That's the sort of thing that worries us, | 0:15:57 | 0:16:00 | |
that sort of unknown quantity that just kills your budget. | 0:16:00 | 0:16:03 | |
'With this build, the Shuttleworths | 0:16:03 | 0:16:05 | |
'have meticulously planned everything down to the last detail.' | 0:16:05 | 0:16:10 | |
I love what you have done with the big sandstone blocks. | 0:16:10 | 0:16:13 | |
What's the idea here? Are you going to plaster up to them? | 0:16:13 | 0:16:17 | |
It'll be plastered and then painted in between the blocks. | 0:16:17 | 0:16:21 | |
'They have also thought about how future residents may use the house in years to come.' | 0:16:21 | 0:16:26 | |
That big gap, what is that? | 0:16:26 | 0:16:27 | |
That will be a dining room. We did put that wall up. | 0:16:27 | 0:16:32 | |
Because we've made the house sort of wheelchair-friendly, | 0:16:32 | 0:16:35 | |
in the event we don't need it as a bedroom, it can be an office, the dining room, a play room. | 0:16:35 | 0:16:40 | |
It depends on the people that will live here. | 0:16:40 | 0:16:43 | |
Was that a planning constraint, the disabled access? | 0:16:43 | 0:16:47 | |
No, it is something we wanted to incorporate. | 0:16:47 | 0:16:49 | |
And pushchair-friendly, we've widened some of the door ways. | 0:16:49 | 0:16:52 | |
Interesting. | 0:16:52 | 0:16:54 | |
If anything happened to David or myself or David's parents, | 0:16:54 | 0:16:57 | |
it needed wheelchair access, it's always there. | 0:16:57 | 0:17:00 | |
It's better to do it when you're building it rather than retrofit. | 0:17:00 | 0:17:04 | |
It is interesting to stand here and hear what you are saying about | 0:17:04 | 0:17:09 | |
the forward planning and be in the middle of that forward planning. | 0:17:09 | 0:17:13 | |
It is not just looking at a drawing, you have really thought about it. | 0:17:13 | 0:17:17 | |
Both in the sympathetic nature it sits in the landscape, | 0:17:17 | 0:17:19 | |
and practical nature of building, it's fascinating. | 0:17:19 | 0:17:22 | |
This really is a major project. | 0:17:24 | 0:17:26 | |
I wasn't sure whether Nick and Laura would be put off by the scale. | 0:17:26 | 0:17:30 | |
Look at all the mess and the mud and unexpected costs that can crop up. | 0:17:30 | 0:17:35 | |
But so far, so good. | 0:17:35 | 0:17:37 | |
They're still pretty gung ho, which is good news. | 0:17:37 | 0:17:40 | |
As for David and Karen, they're creating a building | 0:17:40 | 0:17:43 | |
that will look as at home in this landscape for the next 200 years, | 0:17:43 | 0:17:46 | |
as the fields around it. I love it! | 0:17:46 | 0:17:48 | |
Back in Nottingham, empty property officer, Andrew Vickers, | 0:17:52 | 0:17:57 | |
is continuing his investigation into the house he was called to earlier. | 0:17:57 | 0:18:02 | |
In order to solve the vermin problems, | 0:18:02 | 0:18:04 | |
Andrew needs to trace the owner of this vacant property. | 0:18:04 | 0:18:07 | |
I have various tools that I can use to help me. | 0:18:07 | 0:18:10 | |
My first one is access to our council tax data. | 0:18:10 | 0:18:14 | |
In this particular instance, | 0:18:14 | 0:18:16 | |
the council tax data wasn't able to help me. | 0:18:16 | 0:18:20 | |
They indicate that the owner is deceased. | 0:18:20 | 0:18:22 | |
Not letting this stop him, his next port of call is the Land Registry. | 0:18:22 | 0:18:26 | |
The Land Registry reveals that the title, the registered title | 0:18:26 | 0:18:32 | |
reveals that the owners seem to have Eastern European names. | 0:18:32 | 0:18:36 | |
Now that he has a name, | 0:18:36 | 0:18:38 | |
Andrew can tap into the sources of a genealogy website. | 0:18:38 | 0:18:43 | |
It's ideal for people interested in tracing their family tree. | 0:18:43 | 0:18:46 | |
But equally, it's useful for Empty Homes Officers | 0:18:46 | 0:18:49 | |
in tracing births, deaths and marriages of people | 0:18:49 | 0:18:52 | |
who may be the owners of empty properties. | 0:18:52 | 0:18:55 | |
The website provides a breakthrough. | 0:18:55 | 0:18:58 | |
The beauty of this Eastern European name is, it is unusual. | 0:18:58 | 0:19:02 | |
It only brings back 14 of that surname in the entire country | 0:19:02 | 0:19:06 | |
and there's only one in Nottingham and he died in 1995. | 0:19:06 | 0:19:11 | |
Andrew now needs to get hold of the death certificate, | 0:19:11 | 0:19:14 | |
which will give him some vital information. | 0:19:14 | 0:19:17 | |
The person who reported the death is usually a next of kin | 0:19:18 | 0:19:24 | |
or someone close to the deceased who may be dealing with the estate. | 0:19:24 | 0:19:30 | |
In this case, the house. | 0:19:30 | 0:19:32 | |
His trip to the city's register office | 0:19:33 | 0:19:36 | |
throws up a surprising twist in the tale. | 0:19:36 | 0:19:39 | |
The death certificate has informant details | 0:19:39 | 0:19:42 | |
who only lives three doors away from the actual empty. | 0:19:42 | 0:19:45 | |
Great. Good result. | 0:19:45 | 0:19:48 | |
It turns out the person who registered the death | 0:19:48 | 0:19:51 | |
of the owner of the empty house lives just a few doors away. | 0:19:51 | 0:19:55 | |
So Andrew heads back to the same street to see if anyone is at home. | 0:19:55 | 0:19:58 | |
Well, that's disappointing. | 0:20:05 | 0:20:07 | |
No reply. I've left a calling card. | 0:20:07 | 0:20:10 | |
If he doesn't call, I'll chase him up. I want to get this moving. | 0:20:10 | 0:20:14 | |
I'm hoping he might be able to point me towards who's dealing with this house. | 0:20:14 | 0:20:18 | |
It could be a firm of solicitors, extended family, | 0:20:18 | 0:20:20 | |
or it could be family in her homeland. | 0:20:20 | 0:20:23 | |
The death certificate says she was born in Lithuania. | 0:20:23 | 0:20:27 | |
So there's a possibility that this investigation may go overseas. | 0:20:27 | 0:20:32 | |
It's an unusual and slightly frustrating case, but progress has been made | 0:20:32 | 0:20:37 | |
and Andrew is hopeful that he'll track down the owner before too long. | 0:20:37 | 0:20:42 | |
Nick and Laura Tipper have seen a fantastic but daunting ruined Victorian pump house. | 0:20:44 | 0:20:49 | |
Oh, look at that! Look at that! | 0:20:49 | 0:20:52 | |
They'd love to buy it, but are worried they might be biting off more than they can chew, | 0:20:52 | 0:20:56 | |
so I'm trying to give them the confidence they need to put an offer in | 0:20:56 | 0:21:01 | |
and have introduced them to a couple in the thick of an ambitious renovation. | 0:21:01 | 0:21:05 | |
'Now I want to show them why these projects are so worthwhile.' | 0:21:05 | 0:21:09 | |
-Have a look at that. -That's fantastic. | 0:21:09 | 0:21:11 | |
This is how it was originally. | 0:21:11 | 0:21:15 | |
It's just a bit different. | 0:21:15 | 0:21:17 | |
When Karl and Janet Zaldat | 0:21:17 | 0:21:20 | |
found this old, agricultural building in Woodplumpton in 2001, | 0:21:20 | 0:21:25 | |
it had been out of use for two years. | 0:21:25 | 0:21:28 | |
It was a barn, there was chippings in the lounge. | 0:21:28 | 0:21:32 | |
It was full of cobwebs. | 0:21:32 | 0:21:34 | |
The space was there and the fabric and the build of the place | 0:21:34 | 0:21:38 | |
would really make something decent. | 0:21:38 | 0:21:40 | |
They started out with a very clear vision | 0:21:40 | 0:21:43 | |
which helped motivate the transformation into a unique home. | 0:21:43 | 0:21:48 | |
Come on in. ..Nice to see you again. | 0:21:48 | 0:21:52 | |
'Having snapped up the building for just £65,000, | 0:21:52 | 0:21:56 | |
'architect Karl and his wife Janet spent £160,000 on the renovation.' | 0:21:56 | 0:22:01 | |
-Fantastic. -Lovely wood ceiling. | 0:22:01 | 0:22:04 | |
It's no longer a mess, it's no longer a nearly tumbled down barn. | 0:22:04 | 0:22:09 | |
-It's what we hope is a very nice home. -It's our home and house which we made our own. | 0:22:09 | 0:22:14 | |
'The Zaldats were inspired by the work of the famous early 20th-century architect | 0:22:14 | 0:22:20 | |
'Charles Rennie Mackintosh. The results are outstanding.' | 0:22:20 | 0:22:24 | |
-Do you feel like you're living in a museum? -No! | 0:22:24 | 0:22:28 | |
We just love the design of the furniture. | 0:22:28 | 0:22:31 | |
We already had some pieces so we wanted to use them | 0:22:31 | 0:22:34 | |
and enhance what we like. | 0:22:34 | 0:22:37 | |
This is our (but it's my) dressing room. | 0:22:37 | 0:22:41 | |
Next to the bedroom... | 0:22:41 | 0:22:42 | |
-Right. -..I've made a storage space on both sides. -Amazing! | 0:22:42 | 0:22:47 | |
Then another door, to let the light through from outside, | 0:22:47 | 0:22:52 | |
another door with the panels on. | 0:22:52 | 0:22:54 | |
-That's great. -I'm going to come in this way and keep exploring. | 0:22:54 | 0:22:59 | |
-It's great this. Karl, you must never tire of it? -Not at all. | 0:23:01 | 0:23:05 | |
It's a pleasure waking up thinking this is ours. | 0:23:05 | 0:23:07 | |
What would be your top tip as an architect, | 0:23:07 | 0:23:11 | |
for Nick and Laura taking on a building which is historic | 0:23:11 | 0:23:16 | |
but has to be radically transformed to provide a modern home? | 0:23:16 | 0:23:20 | |
You've got to be honest with yourselves of what you want, | 0:23:20 | 0:23:23 | |
what spaces you want and how you're going to live in it? | 0:23:23 | 0:23:27 | |
See it as a home, not just bricks and mortar. | 0:23:27 | 0:23:30 | |
I've loved seeing how you've made this so crisp, sharp and modern | 0:23:30 | 0:23:33 | |
but it works so well with the old bits of the building. | 0:23:33 | 0:23:36 | |
'By taking on an empty property, | 0:23:36 | 0:23:38 | |
'Karl and Janet have created a bespoke home that fits their lifestyle.' | 0:23:38 | 0:23:43 | |
I get the sense that as an architect you must have lapped this one up. | 0:23:43 | 0:23:48 | |
-This is you doing your thing? -It is. I'm probably my worst client! | 0:23:48 | 0:23:52 | |
I'm that pernickety trying to get the detail right, thinking should it be here or there? | 0:23:52 | 0:23:57 | |
-Did you do that at the drawing stage? -Yes. | 0:23:57 | 0:24:01 | |
You probably poured over your drawings again and again until you isolated that detail. | 0:24:01 | 0:24:06 | |
We even had a cardboard model, a card model, to show us the scale of it. | 0:24:06 | 0:24:12 | |
-This is planning, you know, in some measure. -It's fantastic. | 0:24:12 | 0:24:17 | |
We're already thinking of how you live in the space | 0:24:17 | 0:24:21 | |
and where you'd want electricals and plumbing, | 0:24:21 | 0:24:24 | |
just making sure you get those details done ahead of time. | 0:24:24 | 0:24:27 | |
'I hope that seeing this place has given Nick and Laura | 0:24:27 | 0:24:30 | |
'the confidence they need to take on the renovation | 0:24:30 | 0:24:33 | |
'of that incredible pump house.' | 0:24:33 | 0:24:35 | |
We set out this morning with you saying we're up for a major project. | 0:24:35 | 0:24:39 | |
Have we put you off big projects? | 0:24:39 | 0:24:42 | |
-No, not at all. -Not at all. | 0:24:42 | 0:24:44 | |
-It's gone the other way? -I think so. | 0:24:44 | 0:24:47 | |
We have a bit of confidence, we're thinking about the right things. | 0:24:47 | 0:24:52 | |
I suspect, if anything, you're feeling that bit more inspired? | 0:24:52 | 0:24:56 | |
Absolutely, that's what we are going to do and we've set our hearts on the pump house at the moment. | 0:24:56 | 0:25:01 | |
If it turns out that the pump house isn't for us, because it's too much, so be it. | 0:25:01 | 0:25:05 | |
We're not going to find out unless we pursue it. | 0:25:05 | 0:25:08 | |
What would you say are the three key things you've taken away from today? | 0:25:08 | 0:25:12 | |
The end of today and seeing what Karl and Janet have done here | 0:25:12 | 0:25:16 | |
is really inspiring, how they've created a whole space, | 0:25:16 | 0:25:19 | |
a whole coherent thing that's more than the sum of its parts. | 0:25:19 | 0:25:23 | |
That really inspires me to try and emulate that in some way. | 0:25:23 | 0:25:27 | |
I think having the vision, some of the things | 0:25:27 | 0:25:30 | |
that David and Karen were saying about putting in the wheelchair access ahead of time | 0:25:30 | 0:25:35 | |
and thinking about how people are going to use the space | 0:25:35 | 0:25:38 | |
so even though they're not going to necessarily live in it, | 0:25:38 | 0:25:40 | |
they're designing it with an idea of how it's going to be used as a proper home. | 0:25:40 | 0:25:44 | |
The key thing is planning. It's all about the planning that Karl and Janet here demonstrated. | 0:25:44 | 0:25:50 | |
The level of detail they put into their planning before they did any building work at all. | 0:25:50 | 0:25:57 | |
We'll take that away. It's really important for us with the listed building, the pump house, | 0:25:57 | 0:26:02 | |
to get it right on paper before you even start, get all the permissions in place, | 0:26:02 | 0:26:06 | |
know what you're doing before you start. | 0:26:06 | 0:26:09 | |
That certainly is a big project. | 0:26:09 | 0:26:12 | |
You have it running through your veins that this is what you want to do next. | 0:26:12 | 0:26:16 | |
Whether it is the pump house or not, it's going to be fantastic. | 0:26:16 | 0:26:19 | |
-Best of luck and let us know how you get on. -Great. -Fantastic. Thanks very much indeed. | 0:26:19 | 0:26:25 | |
It certainly can take a lot of nerve to take on a building | 0:26:25 | 0:26:29 | |
that doesn't have a roof, maybe is missing one or two walls not even a water supply. | 0:26:29 | 0:26:34 | |
Certainly renovation can feel like you're pouring money into a bottomless pit. | 0:26:34 | 0:26:39 | |
Hopefully, today, we've managed to prove to Nick and Laura that there is light at the end of the tunnel. | 0:26:39 | 0:26:44 | |
If they DO take on the pump house, | 0:26:44 | 0:26:46 | |
I'm sure when they finish with it, it will be truly remarkable. | 0:26:46 | 0:26:50 | |
'Since I met up with Laura and Nick, they've put in an offer which has been accepted. | 0:26:50 | 0:26:54 | |
'If all goes to plan, | 0:26:54 | 0:26:57 | |
'they'll be working on their own renovation very soon.' | 0:26:57 | 0:27:01 | |
Subtitles by Red Bee Media Ltd | 0:27:18 | 0:27:24 | |
E-mail [email protected] | 0:27:24 | 0:27:27 |