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Across the UK, there are nearly a million homes lying unloved, | 0:00:02 | 0:00:06 | |
ready for someone to give them a bright new future. | 0:00:06 | 0:00:09 | |
Whether it's a tired semi or a rambling mansion, | 0:00:09 | 0:00:12 | |
we're on a mission to rescue Britain's empty homes. | 0:00:12 | 0:00:15 | |
It's often amazing how quickly a home can lose its sense of homeliness | 0:00:25 | 0:00:30 | |
once it's been left empty for some time. | 0:00:30 | 0:00:32 | |
Once the damp and the cobwebs have crept in, | 0:00:32 | 0:00:35 | |
it often takes real vision to see how it can be turned back into a gorgeous home in the future. | 0:00:35 | 0:00:41 | |
Today, I'm going to pass on my knowledge of renovating an empty property | 0:00:41 | 0:00:45 | |
to show a couple how to do it themselves and create an inspirational home. | 0:00:45 | 0:00:49 | |
-It's beautiful, isn't it? -I think it's going to age really well. | 0:00:49 | 0:00:53 | |
We meet experienced home restorers who have done it all before. | 0:00:53 | 0:00:56 | |
Although it was in a terrible state, it was just idyllic, | 0:00:56 | 0:00:59 | |
and I thought, I don't care what it's like inside, I want it. | 0:00:59 | 0:01:03 | |
Plus we'll be pounding the beat with Empty Property Officers, | 0:01:03 | 0:01:07 | |
whose job it is to get vacant addresses lived in again. | 0:01:07 | 0:01:11 | |
It's an achievement each time we bring an empty property back into use. | 0:01:11 | 0:01:15 | |
Textile designer June Swindell and sales manager Keith Marsh have been together for three years. | 0:01:18 | 0:01:23 | |
Deciding it's time to get their first place together, | 0:01:23 | 0:01:26 | |
they're looking to leave London for Brighton in Sussex. | 0:01:26 | 0:01:30 | |
It seems like quite a natural move from London to Brighton. There's still loads going on. | 0:01:30 | 0:01:35 | |
It should be really nice. | 0:01:35 | 0:01:36 | |
Keith and June each have a flat to sell, giving them a combined budget of £500,000, | 0:01:36 | 0:01:41 | |
so they're looking for a tired old lady of a house they can turn into a grande dame. | 0:01:41 | 0:01:47 | |
June's good at interior stuff. If I did it, it would look like a bloke's flat. | 0:01:47 | 0:01:51 | |
Between us, we'd end up with a really nice place. | 0:01:51 | 0:01:53 | |
The couple have absolutely no renovation experience | 0:01:53 | 0:01:57 | |
but they've come up with a rather unorthodox approach to financing the process. | 0:01:57 | 0:02:01 | |
My thought is that we get a place that's beyond our means | 0:02:01 | 0:02:05 | |
but rent some of it out for holiday lets. | 0:02:05 | 0:02:07 | |
I'd like somewhere with outbuildings or somewhere else where you could potentially rent out. | 0:02:07 | 0:02:13 | |
It could be a very clever idea or a total disaster, | 0:02:13 | 0:02:17 | |
depending on the property they choose and what they do with it. | 0:02:17 | 0:02:20 | |
Hi, June, nice to see you. | 0:02:20 | 0:02:22 | |
I want to find out how committed June and Keith are to taking on and renovating an empty home. | 0:02:22 | 0:02:28 | |
So, £500,000 is not just to buy this property | 0:02:28 | 0:02:32 | |
but also to have some money within that £500,000 to do it up. | 0:02:32 | 0:02:36 | |
But you're also thinking of something of a holiday let | 0:02:36 | 0:02:40 | |
to try and offset the cost. How is that going to work? | 0:02:40 | 0:02:43 | |
Well, hopefully, if we can find somewhere | 0:02:43 | 0:02:45 | |
that's got either additional quarters or outbuildings, | 0:02:45 | 0:02:49 | |
maybe we can stretch the budget a little bit more and it can start to pay for itself a little bit. | 0:02:49 | 0:02:54 | |
We could be leasing them out as offices, studios, B&B. | 0:02:54 | 0:02:57 | |
Wow! And how do you see this working in terms of your careers at the moment? | 0:02:57 | 0:03:01 | |
For Keith it's definitely got to run alongside, | 0:03:01 | 0:03:04 | |
erm, but I can be a bit more flexible, so I'm thinking semi-retirement. | 0:03:04 | 0:03:08 | |
Oh, nice. You're going to be a lady that lunches, aren't you? | 0:03:08 | 0:03:12 | |
Yes, perfect. | 0:03:12 | 0:03:14 | |
It's an attractive package if it can be achieved. | 0:03:14 | 0:03:16 | |
We hope so. We've met later in life so it would be nice to do something together where we can move forward. | 0:03:16 | 0:03:23 | |
To give Keith and June an idea of what their project may involve, | 0:03:23 | 0:03:27 | |
I'll be introducing them to experienced homeowners who have done it all before. | 0:03:27 | 0:03:31 | |
But, first, I want to see if they can spot the opportunities a vacant house may offer. | 0:03:31 | 0:03:35 | |
Keith and June clearly have the enthusiasm to take on an empty property, | 0:03:35 | 0:03:40 | |
but I can't tell whether or not they have the vision, | 0:03:40 | 0:03:43 | |
so I'm sending them off without me to have a good look | 0:03:43 | 0:03:46 | |
at a great example of the sort of property that they could buy. | 0:03:46 | 0:03:50 | |
To the keen-eyed buyer, this four-bedroom end-of-terrace in Brighton, | 0:03:51 | 0:03:55 | |
on the market for just shy of £450,000, is a real steal. | 0:03:55 | 0:03:59 | |
Especially as there's a surprise thrown in - a separate one-bedroom basement flat. | 0:03:59 | 0:04:05 | |
This place was rented out for a while, | 0:04:05 | 0:04:07 | |
but it's been left empty for months. | 0:04:07 | 0:04:09 | |
The separate flat would make an ideal holiday let, | 0:04:09 | 0:04:12 | |
while, above, the three floors of seemingly endless empty rooms, all painted white, | 0:04:12 | 0:04:18 | |
could be turned into a stunning period home. | 0:04:18 | 0:04:20 | |
It's a real blank canvas, | 0:04:20 | 0:04:23 | |
but will June and Keith be able to see beyond the bland and envisage a unique home? | 0:04:23 | 0:04:28 | |
Oh, my goodness, it's huge! | 0:04:28 | 0:04:31 | |
A lot of property for £450,000. | 0:04:31 | 0:04:33 | |
Even from out here, it's screaming for an update. | 0:04:33 | 0:04:36 | |
-Perfect. -Loving the net curtains(!) -Let's have a look. | 0:04:36 | 0:04:40 | |
-Hey! -Small kitchen for a big house. | 0:04:41 | 0:04:44 | |
You're knocking walls out already. | 0:04:44 | 0:04:46 | |
What's...peering out the kitchen window. | 0:04:46 | 0:04:49 | |
-That's quite exciting. Nice little outdoor bit. -Is it ours? | 0:04:49 | 0:04:53 | |
The beauty of an empty house is that there are surprises around every corner, | 0:04:53 | 0:04:57 | |
so, continuing their detective work, June and Keith set off in search of the entrance to the flat. | 0:04:57 | 0:05:03 | |
It's just a cupboard, but from the kitchen window you can see something downstairs. | 0:05:03 | 0:05:10 | |
So what's the downstairs and is that here? | 0:05:10 | 0:05:13 | |
There's definitely a separate downstairs. | 0:05:13 | 0:05:17 | |
It must have a separate entrance, | 0:05:17 | 0:05:19 | |
which means you can rent it out as a separate flat | 0:05:19 | 0:05:22 | |
-and create a further income. -Give that man a prize! | 0:05:22 | 0:05:25 | |
Vacant places are often presented without furniture, | 0:05:25 | 0:05:29 | |
so you need to use your imagination to work out how you'd use the space. | 0:05:29 | 0:05:32 | |
Strip it and paint it white. | 0:05:32 | 0:05:34 | |
June does seem slightly overawed by the number of rooms and options available. | 0:05:34 | 0:05:40 | |
-I...erm, bedroom! -Bedroom one. -Obviously. | 0:05:40 | 0:05:43 | |
-Well, no, lounge...no, lounge. -Lounge now? Office? -I don't know. -Let's go and see what else there is. | 0:05:43 | 0:05:51 | |
With June and Keith's ambitious approach to funding | 0:05:51 | 0:05:54 | |
their perfect pad by renting out part of the property, | 0:05:54 | 0:05:57 | |
the basement is where the real bonus lies. | 0:05:57 | 0:06:00 | |
Oh! | 0:06:00 | 0:06:01 | |
Down here there's a galley kitchen, | 0:06:01 | 0:06:04 | |
a good-sized living room and a double bedroom. | 0:06:04 | 0:06:07 | |
As far as an extra source of income goes, this place could provide rental revenue. | 0:06:07 | 0:06:13 | |
It is a self-contained flat. Brilliant. | 0:06:13 | 0:06:15 | |
We could rent this out in its entirety or we could sell it. | 0:06:15 | 0:06:19 | |
It's great that Keith's looking at the flat in a business-like way | 0:06:19 | 0:06:23 | |
and that's what will pay for the renovation upstairs. | 0:06:23 | 0:06:27 | |
But I'm worried June's creative side is taking over. | 0:06:27 | 0:06:30 | |
Look at the finishes there. It's really badly done. | 0:06:30 | 0:06:33 | |
-It's all right. -No, it's horrible. -We wouldn't be living in it. We'd rent it or sell it. | 0:06:33 | 0:06:39 | |
It's too horrible to rent to somebody. | 0:06:39 | 0:06:41 | |
I think it's ready to go. | 0:06:41 | 0:06:43 | |
It's got the beige carpet, magnolia wall, white ceiling, it's fairly recently done. | 0:06:43 | 0:06:48 | |
I think it would rent easily. | 0:06:48 | 0:06:50 | |
This is exactly why you were single when I met you. | 0:06:50 | 0:06:53 | |
OK, this might not be the place for them, | 0:06:54 | 0:06:57 | |
but I want to broaden their horizons by inspiring them with examples | 0:06:57 | 0:07:01 | |
of what other people have done with their empty homes. | 0:07:01 | 0:07:05 | |
Let's have a think about that property in Brighton that we sent you to without me. | 0:07:05 | 0:07:10 | |
-What did you make of it? -It was nicely run down and empty and had potential. | 0:07:10 | 0:07:14 | |
You have the opportunity to let it, which is why it was worth you looking at it. | 0:07:14 | 0:07:19 | |
It would have made great student lets. It was more of a business than a home. | 0:07:19 | 0:07:23 | |
You'd live in the smaller part and the bigger part would be the business - student lets. | 0:07:23 | 0:07:28 | |
I think the trick now is to get you to look at a couple of properties | 0:07:28 | 0:07:32 | |
which go more to the heart of what you're after - | 0:07:32 | 0:07:34 | |
properties which are in the process of being renovated and that have been renovated, | 0:07:34 | 0:07:39 | |
-but which have incorporate a second income along the way. -Fantastic. -Let's have a look at these. | 0:07:39 | 0:07:44 | |
I'm not convinced that Keith and June have the ambition required | 0:07:44 | 0:07:47 | |
to tackle the renovation of an empty property. | 0:07:47 | 0:07:50 | |
They'll need passion to propel them through the tough times - | 0:07:50 | 0:07:53 | |
something the owners of this formerly derelict house | 0:07:53 | 0:07:57 | |
in Worcestershire know only too well. | 0:07:57 | 0:07:59 | |
They took it on in 1996 and began a long journey, | 0:07:59 | 0:08:03 | |
transforming it into a sensational home. | 0:08:03 | 0:08:06 | |
Although it was in a terrible state, it's a magnificent looking house | 0:08:09 | 0:08:13 | |
and I think it was the windows that sold it to me, | 0:08:13 | 0:08:16 | |
and the setting, with the church and down a little quiet lane. It was just idyllic. | 0:08:16 | 0:08:21 | |
I thought, I don't care what it's like inside, I want it? | 0:08:21 | 0:08:24 | |
Jilly and Cliff's renovation was carried out in several stages | 0:08:24 | 0:08:28 | |
over five years, but not everything ran smoothly. | 0:08:28 | 0:08:32 | |
The most difficult part was the first few months here | 0:08:32 | 0:08:35 | |
when everything was in a terrible state | 0:08:35 | 0:08:37 | |
and we had teams of builders in doing work all over the place, and yet, several months later, | 0:08:37 | 0:08:44 | |
having spent goodness knows how many thousands of pounds, it didn't look any better. | 0:08:44 | 0:08:49 | |
Starting with the bare bones of the house, they have been able to incorporate unique features. | 0:08:49 | 0:08:53 | |
In our daughter's bedroom, | 0:08:53 | 0:08:56 | |
we thought it would be fun to have a Lion, Witch and the Wardrobe idea. | 0:08:56 | 0:08:59 | |
So, the original wardrobe frontages which were here when we moved in, we decided to keep, | 0:08:59 | 0:09:04 | |
so when you open the door, it's a complete surprise. | 0:09:04 | 0:09:07 | |
It's fun to walk through a wardrobe every time you need the loo(!) | 0:09:07 | 0:09:11 | |
As a way of bringing in extra income, | 0:09:12 | 0:09:15 | |
Jilly and Cliff converted outbuildings into holiday lets, | 0:09:15 | 0:09:18 | |
much like June and Keith hope to achieve. | 0:09:18 | 0:09:20 | |
One of the other attractions of the property | 0:09:20 | 0:09:23 | |
was that they had these beautiful old coach houses in the grounds. | 0:09:23 | 0:09:27 | |
We decided to develop them into a range of luxury holiday cottages. | 0:09:27 | 0:09:31 | |
14 years ago, they paid £235,000 for the house | 0:09:31 | 0:09:35 | |
and spent £300,000 transforming it, | 0:09:35 | 0:09:38 | |
as well as turning the outbuildings into holiday cottages. | 0:09:38 | 0:09:42 | |
If we were to have it valued now, for the whole site, including the cottages, | 0:09:42 | 0:09:46 | |
it would be in the region of £2 million, | 0:09:46 | 0:09:49 | |
so hopefully it's been a worthwhile exercise. | 0:09:49 | 0:09:51 | |
The couple are clear that only by taking on a disused property | 0:09:51 | 0:09:55 | |
have they been able to create their amazing abode. | 0:09:55 | 0:09:59 | |
How else were we going to ever live in what most people would consider to be a dream home? | 0:09:59 | 0:10:04 | |
There's no way we could have afforded it. It would have been beyond our wildest dreams. | 0:10:04 | 0:10:09 | |
It's not the sort of project that anybody should go into light-heartedly. | 0:10:09 | 0:10:14 | |
Having said that, if you do have the passion, then absolutely anything is achievable, | 0:10:14 | 0:10:20 | |
and there's a sense of pride that we have brought something back to life | 0:10:20 | 0:10:25 | |
that could well have tumbled and gone forever. | 0:10:25 | 0:10:29 | |
And it will be here for generations to come. | 0:10:29 | 0:10:32 | |
With property prices now being so high, | 0:10:35 | 0:10:38 | |
houses are too precious a commodity to leave empty for months on end, | 0:10:38 | 0:10:43 | |
which is why many local councils now employ Empty Property Officers | 0:10:43 | 0:10:47 | |
whose job it is to try and get them occupied once again. | 0:10:47 | 0:10:50 | |
Zainul Pirmohamed is employed by Stoke City Council | 0:10:53 | 0:10:58 | |
and has saved 141 houses from falling into rack and ruin in the last four years. | 0:10:58 | 0:11:03 | |
She heads up a team of three empty property officers. | 0:11:03 | 0:11:06 | |
One of the main reasons I do this job | 0:11:06 | 0:11:08 | |
is because of the difference that I do make to people's lives. | 0:11:08 | 0:11:12 | |
It's a real, real sense of satisfaction | 0:11:12 | 0:11:15 | |
and it's an achievement each time we bring a blighted empty property back into use. | 0:11:15 | 0:11:20 | |
Her team get around ten new houses per month to look into | 0:11:20 | 0:11:24 | |
and, today, she's checking up on an investigation which has got local residents quite spooked. | 0:11:24 | 0:11:29 | |
We're heading for a property which is 15 years empty. | 0:11:29 | 0:11:34 | |
Because it's been empty for so long, the locals have taken to calling it the ghost house. | 0:11:34 | 0:11:39 | |
This three-bed semi is on a quiet residential street | 0:11:40 | 0:11:43 | |
and is a nightmare for its neighbours. | 0:11:43 | 0:11:45 | |
The children, a few years ago, used to call it the spooky house | 0:11:47 | 0:11:51 | |
because they used to dare each other to come into the back garden | 0:11:51 | 0:11:55 | |
but I told them about the rat problem and that soon stopped that game. | 0:11:55 | 0:11:59 | |
I'm on friendly terms now with the rat man. His name's Dave. | 0:11:59 | 0:12:02 | |
Zainul's dogged determination to contact the owner has been met with silence, | 0:12:02 | 0:12:07 | |
so the council has taken legal steps to make a compulsory purchase of the house | 0:12:07 | 0:12:12 | |
and, today, Zainul is making one final check to ensure no-one or no thing is living there. | 0:12:12 | 0:12:18 | |
We've got an open window up there. | 0:12:18 | 0:12:20 | |
Having said that, I think that's been open for the last three or four years, | 0:12:20 | 0:12:24 | |
since I've been visiting the property. | 0:12:24 | 0:12:27 | |
Oh, goodness me! | 0:12:27 | 0:12:29 | |
It's absolutely full and it looks like somebody has ransacked the property. | 0:12:29 | 0:12:34 | |
This property has been an eyesore, it's been a pain to the neighbours, | 0:12:34 | 0:12:39 | |
so, for me, the quicker we can get this through the auction, | 0:12:39 | 0:12:43 | |
the quicker we can get somebody who is keen on bringing it back into use, | 0:12:43 | 0:12:47 | |
the sooner we can get it back into what it used to be - a lovely family home. | 0:12:47 | 0:12:51 | |
After satisfying herself the property is empty, | 0:12:51 | 0:12:54 | |
Zainul is keen to update the lady who lives in the adjoining house and allay any of her fears about it. | 0:12:54 | 0:13:00 | |
I know it's been a bother to you for many years now. | 0:13:00 | 0:13:04 | |
-He's not responded to any of my correspondence. -Right. | 0:13:04 | 0:13:08 | |
Once it's in our ownership, we'll make sure it's all secure, | 0:13:08 | 0:13:11 | |
so you will see black metal sheeting to the front and back on the ground floor | 0:13:11 | 0:13:15 | |
and boarding to the top. | 0:13:15 | 0:13:17 | |
A temporary measure, so don't be alarmed, purely so we can make sure that it's safe and secure. | 0:13:17 | 0:13:23 | |
With Zainul on the case, this blot on the landscape will soon be home to a needy local family. | 0:13:23 | 0:13:28 | |
It's an absolute travesty, really, | 0:13:28 | 0:13:31 | |
when there are so many people looking for this kind of family home. | 0:13:31 | 0:13:34 | |
The plan is to get the property secured, | 0:13:34 | 0:13:37 | |
get it cleared and then market it for sale. | 0:13:37 | 0:13:39 | |
If you think you've found your dream wreck or doer-upper | 0:13:42 | 0:13:46 | |
that you could turn into your perfect family home, | 0:13:46 | 0:13:49 | |
odds are you'll have to act pretty quickly to beat the developers, | 0:13:49 | 0:13:52 | |
but be sure to do your homework before completing on the sale and parting with your hard-earned cash. | 0:13:52 | 0:13:58 | |
Get a builder round to give you an estimate for alteration costs. | 0:13:58 | 0:14:02 | |
Book a meeting with the Planning Office to discuss how feasible your ideas are. | 0:14:02 | 0:14:06 | |
And be realistic about what you can afford. | 0:14:06 | 0:14:09 | |
Once you pick up the keys, there's no going back. | 0:14:09 | 0:14:11 | |
Keith Marsh and June Swindell | 0:14:16 | 0:14:19 | |
plan to make one of the biggest decisions of their lives - investing in a property together. | 0:14:19 | 0:14:24 | |
They've seen an empty, tired town house in Brighton | 0:14:24 | 0:14:27 | |
which offered them the opportunity to create a substantial home for themselves | 0:14:27 | 0:14:32 | |
and a holiday let to bring in extra cash. | 0:14:32 | 0:14:34 | |
But with no experience of renovating dilapidated houses, | 0:14:34 | 0:14:38 | |
I want to show them how others have financed their projects to give them more confidence. | 0:14:38 | 0:14:44 | |
Guys, we're here in Selsey and we're going to start with what I can only describe | 0:14:44 | 0:14:49 | |
as an extraordinarily ambitious project behind this hoarding. | 0:14:49 | 0:14:54 | |
If you want extreme, this is it. | 0:14:54 | 0:14:57 | |
This beautiful Grade II listed 17th century cottage in Selsey, Sussex, | 0:14:57 | 0:15:02 | |
was one of the town's most important historic buildings. | 0:15:02 | 0:15:06 | |
But, four years ago, something tragic happened. | 0:15:06 | 0:15:09 | |
A fire ripped through the building, destroying the roof, | 0:15:09 | 0:15:13 | |
leaving the house empty and open to the elements ever since. | 0:15:13 | 0:15:16 | |
Then, Sylvia Marshall heard local developers wanted to knock it down | 0:15:18 | 0:15:22 | |
to make way for new housing. | 0:15:22 | 0:15:24 | |
I always loved Selsey as a child and the idea a beautiful house as Sessions | 0:15:24 | 0:15:30 | |
could be left just to fall down or be developed, | 0:15:30 | 0:15:34 | |
I think it would simply be heartbreaking. Someone, somewhere had to do something. | 0:15:34 | 0:15:38 | |
And Sylvia did do something. She bought this pile of charred timber. | 0:15:38 | 0:15:43 | |
-Right, in you come. -OK(!) | 0:15:43 | 0:15:47 | |
Let me introduce you to this lovely lady here, to Sylvia. | 0:15:47 | 0:15:50 | |
She's now undertaking a mammoth restoration which could cost her an eye-watering £1 million. | 0:15:50 | 0:15:56 | |
In bringing you here, it's not just to frighten you with this project, | 0:15:56 | 0:16:01 | |
but the key thing is that Sylvia is considering turning half of this into a holiday let. | 0:16:01 | 0:16:06 | |
The plan is...it was originally two homes, | 0:16:06 | 0:16:09 | |
it will go back to being two homes, one I will live in and the other half to be a holiday let | 0:16:09 | 0:16:14 | |
which will offset some costs in actually doing the project. | 0:16:14 | 0:16:19 | |
I want Sylvia's enthusiasm to inspire June and Keith. | 0:16:19 | 0:16:23 | |
-Look at this! -It's like a haunted house. | 0:16:23 | 0:16:27 | |
This is extraordinary. My goodness...wow! | 0:16:27 | 0:16:30 | |
-That's what it used to look like. -That is stunning. | 0:16:30 | 0:16:34 | |
-That's chocolate box. -You can see the two doors. | 0:16:34 | 0:16:37 | |
Your choice of homes or lets. | 0:16:37 | 0:16:39 | |
-When you see that, how could you not restore it? -That's fair enough. | 0:16:39 | 0:16:44 | |
Sylvia's dedication led her to give up a career as a management consultant | 0:16:44 | 0:16:48 | |
to devote herself to the project. | 0:16:48 | 0:16:50 | |
Any designs June has on being a lady who lunches, | 0:16:50 | 0:16:54 | |
it could be more like butties with the builders. | 0:16:54 | 0:16:57 | |
I'd done my day job for 20 years but always had an interest in old buildings | 0:16:57 | 0:17:01 | |
and when Sessions came up, I burnt the suit and this became the day job. | 0:17:01 | 0:17:07 | |
I think it's amazing. Absolutely amazing. | 0:17:07 | 0:17:10 | |
My entire life is now doing this. | 0:17:10 | 0:17:13 | |
I live it, I breathe it. You have to. | 0:17:13 | 0:17:16 | |
She's only six months into the transformation and costs are already more than £500,000 and rising. | 0:17:16 | 0:17:22 | |
It's a lot of money and it's still open-ended as to the final bill. | 0:17:22 | 0:17:28 | |
But I can see that incorporating the holiday let | 0:17:28 | 0:17:30 | |
will clearly bring in a tidy sum, one would hope. | 0:17:30 | 0:17:33 | |
I think that's so important, whether it's a new property, an old property. | 0:17:33 | 0:17:38 | |
I need the comfort blanket of knowing there will be an income stream coming from somewhere. | 0:17:38 | 0:17:43 | |
It's an extraordinary project. Well done. | 0:17:45 | 0:17:47 | |
Seeing it on the chocolate box is all the reward I need. | 0:17:47 | 0:17:50 | |
Good luck. Good luck. | 0:17:50 | 0:17:53 | |
We often say that many renovations are not for the faint-hearted. | 0:17:55 | 0:17:59 | |
This is probably a classic example of that. | 0:17:59 | 0:18:01 | |
I'm not suggesting for one minute that it's right for Keith or June, | 0:18:01 | 0:18:05 | |
but the thing I like about this one is that it's not a renovation | 0:18:05 | 0:18:08 | |
that's just aimed at making extra space or making a few quid. | 0:18:08 | 0:18:11 | |
This one is driven by a relentless passion | 0:18:11 | 0:18:14 | |
to see this building returned to the state that it was once in. | 0:18:14 | 0:18:18 | |
I have to say, although Sylvia is about to start the rebuild, | 0:18:18 | 0:18:21 | |
along the way there will be many doubts and troubles, | 0:18:21 | 0:18:24 | |
if anybody can see this off and finish it, she can. | 0:18:24 | 0:18:28 | |
Later, I'll be taking them to meet a pair of renovators | 0:18:31 | 0:18:34 | |
who found another clever way of funding their project. | 0:18:34 | 0:18:38 | |
But, first, back in Stoke-on-Trent, Empty Property Officer Zainul Pirmohamed | 0:18:40 | 0:18:45 | |
is heading to a house that will soon be a family home once more. | 0:18:45 | 0:18:48 | |
I've been involved with a long-term empty property | 0:18:49 | 0:18:53 | |
since, erm, roughly, October 2008. | 0:18:53 | 0:18:56 | |
The previous owners of this two-bed terrace tried to renovate the property | 0:18:56 | 0:19:01 | |
but hit problems with their building work and were forced to abandon it. | 0:19:01 | 0:19:05 | |
They then failed to carry out work to bring it up to a livable standard | 0:19:05 | 0:19:08 | |
and when threatened with a compulsory purchase order, they put the house on the market. | 0:19:08 | 0:19:14 | |
It sold and, today, Zainul's catching up with the new owner. | 0:19:15 | 0:19:19 | |
Hi. Good to see you again. | 0:19:19 | 0:19:21 | |
The previous owners removed a chimney breast on the ground floor | 0:19:21 | 0:19:25 | |
-without properly supporting the upper floor. -Goodness me. | 0:19:25 | 0:19:28 | |
So Zainul's first concern today | 0:19:28 | 0:19:31 | |
is to check if vital structural work has been carried out to make it safe. | 0:19:31 | 0:19:35 | |
What is it that your workmen have done so that that scaffolding can be taken away? | 0:19:35 | 0:19:39 | |
The chimney wasn't supported at the top. | 0:19:39 | 0:19:42 | |
They've put some supports at the top, have they? Brilliant. | 0:19:42 | 0:19:46 | |
It's not just Zainul who wants the house lived in. | 0:19:46 | 0:19:48 | |
Living next to this empty property has been an absolute nightmare for two years. | 0:19:48 | 0:19:53 | |
It's been a dumping ground in the back garden. | 0:19:53 | 0:19:56 | |
We've had damp. | 0:19:56 | 0:19:57 | |
We just want it finished | 0:19:57 | 0:19:59 | |
and people living in it so it's back to normal | 0:19:59 | 0:20:02 | |
because everybody up this street seems to take care of their houses. | 0:20:02 | 0:20:07 | |
Goodness me, look at the state of that! | 0:20:07 | 0:20:10 | |
Your workmen better be quite strong men. | 0:20:10 | 0:20:13 | |
-All those bricks, where are they from? -The chimney. | 0:20:13 | 0:20:17 | |
Of course, yeah. | 0:20:17 | 0:20:18 | |
So it's the full works, isn't it? | 0:20:18 | 0:20:20 | |
It's literally new windows, kitchen, bathroom, central heating, doors. | 0:20:20 | 0:20:25 | |
It's absolutely everything. Everything brand new really. | 0:20:25 | 0:20:30 | |
A grant from the council means he can carry out major works to bring the house back into use. | 0:20:30 | 0:20:36 | |
With a time-scale of 12 weeks to complete this, | 0:20:36 | 0:20:39 | |
the house will then be rented to people on the council's waiting list. | 0:20:39 | 0:20:43 | |
There's a lot of work required here. A lot more than I realised. | 0:20:43 | 0:20:47 | |
I think we need to consider extending the time you would normally be allowed. | 0:20:47 | 0:20:51 | |
Usually, we give 12 weeks. | 0:20:51 | 0:20:53 | |
Having looked at the property, we would be willing to give extra time. | 0:20:53 | 0:20:57 | |
Although Zainul's given the owner more time to complete the work, | 0:20:57 | 0:21:02 | |
she'll be keeping a close eye on this case to make sure it's back into use as soon as possible. | 0:21:02 | 0:21:06 | |
Thank you very much for your time. | 0:21:06 | 0:21:08 | |
The main thing here is we have a responsible owner now. | 0:21:08 | 0:21:12 | |
I don't think we have to do a lot, other than monitor the case. | 0:21:12 | 0:21:16 | |
And with families in the area in desperate need of homes, this place is a valuable commodity. | 0:21:16 | 0:21:21 | |
We've got over 9,000 people on our waiting list, with many thousands of families there. | 0:21:21 | 0:21:26 | |
It's important we bring a lot of these properties back into use | 0:21:26 | 0:21:29 | |
to provide families with young children a nice, steady home to grow up in. | 0:21:29 | 0:21:34 | |
Hopefully, in the next few months, this will be another successful case closed for Zainul. | 0:21:34 | 0:21:40 | |
Keith and June have a clever plan to renovate a disused dwelling | 0:21:41 | 0:21:45 | |
and turn it into their first home by partially funding the move | 0:21:45 | 0:21:48 | |
through renting out part of the building as a holiday let. | 0:21:48 | 0:21:52 | |
They've seen how brave Sylvia is funding an incredibly ambitious restoration in this way. | 0:21:52 | 0:21:58 | |
I want to show them the final piece of the puzzle | 0:21:59 | 0:22:02 | |
which I think will give them the confidence to go ahead with their project. | 0:22:02 | 0:22:06 | |
Now, then, as promised we are going to show you something that's been completed. | 0:22:06 | 0:22:11 | |
You can see the other end of the process. | 0:22:11 | 0:22:15 | |
Six years ago, carpenter Ben Halsey and his wife Lindsay | 0:22:15 | 0:22:18 | |
bought a rundown cottage and stable that hadn't been lived in for years. | 0:22:18 | 0:22:22 | |
We weren't really interested in the cottage. | 0:22:22 | 0:22:25 | |
As lovely as it is, we saw this place and it just lit us up. | 0:22:25 | 0:22:31 | |
Ben and Lindsay have converted the stables | 0:22:31 | 0:22:34 | |
into an impressive two-bedroom home | 0:22:34 | 0:22:36 | |
with a bespoke kitchen and a unique mezzanine level. | 0:22:36 | 0:22:40 | |
In order to be able to carry out | 0:22:40 | 0:22:42 | |
this outstanding conversion of the stable block | 0:22:42 | 0:22:45 | |
they renovated the cottage and sold it off. | 0:22:45 | 0:22:48 | |
-Fantastic. -Yeah? | 0:22:48 | 0:22:49 | |
I think this is a really nice one, actually. | 0:22:49 | 0:22:52 | |
Let's go and meet them. | 0:22:52 | 0:22:54 | |
I hope this smart financing will convince Keith and June | 0:22:54 | 0:22:57 | |
they can apply a similar principle to make their dream home affordable. | 0:22:57 | 0:23:01 | |
Come and meet these two clever owners and the dogs. | 0:23:01 | 0:23:05 | |
-This is Keith. -Hi. | 0:23:05 | 0:23:07 | |
Ben, you've done a lot of the work, helped by the fact you're a very accomplished joiner. | 0:23:07 | 0:23:12 | |
-It's beautiful. -Yeah? | 0:23:12 | 0:23:14 | |
We are all suitably impressed, guys. It's a terrific job. | 0:23:14 | 0:23:17 | |
You started with two properties, didn't you? | 0:23:17 | 0:23:20 | |
We had to buy the two properties. | 0:23:20 | 0:23:23 | |
This came as an outbuilding to that property next-door. We did that property up. | 0:23:23 | 0:23:28 | |
We sold that to finance the doing up of this one. | 0:23:28 | 0:23:32 | |
Ben and Lindsay have created a beautiful home | 0:23:32 | 0:23:35 | |
with every detail finished how they want it. | 0:23:35 | 0:23:38 | |
I do like my Nigella cupboard which Ben made for me. | 0:23:38 | 0:23:41 | |
It's good for inspiration. | 0:23:41 | 0:23:44 | |
Like Sylvia earlier, Ben put his day job on hold, | 0:23:44 | 0:23:47 | |
focusing his carpentry skills on creating their home, | 0:23:47 | 0:23:50 | |
but it wasn't all plain sailing. | 0:23:50 | 0:23:53 | |
We did employ builders at one time. | 0:23:53 | 0:23:55 | |
It was clear to me that they didn't grasp the build very quickly or easily, | 0:23:55 | 0:24:00 | |
so we got rid of those as soon as we could. | 0:24:00 | 0:24:03 | |
We had to take the tiles off the roof and start again. | 0:24:03 | 0:24:06 | |
In November, on my birthday, in a north-easterly, | 0:24:06 | 0:24:09 | |
we were both up there retiling the roof. | 0:24:09 | 0:24:12 | |
It seems June's designer eye for detail has got her excited about this place. | 0:24:12 | 0:24:17 | |
It's going to age really well, which is lovely. | 0:24:17 | 0:24:19 | |
I also found it interesting that you did the other property first. | 0:24:19 | 0:24:24 | |
We came in this building and we saw the view and this was for us, | 0:24:24 | 0:24:28 | |
we could vision it straight away... visualise it. | 0:24:28 | 0:24:31 | |
We bit the bullet. It was more money than we thought we could afford, | 0:24:31 | 0:24:36 | |
so we got a big mortgage and Ben had to have time off from work | 0:24:36 | 0:24:40 | |
so we had to finance him not working and working on this. | 0:24:40 | 0:24:43 | |
A large oak balcony gives them a fantastic outside space | 0:24:43 | 0:24:47 | |
with beautiful views. | 0:24:47 | 0:24:49 | |
This is the life, isn't it? | 0:24:49 | 0:24:51 | |
-This works. -This is brilliant. | 0:24:51 | 0:24:53 | |
When the sun is shining it's great to have a drink here in the evening | 0:24:53 | 0:24:58 | |
and watch the sun go down over there. | 0:24:58 | 0:25:00 | |
Can we talk about the money? That goes to the heart of whether it's been worth it or not. | 0:25:00 | 0:25:05 | |
You bought the two together. This building, let's say, was worth about £200,000. | 0:25:05 | 0:25:09 | |
You've spent £300,000 on it. £500,000 all in. | 0:25:09 | 0:25:11 | |
We wouldn't sell it for less than £850,000. | 0:25:11 | 0:25:14 | |
So you're sitting pretty on £350,000. | 0:25:14 | 0:25:18 | |
That's the effort, I suppose, and six years of no wages. | 0:25:18 | 0:25:21 | |
As Keith and Jean have seen, it takes passion and dedication | 0:25:21 | 0:25:26 | |
to take a vacant building from disused to desirable. | 0:25:26 | 0:25:29 | |
But I hope I've given them the inspiration to go for it. | 0:25:29 | 0:25:32 | |
Well, guys, here we are at the end of our pretty busy day, I think you will agree. | 0:25:32 | 0:25:37 | |
Have we inspired you or put you off the idea of taking on an empty building? | 0:25:37 | 0:25:41 | |
You couldn't help but be inspired by Sylvia's place, but be daunted as well. | 0:25:41 | 0:25:46 | |
I'm pretty sure that's way out of our spectrum. | 0:25:46 | 0:25:50 | |
Ben and Lindsay's place is stunning. Perfect. And achievable. | 0:25:50 | 0:25:54 | |
What were the key things you'll take away from those two properties? Two extreme examples. | 0:25:54 | 0:26:00 | |
Definitely, they both felt passionate about what they were doing. | 0:26:00 | 0:26:04 | |
The end result was obviously something they want to keep and hold on to. | 0:26:04 | 0:26:08 | |
Now, both of the properties we've seen have cost a lot of money and are going to cost a lot of money. | 0:26:08 | 0:26:13 | |
Have you taken anything away about the financial implications? | 0:26:13 | 0:26:17 | |
Ben and Lindsay's opened up a new idea of buying two - | 0:26:17 | 0:26:21 | |
fixing one up, selling, using that profit to support the other one. | 0:26:21 | 0:26:26 | |
Have we ignited your passion to go forward and find an empty property? | 0:26:26 | 0:26:30 | |
Absolutely. It's definitely time to start hunting, I think. | 0:26:30 | 0:26:34 | |
-Brilliant, guys. Very best of luck. Let us know how you get on. -We will. | 0:26:34 | 0:26:38 | |
I learn something new from every renovation I look at. | 0:26:40 | 0:26:44 | |
I've been particularly inspired by Sylvia. | 0:26:44 | 0:26:47 | |
In that case, fortune will favour the brave. | 0:26:47 | 0:26:49 | |
But the overriding theme is passion, | 0:26:49 | 0:26:51 | |
and I'm pretty sure Keith and June will take that away in spades | 0:26:51 | 0:26:55 | |
and when they find their dream home they're going to set about it with real gusto. | 0:26:55 | 0:27:00 | |
Subtitles by Red Bee Media Ltd | 0:27:23 | 0:27:26 |