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Across the country, properties that could be homes | 0:00:01 | 0:00:05 | |
are just waiting to be brought back into use. | 0:00:05 | 0:00:08 | |
I'll be finding out why and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:13 | |
And I'll be doing some digging of my own, | 0:00:13 | 0:00:16 | |
to find out more about our housing stock, our heritage and why | 0:00:16 | 0:00:19 | |
we should be both be reinventing and preserving | 0:00:19 | 0:00:22 | |
Britain's empty homes. | 0:00:22 | 0:00:24 | |
There's a massive housing shortage in the UK today | 0:00:32 | 0:00:35 | |
and yet there's nearly a million properties lying empty | 0:00:35 | 0:00:38 | |
and abandoned. Of course, it's a pretty daunting prospect to take on | 0:00:38 | 0:00:42 | |
a house in a state of disrepair, | 0:00:42 | 0:00:44 | |
but beyond the peeling paintwork and boarded-up windows | 0:00:44 | 0:00:48 | |
is potentially a beautiful home, just waiting to be brought back to life. | 0:00:48 | 0:00:53 | |
On today's show, I'll be meeting up with a woman | 0:00:57 | 0:01:00 | |
who's looking to take on her first renovation. | 0:01:00 | 0:01:03 | |
Oh! Fantastic! I didn't expect that. | 0:01:04 | 0:01:07 | |
I'll be finding out what's being done | 0:01:07 | 0:01:10 | |
to address the nationwide housing crisis. | 0:01:10 | 0:01:13 | |
How many lives could be better if they had a home to live in? | 0:01:13 | 0:01:17 | |
What must they feel like when they see something like this empty? | 0:01:17 | 0:01:21 | |
And we'll be following the property detectives who track down | 0:01:21 | 0:01:25 | |
the owners of forgotten homes and bring the buildings back to life. | 0:01:25 | 0:01:29 | |
There is actually holes in the glass there, | 0:01:29 | 0:01:32 | |
as if someone's thrown something through it. | 0:01:32 | 0:01:34 | |
Karen Cartwright is about to make a big move from Devon back to | 0:01:37 | 0:01:40 | |
her birthplace of Swinley on the outskirts of Wigan. | 0:01:40 | 0:01:44 | |
Her eldest children have settled here and now Karen | 0:01:45 | 0:01:48 | |
and youngest son Bradley are set to join them. | 0:01:48 | 0:01:52 | |
I moved down to Devon 25 years ago, | 0:01:52 | 0:01:54 | |
enjoyed myself down there, got myself some lovely friends. | 0:01:54 | 0:01:58 | |
But now I'd like to move back to be near my family. | 0:01:58 | 0:02:01 | |
My house in Devon, I really, really love. | 0:02:02 | 0:02:05 | |
Ideally, I would like to put it in a box | 0:02:05 | 0:02:08 | |
and just transport it to Swinley. | 0:02:08 | 0:02:11 | |
Leaving her dream house behind, Karen's now set her heart | 0:02:11 | 0:02:15 | |
on finding an empty home that she can make her own. | 0:02:15 | 0:02:20 | |
I look at new properties, but they don't mean anything to me. | 0:02:20 | 0:02:23 | |
They leave me cold. There's no character to them. | 0:02:23 | 0:02:26 | |
Karen plans to do a lot of the work herself | 0:02:26 | 0:02:29 | |
and to live on site during the build to cut costs. | 0:02:29 | 0:02:33 | |
Renovating a property is a really exciting prospect to me. | 0:02:33 | 0:02:37 | |
I have thought about it for about four years | 0:02:37 | 0:02:40 | |
and I can't wait to get my hands on one | 0:02:40 | 0:02:43 | |
and just renovate it, put my stamp on it, | 0:02:43 | 0:02:46 | |
and when it's done, just look at it and think, "I've done it." | 0:02:46 | 0:02:50 | |
'I've arranged to meet up with Karen in Swinley to help her with her search.' | 0:02:55 | 0:03:00 | |
-What is it you're looking for? -A semi-detached house | 0:03:00 | 0:03:05 | |
in a quiet area, three bedrooms, | 0:03:05 | 0:03:08 | |
bit of a garden or a bit of an area at the back | 0:03:08 | 0:03:11 | |
that I can put my stamp on as well. | 0:03:11 | 0:03:13 | |
Sure. Well this is a property that I want to show you. 1920s or early 1930s, | 0:03:13 | 0:03:18 | |
semi-detached, does have three bedrooms, | 0:03:18 | 0:03:20 | |
does have a bit of a garden space and is also on a nice, quiet cul-de-sac. | 0:03:20 | 0:03:26 | |
Ticks a lot of the boxes. Let's go inside and have a look round, shall we? | 0:03:26 | 0:03:31 | |
This house is on the market for £145,000 | 0:03:33 | 0:03:38 | |
and Karen has 170,000 to both buy and carry out the renovations. | 0:03:38 | 0:03:43 | |
So, this is obviously the front room. | 0:03:46 | 0:03:49 | |
The things that stand out in here for me are a few of the features. | 0:03:49 | 0:03:52 | |
You've got these rounded, brick edges to things, that's '30s, | 0:03:52 | 0:03:56 | |
stained glass in the window, it is not original, but... | 0:03:56 | 0:04:00 | |
in keeping with the style of the property. | 0:04:00 | 0:04:03 | |
-Quite a bright feel to it. -Lovely. Yeah, I like the big windows. | 0:04:03 | 0:04:07 | |
-Yeah, it's really nice. -You've got a gas fire here, as well. | 0:04:07 | 0:04:12 | |
Yeah... I'd have to find out if the chimney's working, | 0:04:12 | 0:04:15 | |
-because I would like a log burner. -OK. -The eco-friendly burning... | 0:04:15 | 0:04:20 | |
kind of materials. Really warm. Absolutely lovely. That's what I'd like. | 0:04:20 | 0:04:25 | |
The 1930s semi is in need of modernisation, | 0:04:28 | 0:04:32 | |
but the good news is that it seems to be habitable. | 0:04:32 | 0:04:35 | |
Poke your head in here. Can you tell what it is? | 0:04:35 | 0:04:38 | |
-Oh, right, it's a kitchen. -A kitchen. -The positioning of the door, | 0:04:38 | 0:04:42 | |
I thought it was an under stairs cloakroom, | 0:04:42 | 0:04:45 | |
a toilet and a basin, but I didn't think they'd fit a kitchen in here. | 0:04:45 | 0:04:50 | |
They have! A compact kitchen, it is, too. | 0:04:50 | 0:04:54 | |
Could you work in a kitchen like this, or is this too small? | 0:04:54 | 0:04:57 | |
It's too enclosed for me. I'd have to think of what we could do | 0:04:57 | 0:05:01 | |
to open it up a bit, and I do like Agas, | 0:05:01 | 0:05:05 | |
so I think an Aga would take up nearly this full wall. | 0:05:05 | 0:05:08 | |
This would be the Aga room and not much else. | 0:05:08 | 0:05:12 | |
Bear this in mind as we go through to the next room at the back, there. | 0:05:12 | 0:05:17 | |
Again, it's a kind of reception room, so, I suppose, given what | 0:05:17 | 0:05:22 | |
we've seen in the kitchen, you have the option of knocking through. | 0:05:22 | 0:05:27 | |
Is that something you'd considered? | 0:05:27 | 0:05:30 | |
You get that whole space as well, added onto the big open plan rooms. | 0:05:30 | 0:05:34 | |
Didn't think of that. | 0:05:34 | 0:05:35 | |
Outside, I'm hoping the purpose built garage might provide | 0:05:37 | 0:05:41 | |
some useful extra space for Karen and her son. | 0:05:41 | 0:05:44 | |
Fantastic! I didn't expect that. | 0:05:44 | 0:05:47 | |
That's my son's drumming room. No noise, now, in the house. | 0:05:47 | 0:05:52 | |
That is a good plus point, that. | 0:05:52 | 0:05:55 | |
I think you've got room, if you wanted, room to extend. | 0:05:55 | 0:05:59 | |
-Definitely. -That kitchen could go out the other way. | 0:05:59 | 0:06:02 | |
-What do you think? -It could even come this way, | 0:06:02 | 0:06:06 | |
-with this, if I want to extend there, as well. -And lots of light. | 0:06:06 | 0:06:09 | |
There's nothing built up in that space, | 0:06:09 | 0:06:11 | |
so if you'd any glass panelling or roofing, you'd bring a lot of light in. | 0:06:11 | 0:06:15 | |
Definitely, I'd make sure I had a glass roof to get the light in. | 0:06:15 | 0:06:19 | |
-I like the look of that. Quite promising. Lots of potential there. -Yes, definitely. | 0:06:19 | 0:06:25 | |
Yeah, really excited now. | 0:06:25 | 0:06:27 | |
It's been really good for Karen to have a look at this place, | 0:06:33 | 0:06:36 | |
not just because it's in the right area and fulfils many of her criteria, | 0:06:36 | 0:06:40 | |
but it's a good opportunity to visualise how she would use an empty home like this. | 0:06:40 | 0:06:45 | |
Later, I'll take her to meet a couple who have | 0:06:45 | 0:06:47 | |
completed a renovation very much in line with her aspirations, | 0:06:47 | 0:06:51 | |
and I think they'll have some really good advice about how | 0:06:51 | 0:06:54 | |
to make the whole process as painless as possible. | 0:06:54 | 0:06:57 | |
Up and down the country, our streets are blighted by empty properties. | 0:07:02 | 0:07:07 | |
But throughout the UK, a team of men and women are working to ensure | 0:07:07 | 0:07:12 | |
these derelict houses become homes, once again. | 0:07:12 | 0:07:16 | |
Steve Reed works for Cardiff Council | 0:07:19 | 0:07:21 | |
and is dedicated to getting the city's vacant homes lived in. | 0:07:21 | 0:07:25 | |
It does become more than a job, | 0:07:26 | 0:07:28 | |
because you find on your days off when you're out and about, | 0:07:28 | 0:07:31 | |
driving around, you spot these empty properties a mile off | 0:07:31 | 0:07:35 | |
and think, "I could do something with that." | 0:07:35 | 0:07:37 | |
In his nine years on the job, he's saved over 700 houses from ruin. | 0:07:38 | 0:07:43 | |
When I finally see an empty property occupied, | 0:07:43 | 0:07:47 | |
it's a great sense of satisfaction, that you've actually played | 0:07:47 | 0:07:50 | |
a major part in getting it back to this occupied state. | 0:07:50 | 0:07:54 | |
Steve has received reports that a building | 0:07:59 | 0:08:02 | |
he dealt with over six years ago, has been left empty again. | 0:08:02 | 0:08:06 | |
What I am going to be doing today, | 0:08:06 | 0:08:08 | |
is having a little look around the property, | 0:08:08 | 0:08:12 | |
to see if we can confirm whether there's someone living in there. | 0:08:12 | 0:08:17 | |
The letterbox is open, but there's a curtain behind it | 0:08:26 | 0:08:31 | |
so I can't see inside but it doesn't look like there's anyone there. | 0:08:31 | 0:08:35 | |
We've got a light on. | 0:08:35 | 0:08:37 | |
That's probably just been left on to make it appear as if there's someone in there. | 0:08:37 | 0:08:42 | |
It's clear the house is showing signs of neglect and deterioration. | 0:08:42 | 0:08:47 | |
Just looking at this step, here, there's a huge crack across the top. | 0:08:47 | 0:08:51 | |
The tiles are all loose, and then looking up, | 0:08:51 | 0:08:55 | |
there's some sort of black staining which looks like water damage | 0:08:55 | 0:08:59 | |
across the top of the door as well, so it's not being maintained at all. | 0:08:59 | 0:09:05 | |
The condition of the bay windows is also a big concern for Steve. | 0:09:05 | 0:09:09 | |
It's almost open. The latch is hardly holding it shut. | 0:09:09 | 0:09:13 | |
The glass has been pushed in. There's actually holes in the glass, there, | 0:09:13 | 0:09:18 | |
and there, as if someone's thrown something through it. | 0:09:18 | 0:09:22 | |
Whilst there's no sign of life in the house, it seems to be a different story in the garden. | 0:09:22 | 0:09:26 | |
The grass has been cut, | 0:09:26 | 0:09:28 | |
so obviously someone's been here, fairly recently. | 0:09:28 | 0:09:31 | |
It looks fairly recently cut because it's still green. | 0:09:31 | 0:09:35 | |
Just check the bin. | 0:09:35 | 0:09:37 | |
There you go. There's all the grass cuttings, | 0:09:37 | 0:09:41 | |
so obviously the bins are collected weekly, | 0:09:41 | 0:09:44 | |
so it's been less than a week since someone's been here and done this. | 0:09:44 | 0:09:49 | |
You do get lots of properties where owners just keep them | 0:09:49 | 0:09:52 | |
looking like there's someone in them, when there isn't. | 0:09:52 | 0:09:56 | |
Eager to solve the mystery of who's been at the property, | 0:09:56 | 0:09:59 | |
Steve decides to try and speak with the neighbours. | 0:09:59 | 0:10:03 | |
I've spoken to a few of the neighbours. | 0:10:06 | 0:10:08 | |
They have confirmed that there's nobody living here | 0:10:08 | 0:10:11 | |
and there hasn't been for about a year. | 0:10:11 | 0:10:13 | |
They also confirmed that a couple of days ago, somebody turned up, | 0:10:13 | 0:10:17 | |
a couple of them turned up, cut the grass, put the light on and left, | 0:10:17 | 0:10:21 | |
so there's definitely nobody here. | 0:10:21 | 0:10:23 | |
So now I'll go to the office and start our procedure on this property | 0:10:23 | 0:10:26 | |
and get in touch with the owner, find out exactly what's going on. | 0:10:26 | 0:10:31 | |
Since Steve has reopened the case, | 0:10:31 | 0:10:33 | |
he's been in contact with the owners, | 0:10:33 | 0:10:35 | |
who have said they're planning to develop the site for flats. | 0:10:35 | 0:10:39 | |
It takes courage, commitment and determination | 0:10:39 | 0:10:42 | |
to take on an empty home. | 0:10:42 | 0:10:44 | |
All too often, the years of neglect have taken their toll, | 0:10:44 | 0:10:47 | |
and the problems can be challenging and costly. | 0:10:47 | 0:10:50 | |
However, rarely are they insurmountable, | 0:10:50 | 0:10:52 | |
and the benefits can be huge. | 0:10:52 | 0:10:54 | |
You give a house a new lease of life, and in return | 0:10:54 | 0:10:57 | |
the house gives you the chance to create your dream home. | 0:10:57 | 0:11:01 | |
Mark and Jo Turner were riding their horses | 0:11:03 | 0:11:05 | |
when they first set eyes on Crockmore Farm. | 0:11:05 | 0:11:08 | |
I think the first thing that we liked about the place | 0:11:08 | 0:11:11 | |
was that it had a lot of character and had room, land for horses. | 0:11:11 | 0:11:14 | |
Situated on a 50-acre plot near Henley-upon-Thames, | 0:11:14 | 0:11:18 | |
some of the structures date back to the 17th century. | 0:11:18 | 0:11:22 | |
The farm lay empty for ten years before Mark and Jo spotted it | 0:11:22 | 0:11:25 | |
and saw its huge potential. | 0:11:25 | 0:11:28 | |
Every building - and there were a lot of them - were falling down. | 0:11:28 | 0:11:31 | |
The house itself had holes going through the floors. | 0:11:34 | 0:11:36 | |
-We couldn't walk upstairs. -You couldn't. It was dangerous. | 0:11:36 | 0:11:41 | |
We just thought, "I don't know if we're up to this." | 0:11:41 | 0:11:44 | |
I think it took us about six months of coming back and keep looking | 0:11:44 | 0:11:48 | |
and thinking, "Well, you know, it could be something spectacular," | 0:11:48 | 0:11:52 | |
and I think that's when we eventually decided to go for it. | 0:11:52 | 0:11:56 | |
The couple paid £1.5 million for it back in 1999, | 0:11:59 | 0:12:03 | |
and due to the size of the project, they employed a planning consultant, | 0:12:03 | 0:12:07 | |
architect and project manager for the four-year renovation. | 0:12:07 | 0:12:12 | |
We wanted one project manager to report to us | 0:12:12 | 0:12:16 | |
so that we didn't have to have the concern | 0:12:16 | 0:12:19 | |
of dealing with things we didn't know about. | 0:12:19 | 0:12:22 | |
It did make things a lot easier. | 0:12:22 | 0:12:25 | |
The couple have transformed the Grade II listed farmhouse | 0:12:25 | 0:12:29 | |
into a beautiful five-bedroom family home | 0:12:29 | 0:12:32 | |
and converted the adjoining barns into a state-of-the-art games room | 0:12:32 | 0:12:35 | |
and a multifunctional entertainment space. | 0:12:35 | 0:12:39 | |
The house has sort of emerged as we've lived here. | 0:12:39 | 0:12:44 | |
We've got a feel for how we feel it would work. | 0:12:44 | 0:12:47 | |
We tend to use the old house as the snug part of the house. | 0:12:48 | 0:12:51 | |
It's where we sleep. The bedrooms are above there. | 0:12:51 | 0:12:55 | |
It has sort of our "den", where we hang out as a family, | 0:12:55 | 0:12:58 | |
and it's much cosier in the very cold winter nights. | 0:12:58 | 0:13:02 | |
The old owner has been over, | 0:13:03 | 0:13:06 | |
and he's delighted that it's back together again. | 0:13:06 | 0:13:10 | |
It's nice that it is back together in one piece | 0:13:12 | 0:13:15 | |
and hopefully for another few generations! | 0:13:15 | 0:13:17 | |
In recent years, waiting lists for housing have soared to record levels | 0:13:24 | 0:13:28 | |
and despite 4.5 million people needing homes, | 0:13:28 | 0:13:31 | |
there are almost a million properties | 0:13:31 | 0:13:34 | |
standing empty across the UK. | 0:13:34 | 0:13:37 | |
This is a country in the grip | 0:13:37 | 0:13:40 | |
of a housing crisis which needs to be addressed nationwide. | 0:13:40 | 0:13:44 | |
The Government recently announced a fund of £50 million | 0:13:47 | 0:13:50 | |
to help regenerate areas losing the fight against empty properties. | 0:13:50 | 0:13:55 | |
So I've come to London to meet David Ireland of the Empty Homes Agency | 0:13:55 | 0:13:58 | |
to find out just what a difference this money can or will make. | 0:13:58 | 0:14:03 | |
-David, how are you doing? -Good to see you. | 0:14:05 | 0:14:08 | |
How mad does it make you when you see | 0:14:10 | 0:14:12 | |
just the amount of empty properties in this country? | 0:14:12 | 0:14:15 | |
Well, it does, and I just think, | 0:14:15 | 0:14:17 | |
how many people's lives could be better | 0:14:17 | 0:14:19 | |
if they had a home to live in? | 0:14:19 | 0:14:20 | |
What must they feel like when they see these houses empty | 0:14:20 | 0:14:24 | |
-and they haven't got a home for themselves at all? -Yeah. | 0:14:24 | 0:14:27 | |
Let's talk empty properties and government funding. | 0:14:27 | 0:14:31 | |
£100 million was made available to tackle empty properties, | 0:14:31 | 0:14:34 | |
now another additional 50 million. | 0:14:34 | 0:14:36 | |
What's the thinking behind this extra pot of cash? | 0:14:36 | 0:14:39 | |
Well, this money is specifically aimed | 0:14:39 | 0:14:41 | |
at areas where there are a lot of empty homes and the market is weak. | 0:14:41 | 0:14:45 | |
Regeneration is trying to get areas that are run down | 0:14:45 | 0:14:48 | |
back and going again, getting the housing market going. | 0:14:48 | 0:14:51 | |
I suppose once decline sets in on a whole area, | 0:14:51 | 0:14:54 | |
street upon street empty, | 0:14:54 | 0:14:55 | |
it's very difficult to turn that around, isn't it? | 0:14:55 | 0:14:58 | |
It is. You need something to break the log jam, | 0:14:58 | 0:15:01 | |
and sometimes funding can do just that. | 0:15:01 | 0:15:03 | |
It seems to me this is about kick-starting, this is a spark | 0:15:03 | 0:15:06 | |
to try and turn areas around, | 0:15:06 | 0:15:09 | |
and once they're moving and going in the right direction, | 0:15:09 | 0:15:12 | |
it's hoped that individuals or developers come in | 0:15:12 | 0:15:14 | |
and sort of jump on the bandwagon. | 0:15:14 | 0:15:16 | |
Absolutely. I think that it's the direction | 0:15:16 | 0:15:19 | |
that areas are going in which is critical, | 0:15:19 | 0:15:21 | |
and if areas are going down, then nobody's going to invest. | 0:15:21 | 0:15:24 | |
If you can get areas going up, | 0:15:24 | 0:15:26 | |
even if they're still in quite a poor shape, | 0:15:26 | 0:15:28 | |
then people see it's worth putting their money in, | 0:15:28 | 0:15:31 | |
and then areas begin to take off again. | 0:15:31 | 0:15:33 | |
Finally, there is some money being made available now, | 0:15:35 | 0:15:38 | |
first the 100 million, now this extra pot of 50 million | 0:15:38 | 0:15:41 | |
for regeneration of empty properties in specific areas. | 0:15:41 | 0:15:45 | |
How encouraging is that for you, | 0:15:45 | 0:15:47 | |
that there's some hope, some attention, some money on this problem? | 0:15:47 | 0:15:51 | |
At a time when it's difficult to get public money, | 0:15:51 | 0:15:53 | |
it's amazing that we've got this, and I'm very pleased that it's there. | 0:15:53 | 0:15:57 | |
It's not enough to solve the whole problem, but it's a very good start. | 0:15:57 | 0:16:01 | |
Tackling the problem of empty homes is clearly on the government agenda. | 0:16:05 | 0:16:10 | |
Money is being made available, which is great news. | 0:16:10 | 0:16:14 | |
Of course, it can't be solved overnight, | 0:16:14 | 0:16:16 | |
it does require a long-term commitment, | 0:16:16 | 0:16:19 | |
but investing in vacant properties today | 0:16:19 | 0:16:22 | |
helps create and maintain our communities of tomorrow. | 0:16:22 | 0:16:26 | |
'Earlier, I met Karen Cartwright, | 0:16:32 | 0:16:35 | |
'who plans to take on her first renovation | 0:16:35 | 0:16:37 | |
'in her home town of Swinley in Wigan. | 0:16:37 | 0:16:39 | |
'To help her realise the potential of an empty property, | 0:16:41 | 0:16:44 | |
'I'm taking her to meet a couple | 0:16:44 | 0:16:46 | |
'who have successfully completed a stunning restoration of their own.' | 0:16:46 | 0:16:50 | |
Well, Karen, this is the house I want you to see. | 0:16:50 | 0:16:52 | |
This property was built in 1911, so it's late Edwardian. | 0:16:54 | 0:16:58 | |
It's an arts and crafts house. | 0:16:58 | 0:17:00 | |
It was empty for a while, before these guys bought it, | 0:17:00 | 0:17:03 | |
so a bit like the house you saw earlier. | 0:17:03 | 0:17:06 | |
Can't wait to see the similarities or what they've been doing inside. | 0:17:06 | 0:17:10 | |
Yeah. I think what they've done inside will appeal to you. | 0:17:10 | 0:17:13 | |
-Shall we go and say hello? -Yeah. Looking forward to it. -Great. Go on. | 0:17:13 | 0:17:17 | |
When Kit and Ellie Knowles spotted this late Edwardian arts and crafts semi in Chorltonville, | 0:17:21 | 0:17:26 | |
Manchester's garden city, | 0:17:26 | 0:17:28 | |
it was love at first sight. | 0:17:28 | 0:17:30 | |
When we first looked around the property I think we were both really excited. | 0:17:30 | 0:17:34 | |
We'd been here about five minutes and we were like, "This is the one." | 0:17:34 | 0:17:37 | |
None of the rooms had had any work done | 0:17:39 | 0:17:41 | |
in any shape or form for 30 years, | 0:17:41 | 0:17:44 | |
but, at the same time, had the most beautiful shell we could work with. | 0:17:44 | 0:17:48 | |
It had all the original features, the lovely, charming staircase, | 0:17:50 | 0:17:54 | |
and the stained-glass windows, and the fireplaces | 0:17:54 | 0:17:56 | |
and many more that we found along the way when we were, sort of, hacking off the old plaster. | 0:17:56 | 0:18:00 | |
The renovation took 14 months in total | 0:18:03 | 0:18:06 | |
and by the time they'd finished, Kit and Ellie had reduced the carbon footprint of the house by 60%, | 0:18:06 | 0:18:12 | |
making their home ecologically sound | 0:18:12 | 0:18:14 | |
was something very close to the couple's hearts. | 0:18:14 | 0:18:16 | |
It's a representation of our personalities, it's... | 0:18:16 | 0:18:19 | |
it's exactly what we wanted because of the fact that we designed it, | 0:18:19 | 0:18:23 | |
created it, built it, it's just us. | 0:18:23 | 0:18:25 | |
Crikey, look at this! This is lovely. | 0:18:32 | 0:18:35 | |
-We had, first of all, a wood burner. -Right. | 0:18:35 | 0:18:38 | |
-That's something you mentioned earlier and... -Yeah, I haven't seen one of those before. | 0:18:38 | 0:18:42 | |
It's a bit of a different one, this one, this is German technology. | 0:18:42 | 0:18:45 | |
So, we brought this over cos it's got very high efficiency, | 0:18:45 | 0:18:48 | |
but it also looks fabulous and at Christmas time, you know, | 0:18:48 | 0:18:51 | |
you have the seats, but everybody seems to be sat on the rug in front of the fire so that's really nice. | 0:18:51 | 0:18:55 | |
How much of the work did you do yourselves, guys? | 0:18:55 | 0:18:58 | |
The original intention was to get our hands dirty and really do a lot, | 0:18:58 | 0:19:01 | |
but as it went on we realised that builders are far more skilled at building than we are. | 0:19:01 | 0:19:05 | |
What would take me days would take them minutes, literally, | 0:19:05 | 0:19:09 | |
I mean, it's exponentially quicker being done by a builder | 0:19:09 | 0:19:12 | |
and we just worked this out price for price. | 0:19:12 | 0:19:14 | |
It wasn't worth us getting involved. | 0:19:14 | 0:19:16 | |
It was much quicker and cheaper to just get the builders in there | 0:19:16 | 0:19:18 | |
and the finish was just, it was just gorgeous. | 0:19:18 | 0:19:21 | |
I've heard the advice, people say, "Stick to what YOU know," | 0:19:21 | 0:19:24 | |
cos that's going to pay for the work to happen, | 0:19:24 | 0:19:25 | |
rather than giving up a week to do what someone else can do in an hour. | 0:19:25 | 0:19:28 | |
-Yes, it is. -A difference to bear in mind, | 0:19:28 | 0:19:30 | |
but, of course, I assume it you helped gut the place as well. | 0:19:30 | 0:19:33 | |
When it comes to pulling down plasterboard or things like that, | 0:19:33 | 0:19:35 | |
-that's where you can get stuck in. -Yeah, the destruction bit, | 0:19:35 | 0:19:38 | |
-it's good fun to get involved in! -Right, yes. -It really is. | 0:19:38 | 0:19:40 | |
You get, you really get with the crowbar and ripping stuff off, it was fun, but... | 0:19:40 | 0:19:44 | |
But as soon as, soon as you need some skill in something, | 0:19:44 | 0:19:48 | |
that's when it's best left to the professionals. | 0:19:48 | 0:19:50 | |
Just looking at what they've done with this | 0:19:50 | 0:19:52 | |
and how they've brought life back to an ageing building, really, | 0:19:52 | 0:19:56 | |
that had been neglected for years... | 0:19:56 | 0:19:58 | |
-And keeping the original features as well. -Yeah, do you like that? | 0:19:58 | 0:20:02 | |
-Is that something that you would do? -Yes, I'd like to have a contemporary feel, | 0:20:02 | 0:20:05 | |
but keep the nice features of an older property. | 0:20:05 | 0:20:08 | |
The entire rear of the property was removed | 0:20:14 | 0:20:16 | |
to make way for a timber framed glazed extension, | 0:20:16 | 0:20:20 | |
which now houses a light and contemporary kitchen diner. | 0:20:20 | 0:20:24 | |
Tell us, guys, what size was your kitchen before you extended and where was it? | 0:20:25 | 0:20:30 | |
-We wouldn't be fitting in it right now. -No. | 0:20:30 | 0:20:32 | |
-If you stepped a little bit further this way, maybe. -Yeah. | 0:20:32 | 0:20:34 | |
-Sort of, pretty much as you come there, across and just behind you, Joe. -From about here. -Right. | 0:20:34 | 0:20:40 | |
Yep, so that, it was originally a very small L-shaped kitchen | 0:20:40 | 0:20:42 | |
from the days when cooking wasn't really to be seen | 0:20:42 | 0:20:44 | |
and they, sort of, brought the food through, | 0:20:44 | 0:20:46 | |
but we wanted to create a space where I'd be cooking and I'd be able to interact with everyone else. | 0:20:46 | 0:20:51 | |
There's quite a few similarities here to the property we saw earlier. | 0:20:51 | 0:20:54 | |
-What I quite like about this is you've got the sense of opening up... -Right, yes. | 0:20:54 | 0:20:58 | |
-..going to the side, which you could do... -Yes, which I was against. -With a backroom, | 0:20:58 | 0:21:02 | |
-but maybe with an island or finding a way to use the space cleverly. -Yes. | 0:21:02 | 0:21:05 | |
Also, maybe pushing out a little bit. | 0:21:05 | 0:21:07 | |
-There was room for that at that property. -Definitely. | 0:21:07 | 0:21:09 | |
-It just gives you that scope, as you got here. -Yes. | 0:21:09 | 0:21:11 | |
-What you think of the glass? Do like the glass? -Yes, it's just... | 0:21:11 | 0:21:14 | |
how I'd envisage mine to be. | 0:21:14 | 0:21:17 | |
It's the most expensive element by a mile. | 0:21:17 | 0:21:19 | |
If you're looking at wall versus glass, it's around ten times more expensive to fit. | 0:21:19 | 0:21:24 | |
The best advice I can give you is control the glazing, | 0:21:24 | 0:21:27 | |
make sure it's bringing in enough light to give you that, kind of, healthy feel, | 0:21:27 | 0:21:31 | |
but not too much, cos you're going to start to pay for it. | 0:21:31 | 0:21:34 | |
The back of the house opens out onto a good-sized garden, | 0:21:37 | 0:21:40 | |
where Kit and Ellie have continued their environmentally friendly approach to the renovation. | 0:21:40 | 0:21:46 | |
So, it's a conservation area you're in here, | 0:21:46 | 0:21:48 | |
so I guess you have to be very careful about how you extended | 0:21:48 | 0:21:50 | |
and you've kept a similar brick look in garden as well. | 0:21:50 | 0:21:53 | |
Actually, this is not just similar, | 0:21:53 | 0:21:54 | |
these bricks were the materials that came out of the back of the house. | 0:21:54 | 0:21:58 | |
-So, these are 100-year-old Chorltonville bricks that you're looking at. -Fantastic. | 0:22:00 | 0:22:04 | |
Well, guys, thank you so much for showing us round your home, it's been incredible. | 0:22:06 | 0:22:10 | |
I don't think I've been in quite such an efficient place, certainly! | 0:22:10 | 0:22:13 | |
It'ss also very beautiful and aesthetically pleasing as well, | 0:22:13 | 0:22:15 | |
so thank you very much and hopefully lots to take away there, Karen? | 0:22:15 | 0:22:18 | |
-Lots, yes, yes, and some brilliant advice as well. -Thank you. | 0:22:18 | 0:22:22 | |
Back on the streets of Cardiff, empty property officer Steve Reid | 0:22:28 | 0:22:32 | |
is fighting to save Britain's forgotten homes. | 0:22:32 | 0:22:36 | |
Today Steve is in the district of Roath | 0:22:36 | 0:22:38 | |
to visit a home that was originally left empty when the previous owner became ill and passed away. | 0:22:38 | 0:22:44 | |
Due to, sort of, problems with probate and clearing the house, | 0:22:44 | 0:22:48 | |
the present owner's had it for about four years | 0:22:48 | 0:22:50 | |
and has taken this long to get to this stage. | 0:22:50 | 0:22:52 | |
When the new owner took on he property back in 2006, | 0:22:52 | 0:22:56 | |
it was in need of some serious TLC. | 0:22:56 | 0:22:59 | |
Finally, we're at a stage, now, where it's ready to be rented out, | 0:22:59 | 0:23:02 | |
so we're here this morning just to confirm that it is ready | 0:23:02 | 0:23:06 | |
and have a little look around. | 0:23:06 | 0:23:09 | |
-Hello, Mr Welsh. -Good morning, Steve, yes. | 0:23:09 | 0:23:12 | |
-That's it, Cardiff County Council, how are you? -I'm very well, thank you. | 0:23:12 | 0:23:15 | |
So, I can see you've made quite a lot of progress. | 0:23:16 | 0:23:20 | |
Yes, absolutely, I mean, since those days, | 0:23:20 | 0:23:23 | |
all of the possessions that the late owner left in the house, | 0:23:23 | 0:23:27 | |
that's all been cleared. | 0:23:27 | 0:23:30 | |
Building work has been undertaken. | 0:23:30 | 0:23:33 | |
I can see, as well, you've kept some of the original features in there. | 0:23:33 | 0:23:37 | |
-It's got some lovely features. -Yes. | 0:23:37 | 0:23:39 | |
Some beautiful architraves round the doors | 0:23:39 | 0:23:42 | |
-and you can see the cornice in the ceiling. -And these are all original, are they? -That's absolutely right. | 0:23:42 | 0:23:46 | |
He's worked hard to preserve the original character, | 0:23:49 | 0:23:52 | |
whilst updating it with plenty of mod cons. | 0:23:52 | 0:23:55 | |
Originally there was no bathroom in the house | 0:23:57 | 0:24:00 | |
and at the back of the house, here, was just an outside toilet. | 0:24:00 | 0:24:04 | |
-Oh, right. -All that's been taken down and this modern extension built. | 0:24:04 | 0:24:08 | |
The once overgrown garden has been tidied up | 0:24:13 | 0:24:15 | |
and is now a functional outside space. | 0:24:15 | 0:24:18 | |
I remember this garden well! | 0:24:18 | 0:24:21 | |
I think, looking over from next door, it was virtually the height of that wall, right the way across. | 0:24:21 | 0:24:25 | |
All that has been, as you see, taken away | 0:24:25 | 0:24:28 | |
-and the garden completely redeveloped. -Is that a new roof as well? | 0:24:28 | 0:24:33 | |
The roof has been completely replaced with new slates. | 0:24:33 | 0:24:37 | |
Renovation complete, all that is left to do now is to get tenants in. | 0:24:39 | 0:24:45 | |
What are your, sort of, plans for getting it occupied now? | 0:24:45 | 0:24:49 | |
The hope here, for everybody, is that people move in as soon as possible | 0:24:49 | 0:24:53 | |
and the property is back in use. | 0:24:53 | 0:24:57 | |
Hopefully, in the future, this house will not be regarded as some kind of special case. | 0:24:57 | 0:25:04 | |
It will be just another house in the street, just like any other house. | 0:25:04 | 0:25:08 | |
I just wish there were a few more owners, like yourselves, | 0:25:08 | 0:25:10 | |
who are this, sort of, active in bringing it back into use. | 0:25:10 | 0:25:13 | |
So, I wish you luck and I'm sure it won't be long before it's actually occupied. | 0:25:13 | 0:25:17 | |
Another one off the books, hopefully, very soon. | 0:25:19 | 0:25:22 | |
There's tenants almost lined up, so... | 0:25:22 | 0:25:25 | |
back to the office and on to the next one! | 0:25:25 | 0:25:27 | |
Back in Chorltonville, Karen has been visiting a completed renovation | 0:25:34 | 0:25:37 | |
to gain advice and inspiration. | 0:25:37 | 0:25:41 | |
How are you feeling about taking on an empty property now? | 0:25:41 | 0:25:43 | |
Erm, yes, I still want to do it. | 0:25:43 | 0:25:46 | |
Doing some of the things myself, I'll rethink that | 0:25:46 | 0:25:51 | |
and maybe leave it to the professionals. | 0:25:51 | 0:25:53 | |
OK, and the property we saw earlier, is there an interest there? | 0:25:53 | 0:25:56 | |
Definitely interested. | 0:25:56 | 0:25:58 | |
Wow, and if you do take it on, | 0:25:58 | 0:25:59 | |
lots of ideas here about how you can open up the space, | 0:25:59 | 0:26:02 | |
you can bring light in, you can make it as modern as you want. | 0:26:02 | 0:26:05 | |
Yes, and still taking into consideration how it could affect the heat, | 0:26:05 | 0:26:10 | |
the bills, the utility bills as well, | 0:26:10 | 0:26:12 | |
which I'd never even thought of before. | 0:26:12 | 0:26:14 | |
-You seem raring to go now. -I am raring to go, yes, | 0:26:14 | 0:26:18 | |
I can't wait to leave here and go and start planning. | 0:26:18 | 0:26:21 | |
-Fantastic! Well, all the best. -OK, thank you. | 0:26:21 | 0:26:23 | |
Sometimes when you see an empty property that is quite dated, | 0:26:24 | 0:26:27 | |
with '60s or '70s wallpaper and carpet, | 0:26:27 | 0:26:30 | |
it can be quite hard to visualise how it can become a modern family home, | 0:26:30 | 0:26:36 | |
but hopefully bringing Karen here today to see the extension, | 0:26:36 | 0:26:39 | |
to see the modern materials they've used, | 0:26:39 | 0:26:41 | |
the open plan space with lots of air and light, | 0:26:41 | 0:26:44 | |
will give her that energy, that passion to now go out there, | 0:26:44 | 0:26:48 | |
find an empty property and convert it into her dream home. | 0:26:48 | 0:26:52 | |
Subtitles by Red Bee Media Ltd | 0:27:08 | 0:27:11 | |
E-mail [email protected] | 0:27:11 | 0:27:14 |