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Across the country, empty properties that could be homes | 0:00:02 | 0:00:06 | |
are waiting to be brought back into use. | 0:00:06 | 0:00:10 | |
I'll be finding out why and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:14 | |
And along the way I'll be doing some digging of my own | 0:00:14 | 0:00:17 | |
to find out more about our housing stock, our heritage and why we should be | 0:00:17 | 0:00:21 | |
both reinventing and preserving Britain's empty homes. | 0:00:21 | 0:00:25 | |
The barebones of an empty property can hold surprising promise with a | 0:00:32 | 0:00:36 | |
creatively-minded buyer. | 0:00:36 | 0:00:37 | |
If you've got the vision | 0:00:37 | 0:00:39 | |
to see past the tired exterior and shabby interior, | 0:00:39 | 0:00:42 | |
you can not only turn a building into a home but you can also give a property a new lease of life. | 0:00:42 | 0:00:49 | |
On today's show, I'll be meeting a novice renovator | 0:00:54 | 0:00:59 | |
hoping to turn a derelict thatch into a chocolate-box cottage. | 0:00:59 | 0:01:03 | |
It almost feels like the bottom of a boat. | 0:01:03 | 0:01:06 | |
I love all this bowing and quirkiness. | 0:01:06 | 0:01:08 | |
We'll meet a couple who fell in love with a view | 0:01:08 | 0:01:11 | |
and bought a property to go with it. | 0:01:11 | 0:01:14 | |
You turn round and look at the view and you think, | 0:01:14 | 0:01:16 | |
"It's going to be worth it." | 0:01:16 | 0:01:18 | |
And we'll be on the streets of London saving derelict buildings from falling into disrepair. | 0:01:18 | 0:01:23 | |
There's some wires here, I can't tell, just by standing | 0:01:23 | 0:01:26 | |
looking at them, whether they're live or not but they could be. | 0:01:26 | 0:01:31 | |
Camilla Hanchet became the new owner of a rundown 300-year-old thatched cottage | 0:01:35 | 0:01:40 | |
when, two years ago, she decided to make some major changes to her life. | 0:01:40 | 0:01:45 | |
I had what you could call a life-changing accident. | 0:01:45 | 0:01:47 | |
I slipped and fell, broke my right arm, upper arm into four pieces. | 0:01:47 | 0:01:51 | |
I was also burgled twice in the house that I lived in. | 0:01:51 | 0:01:57 | |
And then I had a car crash. | 0:01:57 | 0:01:58 | |
So I thought, "I'm going to do something completely different." | 0:01:58 | 0:02:01 | |
I remember saying to my colleagues, "I fancy moving somewhere beautiful." | 0:02:01 | 0:02:05 | |
After 25 years of living in Berkshire, Camilla decided to move closer to some of her family | 0:02:06 | 0:02:10 | |
who now live just minutes from her new home, in the picturesque village of Yarrow, in the Cotswolds. | 0:02:10 | 0:02:17 | |
I've taken on a cottage that I felt very much, when I saw it, needed some love, some TLC. | 0:02:17 | 0:02:24 | |
The property is in need of major modernisation | 0:02:24 | 0:02:26 | |
and, with help from her artist brother David, | 0:02:26 | 0:02:29 | |
Camilla is rolling up her sleeves and preparing to turn the cottage into the dream home | 0:02:29 | 0:02:33 | |
where she'll start her new life. | 0:02:33 | 0:02:37 | |
I want to restore it and make it beautiful again. | 0:02:37 | 0:02:39 | |
Camilla has never lived in a listed property, or under a thatched roof, | 0:02:43 | 0:02:47 | |
so later I will be introducing her to a couple with experience in those areas. | 0:02:47 | 0:02:52 | |
First, I'm keen to find out more about her plans. | 0:02:52 | 0:02:56 | |
-Hello there, I'm Joe. -Hi, I'm Camilla. -Camilla, nice to meet you. -My brother David. | 0:02:56 | 0:03:00 | |
-Hi. -Hello, David, how are you? It's a beautiful place. | 0:03:00 | 0:03:04 | |
What do you know about it? How long has it been empty? | 0:03:04 | 0:03:06 | |
I believe it has been empty for about three years | 0:03:06 | 0:03:08 | |
and nothing had been done to it for a very long time either. | 0:03:08 | 0:03:11 | |
-It's Grade II listed. -Intriguing. | 0:03:11 | 0:03:14 | |
About 300 years old and it had just been neglected for a long, long time. | 0:03:14 | 0:03:18 | |
And what was your reaction when you found out your sister had bought this? | 0:03:18 | 0:03:21 | |
Pretty brave, to be honest. | 0:03:21 | 0:03:23 | |
It's not something I'm sure I'm ready to do, but fantastic. | 0:03:23 | 0:03:26 | |
Well, let's find out just how brave, shall we, | 0:03:26 | 0:03:29 | |
and pop inside and explore? | 0:03:29 | 0:03:32 | |
Camilla bought the two bedroom cottage for £230,000. | 0:03:32 | 0:03:36 | |
Wow, look at this. | 0:03:36 | 0:03:39 | |
Her builders started three weeks ago and have gutted and stripped the inside, | 0:03:39 | 0:03:44 | |
leaving Camilla to work out just how she's going to renovate the property | 0:03:44 | 0:03:47 | |
and look after the 300-year-old thatch. | 0:03:47 | 0:03:51 | |
-This will be the sitting room. -So you come straight into the sitting room. | 0:03:53 | 0:03:56 | |
What will you do with the walls, are you going to plaster? | 0:03:56 | 0:03:59 | |
We'll have all the inside of the inglenook exposed and the rest of the walls will be plastered. | 0:03:59 | 0:04:03 | |
-That is great. You've really got a lovely feature here to work with. It's stunning, isn't it? -Yes. | 0:04:03 | 0:04:07 | |
-It is the focal point of the room. -It's quirky and I like it. | 0:04:07 | 0:04:10 | |
It's got some interesting little features. | 0:04:10 | 0:04:12 | |
There's a little seat in there which the builder only uncovered last week. | 0:04:12 | 0:04:16 | |
-Possibly somewhere the homeowner would have sat to keep warm in the winter. -To keep warm. | 0:04:16 | 0:04:20 | |
-It's a lovely idea, isn't it, going back 300 years? -Yeah. -Mmm. | 0:04:20 | 0:04:23 | |
And then there's this little cupboard which, I've been told, | 0:04:23 | 0:04:26 | |
would have been used to store salt. | 0:04:26 | 0:04:29 | |
-Salt? -To keep it dry. | 0:04:29 | 0:04:31 | |
David, you saw this property when Camilla first bought it, | 0:04:31 | 0:04:34 | |
how's it looking, you know, because of the changes? | 0:04:34 | 0:04:36 | |
It's incredible. It's a complete transformation, it feels a lot bigger, a lot roomier. | 0:04:36 | 0:04:40 | |
-I know Camilla will make it into a beautiful home. -Yeah. | 0:04:40 | 0:04:42 | |
Next door to the living room is a small dining area, | 0:04:44 | 0:04:47 | |
leading into the kitchen, which Camilla has stripped back | 0:04:47 | 0:04:50 | |
to the original stonework and plans to turn into a modern country kitchen. | 0:04:50 | 0:04:54 | |
Upstairs, the layout will remain the same with two bedrooms to the left of the property | 0:04:56 | 0:05:01 | |
and a sizeable bathroom to the right. | 0:05:01 | 0:05:05 | |
This is going to be the bathroom. | 0:05:05 | 0:05:07 | |
There's some great head height in there, that's very nice. | 0:05:07 | 0:05:10 | |
I know, I love that high ceiling. | 0:05:10 | 0:05:12 | |
-So presumably this is going to be your bedroom? -It is, yes. | 0:05:13 | 0:05:17 | |
It almost feels like the bottom of a boat, dare I say? | 0:05:17 | 0:05:21 | |
So what is going on here? | 0:05:21 | 0:05:22 | |
Well, I've been told by the neighbours, | 0:05:22 | 0:05:24 | |
about 25 years ago whoever owned the house decided to make it open plan downstairs | 0:05:24 | 0:05:28 | |
and took out this main supporting wall. | 0:05:28 | 0:05:30 | |
The roof then started to dip, like so, | 0:05:30 | 0:05:33 | |
and they very quickly had to reinstate a wall which they've done. | 0:05:33 | 0:05:37 | |
It's block work wall, right the way up. | 0:05:37 | 0:05:39 | |
You can see it goes up into the roof space. | 0:05:39 | 0:05:42 | |
So it did move but I've had a structural engineer sign it off. It's all OK. | 0:05:42 | 0:05:45 | |
It's stopped moving now. | 0:05:45 | 0:05:47 | |
I love all this bowing and this quirkiness. | 0:05:47 | 0:05:50 | |
It's all fine now. | 0:05:50 | 0:05:51 | |
That's the point with empty properties, isn't it? You do have a chance to strip it right back. | 0:05:51 | 0:05:55 | |
This is the first time you have taken on a renovation like this, | 0:05:55 | 0:05:58 | |
what are your fears, what are the big challenges that come with this? | 0:05:58 | 0:06:03 | |
Dealing with the fact it's a listed building, although I don't want to modernise it too much. | 0:06:03 | 0:06:08 | |
I want it to be in keeping with the style of the property. | 0:06:08 | 0:06:11 | |
Do you know where you go with that? | 0:06:11 | 0:06:13 | |
Do you know what sort of style you aim for? | 0:06:13 | 0:06:16 | |
I'm uncertain, I've got a rough idea. | 0:06:16 | 0:06:19 | |
In the garden is an original stone outhouse which, | 0:06:22 | 0:06:25 | |
like the cottage, is Grade II listed. | 0:06:25 | 0:06:28 | |
Camilla is currently waiting to see | 0:06:28 | 0:06:30 | |
if her application to extend the outhouse, | 0:06:30 | 0:06:32 | |
and turn it into a downstairs shower room and home office, will be granted. | 0:06:32 | 0:06:37 | |
When you have a definite plan in mind like that, | 0:06:37 | 0:06:40 | |
how much of a worry is the planning application? | 0:06:40 | 0:06:42 | |
It is quite a worry because when I bought the house | 0:06:42 | 0:06:46 | |
I automatically assumed, "Yes, I'm going to extend that." | 0:06:46 | 0:06:50 | |
I'd taken it for granted I'd be able to use that as part of the living space. | 0:06:50 | 0:06:53 | |
So it would be quite a disappointment if you couldn't at this stage? | 0:06:53 | 0:06:58 | |
When dealing with an empty property it's always advisable to speak to the council | 0:06:58 | 0:07:01 | |
about your building plans from the outset. | 0:07:01 | 0:07:04 | |
It will be a real blow if Camilla isn't allowed to proceed with her ideas for the outhouse. | 0:07:04 | 0:07:10 | |
Now, standing out here it just looks beautiful, doesn't it? | 0:07:11 | 0:07:14 | |
The stone's great but the thatch, what a striking feature of the house. | 0:07:14 | 0:07:17 | |
Is it the first time you've lived in a thatched cottage? | 0:07:17 | 0:07:20 | |
Yes, it is, I'm looking forward to it. | 0:07:20 | 0:07:22 | |
I'm really pleased that Camilla has rescued this beautiful little cottage, | 0:07:22 | 0:07:26 | |
and later I will be introducing her to a couple | 0:07:26 | 0:07:29 | |
who are brimming with useful advice on the pitfalls and plusses of a similar project. | 0:07:29 | 0:07:34 | |
Britain's empty properties come in all shapes and sizes. | 0:07:36 | 0:07:39 | |
Thatched cottages aren't abandoned too often, | 0:07:39 | 0:07:42 | |
probably thanks to their association with idyllic rural England, | 0:07:42 | 0:07:46 | |
but there are other properties up and down the country sitting vacant. | 0:07:46 | 0:07:49 | |
And it's the job of the empty property officers to ensure | 0:07:49 | 0:07:53 | |
that these forgotten houses are turned into homes once more. | 0:07:53 | 0:07:56 | |
Jason Hall oversees the affluent London Borough of Richmond-upon-Thames | 0:08:06 | 0:08:10 | |
where houses tend to fetch between £500,000 and £10 million. | 0:08:10 | 0:08:14 | |
Not a location, then, you might expect to find empty properties | 0:08:14 | 0:08:18 | |
but, at present, Jason has over 350 empties on his books. | 0:08:18 | 0:08:23 | |
It seems crazy that people would leave the properties empty | 0:08:25 | 0:08:28 | |
and run the risk of having squatters break into them, | 0:08:28 | 0:08:31 | |
or damage done to the property and lose value on them. | 0:08:31 | 0:08:34 | |
It never ceases to amaze me. | 0:08:34 | 0:08:36 | |
There's a story behind every single empty property that I come to | 0:08:36 | 0:08:41 | |
and it's good to investigate the reasons why such, | 0:08:41 | 0:08:44 | |
sometimes amazing, properties are being left empty. | 0:08:44 | 0:08:47 | |
Today, Jason is on his way to a house that is has been empty for 15 years. | 0:08:49 | 0:08:53 | |
Having visited the property on several occasions, | 0:08:53 | 0:08:56 | |
Jason has instructed the owner to improve the appearance of the house and find a tenant. | 0:08:56 | 0:09:01 | |
In the first instance we had quite good engagement with the owner | 0:09:03 | 0:09:06 | |
but over the past year he's just disappeared. | 0:09:06 | 0:09:08 | |
In the time that it's been empty, it's fallen into a poor state of repair. | 0:09:08 | 0:09:12 | |
There's numerous holes in the roof, which has allowed water penetration, | 0:09:12 | 0:09:15 | |
which has affected neighbouring properties. | 0:09:15 | 0:09:19 | |
If, on this visit, | 0:09:19 | 0:09:20 | |
Jason discovers that the owner hasn't complied, | 0:09:20 | 0:09:24 | |
he'll take action to stop further damage to the building and neighbouring homes. | 0:09:24 | 0:09:28 | |
Yes, as you can see there's no-one here. | 0:09:35 | 0:09:38 | |
The garden's quite well overgrown. | 0:09:38 | 0:09:40 | |
It shows that there hasn't been any one here tending the garden for some time. | 0:09:40 | 0:09:46 | |
Jason can't gain access to the property | 0:09:46 | 0:09:48 | |
but needs to check for signs of squatters. | 0:09:48 | 0:09:51 | |
The property is being used as a storage. | 0:09:51 | 0:09:53 | |
It's full of old newspapers, magazines, filing cabinets | 0:09:53 | 0:09:56 | |
and, strangely enough, the section of guttering that's causing all the dampness | 0:09:56 | 0:10:01 | |
to the side of the property, is laid in the hallway. | 0:10:01 | 0:10:04 | |
He wants to ensure that the back of the property is secure | 0:10:06 | 0:10:09 | |
but has to fight his way through the overgrown garden | 0:10:09 | 0:10:12 | |
which has become a local dumping ground. | 0:10:12 | 0:10:14 | |
Somebody has had a crowbar into there | 0:10:17 | 0:10:20 | |
and, obviously, had a real good attempt at trying to get that door open | 0:10:20 | 0:10:23 | |
but, being in this kind of condition, | 0:10:23 | 0:10:25 | |
it's all shelter for anyone who wants to come and try and break into it. | 0:10:25 | 0:10:30 | |
There's some wires here, I can't tell, just by standing and looking at them, | 0:10:30 | 0:10:33 | |
whether they are live or not but they could be. | 0:10:33 | 0:10:35 | |
That is something that is going to have to be checked | 0:10:35 | 0:10:38 | |
because, if they are live, if anyone touches them they could be killed. | 0:10:38 | 0:10:42 | |
Having made a full inspection of the property, | 0:10:42 | 0:10:45 | |
Jason feels it's time to take action and calls in his line manager | 0:10:45 | 0:10:50 | |
to approve a compulsory purchase order of the property, | 0:10:50 | 0:10:54 | |
the first step in turning the house into a home once more. | 0:10:54 | 0:10:58 | |
We've given the landlord plenty of opportunity to bring the property back up to scratch | 0:10:58 | 0:11:01 | |
which clearly isn't happening. | 0:11:01 | 0:11:03 | |
I think the next thing we need to do is take further legal action. | 0:11:03 | 0:11:09 | |
-I will see you back at the office and we'll get the ball rolling. -OK. | 0:11:09 | 0:11:11 | |
All right. Lovely. Thank you. | 0:11:11 | 0:11:14 | |
It takes determination, patience and real vision | 0:11:18 | 0:11:21 | |
to see the potential in a place that has been left to ruin | 0:11:21 | 0:11:24 | |
but, with hard graft, these empty properties can be turned into fantastic homes. | 0:11:24 | 0:11:29 | |
And, with a little bit of imagination, really anything is possible. | 0:11:29 | 0:11:34 | |
Five years ago, Neil and Liz Fox bought an empty part-Georgian, | 0:11:38 | 0:11:41 | |
part-early Victorian farmhouse | 0:11:41 | 0:11:44 | |
overlooking Chew Valley Lake in Somerset. | 0:11:44 | 0:11:47 | |
We'd seen lots of properties that had been renovated very, very thoroughly | 0:11:51 | 0:11:55 | |
but we couldn't help feeling that we would prefer | 0:11:55 | 0:11:58 | |
to find somewhere that we could put our own mark on. | 0:11:58 | 0:12:00 | |
Empty for three years, the property was in a serious state of neglect. | 0:12:01 | 0:12:05 | |
The first time we saw it was very murky May afternoon | 0:12:05 | 0:12:11 | |
and it did look rather foreboding with all of the old farm buildings | 0:12:11 | 0:12:15 | |
crumbling away around us. | 0:12:15 | 0:12:18 | |
But then when we turned the corner, around the side of the house, | 0:12:18 | 0:12:21 | |
and saw the views we thought, "Wow, this could be really amazing." | 0:12:21 | 0:12:25 | |
Following three years of intense renovation, the couple have created a stunning property, | 0:12:31 | 0:12:35 | |
in arguably the most breathtaking part of Somerset. | 0:12:35 | 0:12:40 | |
It's an unbelievably big undertaking, | 0:12:40 | 0:12:42 | |
and I think we were unprepared for that, | 0:12:42 | 0:12:45 | |
but the thing that keeps you going, almost, is that you turn around | 0:12:45 | 0:12:48 | |
and you look at the view and you think, "It's going to be worth it." | 0:12:48 | 0:12:52 | |
Neil and Liz have created a double gable oak-frame extension, | 0:12:54 | 0:12:59 | |
a two-storey office building, horse stables | 0:12:59 | 0:13:02 | |
and a music room. | 0:13:02 | 0:13:05 | |
I do occasionally think back to how it looked when we first walked in | 0:13:08 | 0:13:14 | |
and imagine how it was then and the transformation, that's a really great feeling. | 0:13:14 | 0:13:20 | |
You don't invest the amount of time, money, energy, will almost, you know, | 0:13:22 | 0:13:28 | |
unless you're going to live here pretty much for as long as you can see. | 0:13:28 | 0:13:34 | |
We've built this house and done it for us to be here for as long as we can possibly imagine. | 0:13:34 | 0:13:38 | |
Hopefully we'll stay. | 0:13:38 | 0:13:42 | |
Bringing an empty property back to life is a challenge | 0:13:42 | 0:13:45 | |
that takes time, passion and commitment. | 0:13:45 | 0:13:47 | |
Unfortunately, sometimes the restoration and regeneration of empty homes | 0:13:47 | 0:13:52 | |
can be delayed by planning hold-ups and building complications. | 0:13:52 | 0:13:55 | |
So much so that sometimes these houses can be unused for years. | 0:13:55 | 0:14:00 | |
Well, I've come to find out about a solution to some of these properties in limbo. | 0:14:00 | 0:14:05 | |
Westminster Housing Cooperative takes on properties | 0:14:11 | 0:14:13 | |
that are waiting to be redeveloped. | 0:14:13 | 0:14:15 | |
In the interim they move in temporary tenants, who pay a reduced rent, | 0:14:15 | 0:14:19 | |
to look after the buildings and prevent squatters. | 0:14:19 | 0:14:23 | |
Today, I've come to meet Simon Thurston, | 0:14:24 | 0:14:26 | |
development officer from the Westminster Housing Cooperative, | 0:14:26 | 0:14:30 | |
to find out more about the benefits of putting these homes back into use. | 0:14:30 | 0:14:33 | |
Give me an idea of how this cooperative actually works. | 0:14:33 | 0:14:37 | |
Well, the prime focus is to bring back empty properties into use. | 0:14:37 | 0:14:41 | |
Those properties might have been empty for a number of reasons, | 0:14:41 | 0:14:44 | |
the owner waiting for planning permission, | 0:14:44 | 0:14:46 | |
waiting for funds to refurbish the property. | 0:14:46 | 0:14:49 | |
We step in, sign a lease with the owner, | 0:14:49 | 0:14:52 | |
we maintain the property, we let the property at an affordable rent | 0:14:52 | 0:14:56 | |
and give it back when the owner wants it back. | 0:14:56 | 0:14:58 | |
Is there a balance here in your priorities between | 0:14:58 | 0:15:01 | |
trying to find people housing who desperately need it, | 0:15:01 | 0:15:03 | |
but also trying to preserve the properties themselves? | 0:15:03 | 0:15:07 | |
It becomes a problem where houses, | 0:15:07 | 0:15:09 | |
through deterioration and dilapidation, | 0:15:09 | 0:15:12 | |
become a source of nuisance and annoyance to neighbours. | 0:15:12 | 0:15:14 | |
If you're one of only a few tenants living in a big block, | 0:15:14 | 0:15:19 | |
and all the rest of the properties are empty, | 0:15:19 | 0:15:21 | |
then you're going to feel quite isolated and alienated but with other people living alongside you, | 0:15:21 | 0:15:25 | |
albeit in the short-term, that can alleviate those fears, possibly. | 0:15:25 | 0:15:29 | |
The scheme is open to anyone looking to rent in the Greater London area. | 0:15:30 | 0:15:34 | |
Next, I've come to meet a couple of friends that have been members of the housing co-op for five years. | 0:15:34 | 0:15:40 | |
When you first moved in, what state was this property in? | 0:15:40 | 0:15:43 | |
Cecilia came in here and she said, "We're never moving in here, it's too much work." | 0:15:43 | 0:15:49 | |
And I said, "No, look at this property, it is amazing." | 0:15:49 | 0:15:52 | |
Once you do it you get the sense of achievement that, | 0:15:52 | 0:15:54 | |
yeah, we actually made it quite nice and cosy and liveable. | 0:15:54 | 0:15:58 | |
Yeah. So how were you received, within the neighbourhood when you came in, | 0:15:58 | 0:16:01 | |
because this obviously had been empty? | 0:16:01 | 0:16:03 | |
Do you know if there's a sense of relief when actually someone moves in and starts taking care of it? | 0:16:03 | 0:16:07 | |
I think so, actually. | 0:16:07 | 0:16:09 | |
Like we did all the garden, it was all overgrown with weeds | 0:16:09 | 0:16:12 | |
and they were all like, "Nice work, girls. | 0:16:12 | 0:16:14 | |
"It's good to see you're clearing up the garden." | 0:16:14 | 0:16:17 | |
Can you see any drawbacks of the scheme because it seems to suit you quite well, doesn't it? | 0:16:17 | 0:16:21 | |
I think you just have to be sort of flexible as a person. | 0:16:21 | 0:16:24 | |
You have to be prepared, you might have to move out. | 0:16:24 | 0:16:26 | |
But as long as you are open-minded | 0:16:26 | 0:16:28 | |
and willing to do that, it's not a problem. | 0:16:28 | 0:16:31 | |
I really love the sense of community in this cooperative. | 0:16:31 | 0:16:34 | |
That people are coming together to make such good use of these empty properties in London. | 0:16:34 | 0:16:39 | |
It's such a great scheme and can only be a positive thing | 0:16:39 | 0:16:42 | |
if more properties across the UK are saved in this way. | 0:16:42 | 0:16:45 | |
Earlier, I met Camilla and her brother David who are looking for inspiration and advice | 0:16:50 | 0:16:54 | |
on renovating her 300-year-old thatched cottage. | 0:16:54 | 0:16:59 | |
So I've brought them to meet a couple who've excelled at a very similar restoration. | 0:16:59 | 0:17:02 | |
Right, guys, here we are. | 0:17:04 | 0:17:06 | |
Take a look at that, does it look familiar at all? | 0:17:06 | 0:17:08 | |
It certainly does. | 0:17:08 | 0:17:09 | |
-Yeah. -Little bit newer looking. | 0:17:09 | 0:17:11 | |
Yeah. Actually it is slightly newer than yours, | 0:17:11 | 0:17:14 | |
it dates back to about the mid 1800s. | 0:17:14 | 0:17:16 | |
It is also Grade II listed and, of course, it's a thatched cottage. | 0:17:16 | 0:17:22 | |
-So shall we have a look inside? -Yes, please. -Come on, then. | 0:17:22 | 0:17:26 | |
Lynn Newland and her builder husband Dean bought a three-bedroom thatched cottage in Oxfordshire | 0:17:28 | 0:17:34 | |
that had been standing empty for two years. | 0:17:34 | 0:17:37 | |
It was a one up, one down cottage, | 0:17:37 | 0:17:40 | |
the old traditional cottage with an old washroom at the back, no bathroom. | 0:17:40 | 0:17:44 | |
I was bowled over by it. | 0:17:47 | 0:17:49 | |
Despite the building needing a lot of work, | 0:17:49 | 0:17:51 | |
Lynn and Dean were determined to fulfil its true potential. | 0:17:51 | 0:17:55 | |
We've tried to keep the property as traditional as possible | 0:17:56 | 0:18:01 | |
and the way we've done that is by sourcing local materials. | 0:18:01 | 0:18:05 | |
We just tried to be sympathetic to the cottage. | 0:18:05 | 0:18:08 | |
Now everything is completed in this cottage, | 0:18:10 | 0:18:14 | |
our day-to-day lifestyle is just so relaxed, isn't it? | 0:18:14 | 0:18:17 | |
Yeah. | 0:18:17 | 0:18:20 | |
Guys, thank you for having us in the cottage. The first thing I'm struck by is the similarity, actually, | 0:18:22 | 0:18:26 | |
as we walk straight in here to a really cosy room, exactly like you have. | 0:18:26 | 0:18:31 | |
Here we have a wood-burning stove. Was this always here, or something that you had to put in? | 0:18:31 | 0:18:34 | |
Actually, that wall was plastered up. | 0:18:34 | 0:18:37 | |
We decided that we'd just put a little French stove sticking out into the main room | 0:18:37 | 0:18:41 | |
and then you drilled a hole through the wall, didn't you? | 0:18:41 | 0:18:45 | |
-Yeah. -And said, "Have a look in there." | 0:18:45 | 0:18:48 | |
It's really exciting when you uncover things like that, isn't it? | 0:18:48 | 0:18:51 | |
Yeah, definitely but that's what these places are all about, I think. | 0:18:51 | 0:18:54 | |
How tricky is it putting this in | 0:18:54 | 0:18:56 | |
and having an active chimney when you've got a thatched roof? | 0:18:56 | 0:18:58 | |
Basically, you have to have the chimney lined | 0:18:58 | 0:19:02 | |
and, on top of the chimney pot, | 0:19:02 | 0:19:05 | |
you have to have what's called a spark arrester. | 0:19:05 | 0:19:07 | |
Once the fire is on, it's great, yeah. | 0:19:07 | 0:19:11 | |
Is this how you picture it, in terms of the snugness of your room? | 0:19:11 | 0:19:14 | |
-It's so similar to mine. -Is it? -Yes. | 0:19:14 | 0:19:16 | |
It's making me feel quite excited again, | 0:19:16 | 0:19:18 | |
it's such a shell at the moment. | 0:19:18 | 0:19:20 | |
Yeah. | 0:19:20 | 0:19:23 | |
Lynn and Dean paid £295,000 for their cottage | 0:19:23 | 0:19:26 | |
and have so far spent £50,000 on renovations, adding underfloor heating, | 0:19:26 | 0:19:30 | |
opening up the kitchen, to make room for an Aga, | 0:19:30 | 0:19:33 | |
and turning the extension into their main living space has made this a cosy home. | 0:19:33 | 0:19:39 | |
Upstairs there are three bedrooms and two bathrooms | 0:19:39 | 0:19:42 | |
that have been lovingly restored to make the most of the period features. | 0:19:42 | 0:19:45 | |
Oh, that's lovely. | 0:19:47 | 0:19:49 | |
Instantly the exposed stone catches your eye. | 0:19:49 | 0:19:52 | |
Is that something that you would consider, Camilla? | 0:19:52 | 0:19:55 | |
Definitely, I'm really liking this mixture of exposed stone and plaster. | 0:19:55 | 0:20:01 | |
Yeah. Really nice on an end wall. | 0:20:01 | 0:20:04 | |
How is it to actually be in here, does it cause any problems? | 0:20:04 | 0:20:07 | |
It's lovely, but it does get very dusty. | 0:20:07 | 0:20:10 | |
So you have to hoover the wall? | 0:20:10 | 0:20:12 | |
Outside, Lynn and Dean have nurtured a picturesque garden | 0:20:16 | 0:20:19 | |
which is complemented by the rustic thatched roof. | 0:20:19 | 0:20:23 | |
These type of roofs need regular care and upkeep | 0:20:23 | 0:20:25 | |
and, having lived in the cottage for nine years, | 0:20:25 | 0:20:27 | |
they understand exactly what the maintenance involves. | 0:20:27 | 0:20:31 | |
Well, this is great, I have to say. | 0:20:32 | 0:20:35 | |
I love it out here and, for the first time, | 0:20:35 | 0:20:37 | |
we can really clearly see the roof. Let's start there, | 0:20:37 | 0:20:40 | |
have you had to do any work to the thatch since you moved in? | 0:20:40 | 0:20:43 | |
About six months ago we had the ridge redone. | 0:20:43 | 0:20:47 | |
The ridge gets the main part of the rain. | 0:20:47 | 0:20:50 | |
So that ridge will stop it seeping into the top | 0:20:50 | 0:20:55 | |
which is going to be the most vulnerable part of the roof. | 0:20:55 | 0:20:57 | |
Of course, with thatch you don't have gutters, or any of that rigmarole. | 0:20:57 | 0:21:02 | |
The water what, just drips off? | 0:21:02 | 0:21:03 | |
Yes, it just literally pours off the roof. | 0:21:03 | 0:21:07 | |
So you have to definitely have a good bit of drainage, on the ground, so that it runs away. | 0:21:09 | 0:21:15 | |
As well as renovating the cottage, Lynn and Dean have also converted their outhouse, | 0:21:16 | 0:21:21 | |
joining it to the main building with a conservatory, | 0:21:21 | 0:21:23 | |
an alteration which Camilla hopes to undertake at her property. | 0:21:23 | 0:21:28 | |
It's nicely linked up, your downstairs area here, and, Camilla, | 0:21:29 | 0:21:32 | |
if planning permission could be granted, | 0:21:32 | 0:21:33 | |
it's something you could consider to link up your outside | 0:21:33 | 0:21:36 | |
with a conservatory or a glass corridor. | 0:21:36 | 0:21:39 | |
The man who lives next door said that he had an idea of putting glass between the two | 0:21:39 | 0:21:43 | |
so you could link them with the conservatory definitely, like this. | 0:21:43 | 0:21:46 | |
Yeah. Very good. | 0:21:46 | 0:21:48 | |
Is there a certain amount of satisfaction, bringing something back to life, | 0:21:48 | 0:21:52 | |
something that wasn't used and can be used again in the future? | 0:21:52 | 0:21:54 | |
Yeah, definitely, you've saved a little part of history, really. | 0:21:54 | 0:21:59 | |
It's like having an antique, isn't it, you've got to look after? | 0:21:59 | 0:22:02 | |
Yeah, definitely. | 0:22:02 | 0:22:04 | |
Today, Jason is on his way to an old coach house which has been empty for five years. | 0:22:09 | 0:22:15 | |
Bordering Richmond Park, the house is situated on one of the areas' most sought-after streets. | 0:22:17 | 0:22:23 | |
It's a very desirable postcode and lots of very large houses, | 0:22:24 | 0:22:29 | |
detached houses with an average house price of well over £1 million | 0:22:29 | 0:22:34 | |
and, even in a road such as this, we still have a problem with empty properties. | 0:22:34 | 0:22:37 | |
Jason originally fought to save the coach house however, | 0:22:37 | 0:22:41 | |
no developer was willing to restore such a small dilapidated house, in an affluent area | 0:22:41 | 0:22:45 | |
where demand is really for large family homes. | 0:22:45 | 0:22:48 | |
Keen to both avoid having an empty property and to make best use of the site, | 0:22:48 | 0:22:53 | |
Jason eventually persuaded the owner to sell the house | 0:22:53 | 0:22:56 | |
to local property developer James Holt who plans to demolish it | 0:22:56 | 0:23:01 | |
and rebuild on its footprint. | 0:23:01 | 0:23:03 | |
There's only three bedrooms, they're small, there's one bathroom. | 0:23:06 | 0:23:09 | |
Unfortunately it's in such a state of disrepair, there's rising damp, | 0:23:09 | 0:23:12 | |
there's issues with the plaster, there's a whole host of issues | 0:23:12 | 0:23:17 | |
and for us to just redevelop the property as it is | 0:23:17 | 0:23:19 | |
is going to be a very, very expensive process. | 0:23:19 | 0:23:22 | |
To make something worthwhile, that the area deserves, | 0:23:22 | 0:23:26 | |
we need to really knock it down and start again. | 0:23:26 | 0:23:28 | |
The houses down here are quite significant in size, | 0:23:28 | 0:23:31 | |
aren't they, and it kind of doesn't fit in with the area, does it? | 0:23:31 | 0:23:34 | |
The council rejected James's initial planning application | 0:23:35 | 0:23:39 | |
and Jason is keen to discuss the new proposal. | 0:23:39 | 0:23:42 | |
As the old coach house has been designated as a building of townscape merit, | 0:23:42 | 0:23:46 | |
any replacement property must be of equal architectural integrity, | 0:23:46 | 0:23:50 | |
and be in keeping with the style and tone of the street. | 0:23:50 | 0:23:54 | |
Jason is keen to help James with his application | 0:23:54 | 0:23:56 | |
to make sure the site is redeveloped quickly and the empty eyesore eliminated. | 0:23:56 | 0:24:01 | |
We're now at the stage where we have resubmitted our preplanning application, | 0:24:01 | 0:24:06 | |
which has changed radically from our first application. | 0:24:06 | 0:24:09 | |
It's a more traditional style of building which has detailing | 0:24:09 | 0:24:13 | |
which matches all the other properties on the street. | 0:24:13 | 0:24:17 | |
It's Jason's job to help James submit a design which the planners will look upon favourably | 0:24:18 | 0:24:23 | |
so the site can be developed and become a home once more. | 0:24:23 | 0:24:27 | |
It's in a poor state at the moment and it's something that, | 0:24:28 | 0:24:31 | |
obviously, we'd like to see it brought back into use. | 0:24:31 | 0:24:33 | |
Sometimes you've got to look a bit wider and, obviously, | 0:24:33 | 0:24:37 | |
if it's not something that's sellable in this area, as it is, | 0:24:37 | 0:24:40 | |
then we've got to look at redeveloping it in other ways. | 0:24:40 | 0:24:43 | |
Fingers crossed you'll get the planning. | 0:24:43 | 0:24:45 | |
And, while James awaits the council's decision, | 0:24:45 | 0:24:48 | |
it's important that the property is made safe from squatters, vandals and thieves. | 0:24:48 | 0:24:54 | |
My main suggestions for the site would be to tidy all the front garden area up | 0:24:54 | 0:24:58 | |
so it doesn't look obviously empty. | 0:24:58 | 0:25:00 | |
And, to the rear, perhaps look at your shuttering option. | 0:25:00 | 0:25:04 | |
If you get all the rear made secure then it's highly unlikely anyone would break in | 0:25:04 | 0:25:08 | |
because, for them to break into the front, which is on full view to the public, | 0:25:08 | 0:25:12 | |
it's a lot more unlikely that's going to happen. | 0:25:12 | 0:25:14 | |
-We'll get that sorted. -Fantastic. | 0:25:14 | 0:25:16 | |
-Thanks ever so much. -Thanks for your help, cheers. | 0:25:19 | 0:25:21 | |
I think today's meeting with James was very positive, | 0:25:21 | 0:25:24 | |
I think his plans for the building are fantastic | 0:25:24 | 0:25:27 | |
and I think they will make a really, really good family home. | 0:25:27 | 0:25:30 | |
Back in Oxfordshire, Camilla Hanchet has been visiting a beautifully restored 200-year-old thatched house | 0:25:35 | 0:25:42 | |
in the hope that she can take home some practical tips to use on her own recently-acquired cottage. | 0:25:42 | 0:25:49 | |
Camilla, a lot to take in. How do you feel about what you've just seen here? | 0:25:49 | 0:25:53 | |
Externally, it's interesting what Dean was saying about the drainage from the thatch, | 0:25:53 | 0:25:57 | |
so I will have to talk to my builder about that. | 0:25:57 | 0:26:02 | |
Internally, I love that exposed stonework upstairs. | 0:26:02 | 0:26:05 | |
I was wondering if you would come round to that | 0:26:05 | 0:26:07 | |
because, having seen that there is so much of it at your cottage, it just seems to be crying out to be... | 0:26:07 | 0:26:13 | |
Well, I think the bathroom upstairs is probably where I'll do it and use it as a feature. | 0:26:13 | 0:26:18 | |
Just overall now, how much confidence does that give you, | 0:26:18 | 0:26:22 | |
does it help you see a little bit further forward? | 0:26:22 | 0:26:25 | |
Yes, it does and it's very interesting to see. | 0:26:25 | 0:26:28 | |
They've put their mark on their property | 0:26:28 | 0:26:30 | |
and it's quiet individual the way they've done it. | 0:26:30 | 0:26:33 | |
It's made me want to get into my house quickly and start enjoying living there. | 0:26:33 | 0:26:36 | |
And you're going to be there on hand whenever your sister needs, | 0:26:36 | 0:26:39 | |
I'm sure, David? | 0:26:39 | 0:26:40 | |
Pouring the drinks at the housewarming. | 0:26:40 | 0:26:44 | |
I can hear the popping fizz now. | 0:26:44 | 0:26:46 | |
Of course, taking on an empty property that has sat languishing | 0:26:48 | 0:26:51 | |
isn't for the fainthearted, but it doesn't have to be an ordeal either. | 0:26:51 | 0:26:55 | |
Providing you know exactly what you're dealing with, | 0:26:55 | 0:26:58 | |
and you're happy to get your hands dirty, | 0:26:58 | 0:27:00 | |
the rewards in buying one of Britain's empty homes can be boundless. | 0:27:00 | 0:27:05 | |
Subtitles by Red Bee Media Ltd | 0:27:08 | 0:27:11 |