Browse content similar to Janet and Trevor Smith. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Across the country, empty buildings that could be homes are just waiting to be brought back into use. | 0:00:02 | 0:00:08 | |
I'll be finding out why and what you need to do to rescue a house for yourself. | 0:00:08 | 0:00:14 | |
Along the way, I'll do some digging to find out more about our housing stock and why we should be | 0:00:14 | 0:00:21 | |
reinventing and preserving Britain's empty homes. | 0:00:21 | 0:00:25 | |
Finding your ideal home isn't an easy task. You can look through hundreds of properties | 0:00:30 | 0:00:36 | |
and not find anything quite right, | 0:00:36 | 0:00:38 | |
but if you go the extra mile and take a leap of faith, | 0:00:38 | 0:00:42 | |
rescuing one of Britain's empty homes could help you realise your dreams. | 0:00:42 | 0:00:48 | |
'Today I'll be meeting a couple with big ambitions for a little bungalow, | 0:00:51 | 0:00:56 | |
-'who may find it's more than just their accounts that are frozen.' Camp out? -Yes, camp out. | 0:00:56 | 0:01:02 | |
-You'll be living here? -We will. -We've got to get on with it. | 0:01:02 | 0:01:08 | |
'We'll meet people who took some big risks to renovate a derelict house.' | 0:01:08 | 0:01:13 | |
Should we put the property back on the market or should we bite the bullet and proceed? | 0:01:13 | 0:01:20 | |
'And we follow the property detectives who help breathe new life into empty houses.' | 0:01:20 | 0:01:25 | |
When I come across an empty house, I don't see just bricks and mortar. | 0:01:25 | 0:01:30 | |
I see a potential family house. | 0:01:30 | 0:01:33 | |
Carpenders Park, Hertfordshire, and Janet and Trevor Smith have just bought a three-bedroom bungalow. | 0:01:34 | 0:01:42 | |
Everything is in complete disarray and I couldn't be happier. | 0:01:42 | 0:01:46 | |
They married last year and this is their first renovation together. | 0:01:46 | 0:01:51 | |
Janet's tackled some large projects before, but Trevor is a novice. | 0:01:51 | 0:01:55 | |
I've never done anything like this before, so it's a challenge. | 0:01:55 | 0:02:00 | |
And I'm looking forward to it! | 0:02:00 | 0:02:03 | |
Lots of painting, lots of sanding down, decorating and knocking things down. | 0:02:04 | 0:02:11 | |
-The bungalow stood empty for six months after the owner passed away. -You can walk in somewhere | 0:02:11 | 0:02:17 | |
and still have that feeling that you can make it a home. | 0:02:17 | 0:02:22 | |
They bought this place because they want more space for them and their dog, Alfie. | 0:02:22 | 0:02:27 | |
They plan to increase the size of their new home by adding a second storey and extending to the rear. | 0:02:27 | 0:02:34 | |
I won't be here during the days. I'll be at work, so Jan will have to take it on her broad shoulders. | 0:02:34 | 0:02:41 | |
The bungalow cost £245,000 and they have a renovation budget of up to £60,000. | 0:02:43 | 0:02:49 | |
Hi, guys, nice to meet you. I'm Joe. 'I'm meeting them to find out more.' | 0:02:49 | 0:02:55 | |
-What attracted you to the bungalow? -There's loads and loads of potential. | 0:02:55 | 0:03:00 | |
We can get our own stamp on it. | 0:03:00 | 0:03:03 | |
It has been empty for a while. Is that an opportunity to go in and wreak havoc? | 0:03:03 | 0:03:09 | |
Yes, an opportunity. When you walk in and it looks absolutely fab, | 0:03:09 | 0:03:13 | |
you don't want to do anything to it. But when it's the way it is, a little bit unloved | 0:03:13 | 0:03:19 | |
and uncared for, you want to rip everything out and start again. | 0:03:19 | 0:03:24 | |
-And you're excited about doing that? -Yes, really... Well, I'm very excited! | 0:03:24 | 0:03:30 | |
I've identified the Project Manager already! | 0:03:30 | 0:03:33 | |
-Shall we go and have a look inside? -Yeah, sure. -Lead the way. | 0:03:33 | 0:03:38 | |
-Mind the step. -OK. -Hello, my darling. Hello. | 0:03:38 | 0:03:42 | |
'As soon as you walk in, it's clear why Janet and Trevor, and Alfie, | 0:03:42 | 0:03:47 | |
'need a bit more space. | 0:03:47 | 0:03:49 | |
'Squeezed in are a living room, two bedrooms, a bathroom and a kitchen/diner.' | 0:03:49 | 0:03:56 | |
-Right. -Where we're standing here will be, hopefully, the staircase, | 0:03:56 | 0:04:02 | |
leading to the room that will be built upstairs. The loft extension. | 0:04:02 | 0:04:08 | |
-You do know you've bought a bungalow? -Yes! Not for much longer. That door will be blocked, | 0:04:08 | 0:04:14 | |
the wall will stay as a partition wall which will separate the kitchen and dining area. | 0:04:14 | 0:04:21 | |
And the whole of the back will open up onto the garden. | 0:04:21 | 0:04:26 | |
As you walk in the front door, you'll see the garden. | 0:04:26 | 0:04:30 | |
'They want to get started straight away, but that means doing all the major work in winter.' | 0:04:30 | 0:04:36 | |
-You have to be aware that things will be a bit tough. We'll camp out for a few months. -Camp out? -Yes. | 0:04:36 | 0:04:43 | |
-So you'll be living here? -We'll be here, yes, while we take the roof off. -Rather draughty! | 0:04:43 | 0:04:50 | |
Yeah. How do you feel about this, Trevor, as a novice to the renovation side of things? | 0:04:50 | 0:04:56 | |
A little bit of trepidation, but we've got to get on with it. | 0:04:56 | 0:05:01 | |
'Being on a building site in winter with no roof will be hard enough, but as we move to the kitchen | 0:05:01 | 0:05:07 | |
'I learn about their plans to take the back off the house as well.' | 0:05:07 | 0:05:12 | |
-Right, so kitchen/dining area. -As it stands at the moment, yes. -What's the plan? | 0:05:12 | 0:05:17 | |
This will be pushed through, extended through. | 0:05:17 | 0:05:22 | |
-Three metres-ish we're aiming for. -You're pushing out as well as pushing up. | 0:05:22 | 0:05:27 | |
-So it's about how to divide that £60,000... -Yes. | 0:05:27 | 0:05:31 | |
'The projected budget feels very tight for these two ambitious extensions.' | 0:05:31 | 0:05:36 | |
-Are you going to do a lot of the work yourself? -Oh, yes. | 0:05:36 | 0:05:40 | |
Labouring, essentially, will be done by us. | 0:05:40 | 0:05:44 | |
That's where the money drains away. You have to be sensible. | 0:05:44 | 0:05:48 | |
'Well, I'm keen to see what they're planning with the extension out the back.' | 0:05:48 | 0:05:53 | |
This is a good view. You can clearly see what you're talking about. Next door have pushed out and up. | 0:05:53 | 0:06:00 | |
-This is very much in the style that you're thinking about. -Yes. | 0:06:00 | 0:06:05 | |
Exactly. | 0:06:05 | 0:06:07 | |
Janet and Trevor have very exciting plans. Just a couple of concerns have popped up in my mind. | 0:06:07 | 0:06:13 | |
One is the budget. They've got £60,000 to spend. | 0:06:13 | 0:06:17 | |
I could easily see them getting through double that on this. | 0:06:17 | 0:06:21 | |
The second is that they'll do the main work in the winter. Of course that is possible, | 0:06:21 | 0:06:27 | |
but it's also pretty grim. Later I'll take them to meet somebody who can give some useful tips | 0:06:27 | 0:06:34 | |
and also a reality check of what's in store for the months ahead. | 0:06:34 | 0:06:39 | |
Empty homes don't always get into the hands of owners like them. | 0:06:39 | 0:06:44 | |
Across the country, councils' Empty Property Officers try to change the fortunes of abandoned houses. | 0:06:44 | 0:06:51 | |
Dave Carter is one of Enfield Council's most senior Empty Property Officers. | 0:06:53 | 0:06:59 | |
When I come across an empty house, I don't see just bricks and mortar. | 0:06:59 | 0:07:04 | |
I see a potential family house. | 0:07:04 | 0:07:06 | |
Today Dave is on his way to investigate claims of squatters moving into a disused house. | 0:07:10 | 0:07:16 | |
This morning we're going to visit a house that the council have recently had to take possession of. | 0:07:16 | 0:07:22 | |
We realised it maybe has been squatted and I need to confirm that | 0:07:22 | 0:07:26 | |
so that I can inform my legal team in order to start the eviction process. | 0:07:26 | 0:07:32 | |
In recent years, Dave and his team have been dealing with an increasing number of squats in Enfield. | 0:07:36 | 0:07:42 | |
The legal process for evictions relies on Dave getting a possession order and then serving notice | 0:07:44 | 0:07:50 | |
within 24 hours. Once notice is served, | 0:07:50 | 0:07:54 | |
any illegal occupants have two days to vacate. | 0:07:54 | 0:07:59 | |
After this period, the bailiffs are usually sent in. | 0:07:59 | 0:08:04 | |
But before the council can act, Dave needs to check the situation with the neighbours. | 0:08:04 | 0:08:10 | |
I'm Dave Carter from Enfield Council. I'm trying to find out about the house a few doors along, | 0:08:10 | 0:08:17 | |
-whether anyone's living there. -I've seen some people coming in. | 0:08:17 | 0:08:21 | |
-You've seen that recently? -Recently. At night. | 0:08:21 | 0:08:25 | |
-Do you see a light on? -Yeah. -All right. | 0:08:25 | 0:08:28 | |
There's definitely somebody living there. Thank you very much. Bye. | 0:08:28 | 0:08:33 | |
'What I'm going to do is knock on the door and see if there's anyone' | 0:08:33 | 0:08:37 | |
prepared to come and talk to me and confirm that they live there. | 0:08:37 | 0:08:41 | |
I'll warn them that the council are taking proceedings to evict them and they need somewhere else. | 0:08:41 | 0:08:48 | |
With confirmation that someone's living in the house, Dave decides to see if anyone will answer the door. | 0:08:51 | 0:08:57 | |
There doesn't seem to be anybody in. I'll knock again. | 0:09:06 | 0:09:11 | |
There are clear signs of life inside, but no response. | 0:09:12 | 0:09:16 | |
DOG BARKS | 0:09:23 | 0:09:25 | |
There is a dog in the house barking away. There's no build up of post. I had a look through the windows. | 0:09:27 | 0:09:33 | |
I'm satisfied that the squatters are still here, so I'll nip back to the office | 0:09:33 | 0:09:39 | |
and speak to our legal team. | 0:09:39 | 0:09:42 | |
Dave is left with no choice but to push forward with the possession order and serve notice. | 0:09:43 | 0:09:49 | |
Taking on an empty home isn't for the faint-hearted. Let's be very clear about that. | 0:09:54 | 0:09:59 | |
But once you cross the threshold of an abandoned property, | 0:09:59 | 0:10:03 | |
the potential for it to once again become a warm home full of character really does come alive. | 0:10:03 | 0:10:10 | |
If you're the sort of person who can see past peeling paintwork and a dated decor, | 0:10:10 | 0:10:15 | |
then with hard graft and determination, you really can create the home you've always dreamt of. | 0:10:15 | 0:10:22 | |
Ten years ago, Ogilvie and Flora Dixon fell in love with this coachman's cottage | 0:10:22 | 0:10:27 | |
in the small town of Melrose in the Scottish borders. | 0:10:27 | 0:10:32 | |
The house included a coach shed, a hay barn and stables. | 0:10:33 | 0:10:39 | |
Even though it had been empty for over two years and was derelict, | 0:10:39 | 0:10:43 | |
they felt compelled to buy the place, but there was one big hurdle. It was offered under sealed bids. | 0:10:43 | 0:10:50 | |
The agent placed the property on the market at offers over £58,000. | 0:10:50 | 0:10:57 | |
We thought long and hard, discussed it with our lawyer, | 0:10:57 | 0:11:02 | |
and eventually placed an offer for £150,000. | 0:11:02 | 0:11:08 | |
We reckon we went £30,000 over the highest offer, | 0:11:08 | 0:11:12 | |
but nevertheless we were fortunate in obtaining the property and we have no regrets. | 0:11:12 | 0:11:18 | |
But there was definitely uncertainty when their offer was accepted. | 0:11:18 | 0:11:24 | |
We just hadn't time to establish the final cost of conversion, | 0:11:24 | 0:11:28 | |
so when we got the quotations, we said should we put the property back on the market | 0:11:28 | 0:11:34 | |
or should we bite the bullet and proceed? | 0:11:34 | 0:11:38 | |
Well, after two sleepless nights, we made the historical decision to proceed. | 0:11:38 | 0:11:45 | |
So proceed they did, but this was a year-long renovation project | 0:11:45 | 0:11:50 | |
-and during that time the house was totally uninhabitable. -It was undeveloped for a number of years. | 0:11:50 | 0:11:58 | |
So it was a bit of a shambles and certainly a huge challenge. | 0:11:58 | 0:12:03 | |
For Ogilvie, having 20 years' experience in the construction industry had its benefits. | 0:12:03 | 0:12:10 | |
The most important part was to gather around one a good team of builders, joiners | 0:12:10 | 0:12:18 | |
and electricians. Above all, tradesmen that you could trust. | 0:12:18 | 0:12:22 | |
This entire renovation cost Ogilvie and Flora around £275,000 | 0:12:22 | 0:12:27 | |
and they only went £1,500 over budget in total. | 0:12:27 | 0:12:32 | |
We kept a very close eye on the entire contract and enjoyed it. | 0:12:32 | 0:12:36 | |
It was rather nice to think that we were sorry to see our builder leave at the end of the contract. | 0:12:36 | 0:12:42 | |
Ogilvie and Flora now have a beautiful four-bedroom house with three bathrooms, | 0:12:42 | 0:12:48 | |
a large garden and a spacious garage. | 0:12:48 | 0:12:52 | |
There's a certain warmth and pleasure just looking out | 0:12:52 | 0:12:56 | |
onto these craftsmen-built walls. | 0:12:56 | 0:12:59 | |
Not only did they get a spectacular home in one of the most desirable locations in the area, | 0:12:59 | 0:13:05 | |
they also saved a derelict building from falling into total ruin. | 0:13:05 | 0:13:10 | |
It was fun, a challenge, oh, yes, a worry, | 0:13:10 | 0:13:14 | |
but I'm glad to say that it's all paid for | 0:13:14 | 0:13:17 | |
and we can relax now and enjoy living in it. | 0:13:17 | 0:13:21 | |
Many buildings that lie empty are not listed, | 0:13:24 | 0:13:27 | |
but can still be hiding links to our past. | 0:13:27 | 0:13:30 | |
Often these properties don't draw attention to themselves, | 0:13:30 | 0:13:34 | |
so they're reduced to rubble to make way for new developments taking with them their own unique history. | 0:13:34 | 0:13:41 | |
'In Whitechapel, East London, these Georgian houses had been derelict and uninhabited | 0:13:41 | 0:13:47 | |
'for almost two decades. | 0:13:47 | 0:13:49 | |
'The buildings had been given to the London Development Agency by the former owner, Queen Mary's Hospital, | 0:13:49 | 0:13:55 | |
'and were due to be demolished for redevelopment. These historic homes were nearly lost for ever, | 0:13:55 | 0:14:01 | |
'but thanks to a campaign by a local trust, they have been rescued. | 0:14:01 | 0:14:05 | |
'The Spitalfields Trust is passionate about saving historic buildings. | 0:14:05 | 0:14:10 | |
'I'm here to meet resident Robin Forster to find out more.' | 0:14:10 | 0:14:14 | |
Robin, tell me about the plan for demolition. All these were earmarked to be pulled down. | 0:14:14 | 0:14:19 | |
These properties were going to be demolished to make way for a new build for Queen Mary College | 0:14:19 | 0:14:26 | |
and they would have sat right where we stand. | 0:14:26 | 0:14:30 | |
They were saved at the 11th hour, this land had been handed over? | 0:14:30 | 0:14:34 | |
The plans had been drawn up for this new facility | 0:14:34 | 0:14:37 | |
and we were just hanging in there, trying to change their mind. | 0:14:37 | 0:14:41 | |
'The Spitalfields Trust eventually negotiated a redevelopment site exchange with Queen Mary's | 0:14:41 | 0:14:48 | |
'by offering them a less architecturally significant site locally.' | 0:14:48 | 0:14:52 | |
What was it the Spitalfields Trust saw in these buildings? | 0:14:52 | 0:14:56 | |
-They weren't listed, were they? -No. | 0:14:56 | 0:14:59 | |
I think what they saw in it was it was quite unique that there was actually ten houses all together | 0:14:59 | 0:15:05 | |
in very similar condition | 0:15:05 | 0:15:07 | |
and because they were vacant for between 15 and 20 years, they had kind of been stuck in time. | 0:15:07 | 0:15:13 | |
'The agreement stipulated that new owners would have to preserve key features of these Georgian houses.' | 0:15:13 | 0:15:20 | |
All of them are slightly different. | 0:15:20 | 0:15:22 | |
There are tweaks and subtleties and the buildings stand out from one another. | 0:15:22 | 0:15:27 | |
How does that happen? People have flexibility within the extensions? | 0:15:27 | 0:15:31 | |
The great way Spitalfields went abou it was to give people enough scope t influence the design of their house, | 0:15:31 | 0:15:37 | |
-but still fit it within the masterplan. -What about inside? | 0:15:37 | 0:15:41 | |
Was there any dictum on how the interior was designed? | 0:15:41 | 0:15:44 | |
No, there was no dictate at all as to what you did on the inside, | 0:15:44 | 0:15:48 | |
but the people involved, their wish was to restore a Georgian house. | 0:15:48 | 0:15:53 | |
'The Spitalfields Trust employed artisans who had the skills to replicate the Georgian era - | 0:15:53 | 0:15:59 | |
'wood panelling, lime mortar and traditional-looking plaster finishes. | 0:15:59 | 0:16:03 | |
'They also used low-grade greenhouse glass to give an authentic look to the windows.' | 0:16:03 | 0:16:09 | |
This isn't complete, but this is a Georgian structure, | 0:16:09 | 0:16:14 | |
it has been brought back to how it would have looked, but it has to be liveable in. | 0:16:14 | 0:16:19 | |
To take a building like this or a series of buildings like this | 0:16:19 | 0:16:23 | |
and make them great again and make them acceptable for modern living is fantastic. | 0:16:23 | 0:16:28 | |
Restoration projects like this show that buildings condemned and earmarked for demolition | 0:16:28 | 0:16:34 | |
can be brought back to life. | 0:16:34 | 0:16:36 | |
We can't just remain stuck in the past. | 0:16:36 | 0:16:39 | |
There is a time and a place for new building projects, including just up this street here, | 0:16:39 | 0:16:44 | |
but when we can save buildings like this, retaining their historical identity, | 0:16:44 | 0:16:49 | |
fusing it with a contemporary living space, not only is it good for the people that live here, | 0:16:49 | 0:16:55 | |
but it benefits the whole community and it safeguards an important piece of our heritage. | 0:16:55 | 0:17:01 | |
'Earlier, I met Janet and Trevor Smith who had just bought this 1930s bungalow in Hertfordshire. | 0:17:02 | 0:17:08 | |
'They're planning a double extension up and out at the back for just £60,000. | 0:17:08 | 0:17:13 | |
'I'm taking them to meet a couple who have completed a similar renovation project. | 0:17:13 | 0:17:18 | |
'Richard and Alice Cann bought this 1930s three-bedroom semi in Harrow | 0:17:18 | 0:17:23 | |
'for £305,000 back in 2009.' | 0:17:23 | 0:17:26 | |
We'd been looking for various other houses | 0:17:26 | 0:17:29 | |
that weren't working out, so when you found this property in Harrow and we came to see it | 0:17:29 | 0:17:35 | |
and fell in love with it, it was really the kind of thing we were looking for, | 0:17:35 | 0:17:39 | |
apart from the fact that it needed all this work on it. | 0:17:39 | 0:17:43 | |
'Just like Janet and Trevor plan to, the Canns have built a large rear extension. | 0:17:43 | 0:17:49 | |
'But the Canns had a higher build budget of £125,000. | 0:17:49 | 0:17:53 | |
'And they opted not to live in a building site with their young baby Arthur | 0:17:53 | 0:17:58 | |
'during the cold winter months.' | 0:17:58 | 0:18:01 | |
It soon became clear that really we wouldn't be able to live here all the time. | 0:18:01 | 0:18:06 | |
We were really lucky to have my parents to go and stay with. | 0:18:06 | 0:18:09 | |
'Two years later, the Canns haven't fully done up the front rooms yet, | 0:18:09 | 0:18:14 | |
'but they now have a large and comfortable family home | 0:18:14 | 0:18:17 | |
'with a spectacular kitchen-diner extension.' | 0:18:17 | 0:18:20 | |
Right, guys, here it is. | 0:18:20 | 0:18:23 | |
It is a property of a similar period to yours. | 0:18:23 | 0:18:26 | |
I want you to see this place because as a project, it's where you might be in half a year's time. | 0:18:26 | 0:18:31 | |
I think it will answer a lot of your questions. | 0:18:31 | 0:18:34 | |
-Shall we go and have a look? -Absolutely. | 0:18:34 | 0:18:37 | |
'This project is on a bigger scale to Janet and Trevor's, but it does have some interesting parallels | 0:18:37 | 0:18:43 | |
'and I think the feature they'll be very keen to see is the large extension.' | 0:18:43 | 0:18:48 | |
In terms of what you were telling me earlier, your inspiration of having glass at the back of a property | 0:18:53 | 0:19:01 | |
and the sight line through to the garden, isn't that great? | 0:19:01 | 0:19:05 | |
-It is. -That's great. -It's beautiful. | 0:19:05 | 0:19:07 | |
-Very open. -Hmm. -Yeah. -Exactly, actually. Only flipped around. | 0:19:07 | 0:19:12 | |
-Exactly with the sink, the window. -Plenty of light. -It's beautiful. | 0:19:12 | 0:19:16 | |
Step over here because I know Richard is fairly keen on his doors here. | 0:19:16 | 0:19:22 | |
I am because we don't like conservatories. I don't understand the purpose of them. | 0:19:22 | 0:19:27 | |
This seemed like the next best thing, really, to have the garden pretty much in your living room. | 0:19:27 | 0:19:33 | |
-Tri-fold doors. -Tri-fold doors, yeah | 0:19:38 | 0:19:40 | |
That is clever. | 0:19:40 | 0:19:43 | |
-And so weird to suddenly see this one big rectangle. -That's what we were talking about. | 0:19:43 | 0:19:48 | |
-Of light and green... -That's the photograph that you want. | 0:19:48 | 0:19:52 | |
I haven't asked you how this property was when you got here. | 0:19:52 | 0:19:57 | |
Presumably, the building stopped here? | 0:19:57 | 0:20:00 | |
Yeah, by that divide. You can see where the old kitchen was and that was a rear reception room. | 0:20:00 | 0:20:05 | |
-Both quite small rooms compared to the feel of what you have now? -Sure. | 0:20:05 | 0:20:10 | |
-And that's what you've got. -Yes. -Your bungalow is divided up into quite small compartments. -Yes. | 0:20:10 | 0:20:17 | |
'With this open-plan kitchen-diner, Richard and Alice really have maximised the space, | 0:20:17 | 0:20:23 | |
'but there was one big decision they made which I want Janet and Trevor to take on board.' | 0:20:23 | 0:20:28 | |
It was one of the coldest winters in my memory. | 0:20:28 | 0:20:32 | |
There wasn't a back to the house. This was open. You could feel the wind coming through the house. | 0:20:32 | 0:20:38 | |
This was one extension on the back of the house. | 0:20:38 | 0:20:41 | |
-You were talking about one on the back of the house and on top. -Yes. | 0:20:41 | 0:20:46 | |
'Currently, Janet and Trevor are planning to live on site over winter during their building works.' | 0:20:46 | 0:20:52 | |
The other thing if you're living on site is to maybe think about it from the builder's perspective. | 0:20:52 | 0:20:58 | |
Yes, that has passed through my mind. | 0:20:58 | 0:21:01 | |
It does become more difficult for them to be sidestepping around you, what you're doing. | 0:21:01 | 0:21:06 | |
'Janet and Trevor have a total budget of £60,000 for two extensions - roof and rear. | 0:21:06 | 0:21:12 | |
'The Canns started off with a build budget of 90,000, but as so often happens, they went over budget.' | 0:21:12 | 0:21:19 | |
The full project came to about 125 | 0:21:19 | 0:21:22 | |
and that's just from extras that aren't included with the builder, such as these doors. | 0:21:22 | 0:21:28 | |
Was that an absolute maximum for you? You knew you could just about go to that, but no more? | 0:21:28 | 0:21:34 | |
You can see the front of the house isn't finished. It was all meant to be finished. | 0:21:34 | 0:21:39 | |
'Richard shows us the hallway and front room | 0:21:39 | 0:21:42 | |
'to give Janet and Trevor a sense of what stage his renovations are at.' | 0:21:42 | 0:21:46 | |
We've seen the hallway and this room. I've just run out of money. I'll just have to wait. | 0:21:46 | 0:21:52 | |
That's interesting that you get to your limits as well. | 0:21:52 | 0:21:55 | |
You've done the structural work, so you can save that for another year or two. | 0:21:55 | 0:22:00 | |
'I'm hoping this visit will help Janet and Trevor consider the scale of what they're taking on. | 0:22:00 | 0:22:06 | |
'Later, I'll find out what conclusions they've drawn after seeing this place. | 0:22:06 | 0:22:11 | |
'First, back to Enfield where Empty Property Officer Dave Carter | 0:22:11 | 0:22:15 | |
'has been investigating the possibility of squatters. | 0:22:15 | 0:22:19 | |
'Despite no answer, Dave was happy with the evidence that squatters were living at the abandoned house.' | 0:22:19 | 0:22:26 | |
I'm satisfied that the squatters are still here, | 0:22:26 | 0:22:29 | |
so I'll nip back to the office and speak to our legal team. | 0:22:29 | 0:22:34 | |
'Since then, Dave and his team have evicted the unwelcome house guests and secured the building. | 0:22:34 | 0:22:41 | |
'Dave is now on his way to meet local auctioneer Brian Grant, | 0:22:42 | 0:22:46 | |
'but before Dave and Brian can put the house up for auction, | 0:22:46 | 0:22:49 | |
'they need to see what condition the place has been left in.' | 0:22:49 | 0:22:53 | |
-Good afternoon, Brian. -Hi, Dave. How are you? -Nice to see you at last. -And you. -So this is the house. -OK. | 0:22:53 | 0:22:59 | |
We've had squatters in there, so it's in a bit of a tip, but you're probably used to that. | 0:22:59 | 0:23:05 | |
Yeah, absolutely. We see all sorts in our business, so it won't be too much of a surprise to us. | 0:23:05 | 0:23:11 | |
-Shall I show you around? -Yeah, after you. | 0:23:11 | 0:23:14 | |
'It doesn't take long to spot the damage.' | 0:23:21 | 0:23:25 | |
-So as you can see, it's in a bit of a state. -Yes, I can see that. | 0:23:28 | 0:23:33 | |
It's got a long history of being squatted. | 0:23:33 | 0:23:36 | |
-OK. -Obviously, we just want to get shot of it as soon as possible. -No problem. -Which is where you come in. | 0:23:36 | 0:23:43 | |
We'll be able to turn this around quite quickly. | 0:23:43 | 0:23:46 | |
'Upstairs hasn't been left in a much better state either.' | 0:23:48 | 0:23:52 | |
There's the loft. | 0:23:53 | 0:23:56 | |
-Yeah. I doubt there's much insulatio up there. -No. | 0:23:56 | 0:24:01 | |
It's very sad, really, looking around because clearly it used to be someone's well-loved home. | 0:24:04 | 0:24:11 | |
You can see the possessions that are still around here, despite the squatters wrecking the house. | 0:24:11 | 0:24:16 | |
So I'd like to see that we can get i to someone that is going to bring it back up to modern standards | 0:24:16 | 0:24:23 | |
and maybe get a good family in here. | 0:24:23 | 0:24:25 | |
From the point of view of auctions, it's likely a developer or builder, maybe an investor will take on this, | 0:24:25 | 0:24:31 | |
but we do get quite ambitious owner-occupiers prepared to take on quite heavy projects | 0:24:31 | 0:24:37 | |
for the purpose of a family home. | 0:24:37 | 0:24:39 | |
'With Brian on board, Dave is confident this house will be saved from falling into further decline.' | 0:24:39 | 0:24:45 | |
-Right, good luck. -Thank you. -I hope the viewings go well. -I'm sur they will. -There's the keys. | 0:24:45 | 0:24:50 | |
-Thank you. -Let me know how things go. -I will do. -Thanks a lot. -Thanks for your time. -Bye-bye. -Bye-bye. | 0:24:50 | 0:24:56 | |
It's fairly typical in condition with a standard auction property. | 0:24:56 | 0:25:01 | |
It needs refurbishment. It's exactly what we're looking for to get into the catalogue. | 0:25:01 | 0:25:06 | |
It will go very well at auction. | 0:25:06 | 0:25:08 | |
I was very pleased. The auctioneer said this is just the sort of property developers are looking for. | 0:25:08 | 0:25:14 | |
He's positive it will sell. We'll just go back to the office and work out a reserve price, | 0:25:14 | 0:25:19 | |
then hopefully, it will be sold and renovated within a couple of months. | 0:25:19 | 0:25:23 | |
'In Harrow, Janet and Trevor Smith visited this stunning home | 0:25:27 | 0:25:31 | |
'to get inspiration for the planned extensions to their new bungalow.' | 0:25:31 | 0:25:35 | |
How are you feeling about your project after what you've just seen? | 0:25:35 | 0:25:39 | |
Enthusiastic still. You've got to be positive. | 0:25:39 | 0:25:43 | |
I'm not looking forward to the dust and the grime and we may rethink the idea of living in. | 0:25:43 | 0:25:49 | |
Yes, because he was very against it. He didn't think it was a good idea. He talked his wife out of it. | 0:25:49 | 0:25:54 | |
They came back for the final two weeks and even that was quite grim. | 0:25:54 | 0:25:58 | |
-So we could potentially rethink our plans. -Definitely. | 0:25:58 | 0:26:02 | |
For the sake of living out for, I don't know, maybe four months even | 0:26:02 | 0:26:07 | |
-Yeah. -Especially in the winter. -Yes, so that is something that we have definitely learned. | 0:26:07 | 0:26:13 | |
And hearing that they spent more than your total budget on just one extension, not two, | 0:26:13 | 0:26:19 | |
does that give you cause for concern? | 0:26:19 | 0:26:21 | |
-That was a big reality check. -It was -More than double our budget. | 0:26:21 | 0:26:26 | |
If push comes to shove, we will just do the extension. | 0:26:26 | 0:26:30 | |
We'll forget lifting for the time being. We'll just do the extension. | 0:26:30 | 0:26:35 | |
-I wish you the best of luck. I'm sure you'll make a great job of it. -Thank you. | 0:26:35 | 0:26:40 | |
I'm so pleased we could show Janet and Trevor this property today. | 0:26:41 | 0:26:46 | |
It has come at just the right time in their renovation. | 0:26:46 | 0:26:49 | |
I have no doubt they'll take away loads of insight, inspiration and plenty of tips. | 0:26:49 | 0:26:55 | |
I'm sure they can create a home together, their first home together, that they can be really proud of. | 0:26:55 | 0:27:01 | |
Subtitles by Subtext for Red Bee Media Ltd 2012 | 0:27:16 | 0:27:20 | |
Email [email protected] | 0:27:20 | 0:27:23 |