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Across the country, empty properties that could be homes are just waiting | 0:00:02 | 0:00:06 | |
to be brought back into use. | 0:00:06 | 0:00:08 | |
I'll be finding out why, | 0:00:08 | 0:00:10 | |
and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:13 | |
Along the way, | 0:00:13 | 0:00:14 | |
I'll be doing some digging of my own to find out more about | 0:00:14 | 0:00:17 | |
our housing stock, our heritage, and why we should be reinventing | 0:00:17 | 0:00:21 | |
and preserving Britain's empty homes. | 0:00:21 | 0:00:24 | |
There are thousands of empty properties in the UK just waiting to be brought back into use. | 0:00:31 | 0:00:36 | |
When you see a derelict house with windows boarded up, | 0:00:36 | 0:00:39 | |
it's easy to forget that people used to live there, | 0:00:39 | 0:00:43 | |
they used to look after the place and love it. | 0:00:43 | 0:00:46 | |
It appears that many of these homes are on their last legs. | 0:00:46 | 0:00:49 | |
But the reality is, they're just waiting for someone | 0:00:49 | 0:00:52 | |
to take them on and help write their next chapter. | 0:00:52 | 0:00:55 | |
Today, I'll be meeting a would-be playwright who dreams of renovating | 0:00:55 | 0:00:59 | |
a large, empty property into a uniquely creative home. | 0:00:59 | 0:01:03 | |
Well, I always wanted a house with a swimming pool! | 0:01:03 | 0:01:06 | |
Whether that should be your whole house or not is the question! | 0:01:06 | 0:01:09 | |
I'll also meet a couple who have transformed | 0:01:09 | 0:01:12 | |
an unusual empty property into a spacious statement home. | 0:01:12 | 0:01:16 | |
Wow! This is your living room, isn't it? | 0:01:16 | 0:01:18 | |
And I'll be following the property detectives who track down | 0:01:20 | 0:01:23 | |
the owners of forgotten houses and help bring them back to life. | 0:01:23 | 0:01:28 | |
Use it or lose it. | 0:01:28 | 0:01:30 | |
If you don't start doing something soon, we will take it off you. | 0:01:30 | 0:01:33 | |
Andy Irlam has decided to pursue his lifelong ambition | 0:01:39 | 0:01:43 | |
of becoming a playwright, | 0:01:43 | 0:01:45 | |
and is looking for an unconventional home as his new creative base. | 0:01:45 | 0:01:49 | |
I'm starting a new chapter in my life. | 0:01:49 | 0:01:53 | |
The idea of having a completely open mind | 0:01:53 | 0:01:55 | |
and a blank piece of canvas, as they say, really appeals. | 0:01:55 | 0:01:59 | |
Andy feels an empty property could be the way forward, | 0:01:59 | 0:02:02 | |
and has a budget of about £400,000 to spend. | 0:02:02 | 0:02:06 | |
I want to buy an empty property, | 0:02:06 | 0:02:08 | |
partly because there's potential for it to be really good value for money, | 0:02:08 | 0:02:12 | |
and to make a home that really suits me in terms of what I want. | 0:02:12 | 0:02:16 | |
It's also a crying shame that there are so many empty properties | 0:02:16 | 0:02:20 | |
in this country, and they should be used. | 0:02:20 | 0:02:22 | |
It appeals in all sorts of ways. | 0:02:22 | 0:02:24 | |
I've brought Andy to the historic town of St Leonards-on-Sea, near Hastings, | 0:02:24 | 0:02:30 | |
to look at a spacious and unusual vacant building | 0:02:30 | 0:02:34 | |
which might just fit the bill. | 0:02:34 | 0:02:36 | |
This vast property is Grade II listed and is on the market for £280,000. | 0:02:36 | 0:02:41 | |
-Do you know much about St Leonards-on-Sea? -Not really, no. | 0:02:41 | 0:02:44 | |
It's a Victorian seaside town. | 0:02:44 | 0:02:47 | |
What's very interesting about it is, a lot of it was conceived and built | 0:02:47 | 0:02:50 | |
by a father-and-son duo, James and Decimus Burton. | 0:02:50 | 0:02:54 | |
They're quite well known for their contribution to London architecture | 0:02:54 | 0:02:58 | |
around Regent's Park, around Bloomsbury, | 0:02:58 | 0:03:01 | |
and had a major impact in this town. | 0:03:01 | 0:03:02 | |
It was kind of built for the wealthy - | 0:03:02 | 0:03:05 | |
this seaside resort was very popular with the aristocracy. | 0:03:05 | 0:03:09 | |
I mention them because they were responsible for this building here. | 0:03:09 | 0:03:13 | |
This is what I have brought you to see. | 0:03:13 | 0:03:15 | |
You said you liked character, something a bit unusual. | 0:03:15 | 0:03:20 | |
It's a bit wacky. | 0:03:20 | 0:03:21 | |
It certainly ticks that box! | 0:03:21 | 0:03:22 | |
Yes, it does. You can see above the door, 1871. | 0:03:22 | 0:03:27 | |
It actually predates that - it goes back to 1864. | 0:03:27 | 0:03:30 | |
I'll explain that date when we go in. | 0:03:30 | 0:03:32 | |
It's Grade II listed, | 0:03:32 | 0:03:33 | |
and it was James Burton who designed and built this. | 0:03:33 | 0:03:38 | |
-It was a Turkish baths. -OK. | 0:03:38 | 0:03:40 | |
One of only seven of its kind. | 0:03:40 | 0:03:43 | |
-Intriguing? -Fantastic! -Shall we have a look inside? -Yes, please. | 0:03:43 | 0:03:47 | |
So, come on through. | 0:03:51 | 0:03:54 | |
THEY LAUGH | 0:03:57 | 0:03:59 | |
What can I say? | 0:03:59 | 0:04:01 | |
-Unusual, huh? -It'd make a good dance school! | 0:04:01 | 0:04:04 | |
At one point here, there was a swimming pool. | 0:04:04 | 0:04:07 | |
That is what correlates to the 1871 at the front. | 0:04:07 | 0:04:11 | |
It was built in 1864. The school put a swimming pool here in 1871. | 0:04:11 | 0:04:17 | |
This is the original surround. | 0:04:17 | 0:04:19 | |
It goes all the way around in this old brick, which is lovely. | 0:04:19 | 0:04:23 | |
I always wanted a house with a swimming pool! | 0:04:23 | 0:04:25 | |
Whether that should be your whole house is the other question! | 0:04:25 | 0:04:29 | |
Let's look at some more features. | 0:04:29 | 0:04:31 | |
If you come across to a little bit of border | 0:04:31 | 0:04:35 | |
that's been cut open, you can see... | 0:04:35 | 0:04:38 | |
down there... | 0:04:38 | 0:04:41 | |
..must be the original tiles of the swimming pool. | 0:04:42 | 0:04:45 | |
I love the way the eaves have been constructed with lovely wood. | 0:04:45 | 0:04:51 | |
And these stained windows, some of which are still... | 0:04:51 | 0:04:54 | |
-Exactly. -They're in good condition. | 0:04:54 | 0:04:57 | |
Have a wander around. I've been guiding you, | 0:04:57 | 0:04:59 | |
but feel free to explore and have a peep around here. | 0:04:59 | 0:05:03 | |
The building has enjoyed a colourful history. | 0:05:05 | 0:05:09 | |
It began life as a Turkish bath, before becoming a school, a church | 0:05:09 | 0:05:13 | |
and, more recently, a factory making scientific glass, | 0:05:13 | 0:05:17 | |
hence its current name of Scientific House. | 0:05:17 | 0:05:20 | |
-Is there any outside garden or terrace? -No, this is it. You've got your final wall here. | 0:05:20 | 0:05:25 | |
So, you'd have to bring your plants inside. By the pool. | 0:05:25 | 0:05:30 | |
OK. And water them. | 0:05:30 | 0:05:32 | |
You wanted quirky and character. What did you make of that? | 0:05:35 | 0:05:38 | |
I certainly wanted to look at some wacky properties, and that is wacky! | 0:05:38 | 0:05:42 | |
Very interesting. I'd like to speak to some of the professionals | 0:05:42 | 0:05:46 | |
and pick their brains about the possibilities and so on. | 0:05:46 | 0:05:49 | |
In general terms, it doesn't put you off empty properties? | 0:05:49 | 0:05:52 | |
You're still up for this kind of challenge? | 0:05:52 | 0:05:54 | |
Quite the reverse. It's made me more and more interested in it, | 0:05:54 | 0:05:58 | |
so thanks very much. | 0:05:58 | 0:05:59 | |
The great thing about Andy | 0:05:59 | 0:06:01 | |
is that he's at an exciting point in his life. | 0:06:01 | 0:06:04 | |
He can live pretty much anywhere. | 0:06:04 | 0:06:05 | |
He's got a good budget, and he's up for creating a unique home. | 0:06:05 | 0:06:09 | |
However, when you take on a project of this magnitude, | 0:06:09 | 0:06:13 | |
it can be incredibly challenging and daunting, | 0:06:13 | 0:06:15 | |
no matter what experience you have had before. | 0:06:15 | 0:06:18 | |
It is really important he meets a couple who've been through this, | 0:06:18 | 0:06:21 | |
and they can help him understand | 0:06:21 | 0:06:23 | |
exactly what he's letting himself in for. | 0:06:23 | 0:06:25 | |
Not every empty home is fortunate enough to attract potential buyers. | 0:06:31 | 0:06:35 | |
Across the country, it's the job of councils' empty property officers | 0:06:35 | 0:06:40 | |
to change the fortunes of Britain's forgotten homes. | 0:06:40 | 0:06:42 | |
Dave Carter is empty property officer for Enfield, north London. | 0:06:45 | 0:06:50 | |
When I come across an empty house, | 0:06:50 | 0:06:52 | |
I don't see just the bricks and mortar. | 0:06:52 | 0:06:55 | |
I see a potential family house. | 0:06:55 | 0:06:57 | |
Today, Dave is meeting a home owner | 0:06:57 | 0:07:00 | |
who's battling some particularly persistent squatters. | 0:07:00 | 0:07:03 | |
A dispute with a builder | 0:07:03 | 0:07:05 | |
has led to Graciela Konkowski's house being left empty for years. | 0:07:05 | 0:07:08 | |
Hello there. | 0:07:08 | 0:07:10 | |
-Hello, Mrs Konkowski. -Hello. -Nice to see you again. | 0:07:10 | 0:07:14 | |
Shall we have a look? Thanks. | 0:07:14 | 0:07:17 | |
This empty property was, years ago, our family home. | 0:07:17 | 0:07:21 | |
However, I've detached myself from it completely now, | 0:07:21 | 0:07:24 | |
and I just want to finish the project and for it to be a family home again. | 0:07:24 | 0:07:30 | |
But the presence of squatters have added to her problems. | 0:07:30 | 0:07:35 | |
We've had to have security measures. | 0:07:35 | 0:07:37 | |
However, they're still managing to get in. | 0:07:37 | 0:07:40 | |
As you can see, this is one of the rooms | 0:07:40 | 0:07:44 | |
they've been using to sleep in. | 0:07:44 | 0:07:46 | |
They've thrown a piece of concrete through the window | 0:07:46 | 0:07:49 | |
to gain access to the property. | 0:07:49 | 0:07:51 | |
-They really wanted to get in, didn't they? -Yeah, yeah. | 0:07:51 | 0:07:54 | |
Graciela has recently employed a local | 0:07:54 | 0:07:56 | |
to take over the building project, and he's got his work cut out, too. | 0:07:56 | 0:08:02 | |
We were here yesterday, just having a quick look around, | 0:08:02 | 0:08:06 | |
seeing if there's any further ingress, | 0:08:06 | 0:08:09 | |
and found squatters doing their laundry. | 0:08:09 | 0:08:11 | |
It can act as an incentive to speed things along, | 0:08:11 | 0:08:14 | |
and get the property occupied as soon as possible. | 0:08:14 | 0:08:17 | |
Squatters have taken advantage of the fact | 0:08:17 | 0:08:19 | |
that next door is also vacant, and smashed through a wall to get in. | 0:08:19 | 0:08:23 | |
They made a two foot by two foot hole in the wall | 0:08:23 | 0:08:28 | |
to have access to both properties. | 0:08:28 | 0:08:30 | |
-Right. -We've secured it as well as we can, | 0:08:30 | 0:08:33 | |
and hopefully we won't get a re-occurrence. | 0:08:33 | 0:08:36 | |
We've had some problems out in the hallway | 0:08:36 | 0:08:38 | |
where they've stolen copper piping. | 0:08:38 | 0:08:40 | |
Obviously, copper piping is expensive, and they sell it. | 0:08:40 | 0:08:46 | |
We've had water dripping down from the loft into the hallway. | 0:08:46 | 0:08:50 | |
Dave is not done yet. | 0:08:52 | 0:08:53 | |
He's wants to do some detective work at the neighbouring property. | 0:08:53 | 0:08:57 | |
I have concerns about the condition of the house next door. | 0:08:57 | 0:09:00 | |
It's boarded up from the front, | 0:09:00 | 0:09:02 | |
and there's no sign of squatters, but I need to look at the back. | 0:09:02 | 0:09:05 | |
It doesn't take long for Dave to work out what's been going on. | 0:09:05 | 0:09:11 | |
There. It's clear that anyone who wants to get in can just come and go | 0:09:11 | 0:09:16 | |
and we can see the sort of damage that they can do - the hole in the wall of next door. | 0:09:16 | 0:09:22 | |
So now Dave knows next door has got squatters too, he can take action. | 0:09:25 | 0:09:30 | |
The sooner Graciela gets her house inhabited, the better for everyone. | 0:09:30 | 0:09:35 | |
I need to track down the owners and saying to them, "Use it or lose it. | 0:09:35 | 0:09:40 | |
"If you don't start doing something soon, we will take it off you." | 0:09:40 | 0:09:45 | |
Dave is now in talks with the owners to resolve the problem, | 0:09:45 | 0:09:49 | |
but fortunately, not all vacant properties | 0:09:49 | 0:09:52 | |
come with so many complications. | 0:09:52 | 0:09:54 | |
There's many ways you can tackle an empty home when you find one. | 0:09:54 | 0:09:58 | |
You could employ an architect to completely redesign the house. | 0:09:58 | 0:10:01 | |
You could hire a building firm to do the work for you, | 0:10:01 | 0:10:04 | |
or do as much of it as possible yourself. | 0:10:04 | 0:10:06 | |
One thing is for sure, though - whichever option you choose, | 0:10:06 | 0:10:10 | |
the home at the end of it will feel uniquely yours. | 0:10:10 | 0:10:13 | |
In Powys, mid Wales, | 0:10:18 | 0:10:20 | |
architectural woodworker John Nethercote and his wife Annie | 0:10:20 | 0:10:23 | |
have turned an abandoned 16th-century manor house | 0:10:23 | 0:10:26 | |
into a spectacular family home. | 0:10:26 | 0:10:29 | |
We drove into the yard and it was winter, | 0:10:29 | 0:10:33 | |
it was gloomy, it was wet, it was really horrible. | 0:10:33 | 0:10:37 | |
The whole house was clad in concrete | 0:10:37 | 0:10:39 | |
as they were trying to keep the weather out. | 0:10:39 | 0:10:41 | |
There was this extraordinary lump on the front of the house. | 0:10:41 | 0:10:44 | |
John said, "Ah, that's an oriel window." | 0:10:44 | 0:10:46 | |
We set to because of John enthusiasm and knowledge, as much as anything. | 0:10:46 | 0:10:51 | |
Basically, because of John's understanding | 0:10:53 | 0:10:57 | |
of the genre, I suppose, you listened to the house, didn't you? | 0:10:57 | 0:11:01 | |
That's what it boils down to - let the house speak. | 0:11:01 | 0:11:04 | |
This property had been empty for over a year-and-a-half. | 0:11:04 | 0:11:09 | |
It was in quite a state when John and Annie discovered it. | 0:11:09 | 0:11:13 | |
The real trouble starts | 0:11:21 | 0:11:22 | |
with these things when you start taking out the stuff | 0:11:22 | 0:11:25 | |
that you know doesn't belong to the original fabric. | 0:11:25 | 0:11:28 | |
We were very fortunate here for the house not to be listed, | 0:11:28 | 0:11:32 | |
so we carried on letting the house speak to us - where the walls should or shouldn't be, | 0:11:32 | 0:11:37 | |
where the windows should or shouldn't be, | 0:11:37 | 0:11:39 | |
and it wasn't rocket science, to be quite honest. | 0:11:39 | 0:11:42 | |
The house told us what to do next. | 0:11:42 | 0:11:43 | |
This restoration project has been a real labour of love, | 0:11:47 | 0:11:52 | |
but the Nethercotes aren't finished yet. | 0:11:52 | 0:11:54 | |
We just decided to go for it, | 0:11:54 | 0:11:58 | |
and I think if we had thought about the amount of work and the amount of time and money | 0:11:58 | 0:12:02 | |
it actually cost, it would have scared us. But, having said that, | 0:12:02 | 0:12:06 | |
we don't regret a single minute of it. | 0:12:06 | 0:12:09 | |
John and Annie snapped up this incredible place | 0:12:09 | 0:12:12 | |
for the bargain price of £45,000. | 0:12:12 | 0:12:15 | |
It's taken them 25 years to restore, | 0:12:15 | 0:12:19 | |
and has cost them around £425,000. | 0:12:19 | 0:12:22 | |
All of John and Annie's careful work has paid off. | 0:12:23 | 0:12:28 | |
Their home was recently valued at over £1 million. | 0:12:28 | 0:12:32 | |
As an extra bonus, the house has now been reinstated as a Grade II listed property. | 0:12:32 | 0:12:37 | |
I feel really proud that we've re-presented it to the world | 0:12:39 | 0:12:42 | |
because the person who built it in the first instance | 0:12:42 | 0:12:46 | |
was a very fine craftsman. | 0:12:46 | 0:12:48 | |
To be able to re-establish it as a beautiful place is, you know... | 0:12:48 | 0:12:52 | |
I'm proud of it and I think it was a privilege really | 0:12:52 | 0:12:55 | |
-that we were able to do it. -Yes. | 0:12:55 | 0:12:57 | |
Of course, not every home is lucky enough to belong to loving owners | 0:13:03 | 0:13:07 | |
who can devote 25 years to restoring it. | 0:13:07 | 0:13:11 | |
However, when buildings of historical significance are left empty and at risk of dereliction, | 0:13:11 | 0:13:17 | |
people will often go the extra mile to save them. | 0:13:17 | 0:13:20 | |
A year ago, we followed a campaign by Dulwich Council's empty property officers | 0:13:20 | 0:13:25 | |
to restore an iconic 100-year-old building back to its former glory. | 0:13:25 | 0:13:32 | |
This unusual building was constructed in 1873 | 0:13:32 | 0:13:35 | |
by Charles Drake, the era's most enthusiastic promoter | 0:13:35 | 0:13:39 | |
of a revolutionary and, back then, expensive building material - | 0:13:39 | 0:13:43 | |
concrete. | 0:13:43 | 0:13:45 | |
Local empty property officer Celia Esimaje campaigned for years | 0:13:45 | 0:13:50 | |
to save this historic house, and now it seems to have paid off. | 0:13:50 | 0:13:53 | |
I'm meeting the architect, Paul Latham, | 0:13:55 | 0:13:59 | |
to see how this fascinating restoration project is going. | 0:13:59 | 0:14:03 | |
This is a treat. It's rare we get to revisit a property. | 0:14:03 | 0:14:06 | |
First of all, it's been years, hasn't it, to get inside this? | 0:14:06 | 0:14:09 | |
-13 years. -13 years of campaigning and dedication. | 0:14:09 | 0:14:13 | |
-I've got to see inside. -OK. -After you. | 0:14:13 | 0:14:17 | |
Wow! First of all, there's no ceiling and no floors. | 0:14:19 | 0:14:23 | |
-Exactly. -It's a total wreck, isn't it? -It's amazing. | 0:14:23 | 0:14:26 | |
I know there are no floors here. Can we go upstairs? | 0:14:26 | 0:14:29 | |
-Is there a way up? -You can, yes. We can get up there, if you want to have a look. | 0:14:29 | 0:14:34 | |
-Yes, definitely. Let's do it. -Right. | 0:14:34 | 0:14:37 | |
When fully renovated, | 0:14:37 | 0:14:39 | |
this building will be put to good use as affordable housing. | 0:14:39 | 0:14:44 | |
We'll have one flat down there, one flat here, | 0:14:44 | 0:14:46 | |
-the same on the other side, and then a top floor up there. -Exactly. | 0:14:46 | 0:14:49 | |
The material you're celebrating here is concrete, | 0:14:49 | 0:14:52 | |
but that's also, I assume, the bane of your life? | 0:14:52 | 0:14:55 | |
That's why it's such a hard project, and why it's going to cost so much? | 0:14:55 | 0:14:59 | |
Indeed. It's why the building is still surviving. | 0:14:59 | 0:15:03 | |
A brick building without the floors would have collapsed. | 0:15:03 | 0:15:06 | |
This is special because of the unique stage | 0:15:06 | 0:15:10 | |
in the development of the material, concrete. | 0:15:10 | 0:15:13 | |
This uses steel plates. We build our tower blocks with this same system, | 0:15:13 | 0:15:19 | |
so it's an important building from that point of view. | 0:15:19 | 0:15:23 | |
Part of the project is that from the outside it will look correct, | 0:15:23 | 0:15:27 | |
as it would have done in 1873 when Drake finished this building, | 0:15:27 | 0:15:31 | |
which, incidentally, took no more than about 10 days to build. | 0:15:31 | 0:15:35 | |
-10 days? That is phenomenal. -Exactly. | 0:15:35 | 0:15:38 | |
In Victorian times, it normally took twice as long | 0:15:38 | 0:15:41 | |
to build a typical house made of bricks. | 0:15:41 | 0:15:43 | |
But this architect, Charles Drake, had a dream - | 0:15:43 | 0:15:47 | |
to build housing quickly and therefore cheaply from concrete. | 0:15:47 | 0:15:50 | |
However, his plans had one central flaw. | 0:15:50 | 0:15:54 | |
Unfortunately, he didn't understand that small detail, | 0:15:54 | 0:15:58 | |
which is that you need reinforcing rods, otherwise the building isn't strong enough. | 0:15:58 | 0:16:03 | |
So to conclude, this is going to be a project that provides affordable housing. | 0:16:03 | 0:16:08 | |
But much more, it is a homage to Drake, | 0:16:08 | 0:16:11 | |
the first constructor in concrete, who pioneered many of the principles | 0:16:11 | 0:16:17 | |
we still build by today? | 0:16:17 | 0:16:18 | |
Absolutely, yes. That's a very fair comment. | 0:16:18 | 0:16:22 | |
Well, this is clearly an amazing project, | 0:16:22 | 0:16:26 | |
not just because of those who campaigned for years to save it, | 0:16:26 | 0:16:29 | |
not because the housing association and the council had the foresight | 0:16:29 | 0:16:33 | |
to stop it falling down, | 0:16:33 | 0:16:34 | |
but because very soon this special piece of our heritage | 0:16:34 | 0:16:38 | |
will be both a monument to a Victorian pioneer, | 0:16:38 | 0:16:41 | |
and, once again, a home for the people lucky enough to live here. | 0:16:41 | 0:16:48 | |
Earlier, I met Andy Irlam, who is after an unusual empty property of his own | 0:16:54 | 0:16:58 | |
to renovate. I took him to St Leonards-on-Sea | 0:16:58 | 0:17:00 | |
where we looked around the historic but derelict Scientific House. | 0:17:00 | 0:17:06 | |
Now I want Andy to see how commercial buildings | 0:17:06 | 0:17:09 | |
can be transformed into unique homes. | 0:17:09 | 0:17:11 | |
And I've got a bit of a surprise for him. | 0:17:11 | 0:17:15 | |
Now, Andy, if I get you to turn around and have a look... | 0:17:15 | 0:17:19 | |
this is it. | 0:17:19 | 0:17:21 | |
Another building that wasn't originally a home. | 0:17:21 | 0:17:24 | |
Can you tell what it used to be? | 0:17:24 | 0:17:26 | |
-A pub? -A pub, exactly right. | 0:17:26 | 0:17:28 | |
-Shall we take a look? -Yeah, fantastic. | 0:17:28 | 0:17:30 | |
-Hello. -Hello. -Can we come in? Thank you. | 0:17:38 | 0:17:43 | |
-So... -Wow! -Yes, wow. Wow, wow, wow! | 0:17:50 | 0:17:54 | |
I'm guessing Andy's taken aback by the owners' interior design, | 0:17:56 | 0:18:00 | |
but it's all down to their profession. | 0:18:00 | 0:18:02 | |
Can you guess what they make? | 0:18:02 | 0:18:04 | |
Neon lights? | 0:18:04 | 0:18:06 | |
Yes, bits of neon and fairground-style illuminations. | 0:18:06 | 0:18:11 | |
When designers Philip and Olivia bought the pub, the Admiral Benbow, | 0:18:11 | 0:18:15 | |
in 2008, they saw the potential for a modern and contemporary home. | 0:18:15 | 0:18:21 | |
This three-storey building had been sitting empty for six months when Philip and Olivia bought it. | 0:18:21 | 0:18:25 | |
The property was for sale at auction, | 0:18:25 | 0:18:28 | |
but the level of renovation work required put many buyers off. | 0:18:28 | 0:18:32 | |
We saw the pub for sale and we just made a ludicrously low offer | 0:18:34 | 0:18:39 | |
on it at auction, and we ended up buying it. | 0:18:39 | 0:18:43 | |
But we initially didn't have any idea | 0:18:43 | 0:18:46 | |
what we were going to do for it. | 0:18:46 | 0:18:48 | |
It was just a spur-of-the-moment purchase. | 0:18:48 | 0:18:51 | |
The pub required a complete renovation, | 0:18:51 | 0:18:54 | |
which cost Philip and Olivia £100,000. | 0:18:54 | 0:18:57 | |
This has been a challenging two-and-a-half-year-long project. | 0:18:57 | 0:19:01 | |
We had a lot of early pain, not having heating and hot water, | 0:19:01 | 0:19:05 | |
lots of dust and stuff like that. | 0:19:05 | 0:19:07 | |
We haven't had holidays or anything, | 0:19:07 | 0:19:09 | |
but ultimately, because we were both concentrating on it, it's worked out. | 0:19:09 | 0:19:15 | |
I think if I was on my own... | 0:19:15 | 0:19:17 | |
Trying to do a project like this on your own could be very difficult. | 0:19:17 | 0:19:20 | |
I think you need somebody else to lean on occasionally. | 0:19:20 | 0:19:25 | |
I couldn't have done it without Olivia. | 0:19:25 | 0:19:27 | |
This spectacular building is now a unique living and working space. | 0:19:29 | 0:19:33 | |
The ground floor has become a design studio | 0:19:34 | 0:19:37 | |
where Philip and Olivia both work, | 0:19:37 | 0:19:40 | |
while the top two floors are their three-bedroom flat | 0:19:40 | 0:19:44 | |
full of collectables and bespoke lighting. | 0:19:44 | 0:19:47 | |
Wow! | 0:19:49 | 0:19:50 | |
Putting the artwork to one side, | 0:19:50 | 0:19:53 | |
there are many valuable renovation lessons to be learnt here. | 0:19:53 | 0:19:56 | |
First things first - your eyes are instantly drawn upwards. | 0:19:56 | 0:19:59 | |
What would you call it, a skylight? | 0:19:59 | 0:20:01 | |
Skylight, lantern. | 0:20:01 | 0:20:03 | |
Was it always there? | 0:20:03 | 0:20:04 | |
Yes, when this was built as a snooker room, | 0:20:04 | 0:20:08 | |
then they boarded it over and made a flat roof. We've reinstated it. | 0:20:08 | 0:20:11 | |
What did you do - did you get planners round | 0:20:11 | 0:20:15 | |
to show them what you were planning and thinking about and get some input? | 0:20:15 | 0:20:19 | |
Yes, we got local architects who already have a relationship | 0:20:19 | 0:20:22 | |
with the planners, and they did the planning application for me. | 0:20:22 | 0:20:28 | |
If you can, if you rip out all the stuff to begin with, | 0:20:28 | 0:20:32 | |
and then get the architects in | 0:20:32 | 0:20:34 | |
when you know what you want to do with the building. | 0:20:34 | 0:20:36 | |
When it's all exposed, it's much easier for an architect and structural engineer | 0:20:36 | 0:20:41 | |
to work out what's feasible. If you get them in from day one, | 0:20:41 | 0:20:45 | |
you could waste several thousand pounds | 0:20:45 | 0:20:48 | |
coming up with schemes that can't be done, | 0:20:48 | 0:20:51 | |
or you change your mind. | 0:20:51 | 0:20:54 | |
This room is actually very similar to the one we saw earlier. | 0:20:54 | 0:20:57 | |
It's almost like a scaled-down version of the swimming pool. | 0:20:57 | 0:21:01 | |
Has it inspired you to see how it could be finished off? | 0:21:01 | 0:21:04 | |
Yes, it's fantastic. You've given me some ideas | 0:21:04 | 0:21:07 | |
about how the other property could really be developed | 0:21:07 | 0:21:10 | |
without spoiling the basic qualities of the room and the building. | 0:21:10 | 0:21:15 | |
This is our bedroom. | 0:21:19 | 0:21:21 | |
Your bedroom. Now, the individual touches stand out here. | 0:21:21 | 0:21:25 | |
Am I right in thinking this was one of the reasons you came to this area? | 0:21:25 | 0:21:30 | |
That's how we ended up here. | 0:21:30 | 0:21:31 | |
We were coming down to Hastings | 0:21:31 | 0:21:33 | |
to buy bits of furniture, fittings and stuff like that, | 0:21:33 | 0:21:37 | |
for jobs I was doing in London. | 0:21:37 | 0:21:39 | |
When you take on a building, in this case an empty property, | 0:21:39 | 0:21:42 | |
that wasn't really a home, | 0:21:42 | 0:21:44 | |
you have so many options ahead of you, don't you? | 0:21:44 | 0:21:46 | |
Yeah, you do. You have a lot of ideas. | 0:21:46 | 0:21:48 | |
You keep thinking, "I could have this, I could have that," | 0:21:48 | 0:21:51 | |
but you slowly eliminate some ideas, | 0:21:51 | 0:21:54 | |
and come down to what you really want. | 0:21:54 | 0:21:57 | |
What I suggest is somebody comes down, strips the building out, | 0:21:57 | 0:22:01 | |
and gets to know the area, get to know what they want, | 0:22:01 | 0:22:04 | |
get to know local tradesmen - by references, | 0:22:04 | 0:22:07 | |
not just by discussions in pubs - | 0:22:07 | 0:22:09 | |
and then work out a budget, and make sure you plan in architects, | 0:22:09 | 0:22:13 | |
getting rid of rubbish, which is very expensive now, | 0:22:13 | 0:22:17 | |
making little mistakes, | 0:22:17 | 0:22:19 | |
and not get too carried away with, you know, | 0:22:19 | 0:22:22 | |
unrealistic...appliances and luxury items, you know. Try and keep it tight, | 0:22:22 | 0:22:30 | |
and see what's left at the end for those finishing touches. | 0:22:30 | 0:22:34 | |
Don't put them in the budget initially. | 0:22:34 | 0:22:36 | |
How are you feeling now, Andy, | 0:22:36 | 0:22:38 | |
having seen all of this, about empty properties in general? | 0:22:38 | 0:22:41 | |
Is it something you'd be up for, | 0:22:41 | 0:22:43 | |
for that challenge of taking it on in the way these two have? | 0:22:43 | 0:22:46 | |
Well, it sounds more and more interesting, actually, | 0:22:46 | 0:22:49 | |
having seen how you've taken this through to a successful conclusion. | 0:22:49 | 0:22:53 | |
So, more enthusiastic, yes. | 0:22:53 | 0:22:56 | |
In Enfield, empty property officer Dave Carter | 0:23:04 | 0:23:07 | |
is devoted to rescuing derelict and abandoned houses. | 0:23:07 | 0:23:11 | |
But it's not always an easy journey getting an empty home | 0:23:11 | 0:23:15 | |
back to its former glory. | 0:23:15 | 0:23:17 | |
20 years ago, the council discovered this rundown and unloved house. | 0:23:18 | 0:23:24 | |
This property is very significant, | 0:23:25 | 0:23:27 | |
in that it was the first one the council had managed to compulsory purchase. | 0:23:27 | 0:23:31 | |
We were forced to take action because the owner | 0:23:31 | 0:23:33 | |
was unresponsive to any of our requests | 0:23:33 | 0:23:37 | |
to either renovate the property, clean it up, | 0:23:37 | 0:23:39 | |
let alone get it occupied. | 0:23:39 | 0:23:41 | |
It's taken two decades | 0:23:41 | 0:23:43 | |
of hard work to get this building back to a habitable state. | 0:23:43 | 0:23:47 | |
The council was forced to auction the property | 0:23:49 | 0:23:53 | |
with a legal obligation written in | 0:23:53 | 0:23:55 | |
that the new owner must fully renovate it. | 0:23:55 | 0:23:58 | |
After all his hard work to save the house, | 0:23:58 | 0:24:01 | |
Dave wants to see what the new owners have done with the place. | 0:24:01 | 0:24:05 | |
-Good morning. -Hello. -Hello. I'm Dave Carter from the council. | 0:24:07 | 0:24:11 | |
-A pleasure to meet you. -Can I come in and have a look? -Yes, come in. | 0:24:11 | 0:24:15 | |
Nice to see you after all this time. | 0:24:16 | 0:24:19 | |
The current owner, Carolina Gurdick, lives here with her boyfriend. | 0:24:19 | 0:24:23 | |
She has no idea of the house's recent history, so is fascinated to find out more. | 0:24:23 | 0:24:29 | |
I have never been in that room | 0:24:29 | 0:24:31 | |
because it was so piled high with rubbish - | 0:24:31 | 0:24:33 | |
-all I could do was stick my head around the corner. -Really? | 0:24:33 | 0:24:36 | |
If you'd show me the kitchen, that'd be great. | 0:24:36 | 0:24:39 | |
Lovely flooring, you've got. | 0:24:39 | 0:24:41 | |
Thank you very much. | 0:24:41 | 0:24:42 | |
This is lovely. | 0:24:45 | 0:24:47 | |
You've done a lovely job here. | 0:24:47 | 0:24:49 | |
Yes, that's our bedroom. | 0:24:49 | 0:24:52 | |
If you could just see how this used to be. | 0:24:52 | 0:24:55 | |
You could actually see the sky. | 0:24:55 | 0:24:58 | |
You've done such a lovely job, I'm really pleased. | 0:24:58 | 0:25:02 | |
So, that's our bathroom. | 0:25:02 | 0:25:04 | |
Oh, beautiful. | 0:25:04 | 0:25:05 | |
You won't actually believe this but about six years ago, | 0:25:05 | 0:25:08 | |
there was actually a tree growing over here! | 0:25:08 | 0:25:11 | |
It was growing out of the wall. | 0:25:12 | 0:25:15 | |
The roots were coming down inside the house. | 0:25:15 | 0:25:19 | |
For Dave, getting this house renovated and inhabited | 0:25:19 | 0:25:22 | |
has been a personal crusade. | 0:25:22 | 0:25:25 | |
It looks like all his determination has been worth it. | 0:25:25 | 0:25:29 | |
It is a day which I genuinely thought would never happen, today. | 0:25:31 | 0:25:37 | |
I am so pleased that the house is now renovated and back into use. | 0:25:37 | 0:25:42 | |
Earlier, I met Andy Irlam, who's interested in taking on | 0:25:46 | 0:25:50 | |
an unusual property to do up. | 0:25:50 | 0:25:52 | |
I showed Andy the derelict Scientific House | 0:25:52 | 0:25:54 | |
in St Leonards-on-Sea, | 0:25:54 | 0:25:56 | |
and took him to meet a local couple who have taken on | 0:25:56 | 0:25:59 | |
a renovation of a similar scale. | 0:25:59 | 0:26:01 | |
Now, I'm meeting up with Andy | 0:26:01 | 0:26:03 | |
to see if he still feels ready to take on an empty property. | 0:26:03 | 0:26:07 | |
Now we're at the end of today, | 0:26:07 | 0:26:10 | |
compare yourself to how you were a bit earlier - | 0:26:10 | 0:26:13 | |
how much more confidence are you going forward with? | 0:26:13 | 0:26:16 | |
Well, er, quite a bit more. | 0:26:16 | 0:26:18 | |
I had dreams about making a really unique property | 0:26:18 | 0:26:25 | |
using the limited budget that I had. | 0:26:25 | 0:26:28 | |
I didn't know how realistic that was. | 0:26:28 | 0:26:31 | |
But having met people who have successfully | 0:26:31 | 0:26:35 | |
taken things through to a conclusion, | 0:26:35 | 0:26:37 | |
I feel much more confident than I did at the beginning of the day. | 0:26:37 | 0:26:41 | |
That you, too, could make an empty property your home? | 0:26:41 | 0:26:44 | |
Why not? | 0:26:44 | 0:26:46 | |
It's not always easy to see what a derelict property can become, | 0:26:47 | 0:26:52 | |
but hopefully, with everything that Andy has witnessed today, | 0:26:52 | 0:26:55 | |
he will now have the confidence to make his own unique home | 0:26:55 | 0:26:59 | |
from an empty property. | 0:26:59 | 0:27:01 | |
Subtitles by Red Bee Media Ltd | 0:27:06 | 0:27:09 | |
E-mail us at [email protected] | 0:27:09 | 0:27:14 |