Browse content similar to Diana Christie and Rowland Belcher. Check below for episodes and series from the same categories and more!
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Across the country, empty properties that could be homes | 0:00:02 | 0:00:06 | |
are waiting to be brought back into use. | 0:00:06 | 0:00:08 | |
I'll be finding out why and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:14 | |
And I'll be doing some digging of my own to find out more | 0:00:14 | 0:00:17 | |
about our housing stock, | 0:00:17 | 0:00:19 | |
our heritage and why we should both be reinventing and preserving Britain's empty homes. | 0:00:19 | 0:00:24 | |
When it comes to property hunting, | 0:00:32 | 0:00:34 | |
I think it is fair to say most of us are looking for a bargain. | 0:00:34 | 0:00:37 | |
One way to achieve this is to seek an empty property and renovate it. | 0:00:37 | 0:00:41 | |
Of course, that takes hard work and careful budgeting, | 0:00:41 | 0:00:44 | |
and it's not really just about saving money, | 0:00:44 | 0:00:46 | |
it's also about saving a piece of history. | 0:00:46 | 0:00:49 | |
You could revitalise a home for many years to come. | 0:00:49 | 0:00:52 | |
'On today's show, I'll be meeting a pair of novice renovators | 0:00:54 | 0:00:58 | |
'who have taken a leap of faith with a building they love.' | 0:00:58 | 0:01:01 | |
Wow! | 0:01:01 | 0:01:02 | |
It's huge, and quite a challenge. | 0:01:02 | 0:01:05 | |
Some people are scared by these big open spaces. | 0:01:05 | 0:01:08 | |
'I'll be showing them a finished church with all the mod cons.' | 0:01:08 | 0:01:11 | |
Now, that is thinking outside the box! | 0:01:11 | 0:01:14 | |
And we'll be following the property detectives | 0:01:14 | 0:01:17 | |
who track down the owners of forgotten homes and bring the buildings back to life. | 0:01:17 | 0:01:23 | |
Somebody has tried to take the copper piping. | 0:01:23 | 0:01:25 | |
The ceiling has obviously come down as they've ripped the piping out. | 0:01:25 | 0:01:30 | |
When Diana Christie and her electrician partner Rowley Belcher | 0:01:30 | 0:01:34 | |
set eyes on this 20th century Roman Catholic church in Guildford, Surrey, | 0:01:34 | 0:01:39 | |
it was love at first sight. | 0:01:39 | 0:01:41 | |
When we saw the church, it was just beautiful. | 0:01:41 | 0:01:46 | |
It's white, it's a lovely design. | 0:01:46 | 0:01:49 | |
It's a huge empty hall with beautiful light coming through the windows. | 0:01:49 | 0:01:54 | |
We went up to the balcony upstairs | 0:01:54 | 0:01:56 | |
and we just looked across the expanse of the church | 0:01:56 | 0:02:00 | |
and we were just blown away by it, weren't we? | 0:02:00 | 0:02:03 | |
Beautiful on the outside and beautiful on the inside. | 0:02:03 | 0:02:07 | |
It was a no-brainer to have a go. | 0:02:07 | 0:02:09 | |
I just hope we've made the right decision. | 0:02:09 | 0:02:11 | |
Having lain empty for five years, when it was put up for auction, | 0:02:11 | 0:02:15 | |
there was its usual amount of interest from the local community. | 0:02:15 | 0:02:19 | |
Half of Surrey wanted the property. | 0:02:19 | 0:02:21 | |
It was really of interest to lots of people. | 0:02:21 | 0:02:25 | |
But we thought we'd offer the full price before it went to auction | 0:02:25 | 0:02:29 | |
so we could be sure of getting it. | 0:02:29 | 0:02:31 | |
Diana and Rowley were so eager to have the church, | 0:02:32 | 0:02:35 | |
they bought it without planning permission. | 0:02:35 | 0:02:38 | |
One of our biggest concerns is that we have to get change of use for the property. | 0:02:38 | 0:02:43 | |
We are concerned that if we don't get that, we'll have to move | 0:02:43 | 0:02:46 | |
to plan B, and we will have to think of what plan B will be. | 0:02:46 | 0:02:51 | |
The couple are moving into rented accommodation until they obtain planning permission, | 0:02:52 | 0:02:58 | |
then they intend to live on a caravan on site once the build begins. | 0:02:58 | 0:03:02 | |
The huge opportunity to create something wonderful | 0:03:02 | 0:03:06 | |
out of a structure that is already there is amazing. | 0:03:06 | 0:03:10 | |
We've just got a clean canvas to paint a picture on | 0:03:10 | 0:03:13 | |
that we want to paint. | 0:03:13 | 0:03:15 | |
There's no question, we just have to do this. | 0:03:15 | 0:03:19 | |
I've come to Guildford to meet Diana and Rowley to find out more about their plans. | 0:03:20 | 0:03:25 | |
-Hi, guys. I'm Joe. -Rowland. -Diana, how are you? -Hi, Joe. | 0:03:25 | 0:03:28 | |
Loads to talk about. I can't wait to see the space. | 0:03:28 | 0:03:31 | |
-Let's pop inside, shall we? -Let's, yes. | 0:03:31 | 0:03:34 | |
The couple spent £495,000 on the building | 0:03:34 | 0:03:38 | |
and plan to spend 150,000 on the renovations. | 0:03:38 | 0:03:41 | |
Wow. | 0:03:42 | 0:03:44 | |
It's huge. I can almost hear the echo. | 0:03:44 | 0:03:45 | |
It is an unusual building. Quite a challenge. | 0:03:45 | 0:03:48 | |
Some people are really scared by these big open spaces. | 0:03:48 | 0:03:51 | |
What attracted you to this place? | 0:03:51 | 0:03:53 | |
Buildings have to have a wow factor, don't they? | 0:03:53 | 0:03:56 | |
And this has a wow factor without even doing anything to it. | 0:03:56 | 0:03:59 | |
So, we just wondered through the door and it was wow, | 0:03:59 | 0:04:04 | |
and then it was, oh, what have we done? | 0:04:04 | 0:04:07 | |
-Yes, there's the wow factor and then there's the challenge. -Yes, it is so huge | 0:04:07 | 0:04:11 | |
and it's a big opportunity but it's also a big risk for us, too. | 0:04:11 | 0:04:16 | |
'The plan is for the church to become a five bedroom home, | 0:04:16 | 0:04:20 | |
'large enough for Diana's two grown-up sons to come and stay. | 0:04:20 | 0:04:23 | |
'The couple also hope to add a mezzanine level | 0:04:23 | 0:04:26 | |
to maximise the extensive headroom. | 0:04:26 | 0:04:28 | |
The only downside to that is where we place it, in terms of the windows | 0:04:28 | 0:04:34 | |
so that we've got enough headroom above. | 0:04:34 | 0:04:38 | |
It might mean breaking the windows at some point. | 0:04:38 | 0:04:40 | |
That's a really tricky one. | 0:04:40 | 0:04:43 | |
The windows have got these lovely stone frames to them, | 0:04:43 | 0:04:46 | |
they're an original feature. | 0:04:46 | 0:04:48 | |
We wouldn't change that, but it's just doing it sympathetically. | 0:04:48 | 0:04:51 | |
Exactly. That's quite a challenge. | 0:04:51 | 0:04:54 | |
So, the big issue is planning, I suppose. | 0:04:54 | 0:04:58 | |
It's quite scary to think about what we would need to do | 0:04:58 | 0:05:01 | |
if we don't get change of use, and it IS a big gamble. | 0:05:01 | 0:05:03 | |
-One you're aware of. -Absolutely aware. | 0:05:03 | 0:05:07 | |
That's what keeps me awake at night. | 0:05:07 | 0:05:09 | |
While they wait to hear from the council, | 0:05:11 | 0:05:13 | |
Diana and Rowley are optimistically developing their plans | 0:05:13 | 0:05:16 | |
to turn the church into a home. | 0:05:16 | 0:05:18 | |
The downstairs will remain open plan | 0:05:18 | 0:05:20 | |
and become a large family living area with electrician Rowley | 0:05:20 | 0:05:24 | |
doing a lot of the work himself | 0:05:24 | 0:05:26 | |
to make the most of their modest budget. | 0:05:26 | 0:05:28 | |
Right, this is the business end of the church. | 0:05:29 | 0:05:32 | |
Plenty of original features - you've got the altar, you've got the stained-glass window. | 0:05:32 | 0:05:36 | |
And two rooms off either side. What would these have been? | 0:05:36 | 0:05:39 | |
This was where they did all the baptisms and at the other side was the confessional. | 0:05:39 | 0:05:45 | |
So, if you've got anything you want to tell us, you can tell us in there. | 0:05:45 | 0:05:50 | |
Will you use these rooms? Obviously, you will. | 0:05:50 | 0:05:53 | |
The initial idea is to have that side for the kitchen | 0:05:53 | 0:05:57 | |
and the other side, possibly as a formal lounge | 0:05:57 | 0:06:01 | |
or somewhere we can relax in. | 0:06:01 | 0:06:04 | |
So, the only bit we haven't seen is upstairs. | 0:06:04 | 0:06:07 | |
I suppose, if we go up to the mezzanine there, is that an organ loft? | 0:06:07 | 0:06:11 | |
It used to be the organ. They didn't leave it behind. | 0:06:11 | 0:06:13 | |
-OK. -I'd have loved to... -No tinkling! | 0:06:13 | 0:06:16 | |
-But we can get a sense of what it's like to be on a first floor. -Yes. | 0:06:16 | 0:06:20 | |
OK, let's go up there. | 0:06:20 | 0:06:21 | |
Right. | 0:06:28 | 0:06:30 | |
Actually, this is really useful | 0:06:30 | 0:06:32 | |
to visualise the height of the building. | 0:06:32 | 0:06:35 | |
It feels great up here. It feels like you've got plenty of headroom. | 0:06:35 | 0:06:38 | |
So, you know a mezzanine floor can fit in, for a start. | 0:06:38 | 0:06:43 | |
And this works perfectly, doesn't it? | 0:06:43 | 0:06:45 | |
Your side windows might not do you favours | 0:06:45 | 0:06:48 | |
-but from being up here now, you know this works really well. -Yeah. | 0:06:48 | 0:06:51 | |
We envisage this being the main bedroom, | 0:06:51 | 0:06:53 | |
one of the master bedrooms. | 0:06:53 | 0:06:55 | |
And the mezzanine floor gives you a good idea of where that might fall | 0:06:55 | 0:06:59 | |
to make use of the space. | 0:06:59 | 0:07:02 | |
But it also makes it real to see how big the building is. | 0:07:02 | 0:07:06 | |
-Yeah, exactly. -It's huge. | 0:07:06 | 0:07:08 | |
To help you with this, later, we're going to see a similar property | 0:07:08 | 0:07:13 | |
that's been through all sorts of planning complications and battles. | 0:07:13 | 0:07:16 | |
I think it's a really good example for you to look at. | 0:07:16 | 0:07:19 | |
But also, I want you to meet the guy who has been through it. | 0:07:19 | 0:07:23 | |
He is you a couple of years down the line, so hopefully, | 0:07:23 | 0:07:26 | |
he'll have really useful tips and some practical advice for you. | 0:07:26 | 0:07:30 | |
Fantastic. We're really looking forward to meeting somebody | 0:07:30 | 0:07:33 | |
who's done what we'll be doing in the future. | 0:07:33 | 0:07:35 | |
And to know that he survived the experience and lived another day. | 0:07:35 | 0:07:40 | |
Yes. A positive outlook there, as well. | 0:07:40 | 0:07:42 | |
Well, the church is a stunning space. | 0:07:46 | 0:07:50 | |
You can see why Diana and Rowland were captivated by it. | 0:07:50 | 0:07:52 | |
A really exciting project from that point of view and I think | 0:07:52 | 0:07:56 | |
the guy we're going to meet later might just have a few wise words. | 0:07:56 | 0:08:00 | |
Across Britain, there are many places like this | 0:08:02 | 0:08:05 | |
just waiting to be discovered and brought back to life. | 0:08:05 | 0:08:09 | |
When you notice an empty property, you often ask yourself, | 0:08:09 | 0:08:12 | |
Why is it abandoned? How long has it been like that? And who are the owners? | 0:08:12 | 0:08:16 | |
Well, it's the job of empty property officers to answer those questions | 0:08:16 | 0:08:20 | |
and more importantly, | 0:08:20 | 0:08:21 | |
to oversee the process of bringing neglected homes back into use. | 0:08:21 | 0:08:25 | |
Sue Lee is the empty property officer | 0:08:25 | 0:08:28 | |
for Amber Valley, where she deals with over 1,000 empty homes. | 0:08:28 | 0:08:33 | |
When I see a really dilapidated empty property, I like to see potential - | 0:08:33 | 0:08:38 | |
potential for the owner, potential for a family home, | 0:08:38 | 0:08:42 | |
potential to improve the appearance for the local community. | 0:08:42 | 0:08:46 | |
Today, Sue is on her way to an unusual case, | 0:08:48 | 0:08:52 | |
a new-build home that was nearing completion when its owner | 0:08:52 | 0:08:56 | |
fell into financial difficulties and abandoned the project. | 0:08:56 | 0:09:00 | |
Since it was left empty, Sue has managed to track down the owner | 0:09:00 | 0:09:03 | |
and has been working with him to get the home finished and lived in. | 0:09:03 | 0:09:06 | |
So, I'm here today to see if the owner has actually done | 0:09:06 | 0:09:10 | |
what he said he will do. | 0:09:10 | 0:09:11 | |
This will be the moment of truth. If not, | 0:09:11 | 0:09:15 | |
I'm going to have to get a bit tougher with him. | 0:09:15 | 0:09:17 | |
After a quick survey of the front of the property, | 0:09:17 | 0:09:20 | |
first impressions aren't very encouraging. | 0:09:20 | 0:09:23 | |
Well, the owner has done bit and bobs I've asked for. | 0:09:23 | 0:09:27 | |
But there's still the more difficult things that are outstanding. | 0:09:27 | 0:09:31 | |
Covering up a smashed window. Putting the downpipe in there. | 0:09:31 | 0:09:36 | |
And the guttering over there that is still smashed. | 0:09:36 | 0:09:39 | |
-Does it attract any problems at all to the area? -Well, certainly. | 0:09:40 | 0:09:45 | |
It's effecting the value of all the properties in the area. | 0:09:45 | 0:09:49 | |
Myself, I've had the house on the market before and people were just driving away. | 0:09:49 | 0:09:53 | |
Also, we've had vagrants. | 0:09:53 | 0:09:56 | |
Youths with rolled up sleeping bags. | 0:09:56 | 0:09:59 | |
So, it has attracted quite a lot of problems over the last few years, | 0:09:59 | 0:10:02 | |
yes, yes. | 0:10:02 | 0:10:03 | |
Unhappy with the progress and determined to get this | 0:10:03 | 0:10:06 | |
wasted home lived in, it's time for Sue to get tough. | 0:10:06 | 0:10:10 | |
What I need to see from the owner is that there is a time-bound plan | 0:10:10 | 0:10:15 | |
to do the work that I've asked. | 0:10:15 | 0:10:18 | |
Sue has now spoken to the owner who is also keen to get | 0:10:18 | 0:10:22 | |
the property lived in and has agreed to carry out the necessary works. | 0:10:22 | 0:10:26 | |
Finding an empty home in the right location at the right price | 0:10:26 | 0:10:29 | |
can be just the beginning of a long and arduous journey | 0:10:29 | 0:10:33 | |
but with a good amount of imagination and hard graft, | 0:10:33 | 0:10:37 | |
really, anything is possible. | 0:10:37 | 0:10:39 | |
Back in 2003, retired businessmen John Hondle | 0:10:41 | 0:10:44 | |
was looking for a renovation project to put his heart and soul into. | 0:10:44 | 0:10:48 | |
When he saw this Grade II listed Georgian manor house | 0:10:48 | 0:10:51 | |
with stunning views over Warwickshire, it ticked every box. | 0:10:51 | 0:10:55 | |
The house was originally built in 1792 for a local dignitary. | 0:10:56 | 0:11:00 | |
It was empty for two years | 0:11:00 | 0:11:02 | |
before John fell in love with its antiquated charm. | 0:11:02 | 0:11:06 | |
When we first viewed the house, it was pretty horrific. | 0:11:07 | 0:11:11 | |
Very, very neglected. | 0:11:11 | 0:11:14 | |
But that's exactly what we were looking for. | 0:11:14 | 0:11:16 | |
John paid £930,000 and had a budget of 500,000 | 0:11:16 | 0:11:21 | |
to spend on this ambitious restoration. | 0:11:21 | 0:11:23 | |
The beauty of it, as a challenge, | 0:11:25 | 0:11:27 | |
is that although it had been badly neglected, | 0:11:27 | 0:11:30 | |
it was clear that there were still many significant features there | 0:11:30 | 0:11:36 | |
such as the wood paddling in the dining room, the chandeliers, | 0:11:36 | 0:11:40 | |
the ceiling roses, etc, | 0:11:40 | 0:11:41 | |
it had obviously been a very, very beautiful house in the past. | 0:11:41 | 0:11:47 | |
We tried to retain as many of those features as we could | 0:11:47 | 0:11:50 | |
but tried to wean it off the 19th century and into the 21st century. | 0:11:50 | 0:11:57 | |
For John, this restoration is an ever evolving process. | 0:11:58 | 0:12:02 | |
You don't have to think of a project like this as having | 0:12:02 | 0:12:06 | |
a beginning, a middle and an end, it's ongoing. | 0:12:06 | 0:12:09 | |
There's always something to do in a house like this. | 0:12:09 | 0:12:12 | |
There is always a little improvement that you can make. | 0:12:12 | 0:12:16 | |
But it's great, it keeps you interested | 0:12:16 | 0:12:18 | |
and the more you do, | 0:12:18 | 0:12:19 | |
the more you wrap the house around your own character | 0:12:19 | 0:12:23 | |
and your own being and the more it becomes a part of you, | 0:12:23 | 0:12:26 | |
and that's wonderful. | 0:12:26 | 0:12:27 | |
After six years of hard work, | 0:12:27 | 0:12:29 | |
John is now enjoying the fruits of his labour. | 0:12:29 | 0:12:32 | |
I love all the rooms, I love every part of this house, | 0:12:32 | 0:12:35 | |
I guess my favourite is the master bedroom. | 0:12:35 | 0:12:39 | |
A 30-mile view over to Birmingham and Worcester beyond. Wonderful. | 0:12:39 | 0:12:44 | |
And it looks like John has got the restoration bug. | 0:12:44 | 0:12:48 | |
Would I do a similar project again? For sure. | 0:12:48 | 0:12:51 | |
Across rural Britain, | 0:12:51 | 0:12:54 | |
there are hundreds of remote buildings lying empty and abandoned, | 0:12:54 | 0:12:58 | |
many, the relics of a different age in British farming, | 0:12:58 | 0:13:01 | |
a reminder of where people lived and worked the land. | 0:13:01 | 0:13:05 | |
Today, I've come to the Brecon Beacons National Park in Wales | 0:13:07 | 0:13:10 | |
to meet a couple who are looking to take their passion | 0:13:10 | 0:13:13 | |
for rescuing derelict buildings | 0:13:13 | 0:13:15 | |
and preserving local architecture to a whole new level. | 0:13:15 | 0:13:19 | |
Roger Mears and Joanie Speers are husband-and-wife founders of | 0:13:21 | 0:13:24 | |
a new building preservation trust, Adfer Ban a Chwm, or ABC for short. | 0:13:24 | 0:13:29 | |
Concerned with the lack of housing for young people in the area and | 0:13:29 | 0:13:33 | |
intent on preserving traditional agricultural buildings, | 0:13:33 | 0:13:36 | |
they've come up with a radical solution that will both | 0:13:36 | 0:13:39 | |
rescue these beautiful structures and help ease the housing crisis. | 0:13:39 | 0:13:44 | |
These buildings are here for the time being | 0:13:44 | 0:13:47 | |
but they're not going to last for ever. | 0:13:47 | 0:13:49 | |
Once they are gone, they are gone. | 0:13:49 | 0:13:51 | |
It's getting to last hours on so many of them, we've got to get them now. | 0:13:51 | 0:13:55 | |
And how involved are the community in that process? | 0:13:55 | 0:13:59 | |
Is this you coming in with a couple of builders you've sourced | 0:13:59 | 0:14:02 | |
or is it a bigger process than that? | 0:14:02 | 0:14:05 | |
No, no, it's very much bringing the community with us. | 0:14:05 | 0:14:08 | |
Our first meeting, | 0:14:08 | 0:14:11 | |
was on April 1 two years ago. | 0:14:11 | 0:14:14 | |
-No joke. -Middle of lambing season, no joke, | 0:14:14 | 0:14:17 | |
middle of lambing season, farmers are lambing - | 0:14:17 | 0:14:19 | |
we haven't got time to do anything else! 50 people turned up. | 0:14:19 | 0:14:23 | |
-That's a small community, so that's pretty good. -Half the community. | 0:14:23 | 0:14:26 | |
In a world where so many developments are developer led, | 0:14:26 | 0:14:30 | |
how are you different to that? | 0:14:30 | 0:14:31 | |
At the end of the day, when we finish repairing the building, | 0:14:31 | 0:14:34 | |
we're going to pass it on to a housing association | 0:14:34 | 0:14:37 | |
who will manage it and keep it within the affordable market. | 0:14:37 | 0:14:40 | |
But we're going to have to raise more money than we're going to get at the end of the day | 0:14:40 | 0:14:45 | |
and that's where the conservation gap or the funding gap is, | 0:14:45 | 0:14:48 | |
-and that's the real challenge. -And that's why you're a charity. | 0:14:48 | 0:14:51 | |
You're not developers, you're going to do this at huge cost, | 0:14:51 | 0:14:54 | |
which you have to raise, and then sell it at another huge cost, | 0:14:54 | 0:14:58 | |
you lose money on it, it's not a money-spinner in any sense. | 0:14:58 | 0:15:01 | |
But you passionately believe it's worth it | 0:15:01 | 0:15:04 | |
for the legacy that these buildings can bring? | 0:15:04 | 0:15:07 | |
We believe that the time spent in this should really repay itself... | 0:15:07 | 0:15:12 | |
-Over time. -..of people actually being able to stay within the community | 0:15:12 | 0:15:19 | |
and live in buildings that their forbears lived in. It's wonderful. | 0:15:19 | 0:15:22 | |
A daunting challenge but let's finish with some good news | 0:15:22 | 0:15:25 | |
because you have had some encouragement with your funding applications? | 0:15:25 | 0:15:29 | |
Yes, we've just heard a couple of days ago | 0:15:29 | 0:15:32 | |
that the Brecon Beacons National Park Sustainable Development Fund | 0:15:32 | 0:15:36 | |
is wanting to support us and will support us. | 0:15:36 | 0:15:39 | |
This will be subject to our being successful with a really big bid | 0:15:39 | 0:15:43 | |
that we put into the Heritage Lottery Fund which we'll hear about in a few weeks. | 0:15:43 | 0:15:47 | |
Wish you the best of luck. It's a very brave thing to do but ultimately, | 0:15:47 | 0:15:50 | |
a very worthwhile thing, as well. | 0:15:50 | 0:15:52 | |
-So, really, good luck. -Thanks. -Thank you very much. | 0:15:52 | 0:15:54 | |
I've got great admiration for Roger and Joanie's determination | 0:16:00 | 0:16:04 | |
to change the fortunes of buildings like this. | 0:16:04 | 0:16:07 | |
Really heart-warming to think it could once again be a family home. | 0:16:07 | 0:16:12 | |
And yes, of course, it's an extremely long term aim | 0:16:12 | 0:16:16 | |
but if anyone's got the passion | 0:16:16 | 0:16:18 | |
to change that vision into a fantastic reality, | 0:16:18 | 0:16:23 | |
I think it might just be them. | 0:16:23 | 0:16:25 | |
Earlier, I met Diana Christie | 0:16:25 | 0:16:28 | |
and Rowley Belcher who bought an empty church in Guildford | 0:16:28 | 0:16:31 | |
with the hope of turning it into a family home. | 0:16:31 | 0:16:33 | |
With lots of renovation and planning questions on their mind, | 0:16:33 | 0:16:37 | |
I'm taking them to meet a man who realised his dream | 0:16:37 | 0:16:40 | |
and turned a forgotten church into it quirky, modern bachelor pad. | 0:16:40 | 0:16:44 | |
Well, guys, this is it. | 0:16:44 | 0:16:48 | |
-First impressions, quite a match, huh? -Wow. | 0:16:48 | 0:16:51 | |
Angel Guerrero picked up this 200-year-old empty church | 0:16:52 | 0:16:56 | |
ten years ago for £160,000. | 0:16:56 | 0:16:59 | |
When this real-life guardian angel first opened the church's doors, | 0:16:59 | 0:17:02 | |
it was dark, dank and desperately in need of someone with vision | 0:17:02 | 0:17:06 | |
and drive to bring it back to life. | 0:17:06 | 0:17:07 | |
When I originally got the place, I was told it had been empty for about nine years. | 0:17:07 | 0:17:12 | |
It looked like a spooky old building from one of those horror movies and | 0:17:12 | 0:17:15 | |
I thought, wow, this is lovely, you could really do something with this. | 0:17:15 | 0:17:20 | |
And the good thing is four solid walls, the roof needed | 0:17:20 | 0:17:26 | |
a little bit of work and the rest is what you wanted to make of it. | 0:17:26 | 0:17:30 | |
I thought, wow, knock everything out and just start from a big empty space. | 0:17:30 | 0:17:35 | |
Former car salesman Angel had no experience of property renovation | 0:17:35 | 0:17:40 | |
but was up for the challenge | 0:17:40 | 0:17:42 | |
and completed the entire build by himself, | 0:17:42 | 0:17:44 | |
hiring in manual labourers only to help him with the heavy lifting. | 0:17:44 | 0:17:50 | |
To do the floating platform, that was, I think, the biggest challenge. | 0:17:50 | 0:17:54 | |
I've got four steel beams that I had to bring in through the front door | 0:17:54 | 0:17:58 | |
and they weigh about two tons each. | 0:17:58 | 0:18:01 | |
So, with trolley jacks, | 0:18:01 | 0:18:03 | |
a little winch and stuff, | 0:18:03 | 0:18:06 | |
we brought them in. | 0:18:06 | 0:18:07 | |
And then, to lift them up, that was another feat in itself. | 0:18:07 | 0:18:11 | |
But we got there in the end. | 0:18:11 | 0:18:13 | |
The entire renovation took him eight years to complete. | 0:18:13 | 0:18:16 | |
Nothing is rocket science in the building trade. | 0:18:16 | 0:18:19 | |
It's just, er, finding out how to do stuff on the internet | 0:18:19 | 0:18:25 | |
and working out how to make it. | 0:18:25 | 0:18:26 | |
But doing it himself meant he saved thousands of pounds | 0:18:26 | 0:18:29 | |
that he would have spent on tradesmen. | 0:18:29 | 0:18:31 | |
The staircase I was quoted £14,000 for. | 0:18:31 | 0:18:34 | |
I ended up buying the wood, I think the wood came to about £360 | 0:18:34 | 0:18:39 | |
and it worked out well. | 0:18:39 | 0:18:40 | |
And starting afresh gave Angel | 0:18:41 | 0:18:43 | |
the freedom to let his imagination run wild. | 0:18:43 | 0:18:46 | |
I just love making things that are weird and wonderful and different. | 0:18:52 | 0:18:56 | |
It's not something that you can do in a normal house. | 0:18:56 | 0:18:59 | |
The result is a bespoke, fun living space, | 0:19:00 | 0:19:03 | |
completely unique to its owner. | 0:19:03 | 0:19:05 | |
After all this hard work, | 0:19:05 | 0:19:07 | |
it's an amazing place to come home to at night. | 0:19:07 | 0:19:09 | |
It feels like home. | 0:19:09 | 0:19:11 | |
It's taken a long time to get to feel like home | 0:19:11 | 0:19:13 | |
but it's there now and I love the place. | 0:19:13 | 0:19:17 | |
Angel worked alongside an officer from English Heritage | 0:19:19 | 0:19:22 | |
to safeguard the original features of the church, | 0:19:22 | 0:19:26 | |
preserving the exterior that dates back to 1837. | 0:19:26 | 0:19:29 | |
Inside, he's married the old with the new, | 0:19:29 | 0:19:32 | |
introducing a floating platform, | 0:19:32 | 0:19:34 | |
installing multicoloured fluorescent lighting and making the most of | 0:19:34 | 0:19:38 | |
the ample headroom to showcase his vintage motorbike collection. | 0:19:38 | 0:19:41 | |
Come through and see this. | 0:19:43 | 0:19:45 | |
Wow-wee! | 0:19:47 | 0:19:48 | |
This is amazing. | 0:19:48 | 0:19:50 | |
Isn't it something. Step into this space, see how it feels. | 0:19:50 | 0:19:53 | |
Including the bike. | 0:19:53 | 0:19:55 | |
Bikes, kitchens, altars, it is amazing, isn't it? | 0:19:55 | 0:20:00 | |
Crikey. It certainly is. | 0:20:00 | 0:20:02 | |
Dare we touch on the dreaded subject of planning? | 0:20:03 | 0:20:06 | |
The biggest problem is every time I put plans in, | 0:20:06 | 0:20:10 | |
they would take nine months to say no. | 0:20:10 | 0:20:12 | |
How did you get around that? Is there any practical advice, | 0:20:12 | 0:20:15 | |
in terms of trying to make the planning application process | 0:20:15 | 0:20:18 | |
as efficient as possible, from your side of things? | 0:20:18 | 0:20:21 | |
You've got, I think, eight weeks before you can put in an appeal. | 0:20:21 | 0:20:25 | |
The day after, I'd put in an appeal. I wouldn't even wait two days. | 0:20:25 | 0:20:29 | |
So, if you haven't heard, you're saying, | 0:20:29 | 0:20:31 | |
challenge the process slightly by putting the appeal in to make it maybe rise up the priority list? | 0:20:31 | 0:20:36 | |
Go in and see them, have a chat with them. That's the best way. | 0:20:36 | 0:20:39 | |
One of Angel's major planning achievements was being granted | 0:20:39 | 0:20:43 | |
permission to change the stained glass for clear panels | 0:20:43 | 0:20:48 | |
and to glaze a section of roof, allowing natural light | 0:20:48 | 0:20:51 | |
to stream into the building for the first time. | 0:20:51 | 0:20:54 | |
The amount of light you get in here, it must be a joy. | 0:20:54 | 0:20:56 | |
Yeah, it is, it's lovely. | 0:20:56 | 0:20:58 | |
So, how does it feel when you're cooking and looking out on that? | 0:20:58 | 0:21:02 | |
It's great. It's an inspiration to do more cooking. | 0:21:02 | 0:21:05 | |
On the practical side of things, how do you stop a whole church | 0:21:05 | 0:21:09 | |
steaming up when you make pasta or something? | 0:21:09 | 0:21:12 | |
Well, it's quite simple. | 0:21:12 | 0:21:13 | |
You just flick the switch and the extractor comes up. | 0:21:13 | 0:21:17 | |
Now, that's thinking outside the box. | 0:21:17 | 0:21:21 | |
That's really clever. It shows you, as well, | 0:21:21 | 0:21:24 | |
you're going to come up against all sorts of problems | 0:21:24 | 0:21:27 | |
but you don't have to suddenly think, I've got to have a big extractor. | 0:21:27 | 0:21:30 | |
You can find a solution. It's a good time to be doing this. | 0:21:30 | 0:21:33 | |
There's a lot of technology that can help you | 0:21:33 | 0:21:36 | |
get out of some tricky situations. | 0:21:36 | 0:21:38 | |
And it's also a good use of the time spent waiting for planning, | 0:21:38 | 0:21:42 | |
you can start researching the detail of what you want to do. | 0:21:42 | 0:21:46 | |
I think we've learned from this kitchen - bold and modern | 0:21:46 | 0:21:50 | |
can actually accentuate the old gothic style | 0:21:50 | 0:21:53 | |
so I think that's something to bear in mind, especially with the style of your building. | 0:21:53 | 0:21:57 | |
-Great. Shall we see some more? -Yeah. -Come on, then. | 0:21:57 | 0:22:00 | |
Upstairs, the floating platform becomes Angel's main living area, | 0:22:02 | 0:22:07 | |
complete with glass balconies to maximise the light | 0:22:07 | 0:22:10 | |
and views of his grand refurbishment. | 0:22:10 | 0:22:13 | |
Next door is one of four bedrooms he's created. | 0:22:13 | 0:22:16 | |
-Right, so, I guess this is the master bedroom, is it? -Yeah. | 0:22:16 | 0:22:21 | |
My eye is immediately drawn to this. We've talked a bit about windows | 0:22:21 | 0:22:24 | |
-but this is an example of where you had to cut the window in half? -Yeah. | 0:22:24 | 0:22:29 | |
I didn't have any options, really, to make the four bedrooms. | 0:22:29 | 0:22:33 | |
I didn't want to cut any more windows than I had to so, two had to go. | 0:22:33 | 0:22:37 | |
And from the outside, I made it look as narrow as possible, | 0:22:37 | 0:22:41 | |
the cut, so the floor tapers to the end. | 0:22:41 | 0:22:45 | |
As you get to the window, it goes down to about six inches and then, | 0:22:45 | 0:22:48 | |
there's a stained glass window on the outside to disguise that, as well. | 0:22:48 | 0:22:52 | |
-That's a good tip. -A really good idea. | 0:22:52 | 0:22:55 | |
Your windows are a little... well, a lot higher than ours but that's a really good way around it. | 0:22:55 | 0:23:00 | |
These guys have it all ahead of them. | 0:23:00 | 0:23:03 | |
Looking back on what you've been through, | 0:23:03 | 0:23:05 | |
any kind of last advice you'd like to impart their way? | 0:23:05 | 0:23:08 | |
Well, the lovely thing is you've got a blank canvas, | 0:23:08 | 0:23:10 | |
you can let your mind run wild, you can do anything and everything. | 0:23:10 | 0:23:16 | |
It's just coming up with ideas, so just keep on top | 0:23:16 | 0:23:19 | |
and carry on going. | 0:23:19 | 0:23:20 | |
We're really looking forward to it. | 0:23:20 | 0:23:22 | |
Thank you for letting us see your lovely home. | 0:23:22 | 0:23:25 | |
Pleasure. | 0:23:25 | 0:23:26 | |
Back in Amber Valley, empty property officer Sue Lee | 0:23:27 | 0:23:31 | |
is on a mission to save Britain's abandoned homes. | 0:23:31 | 0:23:34 | |
She's on her way is to an affluent area outside of Derby | 0:23:34 | 0:23:38 | |
to respond to complaints about an empty house. | 0:23:38 | 0:23:40 | |
The empty has been on Sue's radar for five years | 0:23:40 | 0:23:44 | |
but this is the first time she's received official complaints. | 0:23:44 | 0:23:47 | |
I can see why the neighbours | 0:23:47 | 0:23:48 | |
are concerned about the garden looking overgrown at the front. | 0:23:48 | 0:23:52 | |
It just all adds to the view that it's not cared for, | 0:23:52 | 0:23:56 | |
that nobody's been here for a while | 0:23:56 | 0:23:58 | |
and that nobody's trying to maintain it. | 0:23:58 | 0:24:01 | |
Sue's main objective is to check if the place is secure. | 0:24:01 | 0:24:05 | |
Oh, gosh. | 0:24:08 | 0:24:09 | |
I thought for one minute that was going to open. | 0:24:09 | 0:24:12 | |
It must be locked at the top. | 0:24:12 | 0:24:14 | |
But it's at the other side of the house | 0:24:14 | 0:24:16 | |
that Sue discovers something of far greater concern. | 0:24:16 | 0:24:19 | |
There's a window that has been smashed here. | 0:24:19 | 0:24:21 | |
The back door is open so you can just wander straight into the house. | 0:24:21 | 0:24:27 | |
As Sue continues to explore, | 0:24:28 | 0:24:30 | |
it seems that whoever has broken in has not left empty-handed. | 0:24:30 | 0:24:34 | |
Oh. Right. It looks like... | 0:24:35 | 0:24:38 | |
..somebody has tried to take the copper piping at some point. | 0:24:39 | 0:24:43 | |
The ceiling's come down as they've ripped the piping out. | 0:24:43 | 0:24:46 | |
Because there are pipes still remaining, | 0:24:46 | 0:24:50 | |
I really need to get this property secured and get that window bordered | 0:24:50 | 0:24:55 | |
so there's no access again into the house. | 0:24:55 | 0:24:57 | |
Having completed her investigation, Sue needs to decide | 0:24:57 | 0:25:01 | |
on the best plan of action to make the house secure and to get it back into use again. | 0:25:01 | 0:25:06 | |
What I need to do is go back to the owner, | 0:25:06 | 0:25:09 | |
get them to secure the property, | 0:25:09 | 0:25:12 | |
tidy it up, | 0:25:12 | 0:25:13 | |
make it look a lot better in the interim | 0:25:13 | 0:25:15 | |
before they bring it back into use. | 0:25:15 | 0:25:17 | |
If the owner doesn't do what I ask voluntarily, | 0:25:17 | 0:25:20 | |
then I'll be serving legal notices. | 0:25:20 | 0:25:22 | |
If they don't comply with those, we'll do the work ourselves | 0:25:22 | 0:25:25 | |
and we'll recharge that back to the owner. | 0:25:25 | 0:25:28 | |
If the owner doesn't pay that, we'll be enforcing sale of it. | 0:25:28 | 0:25:31 | |
Back in Surrey, Diana and Rowley | 0:25:33 | 0:25:35 | |
have been visiting a converted church, | 0:25:35 | 0:25:37 | |
getting inspiration for their own project. | 0:25:37 | 0:25:40 | |
Ah! Well, today, that's quite a property to look around, isn't it? | 0:25:41 | 0:25:45 | |
How has it been for you? Have you found it inspiring? | 0:25:45 | 0:25:48 | |
It's been absolutely amazing, a wonderful experience. | 0:25:48 | 0:25:51 | |
Seeing what can be done | 0:25:51 | 0:25:53 | |
and the fact that he's done most of it himself is amazing. | 0:25:53 | 0:25:57 | |
So, it's a hard act to follow but lots and lots of good advice. | 0:25:57 | 0:26:01 | |
And with planning, it is going to be a battle for you but he is saying | 0:26:01 | 0:26:05 | |
you can have the perfect home at the end of it if you do it right. | 0:26:05 | 0:26:08 | |
I think that the buildings that he has and that we have | 0:26:08 | 0:26:12 | |
are special buildings so, it's worth waiting for. | 0:26:12 | 0:26:15 | |
So, we're prepared to wait and take as long as it needs. | 0:26:15 | 0:26:19 | |
Guys, I wish you the best of luck from the bottom of my heart. | 0:26:19 | 0:26:23 | |
-I'm sure you will do a great job. Hang in there. -Thank you. | 0:26:23 | 0:26:25 | |
Well, it's been delightful to show Diana and Rowland | 0:26:27 | 0:26:30 | |
this incredibly unique place. | 0:26:30 | 0:26:32 | |
Hopefully, it's going to help them overcome some of the big problems they face, | 0:26:32 | 0:26:36 | |
namely, how you create and live on two floors in a building really only ever designed for one. | 0:26:36 | 0:26:43 | |
Now, of course, it's going to take some careful planning | 0:26:43 | 0:26:46 | |
and lots of hard work to get permission to change their church into a residential dwelling | 0:26:46 | 0:26:51 | |
but fingers crossed they can get through that soon | 0:26:51 | 0:26:53 | |
and quickly begin work | 0:26:53 | 0:26:56 | |
on the home they desperately want to create together. | 0:26:56 | 0:26:58 | |
Subtitles by Red Bee Media Ltd | 0:27:17 | 0:27:19 | |
E-mail [email protected] | 0:27:19 | 0:27:21 |