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Across the country, empty buildings that could be homes | 0:00:03 | 0:00:06 | |
are waiting to be brought back into use. | 0:00:06 | 0:00:08 | |
I'll be finding out why, | 0:00:10 | 0:00:11 | |
and what you need to do to rescue a house for yourself. | 0:00:11 | 0:00:14 | |
I'll be doing some digging of my own | 0:00:14 | 0:00:16 | |
to find out more about our housing stock, our heritage, | 0:00:16 | 0:00:19 | |
and why we should both be reinventing, and preserving, | 0:00:19 | 0:00:22 | |
Britain's empty homes. | 0:00:22 | 0:00:25 | |
If you're looking for a home in a remote and picturesque location, | 0:00:31 | 0:00:36 | |
finding something that is affordable and suitable | 0:00:36 | 0:00:39 | |
can be an incredible challenge. | 0:00:39 | 0:00:40 | |
Then finding an empty property, | 0:00:40 | 0:00:42 | |
and thus something even more affordable, can be even tougher. | 0:00:42 | 0:00:46 | |
But if you can find one of these diamonds in the rough, | 0:00:46 | 0:00:49 | |
and you're prepared to put time and energy into it, | 0:00:49 | 0:00:53 | |
you could not just create a home that's perfect for you, | 0:00:53 | 0:00:57 | |
you could also wake up every morning with a view a little bit like that. | 0:00:57 | 0:01:02 | |
Today I am meeting a theatre director whose latest production | 0:01:02 | 0:01:06 | |
is proving trickier than she thought. | 0:01:06 | 0:01:09 | |
Everything I wanted in a house and haven't had | 0:01:09 | 0:01:11 | |
has had to take a backseat. | 0:01:11 | 0:01:12 | |
We'll find out how an intrepid home owner | 0:01:12 | 0:01:15 | |
transformed a derelict farmhouse in an extremely remote location. | 0:01:15 | 0:01:19 | |
There's a lot of builders that would not even consider this property | 0:01:19 | 0:01:22 | |
because it's too far out. | 0:01:22 | 0:01:24 | |
And we'll follow the property detectives | 0:01:24 | 0:01:27 | |
working to rescue unleaded and abandoned houses. | 0:01:27 | 0:01:30 | |
To be able to go along and see a problem | 0:01:30 | 0:01:33 | |
I can then personally do something about | 0:01:33 | 0:01:36 | |
brings me total job satisfaction. | 0:01:36 | 0:01:37 | |
Theatre director, Alison Grant, | 0:01:37 | 0:01:40 | |
has always dreamt of living in a quaint English cottage. | 0:01:40 | 0:01:43 | |
Especially after spending 25 years in the USA. | 0:01:43 | 0:01:47 | |
I longed for all sorts of things that England has | 0:01:47 | 0:01:51 | |
that America doesn't have. A lot of that is history. | 0:01:51 | 0:01:53 | |
What I want is the idyllic, English dream. | 0:01:53 | 0:01:57 | |
A cottage with chickens in the garden and a dog and a cat. | 0:01:57 | 0:02:01 | |
Alison recently separated from her husband and has come back to the UK. | 0:02:01 | 0:02:06 | |
Soon after her return she bought this abandoned Rangers cottage | 0:02:06 | 0:02:10 | |
in Cuckmere Haven, East Sussex, | 0:02:10 | 0:02:12 | |
paying £300,000 for it at auction. | 0:02:12 | 0:02:15 | |
Everybody dropped out of the bidding at a certain point, | 0:02:15 | 0:02:18 | |
and it was between me and one other lady, | 0:02:18 | 0:02:20 | |
and we were obviously both emotional bidders, not investors. | 0:02:20 | 0:02:25 | |
So, we bid each other up | 0:02:25 | 0:02:27 | |
and it finally came to the point where I went, | 0:02:27 | 0:02:30 | |
"I mustn't bid any more," and she didn't bid anything. | 0:02:30 | 0:02:33 | |
The joy of winning the bidding war | 0:02:33 | 0:02:35 | |
was soon tempered by the reality of what she actually bought. | 0:02:35 | 0:02:39 | |
I was very pleased to find that it was structurally sound | 0:02:39 | 0:02:43 | |
and had a solid roof that didn't leak. | 0:02:43 | 0:02:45 | |
What it did have was an infestation of death watch beetle, | 0:02:45 | 0:02:50 | |
which, apparently, nests in all the oak only. | 0:02:50 | 0:02:52 | |
Death watch beetles infest old timber | 0:02:52 | 0:02:54 | |
and over time eat away at them. | 0:02:54 | 0:02:57 | |
But if the timbers are treated properly it is possible to | 0:02:57 | 0:03:00 | |
eradicate the beetles. | 0:03:00 | 0:03:02 | |
There have been times over the last year | 0:03:02 | 0:03:05 | |
where I've wondered about my sanity. | 0:03:05 | 0:03:07 | |
There are times when I have woken up in the night and gone, | 0:03:07 | 0:03:10 | |
"What have I done?" | 0:03:10 | 0:03:12 | |
I'm meeting with Alison to find out more about her renovation. | 0:03:12 | 0:03:17 | |
Hello, Alison, I'm Joe. | 0:03:17 | 0:03:19 | |
-Hi, Joe, nice to meet you. -Nice to meet you, too. | 0:03:19 | 0:03:21 | |
This is it, what an incredible property in a stunning area. | 0:03:21 | 0:03:26 | |
Yes, that's why I bought it, obviously. | 0:03:26 | 0:03:28 | |
It had been empty for tow and a half years, | 0:03:28 | 0:03:30 | |
it was covered, you couldn't see the view because it was so overgrown. | 0:03:30 | 0:03:34 | |
It was pretty... it was pretty dire. | 0:03:34 | 0:03:36 | |
Let's have a look, then, you can show me around. | 0:03:36 | 0:03:38 | |
Crikey, look at this, it's all opened up. | 0:03:48 | 0:03:51 | |
It is, indeed. | 0:03:51 | 0:03:52 | |
What was it like before, when you first walk through the door? | 0:03:52 | 0:03:55 | |
Very closed, very dark, | 0:03:55 | 0:03:57 | |
which is why I'm going down the route of opening it up, | 0:03:57 | 0:04:00 | |
and we've raised ceilings. | 0:04:00 | 0:04:01 | |
To try and make it a bit more bearable to walk around in. | 0:04:01 | 0:04:05 | |
You've raised the ceilings on the ground floor? | 0:04:05 | 0:04:08 | |
Yes. | 0:04:08 | 0:04:09 | |
We were able to do it because upstairs it's got a sloped ceiling, | 0:04:09 | 0:04:12 | |
so there's more headroom. | 0:04:12 | 0:04:13 | |
We had to make the decision whether to go down | 0:04:13 | 0:04:16 | |
or to take the ceilings are up. | 0:04:16 | 0:04:17 | |
We decided we would take the ceilings up | 0:04:17 | 0:04:19 | |
because you get into a whole mess of problems if you try to go down, | 0:04:19 | 0:04:23 | |
I understand, with damp and so on. | 0:04:23 | 0:04:25 | |
OK, it feels the right height, it feels natural. | 0:04:25 | 0:04:27 | |
It's still quite low that it's, it's, for a cottage, it's OK. | 0:04:27 | 0:04:30 | |
Yes. | 0:04:30 | 0:04:31 | |
What is this behind you? It looks incredible. | 0:04:31 | 0:04:34 | |
Ah, this was entirely concealed. | 0:04:34 | 0:04:35 | |
It's too high for a fireplace, is it some sort of oven? | 0:04:35 | 0:04:38 | |
Yes, it is a bread brick oven, is what it is. | 0:04:38 | 0:04:41 | |
A bread oven. | 0:04:41 | 0:04:42 | |
It looks as if it is in working order, I haven't fired it up, | 0:04:42 | 0:04:45 | |
Jamie Oliver cooks with one all the time. | 0:04:45 | 0:04:47 | |
I'm keen to see what plans Alison has for the upstairs. | 0:04:47 | 0:04:51 | |
-So, this is going to be the master bedroom. -OK. | 0:04:51 | 0:04:53 | |
The fireplace is going to be raised up, | 0:04:53 | 0:04:56 | |
so that it's a see through fireplace with a fire on both sides. | 0:04:56 | 0:05:00 | |
Then through there, there's going to be a whirlpool, spa bath. | 0:05:00 | 0:05:04 | |
Which is why we've had reinforcements underneath, | 0:05:04 | 0:05:07 | |
to bear the weight of that. | 0:05:07 | 0:05:09 | |
And built-in closets. | 0:05:09 | 0:05:10 | |
So, it is going to be this one magnificent... | 0:05:10 | 0:05:12 | |
So, a sweeping bedroom, all the way along the front of the house. | 0:05:12 | 0:05:15 | |
With the views, yes. | 0:05:15 | 0:05:16 | |
You look out there, and there is such a view. | 0:05:16 | 0:05:19 | |
-It is, it's iconic. -It's just breathtaking. | 0:05:19 | 0:05:21 | |
It's a beautiful sight, | 0:05:21 | 0:05:23 | |
but inside, with all these internal timbers, | 0:05:23 | 0:05:25 | |
I can see why Alison's concerned about | 0:05:25 | 0:05:28 | |
discovering death watch beetles. | 0:05:28 | 0:05:30 | |
Yes, OK, you had to take out some of the woodwork | 0:05:30 | 0:05:32 | |
because of beetles, and that kind of stuff, | 0:05:32 | 0:05:35 | |
but great that you've got these chimneys and the bread oven | 0:05:35 | 0:05:40 | |
and a couple of fireplaces. | 0:05:40 | 0:05:42 | |
-Plenty to work with there. -Oh, yes. | 0:05:42 | 0:05:43 | |
Looking ahead, now, at the project, is the greatest worry money? | 0:05:43 | 0:05:47 | |
Yes, I would say the greatest worry is money, | 0:05:47 | 0:05:50 | |
not where the money is coming from eventually, | 0:05:50 | 0:05:53 | |
but how to utilise the money that I have got at the moment, | 0:05:53 | 0:05:56 | |
to make it work in the best possible way. | 0:05:56 | 0:05:58 | |
Later, we'll go to see a property that has been completely renovated, | 0:05:58 | 0:06:02 | |
by a couple, actually. | 0:06:02 | 0:06:03 | |
We'll meet one of the couple to show us round, | 0:06:03 | 0:06:06 | |
which is the important bit for you. | 0:06:06 | 0:06:07 | |
Because they are experienced in this, | 0:06:07 | 0:06:09 | |
they've done it more than once, I hope they will be able to give some really good advice | 0:06:09 | 0:06:14 | |
on how to make your money go as far as it possibly can, | 0:06:14 | 0:06:16 | |
and just point out if he thinks that maybe, you haven't thought of. | 0:06:16 | 0:06:20 | |
I can see it in my mind before we started, | 0:06:20 | 0:06:22 | |
and now we've started, the doubts begin to come in. | 0:06:22 | 0:06:26 | |
So, just to get a little bit of reassurance | 0:06:26 | 0:06:28 | |
and inspiration would be brilliant. | 0:06:28 | 0:06:30 | |
Well, for me, this is what taking on an empty home is all about. | 0:06:32 | 0:06:35 | |
Alison is going for it, complete overhaul, total renovation. | 0:06:35 | 0:06:39 | |
I think she's striking a nice balance between making it her own, | 0:06:39 | 0:06:42 | |
you know, raising the ceilings so she's not always hitting her head. | 0:06:42 | 0:06:46 | |
But also, bringing the best out of the history and character | 0:06:46 | 0:06:49 | |
of the building. | 0:06:49 | 0:06:50 | |
Now, Alison doesn't have any experience in this, | 0:06:50 | 0:06:53 | |
and clearly she is worried about her budget, her money, her cash flow. | 0:06:53 | 0:06:56 | |
Hopefully it's going to help her to meet an experienced home renovator, | 0:06:56 | 0:07:00 | |
and hopefully he'll have some tips | 0:07:00 | 0:07:03 | |
on how to make her budget go as far as she needs to. | 0:07:03 | 0:07:06 | |
Not every neglected property is so fortunate | 0:07:06 | 0:07:09 | |
to have someone like Alison give it a new lease of life. | 0:07:09 | 0:07:13 | |
Across the country it's the job of our councils empty property officers | 0:07:13 | 0:07:18 | |
to try and bring Britain's forgotten homes back from the brink. | 0:07:18 | 0:07:22 | |
Paul Palmer is the empty property officer | 0:07:22 | 0:07:25 | |
for Corby and East Northants. | 0:07:25 | 0:07:27 | |
I love properties, love buildings, and I love people as well. | 0:07:29 | 0:07:33 | |
So, to be able to go along and see a problem that | 0:07:33 | 0:07:35 | |
I can then personally do something about, | 0:07:35 | 0:07:37 | |
work with an owner to see that property brought back into use | 0:07:37 | 0:07:40 | |
brings me total job satisfaction. | 0:07:40 | 0:07:43 | |
In his 20 years on the job, | 0:07:43 | 0:07:45 | |
he's saved 800 houses from dereliction | 0:07:45 | 0:07:48 | |
and put them back into use. | 0:07:48 | 0:07:50 | |
Today, Paul is visiting an empty house | 0:07:54 | 0:07:57 | |
in a remote, rural part of East Northants. | 0:07:57 | 0:08:00 | |
The owner is absent but is considering redeveloping the plot. | 0:08:00 | 0:08:03 | |
There have been reports that someone may have gained access to the house, | 0:08:03 | 0:08:07 | |
so, Paul's first challenge is to work out how people are getting in. | 0:08:07 | 0:08:12 | |
One of the main reasons we are here is cos the owner is concerned | 0:08:12 | 0:08:15 | |
about the property being insecure. | 0:08:15 | 0:08:17 | |
So, the obvious place to start his front door. | 0:08:17 | 0:08:20 | |
That seems OK. | 0:08:22 | 0:08:23 | |
And, it's not long before Paul finds the potential access point. | 0:08:24 | 0:08:29 | |
Aha! | 0:08:29 | 0:08:30 | |
Now I'm inside the property, I am doing two things, | 0:08:36 | 0:08:39 | |
one, looking for other points of entry | 0:08:39 | 0:08:42 | |
so I can advise the owner where they are | 0:08:42 | 0:08:44 | |
and what he needs to do to secure the property. | 0:08:44 | 0:08:47 | |
But, two, I'm also looking for a short-term solution | 0:08:47 | 0:08:50 | |
to this empty property. | 0:08:50 | 0:08:53 | |
I'm looking to see what work need doing | 0:08:53 | 0:08:55 | |
and perhaps we might be able to bring this property into use | 0:08:56 | 0:08:59 | |
quite quickly and fairly cheaply. | 0:08:59 | 0:09:02 | |
Well, that's not a bad kitchen. | 0:09:04 | 0:09:06 | |
What fantastic views out of the window. | 0:09:06 | 0:09:09 | |
This kitchen doesn't look bad at all, | 0:09:09 | 0:09:11 | |
little bit of a tidy up... | 0:09:11 | 0:09:13 | |
..I think we could get this commissioned and back into use. | 0:09:13 | 0:09:17 | |
Bit too well ventilated with that huge, broken window behind us. | 0:09:19 | 0:09:23 | |
Upstairs, Paul gets more clues about who is potentially using this house. | 0:09:23 | 0:09:30 | |
So, clearly this is where | 0:09:30 | 0:09:31 | |
whoever's getting into this property is coming. | 0:09:31 | 0:09:34 | |
And think they're using it as, sort of, a chill out zone, | 0:09:34 | 0:09:37 | |
to be honest with you. | 0:09:37 | 0:09:38 | |
It's obviously not squatters, cos there's no evidence of occupation | 0:09:38 | 0:09:42 | |
that squatters would normally do. | 0:09:42 | 0:09:44 | |
There is no bedding, there's no beds, there's no materials, | 0:09:44 | 0:09:47 | |
there's no food, clothing, or anything like that. | 0:09:47 | 0:09:50 | |
I suspect it is just local youngsters getting in here, | 0:09:50 | 0:09:53 | |
having a good time. | 0:09:53 | 0:09:55 | |
Having said that, of course, | 0:09:55 | 0:09:56 | |
we have to secure the property to make sure it doesn't happen again. | 0:09:56 | 0:10:00 | |
Job done. | 0:10:00 | 0:10:02 | |
Paul will now put a list together of the work required | 0:10:02 | 0:10:06 | |
so the owner can renovate the house and get it rented out soon. | 0:10:06 | 0:10:10 | |
I feel really positive about this property. | 0:10:11 | 0:10:15 | |
Clearly it was a much loved family home, | 0:10:15 | 0:10:17 | |
and I think it can be again fairly quickly, | 0:10:17 | 0:10:19 | |
and for not too much money, either. | 0:10:19 | 0:10:21 | |
So, I'm really pleased that were on the first steps | 0:10:21 | 0:10:23 | |
to seeing it brought back into use. | 0:10:23 | 0:10:25 | |
And I'm going to make sure it happens. | 0:10:25 | 0:10:28 | |
Since our filming, | 0:10:28 | 0:10:29 | |
a local developer has come to an arrangement with the owner | 0:10:29 | 0:10:32 | |
to do this house up. | 0:10:32 | 0:10:33 | |
The developer and his renovation team are now living in | 0:10:33 | 0:10:37 | |
while the work takes place. | 0:10:37 | 0:10:39 | |
Buying an empty home is a bit of a leap in the dark. | 0:10:39 | 0:10:42 | |
Years of neglect can lead to unforeseen problems, | 0:10:42 | 0:10:45 | |
but if you're brave enough to take on a property | 0:10:45 | 0:10:47 | |
that others have given up on, you hold your nerve, | 0:10:47 | 0:10:50 | |
you take the right advice, | 0:10:50 | 0:10:52 | |
and you have the patience to see through to the end, | 0:10:52 | 0:10:55 | |
you could become the owner of your dream home. | 0:10:55 | 0:10:59 | |
In Northumberland, | 0:10:59 | 0:11:00 | |
Mary Almond has always dreamt of renovating a derelict house | 0:11:00 | 0:11:04 | |
in a remote location. | 0:11:04 | 0:11:05 | |
When we first came to see the farm, | 0:11:08 | 0:11:10 | |
we were just driving along with the farmer, and I said, | 0:11:10 | 0:11:14 | |
"Oh, that property over there, is that part of the farm?" | 0:11:14 | 0:11:17 | |
And he said yes, but it is a separate lot. | 0:11:17 | 0:11:20 | |
And I said to my partner, | 0:11:20 | 0:11:21 | |
"Well, I really don't want to buy the farm if we can't buy that property, | 0:11:21 | 0:11:25 | |
"because that's what I've always wanted to do." | 0:11:25 | 0:11:29 | |
It hadn't been lived in since about the 1930s, | 0:11:29 | 0:11:31 | |
the roof of the barn had fallen down, it was very derelict. | 0:11:31 | 0:11:36 | |
But, before Mary could start renovating this house, | 0:11:36 | 0:11:41 | |
she had to find a way of actually accessing it. | 0:11:41 | 0:11:43 | |
When we first came to see the farm, | 0:11:43 | 0:11:45 | |
the owner said the only way you could get to this house | 0:11:45 | 0:11:48 | |
would be on a quad bike. | 0:11:48 | 0:11:50 | |
It was only once they have built a road in mile long, | 0:11:50 | 0:11:53 | |
that they could bring in their basic utilities. | 0:11:53 | 0:11:56 | |
We had to get water from a nearby farm, from a borehole. | 0:11:56 | 0:11:59 | |
It was it was prohibitively expensive to get electricity here, | 0:11:59 | 0:12:04 | |
so, what we have is a wind turbine in combination with a generator. | 0:12:04 | 0:12:09 | |
Renovating a house in such a remote spot made getting builders hard too. | 0:12:10 | 0:12:15 | |
You find if you want to do a property in the middle of nowhere, | 0:12:15 | 0:12:19 | |
a lot of builders would not even consider this property, | 0:12:19 | 0:12:22 | |
because it is too far out. | 0:12:22 | 0:12:23 | |
During the year-long build, Mary lived in a mobile home on site. | 0:12:23 | 0:12:29 | |
We bought a caravan | 0:12:29 | 0:12:30 | |
and thought that the project wasn't going to take very long, | 0:12:30 | 0:12:34 | |
so we didn't spend a lot of money on the caravan. | 0:12:34 | 0:12:37 | |
And when it got to winter, the caravan started leaking | 0:12:37 | 0:12:42 | |
and when the television blew up I said, | 0:12:42 | 0:12:44 | |
"I have got to move into a house." | 0:12:44 | 0:12:46 | |
In total, Mary spent £180,000 doing this old farmhouse up. | 0:12:48 | 0:12:54 | |
But, for her, it was worth every penny. | 0:12:54 | 0:12:57 | |
When the weather is very windy you come in from outside, | 0:12:57 | 0:13:00 | |
you've got to coal in, and you've got your logs in, | 0:13:00 | 0:13:03 | |
it's lovely and warm and you just batten down the hatches. | 0:13:03 | 0:13:07 | |
Those are the moments that I love being here. | 0:13:07 | 0:13:09 | |
I was meant to build this house, I was meant to rescue it | 0:13:11 | 0:13:15 | |
and it is my legacy, I suppose, I feel, that I've saved this house. | 0:13:15 | 0:13:20 | |
Every time I drive over the hill and see it from the skyline I think, | 0:13:20 | 0:13:25 | |
yes, that's special. | 0:13:25 | 0:13:27 | |
Abandoned homes don't just affect the remote areas of our countryside, | 0:13:29 | 0:13:34 | |
empty houses also have a serious impact on our inner-city areas too. | 0:13:34 | 0:13:39 | |
Post-war Britain was the age of the tower block, | 0:13:39 | 0:13:41 | |
in the 1950s through to the late '70s, | 0:13:41 | 0:13:44 | |
many large, concrete housing estates were built | 0:13:44 | 0:13:47 | |
in the boom of what was seen as brave and challenging architecture. | 0:13:47 | 0:13:51 | |
Unfortunately, | 0:13:51 | 0:13:53 | |
many of these model estates haven't stood the test of time, | 0:13:53 | 0:13:56 | |
and towns and cities are looking to rebuild or renovate | 0:13:56 | 0:13:59 | |
these decaying structures. | 0:13:59 | 0:14:01 | |
The problem is, is that regeneration schemes don't always go to plan | 0:14:01 | 0:14:05 | |
and can lead to thousands of properties being left empty | 0:14:05 | 0:14:09 | |
to go to rack and ruin. | 0:14:09 | 0:14:10 | |
Across Britain, hundreds of council estates have been left in limbo | 0:14:14 | 0:14:17 | |
because of stalled regeneration plans. | 0:14:17 | 0:14:20 | |
These ghost estates often only have a few families left | 0:14:20 | 0:14:23 | |
living in them and can fall into total disrepair. | 0:14:23 | 0:14:28 | |
The Empty Homes Agency is an independent charity | 0:14:28 | 0:14:30 | |
that campaigns to get empty buildings back into use. | 0:14:30 | 0:14:34 | |
I'm meeting with the chief executive, David Ireland, | 0:14:34 | 0:14:36 | |
to find out why so many council estates are empty. | 0:14:36 | 0:14:40 | |
A lot of redevelopment programmes were started | 0:14:40 | 0:14:42 | |
when the money was available, | 0:14:42 | 0:14:44 | |
and all done for the right reasons, | 0:14:44 | 0:14:46 | |
but what we've had, is we have had an economic crash, | 0:14:46 | 0:14:49 | |
and we have had a big cut in public expenditure. | 0:14:49 | 0:14:51 | |
Which is meant a whole load of those programs now can't be finished, | 0:14:51 | 0:14:55 | |
the effect of that was that it left thousands of properties empty | 0:14:55 | 0:14:59 | |
across the whole country, north to south. | 0:14:59 | 0:15:02 | |
Some post-war estates have definitely had their time. | 0:15:02 | 0:15:05 | |
But, there are also many that can still | 0:15:05 | 0:15:07 | |
fulfil their role as affordable housing. | 0:15:07 | 0:15:10 | |
50 years ago, we looked at Victorian houses | 0:15:10 | 0:15:12 | |
and thought they were rubbish and needed to be got rid of, | 0:15:12 | 0:15:15 | |
now we value them. | 0:15:15 | 0:15:16 | |
So, I think it is easy to condemn them | 0:15:16 | 0:15:19 | |
all as a genre of something which needs to go. | 0:15:19 | 0:15:21 | |
But there's lots of people who live in these houses, | 0:15:21 | 0:15:24 | |
it provides very good housing for lots of people. | 0:15:24 | 0:15:27 | |
Actually, maintaining them and improving the quality of them | 0:15:27 | 0:15:30 | |
is what we need rather than tearing them all down. | 0:15:30 | 0:15:32 | |
And when you see these big estates that are empty, | 0:15:32 | 0:15:37 | |
what impact does that have on the area? | 0:15:37 | 0:15:39 | |
It's very expensive to leave a property empty. | 0:15:39 | 0:15:42 | |
What you therefore have to do, is spend a whole lot of money | 0:15:42 | 0:15:45 | |
on security and boarding the place up | 0:15:45 | 0:15:47 | |
so, there is a cost to it in the first place. | 0:15:47 | 0:15:50 | |
The second thing is, it looks terrible, | 0:15:50 | 0:15:52 | |
it sends such a bad message out to the community who are still there | 0:15:52 | 0:15:55 | |
and the community at large. | 0:15:55 | 0:15:57 | |
The Empty Homes Agency estimates that | 0:15:57 | 0:16:00 | |
there are over 40,000 council flats left unused in the UK. | 0:16:00 | 0:16:04 | |
In total these empty homes could potentially provide housing | 0:16:04 | 0:16:08 | |
for 120,000 people, | 0:16:08 | 0:16:10 | |
so, utilising even some of them is still a very sensible solution. | 0:16:10 | 0:16:14 | |
Now, we see that the economic crisis is going to go on for a long time. | 0:16:14 | 0:16:18 | |
And we won't have public money back for a long time. | 0:16:18 | 0:16:20 | |
Looking at how we can get these properties reoccupied, | 0:16:20 | 0:16:23 | |
even if it's just for five years or so, | 0:16:23 | 0:16:25 | |
could make a huge difference | 0:16:25 | 0:16:26 | |
and provide loads and loads of homes for people. | 0:16:26 | 0:16:29 | |
When properties are earmarked for development, | 0:16:29 | 0:16:33 | |
they're often left empty. | 0:16:33 | 0:16:35 | |
Derelict, they can attract antisocial behaviour, | 0:16:35 | 0:16:38 | |
but much more importantly, it's just such a waste of potential housing. | 0:16:38 | 0:16:42 | |
Now, clearly, not every building can be rescued. | 0:16:42 | 0:16:45 | |
But, on the other hand, | 0:16:45 | 0:16:46 | |
this push for regeneration often results in unnecessary dereliction. | 0:16:46 | 0:16:51 | |
Earlier, I met theatre director, Alison Grant, | 0:16:55 | 0:16:58 | |
who recently bought this old rangers cottage in East Sussex. | 0:16:58 | 0:17:01 | |
Alison's discovered some unexpected surprises | 0:17:01 | 0:17:05 | |
lurking in the wings of the house | 0:17:05 | 0:17:07 | |
and has fallen behind schedule on the build as a result. | 0:17:07 | 0:17:11 | |
What it did have was an infestation of death watch beetles. | 0:17:11 | 0:17:15 | |
I'm taking her to meet a couple | 0:17:15 | 0:17:17 | |
who've tackled a similar renovation project | 0:17:17 | 0:17:19 | |
to get some guidance and inspiration. | 0:17:19 | 0:17:21 | |
In June 2008, Ian and Jan Lore fell in love with this derelict | 0:17:25 | 0:17:30 | |
barn in Sedlescombe, East Sussex. | 0:17:30 | 0:17:32 | |
We were going down to Hastings for the morning, and we saw it | 0:17:32 | 0:17:36 | |
advertised in the estate agents window, liked it that much that we | 0:17:36 | 0:17:39 | |
round the agent again the following morning and came in and had a look. | 0:17:39 | 0:17:44 | |
It was then that they told us it was also going up for auction. | 0:17:44 | 0:17:48 | |
Ian and Jan were given a six-week deadline to | 0:17:48 | 0:17:50 | |
get their finances in place or the barn would definitely go to auction. | 0:17:50 | 0:17:55 | |
Just in time, the Law's got the money sorted. | 0:17:55 | 0:17:57 | |
And then realise the full extent of what they had taken on. | 0:17:57 | 0:18:00 | |
It was looking sorry for itself, | 0:18:00 | 0:18:02 | |
but you could see that there were a nice lot of beams inside. | 0:18:02 | 0:18:07 | |
You know, it got a nice lot of potential. | 0:18:07 | 0:18:09 | |
The actual reach of the thatched roof, the straw, had all gone, | 0:18:09 | 0:18:13 | |
so it was leaking inside. | 0:18:13 | 0:18:14 | |
Every weekend John would be working with us. | 0:18:14 | 0:18:17 | |
You know, we would be humping beams about on blocks and tackles. | 0:18:17 | 0:18:21 | |
A digger was sat here holding beams up | 0:18:21 | 0:18:22 | |
while we were trying to jiggle them in. | 0:18:22 | 0:18:25 | |
This was Ian and Jan's second barn renovation | 0:18:25 | 0:18:28 | |
but, like Alison, they had to deal with some unexpected issues. | 0:18:28 | 0:18:31 | |
What we hadn't budgeted for was the costings on the thatch. | 0:18:31 | 0:18:36 | |
We ended up spending a lot of money on the bespoke windows and joinery. | 0:18:36 | 0:18:41 | |
But the windows and joinery with the least of their worries, | 0:18:41 | 0:18:44 | |
in total they went without mains electricity for around 18 months. | 0:18:44 | 0:18:49 | |
And that was a nightmare, ha ha! | 0:18:49 | 0:18:52 | |
Barn was nearly finished before we got our electric supply connected. | 0:18:52 | 0:18:56 | |
Despite all these challenges, Ian and Jan now have a spectacular home. | 0:18:56 | 0:19:00 | |
We have actually said now, | 0:19:00 | 0:19:02 | |
it's something we ought to have done years ago. | 0:19:02 | 0:19:04 | |
Although this build was on a different scale to Alison's, | 0:19:04 | 0:19:08 | |
there are many similarities, | 0:19:08 | 0:19:10 | |
and I'm hoping she will be able to take on some useful advice. | 0:19:10 | 0:19:13 | |
Hello, Ian. | 0:19:13 | 0:19:15 | |
Hi, can we come in? | 0:19:15 | 0:19:16 | |
Great, thank you. | 0:19:16 | 0:19:18 | |
As soon as you walk in, | 0:19:20 | 0:19:22 | |
it's clear that it was a huge restoration project. | 0:19:22 | 0:19:26 | |
Was this just one, big open barn? | 0:19:26 | 0:19:28 | |
Yes. | 0:19:28 | 0:19:29 | |
-There were no levels in it at all? -No levels in it at all. | 0:19:29 | 0:19:31 | |
Just the open space with the lower levels on the outside, | 0:19:32 | 0:19:35 | |
which were cow pens and animal runs. | 0:19:35 | 0:19:39 | |
So, where you have got the kitchen, that was another outbuilding? | 0:19:39 | 0:19:43 | |
Yes, just like a lean to on the side, which was just animal pens. | 0:19:43 | 0:19:47 | |
Alison's especially keen to discuss a specific issue relating to | 0:19:47 | 0:19:51 | |
old timber framed buildings. | 0:19:51 | 0:19:53 | |
I see you've got some wonderful beams | 0:19:53 | 0:19:55 | |
that look like they've had some sort of infestation in them? | 0:19:55 | 0:19:58 | |
Can you tell me a bit about that, because I have that problem. | 0:19:58 | 0:20:01 | |
Yes, we had them all treated after we have them all sandblasted. | 0:20:01 | 0:20:05 | |
They come in and put it treatment on all the timber, the old and the new, | 0:20:05 | 0:20:08 | |
because you are importing more bugs in, in the new timber. | 0:20:08 | 0:20:12 | |
You bring your new timber in, you put it up alongside your old timber, | 0:20:12 | 0:20:16 | |
and then you just treat the whole place? | 0:20:16 | 0:20:18 | |
I know some of your wood had to be taken out, | 0:20:18 | 0:20:20 | |
but there's definitely hope for what's left, | 0:20:20 | 0:20:23 | |
I'm sure you can treat it and it'll be fine. | 0:20:23 | 0:20:25 | |
Yes, and I would really love to save as much as I possibly can. | 0:20:25 | 0:20:28 | |
One, for the looks, but also for the authenticity of the building. | 0:20:28 | 0:20:32 | |
So, it's really good to hear that I might be able to say some of it. | 0:20:32 | 0:20:35 | |
Shall we have a look at in one of the bedrooms? | 0:20:35 | 0:20:37 | |
That is probably the biggest one. | 0:20:37 | 0:20:40 | |
So, this is the master bedroom, right? | 0:20:48 | 0:20:50 | |
Yeah. | 0:20:50 | 0:20:51 | |
Great head height, there's a lot to play with here. | 0:20:51 | 0:20:54 | |
To bring it all back down to earth, | 0:20:54 | 0:20:56 | |
and which did it cost, and did you have to go over budget? | 0:20:56 | 0:20:59 | |
We thought we could do it for around about 100, 110, | 0:20:59 | 0:21:02 | |
and it ended up at 160. | 0:21:02 | 0:21:03 | |
Wow. That's half as much again, on the budget. | 0:21:03 | 0:21:07 | |
Were there any sacrifices you had to make | 0:21:07 | 0:21:10 | |
to allow your budget to go that little bit further? | 0:21:10 | 0:21:13 | |
Kitchen units, just bits and pieces | 0:21:13 | 0:21:15 | |
where we haven't quite spent on quality there, | 0:21:15 | 0:21:19 | |
that you would have liked to have done. | 0:21:19 | 0:21:21 | |
But the budget forces you into those little areas, | 0:21:21 | 0:21:25 | |
it still looks nice | 0:21:25 | 0:21:26 | |
but not quite how you would have done it the first time | 0:21:26 | 0:21:29 | |
round, but it's something you can always alter at a later stage. | 0:21:29 | 0:21:32 | |
I think the key example is just over my shoulder, | 0:21:32 | 0:21:36 | |
you put a flue in but there's no wood burner at the moment. | 0:21:36 | 0:21:38 | |
But it's there for when you want it and you can afford it in the future. | 0:21:38 | 0:21:42 | |
That's it, once we have saved the pennies we can pop it in. | 0:21:42 | 0:21:45 | |
I don't want to do something that has got to be redone, | 0:21:45 | 0:21:48 | |
but upgrading, I think is a really good way to save money in the moment. | 0:21:48 | 0:21:52 | |
It's been wonderful to look round your home, thank you for letting us. | 0:21:52 | 0:21:56 | |
Yes, thank you. | 0:21:56 | 0:21:57 | |
And, I trust, they have been the right balance of inspiration | 0:21:57 | 0:22:01 | |
and some good advice coming across? | 0:22:01 | 0:22:03 | |
Yes, it is really helpful to me, | 0:22:03 | 0:22:04 | |
because I do tend to lose sight of where I'm going | 0:22:04 | 0:22:07 | |
because it is such a construction site at the moment. | 0:22:07 | 0:22:11 | |
So, to see the end result and to see the marriage of the old | 0:22:11 | 0:22:14 | |
and the authentic with the new is very exciting to me, | 0:22:14 | 0:22:16 | |
so, it has been inspirational. | 0:22:16 | 0:22:18 | |
Plus, you've told me a few things that I will definitely use, | 0:22:18 | 0:22:21 | |
so, thank you. | 0:22:21 | 0:22:22 | |
-Oh, my pleasure. -Thank you very much. | 0:22:22 | 0:22:24 | |
This has been a useful visit for Alison, | 0:22:24 | 0:22:26 | |
and I'll be hooking up with her later on | 0:22:26 | 0:22:28 | |
to find out how she feels about him renovation project now. | 0:22:28 | 0:22:31 | |
In Corby, Northamptonshire, empty property officer Paul Palmer | 0:22:37 | 0:22:40 | |
is visiting a house which has been empty for two years. | 0:22:40 | 0:22:43 | |
Following a fire, the building became derelict | 0:22:43 | 0:22:47 | |
and the owner refused to cooperate with Paul to bring it back to use. | 0:22:47 | 0:22:52 | |
Under the threat of compulsory purchase, the owner finally relented | 0:22:52 | 0:22:56 | |
and sold the house to a local property developer. | 0:22:56 | 0:22:59 | |
The developer secured an empty property grant from the council | 0:22:59 | 0:23:02 | |
and has now brought in a new tenant. | 0:23:02 | 0:23:04 | |
We actually approved the grant about six weeks ago, | 0:23:04 | 0:23:07 | |
and already, he's rung to tell me he has finished the works | 0:23:07 | 0:23:10 | |
and there's a tenant inside which is fantastic news. | 0:23:10 | 0:23:13 | |
Today Paul is meeting the developer, Mark, | 0:23:13 | 0:23:16 | |
and the tenant to sign off the work. | 0:23:16 | 0:23:18 | |
Can we come in and have a look round, if that's OK? | 0:23:18 | 0:23:20 | |
Yes, come in. | 0:23:20 | 0:23:21 | |
Thank you. | 0:23:21 | 0:23:23 | |
We're going to go round the house, sign off the work, | 0:23:23 | 0:23:25 | |
and make sure everything's OK. | 0:23:25 | 0:23:27 | |
-I'll leave you to it, then. I'll be next door. -Thanks a lot. | 0:23:27 | 0:23:30 | |
This house was almost totally destroyed by the fire, | 0:23:30 | 0:23:33 | |
and fallen into serious disrepair. | 0:23:33 | 0:23:36 | |
Paul is keen to see upstairs. | 0:23:36 | 0:23:39 | |
Ah, now, I remember this room, | 0:23:41 | 0:23:43 | |
this was the worst one of the lot, from memory. | 0:23:43 | 0:23:46 | |
If I recall, there was a mattress that had been set on fire, | 0:23:46 | 0:23:49 | |
and had literally burned through the floor, | 0:23:49 | 0:23:51 | |
and there was a whole looking down below. | 0:23:51 | 0:23:53 | |
So, what did you have to do in this room, Mark? | 0:23:53 | 0:23:55 | |
Yes, so, we have had to replace all the joists, | 0:23:55 | 0:23:59 | |
and put all new flooring in, and obviously the carpet, | 0:23:59 | 0:24:02 | |
decorate, this was easily the worst room in the house. | 0:24:02 | 0:24:05 | |
Whilst the bedrooms were severely affected by fire damage, | 0:24:05 | 0:24:09 | |
it's the kitchen that has really been transformed beyond recognition. | 0:24:09 | 0:24:13 | |
This is the kitchen, this is nice. | 0:24:13 | 0:24:16 | |
Yes, so, we put all new units in, worktop, integrated hob, | 0:24:16 | 0:24:21 | |
windows, new electrical system, top to bottom refurbished and refinished. | 0:24:21 | 0:24:25 | |
Well, the tenant should be pleased, it is really, really lovely. | 0:24:25 | 0:24:29 | |
You've done a fantastic job on this property | 0:24:29 | 0:24:32 | |
in a relatively short period of time. | 0:24:32 | 0:24:34 | |
I know you had a lot of work to do, | 0:24:34 | 0:24:36 | |
and you've put the effort in, and it's paid off. | 0:24:36 | 0:24:39 | |
I can see the tenant is very happy as well, | 0:24:39 | 0:24:41 | |
obviously, all I need to do now, is do the paperwork, | 0:24:41 | 0:24:45 | |
sign off everything, and everyone's happy. | 0:24:45 | 0:24:47 | |
So, thanks very much. | 0:24:47 | 0:24:48 | |
Well, you're very welcome, thank you. | 0:24:48 | 0:24:51 | |
Before Paul signs of Mark's renovation work, | 0:24:51 | 0:24:54 | |
he has just a couple more things to check. | 0:24:54 | 0:24:57 | |
I think it's really great when they take over these empty houses, | 0:24:57 | 0:25:01 | |
cos there's so much shortage of homes for people | 0:25:01 | 0:25:03 | |
and they take something that is like a shell | 0:25:03 | 0:25:06 | |
and they turn it into something nice. | 0:25:06 | 0:25:07 | |
I think they've achieved that with this. | 0:25:07 | 0:25:10 | |
I'm really happy with today, this was one of our worst cases, | 0:25:10 | 0:25:14 | |
and we were under a lot of pressure to get it brought back into use, | 0:25:14 | 0:25:18 | |
I'm really pleased, positive outcome, happy tenants. | 0:25:18 | 0:25:20 | |
I'm over the moon. | 0:25:21 | 0:25:22 | |
Back in East Sussex, theatre director, Alison Grant, | 0:25:22 | 0:25:26 | |
has hit a few delays whilst doing this abandoned rangers cottage. | 0:25:26 | 0:25:32 | |
I took her to meet a couple who have taken on a timber frame restoration | 0:25:32 | 0:25:36 | |
of a similar scale. | 0:25:36 | 0:25:38 | |
And I'm keen to see what Alison will take home from this visit. | 0:25:38 | 0:25:42 | |
How are you feeling about your project, | 0:25:42 | 0:25:44 | |
is it encouraging to see this? | 0:25:44 | 0:25:46 | |
I think it is been incredibly useful, | 0:25:46 | 0:25:49 | |
to actually see that old wood can be used again | 0:25:49 | 0:25:52 | |
and more old wood brought in, | 0:25:52 | 0:25:55 | |
and actually get the look that I want, has been quite inspirational. | 0:25:55 | 0:25:59 | |
Just reminding me of what I... to keep the vision. | 0:25:59 | 0:26:02 | |
Ian has done this before, but, still went over budget, | 0:26:02 | 0:26:06 | |
so, he had to cut back, | 0:26:06 | 0:26:07 | |
he had to sacrifice and to some extent do things in stages. | 0:26:07 | 0:26:11 | |
Yes, it was good to hear that, | 0:26:11 | 0:26:12 | |
and to know that somebody who's done it before | 0:26:12 | 0:26:15 | |
is struggling with the same thing that I'm struggling with. | 0:26:15 | 0:26:18 | |
It's a wonderful property you've got there, | 0:26:18 | 0:26:20 | |
so much potential, in a great location. | 0:26:20 | 0:26:22 | |
-It'll be amazing when it's done. -I wish you the best with it. | 0:26:22 | 0:26:25 | |
Thank you very much, it has been lots of help and lots of fun. | 0:26:25 | 0:26:28 | |
It's been really great for Alison to get some good, practical advice. | 0:26:28 | 0:26:33 | |
And, also, remind herself how lovely a completed project can be. | 0:26:33 | 0:26:37 | |
And, as for her cottage, it's in an incredible location | 0:26:37 | 0:26:40 | |
with those views out across the country park. | 0:26:40 | 0:26:43 | |
She is in the process of rescuing a beautiful building | 0:26:43 | 0:26:47 | |
that will, once again, be a key part of the landscape and the community. | 0:26:47 | 0:26:52 | |
That really will be a special home. | 0:26:52 | 0:26:54 | |
Subtitles by Red Bee Media Ltd | 0:26:57 | 0:27:02 | |
E-mail [email protected] | 0:27:02 | 0:27:06 |