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Up and down the country, | 0:00:01 | 0:00:03 | |
there are empty properties just waiting to be brought back to life. | 0:00:03 | 0:00:06 | |
I'll be discovering why and how you can turn | 0:00:06 | 0:00:09 | |
a diamond in the rough into a gem of a home. | 0:00:09 | 0:00:11 | |
We'll be following the Empty Property Officers | 0:00:11 | 0:00:14 | |
whose job it is to track down the owners of these forgotten houses | 0:00:14 | 0:00:17 | |
and get them back into use. | 0:00:17 | 0:00:18 | |
And I'll be finding out more about our housing stock, our history | 0:00:20 | 0:00:23 | |
and why we should be preserving and reinventing Britain's Empty Homes. | 0:00:23 | 0:00:28 | |
The sight of an empty property, | 0:00:41 | 0:00:42 | |
whether it's in a picturesque village or an inner city borough, | 0:00:42 | 0:00:45 | |
can be a sad and thought-provoking sight. | 0:00:45 | 0:00:48 | |
Whatever the reason for its demise, and there are many, | 0:00:48 | 0:00:51 | |
there will always be people with a passion for taking them on, | 0:00:51 | 0:00:56 | |
people who will put it back on the map, | 0:00:56 | 0:00:58 | |
reunite it with the local community and make it a home once more. | 0:00:58 | 0:01:02 | |
On today's show, I'll be meeting a lady | 0:01:05 | 0:01:07 | |
who's eager to buy an empty home, | 0:01:07 | 0:01:09 | |
but anxious about taking on a huge renovation. | 0:01:09 | 0:01:12 | |
I've had bathrooms fitted, kitchens refitted, | 0:01:12 | 0:01:15 | |
-and quite bad experiences with both. -Oh, no. | 0:01:15 | 0:01:18 | |
We'll be getting some essential do's and don'ts | 0:01:18 | 0:01:21 | |
for transforming a listed building. | 0:01:21 | 0:01:23 | |
It's not about fossilising a building or creating a museum, | 0:01:23 | 0:01:27 | |
but about understanding what's important about it. | 0:01:27 | 0:01:29 | |
And we'll be following one of Britain's Empty Property Officers | 0:01:29 | 0:01:33 | |
on his mission to get derelict dwellings back into use. | 0:01:33 | 0:01:36 | |
Typical advert for an empty property. | 0:01:37 | 0:01:39 | |
Quite frankly, an advert saying, come and break in. | 0:01:39 | 0:01:43 | |
Roberta Bickerstaff has been living in this four-bedroom detached house near Reading for the last 30 years, | 0:01:48 | 0:01:54 | |
but now she feels the time is right to downsize. | 0:01:54 | 0:01:57 | |
Ideally, what I would like to do is shrink this home, | 0:02:01 | 0:02:04 | |
pick it up and put it where I want it now, really. | 0:02:04 | 0:02:06 | |
With a grandchild on the way, she wants to move closer to her family | 0:02:09 | 0:02:13 | |
and is looking for a more rural location in Wiltshire. | 0:02:13 | 0:02:17 | |
My ideal property would be a property with a country feel. | 0:02:18 | 0:02:22 | |
I'm a country girl at heart, really. | 0:02:22 | 0:02:25 | |
But possibly within the village environment. | 0:02:25 | 0:02:28 | |
I have two chickens | 0:02:29 | 0:02:31 | |
and I'd like to keep them and have a reasonable garden. | 0:02:31 | 0:02:34 | |
I'd still like to have a small vegetable patch. | 0:02:34 | 0:02:37 | |
Roberta has a healthy budget of £500,000, | 0:02:39 | 0:02:42 | |
but is anxious about overseeing a big renovation | 0:02:42 | 0:02:46 | |
as she's been let down by builders in the past. | 0:02:46 | 0:02:48 | |
I don't have a lot of experience project managing | 0:02:49 | 0:02:53 | |
and that really does worry me a little bit. | 0:02:53 | 0:02:56 | |
I would like to project manage it, | 0:02:56 | 0:02:58 | |
but maybe this is something I can get advice on. | 0:02:58 | 0:03:01 | |
Roberta clearly has some concerns about taking control of such a big project, | 0:03:03 | 0:03:08 | |
but later I'll take her to a finished renovation to show her just what can be achieved. | 0:03:08 | 0:03:13 | |
But first, I'm in Wiltshire to show her an example of an empty property that she could take on | 0:03:17 | 0:03:21 | |
and to see how daunting a prospect it really feels. | 0:03:21 | 0:03:25 | |
Morning, Roberta, I'm Joe. How are you? | 0:03:25 | 0:03:27 | |
How do you do? I'm fine, thank you. | 0:03:27 | 0:03:29 | |
Good. Good to see you. Now, this is the property I want you to see. | 0:03:29 | 0:03:32 | |
It's believed to date back to the 18th century. | 0:03:32 | 0:03:35 | |
What are your initial thoughts? | 0:03:35 | 0:03:36 | |
Um, I like the look of the house. | 0:03:36 | 0:03:38 | |
It's definitely the sort of thing I'm looking for. | 0:03:38 | 0:03:42 | |
Let's go inside, have a look at how it's laid out | 0:03:42 | 0:03:45 | |
and see what you'd do with it, how you'd play around with it. | 0:03:45 | 0:03:48 | |
-Does that sound good? -That sounds good. -Great, let's make a start. -OK. | 0:03:48 | 0:03:52 | |
This cottage is on the market for £350,000, | 0:03:54 | 0:03:58 | |
so well within Roberta's budget. | 0:03:58 | 0:04:00 | |
It's been vacant for a year, but is still in a very habitable state | 0:04:00 | 0:04:04 | |
which would allow her to live here while she does the work. | 0:04:04 | 0:04:08 | |
So here we are in the sitting room. | 0:04:10 | 0:04:12 | |
Nice fireplace. Wood-burning stove. | 0:04:12 | 0:04:15 | |
This, to me, feels quite cosy. What do you make of it? | 0:04:15 | 0:04:19 | |
Yes, I like this very much. I like the beam. | 0:04:19 | 0:04:21 | |
I like the colour of the beam. | 0:04:21 | 0:04:23 | |
I like the traditional cottage look, but I like it to be open and light. | 0:04:23 | 0:04:29 | |
So that I find very appealing - the beam and the floor. | 0:04:29 | 0:04:33 | |
I'd like to explore the idea of losing this wall | 0:04:33 | 0:04:36 | |
and making this into a kitchen and breakfast room combined. | 0:04:36 | 0:04:41 | |
Would that be the right size if you did knock through? | 0:04:41 | 0:04:45 | |
I think so. I don't want it too big. | 0:04:45 | 0:04:47 | |
I don't want to lose the cottage-y, cosy look. | 0:04:47 | 0:04:50 | |
OK. The only thing to mention at this point | 0:04:50 | 0:04:52 | |
is this building is Grade II listed. | 0:04:52 | 0:04:56 | |
Which doesn't mean things can't be done, | 0:04:56 | 0:04:58 | |
it just means you have to bear that in mind | 0:04:58 | 0:05:00 | |
when you're applying for planning. | 0:05:00 | 0:05:03 | |
You would have to get permission to change the layout. | 0:05:03 | 0:05:06 | |
Let's go through to the other side of the property. | 0:05:06 | 0:05:09 | |
-Right. -Follow me. | 0:05:09 | 0:05:10 | |
So here we are on the other side of the property. | 0:05:12 | 0:05:16 | |
What are your initial thoughts? | 0:05:16 | 0:05:18 | |
-Um...small. -Small. -Yes, very small. | 0:05:18 | 0:05:22 | |
-Do you like the red brick? -I do. | 0:05:22 | 0:05:24 | |
I know a lot of people don't like brickwork, | 0:05:24 | 0:05:26 | |
but I think it goes very well in here. | 0:05:26 | 0:05:29 | |
When we talk about these kind of projects | 0:05:29 | 0:05:32 | |
and taking on an empty property and renovating it, | 0:05:32 | 0:05:36 | |
any sort of relevant experience, | 0:05:36 | 0:05:38 | |
anything you've done before that might help? | 0:05:38 | 0:05:41 | |
That's my biggest worry | 0:05:41 | 0:05:43 | |
because I've had bathrooms fitted, kitchens refitted, | 0:05:43 | 0:05:47 | |
-and quite bad experiences with both. -Oh, no. | 0:05:47 | 0:05:51 | |
That is tough. I know if you've had a bad experience, | 0:05:51 | 0:05:54 | |
it can really knock your confidence | 0:05:54 | 0:05:55 | |
so you're very brave to consider it again. | 0:05:55 | 0:05:58 | |
What I would say is there are a lot of good people out there, | 0:05:58 | 0:06:01 | |
a lot of good builders, a lot of good craftsmen. | 0:06:01 | 0:06:04 | |
We'll get some advice later on about how to pinpoint good workmen | 0:06:04 | 0:06:08 | |
and get them doing the best for you. | 0:06:08 | 0:06:10 | |
But don't be put off, there's still lots of hope. | 0:06:10 | 0:06:14 | |
I really like Roberta | 0:06:20 | 0:06:21 | |
and she's clearly got a good eye for looking round empty properties. | 0:06:21 | 0:06:25 | |
It really helps in this case that the property is furnished and in quite a good state. | 0:06:25 | 0:06:29 | |
It's helping her visualise where she'd put furniture, | 0:06:29 | 0:06:32 | |
how she'd use the space, | 0:06:32 | 0:06:33 | |
but also, on a practical level, it means she can move in very quickly | 0:06:33 | 0:06:36 | |
and live in one side whilst renovating the other and vice versa. | 0:06:36 | 0:06:40 | |
The big worries are that Roberta doesn't have a huge amount of renovation experience | 0:06:40 | 0:06:46 | |
and that she's concerned about how to choose a builder that she can trust. | 0:06:46 | 0:06:50 | |
So it'll be good for her to meet people who have been through this, | 0:06:50 | 0:06:53 | |
they've taken on a renovation and come out the other side. | 0:06:53 | 0:06:56 | |
They'll have some great advice and can hopefully ease some of those worries. | 0:06:56 | 0:07:00 | |
Empty properties can fast become a real eyesore, bringing down the whole feel of an area. | 0:07:03 | 0:07:08 | |
But there's a dedicated team of local authority empty property officers | 0:07:08 | 0:07:12 | |
who scour the streets for these abandoned buildings | 0:07:12 | 0:07:16 | |
and make it their mission to turn them into homes again. | 0:07:16 | 0:07:19 | |
On the Kent coast, Mike Thompson has dedicated the last five years | 0:07:23 | 0:07:27 | |
to working tirelessly to turn derelict dwellings into habitable houses. | 0:07:27 | 0:07:32 | |
Today, Mike's visiting a bungalow | 0:07:33 | 0:07:36 | |
which has been reported to be in a bad state | 0:07:36 | 0:07:39 | |
with overgrown gardens that could be harbouring foxes. | 0:07:39 | 0:07:42 | |
Wow. Just look at that. | 0:07:44 | 0:07:46 | |
Typical advert for an empty property. | 0:07:48 | 0:07:51 | |
Quite frankly, an advert saying, come and break in! | 0:07:51 | 0:07:55 | |
He's here to assess the damage and get to the bottom of who owns it. | 0:07:55 | 0:08:00 | |
We've got condensation at the windows, | 0:08:00 | 0:08:02 | |
heavy condensation in there. | 0:08:02 | 0:08:04 | |
You can see that's causing the formation of black mould internally. | 0:08:04 | 0:08:08 | |
That's doing the inside no good at all. Probably got water on the sills. | 0:08:08 | 0:08:11 | |
If they're timber, they'll be rotting on the inside as well as the outside. | 0:08:11 | 0:08:15 | |
It's just bad news all round. | 0:08:15 | 0:08:17 | |
I always look through the letterbox. That usually tells me quite a bit. | 0:08:17 | 0:08:20 | |
No sign of conventional habitation there. | 0:08:20 | 0:08:24 | |
It can't stay like this. | 0:08:24 | 0:08:26 | |
Mike calls upon the next door neighbour | 0:08:26 | 0:08:29 | |
to see if they know anything about the owner. | 0:08:29 | 0:08:31 | |
Do you know anything about the ownership next door? | 0:08:31 | 0:08:34 | |
No. I knew the lady that had it. | 0:08:34 | 0:08:36 | |
When she died, it was handed over to a relative. | 0:08:36 | 0:08:42 | |
You don't see anything of him? | 0:08:42 | 0:08:44 | |
-Or hardly ever at all? -Once in a blue moon. | 0:08:44 | 0:08:47 | |
Any chance we could have a look at the back garden through your property? | 0:08:47 | 0:08:50 | |
-Yes. -Thanks very much. | 0:08:50 | 0:08:51 | |
-I'll hold the steps. -Thanks. | 0:08:53 | 0:08:55 | |
That's atrocious at the back. I thought the front was bad enough. | 0:08:57 | 0:09:01 | |
It's in a terrible condition. | 0:09:01 | 0:09:03 | |
Quite easy to see that it could actually harbour vermin. | 0:09:03 | 0:09:06 | |
I'm not surprised if foxes are using it. | 0:09:06 | 0:09:09 | |
If they can get underneath anything, they could have their den there. | 0:09:09 | 0:09:13 | |
The front, together with this rear, | 0:09:13 | 0:09:16 | |
we can't allow a situation like this to continue. | 0:09:16 | 0:09:19 | |
Back at council HQ, Mike's on a mission to find out more. | 0:09:21 | 0:09:24 | |
He puts in a call to the council tax department | 0:09:24 | 0:09:27 | |
to see if they can give him any clues. | 0:09:27 | 0:09:29 | |
I want to find out some information | 0:09:31 | 0:09:34 | |
about a council tax payer for a property in Broadstairs. | 0:09:34 | 0:09:37 | |
Paid in full...but liable at the address. | 0:09:37 | 0:09:41 | |
OK. | 0:09:41 | 0:09:44 | |
We've got a bill payer the resident at the address, | 0:09:45 | 0:09:48 | |
we know they're not living at the address. | 0:09:48 | 0:09:50 | |
At least I've got a name now, I've got an initial, | 0:09:50 | 0:09:53 | |
so that gives me something to go on. | 0:09:53 | 0:09:55 | |
Now Mike has some information on the bill payer, | 0:09:55 | 0:09:59 | |
he's hoping the land registry will reveal the owner. | 0:09:59 | 0:10:03 | |
We now have, potentially, an owner's name and a responsible person | 0:10:04 | 0:10:08 | |
so I think, if I can't get what I want from the probate registry, | 0:10:08 | 0:10:11 | |
I can certainly employ a tracing agent | 0:10:11 | 0:10:13 | |
to get down to finding out where that person lives. | 0:10:13 | 0:10:16 | |
Now we've made a start, we won't let go. | 0:10:16 | 0:10:18 | |
If the owner needs any help to bring that property back into use, | 0:10:18 | 0:10:22 | |
we will offer it and we will do all we can | 0:10:22 | 0:10:24 | |
to bring that back into decent, family accommodation, | 0:10:24 | 0:10:27 | |
which is what it should be rather than the empty property, | 0:10:27 | 0:10:30 | |
detracting from the area | 0:10:30 | 0:10:32 | |
and spoiling the amenities for all those people that live near it. | 0:10:32 | 0:10:35 | |
Mike has since tracked down the owner | 0:10:38 | 0:10:41 | |
who's improving the property and is now living there. | 0:10:41 | 0:10:44 | |
Taking on an empty property can be a huge financial commitment, | 0:10:47 | 0:10:51 | |
not to mention losing most, if not all, of your spare time. | 0:10:51 | 0:10:55 | |
But, surely, overriding that is the huge sense of personal satisfaction | 0:10:55 | 0:11:00 | |
of knowing you've returned a distressed or dilapidated building back to its former glory. | 0:11:00 | 0:11:05 | |
And that's exactly how Andrew and Karen Smith felt when they took on | 0:11:08 | 0:11:11 | |
this 500-year-old cowshed - yes, cowshed - in North Wales. | 0:11:11 | 0:11:16 | |
We've always liked the idea of renovating somewhere, | 0:11:16 | 0:11:20 | |
a barn conversion - that type of project. | 0:11:20 | 0:11:23 | |
We looked on the internet and this came up under Wreck Of The Week. | 0:11:24 | 0:11:28 | |
And it certainly was, it was terrible. | 0:11:28 | 0:11:30 | |
We looked at it and thought, | 0:11:30 | 0:11:32 | |
"You must be mad to do something like that." But we came along | 0:11:32 | 0:11:36 | |
and had a look and it was a beautiful, sunny day. | 0:11:36 | 0:11:38 | |
Just lovely. There was a magic about the place that just caught us. | 0:11:38 | 0:11:42 | |
We just found ourselves saying, | 0:11:42 | 0:11:44 | |
"Wouldn't it be fantastic if we could make this liveable? | 0:11:44 | 0:11:48 | |
"Wouldn't it be fantastic if we could bring this back to life?" | 0:11:48 | 0:11:53 | |
You could see the potential. You could imagine a patio out there | 0:11:53 | 0:11:57 | |
and gin and tonics overlooking the bay. It was just... | 0:11:57 | 0:12:01 | |
You had to have the vision, but we could both see that we could do something with it. | 0:12:01 | 0:12:05 | |
They bought the property for £205,000 | 0:12:07 | 0:12:10 | |
and spent a further 250,000 renovating it. | 0:12:10 | 0:12:14 | |
It took 16 months of hard graft, | 0:12:14 | 0:12:17 | |
but they now have this stunning three-bed family home. | 0:12:17 | 0:12:20 | |
Our key was to keep it as traditional as we possibly could | 0:12:22 | 0:12:25 | |
and not have it look like a modern, glass and steel building | 0:12:25 | 0:12:30 | |
with views over the bay. We wanted it to look like it should look | 0:12:30 | 0:12:35 | |
-and be a traditional build. -We still have the original brickwork, | 0:12:35 | 0:12:39 | |
big stones that were put up 500 years ago. | 0:12:39 | 0:12:43 | |
It's awesome, really. | 0:12:43 | 0:12:45 | |
Our input into the building has been very much one of project management. | 0:12:46 | 0:12:51 | |
We haven't got our hands dirty putting walls up and woodwork up. | 0:12:51 | 0:12:56 | |
When you're going to be living in it yourself, | 0:12:56 | 0:12:59 | |
you need to be able to change things if they're not quite right | 0:12:59 | 0:13:03 | |
and, because we project managed it quite closely, | 0:13:03 | 0:13:06 | |
we were able to do that. | 0:13:06 | 0:13:08 | |
I think it's important... Life is so frantic for most of us | 0:13:11 | 0:13:15 | |
um, and, rightly so, if you've got a dream, you should go for it. | 0:13:15 | 0:13:21 | |
The worst that can happen is it fails. | 0:13:21 | 0:13:24 | |
But at least you've tried. | 0:13:24 | 0:13:26 | |
If you don't try, you'll never know. | 0:13:26 | 0:13:30 | |
When you embark on the renovation of an empty property, | 0:13:33 | 0:13:36 | |
you can be faced with many challenges. | 0:13:36 | 0:13:39 | |
Taking on a listed building can be fraught with some unique problems. | 0:13:39 | 0:13:44 | |
A historical listing often comes with a strict set of rules and regulations | 0:13:44 | 0:13:48 | |
that can all seem a bit daunting. | 0:13:48 | 0:13:50 | |
But don't let a listed status put you off. | 0:13:50 | 0:13:54 | |
There's plenty of advice and support out there to help you create your perfect home. | 0:13:54 | 0:13:59 | |
This Grade I listed building in Essex dates back to the 14th century. | 0:14:03 | 0:14:07 | |
It was originally a medieval hall | 0:14:07 | 0:14:09 | |
before becoming an inn in the late 17th century. | 0:14:09 | 0:14:12 | |
It now belongs to Douglas Kent, who's the technical director | 0:14:16 | 0:14:19 | |
for the Society for the Protection of Ancient Buildings. | 0:14:19 | 0:14:23 | |
He's got some invaluable advice about taking on a listed property. | 0:14:23 | 0:14:27 | |
-This is great. Clearly a renovation in progress. -Very much so. | 0:14:32 | 0:14:36 | |
When it comes to renovating a building like this, | 0:14:36 | 0:14:39 | |
you have to study, learn and, I suppose, really understand | 0:14:39 | 0:14:45 | |
what's here to begin with before you can restore it or add to it? | 0:14:45 | 0:14:49 | |
That's exactly right. | 0:14:49 | 0:14:51 | |
The idea is you work out what's important about the building | 0:14:51 | 0:14:55 | |
so you can appreciate and protect it. | 0:14:55 | 0:14:57 | |
It's not about fossilising a building or creating some kind of museum, | 0:14:57 | 0:15:01 | |
but about understanding what's important about it | 0:15:01 | 0:15:03 | |
and then making it suitably fit for the 21st century. | 0:15:03 | 0:15:08 | |
And then, when you decide to make changes, | 0:15:08 | 0:15:11 | |
you have to be very sensitive with materials, don't you? | 0:15:11 | 0:15:14 | |
The absolute key thing with an old building | 0:15:14 | 0:15:17 | |
is to retain as much as you can of the physical fabric | 0:15:17 | 0:15:20 | |
and the overall spirit of the building. | 0:15:20 | 0:15:22 | |
You do that by carrying out only essential work, | 0:15:22 | 0:15:25 | |
that's essential to the life and the wellbeing of the house | 0:15:25 | 0:15:27 | |
and also using compatible methods and materials. | 0:15:27 | 0:15:31 | |
You can't supply new techniques to the old building. | 0:15:31 | 0:15:34 | |
That's exactly right. | 0:15:34 | 0:15:36 | |
Old buildings don't just differ in their architectural look, | 0:15:36 | 0:15:39 | |
they differ in the way they're constructed and in their whole performance. | 0:15:39 | 0:15:42 | |
I'm keen to see much more, so shall we head to the back of the building? | 0:15:42 | 0:15:45 | |
Head through here. Mind your head just there. | 0:15:45 | 0:15:48 | |
So, looks like a Victorian range there. | 0:15:49 | 0:15:53 | |
-That's right, with the gas mantle above. -Brilliant. | 0:15:53 | 0:15:57 | |
When it comes to taking on a listed property, | 0:15:57 | 0:15:59 | |
I imagine many people will have presumptions of what's involved. | 0:15:59 | 0:16:03 | |
-Do they all stack up, or add up? -Not always. | 0:16:03 | 0:16:05 | |
There's a common myth that it's only the outside of a listed building | 0:16:05 | 0:16:11 | |
that is affected by the listing protection. | 0:16:11 | 0:16:13 | |
In fact, it's the outside and the inside. | 0:16:13 | 0:16:15 | |
I know there are subtle distinctions between Grade I, Grade II, Grade II*, | 0:16:15 | 0:16:19 | |
but the point stands that it's the whole thing that's listed. | 0:16:19 | 0:16:22 | |
Not just the outside but the inside as well. | 0:16:22 | 0:16:24 | |
-That's right and that applies regardless of the grade. -OK. | 0:16:24 | 0:16:28 | |
Just how possible is it to take on a listed building when you're on a budget? | 0:16:28 | 0:16:33 | |
I think it's feasible if you go about it in the right way. | 0:16:33 | 0:16:35 | |
If you do your investigations properly in the first place to cut down the risk | 0:16:35 | 0:16:39 | |
and also plan the work logically and employ the right people, | 0:16:39 | 0:16:44 | |
I think it's perfectly feasible to do something on a budget. | 0:16:44 | 0:16:48 | |
People often say double the time and triple the money. | 0:16:48 | 0:16:51 | |
Hopefully, it won't come to that in my case. | 0:16:51 | 0:16:53 | |
That gives you an idea of the scale of work involved. | 0:16:53 | 0:16:56 | |
Douglas has a lot of work to do | 0:16:57 | 0:16:59 | |
to restore this medieval property to its former glory, | 0:16:59 | 0:17:02 | |
but he's certainly passionate about preserving this wonderful place | 0:17:02 | 0:17:07 | |
and making it into his dream home. | 0:17:07 | 0:17:09 | |
The purpose of listing a building is to protect it for the future. | 0:17:09 | 0:17:13 | |
So if the building and the future generations who are going to live there | 0:17:13 | 0:17:17 | |
are best served by adapting it for modern living, | 0:17:17 | 0:17:19 | |
then those changes may well be permitted. So don't be put off. | 0:17:19 | 0:17:23 | |
If you can get your hands on one of these amazing buildings, | 0:17:23 | 0:17:26 | |
then you too could play a role in preserving Britain's history. | 0:17:26 | 0:17:31 | |
Back in Wiltshire, | 0:17:34 | 0:17:35 | |
I'm taking Roberta to meet the owners of an impressive renovation. | 0:17:35 | 0:17:40 | |
They had to project manage their build from scratch | 0:17:40 | 0:17:43 | |
and will have some crucial advice for first timer Roberta. | 0:17:43 | 0:17:46 | |
OK, Roberta this is the property I want you to see. | 0:17:50 | 0:17:53 | |
1840s to early Victorian. Bath stone, really nice. | 0:17:53 | 0:17:57 | |
-Ian I want you to meet inside, he's got lots of expertise. -OK. | 0:17:57 | 0:18:01 | |
It took builder Ian Callaway and his wife Helen 11 years | 0:18:01 | 0:18:05 | |
to renovate their dream home. | 0:18:05 | 0:18:08 | |
Located in an area of outstanding natural beauty, | 0:18:08 | 0:18:11 | |
this delightful family house needed complete modernisation. | 0:18:11 | 0:18:15 | |
-Very dark. -Damp. | 0:18:17 | 0:18:19 | |
-Unloved, just really unloved. -Yeah. | 0:18:19 | 0:18:22 | |
They bought it for £155,000 and spent a further 40,000 renovating. | 0:18:22 | 0:18:29 | |
It was a real labour of love, | 0:18:29 | 0:18:30 | |
but the hard work was worth it in the end. | 0:18:30 | 0:18:33 | |
It's been really stressful. I remember a time when I said to Ian, | 0:18:34 | 0:18:38 | |
"Are we ever going to live in this house?" | 0:18:38 | 0:18:41 | |
But now, when I look around, you forget. | 0:18:41 | 0:18:44 | |
It's so fabulous what you've got and what you've done. | 0:18:44 | 0:18:48 | |
-So you don't want to put it on the market next week, then? -No. | 0:18:48 | 0:18:51 | |
All right, what do you think of this? | 0:18:57 | 0:19:00 | |
-It's very nice, isn't it? -It is. | 0:19:00 | 0:19:02 | |
So, Ian, here you have a lovely, historic, period property, | 0:19:02 | 0:19:08 | |
what did you do to it? I can see where walls have come down. | 0:19:08 | 0:19:11 | |
-Is this where the property stopped? -This was the back wall of the house | 0:19:11 | 0:19:16 | |
and the kitchen was smaller. We extended out to this bit | 0:19:16 | 0:19:20 | |
and then went upstairs and put another bedroom on. | 0:19:20 | 0:19:23 | |
You've divided up the floor space. | 0:19:23 | 0:19:25 | |
So although it's open plan, you still have a kind of demarcation | 0:19:25 | 0:19:29 | |
of where your dining room is and where your kitchen is | 0:19:29 | 0:19:32 | |
cos you've got stone here and you've got wood there. | 0:19:32 | 0:19:35 | |
It breaks the space up and gives you that break between the rooms. | 0:19:35 | 0:19:39 | |
Roberta, what do you make of it? | 0:19:39 | 0:19:42 | |
I don't think it's anything I would have thought of myself | 0:19:42 | 0:19:46 | |
but I can see how it works. | 0:19:46 | 0:19:49 | |
I like this idea because it's not a conservatory. It's a useful room, | 0:19:49 | 0:19:53 | |
but you've got all this light. The sun's coming through now, | 0:19:53 | 0:19:57 | |
right the way through to the dining area. | 0:19:57 | 0:20:01 | |
It's just ideas. When you're looking around empty properties now, | 0:20:01 | 0:20:05 | |
these are all ideas that could spring to mind | 0:20:05 | 0:20:07 | |
and might fit something you do in the future. | 0:20:07 | 0:20:10 | |
-Let's carry on the tour. -After you. | 0:20:10 | 0:20:14 | |
Ian's house also boasts a lovely light and airy living room... | 0:20:17 | 0:20:21 | |
and upstairs are four bedrooms, including this magnificent master. | 0:20:21 | 0:20:25 | |
This is really nice, isn't it? | 0:20:27 | 0:20:29 | |
A lovely space. | 0:20:29 | 0:20:31 | |
-Nice, big, long space. Big, long room. -Open plan. Definitely. | 0:20:31 | 0:20:36 | |
What do you think, Roberta? | 0:20:36 | 0:20:38 | |
Lovely. Yeah. | 0:20:38 | 0:20:40 | |
I could not imagine doing this myself, actually, but it does work. | 0:20:40 | 0:20:45 | |
I know you've got a burning question to ask, so go ahead. | 0:20:45 | 0:20:49 | |
Yes. The project management side of it. | 0:20:49 | 0:20:54 | |
Would you say a novice like myself could handle that side of it? | 0:20:54 | 0:20:59 | |
The most important side is co-ordinating the different trades | 0:20:59 | 0:21:02 | |
to come in as and when they need to come in | 0:21:02 | 0:21:04 | |
to get the end product and to keep the project moving. | 0:21:04 | 0:21:08 | |
And that is quite difficult. | 0:21:08 | 0:21:11 | |
If you've got a good builder, | 0:21:11 | 0:21:13 | |
he will actually take that stress away from you | 0:21:13 | 0:21:16 | |
-and manage his guys as and when they need to come in. -Right. | 0:21:16 | 0:21:19 | |
That leads us on to how do you choose a good builder? | 0:21:19 | 0:21:23 | |
Just try and go for someone that's been recommended. | 0:21:23 | 0:21:26 | |
Moving into a local area, | 0:21:26 | 0:21:28 | |
talk to people and there'll be names that come up straightaway. | 0:21:28 | 0:21:32 | |
While a good builder is going to work up a schedule of works | 0:21:32 | 0:21:36 | |
and be in charge of the timeline, | 0:21:36 | 0:21:37 | |
that's not to say that you have to back off completely. | 0:21:37 | 0:21:41 | |
It's good to understand the process, what's going on | 0:21:41 | 0:21:44 | |
and talk to them and keep those lines of communication open | 0:21:44 | 0:21:48 | |
so you know if there's a problem in the pipeline. | 0:21:48 | 0:21:52 | |
It's been a pleasure to have a look round. | 0:21:52 | 0:21:54 | |
Incredible what you've done to the place. | 0:21:54 | 0:21:56 | |
A really big project over many years. And some great advice. | 0:21:56 | 0:21:59 | |
It'll stand you in good stead. So thank you very much. | 0:21:59 | 0:22:02 | |
-You're welcome and good luck with the project. -Thank you. | 0:22:02 | 0:22:05 | |
-It's definitely given me more confidence. -Fantastic. | 0:22:05 | 0:22:08 | |
Empty Property Officer Mike Thompson is back in Kent, | 0:22:15 | 0:22:18 | |
checking up on the renovation of a disused shop | 0:22:18 | 0:22:21 | |
dating back to the early 1900s. | 0:22:21 | 0:22:23 | |
The council can award interest free loans to people | 0:22:24 | 0:22:29 | |
who need financial assistance converting their empty property | 0:22:29 | 0:22:31 | |
and Mike's eager to see | 0:22:31 | 0:22:33 | |
if new owner Graham Hutchings could be helped by this scheme. | 0:22:33 | 0:22:37 | |
But first, he needs to see what Graham intends to do with the building. | 0:22:37 | 0:22:41 | |
-Pleased to meet you. -You too. | 0:22:41 | 0:22:43 | |
What a building. Wow! It's fantastic! | 0:22:43 | 0:22:46 | |
All this brilliant, original Victorian steelwork! | 0:22:46 | 0:22:49 | |
-These columns are spectacular! -Yeah. -Tell me what your plans are | 0:22:49 | 0:22:52 | |
-for downstairs here. -Well, this is one department store. | 0:22:52 | 0:22:56 | |
On the ground floor, we're going to turn it into three retail units. | 0:22:56 | 0:23:01 | |
Split into smaller units, it's letable, people take it on, | 0:23:01 | 0:23:04 | |
they can afford the rents and chances are they'll stay. | 0:23:04 | 0:23:06 | |
I'm thrilled, I really am. | 0:23:06 | 0:23:08 | |
Graham plans to transform this spacious three-storey building | 0:23:08 | 0:23:12 | |
into nine flats and three retail units. | 0:23:12 | 0:23:16 | |
-Another fantastic space. -Amazing, isn't it? -Yes! | 0:23:16 | 0:23:18 | |
These pillars are fantastic. They come through to this floor. Are they on top of the others? | 0:23:20 | 0:23:25 | |
They are, yeah. They're not as ornate as the ground floor, | 0:23:25 | 0:23:28 | |
but you often find that as they move up from floor to floor. | 0:23:28 | 0:23:31 | |
So this space we're looking at, this will be the basis for two flats? | 0:23:31 | 0:23:36 | |
Yeah, two flats. One flat will face the front, one will face the back, | 0:23:36 | 0:23:41 | |
-go into that well. -OK. | 0:23:41 | 0:23:43 | |
Mike is pleased to see that Graham has been careful to retain | 0:23:43 | 0:23:46 | |
some of the fabulous period features. | 0:23:46 | 0:23:48 | |
What do you think about that? | 0:23:48 | 0:23:51 | |
-Isn't it fantastic?! All intact! -Perfect condition. -No broken panes. | 0:23:51 | 0:23:55 | |
I love the use of coloured glass, I really do. | 0:23:57 | 0:24:00 | |
Impressed with what he's seen so far, | 0:24:00 | 0:24:03 | |
Mike wants to take a closer look at the plans before he can decide | 0:24:03 | 0:24:06 | |
whether it's a worthy case for a council loan. | 0:24:06 | 0:24:09 | |
Getting this space into use above shops, I'm so sold on it as an idea. | 0:24:12 | 0:24:16 | |
-It's a real waste, isn't it? -Well, it works. | 0:24:16 | 0:24:18 | |
We've got lots of nice features - Victorian steelwork, windows. | 0:24:18 | 0:24:24 | |
It's a big job, there are more costs than I thought. | 0:24:24 | 0:24:28 | |
-There always are, aren't there? -Yeah. | 0:24:28 | 0:24:31 | |
The contingencies never work out enough, do they? | 0:24:31 | 0:24:33 | |
I tell you what, I'm so impressed with this project, | 0:24:33 | 0:24:36 | |
and I love everything I've seen about it, | 0:24:36 | 0:24:39 | |
and the fact that your attention to historic detail is something we don't often get, I'll be honest. | 0:24:39 | 0:24:43 | |
What I'd like to say to you is, would an interest free loan | 0:24:43 | 0:24:46 | |
through the No Use Empty campaign that we're a partner in... | 0:24:46 | 0:24:50 | |
-Interest free? -Interest free. | 0:24:50 | 0:24:52 | |
..would that help you to get cracking? | 0:24:52 | 0:24:55 | |
Rather! Blimey! | 0:24:55 | 0:24:58 | |
I've got a smile on me face. Thank you! | 0:24:58 | 0:25:01 | |
That's a pleasure. OK. | 0:25:01 | 0:25:04 | |
I'm absolutely delighted! I think it's been a fantastic experience | 0:25:04 | 0:25:08 | |
to see attention to detail quite like that. | 0:25:08 | 0:25:12 | |
We'll do everything we can to support it | 0:25:12 | 0:25:14 | |
and I daresay I'll be making many site visits during the course of those works. Delighted. | 0:25:14 | 0:25:19 | |
Back in Wiltshire, | 0:25:24 | 0:25:25 | |
Roberta has been getting some helpful advice | 0:25:25 | 0:25:28 | |
about transforming an empty property into her perfect home. | 0:25:28 | 0:25:31 | |
Having seen the empty property earlier | 0:25:34 | 0:25:36 | |
and now this completed property, | 0:25:36 | 0:25:38 | |
is it easier to visualise that jump forward? | 0:25:38 | 0:25:42 | |
It is, yes. It's given me ideas that I hadn't even thought about. | 0:25:42 | 0:25:47 | |
I think the advice is the most important thing. | 0:25:47 | 0:25:52 | |
Get out there, talk to people, take your time, find the right builder. | 0:25:52 | 0:25:56 | |
Then I think I can be a lot more confident about going ahead and doing the project | 0:25:56 | 0:26:01 | |
and, hopefully, having something that I'm really going to be delighted with at the end of the day. | 0:26:01 | 0:26:07 | |
Well, wherever you find, | 0:26:07 | 0:26:09 | |
whether it's the place we saw earlier or not, | 0:26:09 | 0:26:11 | |
I wish you all the best with it. | 0:26:11 | 0:26:13 | |
Be bold, decide what you want | 0:26:13 | 0:26:15 | |
and I'm sure you'll make your dream home out of it. | 0:26:15 | 0:26:17 | |
Lovely. Thank you for your help. | 0:26:17 | 0:26:21 | |
I think today has been really productive for Roberta. | 0:26:23 | 0:26:27 | |
It just shows you don't have to be a seasoned developer to consider taking on a major renovation. | 0:26:27 | 0:26:32 | |
What you do need is the right guidance. | 0:26:32 | 0:26:34 | |
Finding the right builder, the right architect - | 0:26:34 | 0:26:37 | |
good, solid professional advice. | 0:26:37 | 0:26:40 | |
And then, with all that and a little bit of luck, | 0:26:40 | 0:26:43 | |
you could be giving one of this country's many empty properties | 0:26:43 | 0:26:46 | |
the chance to become a home once again. | 0:26:46 | 0:26:50 | |
Subtitles by Red Bee Media Ltd | 0:26:54 | 0:26:58 |