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Across the country, empty properties that could be homes are just | 0:00:02 | 0:00:05 | |
waiting to be brought back into use. | 0:00:05 | 0:00:07 | |
I'll be finding out why | 0:00:07 | 0:00:08 | |
and what you need to do to rescue a house for yourself. | 0:00:08 | 0:00:11 | |
And along the way we'll be following property detectives | 0:00:11 | 0:00:14 | |
who track down the owners of these forgotten houses | 0:00:14 | 0:00:17 | |
and help breathe new life into the communities blighted by them. | 0:00:17 | 0:00:21 | |
And I'll be doing some digging of my own to find out | 0:00:21 | 0:00:24 | |
more about housing stock, our heritage and why | 0:00:24 | 0:00:27 | |
we should both be preserving and reinventing Britain's empty homes. | 0:00:27 | 0:00:30 | |
At first sight, an empty property might not seem too appealing. | 0:00:40 | 0:00:43 | |
It might look like its best days are behind it. | 0:00:43 | 0:00:46 | |
Remember, in many cases, it was once a loved home and could be again. | 0:00:46 | 0:00:52 | |
That's why there's a growing number of people spotting | 0:00:52 | 0:00:54 | |
the potential in these vacant building | 0:00:54 | 0:00:56 | |
and transforming them to create their ideal home. | 0:00:56 | 0:01:00 | |
On today's show, I'll be meeting a woman who's bought a large abandoned | 0:01:01 | 0:01:05 | |
house and is in need of inspiration when it comes to renovating it. | 0:01:05 | 0:01:09 | |
On this scale, I've never done anything this size before. | 0:01:09 | 0:01:12 | |
We haven't got a second chance at this. | 0:01:12 | 0:01:15 | |
I'll be finding out how you can finance | 0:01:15 | 0:01:17 | |
the purchase of a disused house. | 0:01:17 | 0:01:19 | |
It's possible to get a mortgage from a number of lenders | 0:01:19 | 0:01:22 | |
for properties in whatever state of disrepair they might be. | 0:01:22 | 0:01:25 | |
And we'll be following one of Britain's empty property | 0:01:25 | 0:01:28 | |
officers as they work to bring derelict places back into use. | 0:01:28 | 0:01:32 | |
We're going to rehouse six homeless people and that's a fantastic result. | 0:01:32 | 0:01:36 | |
Last year, Tatiana McCabe bought this imposing but run-down six-bedroom | 0:01:37 | 0:01:42 | |
Edwardian house in Huddersfield, West Yorkshire | 0:01:42 | 0:01:47 | |
for a bargain £220,000 at auction. | 0:01:47 | 0:01:49 | |
On the open day, I thought, | 0:01:49 | 0:01:50 | |
"There's a lot of work for anyone who buys this property." | 0:01:50 | 0:01:54 | |
There are quite a few cracks, sloping floors. | 0:01:54 | 0:01:57 | |
I thought, "Whoever takes this on is going to have a job | 0:01:59 | 0:02:02 | |
"and a half on their hands." | 0:02:02 | 0:02:04 | |
Having previously lived in modern properties, Tatiana was won over by | 0:02:04 | 0:02:07 | |
this period place which she plans to turn | 0:02:07 | 0:02:10 | |
into a stunning home for herself and her sons. | 0:02:10 | 0:02:13 | |
The great appeal of this property were the original features. | 0:02:13 | 0:02:17 | |
Like the cornices, the marble fireplaces, | 0:02:17 | 0:02:20 | |
the stained glass windows, the ceiling rose. | 0:02:20 | 0:02:22 | |
You just thought, "What a fabulous property it could be!" | 0:02:22 | 0:02:27 | |
Tatiana has a budget of £100,000, | 0:02:27 | 0:02:30 | |
but she's never attempted a restoration project of this size. | 0:02:30 | 0:02:34 | |
We've never restored a house before, | 0:02:35 | 0:02:37 | |
so we've got some financial concerns that I get it right. | 0:02:37 | 0:02:41 | |
It's going to be a family home, | 0:02:42 | 0:02:44 | |
but I don't want to risk all our savings. | 0:02:44 | 0:02:48 | |
'Tatiana's project sounds ambitious and she'll need all | 0:02:48 | 0:02:51 | |
'the assistance she can get so I'm meeting her to hear her plans.' | 0:02:51 | 0:02:56 | |
-Nice to meet you. How are you? -Fine, thank you. -Good. | 0:02:56 | 0:02:59 | |
-Look at this pile of bricks. This is yours, I believe. -It is. | 0:02:59 | 0:03:03 | |
I bought it at auction last year and I was walking past | 0:03:03 | 0:03:07 | |
when I saw the auction sign. | 0:03:07 | 0:03:10 | |
I decided to call in and have a look. | 0:03:10 | 0:03:13 | |
-I ended up buying the place. -My goodness. | 0:03:13 | 0:03:15 | |
You just fell in love with it straight away. | 0:03:15 | 0:03:17 | |
-I'm dying to have a look around. Are you willing to show me around? -I am. | 0:03:17 | 0:03:21 | |
Brilliant. Lead the way and we'll do it. | 0:03:21 | 0:03:24 | |
When Tatiana bought the house, it was laid out as two flats. | 0:03:24 | 0:03:28 | |
One of which had been empty for a year. | 0:03:28 | 0:03:30 | |
She's planning to turn it back into one big family home. | 0:03:30 | 0:03:33 | |
Right, this is huge. | 0:03:35 | 0:03:37 | |
The cornicing and everything is in really good condition. | 0:03:37 | 0:03:39 | |
Are these the features that attracted you to it | 0:03:39 | 0:03:41 | |
when you looked round? | 0:03:41 | 0:03:43 | |
Without a doubt. When I came in and saw those cornices, the ceiling rose, | 0:03:43 | 0:03:47 | |
the height of the ceilings and the Art Deco windows. | 0:03:47 | 0:03:50 | |
-Yeah. -You don't get features like this is a modern house. | 0:03:50 | 0:03:55 | |
-Not at all, do you? -No. | 0:03:55 | 0:03:56 | |
We've knocked through here and started stripping the room | 0:03:56 | 0:03:59 | |
and this is the end result so far. | 0:03:59 | 0:04:03 | |
-Yes, you're stripping it back yourself? -Yes. | 0:04:03 | 0:04:04 | |
We're gutting the whole house ourselves. | 0:04:04 | 0:04:06 | |
As much labour as we can to keep the costs down. | 0:04:06 | 0:04:10 | |
We need to get skilled people in for everything else. | 0:04:10 | 0:04:14 | |
Let's talk about the front elevation. I noticed a scaffolding at the moment. | 0:04:14 | 0:04:17 | |
What's the problem with it? What's gone wrong? | 0:04:17 | 0:04:21 | |
Quite a few years ago. | 0:04:21 | 0:04:22 | |
It must be 40 or 50 years ago, | 0:04:22 | 0:04:24 | |
there was some settlement with the property | 0:04:24 | 0:04:27 | |
and that caused some cracks and the front elevation to move to one side. | 0:04:27 | 0:04:31 | |
The whole thing has shifted. It's sunk slightly. | 0:04:32 | 0:04:35 | |
Luckily, I did have a structural report done before we went to | 0:04:36 | 0:04:40 | |
auction because we needed to know what we were getting into. | 0:04:40 | 0:04:43 | |
We need to strap in the walls. | 0:04:43 | 0:04:47 | |
That holds the whole of the house together. | 0:04:47 | 0:04:49 | |
Once it's like that, what do you do to the front elevation? | 0:04:49 | 0:04:52 | |
We take down the front elevation, brick by brick, number it | 0:04:52 | 0:04:56 | |
and put it back like a big jigsaw puzzle, but put it back straight. | 0:04:56 | 0:05:00 | |
Isn't that amazing? You have done everything you possibly can do at this point | 0:05:00 | 0:05:04 | |
to investigate it and find out what needs doing. | 0:05:04 | 0:05:07 | |
-Oh, yes. Definitely. -Shall we pop next door? -Yeah. | 0:05:07 | 0:05:11 | |
Tatiana's a brave woman and seems confident about her project, | 0:05:13 | 0:05:17 | |
but I want to know what aspects of it she needs help with. | 0:05:17 | 0:05:20 | |
-Look at this. This is the front room. -It is. -Lovely big windows. | 0:05:21 | 0:05:26 | |
What is it you feel you need more help and advice with? | 0:05:26 | 0:05:30 | |
To make sure I'm getting value for every penny we spend on the budget. | 0:05:30 | 0:05:36 | |
To help find craftsmen to finish the interior to the standard | 0:05:36 | 0:05:41 | |
and look that we require, to make sure we get it absolutely right. | 0:05:41 | 0:05:48 | |
And I suppose it's also blending. You've got so many features | 0:05:48 | 0:05:50 | |
and you want it to be a contemporary home. | 0:05:50 | 0:05:52 | |
How you achieve that, | 0:05:52 | 0:05:54 | |
there's going to be different ideas as to how you bring that about. | 0:05:54 | 0:05:58 | |
It seems easy when you say it, but I think the reality is different. | 0:05:58 | 0:06:03 | |
We don't want to go for that look and find it doesn't quite go. | 0:06:03 | 0:06:08 | |
OK, so how to blend those styles, | 0:06:08 | 0:06:10 | |
how to get craftsmen who can do what you've got, the stained glass, | 0:06:10 | 0:06:14 | |
the proper Edwardian staircase, all those kind of things. | 0:06:14 | 0:06:17 | |
And obviously making your money go as far as possible. | 0:06:17 | 0:06:19 | |
That's correct cos we haven't got a second chance on this. | 0:06:19 | 0:06:23 | |
And project management, any tips of that, I suppose? | 0:06:23 | 0:06:26 | |
Yes, that would be a great help because, on this scale, | 0:06:26 | 0:06:29 | |
I've never done anything this size before. | 0:06:29 | 0:06:33 | |
As we all know in teaching that you can always learn something. | 0:06:33 | 0:06:37 | |
Absolutely. Look, later, we'll go | 0:06:37 | 0:06:39 | |
and see another period property that has had a complete renovation. | 0:06:39 | 0:06:43 | |
I think it will be useful because the guys involved did a lot of the | 0:06:43 | 0:06:46 | |
work themselves so they can give you lots of tips on project management. | 0:06:46 | 0:06:49 | |
Also keep your eyes open when we're there. | 0:06:49 | 0:06:51 | |
See how they've blended contemporary features | 0:06:51 | 0:06:54 | |
and you may come away with good ideas. Does that sound like a good plan? | 0:06:54 | 0:06:58 | |
It does. Looking forward to it. | 0:06:58 | 0:07:00 | |
Brilliant. | 0:07:00 | 0:07:01 | |
What an incredible building this is. | 0:07:05 | 0:07:08 | |
I'm so pleased that Tatiana's taking it on and bringing it back to life. | 0:07:08 | 0:07:12 | |
It is huge, though and Tatiana has project managed on this scale before. | 0:07:12 | 0:07:16 | |
With any project like this, you can't get enough help and advice. | 0:07:16 | 0:07:21 | |
It's going to be good for her to meet a couple who have been through | 0:07:21 | 0:07:24 | |
this and they'll be great for further inspiration and guidance. | 0:07:24 | 0:07:29 | |
Homes can become unoccupied for many different reasons | 0:07:30 | 0:07:33 | |
and blight a neighbourhood. | 0:07:33 | 0:07:35 | |
Fortunately, local councils employ property officers who work to | 0:07:35 | 0:07:40 | |
breathe life back into these disused dwellings. | 0:07:40 | 0:07:43 | |
In Corby, Paul Palmer's the man charged with getting | 0:07:43 | 0:07:47 | |
abandoned buildings lived in. | 0:07:47 | 0:07:48 | |
After 20 years in the job, | 0:07:48 | 0:07:50 | |
he's successfully brought more than 800 properties back from the brink. | 0:07:50 | 0:07:55 | |
Today, he's heading to a house that's fallen into a terrible | 0:07:55 | 0:07:59 | |
state of disrepair. | 0:07:59 | 0:08:01 | |
The owner is now working hard to get it back into shape and rented out. | 0:08:01 | 0:08:05 | |
The property I'm seeing now is one of our classic empties, | 0:08:05 | 0:08:07 | |
bought as an investment by a gentleman. | 0:08:07 | 0:08:10 | |
We put him in touch with a local developer. | 0:08:10 | 0:08:11 | |
He's going to turn the property into a house of multiple occupation. | 0:08:11 | 0:08:14 | |
I'm going in from day one to make sure all the standards are met correctly. | 0:08:14 | 0:08:18 | |
Paul's on his way to meet the contractor who's been | 0:08:18 | 0:08:23 | |
appointed by the owner to carry out the renovation work. | 0:08:23 | 0:08:26 | |
-Hi, Jonathan. Good to see you. Are you well? -I'm really good, thanks. -Lovely. | 0:08:29 | 0:08:33 | |
Paul wants to discuss the strict guidelines governing houses | 0:08:33 | 0:08:36 | |
of multiple occupation, particularly when they're over many floors like this one. | 0:08:36 | 0:08:41 | |
Jonathan, I have to reassure myself it will meet standards. | 0:08:41 | 0:08:45 | |
I know we're planning to do a house with multiple occupation here. | 0:08:45 | 0:08:48 | |
However, with three storeys here, it'll need to be licensed. | 0:08:48 | 0:08:51 | |
How you're going to meet that standard, please? | 0:08:51 | 0:08:54 | |
The first thing that we do is look at the fire precautions. | 0:08:54 | 0:08:57 | |
In this one, as it's over three storeys, we have to put in a sophisticated alarm system. | 0:08:57 | 0:09:02 | |
Each of the bedrooms will have a smoke detector sounder in it. | 0:09:02 | 0:09:07 | |
The hallways will have sounders and smoke detectors, with emergency lighting as well. | 0:09:07 | 0:09:11 | |
Fantastic, Jonathan. | 0:09:11 | 0:09:12 | |
-I'll look forward to that. Can I see the rest now? -Absolutely. | 0:09:12 | 0:09:15 | |
The size of this property means it will eventually provide | 0:09:15 | 0:09:18 | |
accommodation for six homeless people. | 0:09:18 | 0:09:20 | |
As a house of multiple occupation, Paul needs to ensure | 0:09:20 | 0:09:24 | |
the developer is taking this into account when planning the layout. | 0:09:24 | 0:09:28 | |
Bathroom - to my mind, it looks a little impractical | 0:09:28 | 0:09:30 | |
for a house of multiple occupation so what plans have you got for this? | 0:09:30 | 0:09:34 | |
We need to be aware of the sanitary requirements for the tenants | 0:09:34 | 0:09:37 | |
so we're putting in two full bathrooms. | 0:09:37 | 0:09:41 | |
We'll rip out this corner bath and put in shower which is a lot | 0:09:41 | 0:09:44 | |
better for water consumption and electricity use etc. | 0:09:44 | 0:09:47 | |
We'll split off the toilet and create an extra room. | 0:09:47 | 0:09:51 | |
Outside, we'll put another door in. Can you picture it? | 0:09:51 | 0:09:53 | |
We'll have a wall down the middle, separate toilet on the right a shower room on the left. | 0:09:53 | 0:09:58 | |
Brilliant. People can use the toilet when the bathroom's being used. I look forward to seeing that. | 0:09:58 | 0:10:03 | |
Jonathan, what are we going to do with this kitchen? | 0:10:07 | 0:10:10 | |
We're not going to rip it all out and cause unnecessary expense for the owner. | 0:10:10 | 0:10:14 | |
We'll tidy it all up and add some more units | 0:10:14 | 0:10:16 | |
so there's plenty of space for our tenants. | 0:10:16 | 0:10:19 | |
Over here, we'll put in some under-counter washing machine, | 0:10:19 | 0:10:23 | |
fridge freezer, and we'll get rid of this hideous green paint. | 0:10:23 | 0:10:27 | |
-Bring it back to a nice neutral colour. -Lovely. | 0:10:27 | 0:10:32 | |
Once all the building work has been completed, | 0:10:32 | 0:10:34 | |
the council will carry out a health and safety housing rating assessment. | 0:10:34 | 0:10:38 | |
Very happy with that meeting today on the site. | 0:10:38 | 0:10:41 | |
Obviously, very worried at first. It needs a lot of work. | 0:10:41 | 0:10:44 | |
We are going to turn it into a house of multiple occupation. | 0:10:44 | 0:10:48 | |
There's fire standards to think about, there's occupancy | 0:10:48 | 0:10:50 | |
standards and there's the finish and management of the property. | 0:10:50 | 0:10:54 | |
However, having met Jonathan, I'm very reassured everything's | 0:10:54 | 0:10:57 | |
going to be done to standard and on time. | 0:10:57 | 0:10:59 | |
It's only going to be a short turnaround | 0:10:59 | 0:11:01 | |
and the works will be finished. | 0:11:01 | 0:11:02 | |
We'll rehouse six homeless people and that's a fantastic result. | 0:11:02 | 0:11:07 | |
Taking on an empty building can be the best | 0:11:11 | 0:11:13 | |
way of making as property truly yours. | 0:11:13 | 0:11:16 | |
Yes, it'll be a challenging journey, but, all the time, you've got that | 0:11:16 | 0:11:19 | |
motivation that you're well on your way to creating your perfect home. | 0:11:19 | 0:11:23 | |
Motivation was something that Adrian | 0:11:23 | 0:11:26 | |
and Glenda Grazia needed in spades when they took on this tired | 0:11:26 | 0:11:30 | |
detached house in the Vale of Glamorgan in South Wales in 2009. | 0:11:30 | 0:11:33 | |
We were looking for a property, whether it be empty, | 0:11:33 | 0:11:38 | |
but definitely run down so that we would be able to buy | 0:11:38 | 0:11:41 | |
it at a price that was affordable and we would be left with | 0:11:41 | 0:11:45 | |
a hefty budget to do what we wanted to do to it. | 0:11:45 | 0:11:47 | |
We wanted a blank canvas and to start from there. | 0:11:47 | 0:11:51 | |
It was in a dreadful condition but it suited us | 0:11:51 | 0:11:55 | |
because it was going to be ripped apart anyway. | 0:11:55 | 0:11:57 | |
And redesigned to suit our needs. | 0:11:57 | 0:12:01 | |
As an architect, Adrian was able to let his imagination run wild | 0:12:01 | 0:12:06 | |
and create a home to his exact specification and vision. | 0:12:06 | 0:12:11 | |
I designed the property as open plan as I can. | 0:12:11 | 0:12:15 | |
When you open the door, you immediately are able to look through to the rear garden. | 0:12:15 | 0:12:20 | |
Nothing is cut off in this house. Everything is open. | 0:12:20 | 0:12:24 | |
The views are open. | 0:12:24 | 0:12:27 | |
We wanted to capture that feeling and have that wow factor. | 0:12:27 | 0:12:33 | |
Our bedroom is a delight to wake up in the morning. | 0:12:33 | 0:12:36 | |
We've got one wall which is all glass | 0:12:36 | 0:12:39 | |
opening onto a beautiful veranda. | 0:12:39 | 0:12:43 | |
To wake up, open the blinds and it is fantastic. | 0:12:43 | 0:12:46 | |
Having bought the house for £355,000, | 0:12:49 | 0:12:51 | |
the Grazias spent a further £350,000 on the contemporary renovation. | 0:12:51 | 0:12:57 | |
We brought it in on budget and we had a recent valuation | 0:12:57 | 0:13:01 | |
and even in this economic climate, it's worth 950,000. | 0:13:01 | 0:13:05 | |
Taking on an abandoned building has certainly paid off for Adrian and Glenda. | 0:13:05 | 0:13:10 | |
And allowed the free rein to achieve this stunning home. | 0:13:10 | 0:13:13 | |
I can't see us ever wanting to move from here | 0:13:13 | 0:13:17 | |
because it's perfection and we love every minute of living here. | 0:13:17 | 0:13:22 | |
It's our house, our for ever home and we're going to stay here. | 0:13:22 | 0:13:26 | |
With the amazing potential in abandoned buildings, | 0:13:30 | 0:13:32 | |
they're a tempting proposition when it comes to your dream home, | 0:13:32 | 0:13:36 | |
but they're not without their problems. | 0:13:36 | 0:13:38 | |
Finance is one of the biggest challenges an empty home buyer will have to face. | 0:13:38 | 0:13:42 | |
Unless you've got considerable savings, | 0:13:42 | 0:13:44 | |
the chances are you'll need a mortgage to see yourself through. | 0:13:44 | 0:13:47 | |
In tough economic times, a normal mortgage can be tricky enough. | 0:13:47 | 0:13:51 | |
One on a vacant property can be particularly daunting. | 0:13:51 | 0:13:54 | |
Today, I've come to a visitor centre which offers advice to people | 0:13:56 | 0:14:00 | |
who are renovating refurbishing or building a house from scratch. | 0:14:00 | 0:14:04 | |
Meeting me is David Murphy a finance expert and general manager of the centre. | 0:14:04 | 0:14:10 | |
A lot of people think mortgages are tricky anyway but, | 0:14:10 | 0:14:13 | |
when it comes to an empty property, and here | 0:14:13 | 0:14:17 | |
we are in front of this derelict model house, how difficult is it? | 0:14:17 | 0:14:20 | |
It is fair to say that lenders have tightened criteria, | 0:14:20 | 0:14:23 | |
but it's possible to get a mortgage from a number of lenders | 0:14:23 | 0:14:27 | |
for properties in whatever state of disrepair they might be. | 0:14:27 | 0:14:30 | |
I'm intrigued by this. Shall we have a look around. | 0:14:30 | 0:14:35 | |
Great stuff. | 0:14:35 | 0:14:36 | |
-Inside, what do we have? It's quite a dated kitchen. -It is. | 0:14:41 | 0:14:46 | |
It's in complete disrepair. | 0:14:46 | 0:14:49 | |
We can see things in terms of plumbing and electrics. | 0:14:49 | 0:14:53 | |
What would lenders look for when they're valuing the property? | 0:14:53 | 0:14:57 | |
The lender will rely on the opinion of their valuer as to | 0:14:57 | 0:15:00 | |
the relative habitability and saleability of the property. | 0:15:00 | 0:15:04 | |
A situation like this has got to have a working kitchen, | 0:15:04 | 0:15:08 | |
a toilet, washing facilities. | 0:15:08 | 0:15:09 | |
If the valuer deems the property unsaleable or uninhabitable, | 0:15:09 | 0:15:13 | |
or needing substantial works, | 0:15:13 | 0:15:15 | |
the lender probably won't either lend on the property or, if they will. | 0:15:15 | 0:15:18 | |
Will hold a substantial amount of the mortgage money back until you've | 0:15:18 | 0:15:21 | |
done the work to bring it up to the level recommended by the valuer. | 0:15:21 | 0:15:24 | |
Getting a mortgage in place with a kitchen and bathroom like this | 0:15:24 | 0:15:28 | |
is one thing, but when the house is derelict, it's quite another. | 0:15:28 | 0:15:32 | |
When it comes to taking on a major renovation project. | 0:15:32 | 0:15:35 | |
You're not going to go to a high street lender. What do you do? | 0:15:35 | 0:15:39 | |
You're looking for a specialist renovation mortgage lender who | 0:15:39 | 0:15:42 | |
understand the market for you and your project. | 0:15:42 | 0:15:45 | |
That will release the funds on day one to buy the property | 0:15:45 | 0:15:48 | |
and in stages through the course of the build. | 0:15:48 | 0:15:51 | |
You have to pay with each stage with your renovation pot, | 0:15:51 | 0:15:55 | |
the lender reimburses you. | 0:15:55 | 0:15:57 | |
A cash flow issue there. | 0:15:57 | 0:15:59 | |
Yeah, there is a product on the market called | 0:15:59 | 0:16:01 | |
and accelerator mortgage which does advance the funds up front so you | 0:16:01 | 0:16:06 | |
have access to the mortgage money to pay for the work that you require. | 0:16:06 | 0:16:10 | |
With this other mortgage, the lender pay up front which means more | 0:16:10 | 0:16:14 | |
risk for them so surely it would cost you more. | 0:16:14 | 0:16:17 | |
The way it works is that an indemnity policy gets set up to protect the lender's position. | 0:16:17 | 0:16:22 | |
In common terms, that's an insurance against their risk. | 0:16:22 | 0:16:25 | |
There's an extra fee for indemnity. | 0:16:25 | 0:16:27 | |
Some very encouraging finance option there | 0:16:27 | 0:16:30 | |
and great to see you round the model of a renovation so thank you. | 0:16:30 | 0:16:34 | |
When buying an empty property, it's important to do your own research. | 0:16:35 | 0:16:40 | |
Rarely is anything simple when it comes to buying and renovating an empty home. | 0:16:40 | 0:16:44 | |
It's always going to be a challenge. That said, it's good to know that when it comes to getting | 0:16:44 | 0:16:48 | |
a mortgage, it may not be as impossible as you'd think. | 0:16:48 | 0:16:51 | |
Before you write off an empty property, | 0:16:51 | 0:16:53 | |
speak to a mortgage broker. | 0:16:53 | 0:16:55 | |
You may be surprised by your options. | 0:16:55 | 0:16:57 | |
I'm in West Yorkshire with Tatiana McCabe who's bought a disused | 0:16:59 | 0:17:03 | |
house and is planning a major renovation, | 0:17:03 | 0:17:05 | |
but she wants to keep the period details intact. | 0:17:05 | 0:17:08 | |
I want her to meet a couple who've done a similar project | 0:17:08 | 0:17:11 | |
and who'll have some pearls of wisdom to offer. | 0:17:11 | 0:17:15 | |
Right, Tatiana, this is the place I want you to see. | 0:17:15 | 0:17:17 | |
We're here in Batley. This place is huge like yours. | 0:17:17 | 0:17:21 | |
It's been empty for three years, in that time, | 0:17:21 | 0:17:24 | |
it had fallen into a bad state of disrepair. | 0:17:24 | 0:17:27 | |
Vandals had broken in and done quite a bit of damage. | 0:17:27 | 0:17:29 | |
Jo and James took it on and gave it a complete renovation. | 0:17:29 | 0:17:32 | |
Loads of interesting stuff inside | 0:17:32 | 0:17:34 | |
so I think this'll be really good for you. | 0:17:34 | 0:17:36 | |
-Shall we go and say hello? -Yeah, that'd be great. | 0:17:36 | 0:17:39 | |
Over three years ago, | 0:17:39 | 0:17:41 | |
James and Joanna Clark made the brave decision to buy a run-down | 0:17:41 | 0:17:45 | |
former mill owner's residence in West Yorkshire for £325,000. | 0:17:45 | 0:17:51 | |
The property was in a really poor state when we bought it. | 0:17:51 | 0:17:54 | |
It's been ransacked by thieves. | 0:17:54 | 0:17:58 | |
They'd ripped out piping and fireplaces, | 0:17:58 | 0:18:02 | |
fires and it was pretty badly vandalised. | 0:18:02 | 0:18:05 | |
We saw the opportunity. | 0:18:05 | 0:18:07 | |
Nothing was too great and things could be put back | 0:18:07 | 0:18:09 | |
to their original state with a bit of help, with a bit of TLC. | 0:18:09 | 0:18:14 | |
And some expect advice. | 0:18:14 | 0:18:17 | |
Between Jo, James and his dad Michael, | 0:18:17 | 0:18:19 | |
they managed to do more that 75% of the work themselves with James | 0:18:19 | 0:18:23 | |
and Jo doing all the demolition and redecorating. | 0:18:23 | 0:18:26 | |
We were very lucky that we had a lot of project management | 0:18:26 | 0:18:30 | |
help from James's dad who was newly retired | 0:18:30 | 0:18:33 | |
and he liked the idea of a project and we needed a project manager. | 0:18:33 | 0:18:38 | |
He was here on site most days and was helping to | 0:18:38 | 0:18:41 | |
manage our suppliers who were coming in to work on the house. | 0:18:41 | 0:18:45 | |
The transformation is nearly complete | 0:18:45 | 0:18:48 | |
and three years down the line, after hard work and dedication, | 0:18:48 | 0:18:52 | |
they now live in a house that's exactly how they want it. | 0:18:52 | 0:18:55 | |
You've got to have an eye for detail and you've got to be confident about what you're doing. | 0:18:55 | 0:19:00 | |
If you're not confident in decision making, | 0:19:00 | 0:19:02 | |
then a project like this would never be done. | 0:19:02 | 0:19:05 | |
It would always be rumbling on. | 0:19:05 | 0:19:07 | |
With a property very similar to Tatiana's, James and Jo | 0:19:09 | 0:19:11 | |
should have some excellent tips to help her with her renovation. | 0:19:11 | 0:19:15 | |
Wow, look at this. Wood panelling all along. | 0:19:16 | 0:19:21 | |
-This is your dining room, obviously. -Yup. | 0:19:21 | 0:19:24 | |
-What state was this in when you bought it? -It was pretty empty. | 0:19:24 | 0:19:31 | |
It had been empty for three years. | 0:19:31 | 0:19:34 | |
The dining room had been ripped to pieces so pretty dreadful. | 0:19:34 | 0:19:38 | |
What was your vision? | 0:19:38 | 0:19:39 | |
What did you fall in love with or why did you want it? | 0:19:39 | 0:19:42 | |
I think it was the original features that we really loved | 0:19:42 | 0:19:46 | |
and we felt compelled to breathe life back into it. | 0:19:46 | 0:19:50 | |
Is this stuff you've made and put back in or was it here when you came here? | 0:19:50 | 0:19:55 | |
-It was here but it took TLC to brink it back to life. -That's interesting. | 0:19:55 | 0:19:59 | |
-So you've got a huge wealth of original features here? -Absolutely. | 0:19:59 | 0:20:03 | |
-That's what your place has got, hasn't it? -It's stunning. | 0:20:03 | 0:20:07 | |
Absolutely stunning. | 0:20:07 | 0:20:09 | |
The wood panelling and the shutters on the windows. Really lovely. | 0:20:09 | 0:20:13 | |
-I'm very keen to see some more. Shall we continue? -Yeah. | 0:20:13 | 0:20:16 | |
James and Jo have kept many original features along with more | 0:20:17 | 0:20:21 | |
modern design touches, something I hope which will inspire Tatiana. | 0:20:21 | 0:20:24 | |
Tell me about this room. What state was it in when you first discovered it? | 0:20:26 | 0:20:31 | |
This was in a pretty poor state. | 0:20:31 | 0:20:32 | |
The fireplace had been completely ripped out and the fire had gone. | 0:20:32 | 0:20:37 | |
We had broken windows so it was pretty poor. | 0:20:37 | 0:20:40 | |
What I find interesting in here, | 0:20:40 | 0:20:43 | |
a bit like what we were talking about earlier, is a mix of styles. | 0:20:43 | 0:20:46 | |
-The fireplace is 1930s. -Yes. | 0:20:46 | 0:20:50 | |
And you've got the original features round the edges. Are you OK with that? | 0:20:50 | 0:20:53 | |
-You weren't tempted to put back in a Victorian fireplace. -That's the beauty of the house. | 0:20:53 | 0:21:00 | |
This a house that's been lived in since 1840 | 0:21:00 | 0:21:04 | |
so we liked the style that was here already. | 0:21:04 | 0:21:06 | |
It was Art Deco with a bit of Victoriana. | 0:21:06 | 0:21:09 | |
Would this give you confidence, when you look around this room? | 0:21:09 | 0:21:13 | |
Certainly. Especially, when I see the beautiful chair there. | 0:21:13 | 0:21:18 | |
My son's got one of those that used to belong to me. | 0:21:18 | 0:21:21 | |
I can see it back now in our new house. It's really interesting mix. | 0:21:21 | 0:21:28 | |
It seems to work. | 0:21:28 | 0:21:30 | |
Good. A big part of your project is going on be project managing. | 0:21:30 | 0:21:34 | |
-You're quite keen to do that, aren't you? -Yes. | 0:21:34 | 0:21:36 | |
Tatiana, you're going to be onsite and you're happy to make decisions. | 0:21:36 | 0:21:41 | |
Is that what you found was needed from a project manager or was | 0:21:41 | 0:21:45 | |
there more to it? | 0:21:45 | 0:21:47 | |
I think being onsite is important. The other thing is knowing how to manage tradespeople. | 0:21:47 | 0:21:52 | |
There's a skill to it and if you understand how they operate, | 0:21:52 | 0:21:55 | |
that makes managing them easier. | 0:21:55 | 0:21:58 | |
It's interesting that part of that is being able to get on with | 0:21:58 | 0:22:01 | |
-the people. -You need to know that, | 0:22:01 | 0:22:04 | |
if you've got a plasterer coming in two weeks, that all | 0:22:04 | 0:22:07 | |
the electrics are done and the wires are channelled into the walls so | 0:22:07 | 0:22:11 | |
that you're not having to push back or cause other unnecessary delays. | 0:22:11 | 0:22:17 | |
It's been lovely to see your house. It really is quite something so thank you for showing us | 0:22:17 | 0:22:20 | |
round and thanks for your advice. | 0:22:20 | 0:22:22 | |
You're welcome. | 0:22:22 | 0:22:25 | |
In Corby, in Northamptonshire, empty property officer Paul Palmer | 0:22:26 | 0:22:31 | |
is heading to a place that he's helped bring back into use - | 0:22:31 | 0:22:33 | |
a house that's recently undergone renovation. | 0:22:33 | 0:22:36 | |
Today I'm visiting a property. It used to be rented out. | 0:22:36 | 0:22:40 | |
It was empty for about a year. Fairly run-down condition. | 0:22:40 | 0:22:43 | |
We've got a new owner. She's completely refurbished it. | 0:22:43 | 0:22:46 | |
The tenants are in there. | 0:22:46 | 0:22:47 | |
Today, I'm going to check it's occupied, the quality of the | 0:22:47 | 0:22:50 | |
finish and just have a look around and see the success of the project. | 0:22:50 | 0:22:53 | |
When it comes to bringing abandoned buildings back into use, | 0:22:53 | 0:22:56 | |
the council can't always offer grants to get places renovated. | 0:22:56 | 0:22:59 | |
Today Paul's meeting Ellie Andrews the owner of the house who | 0:22:59 | 0:23:02 | |
did all the work on it without council funding. | 0:23:02 | 0:23:05 | |
Hello, Ellie. | 0:23:05 | 0:23:07 | |
Although council money wasn't involved, it's part of Paul's job to make sure it's been done up | 0:23:07 | 0:23:11 | |
to habitable standards and is going to be lived in again. | 0:23:11 | 0:23:15 | |
You've got a brand new kitchen here. Very different from the old one. What have you out in? | 0:23:17 | 0:23:21 | |
Absolutely everything. | 0:23:21 | 0:23:22 | |
All the integrated systems, the oven, hob and extractor. | 0:23:22 | 0:23:26 | |
All came with the kitchen. The new boiler went in as well. | 0:23:26 | 0:23:30 | |
The integrated washing machine and all the white goods. | 0:23:30 | 0:23:33 | |
A fridge freezer to accommodate everybody who lives in the property. | 0:23:33 | 0:23:38 | |
New cupboards, all the tiles brand new. | 0:23:38 | 0:23:43 | |
It was a case of strip everything out and start from scratch again. | 0:23:43 | 0:23:46 | |
The results are well worth it. | 0:23:46 | 0:23:48 | |
-I'm looking forward to seeing the rest of it. -Come on through to the lounge. | 0:23:48 | 0:23:52 | |
Places like these are really valuable, | 0:23:52 | 0:23:54 | |
helping to get people off the council's hosing waiting list. | 0:23:54 | 0:23:58 | |
This is an impressive room. | 0:23:58 | 0:24:00 | |
The reason I'm here is to check the finish of the works. | 0:24:00 | 0:24:02 | |
I saw it at the beginning of the project. | 0:24:02 | 0:24:05 | |
You've done it using your own contractors. | 0:24:05 | 0:24:08 | |
We need to come back and make sure everything's up to standard. What we're looking for in a property. | 0:24:08 | 0:24:13 | |
Looking around, this room looks lovely again. You've got some nice lighting. | 0:24:13 | 0:24:18 | |
Particularly pleased you've put the safety locks on the window. | 0:24:18 | 0:24:21 | |
We have to be aware these open out. The finish is nice. | 0:24:21 | 0:24:27 | |
-Did you put the curtains up yourself? -Yeah, we did. We redecorated, refloored. | 0:24:27 | 0:24:30 | |
I did the curtains, lampshades and the fire surround. | 0:24:30 | 0:24:35 | |
-Let's see the rest. -OK. | 0:24:35 | 0:24:38 | |
There are strict guidelines for tenanted | 0:24:40 | 0:24:42 | |
properties on the safety of gas and electricity. | 0:24:42 | 0:24:44 | |
Paul wants to see that these have been inspected and signed off. | 0:24:44 | 0:24:48 | |
Lovely. All nice and new. Working well. | 0:24:48 | 0:24:50 | |
Fantastic. Thanks very much. | 0:24:52 | 0:24:54 | |
Thanks. | 0:24:54 | 0:24:56 | |
Ellie, again, thanks for showing me around. | 0:24:56 | 0:24:58 | |
It was really nice to come and see the finished product. | 0:24:58 | 0:25:01 | |
You've done a fantastic job here. | 0:25:01 | 0:25:03 | |
I was very pleased with the standard of workmanship. | 0:25:03 | 0:25:06 | |
-Thanks very much indeed. -Thank, Paul. Thanks for coming out again. -Bye-bye. -Bye. | 0:25:06 | 0:25:10 | |
Very happy to meet Ellie the owner of the property again | 0:25:11 | 0:25:14 | |
and to see the standard of finish very professional. | 0:25:14 | 0:25:18 | |
Everything up to standard which is what we like to see. | 0:25:18 | 0:25:21 | |
Overall, a wonderful project. | 0:25:21 | 0:25:23 | |
I've been helping Tatiana who's been getting advice from a couple | 0:25:25 | 0:25:28 | |
who've done a renovation, | 0:25:28 | 0:25:30 | |
much like the one she's planning on her own empty house. | 0:25:30 | 0:25:34 | |
A huge amount of similarities between your house | 0:25:34 | 0:25:37 | |
and this renovation, seeing quite a mix of styles and features, | 0:25:37 | 0:25:41 | |
like you've got at home. | 0:25:41 | 0:25:43 | |
Hopefully, it shows you it can work. | 0:25:43 | 0:25:45 | |
That was the hardest to visualise having a contemporary kitchen with my Art Deco windows, | 0:25:45 | 0:25:52 | |
but with the cornices and ceiling roses. As we've seen, it works well, | 0:25:52 | 0:25:56 | |
the Art Deco '30s style with the Victorian features so it fills me with hope. | 0:25:56 | 0:26:02 | |
When it comes to project managing, it might be useful to delegate. | 0:26:02 | 0:26:05 | |
It's something to bear in mind. | 0:26:05 | 0:26:07 | |
-I think that was really good advice because I do work long hours. -Great. | 0:26:07 | 0:26:14 | |
Lots of inspiration, food for thought. | 0:26:14 | 0:26:17 | |
It's an incredible place you've got. | 0:26:17 | 0:26:18 | |
I'm so pleased you're working on it cos it's going to be marvellous. | 0:26:18 | 0:26:23 | |
-Good luck and I hope it all goes to plan. -Thanks very much. | 0:26:23 | 0:26:26 | |
Today has been incredibly useful for Tatiana. | 0:26:29 | 0:26:31 | |
You can't underestimate how helpful it is to see | 0:26:31 | 0:26:35 | |
a project on a similar scale from a similar period to help you | 0:26:35 | 0:26:39 | |
visualise what can be done with your home. | 0:26:39 | 0:26:42 | |
I hope this has given her the confidence to go forward | 0:26:42 | 0:26:46 | |
particularly with the interior design, be brave, bold. | 0:26:46 | 0:26:50 | |
Follow her instincts | 0:26:50 | 0:26:51 | |
and turn that magnificent house into a wonderful family home once again. | 0:26:51 | 0:26:56 | |
Subtitles by Red Bee Media Ltd | 0:27:20 | 0:27:23 |