Browse content similar to Stuart and Helen Barclay. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Across the country empty properties that could be homes are just waiting to be brought back into use. | 0:00:02 | 0:00:06 | |
I'll be finding out why and what you need to do | 0:00:06 | 0:00:09 | |
to rescue a house for yourself. | 0:00:09 | 0:00:11 | |
And along the way we'll be following the property detectives | 0:00:11 | 0:00:14 | |
who track down the owners of these forgotten houses | 0:00:14 | 0:00:17 | |
and help breathe new life into the communities blighted by them. | 0:00:17 | 0:00:20 | |
And I'll be doing some digging of my own to find out more about | 0:00:20 | 0:00:23 | |
our housing stock, our heritage, | 0:00:23 | 0:00:25 | |
and why we should both be preserving and reinventing | 0:00:25 | 0:00:28 | |
Britain's empty homes. | 0:00:28 | 0:00:30 | |
Taking on a big renovation of an empty property | 0:00:41 | 0:00:43 | |
is a job that requires careful consideration. | 0:00:43 | 0:00:46 | |
It's a hard slog with plenty of stress | 0:00:46 | 0:00:49 | |
and yet if you speak to most people who've been through it | 0:00:49 | 0:00:52 | |
they'll tell you it's all worthwhile in the end. | 0:00:52 | 0:00:56 | |
On today's show I'll be meeting a family who've outgrown their current home | 0:01:00 | 0:01:05 | |
and want to take on the challenge of a much bigger but derelict dwelling. | 0:01:05 | 0:01:09 | |
I'll meet a passionate group of volunteers | 0:01:10 | 0:01:12 | |
who are hoping to bring a spectacular building back into the community. | 0:01:12 | 0:01:17 | |
It's desperate now. | 0:01:17 | 0:01:18 | |
We must get this project underway urgently in the next 12, 18 months. | 0:01:18 | 0:01:23 | |
And we'll be following one of Britain's Empty Property Officers | 0:01:24 | 0:01:28 | |
working to bring forgotten houses back into use. | 0:01:28 | 0:01:32 | |
It's quite a poor building block construction, | 0:01:32 | 0:01:34 | |
it's not even close to meeting any form of building regs. | 0:01:34 | 0:01:37 | |
This three-bedroom house in Surrey is home to | 0:01:41 | 0:01:43 | |
Stuart and Helen Barclay, | 0:01:43 | 0:01:45 | |
two-year old Ben and new addition, baby Skye. | 0:01:45 | 0:01:48 | |
As the family has grown so too has their need for space | 0:01:50 | 0:01:54 | |
and now the Barclays are gearing up to take on the challenge | 0:01:54 | 0:01:58 | |
of an abandoned abode that they can custom renovate. | 0:01:58 | 0:02:01 | |
At the moment we've got quite a nice location, it's quite rural, | 0:02:01 | 0:02:05 | |
it's quite nice looking out into the woods. | 0:02:05 | 0:02:07 | |
Unfortunately there's no room to expand it. | 0:02:07 | 0:02:10 | |
Not only do they plan to take on a sizeable renovation, | 0:02:10 | 0:02:13 | |
but their love of the outdoors | 0:02:13 | 0:02:15 | |
has inspired them to up sticks and relocate to a rural location | 0:02:15 | 0:02:18 | |
like the Peak District or the Yorkshire Dales. | 0:02:18 | 0:02:21 | |
We love the outdoors, | 0:02:22 | 0:02:23 | |
we both climb, we do walking and things like that, | 0:02:23 | 0:02:27 | |
and we want the children to be able to enjoy that, | 0:02:27 | 0:02:30 | |
and obviously it's a bit cheaper up north than here in Surrey. | 0:02:30 | 0:02:35 | |
Stuart carried out a lot of work on their current home, | 0:02:36 | 0:02:40 | |
but he's never taken on the challenge of a full-scale renovation. | 0:02:40 | 0:02:44 | |
It's a bit daunting, I suppose. | 0:02:44 | 0:02:47 | |
I've got friends that can do a lot of the work that I can't do as well, | 0:02:47 | 0:02:51 | |
so between me and contacts that I've got I'm sure I can complete the project. | 0:02:51 | 0:02:56 | |
I like the idea of just making it our own as well, | 0:02:56 | 0:02:58 | |
putting our own stamp on it, decorating it, | 0:02:58 | 0:03:00 | |
in how we see fit and what we like. That sort of appeals to me. | 0:03:00 | 0:03:05 | |
While Helen looks after the children, I'm meeting Stuart | 0:03:07 | 0:03:10 | |
at a derelict paper mill I'm keen for him to see in Loxley, Sheffield. | 0:03:10 | 0:03:14 | |
It should give him an idea | 0:03:15 | 0:03:17 | |
of how far his £400,000 budget will go | 0:03:17 | 0:03:19 | |
and the amount of work needed to turn a derelict building into a family home. | 0:03:19 | 0:03:25 | |
-Hey, Stuart. How you doing? -Hello, very good, thank you. -Good to see you. | 0:03:26 | 0:03:29 | |
Now this is the place I want to show you. | 0:03:29 | 0:03:31 | |
First impressions? | 0:03:31 | 0:03:32 | |
It looks really nice. | 0:03:32 | 0:03:33 | |
-Lovely location around here. -Huge potential this place has. | 0:03:33 | 0:03:36 | |
-Right. -Shall we go and have a look inside? | 0:03:36 | 0:03:38 | |
-Yeah, quite excited. -OK, come on then. | 0:03:38 | 0:03:40 | |
The mill was built in the 18th century | 0:03:42 | 0:03:43 | |
and has been empty for the last four years. | 0:03:43 | 0:03:46 | |
It has Grade II listed status | 0:03:50 | 0:03:52 | |
and crucially it already has planning permission. | 0:03:52 | 0:03:55 | |
So... | 0:03:58 | 0:03:59 | |
-Wow! -Here we are. | 0:03:59 | 0:04:01 | |
Much bigger than I thought it would be. | 0:04:01 | 0:04:03 | |
-It reaches out a lot further than it looks from the outside. -Yes. | 0:04:03 | 0:04:07 | |
-Shall we have a closer look? -Definitely. | 0:04:07 | 0:04:09 | |
So, Stuart, as we wander through this place | 0:04:11 | 0:04:14 | |
what strikes you about it? | 0:04:14 | 0:04:16 | |
First and foremost how big it is, | 0:04:16 | 0:04:18 | |
and how many rooms and how much space I can create from it all. | 0:04:18 | 0:04:21 | |
It is huge. Does that put you off? Some people are daunted by it. | 0:04:21 | 0:04:24 | |
Not really, I've got a blank canvas I can work from, | 0:04:24 | 0:04:27 | |
so I'm quite excited by it all, really. | 0:04:27 | 0:04:30 | |
There's some great features, you got the original beams, | 0:04:30 | 0:04:32 | |
and great stone all around. | 0:04:32 | 0:04:34 | |
And then, the piece de resistance, you've actually got your own water wheel through there. | 0:04:34 | 0:04:38 | |
-That is phenomenal, isn't it? -It's amazing. | 0:04:38 | 0:04:41 | |
Let's talk about your experience. | 0:04:41 | 0:04:43 | |
-You've done a bit of renovation before. -That's right, yes. | 0:04:43 | 0:04:45 | |
Particularly useful here when it comes to stretching the budget. | 0:04:45 | 0:04:48 | |
Absolutely. By doing a lot of the work myself that saves a lot of money. | 0:04:48 | 0:04:52 | |
-Good. Let's continue having a look round, shall we? -OK. | 0:04:52 | 0:04:54 | |
There is no denying this mill is brimming with potential. | 0:04:56 | 0:05:00 | |
It's size and original features are impressive | 0:05:00 | 0:05:03 | |
and if Stuart can see past the rubble and ruins | 0:05:03 | 0:05:06 | |
the possibilities are infinite. | 0:05:06 | 0:05:08 | |
The mill includes an adjacent building | 0:05:10 | 0:05:13 | |
which is also covered under the same planning permission. | 0:05:13 | 0:05:16 | |
When you come in here it's clear these premises are never ending, isn't it? | 0:05:17 | 0:05:21 | |
It's phenomenal. It just seems to go on and on. | 0:05:21 | 0:05:23 | |
This has got to be 50 metres from one end to the other. | 0:05:23 | 0:05:26 | |
It's got potential for a second property, as well, to be built. | 0:05:26 | 0:05:28 | |
Funny you should say that because this place, the whole place, | 0:05:28 | 0:05:31 | |
-does have planning permission to create three dwellings. -OK. | 0:05:31 | 0:05:35 | |
Two in the main mill area, | 0:05:35 | 0:05:37 | |
creating a courtyard in between, | 0:05:37 | 0:05:39 | |
and then this. | 0:05:39 | 0:05:40 | |
The thing to say that's really important is this whole mill | 0:05:40 | 0:05:43 | |
-is Grade II listed. -OK. -That would possibly | 0:05:43 | 0:05:46 | |
place some restrictions on what you could or couldn't do. | 0:05:46 | 0:05:49 | |
Have you ever thought about taking on a listed place? | 0:05:49 | 0:05:51 | |
I haven't, it's a little bit daunting, | 0:05:51 | 0:05:53 | |
but in some ways I guess the council | 0:05:53 | 0:05:55 | |
wants to return it back to a liveable property, | 0:05:55 | 0:05:57 | |
it's a waste standing here derelict. | 0:05:57 | 0:05:58 | |
What is the budget? | 0:05:58 | 0:06:00 | |
The budget is about £400,000 in total, | 0:06:00 | 0:06:02 | |
that would include the purchase and the renovation costs. | 0:06:02 | 0:06:05 | |
Give or take a little bit. | 0:06:05 | 0:06:07 | |
Well, the price that this is on the market for, | 0:06:07 | 0:06:10 | |
-it's on at £300,000. -OK. | 0:06:10 | 0:06:12 | |
How does that sound? | 0:06:12 | 0:06:14 | |
That sounds good, that's certainly within my budget | 0:06:14 | 0:06:16 | |
and gives me quite a large margin left over to play with | 0:06:16 | 0:06:18 | |
to at least start and get some way with the renovations as well. | 0:06:18 | 0:06:21 | |
Right, so you have got these things sorted out, | 0:06:21 | 0:06:23 | |
you are serious about this. | 0:06:23 | 0:06:25 | |
-Absolutely, we've got some ideas and some plans. -Very exciting. | 0:06:25 | 0:06:28 | |
Having looked around, how do you feel about a whole place? | 0:06:30 | 0:06:32 | |
Yes, is a very interesting opportunity, really interesting. | 0:06:32 | 0:06:36 | |
-You are going into this with a young family. -Yes. | 0:06:36 | 0:06:39 | |
Possibly them and your wife in a different part of the country if you were doing this renovation. | 0:06:39 | 0:06:43 | |
What sort of problems would that throw up? | 0:06:43 | 0:06:45 | |
I guess one of the problems will be convincing Helen it's a good idea, | 0:06:45 | 0:06:48 | |
and making it a safe habitable place for the children as quickly as possible | 0:06:48 | 0:06:51 | |
so that we're not spending weeks and weeks apart. | 0:06:51 | 0:06:54 | |
What I want to do is take you to an old property | 0:06:54 | 0:06:56 | |
that has been thoroughly converted and is now a home, it's an old barn. | 0:06:56 | 0:06:59 | |
The people behind it have been through all the challenges | 0:06:59 | 0:07:02 | |
you were talking about so they would be good people to meet | 0:07:02 | 0:07:04 | |
and hopefully they can help you along your way with a bit of help and advice. | 0:07:04 | 0:07:08 | |
-How does that sound? -Really good, yes. -Excellent. | 0:07:08 | 0:07:10 | |
Many areas across the UK | 0:07:12 | 0:07:14 | |
are blighted by disowned and derelict buildings, | 0:07:14 | 0:07:17 | |
often becoming an eyesore | 0:07:17 | 0:07:18 | |
and a source of concern for the local community. | 0:07:18 | 0:07:22 | |
But there are a dedicated band of officers | 0:07:22 | 0:07:24 | |
employed by councils who work tirelessly | 0:07:24 | 0:07:26 | |
to find out why these buildings have been abandoned | 0:07:26 | 0:07:28 | |
and to get them lived in again. | 0:07:28 | 0:07:30 | |
In Richmond, Southwest London, Jason Hall is doing just that. | 0:07:32 | 0:07:37 | |
He's investigating two houses on the long-term abandoned list. | 0:07:37 | 0:07:40 | |
Today, I'm basically going to have a look to see | 0:07:41 | 0:07:43 | |
if I can get access to the back of the property, have a look around, | 0:07:43 | 0:07:46 | |
to see if I can get some more information with regards to the properties. | 0:07:46 | 0:07:50 | |
Both houses have been vacant for at least ten years. | 0:07:51 | 0:07:54 | |
And as they're right next door to each other they're attracting some unwanted attention. | 0:07:54 | 0:07:59 | |
It's very overgrown to the front. | 0:08:04 | 0:08:06 | |
We got the trees growing right up the front, | 0:08:06 | 0:08:08 | |
you can see where the wall has been pushed over here. | 0:08:08 | 0:08:11 | |
I'll have a knock and see if anybody's there. | 0:08:11 | 0:08:13 | |
KNOCKS ON DOOR | 0:08:13 | 0:08:16 | |
Let's see if there's any other ways to get round the back. | 0:08:16 | 0:08:20 | |
That gate appears to be locked. | 0:08:22 | 0:08:24 | |
So I can probably get better access, | 0:08:24 | 0:08:26 | |
we'll probably have a better chance of getting round the back of the other one. | 0:08:26 | 0:08:30 | |
At the beginning of an investigation | 0:08:31 | 0:08:33 | |
Jason wants to confirm the neighbours' complaints | 0:08:33 | 0:08:35 | |
and identify an owner. | 0:08:35 | 0:08:37 | |
And the grievances from locals all suggest | 0:08:40 | 0:08:43 | |
there is a major vermin problem in both gardens | 0:08:43 | 0:08:46 | |
and the rear of the houses may not be secure. | 0:08:46 | 0:08:49 | |
Right, we've got a whole pane of glass missing out of this back door. | 0:08:51 | 0:08:56 | |
All of the ceiling is out. | 0:08:56 | 0:08:57 | |
It needs to be made secure because somebody could gain access | 0:08:57 | 0:09:00 | |
and perhaps get injured in the state the property's in if they get into it. | 0:09:00 | 0:09:04 | |
So, it's a shame because it could be a lovely family house, | 0:09:04 | 0:09:07 | |
it's a really good size, | 0:09:07 | 0:09:09 | |
it's a bit of a mystery as to why they're both empty. | 0:09:09 | 0:09:12 | |
But they may not be as deserted as Jason thinks. | 0:09:12 | 0:09:16 | |
There's a fox right down the bottom of the garden, | 0:09:16 | 0:09:19 | |
just going under the fence into next door. | 0:09:19 | 0:09:22 | |
Didn't bolt off or anything, it was quite happy, | 0:09:22 | 0:09:25 | |
so I'm going to try and make my way down and see what else is down the bottom of the garden. | 0:09:25 | 0:09:29 | |
It's become clear a major network of fox tunnels | 0:09:32 | 0:09:34 | |
has taken over this garden and the neighbouring one. | 0:09:34 | 0:09:37 | |
Basically we've got a whole fox den network here. | 0:09:37 | 0:09:41 | |
We've got holes everywhere where they all burrow underneath. | 0:09:41 | 0:09:45 | |
This is an absolute fox haven. | 0:09:45 | 0:09:48 | |
Without access to the house next door | 0:09:49 | 0:09:52 | |
there's only one way for Jason to inspect the damage. | 0:09:52 | 0:09:56 | |
The next door garden is exactly the same, | 0:09:58 | 0:10:00 | |
it's not quite as overgrown | 0:10:00 | 0:10:02 | |
but there's quite a lot of activity with regards to the foxes. | 0:10:02 | 0:10:05 | |
There's quite a few holes. | 0:10:05 | 0:10:06 | |
This is probably one of the worst cases | 0:10:09 | 0:10:11 | |
I've ever seen with regards to foxes. | 0:10:11 | 0:10:13 | |
The amount of holes there are, | 0:10:13 | 0:10:15 | |
they're going under either side into both side properties. | 0:10:15 | 0:10:18 | |
So it's really important | 0:10:18 | 0:10:19 | |
that I find who the owner is and get this sorted as soon as possible. | 0:10:19 | 0:10:23 | |
Jason is keen to find out all he can about the owners | 0:10:23 | 0:10:26 | |
so he puts a call into the office. | 0:10:26 | 0:10:29 | |
I just need the ownership details for each one. | 0:10:29 | 0:10:32 | |
OK. | 0:10:32 | 0:10:33 | |
Yeah, that's fantastic, thank you. Bye. | 0:10:34 | 0:10:37 | |
The two properties that we've been and looked at | 0:10:37 | 0:10:40 | |
are both owned by individual people, | 0:10:40 | 0:10:43 | |
that are, we believe, are business partners. | 0:10:43 | 0:10:45 | |
One of them has got quite a large debt lodged against it, | 0:10:45 | 0:10:50 | |
and one of them has been repossessed. | 0:10:50 | 0:10:53 | |
The only forwarding contact details and address that we've got | 0:10:53 | 0:10:56 | |
are the actual properties themselves. | 0:10:56 | 0:10:58 | |
So it's kind of difficult to try and track down the owners | 0:10:58 | 0:11:02 | |
when we don't have any other means of forwarding address. | 0:11:02 | 0:11:06 | |
Other options we've got are potential for sale or compulsory purchase order. | 0:11:06 | 0:11:11 | |
Jason has since written to the owners and is awaiting a response | 0:11:15 | 0:11:18 | |
before he takes further action. | 0:11:18 | 0:11:20 | |
Empty properties come in all shapes and sizes | 0:11:26 | 0:11:28 | |
and various states of dilapidation, | 0:11:28 | 0:11:30 | |
but the one thing they have in common | 0:11:30 | 0:11:32 | |
is their potential to inspire creative thinkers who can see past the decay. | 0:11:32 | 0:11:38 | |
So if you can view a run-down ruin with optimistic eyes | 0:11:38 | 0:11:41 | |
then you too might just discover your perfect home. | 0:11:41 | 0:11:45 | |
Seasoned renovators Michael and Jill Willetts | 0:11:48 | 0:11:50 | |
are used to doing just that. | 0:11:50 | 0:11:52 | |
When they saw two run-down 17th century mill cottages for sale, | 0:11:52 | 0:11:56 | |
they instantly saw their potential as one big family home. | 0:11:56 | 0:12:00 | |
It looked like an awful lot of work. | 0:12:02 | 0:12:04 | |
I mean, no-one had lived in the house for about three years. | 0:12:04 | 0:12:07 | |
It was dark, damp, it was falling apart. | 0:12:07 | 0:12:11 | |
But, I think we could see through that and with plenty of work we could turn it into something. | 0:12:11 | 0:12:17 | |
But it was going to be a big, big project. | 0:12:17 | 0:12:19 | |
This house was built in 1683 | 0:12:19 | 0:12:22 | |
and we wanted to retain | 0:12:22 | 0:12:23 | |
the history and the character of it, but bring it into the 21st century. | 0:12:23 | 0:12:28 | |
The couple spent over £600,000 buying the cottages | 0:12:34 | 0:12:37 | |
set on two acres of garden and woodland. | 0:12:37 | 0:12:40 | |
15 months and £300,000 later | 0:12:43 | 0:12:46 | |
they have a stunning yet sympathetic modern home. | 0:12:46 | 0:12:49 | |
And the icing on the cake is the River Rother running through the garden. | 0:12:52 | 0:12:55 | |
Even with four previous renovations under their belt, | 0:12:59 | 0:13:01 | |
the Willetts weren't immune to the trials and tribulations of a project of this scale. | 0:13:01 | 0:13:07 | |
When you're doing something like this | 0:13:07 | 0:13:09 | |
you have to think on your feet, | 0:13:09 | 0:13:10 | |
and you have to be prepared to change direction very, very quickly. | 0:13:10 | 0:13:15 | |
Because something will crop up that was totally unforeseen. | 0:13:15 | 0:13:20 | |
Probably the biggest low point was on my 50th birthday. | 0:13:20 | 0:13:23 | |
My mother, sister and brother-in-law had come down from York. | 0:13:23 | 0:13:26 | |
My mother couldn't see or envisage what we were trying to do, | 0:13:26 | 0:13:30 | |
but I remember we came to the back door and she said to me, | 0:13:30 | 0:13:33 | |
"I can hear water running." | 0:13:33 | 0:13:35 | |
And I thought, "Isn't it wonderful? | 0:13:35 | 0:13:38 | |
"We've got a river running through the garden, that's what you can hear." | 0:13:38 | 0:13:41 | |
She said, "No, I'm sure the water's coming from inside the house." | 0:13:41 | 0:13:45 | |
So I opened the door and sure enough the ceiling had come down, | 0:13:45 | 0:13:48 | |
floods everywhere, pipes had burst, | 0:13:48 | 0:13:50 | |
it was a really cold winter, | 0:13:50 | 0:13:51 | |
and that was probably the down point on my 50th birthday. | 0:13:51 | 0:13:56 | |
What had we really taken on here? | 0:13:56 | 0:13:58 | |
With the renovation behind them, Michael and Jill couldn't have hoped for a better outcome. | 0:13:59 | 0:14:04 | |
We've achieved what we set out to do. | 0:14:04 | 0:14:07 | |
This house will be standing | 0:14:07 | 0:14:09 | |
in the another 350 years, most likely, long after we've gone. | 0:14:09 | 0:14:12 | |
And I think we've done our bit in its history, | 0:14:12 | 0:14:15 | |
and we've brought it up to date. | 0:14:15 | 0:14:18 | |
It is a really beautiful family home | 0:14:18 | 0:14:20 | |
in an absolutely stunning part of the world. | 0:14:20 | 0:14:23 | |
We are very lucky to live here. | 0:14:23 | 0:14:25 | |
In North West Lancashire a spectacular building | 0:14:30 | 0:14:32 | |
that was on the brink of ruin | 0:14:32 | 0:14:34 | |
has been saved by an inspiring group of locals. | 0:14:34 | 0:14:38 | |
Bank Hall is part-Jacobean mansion originally built in the 1600s | 0:14:38 | 0:14:44 | |
and extended during the 19th century. | 0:14:44 | 0:14:46 | |
Various titled families lived in this imposing building during its heyday. | 0:14:47 | 0:14:52 | |
Vacant since the 1970s, | 0:14:52 | 0:14:53 | |
Bank Hall has been on a downward spiral ever since. | 0:14:53 | 0:14:58 | |
However, more recently the fortunes of this grand old building | 0:14:58 | 0:15:02 | |
have changed for the better, | 0:15:02 | 0:15:03 | |
thanks to an organised group of local people | 0:15:03 | 0:15:06 | |
who are determined to bring it back in from the cold | 0:15:06 | 0:15:09 | |
and put it to good use. | 0:15:09 | 0:15:10 | |
Over the last 17 years a passionate group of volunteers | 0:15:12 | 0:15:15 | |
has worked tirelessly to save this historic landmark. | 0:15:15 | 0:15:19 | |
I'm here to meet Janet Edwards, | 0:15:19 | 0:15:21 | |
chairwoman of the Bank Hall Action Group. | 0:15:21 | 0:15:23 | |
How is it, it's got to this state? | 0:15:26 | 0:15:28 | |
Well, it's got into this state | 0:15:28 | 0:15:30 | |
because it a massive building | 0:15:30 | 0:15:31 | |
and there's limited use for a building of this nature | 0:15:31 | 0:15:34 | |
in the 21st century. | 0:15:34 | 0:15:35 | |
So it's finding alternative uses for these old buildings | 0:15:35 | 0:15:38 | |
and I think that's been the big challenge. | 0:15:38 | 0:15:41 | |
So what is the plan, what's the strategy? | 0:15:41 | 0:15:43 | |
To develop this building into a series of apartments and two houses. | 0:15:43 | 0:15:47 | |
But the central part of the building, including the Prospect Tower, | 0:15:47 | 0:15:50 | |
will be for the public to have access to. | 0:15:50 | 0:15:52 | |
However, this is a listed building, | 0:15:52 | 0:15:55 | |
and so visually the external fabric | 0:15:55 | 0:15:57 | |
will look like the beautiful building that it once was. | 0:15:57 | 0:16:00 | |
How urgent is this? Is this deteriorating day-by-day? | 0:16:00 | 0:16:03 | |
-It looks like a should be because there is no roofs, no windows. -No, it's desperate now. | 0:16:03 | 0:16:07 | |
we must get this project underway urgently in the next 12, 18 months. | 0:16:07 | 0:16:12 | |
Buildings aren't static, | 0:16:12 | 0:16:14 | |
they do evolve over the years. | 0:16:14 | 0:16:16 | |
And although it would be lovely | 0:16:16 | 0:16:18 | |
to wrap it in mothballs | 0:16:18 | 0:16:19 | |
and take it back to a previous time | 0:16:19 | 0:16:21 | |
that is not going to happen. | 0:16:21 | 0:16:23 | |
So it will be a building that has changed. | 0:16:23 | 0:16:25 | |
But I still think there is beauty | 0:16:25 | 0:16:27 | |
in what we'll have when it is finally restored. | 0:16:27 | 0:16:30 | |
Through sheer passion for the building | 0:16:31 | 0:16:33 | |
Janet and the action group have fund raised and campaigned | 0:16:33 | 0:16:36 | |
to get Bank Hall back on its feet. | 0:16:36 | 0:16:38 | |
They recently received the cash injection they need to get started - | 0:16:38 | 0:16:42 | |
£1.6 million from the Heritage Lottery Fund. | 0:16:42 | 0:16:46 | |
But with total costs estimated at £6 million | 0:16:46 | 0:16:49 | |
there's still a considerable shortfall. | 0:16:49 | 0:16:51 | |
They've enlisted the help of regeneration expert Tom Fenton. | 0:16:53 | 0:16:57 | |
To bridge the funding shortfall that exists | 0:16:58 | 0:17:01 | |
we are doing a new build enabling development within the site. | 0:17:01 | 0:17:04 | |
The profit that comes from the 23 homes we're going to create there | 0:17:04 | 0:17:08 | |
will be put towards the shell repair here. | 0:17:08 | 0:17:11 | |
That completes this building and the two cross-fund each other. That's how it works. | 0:17:11 | 0:17:15 | |
And if we didn't do this, if it was another five years | 0:17:15 | 0:17:17 | |
and the whole building had finally collapsed in on itself, | 0:17:17 | 0:17:20 | |
what would be missing? | 0:17:20 | 0:17:22 | |
What would people in this area lose? | 0:17:22 | 0:17:25 | |
I think people would lose a building of extreme character. | 0:17:25 | 0:17:29 | |
Too many buildings like this have been lost | 0:17:29 | 0:17:31 | |
because people haven't cared about them and that's not the case here. | 0:17:31 | 0:17:34 | |
There's a lot of people that care about it, | 0:17:34 | 0:17:36 | |
but it's still an extremely difficult scheme to make work. | 0:17:36 | 0:17:39 | |
It will take at least three years to complete | 0:17:39 | 0:17:42 | |
this ambitious and inspiring rebuild | 0:17:42 | 0:17:45 | |
bringing an abandoned building back to life. | 0:17:45 | 0:17:48 | |
I'm with Stuart Barclay | 0:17:50 | 0:17:52 | |
who, along with his family, | 0:17:52 | 0:17:53 | |
hopes to up sticks and find a derelict building | 0:17:53 | 0:17:56 | |
that they can renovate into a family home. | 0:17:56 | 0:17:58 | |
We're just outside Chesterfield where I'm going to introduce him | 0:17:58 | 0:18:01 | |
to a couple who've recently completed a project | 0:18:01 | 0:18:04 | |
I feel sure will inspire. | 0:18:04 | 0:18:06 | |
Stuart, this is the property I've brought you to see. | 0:18:06 | 0:18:08 | |
Ignore these, these are farm buildings that have been lived in for some time. | 0:18:08 | 0:18:12 | |
But the building right at the end there, | 0:18:12 | 0:18:13 | |
that was a barn. | 0:18:13 | 0:18:15 | |
About 400 years old. | 0:18:15 | 0:18:16 | |
It's been fully converted into a home. | 0:18:16 | 0:18:19 | |
Architect John Botham and his wife Debbie are the proud owners | 0:18:20 | 0:18:24 | |
of this barn, which they share with daughters Kira and Lydia. | 0:18:24 | 0:18:28 | |
It was a farm building. | 0:18:28 | 0:18:31 | |
When we first came to it, it was still full of calves and corn. | 0:18:31 | 0:18:36 | |
I was very dubious about the whole project, I suppose, to start with. | 0:18:36 | 0:18:41 | |
John grew up on the farm where the barn stands | 0:18:41 | 0:18:44 | |
so it's a place close to their hearts. | 0:18:44 | 0:18:47 | |
As an architect, he could visualise what their dream home would look like, | 0:18:47 | 0:18:51 | |
but it wasn't such an easy process for Debbie. | 0:18:51 | 0:18:54 | |
John had told me the living room was going to be upstairs | 0:18:54 | 0:18:57 | |
and the bedrooms were going to be downstairs, | 0:18:57 | 0:18:59 | |
but that was about it. That was about as far as I could understand. | 0:18:59 | 0:19:03 | |
I did find it very difficult to get it right in my mind. | 0:19:03 | 0:19:07 | |
So it was quite hard for me to visualise it completely. | 0:19:07 | 0:19:10 | |
It was a bit depressing because I'd invite Debbie | 0:19:10 | 0:19:12 | |
and with great enthusiasm say, "Come and have a look. I've done this." | 0:19:12 | 0:19:16 | |
And she'd say, "What's different?" And it was really frustrating. | 0:19:16 | 0:19:21 | |
Until it was nearly finished, she couldn't really see it. | 0:19:21 | 0:19:23 | |
It is an amazing place to live. | 0:19:25 | 0:19:28 | |
I'm really lucky. I'm very lucky John designed it so beautifully | 0:19:28 | 0:19:32 | |
and the surroundings that we're in... | 0:19:32 | 0:19:35 | |
I mean, there's not very many people that can look | 0:19:35 | 0:19:37 | |
out of a window like that and see such an enormous space around them. | 0:19:37 | 0:19:42 | |
-It's a lovely house to live in. -It was the best thing to do. | 0:19:42 | 0:19:45 | |
We really like it. | 0:19:45 | 0:19:46 | |
John and Debbie's barn conversion and their experience will hopefully | 0:19:46 | 0:19:50 | |
give Stuart some useful guidance and inspiration. | 0:19:50 | 0:19:53 | |
John, it's lovely to walk in here for the first time | 0:19:53 | 0:19:55 | |
as there's so much light and you've got this incredible height. | 0:19:55 | 0:19:58 | |
Stuart, when you walk in here, what springs to mind? | 0:19:58 | 0:20:01 | |
Fantastic. I like the fact it's got a really high, open plan ceiling. | 0:20:01 | 0:20:05 | |
-It's really nice. -So, this is an extension? -Yes. | 0:20:05 | 0:20:07 | |
-You've done it very sympathetically then. -Yes. | 0:20:07 | 0:20:10 | |
You wouldn't get permission for it if it wasn't sympathetic, | 0:20:10 | 0:20:12 | |
-not in the countryside. -So, tell me about that then. | 0:20:12 | 0:20:15 | |
What advice have you got for Stuart? | 0:20:15 | 0:20:17 | |
-The building we looked at earlier is grade II listed. I don't think this was listed. -No. | 0:20:17 | 0:20:21 | |
But even so, you had to work very closely... | 0:20:21 | 0:20:23 | |
What sort of advice do you have in terms of working with planners | 0:20:23 | 0:20:26 | |
and I suppose compromising if you have to? | 0:20:26 | 0:20:28 | |
Yeah, I suppose you do have to compromise, but the key thing is | 0:20:28 | 0:20:32 | |
to understand the reasoning and the spirit of the thing. | 0:20:32 | 0:20:35 | |
If it's listed, first, you need to find out why it's listed | 0:20:35 | 0:20:39 | |
and what it is they're looking to preserve. | 0:20:39 | 0:20:42 | |
-When you did this, you had two young girls. -Yes. | 0:20:42 | 0:20:45 | |
And you have a young family as well. | 0:20:45 | 0:20:47 | |
Any advice about taking a young family through this | 0:20:47 | 0:20:50 | |
and living on-site, potentially, as well? | 0:20:50 | 0:20:52 | |
It was a lot easier when we were living on-site. | 0:20:52 | 0:20:54 | |
When we were living off-site, my wife didn't see much of me. | 0:20:54 | 0:20:58 | |
But when we moved in, it would have been quite fun, we would have | 0:20:58 | 0:21:01 | |
really enjoyed it except we set ourselves a deadline of Christmas | 0:21:01 | 0:21:04 | |
to have the whole place finished, which put a lot of stress on it. | 0:21:04 | 0:21:08 | |
OK. You've got a base you can have the family while you work. | 0:21:08 | 0:21:12 | |
You don't necessarily have to have them living here. | 0:21:12 | 0:21:15 | |
But if you do that, you might not see your family. | 0:21:15 | 0:21:17 | |
I think that's one of the pitfalls. They're living down in Surrey, | 0:21:17 | 0:21:20 | |
-I'm here working on the property... -You'd never see them at all. | 0:21:20 | 0:21:23 | |
..which would obviously be quite a strain on the relationship. | 0:21:23 | 0:21:26 | |
-That's something we need to work on and work out a compromise. -Yeah. -Yeah. | 0:21:26 | 0:21:29 | |
It took John and Debbie two years and £99,000 | 0:21:29 | 0:21:33 | |
to complete the renovation, | 0:21:33 | 0:21:36 | |
which includes four bedrooms and an open-plan living room and kitchen. | 0:21:36 | 0:21:39 | |
But the most interesting aspect of the renovation is its layout. | 0:21:39 | 0:21:44 | |
So here we are upstairs and unusually this is where | 0:21:44 | 0:21:47 | |
the kitchen and the living room is. | 0:21:47 | 0:21:49 | |
So, explain how you ended up with that. | 0:21:49 | 0:21:51 | |
What was the process of decision-making? | 0:21:51 | 0:21:53 | |
There's lots of reasons why it's upside down. | 0:21:53 | 0:21:56 | |
The roof up here is quite low, so if we'd tried to partition it off | 0:21:56 | 0:22:00 | |
and put a corridor in it, it would have been very cramped and small. | 0:22:00 | 0:22:02 | |
Stuart, how do you find this? | 0:22:02 | 0:22:04 | |
It's lovely. I love the open plan-ness of it all. You can see | 0:22:04 | 0:22:07 | |
from one end of the house right across to the other, | 0:22:07 | 0:22:10 | |
20 to 30 metres away. It's really nice. | 0:22:10 | 0:22:13 | |
Now, let's move on to budget. | 0:22:13 | 0:22:15 | |
How much did you budget for this | 0:22:15 | 0:22:17 | |
and then how much did it actually cost you? | 0:22:17 | 0:22:19 | |
Well, my first budget was 82,000 and it ended up costing me 99. | 0:22:19 | 0:22:26 | |
OK. Obviously, you did a lot of the work yourself. | 0:22:26 | 0:22:29 | |
That's what Stuart would like to do. | 0:22:29 | 0:22:30 | |
Anything else that is worth bearing in mind? | 0:22:30 | 0:22:33 | |
You have to try and be creative with building and making things yourself. | 0:22:33 | 0:22:36 | |
The staircase, which looks fantastic, we made | 0:22:36 | 0:22:39 | |
-and it cost very little. -Wow. | 0:22:39 | 0:22:41 | |
Stepping back from it, | 0:22:41 | 0:22:43 | |
what is it you have to bear in mind all the way through? | 0:22:43 | 0:22:45 | |
-What is it that keeps you sane? -When you see some piece of it finished | 0:22:45 | 0:22:48 | |
and you stand back and look and think, "That looks really good," | 0:22:48 | 0:22:51 | |
it does give you that feeling of satisfaction. | 0:22:51 | 0:22:54 | |
Back in Richmond, empty property officer Jason Hall | 0:22:59 | 0:23:02 | |
is checking up on a large semi-detached house that's long been | 0:23:02 | 0:23:06 | |
a thorn in the side of local residents. | 0:23:06 | 0:23:08 | |
The owner is hoping to receive a grant from the council | 0:23:11 | 0:23:14 | |
to turn the house into two flats. | 0:23:14 | 0:23:16 | |
Before the grant can be given, Jason must find out | 0:23:16 | 0:23:19 | |
if the owner has complied with the measures ordered by the council. | 0:23:19 | 0:23:23 | |
From the outside, it looks like it's a building site in progress. | 0:23:24 | 0:23:28 | |
This has been like this for six months now. | 0:23:28 | 0:23:30 | |
There's still a huge amount of debris in the front here, | 0:23:30 | 0:23:33 | |
plus there's some food stuff | 0:23:33 | 0:23:34 | |
in and around. It all provides harbourage for rats or anything else. | 0:23:34 | 0:23:38 | |
The site really needs to be kept tidy and kept secure | 0:23:38 | 0:23:41 | |
and at the moment it's not. We've got a window open. | 0:23:41 | 0:23:44 | |
There's clearly a list of works I need to pass on to the owner, | 0:23:44 | 0:23:47 | |
things that he needs to comply with in the meantime. | 0:23:47 | 0:23:50 | |
Over the last two years, a renovation has been under way. | 0:23:50 | 0:23:53 | |
But Jason has some serious concerns about the work already done. | 0:23:53 | 0:23:58 | |
Right. OK. Down the side here, | 0:23:58 | 0:24:00 | |
we've got the extension off the original building. | 0:24:00 | 0:24:02 | |
It's quite a poor building-block construction. | 0:24:02 | 0:24:05 | |
On top of it, we've got chip-board construction, first floor. | 0:24:05 | 0:24:08 | |
It doesn't match at all with the original building. | 0:24:08 | 0:24:10 | |
It's not even close to meeting any form of building regs. | 0:24:10 | 0:24:14 | |
To get a fuller picture of the current state of the house, | 0:24:16 | 0:24:19 | |
Jason talks to those most affected by it. | 0:24:19 | 0:24:23 | |
-Hiya. -Hello. -I'm Jason Hall. | 0:24:25 | 0:24:27 | |
I'm from Richmond Council, empty property officer. | 0:24:27 | 0:24:30 | |
I'm doing some investigations into next door. | 0:24:30 | 0:24:32 | |
I'm just after some more information, really, | 0:24:32 | 0:24:34 | |
on what the main issues are for yourself with it. | 0:24:34 | 0:24:37 | |
Before it was all fenced off, I saw several people go into the property | 0:24:37 | 0:24:42 | |
to have a look let alone to urinate and things like that as well. | 0:24:42 | 0:24:48 | |
Certainly, in the last couple of days, I've seen | 0:24:48 | 0:24:51 | |
a huge rat go past, coming from that property across my patio area. | 0:24:51 | 0:24:57 | |
Now, if my baby was sat there, I would not be happy at all. | 0:24:57 | 0:25:01 | |
There is action being taken and we will be dealing with it. | 0:25:01 | 0:25:03 | |
So hopefully soon we'll have you living next to a nice property again | 0:25:03 | 0:25:06 | |
instead of the one you're looking at at the moment. | 0:25:06 | 0:25:09 | |
-Thank you. -OK. -Goodbye. -Bye-bye. | 0:25:09 | 0:25:12 | |
'Now I've been to the property and carried out an inspection | 0:25:12 | 0:25:14 | |
'and spoken to the neighbours as well,' | 0:25:14 | 0:25:16 | |
now all I need to do is go back to the office | 0:25:16 | 0:25:18 | |
and put together a schedule of works so I can get it off | 0:25:18 | 0:25:21 | |
to the owner ASAP so he can carry out the works as soon as possible. | 0:25:21 | 0:25:24 | |
Work is now under way and the owner has since demolished the extension. | 0:25:24 | 0:25:27 | |
I've been with Stuart Barclay who hopes to find | 0:25:29 | 0:25:32 | |
the perfect disused building | 0:25:32 | 0:25:34 | |
and turn it into a dream home for his young family. | 0:25:34 | 0:25:37 | |
He's been getting some useful advice from a couple who took on | 0:25:37 | 0:25:40 | |
a similar project with wonderful results. | 0:25:40 | 0:25:44 | |
Stuart, having seen this place, | 0:25:44 | 0:25:46 | |
how are you feeling about taking on a project like this? | 0:25:46 | 0:25:49 | |
Really optimistic. Having seen what John's done | 0:25:49 | 0:25:52 | |
and the budget he's managed to do it for, | 0:25:52 | 0:25:55 | |
I'm really optimistic about taking on a new project and a new life, really. | 0:25:55 | 0:25:59 | |
Yeah, fantastic. | 0:25:59 | 0:26:00 | |
He did a lot of the work himself and the figures are very encouraging. | 0:26:00 | 0:26:04 | |
Definitely. Really, really encouraging. | 0:26:04 | 0:26:06 | |
That means that potentially at least part of what I saw earlier | 0:26:06 | 0:26:09 | |
I could do within budget. | 0:26:09 | 0:26:10 | |
-So it is a place you'd consider? -I'd definitely consider that, yes. | 0:26:10 | 0:26:13 | |
Very good. OK. It's a one-off, it's got a tremendous amount of history. | 0:26:13 | 0:26:16 | |
-It would be really interesting if you do take it on. -For sure. | 0:26:16 | 0:26:19 | |
Great you're interested in the place you saw earlier | 0:26:19 | 0:26:22 | |
but whether it's that one or another one you take on, | 0:26:22 | 0:26:24 | |
I'm sure with your enthusiasm, determination and ambition | 0:26:24 | 0:26:26 | |
that you'll turn an empty property into a home very soon. | 0:26:26 | 0:26:29 | |
-I hope so. Thanks very much, Joe. -Thank you very much. Cheers. | 0:26:29 | 0:26:33 | |
Well, some great advice today for Stuart to take away with him | 0:26:33 | 0:26:35 | |
as he begins his journey to convert an empty property. | 0:26:35 | 0:26:39 | |
And you know what, we need people like Stuart, | 0:26:39 | 0:26:41 | |
ambitious, focused, determined, | 0:26:41 | 0:26:43 | |
if we're going to convert | 0:26:43 | 0:26:45 | |
empty properties in this country into homes. | 0:26:45 | 0:26:48 | |
So I'm really pleased he liked the look of the paper mill. | 0:26:48 | 0:26:51 | |
And perhaps more importantly, that he wasn't daunted | 0:26:51 | 0:26:53 | |
by a project on that scale. | 0:26:53 | 0:26:55 | |
So whether it's the paper mill or another project, | 0:26:55 | 0:26:58 | |
I'm sure that Stuart very soon will be creating his dream home. | 0:26:58 | 0:27:02 | |
Subtitles by Red Bee Media Ltd | 0:27:02 | 0:27:05 |