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Across the country, empty properties that could be homes are just | 0:00:02 | 0:00:05 | |
waiting to be brought back into use. | 0:00:05 | 0:00:07 | |
I'll be finding out why, | 0:00:09 | 0:00:10 | |
and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:14 | |
And along the way, I'll be doing some digging of my own, to find out | 0:00:14 | 0:00:17 | |
more about our housing stock, our heritage, and why we should be | 0:00:17 | 0:00:21 | |
both reinventing and preserving Britain's empty homes. | 0:00:21 | 0:00:24 | |
Taking on an empty home can seem like a real risk | 0:00:30 | 0:00:33 | |
and, of course, there are many pitfalls to look out for. | 0:00:33 | 0:00:36 | |
But for people with vision, energy and ambition, | 0:00:36 | 0:00:39 | |
the potential of abandoned buildings is enormous. | 0:00:39 | 0:00:43 | |
On today's show, two generations of a family who've taken | 0:00:43 | 0:00:46 | |
a leap of faith jointly restoring an empty Methodist chapel. | 0:00:46 | 0:00:50 | |
I just thought, what are we going to do with this space? Wow! | 0:00:50 | 0:00:54 | |
It's massive. | 0:00:54 | 0:00:56 | |
A military jail which will no longer be confined to rack and ruin. | 0:00:56 | 0:00:59 | |
This is one of the cells, they are certainly not big, are they? No, no. | 0:00:59 | 0:01:03 | |
And we'll be following an empty property officer, | 0:01:03 | 0:01:05 | |
as he aims to rescue an abandoned and unloved home. | 0:01:05 | 0:01:08 | |
Just so sad to see all their possessions just turned upside down. | 0:01:08 | 0:01:14 | |
2011, Commandant Roy Zaman MBE and his wife, Sue, relocated from | 0:01:15 | 0:01:20 | |
Lancashire to Wiltshire | 0:01:20 | 0:01:22 | |
and were on the lookout for a renovation project. | 0:01:22 | 0:01:25 | |
The idea of creating our own unique home was appealing. | 0:01:25 | 0:01:30 | |
It was as if the stars aligned | 0:01:30 | 0:01:32 | |
when Roy got a tipoff about an auction of a rather divine property. | 0:01:32 | 0:01:37 | |
They called me one day and said, "We've got a chapel. | 0:01:37 | 0:01:40 | |
"It might just be what you're looking for." | 0:01:40 | 0:01:42 | |
I came and had a look at it and went, "Wow, this is big! | 0:01:42 | 0:01:46 | |
"It's too big for me." | 0:01:46 | 0:01:48 | |
And that's when I asked Paul and Laura to come and have a look at it. | 0:01:48 | 0:01:53 | |
And, yeah, they fell in love with it as well. | 0:01:53 | 0:01:56 | |
The plan was for Roy's son, Army aircraft engineer Paul Zaman, | 0:01:56 | 0:02:00 | |
and his wife, Laura, to join forces with dad, Roy, | 0:02:00 | 0:02:03 | |
building two separate homes and eventually living as next-door neighbours. | 0:02:03 | 0:02:08 | |
I could see it straight away. | 0:02:08 | 0:02:09 | |
It had potential to be a fantastic building, | 0:02:09 | 0:02:13 | |
and two fantastic properties. | 0:02:13 | 0:02:15 | |
I stop multi-million pound military aircraft falling out of the sky. | 0:02:15 | 0:02:19 | |
How hard can it be to design and build a house? | 0:02:19 | 0:02:22 | |
For the young couple it was the chance | 0:02:22 | 0:02:24 | |
to rise up the property ladder in one almighty move. | 0:02:24 | 0:02:28 | |
We've got a £100,000 budget. | 0:02:28 | 0:02:30 | |
We'd never be able... We could buy a one-bedroom flat, if that. | 0:02:30 | 0:02:34 | |
So to be able to have a four-bedroom, two en suites, a bathroom, | 0:02:34 | 0:02:39 | |
an island in the kitchen... | 0:02:39 | 0:02:41 | |
We're almost halfway up the ladder from our first step. | 0:02:41 | 0:02:46 | |
But the family know it will take money, not miracles, | 0:02:46 | 0:02:49 | |
to transform this chapel into two comfortable homes. | 0:02:49 | 0:02:52 | |
Our budget to renovate our side of the property is £100,000, | 0:02:52 | 0:02:59 | |
with a contingency of £20,000. | 0:02:59 | 0:03:02 | |
Some people might say that's unrealistic, | 0:03:02 | 0:03:05 | |
but we're going to do the vast majority of the labour ourselves. | 0:03:05 | 0:03:11 | |
We believe that we can actually achieve that. | 0:03:11 | 0:03:14 | |
That's our dream, anyway. | 0:03:14 | 0:03:16 | |
So, all going well, in a year they should be happy neighbours. | 0:03:16 | 0:03:19 | |
That's if the demands of renovation haven't caused any family feuds. | 0:03:19 | 0:03:23 | |
We don't row at all. | 0:03:23 | 0:03:25 | |
We just disagree on, should we use levers and moments | 0:03:25 | 0:03:29 | |
or should we use brute force and ignorance? | 0:03:29 | 0:03:32 | |
HE LAUGHS | 0:03:32 | 0:03:34 | |
Is the usual row, really. The usual falling out. Yeah. | 0:03:34 | 0:03:39 | |
With a joint renovation budget of £200,000, | 0:03:39 | 0:03:42 | |
the finances are set in stone. | 0:03:42 | 0:03:44 | |
But in terms of schedule, are the family living on a wing and a prayer? | 0:03:44 | 0:03:48 | |
The timescale from where we are currently to completion, | 0:03:48 | 0:03:52 | |
well, there's a question. | 0:03:52 | 0:03:54 | |
Twice as long as half the time it'll take | 0:03:54 | 0:03:57 | |
is about the best answer I can give you. | 0:03:57 | 0:03:59 | |
ALL LAUGH | 0:03:59 | 0:04:00 | |
I'm keen to see this space for myself. | 0:04:02 | 0:04:05 | |
How are you all? Good. | 0:04:05 | 0:04:07 | |
You're standing here very proudly. | 0:04:07 | 0:04:08 | |
This is now your pile of bricks, I understand. It is indeed. | 0:04:08 | 0:04:12 | |
How exciting! How mad. | 0:04:12 | 0:04:14 | |
How mad. And all four of you are taking this on. | 0:04:14 | 0:04:17 | |
Yes. And all four of you are going to live here? Yes. | 0:04:17 | 0:04:19 | |
I think this is a first on the programme. | 0:04:19 | 0:04:21 | |
ALL LAUGH | 0:04:21 | 0:04:23 | |
We don't know how long we'll live next to each other! | 0:04:23 | 0:04:26 | |
It's a very bold and ambitious plan, but I'm excited by it. | 0:04:26 | 0:04:29 | |
Can we go inside and have a look? Absolutely. Excellent, lead the way. | 0:04:29 | 0:04:33 | |
Go on, Laura. | 0:04:33 | 0:04:34 | |
This is an absolutely amazing space. | 0:04:39 | 0:04:41 | |
Clearly you've started work on it already, but start at the beginning. | 0:04:41 | 0:04:45 | |
How did you find it, how did all of this come about? | 0:04:45 | 0:04:47 | |
I got a phone call to say we're now proud owners of a chapel. | 0:04:47 | 0:04:52 | |
Which chapel? I had no idea that he'd even looked at this. | 0:04:52 | 0:04:57 | |
What's he done? Shall I kill him now?! | 0:04:57 | 0:04:59 | |
You're going to create two homes out of this, that's the point. | 0:04:59 | 0:05:02 | |
What's the layout, where are you going with this? | 0:05:02 | 0:05:04 | |
This side, because it's got a huge roof, | 0:05:04 | 0:05:07 | |
enables me to create two upper floors instead of one. | 0:05:07 | 0:05:10 | |
Two upper floors? | 0:05:10 | 0:05:11 | |
So you've got ground, first and second. | 0:05:11 | 0:05:13 | |
Yes, this is going to be totally open-plan ground floor. Right. | 0:05:13 | 0:05:16 | |
With open-plan kitchen and utility room, | 0:05:16 | 0:05:19 | |
with a nice, long upper gallery. | 0:05:19 | 0:05:21 | |
Full height to the upper floors, | 0:05:21 | 0:05:23 | |
so we get to see some of these massive beams up there. | 0:05:23 | 0:05:26 | |
These steels, that's where the ceiling is going to be, is it? Yes. | 0:05:26 | 0:05:29 | |
So it's going to be a really high ceiling down here. | 0:05:29 | 0:05:32 | |
And then the two upper floors | 0:05:32 | 0:05:33 | |
are going to be two en-suite bedrooms on the first floor. | 0:05:33 | 0:05:37 | |
Then right up there in the roof space we're going to have | 0:05:37 | 0:05:41 | |
two guest bedrooms with a Jack and Jill bathroom. | 0:05:41 | 0:05:45 | |
So huge project, let's talk about experience. | 0:05:45 | 0:05:47 | |
You guys, am I right in thinking this is your first property? | 0:05:47 | 0:05:50 | |
We hit the ground running with this one. | 0:05:50 | 0:05:52 | |
It's exciting, isn't it? I love learning. | 0:05:52 | 0:05:54 | |
We've googled stuff to try and find out things, | 0:05:54 | 0:05:57 | |
been using sledgehammers and smashing up stuff. | 0:05:57 | 0:05:59 | |
It's been brilliant fun. A real learning curve, isn't it? | 0:05:59 | 0:06:02 | |
So this is about keeping costs down | 0:06:02 | 0:06:04 | |
and doing as much as you can yourselves. | 0:06:04 | 0:06:06 | |
I have to ask, you're very happy all living together, are you? | 0:06:06 | 0:06:09 | |
Once this is done, I see we will live independent lives. | 0:06:09 | 0:06:12 | |
There's no cat flap next door. | 0:06:12 | 0:06:15 | |
There's no connecting door into their home. | 0:06:15 | 0:06:18 | |
We'll live our independent lives as we always have done. | 0:06:18 | 0:06:21 | |
This is an incredible space, I'm very excited for you. | 0:06:21 | 0:06:23 | |
Now let's go through and see the other half, | 0:06:23 | 0:06:25 | |
which is going to be your home. | 0:06:25 | 0:06:26 | |
It's a lot bigger than I thought. From outside, it looked a lot smaller. | 0:06:28 | 0:06:32 | |
Quite a similar space, but not quite as high, is that right? | 0:06:32 | 0:06:35 | |
That's right. Again, you've got the steels in, | 0:06:35 | 0:06:37 | |
but this time, you're not going to have two floors above you, | 0:06:37 | 0:06:40 | |
you're just going to have one, so you are splitting it in two. | 0:06:40 | 0:06:43 | |
We'll have a three-quarter mezzanine. OK. | 0:06:43 | 0:06:45 | |
So we're not blocking off the windows. I see. | 0:06:45 | 0:06:48 | |
Yes, tell me about that, then. | 0:06:48 | 0:06:49 | |
This will be the lounge and the windows will be uninterrupted... | 0:06:49 | 0:06:53 | |
Correct. Light pouring in. | 0:06:53 | 0:06:54 | |
We purposely designed it to pull the floor away | 0:06:54 | 0:06:57 | |
from as many windows as we could. And what about the light? | 0:06:57 | 0:07:00 | |
It feels a bit darker in here than it does in your mum and dad's place. | 0:07:00 | 0:07:03 | |
Are you going to put some more in the roof? | 0:07:03 | 0:07:06 | |
We're having 15 window lights in the roof. 15? Yes. | 0:07:06 | 0:07:10 | |
So the door we just walked through will be sealed up? Yes. | 0:07:10 | 0:07:13 | |
As soon as physically possible. | 0:07:13 | 0:07:16 | |
THEY LAUGH | 0:07:16 | 0:07:18 | |
No interference between the two families. No. | 0:07:18 | 0:07:20 | |
How many bedrooms upstairs? Four. | 0:07:20 | 0:07:22 | |
Four? Yes. | 0:07:22 | 0:07:23 | |
And a bathroom upstairs. | 0:07:23 | 0:07:25 | |
Two en suites and a bathroom. Gosh. We've shoehorned them in. | 0:07:25 | 0:07:28 | |
Managed to get them in there, yeah. | 0:07:28 | 0:07:30 | |
When do you hope you can have | 0:07:30 | 0:07:32 | |
a couple of lovely homes here in this chapel? | 0:07:32 | 0:07:34 | |
Originally... SHE LAUGHS | 0:07:34 | 0:07:36 | |
..it was Christmas. Yeah. | 0:07:36 | 0:07:38 | |
The best thing is we don't have a property that we have to sell. | 0:07:38 | 0:07:41 | |
We're not living in a caravan. | 0:07:41 | 0:07:43 | |
We're in service family accommodation. | 0:07:43 | 0:07:46 | |
That's a really good way of doing it, | 0:07:46 | 0:07:47 | |
so you're sorted for accommodation | 0:07:47 | 0:07:49 | |
and you're also living where you work, is that right? | 0:07:49 | 0:07:51 | |
That's correct. | 0:07:51 | 0:07:52 | |
That's a really healthy situation to be in. | 0:07:52 | 0:07:54 | |
We were never going to be living in a caravan. Really? | 0:07:54 | 0:07:57 | |
Sue wouldn't entertain it. I would, but Sue wouldn't. | 0:07:57 | 0:07:59 | |
I don't do caravans or camping. | 0:07:59 | 0:08:01 | |
So you didn't get the phone call saying, | 0:08:01 | 0:08:03 | |
"I've just bought a caravan?" | 0:08:03 | 0:08:05 | |
No, no. No way. | 0:08:05 | 0:08:07 | |
I'm a five-star lady. Good! | 0:08:07 | 0:08:09 | |
This is a truly awe-inspiring space. | 0:08:11 | 0:08:14 | |
I have real faith in this family's ability to succeed here. | 0:08:14 | 0:08:18 | |
So, I have to say I hugely admire the energy and enthusiasm. | 0:08:19 | 0:08:25 | |
When that simmers away some evenings and things aren't going so well, | 0:08:25 | 0:08:29 | |
what are your main concerns here? | 0:08:29 | 0:08:32 | |
What are the things that just slightly worry you | 0:08:32 | 0:08:34 | |
about this project? | 0:08:34 | 0:08:35 | |
Are we going to run out of energy? | 0:08:37 | 0:08:40 | |
That's... I'm no spring chicken. | 0:08:40 | 0:08:43 | |
Luckily I've got two fit, young youngsters on hand | 0:08:43 | 0:08:48 | |
but that's my biggest concern, are we going to run out of steam? | 0:08:48 | 0:08:51 | |
Is the enthusiasm going to wane? | 0:08:51 | 0:08:54 | |
There's always the unforeseen. | 0:08:54 | 0:08:56 | |
In the military they teach us to expect the unexpected. | 0:08:56 | 0:09:01 | |
We know how to do that. | 0:09:01 | 0:09:03 | |
On this, it's all unexpected because we're not builders. Yeah. | 0:09:03 | 0:09:08 | |
We're learning as we go along. | 0:09:08 | 0:09:10 | |
It will be really good for you to meet a couple who've been through this. | 0:09:10 | 0:09:13 | |
They can tell you what it's like, whether you end up burning out, | 0:09:13 | 0:09:16 | |
how much you should be taking on yourself, how to work as a team. | 0:09:16 | 0:09:18 | |
But also, the building they've got is very similar to yours. | 0:09:18 | 0:09:21 | |
I think there's a lot of inspiration you can take from it, | 0:09:21 | 0:09:24 | |
and they should have some good, old-fashioned advice. Sounds good? | 0:09:24 | 0:09:27 | |
Fantastic. Excellent. | 0:09:27 | 0:09:29 | |
Not every empty building is lucky enough | 0:09:29 | 0:09:32 | |
to attract enthusiastic buyers with such vision. | 0:09:32 | 0:09:36 | |
Across Britain, empty property officers are working tirelessly | 0:09:36 | 0:09:39 | |
to combat the problems associated with derelict buildings. | 0:09:39 | 0:09:43 | |
Dave Carter is one of Enfield's top empty property officers. | 0:09:43 | 0:09:48 | |
In his 12 years on the job, | 0:09:48 | 0:09:49 | |
Dave has personally brought over 600 abandoned abodes back to use. | 0:09:49 | 0:09:54 | |
In Enfield, it's believed there are over 3,000 empty properties, | 0:09:54 | 0:09:59 | |
of which about 500 are a real problem. | 0:09:59 | 0:10:03 | |
It's my job, as an empty property officer, | 0:10:03 | 0:10:05 | |
to try and reduce those numbers to an absolute bare minimum | 0:10:05 | 0:10:08 | |
and get families living in these as soon as possible. | 0:10:08 | 0:10:11 | |
Dave's inspecting a 1930s end of terrace house | 0:10:12 | 0:10:16 | |
that's been attracting a lot of unwanted attention. | 0:10:16 | 0:10:19 | |
Today I'm going to be visiting the house, just to check | 0:10:19 | 0:10:22 | |
whether there are any obvious signs of the property being squatted. | 0:10:22 | 0:10:26 | |
I'll also be looking to see | 0:10:26 | 0:10:28 | |
if there are any signs of antisocial behaviour, | 0:10:28 | 0:10:30 | |
so it will be very interesting to see exactly what I do come across. | 0:10:30 | 0:10:33 | |
When entering an abandoned building for the first time, | 0:10:33 | 0:10:36 | |
Dave has no idea what or who he may find. | 0:10:36 | 0:10:40 | |
I'm a little bit nervous, always a little bit of trepidation | 0:10:40 | 0:10:43 | |
when you approach a property for the first time, | 0:10:43 | 0:10:45 | |
when you think it might be squatted. | 0:10:45 | 0:10:48 | |
There have been times in the past when I've even been chased down the | 0:10:48 | 0:10:51 | |
stairs by squatters with a baseball bat, wondering what I was up to. | 0:10:51 | 0:10:55 | |
Before stepping inside, he has to do his best to assess | 0:10:55 | 0:10:58 | |
the situation based on what he can see from the exterior. | 0:10:58 | 0:11:02 | |
There's things scattered all over the floor. | 0:11:02 | 0:11:05 | |
Just a little bit tired and neglected. | 0:11:05 | 0:11:08 | |
He then checks for signs of a break-in | 0:11:08 | 0:11:10 | |
round the back of the building. | 0:11:10 | 0:11:12 | |
You can see straight away the broken window. | 0:11:12 | 0:11:15 | |
The door's open. | 0:11:15 | 0:11:17 | |
See the bin, overgrown garden. Be careful where I tread, actually. | 0:11:22 | 0:11:26 | |
This place is clearly in a real state | 0:11:26 | 0:11:28 | |
and will need some major work to make it habitable. | 0:11:28 | 0:11:31 | |
Just so sad to see all their possessions just turned upside down. | 0:11:31 | 0:11:36 | |
More evidence of just general clutter. | 0:11:36 | 0:11:40 | |
Downstairs is squatter-free, but upstairs has to be checked as well. | 0:11:40 | 0:11:44 | |
Hello? | 0:11:44 | 0:11:45 | |
Hello? | 0:11:48 | 0:11:50 | |
HE KNOCKS AT DOOR | 0:11:50 | 0:11:52 | |
Nobody there. | 0:11:52 | 0:11:53 | |
Hello? | 0:11:53 | 0:11:56 | |
Right. | 0:11:56 | 0:11:58 | |
So, yeah, obviously whoever's been in here has just gone through | 0:11:58 | 0:12:01 | |
the whole of this room. | 0:12:01 | 0:12:04 | |
There's even a photo, presumably... | 0:12:04 | 0:12:07 | |
"For my Sweetheart." | 0:12:08 | 0:12:12 | |
A wartime photo. | 0:12:12 | 0:12:14 | |
Presumably that was the owner. | 0:12:14 | 0:12:16 | |
That would have meant a lot to him at the time | 0:12:16 | 0:12:18 | |
and now it's just discarded on the floor. | 0:12:18 | 0:12:21 | |
Squatters have clearly been inside, but to find out how recently, | 0:12:21 | 0:12:24 | |
he heads over to one of the neighbours for a chat. | 0:12:24 | 0:12:27 | |
KNOCKS ON DOOR | 0:12:27 | 0:12:28 | |
So you've been having problems once again with the squatters, have you? | 0:12:30 | 0:12:34 | |
Yeah, they're in and out. You think the property is definitely squatted? | 0:12:34 | 0:12:38 | |
Yes. We've seen them going in and out, up to about 20 of them. No! 20? | 0:12:38 | 0:12:43 | |
Yeah, in and out of there. It's really becoming a bit... | 0:12:43 | 0:12:47 | |
unsociable around here. Yes. | 0:12:47 | 0:12:50 | |
You hear them hanging around here at night-time as well outside. | 0:12:50 | 0:12:53 | |
It's frustrating because I've got grandkids... Just hanging around? | 0:12:53 | 0:12:57 | |
Yes. Hanging around the front of your house. | 0:12:57 | 0:12:59 | |
Even in the daytime, you have some of them | 0:12:59 | 0:13:02 | |
hanging around on the corner there. | 0:13:02 | 0:13:03 | |
I don't feel comfortable coming out to try and say anything. No. | 0:13:03 | 0:13:06 | |
To say anything to them. | 0:13:06 | 0:13:08 | |
It's a bit unnerving when it's right on your doorstep. | 0:13:08 | 0:13:11 | |
I'll see what I can do to help. I appreciate that. | 0:13:11 | 0:13:13 | |
I'll try and get it sorted out. OK. | 0:13:13 | 0:13:15 | |
Thank you. Bye-bye. | 0:13:15 | 0:13:17 | |
I've had a good look round the property, it is in a mess. | 0:13:20 | 0:13:23 | |
I need to get it sorted as soon as possible. | 0:13:23 | 0:13:25 | |
The good news is that the squatters aren't there at the minute. | 0:13:25 | 0:13:28 | |
The bad news is that they are in the vicinity, likely to come back. | 0:13:28 | 0:13:33 | |
So I need to get my report in, get the photos as evidence, so the | 0:13:33 | 0:13:37 | |
environmental health can get the house boarded up as soon as possible. | 0:13:37 | 0:13:41 | |
If you're in the market for an empty property, | 0:13:41 | 0:13:43 | |
there are many ways to pick one up. | 0:13:43 | 0:13:45 | |
Talk with local estate agents and auctioneers. | 0:13:45 | 0:13:48 | |
Ask around your family and friends. | 0:13:48 | 0:13:50 | |
Or get in touch with your local council's empty property officer. | 0:13:50 | 0:13:55 | |
Empty buildings come in all shapes and sizes, | 0:13:55 | 0:13:57 | |
and developers need to get creative with the unusual properties | 0:13:57 | 0:14:01 | |
becoming available to them. | 0:14:01 | 0:14:02 | |
One such example is decommissioned Army barracks. | 0:14:02 | 0:14:06 | |
You may not expect to find a military barracks | 0:14:06 | 0:14:08 | |
right in the centre of a town or city, | 0:14:08 | 0:14:10 | |
but historically that's exactly where they were, | 0:14:10 | 0:14:13 | |
to protect the citizens from attack. | 0:14:13 | 0:14:15 | |
I've come to Winchester to find out how the creative use | 0:14:15 | 0:14:17 | |
of a military site has helped provide homes for local families. | 0:14:17 | 0:14:21 | |
Now a stunning development, | 0:14:21 | 0:14:23 | |
historically, the Peninsula Army Barracks | 0:14:23 | 0:14:25 | |
have always been a military site, stretching as far back | 0:14:25 | 0:14:28 | |
as the Romans, and more recently rebuilt by the Victorians. | 0:14:28 | 0:14:31 | |
But 20 years ago, it was finally decommissioned by the MoD | 0:14:31 | 0:14:35 | |
and was on the verge of demolition. | 0:14:35 | 0:14:37 | |
Local architect Hugh Thomas was instrumental in saving | 0:14:37 | 0:14:41 | |
this extraordinary sight and creating these fantastic homes. | 0:14:41 | 0:14:44 | |
What was going to happen to these buildings, what was the future? | 0:14:44 | 0:14:48 | |
One idea was to turn this into a car park. | 0:14:48 | 0:14:51 | |
But the worst thing was that planning permission was given to knock | 0:14:51 | 0:14:54 | |
the whole lot down, most of it down. | 0:14:54 | 0:14:55 | |
So I started a campaign with Save Britain's Heritage | 0:14:55 | 0:14:59 | |
to try and stop this. It took us a whole year. | 0:14:59 | 0:15:01 | |
How many homes have you made out of these buildings, over 100? | 0:15:01 | 0:15:05 | |
Yes, about 135, something like that. | 0:15:05 | 0:15:08 | |
And there's one final piece of the jigsaw, isn't there? There is. | 0:15:08 | 0:15:11 | |
Amazingly, after all these years, since 1998, there is a big chunk | 0:15:11 | 0:15:15 | |
of the bottom of the barracks that never was actually built out. | 0:15:15 | 0:15:19 | |
I've recently got planning permission to finish it off, finish the story. | 0:15:19 | 0:15:23 | |
How does this feel, after all these years working on the site? | 0:15:23 | 0:15:26 | |
Brilliant. I still pinch myself I got away with the whole thing! | 0:15:26 | 0:15:29 | |
THEY LAUGH | 0:15:29 | 0:15:31 | |
The less glamorous section of the barracks is the military jail, | 0:15:31 | 0:15:34 | |
which was on the verge of total ruin and in need of rescuing. | 0:15:34 | 0:15:38 | |
Peter Goldring is the man responsible | 0:15:38 | 0:15:40 | |
for these jailhouse buildings. | 0:15:40 | 0:15:42 | |
Peter, I'm Joe, nice to meet you. Nice to meet you too. | 0:15:42 | 0:15:44 | |
You're the proud owner, are you? Indeed. Great. | 0:15:44 | 0:15:46 | |
Can we have a look inside? Certainly, follow me. | 0:15:46 | 0:15:48 | |
For years, Peter and Hugh couldn't agree on what to do with the jail. | 0:15:48 | 0:15:52 | |
But in a last bid to save it, | 0:15:52 | 0:15:54 | |
they came together to unlock the potential of this site. | 0:15:54 | 0:15:57 | |
These are cells, this is an old military jail. Indeed. | 0:15:57 | 0:16:00 | |
It looks in a pretty run-down state now. | 0:16:00 | 0:16:03 | |
Can we just poke our heads through | 0:16:03 | 0:16:05 | |
and have a look at some of the old cells? | 0:16:05 | 0:16:06 | |
You're very welcome. Just over here? Sure. | 0:16:06 | 0:16:09 | |
I'm eager to get a closer look. | 0:16:09 | 0:16:11 | |
And thankfully, these days there's no chance of getting locked in. | 0:16:11 | 0:16:15 | |
This is one of the cells. They're certainly not big, are they? No, no. | 0:16:15 | 0:16:18 | |
Just enough room for a bed. You don't get comfort in the Army. No. | 0:16:18 | 0:16:22 | |
And these windows are original. | 0:16:22 | 0:16:23 | |
That's probably all the light you'd have in a cell here. | 0:16:23 | 0:16:26 | |
This wouldn't be the door, no. This wouldn't be a door, | 0:16:26 | 0:16:28 | |
and the next one wouldn't have been a door either, no. | 0:16:28 | 0:16:30 | |
It seems a big ask to make small cells into very nice homes, | 0:16:30 | 0:16:33 | |
but let's have a look at your plans | 0:16:33 | 0:16:34 | |
and see what you've got in store for people. | 0:16:34 | 0:16:37 | |
OK. | 0:16:37 | 0:16:38 | |
These two are clearly taking no prisoners | 0:16:38 | 0:16:40 | |
when it comes to creating these new properties. | 0:16:40 | 0:16:43 | |
Hugh, this mountain of paper are your plans for the site. | 0:16:43 | 0:16:46 | |
Talk me through how you're going to transform this, what's the idea? | 0:16:46 | 0:16:49 | |
In total there'll be five dwellings on the site. | 0:16:49 | 0:16:51 | |
Three will be three bedrooms and two will be four. It'll be gorgeous. | 0:16:51 | 0:16:54 | |
So, just to get my head around it, the cell we were just looking in, | 0:16:54 | 0:16:57 | |
that's actually going to be part of a sitting room... It is now, yes. | 0:16:57 | 0:17:01 | |
..for the big house on the end, that's going to be four bedrooms. | 0:17:01 | 0:17:03 | |
Then here, you're going to tack onto the end of this building to make a three-bedroom house. Yes. | 0:17:03 | 0:17:07 | |
Another one is going to come around here, there'll be an arch, | 0:17:07 | 0:17:10 | |
but you'll have another three-bedroom here. That's right. | 0:17:10 | 0:17:13 | |
And this is all going to be a courtyard in the middle here. Yes, a courtyard. | 0:17:13 | 0:17:16 | |
It's a great use of this space, isn't it? | 0:17:16 | 0:17:18 | |
It's exactly what we should be doing here. It's a very, very... It's not an overuse. | 0:17:18 | 0:17:22 | |
It's an absolutely efficient use of space, it's really good. | 0:17:22 | 0:17:25 | |
There's no denying the wasted potential here over the years. | 0:17:27 | 0:17:29 | |
It's a shame it's taken so long to get plans to bring this building | 0:17:29 | 0:17:34 | |
back to life again, but finally it does look like that's happened. | 0:17:34 | 0:17:37 | |
Things are moving, there's some great ideas here | 0:17:37 | 0:17:39 | |
for three- and four-bedroom family homes, and in that way, hopefully they can | 0:17:39 | 0:17:43 | |
make the best of these buildings, maintain and keep the history alive | 0:17:43 | 0:17:47 | |
and create some wonderful homes for future generations. | 0:17:47 | 0:17:50 | |
It's not only architects and developers | 0:17:51 | 0:17:54 | |
who are turning historic sites into homes. | 0:17:54 | 0:17:56 | |
Up and down the country, | 0:17:56 | 0:17:57 | |
there are plenty of people who are bringing their own ideas to life. | 0:17:57 | 0:18:00 | |
In West Sussex, retired couple Ray and Cathy Foster | 0:18:02 | 0:18:05 | |
wanted to get back to their roots | 0:18:05 | 0:18:07 | |
when they purchased this Grade II listed farmhouse | 0:18:07 | 0:18:10 | |
that had sat empty for ten years. | 0:18:10 | 0:18:13 | |
I was brought up on a farm, so one of the points that drew us | 0:18:13 | 0:18:17 | |
to this property was the land that was attached. | 0:18:17 | 0:18:20 | |
It was just the feel as we walked around. | 0:18:20 | 0:18:23 | |
Although ceilings were falling down, wallpaper was falling off. | 0:18:23 | 0:18:26 | |
It felt like home even when it was in that state. | 0:18:26 | 0:18:30 | |
The house was in need of total renovation. | 0:18:30 | 0:18:33 | |
The walls of the kitchen were in such a bad state | 0:18:33 | 0:18:36 | |
that they had to be rebuilt. | 0:18:36 | 0:18:38 | |
So there were tiles that had sunk, | 0:18:38 | 0:18:41 | |
and leaving daylight through...meant that the roof had to come right off, | 0:18:41 | 0:18:46 | |
and one particular builder we had round, he came and said, | 0:18:46 | 0:18:50 | |
"Your building is dying. | 0:18:50 | 0:18:53 | |
"It's dying." And... | 0:18:53 | 0:18:55 | |
..we just wanted to bring it back to life. | 0:18:57 | 0:19:00 | |
Working with a listed building presents its own unique challenges. | 0:19:00 | 0:19:04 | |
The Grade II listings meant that we couldn't change | 0:19:04 | 0:19:09 | |
any part of the old house. | 0:19:09 | 0:19:12 | |
We had to stick with single-glazed windows, | 0:19:12 | 0:19:16 | |
all the outside had to be kept the same, | 0:19:16 | 0:19:19 | |
we had to have a lot of windows | 0:19:19 | 0:19:20 | |
renovated to give the original look that the house was built. | 0:19:20 | 0:19:25 | |
And like in so many old houses, | 0:19:25 | 0:19:27 | |
there were hidden gems to be unearthed. | 0:19:27 | 0:19:29 | |
One of the things about the history that we found | 0:19:29 | 0:19:32 | |
was that there was a possibility | 0:19:32 | 0:19:34 | |
that there was an inglenook fireplace. | 0:19:34 | 0:19:36 | |
Now, this, when we came, was just a small opening, | 0:19:36 | 0:19:39 | |
so one day I got the jemmy out and started ripping it out. | 0:19:39 | 0:19:44 | |
I think that was the most exciting thing, | 0:19:44 | 0:19:47 | |
to actually find this inglenook fireplace. Hm. | 0:19:47 | 0:19:49 | |
After an epic renovation, this couple finally got their dream home. | 0:19:51 | 0:19:56 | |
I don't think there is a room that I like best, I just love it all. | 0:19:56 | 0:20:00 | |
I love the orangery, to be able to sit in there | 0:20:00 | 0:20:02 | |
and look out over the fields and see the birds. Love the kitchen, | 0:20:02 | 0:20:06 | |
love the breakfast room, love it all, love looking out into the garden. | 0:20:06 | 0:20:09 | |
We love the snug - | 0:20:09 | 0:20:10 | |
when you light the wood burner and lives up to its name, | 0:20:10 | 0:20:13 | |
all nice and snug. | 0:20:13 | 0:20:15 | |
So, it's a nice, cosy room. | 0:20:15 | 0:20:17 | |
Ray and Cathy have created not just a home, but a real legacy. | 0:20:17 | 0:20:21 | |
It's now a house that I leave for future generations. | 0:20:21 | 0:20:27 | |
It's investing in the future, | 0:20:27 | 0:20:29 | |
it's giving people the benefit of this property. | 0:20:29 | 0:20:32 | |
Back in Wiltshire, I am with the Zamans, | 0:20:34 | 0:20:37 | |
two generations who've clubbed together to buy | 0:20:37 | 0:20:39 | |
an old Methodist chapel to turn into two properties. | 0:20:39 | 0:20:42 | |
To help inspire them, | 0:20:43 | 0:20:45 | |
I'm introducing them to a couple who've completed their own | 0:20:45 | 0:20:48 | |
minor miracle, turning their old chapel into a comfortable home. | 0:20:48 | 0:20:51 | |
I think you can immediately see why I brought you here. | 0:20:51 | 0:20:55 | |
What do you make of that? Wow. It's amazing. That is beautiful. | 0:20:55 | 0:21:00 | |
While looking for a home with real spirit, | 0:21:00 | 0:21:02 | |
Sally and David Yarnton purchased their chapel at auction in 2006. | 0:21:02 | 0:21:07 | |
For many years, we liked the idea of finding an old property | 0:21:07 | 0:21:10 | |
that you could, you know, do something to to restore it, | 0:21:10 | 0:21:13 | |
that had character, that was maybe a blank canvas, | 0:21:13 | 0:21:16 | |
that was in such a state that you could really bring it back | 0:21:16 | 0:21:19 | |
and get some of the life back into it. | 0:21:19 | 0:21:21 | |
And, you know, this was an empty church which had so much character | 0:21:21 | 0:21:24 | |
that we could add our own feel and touch to it. | 0:21:24 | 0:21:27 | |
Sally took it upon herself to project manage the restoration | 0:21:27 | 0:21:31 | |
and picked up some extremely useful tips along the way. | 0:21:31 | 0:21:34 | |
A good piece of advice would be to find the right tradesmen. | 0:21:34 | 0:21:37 | |
Particularly with an old building, | 0:21:37 | 0:21:39 | |
you need to be able to work within the confines of restricted areas. | 0:21:39 | 0:21:42 | |
I mean, you've got to fit a floor around some odd beam work. | 0:21:42 | 0:21:46 | |
I mean, we're working in a building that's been here for years, | 0:21:46 | 0:21:49 | |
you've got to be sympathetic to that and work within | 0:21:49 | 0:21:52 | |
the confines of that, so you need someone that understands it. | 0:21:52 | 0:21:54 | |
It's clear this chapel was a real labour of love. | 0:21:54 | 0:21:58 | |
When you've put the work in yourselves, | 0:21:58 | 0:22:00 | |
when you've actually designed it, | 0:22:00 | 0:22:01 | |
you have a lot more connection, you put a lot more blood and sweat | 0:22:01 | 0:22:04 | |
into it, you've seen it from when it was in its ruins | 0:22:04 | 0:22:07 | |
and you've seen it grow and develop and it's almost like a child, | 0:22:07 | 0:22:09 | |
I suppose, where you take pride in seeing the finished product. | 0:22:09 | 0:22:15 | |
I love our church. I love our house. | 0:22:15 | 0:22:18 | |
It's our home and we have got so much pleasure out of living here. | 0:22:18 | 0:22:23 | |
Mm. | 0:22:23 | 0:22:24 | |
Hello. Welcome. Sally, how are you? Very well. Can we come in? | 0:22:26 | 0:22:29 | |
Come through. Thank you. | 0:22:29 | 0:22:31 | |
Guys, it's breathtaking as you walk in. It's an incredible place. | 0:22:31 | 0:22:34 | |
But I know it wasn't always like this, | 0:22:34 | 0:22:36 | |
so just talk us through it from the start. | 0:22:36 | 0:22:38 | |
Just how run-down was it and how much work have you had to do here? | 0:22:38 | 0:22:41 | |
We've had an amazing amount of work. We started in October 2006 and built | 0:22:41 | 0:22:46 | |
for six months, and prior to that it was about a year in planning. | 0:22:46 | 0:22:49 | |
When you come into this space, what do you make of this ceiling height? | 0:22:49 | 0:22:52 | |
That's what we're talking about in yours, aren't we? Having these ceilings. | 0:22:52 | 0:22:55 | |
I think this is probably going to be about the same challenge | 0:22:55 | 0:22:58 | |
that we have, ceiling heights. Let's talk about light. | 0:22:58 | 0:23:02 | |
We have windows on two sides and then we have the church side | 0:23:02 | 0:23:07 | |
on the third side, and on the fourth side, it's very dark wood. | 0:23:07 | 0:23:10 | |
We're trying to come up with a solution to get light into the darker areas downstairs. | 0:23:10 | 0:23:14 | |
That is an issue with churches, unfortunately, | 0:23:14 | 0:23:17 | |
you do have limited light, because you're working within the probably | 0:23:17 | 0:23:21 | |
Gothic windows, which I assume you have, and they're very narrow. | 0:23:21 | 0:23:24 | |
So, we had old leadlight windows, which we had taken out | 0:23:24 | 0:23:29 | |
and then we had double-glazed put in. | 0:23:29 | 0:23:31 | |
If you can get through a wall and get an extra door in with | 0:23:31 | 0:23:35 | |
lots of glass in it, that's really helpful as well. | 0:23:35 | 0:23:38 | |
That's a good tip, so shifting light around within the internal structure. | 0:23:38 | 0:23:41 | |
Glass in doors, even for internal doors, could be considered. Yes. | 0:23:41 | 0:23:44 | |
Cutting across the windows, I see that's always the challenge. | 0:23:44 | 0:23:49 | |
What was your compromise there? | 0:23:49 | 0:23:50 | |
You've brought the ceiling just short of the windows. | 0:23:50 | 0:23:54 | |
Explain the thinking there. | 0:23:54 | 0:23:56 | |
Well, I mean, when you see where it stops, you can see that we have | 0:23:56 | 0:24:00 | |
a major stained-glass window, so we didn't want to interrupt that. | 0:24:00 | 0:24:03 | |
To me, it's a piece of art, | 0:24:03 | 0:24:05 | |
and when you go upstairs, | 0:24:05 | 0:24:07 | |
you can also see the whole of the window as well. | 0:24:07 | 0:24:09 | |
So you get to be able to view that window from upstairs | 0:24:09 | 0:24:11 | |
and downstairs, and also, it lets a little bit of light in, | 0:24:11 | 0:24:14 | |
not as much as normal light, but at night-time, | 0:24:14 | 0:24:17 | |
we have a spotlight outside so that it shines on that and | 0:24:17 | 0:24:21 | |
lights it up at night, so from inside you actually get a beautiful picture. | 0:24:21 | 0:24:25 | |
Oh, that's a great idea, what do you think of that? | 0:24:25 | 0:24:28 | |
Fantastic. That could work. | 0:24:28 | 0:24:30 | |
Great, well, let's continue our tour, shall we? Absolutely. | 0:24:30 | 0:24:32 | |
Terrific. Sally, lead the way. Let's go. | 0:24:32 | 0:24:35 | |
Hopefully there's some truly divine inspiration here | 0:24:36 | 0:24:39 | |
for the Zaman family. | 0:24:39 | 0:24:40 | |
Is this what you expected? That's amazing. This is what I want. | 0:24:43 | 0:24:46 | |
Outstanding. What a fantastic space. | 0:24:47 | 0:24:50 | |
So, you've made this into a living room, | 0:24:50 | 0:24:52 | |
but you've also got a kind of study and a little snug bit there. | 0:24:52 | 0:24:55 | |
Yes. It's an amazing area. | 0:24:55 | 0:24:57 | |
We wanted to use the beams, we had them sandblasted, | 0:24:57 | 0:25:01 | |
we really wanted to make this a special area. | 0:25:01 | 0:25:04 | |
What do you think about the openness of it and the height of it? | 0:25:04 | 0:25:08 | |
I love it. This roof lends itself to what you've achieved, Sally. | 0:25:08 | 0:25:12 | |
This is how I see my woodwork, my timber, cleaned up, | 0:25:12 | 0:25:17 | |
on show. | 0:25:17 | 0:25:18 | |
The history of the building. Yeah. Sally, you were the project manager. | 0:25:18 | 0:25:23 | |
Yes. We actually had a main builder and he had his team | 0:25:23 | 0:25:26 | |
that worked with him, so we had a cabinet-maker, he had a roofer, | 0:25:26 | 0:25:31 | |
someone that did all of the pointing, | 0:25:31 | 0:25:33 | |
so he had his own tradesmen. | 0:25:33 | 0:25:35 | |
He had to keep on track with it, cos she was also ordering all of the raw materials that they needed | 0:25:35 | 0:25:39 | |
and things like the timber for flooring, | 0:25:39 | 0:25:41 | |
had to make sure that was delivered in time. | 0:25:41 | 0:25:43 | |
But it also had to be delivered ahead of time, | 0:25:43 | 0:25:45 | |
because it had to stay in the building for a while to cure. | 0:25:45 | 0:25:47 | |
That seems to be where the teamwork's going to come in, | 0:25:47 | 0:25:50 | |
because even if you're not all hands on, | 0:25:50 | 0:25:51 | |
all the time, someone's got to be thinking about materials | 0:25:51 | 0:25:54 | |
and getting the best price and going out... | 0:25:54 | 0:25:56 | |
I think this is where Sue comes in. Yes. | 0:25:56 | 0:25:59 | |
Well, you're still smiling about it, that's a good sign. Yeah. | 0:25:59 | 0:26:02 | |
And one thing we didn't talk about earlier... | 0:26:02 | 0:26:04 | |
We talked a lot about natural light. There's other kinds of light. | 0:26:04 | 0:26:07 | |
I don't know what you think of this, but looking around the room, | 0:26:07 | 0:26:09 | |
there's an incredibly sort of varied | 0:26:09 | 0:26:12 | |
and quite inventive approach to lighting here. | 0:26:12 | 0:26:15 | |
Using the white ceiling to reflect the light, as well, | 0:26:15 | 0:26:17 | |
seems like a great idea. Yeah. | 0:26:17 | 0:26:19 | |
It softens things a bit, rather than having direct light down on you... | 0:26:19 | 0:26:23 | |
sort of becomes very harsh. | 0:26:23 | 0:26:25 | |
Whereas having it, as you say, reflecting off the ceiling | 0:26:25 | 0:26:28 | |
makes it much warmer, and also having uplights highlight a lot of the work. | 0:26:28 | 0:26:34 | |
Any final advice? I mean, it's a long project. | 0:26:34 | 0:26:37 | |
Just, you know, how do you keep sane through these things, | 0:26:37 | 0:26:41 | |
you know, how do you keep going? | 0:26:41 | 0:26:43 | |
I just think, it's your home, you've bought it because you love it | 0:26:43 | 0:26:46 | |
and you'll create something that you'll really appreciate in the long-term. | 0:26:46 | 0:26:51 | |
You know, if you work well together and you work as a team, | 0:26:51 | 0:26:55 | |
you'll have something amazing, so good luck. | 0:26:55 | 0:26:57 | |
Where do we start? What do you make of that? | 0:26:58 | 0:27:00 | |
I mean, it's quite a place, isn't it? Has today be helpful? | 0:27:00 | 0:27:03 | |
Very helpful, yeah, yeah. | 0:27:03 | 0:27:05 | |
I think I can see more what mine's going to be like when it's finished. | 0:27:05 | 0:27:09 | |
What about you, Roy? I think David and Sally have done a fantastic job. | 0:27:09 | 0:27:12 | |
It's been very, very useful. | 0:27:12 | 0:27:14 | |
And although I had in my head what I want to achieve, | 0:27:14 | 0:27:19 | |
physically seeing something like this is worth a weight in gold. | 0:27:19 | 0:27:24 | |
And, Paul, how did you find it? | 0:27:24 | 0:27:25 | |
It's very heartening to see the finished product | 0:27:25 | 0:27:28 | |
and to know that our empty property is transitioning | 0:27:28 | 0:27:33 | |
through what has now become an empty home | 0:27:33 | 0:27:35 | |
and can be a very lived-in home and a very successful project. | 0:27:35 | 0:27:40 | |
I'm so pleased that Roy, Sue, Paul and Laura | 0:27:41 | 0:27:43 | |
could see this place today. | 0:27:43 | 0:27:45 | |
There really won't be many better examples of how you can turn | 0:27:45 | 0:27:49 | |
a full-on chapel into a really lovely, cosy home. | 0:27:49 | 0:27:54 | |
This place is just full of inspiration. | 0:27:54 | 0:27:57 | |
I know that means those four are going away brimming | 0:27:57 | 0:27:59 | |
with ideas about windows, about ceiling heights, lighting designs. | 0:27:59 | 0:28:03 | |
You name it, they've seen it here. | 0:28:03 | 0:28:05 | |
So, it's been perfect for the stage they're at | 0:28:05 | 0:28:08 | |
and I've just got a great feeling now. They're going to go forward | 0:28:08 | 0:28:10 | |
and create these two wonderful homes from their very special chapel. | 0:28:10 | 0:28:14 | |
Subtitles by Red Bee Media Ltd | 0:28:25 | 0:28:30 |